Quotes about emotion
page 12

“We have lost our ability to dream our new selves and a new world into existence. We have mistakenly accepted the resolution to our problems that is designed by people who would have us move out of our rusty old colonial cages and right back into a shiny new prison of coping defined by managed fears and deadened emotional capacities.”

Taiaiake Alfred (1965) Author, educator and activist

Wasáse: Indigenous Pathways of Action and Freedom (2005)

People, World, Fear, Dreams

“Intelligence makes clear to us the interrelation of means and ends. But mere thinking cannot give us a sense of the ultimate and fundamental ends. To make clear these fundamental ends and valuations, and to set them fast in the emotional life of the individual, seems to me precisely the most important function which religion has to perform in the social life of man.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

"Science and Religion" (1939-1941), p. 22 http://books.google.com/books?id=Q1UxYzuI2oQC&lpg=PP1&pg=PA22#v=onepage&q&f=false 1950s, Out of My Later Years (1950)

Life, Religion, Intelligence, Thinking

“I feel my disease, and I feel that my want of alarm and lively affecting conviction forms its most obstinate ingredient; I try to stir up the emotion, and feel myself harassed and distressed at the impotency of my own meditations. But why linger without the threshold in the face of a warm and urgent invitation? "Come unto me." Do not think it is your office to heal one part of the disease, and Christ's to heal the remainder.”

Thomas Chalmers (1780–1847) Scottish mathematician and a leader of the Free Church of Scotland

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 83.

Disease, Feeling, Thinking, Christ

“Prior to his introduction to combat, the average flier possesses a series of intellectual and emotional attitudes regarding his relation to the war. The intellectual attitudes comprise his opinon concerning the necessity of the war and the merits of our cause. Here the American soldier is in a peculiarly disadvantageous position compared with his enemies and most of his Allies. Although attitudes vary from strong conviction to profound cynicism, the most usual reaction is one of passive acceptance of our part in the conflict. Behind this acceptance there is little real conviction. The political, economic or even military justifications for our involvement in the war are not apprehended except in a vague way. The men feel that, if our leaders, the “big-shots,” could not keep us out, then there is no help for it; we have to fight. There is much danger for the future in this attitude, since the responsibility is not personally accepted but is displaced to the leaders. If these should lose face or the men find themselves in economic difficulties in the postwar world, the attitude can easily shift to one of blame of the leaders. The the cry will rise: “We were betrayed—the politicians got us in for their own gain. The militarists made us suffer for it.”

Roy R. Grinker, Sr. (1900–1993) American psychiatrist and neurologist

Source: Men Under Stress, 1945, p. 38-39 cited in: The Clare Spark Blog (2009) Strategic Regression in “the greatest generation” http://clarespark.com/2009/12/09/strategic-regression-in-the-greatest-generation/ December 9, 2009

Men, War, World, Way

“Psychologically speaking, what such findings seem to mean is that an achievement is not only more frequently present in stories from more rapidly developing countries but when it is present, it is more apt to be “means” oriented rather than goal oriented. The achievement sequence more often dwells on obstacles to success and specific means of overcoming them, rather than on the goal itself, the desire for it, and the emotions surrounding attaining or failing to attain it. The adaptive quality of such a concern with means is obvious: a people who think in terms of ways of overcoming obstacles would seem more likely to find ways of overcoming them in fact.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 104-5

People, Way, Thinking, Success

“When you stop to think about it, you soon realize that our imagination is what our whole social life is really based on…. In practically everything we do it's thee combination of emotion and intellect we call imagination that goes to work.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 6: The Vocation of Eloquence

Life, Imagination, Thinking

“On one side is the gigantic printing press, a miracle of fine articulation, which turns out the tabloid newspaper: on the other side are the contents of the tabloid itself, symbolically recording the most crude and elementary states of emotion.”

Lewis Mumford book Technics and Civilization

Source: Technics and Civilization (1934), Ch. 6, sct. 9

“…in the last thousand years. If we go back before [AD] 976… the main core of people's life and experience… was in the religious, emotional and social levels. They had religious beliefs, they had social and emotional relationships with people they saw every day. …controls and rewards were internalized. …This is why they could get along without a state in 976: all the significant controls were internalized.”

Carroll Quigley (1910–1977) American historian

Oscar Iden Lecture Series, Lecture 3: "The State of Individuals" (1976)

Life, People

“I think of Abstract Art in the same way I think of all Art, Past and Present. I see it as divided into two Major categories, Objective and Subjective. Objective Art is Absolute Art. Subjective Art is Illustration, or communication by Symbols, Replicas, and Oblique Emotional Passes. They are both Art, but their Content has no Identity. Their difference cannot be defined as a difference of Idiom, because all Paintings have the Laws of Design as a common denominator. Design exists as an Idiom of Color-Space Logic, and it also exists in an Idiom of Representational Likenesses. Objective Art and Subjective Art exist in both Idioms. Their difference can only be defined in terms of what the Artist thinks his Purpose means-its Content as a Design Image.”

Stuart Davis (1892–1964) American painter

Source: George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis. " What Abstract Art Means to Me http://www.jstor.org/stable/4058250," in: The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15

Law, Art, Color, Way

“Prosperity ends in a crisis. The era of optimism dies in the crisis, but in dying it gives birth to an era of pessimism. This new era is born, not an infant, but a giant; for an industrial boom has necessarily been a period of strong emotional excitement, and an excited man passes from one form of excitement to another more rapidly than he passes to quiescence. Under the new error, business is unduly depressed.”

Arthur Cecil Pigou (1877–1959) British economist

Arthur Cecil Pigou, As quoted in Business Cycles : The Problem and Its Setting (1927) by Wesley Clair Mitchell, p. 19

Error, Birth, Optimism, Business

“I want to create every opportunity for women to be able to serve this country, and they do so in an amazing and wonderful way and they're a great addition to the— and they have been for a long time— to the— to the armed services of our country. But I do have concerns about women in front-line combat. I think that could be a very compromising situation, where— where people naturally may do things that may not be in the interest of the mission because of other types of emotions that are involved. And I think that's probably— It already happens, of course, with the camaraderie of men in combat, but it's— I think it would be even more unique if women were in combat, and I think that's not in the best interests of men, women or the mission.”

Rick Santorum (1958) American politician

2012-02-10
Santorum Steps In It: Women Shouldn't be in Combat Because of 'Other Types of Emotions'
Tina
Dupuy
Crooks and Liars
http://crooksandliars.com/tina-dupuy/santorum-steps-it-says-women-shouldnt-b
2012-02-21

Women, Men, People, Way

“To protect and serve their own interests, the wealthy and privileged have used feminists and pacifists to promote a masculinity that has nothing to do with being good at being a man, and everything to do with being what they consider a “good man.” Their version of a good man is isolated from his peers, emotional, effectively impotent, easy to manage, and tactically inept.”

Jack Donovan (1974) American activist, editor and writer

On Being a Good Man
The Way of Men (2012)

“I have a theory of my own about what this art of the novel is, and how it came into being. To begin with, it does not simply consist in the author's telling a story about the adventures of some other person. On the contrary, it happens because the storyteller's own experience of men and things, whether for good or ill—not only what he has passed through himself, but even events which he has only witnessed or been told of—has moved him to an emotion so passionate that he can no longer keep it shut up in his heart.”

Arthur Waley (1889–1966) British academic

Source: Translations, The Tale of Genji (1925–1933), Ch. 25: 'The Glow-Worm'

Men, Art, Passion, Heart

“For all of us, explicit memory makes it possible to leap across space and time and conjure up events and emotional states that have vanished into the past yet somehow continue to live in our minds.”

Eric R. Kandel (1929) American neuropsychiatrist

In Search of Memory (2006)

Memory, Time, Past

“His reasoning was emotional, and therefore simple.”

Murray Leinster (1896–1975) Novelist, short story writer

Source: Time Tunnel (1964), Chapter 8 (p. 102).

“He's an emotional guy, but I don't believe what went on the field tonight outside of baseball deserves any words.”

Carlos Zambrano (1981) Venezuelan baseball pitcher

Scott Rolen
2004

Guy

“By inner experience I understand that which one usually calls mystical experience: the states of ecstasy, of rapture, at least of meditated emotion. But I am thinking less of confessional experience, to which one has had to adhere up to now, than of an experience laid bare, free of ties, even of an origin, of any confession whatever. This is why I don’t like the word mystical.”

Georges Bataille (1897–1962) French intellectual and literary figure

Source: L’Expérience Intérieure (1943), p. 3

Understanding, Thinking

“Faced with unmeasurables, people steer their way by magic. Before the invention of navigational instruments, a lady was carved on the prow of the boat to help sailors cross the ocean; and architects, grappling with the intangibles of design, select a guru whose work gives them personal help in areas where there are few rules to follow. The guru, as architectural father figure, is subject to intense hate and love; either way, the relationship is personal, it can only be a one-to-one affair. This accounts for the intensely ad hominem stance of some of ‘Venturi’s’ critics. If the attribution were correct the tone would be more even, as one cannot easily wax emotional over several people. I suspect, too, that for male architects the guru must be male. There can be no Mom and Pop gurus in architecture. The architectural prima donnas are all male.”

Denise Scott Brown (1931) American architect

"Sexism and the star system in architecture"

Love, Hate, People, Way

“Is it possible this triviality is a code of some sort? the Brain wondered. But how could it be … unless there's more to these emotional inconsequentials and this talk of a God than appears on the surface?
The Brain had begun its career in logics as a pragmatic atheist. Now doubts began to creep into its computations, and it classified doubt as an emotion.”

Frank Herbert book The Green Brain

The Green Brain (1966)

God, Appearance

“My paint is like a rocket, which describes its own space. I try to make the impossible possible. What is happening I cannot foresee, it is a surprise. Painting, like passion, is an emotion full of truth and rings a living sound, like the roar coming from the lion's breast.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Karel Appel's excerpt', c. 1953

Truth, Passion, Painting

“The Solicitor General, the statutorily appointed lawyer of the Philippine government, and 10 other solicitors are of the firm belief that Senator Grace Poe is a natural-born Filipino. This is vindication for the majority of the SET, who were criticized by some sectors for deciding supposedly based on political and emotional considerations. No less than the OSG recognizes that the Constitution and its framers never wanted to discriminate against foundlings and that foundlings were always meant to be natural-born Filipinos—which is what Senator Grace has been saying all along.”

Francis Escudero (1969) Filipino politician

Escudero, F. [Francis]. (2016, January 5). Retrieved from Official Facebook Page of Francis Escudero https://www.facebook.com/senchizescudero/posts/10153792008550610/ 2016, Facebook

Nature

“If you can control your emotions, chances are you don’t have too many.”

Douglas Coupland book JPod

JPod (2006)

Chance

“I remember one day in August of 2003 I made the decision to become (near) vegan and that once the decision was made I felt great emotional alignment within my heart. I knew this was the right thing for me to do and I also knew that I was making a decision that I would be committed to for the rest of my life. At last my beliefs and my ethics had come into alignment.”

John Mackey (businessman) (1953) is an American businessman. He is the current CEO of Whole Foods Market

Told to Jeffrey Moussaieff Masson, as quoted in Jeffrey Moussaieff Masson, The Face on Your Plate: The Truth About Food (New York: Norton & Company, 2009. ISBN 978-0-393-06595-4), Introduction, p. 15 https://books.google.it/books?id=-LeUV2wr2BoC&pg=PA15.

Life, Decision, Heart

“We do not use the word “ressentiment” because of a special predilection for the French language, but because we did not succeed in translating it into German. Moreover, Nietzsche has made it a terminus technicus. In the natural meaning of the French word I detect two elements. First of all, ressentiment is the repeated experiencing and reliving of a particular emotional response reaction against someone else. The continual reliving of the emotion sinks it more deeply into the center of the personality, but concomitantly removes it from the person's zone of action and expression. It is not a mere intellectual recollection of the emotion and of the events to which it “responded”—it is a re-experiencing of the emotion itself, a renewal of the original feeling. Secondly, the word implies that the quality of this emotion is negative, i. e., that it contains a movement of hostility. Perhaps the German word “Groll” (rancor) comes closest to the essential meaning of the term. “Rancor” is just such a suppressed wrath, independent of the ego's activity, which moves obscurely through the mind. It finally takes shape through the repeated reliving of intentionalities of hatred or other hostile emotions. In itself it does not contain a specific hostile intention, but it nourishes any number of such intentions.”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Hostility, Feeling, Nature, Personality

“It is necessary, therefore, if we would weld an idea solidly and indestructibly to a desired action, that we should fuse them together by the heat of an emotion.”

Jules Payot (1859–1940) French educationist

Source: The Education of the Will (1920), p. 100

Idea

“My friend Mercedes Pena made me get in touch with my emotions just before I had a breast cut off. Just as I suspected, they were awful. "How do you Latinas do this—all the time in touch with your emotions?" I asked her. "That's why we take siestas," she replied.”

Molly Ivins (1944–2007) American journalist

Time Magazine, Who Needs Breasts, Anyway? http://www.time.com/time/magazine/article/0,9171,1001832-1,00.html, Feb. 18, 2002. Retrieved February 1, 2007.

Time

“I'm a sensitive man. When I had my first casualties as a lieutenant, I had a hard time controlling my emotions, but I had a strong sergeant with me who kept me from doing something stupid. I've been around some real tough guys, and I promise you on my honor: The strongest guys I've known in life would pick up a wounded baby kitty on the side of the road. Yet you wouldn't want to go against them in combat. That is not inconsistent. It is part of the same ethos.”

Donnie Dunagan (1934) actor and United States Marine

Marine reflects on being the voice of Bambi http://www.chron.com/entertainment/movies/article/Marine-reflects-on-being-the-voice-of-Bambi-1924410.php (March 7, 2005)

Life, Stupidity, Guy, Strong

“Until writing was invented, we lived in acoustic space: boundless, directionless, horizonless, the dark of the mind, the world of emotion, primordial intuition, terror. Speech is a social chart of this bog.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Variant: Until writing was invented, we lived in acoustic space: boundless, directionless, horizonless, the dark of the mind, the world of emotion, primordial intuition, terror. Speech is a social chart of this bog. (p. 13)
Source: 1960s, Counterblast (1969), p. 13

World

“The creative process must be explored not as the product of sickness, but as representing the highest degree of emotional health, as the expression of the normal people in the act of actualizing themselves.”

Rollo May (1909–1994) US psychiatrist

Source: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 40

People, Health

“It is pointless to debate which religions promote peace or violence. Even Buddhist monks who are widely regarded as pacifists have taken up arms in strife-torn regions … Religious experiences are, by nature, emotional and subject to interpretations by clergy and believers throughout history.”

Newton Lee American computer scientist

Counterterrorism and Cybersecurity: Total Information Awareness (2nd Edition), 2015

Peace, Religion, History, Nature

“Social work as a profession is of relatively recent origin. The first social welfare agencies appeared in urban areas in the early 1800s. These agencies, or services, were private and were developed primarily at the initiation of the clergy and religious groups. Until the early 1900s, these services were provided exclusively by the clergy and affluent “do-gooders” who had no formal training and little understanding of human behavior or of how to help people. The focus of these private services was on meeting such basic physical needs as food and shelter and on attempting to cure emotional and personal difficulties with religious admonitions.”

Charles Zastrow (1942) American sociologist

Source: The practice of social work. (1995), p. 1; On the history of social work

People, Food, Behavior, Understanding

“The first way in which one notices that a sentiment structure is different from an erg is that the emotional (ergic goal) qualities which enter it are very diverse, whereas in an erg they are all of one quality, e. g., gregariousness, sex… The sentiment brings together attitudes, in fact, with several different ergic roots, but only one source of learning.”

Raymond Cattell (1905–1998) British-American psychologist

Source: The Scientific Analysis of Personality, 1965, p. 192

Sex, Way, Learning

“One of the reasons why I don't get on with most fantasy writing - enchanted sword fantasy writing - is because I think it's emotionally untrue. People behave in very simple ways, unparadoxical ways. What I'm trying to do is bring into fantasy - as I hope I've been able to bring to horror - a certain kind of emotional realism. People have mentioned sex as being a major part of my fiction. An awful lot of horror fiction simply never contained that kind of material. Which seems to me to be extraordinary because most horror fiction is about the body in some way or other, and therefore it should be about sensuality and eroticism every bit as much as it's about corruption.”

Clive Barker (1952) author, film director and visual artist

Writer's Digest, March 1991

People, Hope, Sex, Way

“Yes, you can--if you do everything as if it were the last thing you were doing in your life, and stop being aimless, stop letting your emotions override what your mind tells you, stop being hypocritical, self-centered, irritable. You will find rest from vain fancies if you perform every act in life as though it were your last.”

Marcus Aurelius book Meditations

Hays translation
Source: Meditations (c. 121–180 AD), Book II, 5

Life

“Because the scope of the sculptor's subject remains so limited, we must be careful to concentrate as much meaning or emotion as possible in the few forms that remain at our disposal.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 153

“For the neurotic, the merging of the subconscious and the conscious may be risky, just as it is for the users of drugs. But for the writer who is aware of the way in which this connection exists in reality and nourishes creativity, the sooner he can achieve a synthesis among intellect, emotion, and instinct, the sooner his work will be integrated.”

Anaïs Nin book The Novel of the Future

The Novel of the Future (1969)

Way, Reality

“One cannot really believe that an emotion exists outside one's own consciousness without participating in that emotion and making it to some extent one's own. … Similarly, I can't in any serious sense believe that something I am doing is hurting you without my image of that hurt acting on me as the hurt itself would do if I myself experienced it, encouraging me to desist.”

Timothy Sprigge (1932–2007) British philosopher

Source: The Animal Welfare Movement and the Foundations of Ethics, p. 93

Sense, Hurt

“But every error is due to extraneous factors (such as emotion and education); reason itself does not err.”

Kurt Gödel (1906–1978) logician, mathematician, and philosopher of mathematics

Attributed as a remark of 29th November 1972, in Incompleteness (2005) by Rebecca Goldstein

Education, Error

“We are told that Shakespeare's plays were generally performed in barns and that no great trouble was taken over the production. The constant changes of scene which, incidentally, seem the sign of a decadent art rather than one which is progressing, were shown by placards with the inscription: "A Forest," "A Prison," and so on. Within this conventional setting the onlooker's imagination was free to follow the actions of the various characters who were animated by passions drawn from nature, and that was enough for him. So-called innovations are gratefully seized on as an excuse for poverty of invention and in the same way, the long descriptive passages that so overburden modern novels are a sign of sterility, for it is obviously easier to describe a dress or the outward appearance of an object than to trace the subtle development of a character or portray the emotions of the heart.”

Eugène Delacroix (1798–1863) French painter

9 April 1856 (p. 313)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

Art, Way, Imagination, Nature

“Blood-brotherhood is one recurring cultural solution to the problem of recognizing powerful emotional bonds between men that avoids effeminizing comparisons to romantic courtship and affirms the masculinity of the men involved.”

Jack Donovan (1974) American activist, editor and writer

Blood-Brotherhood and Other Rites of Male Alliance (2009).
Misc

Men, Problem

“Psychohistory, like psychoanalysis, is a science in which the researcher's feelings are as much or even more a part of his research equipment than his eyes or his hands. […] Weighing of complex motives can only be accomplished by identification with human actors, the usual suppression of all feeling preached and followed by most "science" simply cripples a psychohistorian as badly as it would cripple a biologist to be forbidden the use of a microscope. The emotional development of a psychohistorian is therefore as much a topic for discussion as his or her intellectual development.”

Lloyd deMause (1931) American thinker

Source: Foundations of Psychohistory (1982), Ch. 2, p. 100.

Feeling, Motivation, Science, Parting

“This place was truly the highest and the lowest of all worlds — the most beautiful senses, the most exquisite emotions… the most malevolent desires, the darkest deeds. Perhaps it was meant to be so. Perhaps without the lows, the highs could not be reached.”

Stephenie Meyer book The Host

Wanderer, p. 141
The Host (2008)

World, Beauty, Sense

“Finally it should be noted that the picture education, especially the pictorial statistics, are of international importance. Words carry more emotional elements than set pictures, which can be observed by people of different countries, different parties without any protest; Words divide, pictures unite.”

Otto Neurath (1882–1945) austrian economist, philosopher and sociologist

Otto Neurath (1931), "Bildstatistik nach Wiener Methode", Die Volksschule 27 (1931): 569 ; Translated and cited in Sybilla Nikolow (2013) "‘Words Divide, Pictures Unite.’Otto Neurath’s Pictorial Statistics in Historical Context."
1930s

People, Education, Country

“The intimate rapport with nature is one of the most precious things in life. Nature is indeed very close to us; sometimes closer than hands and feet, of which in truth she is but the extension. The emotional appeal of nature is tremendous, sometimes almost more than one can bear.”

Jan Smuts (1870–1950) military leader, politician and statesman from South Africa

Source: Holism and Evolution (1926), p. 337

Life, Truth, Nature

“In recognizing that words have the power to define and to compel, the semanticists are actually testifying to the philosophic quality of language which is the source of their vexation. In an attempt to get rid of that quality, they are looking for some neutral means which will be a nonconductor of the current called “emotion” and its concomitant evaluation.”

Richard M. Weaver (1910–1963) American scholar

“The Power of the Word,” p. 37.
Language is Sermonic (1970)
Variant: In recognizing that words have the power to define and to compel, the semanticists are actually testifying to the philosophic quality of language which is the source of their vexation. In an attempt to get rid of that quality, they are looking for some neutral means which will be a nonconductor of the current called “emotion” and its concomitant evaluation.

“Mystery is an emotion which is repugnant to a political animal.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Superman Comes to the Supermarket (1960)

Animals

“In addition, 'Elementarism' is real instead of abstract. The use of the term 'abstract' also caused much misunderstanding. This is easily explained... As used in connection with visual methods of expression, the term 'abstract' is extremely relative. 'To abstract' something implies one of those mental activities (in contrast to emotional spontaneity) through which certain [aesthetic] values are isolated from the world of reality. However, when such values were realized visually and applied as purely constructive means, they became real. Thus the abstract was transformed into the real, thereby illustrating the relativity of the former term. Hence, the term ‘abstract-real’ [proposed by his former artist-fellow Piet Mondrian, ] was a fortunate invention, although in reference to a new orientation [van Doesburg's new art orientation 'Elementarism'] the term 'real' is sufficient. The period of abstraction is at an end. Is not an elementary painting, which is to say a certain composition of plane-linear colours, organic in itself, more concrete…”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's article 'Elementarism as real art', in: 'Painting and plastic art' - Rome, July 1926, in De Stijl', series XIII, 1 75-6, 1926, pp. 35–43
1926 – 1931

World, Art, Reality, Painting

“Spaces that trigger emotions alter the behaviour of people. Architecture aims at influencing human behaviour by space creations.”

Justus Dahinden (1925) Swiss architect

Räume, die Empfindungen auslösen, verändern das Verhalten des Menschen. Die Verhaltensbeeinflussung des Menschen durch die gestaltete Umwelt ist eine qualitative Zielsetzung des architektonischen Entwurfs.
Man and Space - Mensch und Raum 2005

People

“In the elemental emotions of fear and rage associated with the most primitive parts of the brain, this swift response without conscious intervention or direction is a condition of survival: but something more than survival comes forth from it; for this very automatism freed the growing brain and ramifying nervous system for more important services, detached from the immediate pressure for survival, performed by the new brain. Here by his conscious symbolic activities man created a second realm that conforms more closely to his higher personal and social needs.”

Lewis Mumford book The Myth of the Machine

pg 397
The Myth of the Machine (1967-1970), The Pentagon of Power (1970)

Fear, Rage, Parting, Personality

“So I had to face the fact that I was blessed with abilities that were considered symptoms of emotional abnormality or mental derangement by psychology, often thought of as demonic by religion, and whose very existence was denied altogether by science. So in my darker moments I used to think that my psychic initiation and subsequent experiences were a mixed bag, to say the least. But the fact is that I was very sensitive to criticism for the very good reason that often I shared many of the beliefs that stimulated it.”

Jane Roberts (1929–1984) American Writer

Source: The God of Jane: A Psychic Manifesto (1981), p. 48

Religion, Thinking, Science

“Human beings are emotional amoral egoists, driven above all by emotional self-interest. All of our thoughts, beliefs and motivations are neurochemically mediated, some predetermined for survival, others alterable.”

Nayef Al-Rodhan (1959) philosopher, neuroscientist, geostrategist, and author

Source: Sustainable History and the Dignity of Man (2009), p.27

Motivation

“And I understand they are, in a sense, artists? That is to say, they understand the creative process, the sublimation of fact to symbol and the use of symbol to suggest emotion?”

Jack Vance book Space Opera

Source: Space Opera (1965), Chapter 8 (p. 65)

Understanding, Sense

“Above all he did not content himself with hurling invectives for emotional release and then to retire into smug, passive satisfaction. History had taught him it is not enough for people to be angry—the supreme task is to organize and unite people so that their anger becomes a transforming force.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

"Honoring Dr. DuBois", speech at International Cultural Evening at Carnegie Hall, 23 February 1968, published in Freedomways: A Quarterly Review of the Negro Freedom Movement, compiled in Esther Cooper Jackson (ed.), Freedomways Reader: Prophets In Their Own Country, p. 36 https://books.google.com/books?id=-oivNmSJOfAC&pg=PA36&dq=%22the+supreme+task+is+to+organize+and+unite%22 1960s

People, History, Anger

“These Africans being primitive, uncomplex, uncultured, can express their thought by a direct appeal tot he instinct. Their carvings are informed with emotions. So Nature gives me the material with which to construct a world of my own, governed, not by literal limitations, but by instinct and sentiment.”

André Derain (1880–1954) French painter and engraver

Source: The Wild Men of Paris', 1910, p. 407

World, Nature

“We don't distinguish between the various forms of child abuse. Emotional abuse … is pretty much ignored. When someone spends their life being told, 'You're stupid, you're a disgrace, I should have aborted you, you ruined my life,' it scars them in ways that are almost impossible to describe with words. And yet, such a person describing their life would be told, 'Oh, you weren't an incest victim? Oh, you weren't burned with cigarettes? So, how abused were you really?”

Andrew Vachss (1942) American writer and lawyer

Patty Satalia WPSU on October 24, 2004 [www.wpsu.org/radio/Audio/takenote/TN544.ram

Life, Stupidity, Way, Personality

““A splendidly inept thing,” Sylveste said, nodding despite himself.
“What?”
“The human capacity for grief. It just isn’t capable of providing an adequate emotional response once the dead exceed a few dozen in number. And it doesn’t just level off—it just gives up, resets itself to zero. Admit it. None of us feel a damn about these people.””

Alastair Reynolds book Revelation Space

Source: Revelation Space (2000), Chapter 15 (p. 323).

People, Feeling, Dead

“Plato (427-347 B. C.) in his philosophical writings, stressed the inner psychological reality in contrast to the reality of the external world. He believed that the human soul consists of three parts. 1) The rational soul, which resided in the brain. 2) The anima soul, controlling emotions and passions, was located in the chest. 3) The vegetative soul, controlling physiological needs, was located in the abdomen, When dreams occurred in sleep, the irrational soul reasserted themselves.”

Thaddus E. Weckowicz (1919–2000) Canadian psychologist

Source: A History of Great Ideas in Abnormal Psychology, (1990), p. 23

World, Dreams, Soul, Reality

“Freud … hoped that somehow, despite the near equality of our warring emotions, reason would cleverly manage to reassert itself, despite its congenital weakness—not in the high and mighty way preached by Plato and his Christian successors but in a modest, even sly manner that would alternately dazzle and lull the more powerful emotions into submission. This way actually demands, it seems, the kind of character ideal we have called the “therapeutic” in order to contrast it with the more rigid character ideal produced by the moral demand systems preceding modernity. In the age of psychologizing, clarity about oneself supersedes devotion to an ideal as the model of right conduct.”

Philip Rieff (1922–2006) American sociologist

The Triumph of the Therapeutic (1966)

War, Age, Hope, Way

“The thing I love about acting is, whatever character you play, it gives you the chance to expose another side of yourself that maybe you’ve never felt comfortable with, or never knew about. Not that every character is you, but there are underlying emotions that everybody has. I feel that movies are gifts that come to you, and there are no accidents in what you end up doing. I study Jung, who talks a lot about the shadow side, the repressed side.”

Laura Dern (1967) American actress, director, producer

Regarding the correlation between acting and one's personality
Interview Magazines interview (September 1990)

Love, Feeling, Study, Chance

“One of the reasons why Chris [Holmes] and I hooked up is that we were such extreme personalities. We had the ability to be the nicest people you'd ever want to meet, but cross us and we could turn into the devil himself. There was just a wide range of emotions going on there, but probably artists in general are like that. They just have a wide emotional swing.”

Blackie Lawless (1956) musician, songwriter and actor

KNAC Interview in 2002

People, Personality

“[T]here has been little, if any, doubt that nothing short of a massive regime collapse, or (even more violent and bloody) full-scale war, will ever produce a non-nuclear North Korea. The regime is run by cold-minded and rational people who cannot afford to be emotional…”

Andrei Lankov (1963) Russian academic

"After the Pyongyang debacle, it’s not clear where U.S. policy goes from here" https://www.nknews.org/2018/07/after-the-pyongyang-debacle-where-can-u-s-policy-go-from-here/ (9 July 2018), NK News

War, People

“It is not a threat but a fact of history that if an oppressed people's pent-up emotions are not nonviolently released, they will be violently released. So let the Negro march. Let him make pilgrimages to city hall. Let him go on freedom rides. And above all, make an effort to understand why he must do this. For if his frustration and despair are allowed to continue piling up, millions of Negroes will seek solace and security in black-nationalist ideologies. And this, inevitably, would lead to a frightening racial nightmare.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

Interview in Playboy (January 1965) https://web.archive.org/web/20080706183244/http://www.playboy.com/arts-entertainment/features/mlk/04.html 1960s

People, History, Understanding, Effort

“Law taught me how to argue passionately and rationally. That’s key to being a successful environmental campaigner. If you are too emotional you run the risk of turning off policy makers. And if you can’t present your arguments rationally, no one will listen to you.”

Lewis Pugh (1969) Environmental campaigner, maritime lawyer and endurance swimmer

Website

Law, Passion, Success

“I'm not very different from anyone else who has ever tried to accomplish something with his life. My motivation comes from my personal life, from watching what my mother and father went through when I was growing up, from what we experienced as migrant workers in California. That dream, that vision grew from my own experience with racism, with hope, with a desire to be treated fairly, and to see my people treated as human beings and not as chattel. It grew from anger and rage, emotions I felt 40 years ago when people of my color were denied the right to see a movie or eat at a restaurant in many parts of California. It grew from the frustration and humiliation I felt as a boy who couldn't understand how the growers could abuse and exploit farm workers when there were so many of us and so few of them.”

Cesar Chavez (1927–1993) American farm worker, labor leader, and civil rights activist

What the Future Holds (1984)

Life, People, Dreams, Hope

“On Charley Patton's voice and music style: I heard this fella, and his voice sounded like my voice. I’d always thought, ‘Well, I could never be a singer with this horrible voice’. I hated it. Absolutely hated it. Still do. But he sounded like the same kind of thing. I didn’t know black American terms: a boll weevil or turnpike blues. But there was an emotion that clicked with me. I became fascinated with gospel blues. I still play more gospel than Chicago. I very rarely go anywhere near that speed, aggression, Clapton thing. Someone once reviewed me, saying the testosterone was missing from my blues solos, because I don’t do Chicago. It’s just alien to me.”

Chris Rea (1951) English singer-songwriter

2015

Hate, Music, Speed

“This film is extremely visual. It is difficult to describe in words without running the risk of losing or boring the reader.
I have come up with a simplified summary, therefore, like a readers guide, which will conjure up the images in as few words as possible :
— the beginning is Leon: The Professional
— the middle is Inception
— the end is 2001: A Space Odyssey
Don't interpret this as pretension on my part, merely a visual, emotional and philosophical point of reference.”

Luc Besson (1959) French film director, writer, and producer

"NOTA", for his film Lucy, as quoted in "Luc Besson's Statement Of Intent For 'Lucy' Compares The Film To '2001,' 'Inception' & 'Leon The Professional'" by Kevin Jagernauth, in Indiewire (28 July 2014) http://blogs.indiewire.com/theplaylist/luc-bessons-statement-of-intent-for-lucy-compares-the-film-to-2001-inception-leon-the-professional-20140728

Parting

“Sometimes I see you
And you don't know why I'm there
And I'm washed away by emotions
I hold deep down inside
Getting stronger with time
It's living through the fire
And holding on we find That's what love is for …”

Amy Grant (1960) American musician

"That's What Love Is For", co-written with Michael Omartian and Mark Mueller
Song lyrics, Heart in Motion (1991)

Love, Time

“Am I emotional? Yes, my first born was murdered. Am I angry? Yes, he was killed for lies and for a PNAC Neo-Con agenda to benefit Israel. My son joined the army to protect America, not Israel.”

Cindy Sheehan (1957) American antiwar activist

Letter to editors of ABC's Nightline, March 15 2005. http://www.slate.com/id/2124500/ http://www.boston.com/news/globe/editorial_opinion/oped/articles/2005/08/22/the_cindy_sheehan_you_dont_know/ http://www.freerepublic.com/focus/f-news/1460787/posts 2005

“In the end, what I do is about feeling. Certain buildings, certain architects generate a strong emotion. It is hard to explain, but, if am I lucky, I can find this feeling, these emotions, slowly and quietly in the darkroom when my pictures come to light.”

Hélène Binet (1959) Swiss photographer

Source: Jonathan Glancey, in The dream life of buildings http://www.theguardian.com/culture/2002/apr/15/artsfeatures, The Guardian, 15 April 2002

Feeling, Light, Strong

“The duty of the artist is not to be calculating in any sense, so that he may be free himself of human emotions while carried by the universal forces of life. Only then does one not think about making art, or about styles, or directions. Something comes about, something happens.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Karel Appel – the complete sculptures,' (1990) not-paged

Life, Art, Thinking, Sense

“If people have personal conversations about very emotional matters in public, and people reveal parts of their body that were originally kept covered, and pornography is becoming semi-respectable, it makes you think the push for greater freedom and divesting yourself of inhibitions is a real human need. I'm 54, so I'm further back upon the road. We certainly did a fair amount of divesting ourselves of inhibitions, but there seems to have been a quantum leap in the last half a generation. Maybe we're destined to be freer, but it's taking odd forms, like showing your big gut to all the world and discussing the future of your marriage at a bus stop with 30 people listening in.”

Martin Amis (1949) Welsh novelist

Playboy interview (2003)

Marriage, People, World, Thinking

“There are so many acting schools these days. Maybe, the new generation of actors is forgetting that acting is more emotional than mechanical. Take dancing, today's dancers are not dancing; they're just performing a drill to some beats.”

Waheeda Rehman (1938) Indian actress

Quoted in "Guru Dutt was my mentor: Waheeda".
Quote

School, Dance, Forgetting

“…Another highlight of the festival was the performance of the Alchemy Trio in the Tempel Synagogue. That's a great cracovian cellist Dorota Imiełowska with accordion wizard Konrad Ligas and equally sensational bassist Roman Ślazyk. With musicians performed 16-year-old Łukasz Pawlikowski of which can confidently say that he has joined the ranks of the best Polish cellists. Jewish music they played (even in their own arrangement) enchanted, deeply touched and amused, because this music is not only an emotional but also full of humor. It was not just a concert - artists presented musical and theatrical spectacle. Excellent!”

Łukasz Pawlikowski (1997) Polish cellist

...Kolejnym wydarzeniem festiwalu był występ Alchemy Trio w Synagodze Tempel. To znakomita krakowska wiolonczelistka Dorota Imiełowska z czarodziejem akordeonu Konradem Ligasem i równie rewelacyjnym kontrabasistą Romanem Ślazykiem. Z muzykami wystapił 16-letni Łukasz Pawlikowski, o którym śmiało można powiedzieć, że już dołączył do grona najlepszych polskich wiolonczelistów. Muzyka żydowska, którą grali / również we własnej aranżacji/ zachwycała, wzruszała i bawiła, bo to muzyka nie tylko niezwykle emocjonalna, ale i pełna humoru. To był nie tylko koncert - artyści zaprezentowali spektakl muzyczno-teatralny. Rewelacja!
[Beata Penderecka, http://www.radiokrakow.pl/www/index.nsf/ID/BPEA-9AZLHZ, Cellos on Music in Old Cracow, Radio Kraków, 2013-28-08, Polish]
About

Music, Confidence

“I never go to the cinema. I can't stand sitting in the dark with strangers -- all of us obliged to share the same emotional experiences -- it's too intimate. I like to be emotional in private.”

Peter Greenaway (1942) British film director

Philip
8 1/2 Women

“Poor Pymfyd! Your world is built of fear and dread! As for me, I have no time for such emotions.”
Pymfyd spoke in an even voice. “You are a royal princess and I may not call you a witless little fool, even should the thought cross my mind.”
Madouc turned him a sad blue-eyed glance. “So that, after all, is your concept of me.”

Jack Vance Lyonesse Trilogy

“I will say only this: persons who fear nothing are soon dead.”
Source: Lyonesse Trilogy (1983-1989), Madouc (1989), Chapter 3, section 3 (p. 722)

World, Sadness, Fear, Fools

“To Namier it had seemed obvious that political theories act as the merest ex post facto rationalisations of political behaviour. If we are looking for explanations of political action, he maintained, we must seek them at the level of ‘the underlying emotions, the music, to which ideas are a mere libretto, often of very inferior quality’. For critics of Namier such as Sir Herbert Butterfield, the only possible retort seemed to be to go back to a famous dictum of Lord Acton’s to the effect that ideas are often the causes rather than the effects of public events. But this response duly incurred the scorn of Namier and his followers for the alleged naiveté of supposing that political actions are ever genuinely motivated by the principles used to rationalise them.”

Quentin Skinner (1940) British historian

Source: Liberty Before Liberalism (1998), p. 104

Music, Motivation, Idea

“It's a simple fact, when you move from one color space to another color space, that if there's a value contrast you get a strong optical illusion. Strong value contrast can be expressive and dramatic. Like the difference between high or low volume or the low key and the high keys on the piano... Actually, if you're moving from one flat color to another flat color, if there's a difference of color – if one is matte and the other is shiny – that contrast of tactility can keep them visually in the same dimension. It keeps them adjacent – side by side... Another reason is that a matte color and a shiny, transparent color are emotionally different. If something is warm and fuzzy and dense we have a kind of emotional response to that. If something is clear and you can see through it, like yellow or green or red can be, we have a different emotional sensation from that. So there's an expressive difference you can get that gives you more expressive range.”

Kenneth Noland (1924–2010) American artist

Source: Color, Format and Abstract Art' (1977), pp. 99 – 105

Color, Strong

“On the occasion of the International Women’s Day 2016, I call on all Filipino men, women and the LGBT community to be united as one powerful force in promoting and protecting the Filipino women’s physical and emotional health and overall well-being. As one collective group, we must all work to ensure that discrimination and violence against Filipino women, and all women all over the world, do not happen in any instance. Everyday, discrimination and violence against women in so many forms—visible and invisible, physical and verbal—take place. These acts have deep and lasting effects on the women’s health and well-being. On this day, let us also renew our resolve and commitment to uphold, advance and protect our achievements in making the Philippine society more sensitive to the issues affecting the lives of Filipino women. More work needs to be done to advance gender equality and women’s empowerment, factors seen by experts as associated with discrimination and violence. Let us do everything within our power and might to stop all forms of discrimination and violence against women, that their rights are protected and upheld, and that they optimally enjoy and achieve the possible maximum standard of physical and emotion health.”

Francis Escudero (1969) Filipino politician

Escudero, F. [Francis]. (2016, March 8). Retrieved from Official Facebook Page of Francis Escudero https://www.facebook.com/senchizescudero/posts/10153923936700610/ 2016, Facebook

Women, Men, Health, World

“I realized then what I had known since I was a child watching my mother die of cancer—namely, that beyond ideology and ambition, beyond thought and emotion, there was only pain. And salvation from it.”

Dan Simmons book The Rise of Endymion

Source: The Rise of Endymion (1997), Chapter 8 (p. 121)

Pain

“I never for a moment considered not doing the show. When I did the show I became very emotional. Some of the lyrics suddenly took on an entirely different meaning. Words like, 'as if we never said goodbye' became more real.”

Elaine Paige (1948) English singer and actress

Regarding Paige's battle with cancer; as quoted in "Elaine's close curtain call" by Rebecca Hardy in The Daily Mail http://www.dailymail.co.uk/pages/live/articles/health/womenfamily.html?in_article_id=301138&in_page_id=1799 (8 May 2004)

“The fate of farm animals is not an ethical side issue. It concerns the majority of Earth's large creatures: tens of billions of sentient beings, each with a complex world of sensations and emotions, but who live and die as cogs in an industrial production line.”

Yuval Noah Harari (1976) Israeli historian

Introduction to Animal Liberation

Fate, World, Animals

“The more rational statement is that we feel sorry because we cry, angry because we strike, afraid because we tremble, and not that we cry, strike, or tremble, because we are sorry, angry, or fearful, as the case may be. Without the bodily states following on the perception, the latter would be purely cognitive in form, pale, colorless, destitute of emotional warmth.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Source: 1890s, The Principles of Psychology (1890), Ch. 25

Fear, Feeling, Cry

“I couldn't portray a women in all her natural loveliness.... I haven't the skill. No one has. I must, therefore, create a new sort of beauty, the beauty that appears to me in terms of volume of line, of mass, of weight, and through that beauty interpret my subjective impression. Nature is mere a pretext for decorative composition, plus sentiment. It suggests emotion, and I translate that emotion into art. I want to express the absolute, not merely the factitious woman.”

Georges Braque (1882–1963) French painter and sculptor

Quote of Braque, late 1908; as cited in The wild men of Paris, Gelett Burgess, https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf in 'The Architectural Record', p. 405, May 1910; as cited in Braque, by Edwin Mullins, Thames and Hudson, London 1968, p. 34 1908 - 1920

Women, Beauty, Art, Nature

“I was educated at Cambridge. How admirable is the Western method of submitting all theory to scrupulous experimental verification! That procedure has gone hand in hand with the gift for introspection which is my Eastern heritage. Together they have enabled me to sunder the silences of natural realms long uncommunicative. The telltale charts of my crescograph 2 are evidence for the most skeptical that plants have a sensitive nervous system and a varied emotional life. Love, hate, joy, fear, pleasure, pain, excitability, r, and countless appropriate responses to stimuli are as universal in plants as in animals.”

Jagadish Chandra Bose (1858–1937) Bengali polymath, physicist, biologist, botanist and archaeologist

India's Great Scientist, J.C. Bose

Love, Life, Pain, Hate

“I'm scared
Of all this emotion
for years I've been holding it down.”

James Morrison (1984) English singer-songwriter and guitarist

This Boy
Song lyrics, Undiscovered (James Morrison album) (2006)

“Stella Adler was much more than a teacher of acting. Through her work she imparts the most valuable kind of information - how to discover the nature of our own emotional mechanics and therefore those of others. She never lent herself to vulgar exploitations, as some other well-known so-called "methods" of acting have done. As a result, her contributions to the theatrical culture have remained largely unknown, unrecognized, and unappreciated.”

Stella Adler (1901–1992) American actress and teaching coach

Marlon Brando, preface to Stella Adler: The Art of Acting (2000), ed. Howard Kissel, p. 7
About

Nature, Teachers

“His was a life which lacked, perhaps, the sublimer emotions which raised Man to the level of the gods, but it was undeniably an extremely happy one. He never experienced the thrill of ambition fulfilled, but, on the other hand, he never knew the agony of ambition frustrated. His name, when he died, would not live for ever in England's annals; he was spared the pain of worrying about this by the fact that he had no desire to live for ever in England's annals. He was possibly as nearly contented a human being can be in this century of alarms and excursions.”

P.G. Wodehouse book Something Fresh

Something Fresh (1915)

Life, God, Pain, Happiness

“While it is true that scientific results are entirely independent from religious or moral considerations, those individuals to whom we owe the great creative achievements of science were all of them imbued with the truly religious conviction that this universe of ours is something perfect and susceptible to the rational striving for knowledge. If this conviction had not been a strongly emotional one and if those searching for knowledge had not been inspired by Spinoza's Amor Dei Intellectualis, they would hardly have been capable of that untiring devotion which alone enables man to attain his greatest achievements.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

1940s, Religion and Science: Irreconcilable? (1948)

Search, Knowledge, Universe, Science

“I no longer believe that most traditional historians are emotionally equipped, even with training, to use their feelings as psychohistorical research tools, although there is a whole new generation of psychohistorians just now beginning to write who are able to do so. To expect the average historian to do psychohistory is like trying to teach a blind man to be an astronomer […]. Whenever I speak to a scholar of the emotional development necessary to make a good psychohistorian and get a blank look of total incomprehension, I try to find a way to leave the subject of psychohistory altogether. My listener usually is in another world of discourse where emotional reactions are not considered crucial to the results.”

Lloyd deMause (1931) American thinker

Source: Foundations of Psychohistory (1982), Ch. 2, ibid.

World, Way, Feeling, Training

“It's not very fashionable nowadays to have a philosophy that demands a lot of life. I tend to be drawn to people who are emotional - now they'd be called 'crazy'. Pollock, Jasper Johns, Toulouse-Lautrec. People said, 'They're off their nut!' Was Faulkner off his nut because he stayed in his house for eight months at a time writing books, and then you'd find him drunk up in a tree, making out with some old black woman? I think that's fuckin' great!”

Ryan Adams (1974) American alt-country/rock singer-songwriter

Blender (August/September 2001)

Life, People, Books, Fashion

“We find it difficult to sympathise with the emotions of a potato; so we do with those of an oyster. Neither of these things makes a noise on being boiled or opened, and noise appeals to us more strongly than anything else, because we make so much about our own sufferings. Since, then, they do not annoy us by any expression of pain we call them emotionless; and so qua mankind they are; but mankind is not everybody.”

Samuel Butler (1835–1902) novelist

Source: Erewhon (1872), Ch. 23

Pain, Suffering

“So, it is true that one’s homeland is entirely human, emotional and that it is the root of action, of authority, of responsibility from which one can build Europe. What elements? Well, [nation] States, because only States are valid, are legitimate, in this respect, in addition they are capable of… As I have already said and I repeat, that at the present time, there cannot be any other Europe than that of the States, apart of course from myths, fictions, parades. From this solidarity depends all hope of uniting Europe in the political field and in the field of defense, as in the economic field. From this solidarity depends, therefore, the destiny of Europe as a whole, from the Atlantic to the Urals.”

Charles de Gaulle (1890–1970) eighteenth President of the French Republic

Alors, il est vrai que la Patrie est un élément humain, sentimental et que c’est sur des éléments d’action, d’autorité, de responsabilité qu’on peut construire l’Europe. Quels éléments? Eh bien, les États, car il n’y a que les États qui, à cet égard, soient valables, soient légitimes et en outre soient capables de réaliser… J’ai déjà dit et je répète, qu’à l’heure qu’il est, il ne peut pas y avoir d’autre Europe possible que celle des États, en dehors naturellement des mythes, des fictions, des parades. De cette solidarité dépend tout espoir d’unir l’Europe dans le domaine politique et dans le domaine de la défense, comme dans le domaine économique. De cette solidarité dépend, par conséquent, le destin de l’Europe tout entière, depuis l’Atlantique jusqu’à l’Oural.
Press conference, Elysée Palace, Paris, 15 May 1962
Fifth Republic and other post-WW2

Hope, Time, Dependency

“The final test of painting, theirs, mine, any other, is; does the painter’s emotion comes across?.... Procedure is the keyword.... The difference is that we don't begin with a definite sense of procedure. It's free association from the start to the finished state. The old idea was to make use of your talent. This, we feel, is often to take the line of least resistance.... painters like Rothko, Pollock, Still, perhaps in reaction to the tendency to analyze which has dominated painting from Seurat to Albers, associate with very little analysis. A new form of expressionism inevitably followed. With De Kooning the procedure is continual change, and the immediacy of the change. With Jackson, it's the confidence you feel from the concentration of his energy in a given picture..”

Franz Kline (1910–1962) American painter

1958
Quote from Kline, in Conversations with Artists, Seldon Rothman, New York Capricorn Books, 1961, p. 106 - 109: Talk ing about the Abstract expressionists
1960's

Feeling, Confidence, Idea, Sense