Quotes about end
page 43

Bernie Sanders photo

“We have a crisis in higher education today. Too many of our young people cannot afford a college education and those who are leaving college are faced with crushing debt. It is a national disgrace that hundreds of thousands of young Americans today do not go to college, not because they are unqualified, but because they cannot afford it. This is absolutely counterproductive to our efforts to create a strong competitive economy and a vibrant middle class. This disgrace has got to end. In a global economy, when our young people are competing with workers from around the world, we have got to have the best educated workforce possible. And, that means that we have got to make college affordable. We have got to make sure that every qualified American in this country who wants to go to college can go to college -- regardless of income. Further, it is unacceptable that 40 million Americans are drowning in more than $1.2 trillion in student loan debt. It is unacceptable that millions of college graduates cannot afford to buy their first home or their first new car because of the high interest rates they are paying on student debt. It is unacceptable that, in many instances, interest rates on student loans are two to three times higher than on auto loans.”

Bernie Sanders (1941) American politician, senator for Vermont

Bernie Sanders Statement by Senator Bernard Sanders on the College for All Act http://www.sanders.senate.gov/download/051915-highered/?inline=file (19 May 2015)
2010s, 2015

Richard Dawkins photo
Tawakkol Karman photo

“Students’ role doesn’t end in the classroom. Student-led movements have always been a part in changing history and fulfilling peoples’ dreams of achieving freedom and dignity”

Tawakkol Karman (1979) Yemeni journalist, politician, human rights activist, and Nobel Peace Prize recipient

interview after her speech
2010s, Nobel Prize winner highlights women’s role in Arab Spring (2011)

Lauren Anderson (model) photo
Didier Sornette photo

“Profiting from being in the minority leads to interesting paradoxes. Rather diabolically, if all traders use the same set of rules, they will end up doing the same thing at the same time and cannot therefore be in the minority.”

Didier Sornette (1957) French scientist

Source: Why Stock Markets Crash - Critical Events in Complex Systems (2003), Chapter 4, Positive Feedbacks, p. 115

PewDiePie photo
Leszek Kolakowski photo

“A few months ago I read an interview with a critic; a well-known critic; an unusually humane and intelligent critic. The interviewer had just said that the critic “sounded like a happy man”, and the interview was drawing to a close; the critic said, ending it all: “I read, but I don’t get any time to read at whim. All the reading I do is in order to write or teach, and I resent it. We have no TV, and I don’t listen to the radio or records, or go to art galleries or the theater. I’m a completely negative personality.”
As I thought of that busy, artless life—no records, no paintings, no plays, no books except those you lecture on or write articles about—I was so depressed that I went back over the interview looking for some bright spot, and I found it, one beautiful sentence: for a moment I had left the gray, dutiful world of the professional critic, and was back in the sunlight and shadow, the unconsidered joys, the unreasoned sorrows, of ordinary readers and writers, amateurishly reading and writing “at whim”. The critic said that once a year he read Kim, it was plain, at whim: not to teach, not to criticize, just for love—he read it, as Kipling wrote it, just because he liked to, wanted to, couldn’t help himself. To him it wasn’t a means to a lecture or an article, it was an end; he read it not for anything he could get out of it, but for itself. And isn’t this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means—that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives, but during the contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence: Read at whim! read at whim!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poets, Critics, and Readers”, pp. 112–113
A Sad Heart at the Supermarket: Essays & Fables (1962)

Friedrich Engels photo
Berthe Morisot photo

“These last days [of Manet, dying] were very painful. Poor Edouard suffered atrociously. His agony was horrible, death in one of its most appealing forms, that I once again witnessed at a very close range. If you add to these almost physical emotions my old bond of friendship with Edouard, a entire past of youth and work suddenly ending, you will know that I am devastated.”

Berthe Morisot (1841–1895) painter from France

in a letter to her sister Edma, April 1883; as quoted in The Correspondence of Berthe Morisot, with her family and friends Denish Rouart - newly introduced by Kathleen Adler and Tamer Garb; Camden Press London 198, p. 131
1881 - 1895

Frank Wilczek photo

“An ordinary mistake is one that leads to a dead end, while a profound mistake is one that leads to progress. Anyone can make an ordinary mistake, but it takes a genius to make a profound mistake.”

Frank Wilczek (1951) physicist

Source: The Lightness of Being – Mass, Ether and the Unification of Forces (2008), Ch. 1, p. 12.

Kevin Kelly photo
Russell Brand photo
John McCain photo

“Let me just say again, We have drawn down. Three of the five brigades are home. The Marines, the additional Marines are home. By the end of July, they will have been back.”

John McCain (1936–2018) politician from the United States

Restating his position that U.S. troops in Iraq have been drawn down to pre-surge levels; 30 May 2008; see above for misquote he was defending http://www.msnbc.msn.com/id/3719710/
2000s, 2008

Ayn Rand photo

“There is no difference between communism and socialism, except in the means of achieving the same ultimate end: communism proposes to enslave men by force, socialism—by vote. It is merely the difference between murder and suicide.”

Ayn Rand (1905–1982) Russian-American novelist and philosopher

"Foreign Policy Drains U.S. of Main Weapon," Los Angeles Times, Sept. 9. 1962, G2 — as reported in The Ayn Rand Lexicon http://aynrandlexicon.com/lexicon/socialism.html: Objectivism from A to Z (1986)

John Bright photo
Ian Buruma photo
Zbigniew Brzeziński photo
William Davenant photo

“For angling-rod he took a sturdy oake;
For line, a cable that in storm ne'er broke;
His hooke was such as heads the end of pole
To pluck down house ere fire consumes it whole;
The hook was baited with a dragon's tale,—
And then on rock he stood to bob for whale.”

William Davenant (1606–1668) English poet and playwright

Britannia Triumphans (1637; licensed Jan. 8, 1638; printed 1638), p. 15.
Compare:
"For angling rod he took a sturdy oak; / For line, a cable that in storm ne'er broke;... His hook was baited with a dragon's tail,— / And then on rock he stood to bob for whale."
From The Mock Romance, a rhapsody attached to The Loves of Hero and Leander, published in London in 1653 and 1677, republished in Chambers's Book of Days, vol. i. p. 173; Samuel Daniel, Rural Sports, Supplement, p. 57.
"His angle-rod made of a sturdy oak;
His line, a cable which in storms ne'er broke;
His hook he baited with a dragon’s tail,—
And sat upon a rock, and bobb'd for whale"
William King (1663–1712), Upon a Giant’s Angling (in Chalmers's British Poets, ascribed to King).

Paul Desmond photo

“I tried practicing for a few weeks and ended up playing too fast.”

Paul Desmond (1924–1977) American jazz musician

About the value of practice
Unsourced

Immanuel Kant photo
Dave Eggers photo
Earl Warren photo
Ian McDonald photo
Revilo P. Oliver photo
The Mother photo

“Forward, for ever forward! at the end of the tunnel is the light … at the end of the flight is the victory.”

The Mother (1878–1973) spiritual collaborator of Sri Aurobindo

In "Pondicherry"
Sayings

Harun Yahya photo
M.I.A. photo
R. C. Majumdar photo

“The hallmark of the minor artist is to be obsessed with style as an end in itself.”

Robert Hughes (1938–2012) Australian critic, historian, writer

"Alex Katz" (1986)
Nothing If Not Critical (1991)

Harvey Milk photo
Pierre-Auguste Renoir photo
Gangubai Hangal photo
Phillip Abbott Luce photo
Patrick Buchanan photo

“Given the shrinking populations inside Europe and the waves of immigrants rolling in from Africa and the Middle and Near East, an Islamic Europe seems to be in the cards before the end of the century.”

Patrick Buchanan (1938) American politician and commentator

"If God is Dead..." https://www.chroniclesmagazine.org/if-god-is-dead/ (April 26, 2016), Chronicles
2010s

“So you see, in the end, it is nearly certain that the power of prediction must triumph over the arrogance of elegance.”

Robert Haugen (1942–2013) American economist

Source: The Inefficient Stock Market - What Pays Off And Why (1999), Chapter 15, The Wrong 20-yard Line, p. 148

Clement Attlee photo
Carole Morin photo
D.H. Lawrence photo

“It was in 1915 the old world ended.”

Kangaroo (1923) "The Nightmare"

“.. no true artist ends with the style that he expected to have when he began,... it is only by giving oneself up completely to the painting medium that one finds oneself and one's own style.”

Robert Motherwell (1915–1991) American artist

The School of New York, exhibition catalogue, Perls Gallery, 1951; as quoted in the New York School – the painters & sculptors of the fifties, Irving Sandler, Harper & Row Publishers, 1978, p. 46
1950s

Winston S. Churchill photo
Eminem photo

“Better try to stay wide awake, or you might end up found dead by the lake.”

Eminem (1972) American rapper and actor

"Stay Wide Awake".
2000s, Relapse (2009)

Robert Sheckley photo
T. B. Joshua photo

“If you are with God in truth and faith, whatever comes as a blessing or trial will be what God allows. If you are called by God, from beginning to the end, your journey has been documented. Nothing outside your documentary will happen without God’s knowledge.”

T. B. Joshua (1963) Nigerian Christian leader

Answering a question on challenges via Facebook - "TB Joshua Answers Questions On Marriage, Deliverance And Anointing Through Facebook" http://www.nigeriadailynews.news/news/89320-t-b-joshua-answers-questions-on-marriage-deliverance-anointing-through-facebook.html Nigeria Daily News (January 13 2014)

Dick Cheney photo
Laurie Penny photo
Machado de Assis photo

“For some time I debated over whether I should start these memoirs at the beginning or at the end, that is, whether I should put my birth or my death in first place. Since common usage would call for beginning with birth, two considerations led me to adopt a different method: the first is that I am not exactly a writer who is dead but a dead man who is a writer, for whom the grave was a second cradle; the second is that the writing would be more distinctive and novel in that way. Moses, who also wrote about his death, didn't place it at the opening but at the close: a radical difference between this book and the Pentateuch.”

Machado de Assis (1839–1908) Brazilian writer

Algum tempo hesitei se devia abrir estas memórias pelo princípio ou pelo fim, isto é, se poria em primeiro lugar o meu nascimento ou a minha morte. Suposto o uso vulgar seja começar pelo nascimento, duas considerações me levaram a adotar diferente método: a primeira é que eu não sou propriamente um autor defunto mas um defunto autor, para quem a campa foi outro berço; a segunda é que o escrito ficaria assim mais galante e mais novo. Moisés, que também contou a sua morte, não a pôs no intróito, mas no cabo: diferença radical entre este livro e o Pentateuco.
Source: As Memórias Póstumas de Brás Cubas (1881), Ch. 1 (opening words), p. 7.

Anastacia photo

“Show me some hope
Show me some light
Cause I got nothing left in me tonight
If I don’t go
If I say no
Is it the end?”

Anastacia (1968) American singer-songwriter

Lifeline
Resurrection (2014)

Denis Diderot photo

“Justice Antonin Scalia fundamentally changed the way the Supreme Court interpreted both statutes and the Constitution. In both contexts, his focus on text and its original public meaning often translated into more limited criminal prohibitions and broader constitutional protections for defendants. ‎As to statutes, Justice Scalia refocused the court’s attention on the text of the laws Congress enacted. Although he may not have succeeded in getting the court to forswear even looking at legislative history, he did persuade his colleagues to start — and very often end — the analysis with the text. In the criminal context, he limited terms like extortion and property to their common law core and found the residual clause of the Armed Career Criminal Act as unconstitutionally vague as “the phrase ‘fire-engine red, light pink, maroon, navy blue, or colors that otherwise involve shades of red.” When it came to interpreting the Constitution, he likewise put the text first and emphasized that the terms must be understood in light of their original public meaning. He believed that the words should be understood the way the framers used them. This did not mean that constitutional protections were frozen in time.”

In Scalia, criminal defendants have lost a great defender: Paul Clement https://www.usatoday.com/story/opinion/2016/02/19/scalia-funeral-constitution-defendants-jury-paul-clement-column/80575460/ (February 19, 2016)

Margaret Thatcher photo
Billy Corgan photo
U.G. Krishnamurti photo
Tré Cool photo

“Roll, roll, roll a joint, twist it at the ends [pause] Light it up and take a puff and pass it to your friends.”

Tré Cool (1972) Drummer, punk rock musician

Sang to the tune of Row Your Boat Bullet in a Bible (2005) (on the tour bus).

Koenraad Elst photo
John Green photo

“With Diophantus the history of Greek arithmetic comes to an end. No original work, that we know of, was done afterwards.”

James Gow (scholar) (1854–1923) scholar

p, 125
A Short History of Greek Mathematics (1884)

Lily Allen photo

“And if you have a minute why don't we go
Talk about it somewhere only we know?
'Cause this could be the end of everything,
So why don't we go
Somewhere only we know?”

Lily Allen (1985) English singer, songwriter, actress, and television presenter

This song, Somewhere Only We Know, originated with the group Keane, in 2004, although Allen did a very popular version of it, on a YouTube video in 2013 https://www.youtube.com/watch?v=mer6X7nOY_o.
Misattributed

Letitia Elizabeth Landon photo
Jacopone da Todi photo
Will Eisner photo

“Reporter: The “Protocols” trial is on today. I’ve been assigned to report on it for my paper.
Reporter 2: What’s your hurry Carl? The Jewish community’s lawyer is trying to show the damage done by the “Protocols of Zion” book.
Lawyer: Your honor, we have demonstrated that the “Protocols” is ‘’’smut…’’’ I would conclude by exhibiting evidence of its influence on public opinion as a fraud.
Judge: You may proceed!
Lawyer: Since its first publication in Russia by Dr. Nilus in 1905, four printings have been distributed there!
In 1919, type script copies were distributed to delegated at the Versailles peace conference by white Russians.
In England Victor Marsden translated the “protocols” into English in 1922.
In 1920, the first polish language edition was brought into the United States and South America by Polish immigrants.
In 1921, the first Arabic and the first Italian copies appeared!
In 1921, “The Times” of London published its famous expose of this false document!
And because of his fame, Henry Ford’s work deserves recounting.
Lawyer: In 1920, Henry ford the American auto magnate, bought a small newspaper, the “Dearborn Independent.” He began a series, “The International Jew,” made up of borrowings from the “Protocols of the Elders on Zion.”
Later, in 1922, it was published in sxteen language for a world-wide distribution. It sold over a ‘’’half million’’’ copies in America alone!
Reporter: Actually, Ford recanted in 1926 when he was threatened with a libel suit.

Reporter 2: Really?
Reporter 3: What did he say?
Reporter: He said in part, “…To my great regret I learn that in the ‘Dearborn Independent’ there appeared articles which induced the Jews to regard me as their enemy promoting anti-Semitism!”
HE WENT ON TO SAY, “…I am…mortified that this Journal…is giving currency to ‘The Protocols of the wise men of Zion,’ which I learn to be gross forgeries…I deem it my duty…to make amends for the wrong done to the Jews as fellow men and brothers by asking their forgiveness.
HE GOES ON BY RECITING SOME OF THE MORE “evil ingredients” in the “Protocols” AND HE REFERS TO IT AS AN “infamous forgery.”
Reporter 3: DID HIS APOLOGY CHANGE ANYTHING?? HENRY FORD WAS FAMOUS the world over…his apology must have had influence!
Reporter: Not very much. In fact publication increased all over the globe.
Reporter 3: Look! Here I have two French translations of the “Protocols of the Elders of Zion” that were published in ‘’’France,’’’ dated 1934. Later they had many printings!
Judge: …I hope to see the day when nobody will be able to understand why otherwise sane and reasonable men should torment their brains for fourteen days over the authenticity or fabrication of the “Protocols of Zion”’’’…I regard the “protocols” as ridiculous nonsense!
Reporter: Good news! …judge Meyer found against the Nazis and imposed a fine on them…

Publisher: We will publish the judge’s decision!
Reporter: This should put an end to the “Protocols” at last!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 102-107

Rudolf E. Kálmán photo

“I have been aware from the outset (end of January 1959, the birthdate of the second paper in the citation) that the deep analysis of something which is now called Kalman filtering were of major importance. But even with this immodesty I did not quite anticipate all the reactions to this work. Up to now there have been some 1000 related publications, at least two Citation Classics, etc. There is something to be explained.
To look for an explanation, let me suggest a historical analogy, at the risk of further immodesty. I am thinking of Newton, and specifically his most spectacular achievement, the law of Gravitation. Newton received very ample "recognition" (as it is called today) for this work. it astounded - really floored - all his contemporaries. But I am quite sure, having studied the matter and having added something to it, that nobody then (1700) really understood what Newton's contribution was. Indeed, it seemed an absolute miracle to his contemporaries that someone, an Englishman, actually a human being, in some magic and un-understandable way, could harness mathematics, an impractical and eternal something, and so use mathematics as to discover with it something fundamental about the universe.”

Rudolf E. Kálmán (1930–2016) Hungarian-born American electrical engineer

Kalman (1986) " Steele Prizes Awarded at the Annual Meeting in San Antonio http://www-history.mcs.st-and.ac.uk/Extras/Kalman_response.html", Notices Amer. Math. Soc. 34 (2) (1987), 228-229.

Russell Brand photo
Julian of Norwich photo
Haruki Murakami photo
Stephen Baxter photo
Kurt Schwitters photo
Glen Cook photo

“A teacher?”
“Yes. He argued that we are the gods, that we create our own destiny. That what we are determines what will become of us. In a peasantlike vernacular, we all paint ourselves into corners from which here is no escape simply by being ourselves and interacting with other selves.”
“Interesting.”
“Well. Yes. There is god of sorts, Croaker. Do you know? Not a mover and shaker, though. Simply a negator. An ender of tales. He has a hunger that cannot be sated. The universe itself will slide down his maw.”
“Death?”
“I do not want to die, Croaker. All that I am shrieks against the unrighteousness of death. All that I am, was, and probably will be, is shaped by my passion to evade the end of me.” She laughed quietly, but there was a thread of hysteria there. She gestured, indicating the shadowed killing ground below. “I would have built a world in which I was safe. And the cornerstone of my citadel would have been death.”
The end of the dream was drawing close. I could not imagine a world without me in it, either. And the inner me was outraged. Is outraged. I have no trouble imagining someone becoming obsessed with escaping death.
“I understand.”

“Maybe. We’re all equals at the dark gate, no? The sands run for us all. Life is but a flicker shouting into the jaws of eternity. But it seems so damned unfair!”
Source: The White Rose (1985), Chapter 39, “A Guest at Charm” (p. 625)

Rick Santorum photo

“The reason Social Security is in big trouble is we don't have enough workers to support the retirees. Well, a third of all the young people in America are not in America today because of abortion, because one in three pregnancies end in abortion.”

Rick Santorum (1958) American politician

WSEZ interview, 2011-03-29, answering a caller's question, quoted in * Aliyah
Shahid
Rick Santorum, GOP presidential hopeful, blames Social Security problems on abortion
2011-03-30
Daily News
http://articles.nydailynews.com/2011-03-30/news/29381880_1_randall-k-o-bannon-abortion-rick-santorum
2011-04-15

Thomas Malory photo
Ahad Ha'am photo
Lawrence M. Schoen photo

““You didn’t do any of these things because they were necessarily good unto themselves, but because you saw them as means to shape events to serve your own ends. The entire legacy of the Matriarch is the exploitation of others like pieces in some great game.”
She laughed in his face. “You can see it that way if you like. The weak usually do, if they see it at all. But you disappoint me. Despite your study of history, you fail to understand power. It’s obvious you never will… There’s really only one choice you ever have to make in any act of creation. Will you be the instrument or the artist? If you’re only now coming to realize that you’ve been a tool all your life, there’s no one to blame for it but yourself. If you don’t like that state of affairs, then act! Impose your will upon the world and walk your own path. If you don’t, you’ll just end up being a token in someone else’s game; you’ll continue to be used as they see fit. That’s how the universe works. You don’t have to like it, but you’d do well to get used to it.”…
“No, maybe that’s the way the world looks once you’ve already decided to take your path. Or maybe it’s just you’re so jaded, or you’ve bought into your own delusions. I don’t know which, and I don’t care. Those aren’t the only choices: use of be used. There is more than being tyrant or servant. I reject both options and I reject you. You’ve been dead for centuries, Margda, it’s about time you accepted that.””

Lawrence M. Schoen (1959) American writer and klingonist

Source: Barsk: The Elephants' Graveyard (2015), Chapter 38, “Loose Ends” (pp. 362-363; ellipses represent elisions of descriptive sections)

“The art of representing the human figure in the ancient world begins and ends with ‘frontality’.”

Arnold Hauser (1892–1978) Hungarian art historian

The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter III. Greece and Rome

Tomas Kalnoky photo
Nelson Mandela photo

“In Natal, apartheid is a deadly cancer in our midst, setting house against house, and eating away at the precious ties that bound us together. This strife among ourselves wastes our energy and destroys our unity. My message to those of you involved in this battle of brother against brother is this: take your guns, your knives, and your pangas, and throw them into the sea! Close down the death factories. End this war now!”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

Speech to a Rally, Durban (25 February 1990); Republished in: J. C. Buthelezi. Rolihlahla Dalibhunga Nelson Mandela: An Ecological Study http://books.google.com/books?id=dy_aBlwBYacC&pg=PA340, (2002), p. 340
1990s

Steve Bannon photo

“If Bernie Sanders had an ounce of [Michael] Avenatti’s fearlessness, he would’ve been the Democratic nominee, and we would have had a much tougher time beating him. Now, I don’t believe a professional politician is going to be there at the end of the day. I’ve always said it’s going to be someone like Oprah, or Avenatti, or somebody that’s more media-savvy that’s going to be there.”

Steve Bannon (1953) American media executive and former White House Chief Strategist for Donald Trump

Steve Bannon (in an interview with Bill Maher) as quoted by [Langois, Shawn, Michael Avenatti, a legitimate candidate in 2020? Steve Bannon seems to think so, https://www.marketwatch.com/story/michael-avenatti-a-legitimate-candidate-in-2020-steve-bannon-seems-to-think-so-2018-09-30, September 30, 2018, MarketWatch, September 30, 2018]

Catherine Samba-Panza photo
Graham Greene photo
George W. Bush photo
Umberto Boccioni photo

“No one can any longer believe that an object ends where another begins.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Quote from Boccioni's text 'Dynamism of a Speeding Horse & Houses', 1914/15
Boccioni is here referring to the starting photography of 'moving horses' c. 1914
1914 - 1916

André Maurois photo
Neil Gaiman photo
Rex Stout photo

“The incredible thing happens at the beginning of the story always, you notice, not the end. A Sherlock Holmes story is never a trick story.”

Rex Stout (1886–1975) American writer

Rex Stout, page 246
Invitation to Learning

Sueton photo

“When [his son] Drusus died Tiberius was not greatly concerned, and went back to his usual business almost as soon as the funeral ended, cutting short the period of official mourning; in fact, when a Trojan delegation arrived with condolences somewhat belatedly, Tiberius grinned, having apparently got over his loss, and replied: "May I condole with you, in return, on the death of your eminent fellow-citizen Hector?"”
Itaque ne mortuo quidem perinde adfectus est, sed tantum non statim a funere ad negotiorum consuetudinem rediit iustitio longiore inhibito. Quin et Iliensium legatis paulo serius consolantibus, quasi obliterata iam doloris memoria, irridens se quoque respondit vicem eorum dolere, quod egregium civem Hectorem amisissent.

Source: The Twelve Caesars, Tiberius, Ch. 52

Niccolo Machiavelli photo

“When Machiavelli came to the end of his life, he had a vision shortly before giving up the ghost. He saw a small company of poor scoundrels, all in rags, ill-favoured, famished, and, in short, in as bad plight as possible. He was told that these were the inhabitants of paradise, of whom it is written, Beati pauperes, quoniam ipsorum est regnum caelorum.. After this, he was asked to which of the groups he would choose to belong; he answered that he would much rather be in Hell with those great geniuses, to converse with them about affairs of state, than be condemned to the company of the verminous scoundrels that he had first been shown.”

Niccolo Machiavelli (1469–1527) Italian politician, Writer and Author

This account of Machiavelli's """"Dream"""" was not published until a century after his death, in Etienne Binet's Du salut d'Origene (1629).
There is an earlier but more oblique reference in a letter written by Giovambattista Busini in 1549: """"Upon falling ill, [Machiavelli] took his usual pills and, becoming weaker as the illness grew worse, told his famous dream to Filippo [Strozzi], Francesco del Nero, Iacopo Nardi and others, and then reluctantly died, telling jokes to the last."""".
The """"Dream"""" is commonly condensed into a more pithy form, such as """"I desire to go to hell, and not to heaven. In the former place I shall enjoy the company of popes, kings, and princes, while in the latter are only beggars, monks, hermits, and apostles"""".
Disputed

Khalil Gibran photo
Statius photo

“One in particular, whose warped will it ever was even in the upper world (hence his life ended ill) to insult misfortune and wax sour at prosperity.”
Unus ibi ante alios, cui laeva voluntas semper et ad superos (hinc et gravis exitus aevi) insultare malis rebusque aegrescere laetis.

Source: Thebaid, Book II, Line 16

Patton Oswalt photo
Atal Bihari Vajpayee photo
Steve Blank photo
Jane Roberts photo
Roberto Clemente photo
John Scalzi photo
Albert Speer photo