Quotes about emotion
page 12

Albert Einstein photo
Thomas Chalmers photo

“Prior to his introduction to combat, the average flier possesses a series of intellectual and emotional attitudes regarding his relation to the war. The intellectual attitudes comprise his opinon concerning the necessity of the war and the merits of our cause. Here the American soldier is in a peculiarly disadvantageous position compared with his enemies and most of his Allies. Although attitudes vary from strong conviction to profound cynicism, the most usual reaction is one of passive acceptance of our part in the conflict. Behind this acceptance there is little real conviction. The political, economic or even military justifications for our involvement in the war are not apprehended except in a vague way. The men feel that, if our leaders, the “big-shots,” could not keep us out, then there is no help for it; we have to fight. There is much danger for the future in this attitude, since the responsibility is not personally accepted but is displaced to the leaders. If these should lose face or the men find themselves in economic difficulties in the postwar world, the attitude can easily shift to one of blame of the leaders. The the cry will rise: “We were betrayed—the politicians got us in for their own gain. The militarists made us suffer for it.”

Roy R. Grinker, Sr. (1900–1993) American psychiatrist and neurologist

Source: Men Under Stress, 1945, p. 38-39 cited in: The Clare Spark Blog (2009) Strategic Regression in “the greatest generation” http://clarespark.com/2009/12/09/strategic-regression-in-the-greatest-generation/ December 9, 2009

David C. McClelland photo
Northrop Frye photo
Lewis Mumford photo
Stuart Davis photo
Arthur Cecil Pigou photo
Rick Santorum photo
Arthur Waley photo
Eric R. Kandel photo
Murray Leinster photo

“His reasoning was emotional, and therefore simple.”

Murray Leinster (1896–1975) Novelist, short story writer

Source: Time Tunnel (1964), Chapter 8 (p. 102).

Carlos Zambrano photo
Georges Bataille photo
Denise Scott Brown photo
Frank Herbert photo
Karel Appel photo
Francis Escudero photo
John Mackey (businessman) photo

“I remember one day in August of 2003 I made the decision to become (near) vegan and that once the decision was made I felt great emotional alignment within my heart. I knew this was the right thing for me to do and I also knew that I was making a decision that I would be committed to for the rest of my life. At last my beliefs and my ethics had come into alignment.”

John Mackey (businessman) (1953) is an American businessman. He is the current CEO of Whole Foods Market

Told to Jeffrey Moussaieff Masson, as quoted in Jeffrey Moussaieff Masson, The Face on Your Plate: The Truth About Food (New York: Norton & Company, 2009. ISBN 978-0-393-06595-4), Introduction, p. 15 https://books.google.it/books?id=-LeUV2wr2BoC&pg=PA15.

Max Scheler photo

“We do not use the word “ressentiment” because of a special predilection for the French language, but because we did not succeed in translating it into German. Moreover, Nietzsche has made it a terminus technicus. In the natural meaning of the French word I detect two elements. First of all, ressentiment is the repeated experiencing and reliving of a particular emotional response reaction against someone else. The continual reliving of the emotion sinks it more deeply into the center of the personality, but concomitantly removes it from the person's zone of action and expression. It is not a mere intellectual recollection of the emotion and of the events to which it “responded”—it is a re-experiencing of the emotion itself, a renewal of the original feeling. Secondly, the word implies that the quality of this emotion is negative, i. e., that it contains a movement of hostility. Perhaps the German word “Groll” (rancor) comes closest to the essential meaning of the term. “Rancor” is just such a suppressed wrath, independent of the ego's activity, which moves obscurely through the mind. It finally takes shape through the repeated reliving of intentionalities of hatred or other hostile emotions. In itself it does not contain a specific hostile intention, but it nourishes any number of such intentions.”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Jules Payot photo

“My friend Mercedes Pena made me get in touch with my emotions just before I had a breast cut off. Just as I suspected, they were awful. "How do you Latinas do this—all the time in touch with your emotions?" I asked her. "That's why we take siestas," she replied.”

Molly Ivins (1944–2007) American journalist

Time Magazine, Who Needs Breasts, Anyway? http://www.time.com/time/magazine/article/0,9171,1001832-1,00.html, Feb. 18, 2002. Retrieved February 1, 2007.

Donnie Dunagan photo
Marshall McLuhan photo

“Until writing was invented, we lived in acoustic space: boundless, directionless, horizonless, the dark of the mind, the world of emotion, primordial intuition, terror. Speech is a social chart of this bog.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Variant: Until writing was invented, we lived in acoustic space: boundless, directionless, horizonless, the dark of the mind, the world of emotion, primordial intuition, terror. Speech is a social chart of this bog. (p. 13)
Source: 1960s, Counterblast (1969), p. 13

Rollo May photo
Newton Lee photo
Raymond Cattell photo
Clive Barker photo
Marcus Aurelius photo
Ossip Zadkine photo

“Because the scope of the sculptor's subject remains so limited, we must be careful to concentrate as much meaning or emotion as possible in the few forms that remain at our disposal.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 153

Anaïs Nin photo
Kurt Gödel photo

“But every error is due to extraneous factors (such as emotion and education); reason itself does not err.”

Kurt Gödel (1906–1978) logician, mathematician, and philosopher of mathematics

Attributed as a remark of 29th November 1972, in Incompleteness (2005) by Rebecca Goldstein

Eugène Delacroix photo
Lloyd deMause photo
Stephenie Meyer photo
Otto Neurath photo

“Finally it should be noted that the picture education, especially the pictorial statistics, are of international importance. Words carry more emotional elements than set pictures, which can be observed by people of different countries, different parties without any protest; Words divide, pictures unite.”

Otto Neurath (1882–1945) austrian economist, philosopher and sociologist

Otto Neurath (1931), "Bildstatistik nach Wiener Methode", Die Volksschule 27 (1931): 569 ; Translated and cited in Sybilla Nikolow (2013) "‘Words Divide, Pictures Unite.’Otto Neurath’s Pictorial Statistics in Historical Context."
1930s

Jan Smuts photo

“In recognizing that words have the power to define and to compel, the semanticists are actually testifying to the philosophic quality of language which is the source of their vexation. In an attempt to get rid of that quality, they are looking for some neutral means which will be a nonconductor of the current called “emotion” and its concomitant evaluation.”

Richard M. Weaver (1910–1963) American scholar

“The Power of the Word,” p. 37.
Language is Sermonic (1970)
Variant: In recognizing that words have the power to define and to compel, the semanticists are actually testifying to the philosophic quality of language which is the source of their vexation. In an attempt to get rid of that quality, they are looking for some neutral means which will be a nonconductor of the current called “emotion” and its concomitant evaluation.

Norman Mailer photo

“Mystery is an emotion which is repugnant to a political animal.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Superman Comes to the Supermarket (1960)

Theo van Doesburg photo
Justus Dahinden photo

“Spaces that trigger emotions alter the behaviour of people. Architecture aims at influencing human behaviour by space creations.”

Justus Dahinden (1925) Swiss architect

Räume, die Empfindungen auslösen, verändern das Verhalten des Menschen. Die Verhaltensbeeinflussung des Menschen durch die gestaltete Umwelt ist eine qualitative Zielsetzung des architektonischen Entwurfs.
Man and Space - Mensch und Raum 2005

Lewis Mumford photo
Jane Roberts photo
Nayef Al-Rodhan photo
Jack Vance photo
Martin Luther King, Jr. photo

“Above all he did not content himself with hurling invectives for emotional release and then to retire into smug, passive satisfaction. History had taught him it is not enough for people to be angry—the supreme task is to organize and unite people so that their anger becomes a transforming force.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

"Honoring Dr. DuBois", speech at International Cultural Evening at Carnegie Hall, 23 February 1968, published in Freedomways: A Quarterly Review of the Negro Freedom Movement, compiled in Esther Cooper Jackson (ed.), Freedomways Reader: Prophets In Their Own Country, p. 36 https://books.google.com/books?id=-oivNmSJOfAC&pg=PA36&dq=%22the+supreme+task+is+to+organize+and+unite%22
1960s

André Derain photo
Andrew Vachss photo
Alastair Reynolds photo
Laura Dern photo
Blackie Lawless photo
Andrei Lankov photo

“[T]here has been little, if any, doubt that nothing short of a massive regime collapse, or (even more violent and bloody) full-scale war, will ever produce a non-nuclear North Korea. The regime is run by cold-minded and rational people who cannot afford to be emotional…”

Andrei Lankov (1963) Russian academic

"After the Pyongyang debacle, it’s not clear where U.S. policy goes from here" https://www.nknews.org/2018/07/after-the-pyongyang-debacle-where-can-u-s-policy-go-from-here/ (9 July 2018), NK News

Martin Luther King, Jr. photo
Lewis Pugh photo
Cesar Chavez photo
Chris Rea photo
Luc Besson photo

“This film is extremely visual. It is difficult to describe in words without running the risk of losing or boring the reader.
I have come up with a simplified summary, therefore, like a readers guide, which will conjure up the images in as few words as possible :
— the beginning is Leon: The Professional
— the middle is Inception
— the end is 2001: A Space Odyssey
Don't interpret this as pretension on my part, merely a visual, emotional and philosophical point of reference.”

Luc Besson (1959) French film director, writer, and producer

"NOTA", for his film Lucy, as quoted in "Luc Besson's Statement Of Intent For 'Lucy' Compares The Film To '2001,' 'Inception' & 'Leon The Professional'" by Kevin Jagernauth, in Indiewire (28 July 2014) http://blogs.indiewire.com/theplaylist/luc-bessons-statement-of-intent-for-lucy-compares-the-film-to-2001-inception-leon-the-professional-20140728

Amy Grant photo

“Sometimes I see you
And you don't know why I'm there
And I'm washed away by emotions
I hold deep down inside
Getting stronger with time
It's living through the fire
And holding on we find That's what love is for …”

Amy Grant (1960) American musician

"That's What Love Is For", co-written with Michael Omartian and Mark Mueller
Song lyrics, Heart in Motion (1991)

Cindy Sheehan photo

“Am I emotional? Yes, my first born was murdered. Am I angry? Yes, he was killed for lies and for a PNAC Neo-Con agenda to benefit Israel. My son joined the army to protect America, not Israel.”

Cindy Sheehan (1957) American antiwar activist

Letter to editors of ABC's Nightline, March 15 2005. http://www.slate.com/id/2124500/ http://www.boston.com/news/globe/editorial_opinion/oped/articles/2005/08/22/the_cindy_sheehan_you_dont_know/ http://www.freerepublic.com/focus/f-news/1460787/posts
2005

Hélène Binet photo

“In the end, what I do is about feeling. Certain buildings, certain architects generate a strong emotion. It is hard to explain, but, if am I lucky, I can find this feeling, these emotions, slowly and quietly in the darkroom when my pictures come to light.”

Hélène Binet (1959) Swiss photographer

Source: Jonathan Glancey, in The dream life of buildings http://www.theguardian.com/culture/2002/apr/15/artsfeatures, The Guardian, 15 April 2002

Karel Appel photo
Martin Amis photo
Waheeda Rehman photo
Łukasz Pawlikowski photo

“…Another highlight of the festival was the performance of the Alchemy Trio in the Tempel Synagogue. That's a great cracovian cellist Dorota Imiełowska with accordion wizard Konrad Ligas and equally sensational bassist Roman Ślazyk. With musicians performed 16-year-old Łukasz Pawlikowski of which can confidently say that he has joined the ranks of the best Polish cellists. Jewish music they played (even in their own arrangement) enchanted, deeply touched and amused, because this music is not only an emotional but also full of humor. It was not just a concert - artists presented musical and theatrical spectacle. Excellent!”

Łukasz Pawlikowski (1997) Polish cellist

...Kolejnym wydarzeniem festiwalu był występ Alchemy Trio w Synagodze Tempel. To znakomita krakowska wiolonczelistka Dorota Imiełowska z czarodziejem akordeonu Konradem Ligasem i równie rewelacyjnym kontrabasistą Romanem Ślazykiem. Z muzykami wystapił 16-letni Łukasz Pawlikowski, o którym śmiało można powiedzieć, że już dołączył do grona najlepszych polskich wiolonczelistów. Muzyka żydowska, którą grali / również we własnej aranżacji/ zachwycała, wzruszała i bawiła, bo to muzyka nie tylko niezwykle emocjonalna, ale i pełna humoru. To był nie tylko koncert - artyści zaprezentowali spektakl muzyczno-teatralny. Rewelacja!
[Beata Penderecka, http://www.radiokrakow.pl/www/index.nsf/ID/BPEA-9AZLHZ, Cellos on Music in Old Cracow, Radio Kraków, 2013-28-08, Polish]
About

Peter Greenaway photo
Jack Vance photo
Francis Escudero photo

“On the occasion of the International Women’s Day 2016, I call on all Filipino men, women and the LGBT community to be united as one powerful force in promoting and protecting the Filipino women’s physical and emotional health and overall well-being. As one collective group, we must all work to ensure that discrimination and violence against Filipino women, and all women all over the world, do not happen in any instance. Everyday, discrimination and violence against women in so many forms—visible and invisible, physical and verbal—take place. These acts have deep and lasting effects on the women’s health and well-being. On this day, let us also renew our resolve and commitment to uphold, advance and protect our achievements in making the Philippine society more sensitive to the issues affecting the lives of Filipino women. More work needs to be done to advance gender equality and women’s empowerment, factors seen by experts as associated with discrimination and violence. Let us do everything within our power and might to stop all forms of discrimination and violence against women, that their rights are protected and upheld, and that they optimally enjoy and achieve the possible maximum standard of physical and emotion health.”

Francis Escudero (1969) Filipino politician

Escudero, F. [Francis]. (2016, March 8). Retrieved from Official Facebook Page of Francis Escudero https://www.facebook.com/senchizescudero/posts/10153923936700610/
2016, Facebook

Elaine Paige photo

“I never for a moment considered not doing the show. When I did the show I became very emotional. Some of the lyrics suddenly took on an entirely different meaning. Words like, 'as if we never said goodbye' became more real.”

Elaine Paige (1948) English singer and actress

Regarding Paige's battle with cancer; as quoted in "Elaine's close curtain call" by Rebecca Hardy in The Daily Mail http://www.dailymail.co.uk/pages/live/articles/health/womenfamily.html?in_article_id=301138&in_page_id=1799 (8 May 2004)

Yuval Noah Harari photo
William James photo
Georges Braque photo

“I couldn't portray a women in all her natural loveliness.... I haven't the skill. No one has. I must, therefore, create a new sort of beauty, the beauty that appears to me in terms of volume of line, of mass, of weight, and through that beauty interpret my subjective impression. Nature is mere a pretext for decorative composition, plus sentiment. It suggests emotion, and I translate that emotion into art. I want to express the absolute, not merely the factitious woman.”

Georges Braque (1882–1963) French painter and sculptor

Quote of Braque, late 1908; as cited in The wild men of Paris, Gelett Burgess, https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf in 'The Architectural Record', p. 405, May 1910; as cited in Braque, by Edwin Mullins, Thames and Hudson, London 1968, p. 34
1908 - 1920

Jagadish Chandra Bose photo
James Morrison photo

“I'm scared
Of all this emotion
for years I've been holding it down.”

James Morrison (1984) English singer-songwriter and guitarist

This Boy
Song lyrics, Undiscovered (James Morrison album) (2006)

Stella Adler photo
P.G. Wodehouse photo
Albert Einstein photo
Lloyd deMause photo
Ryan Adams photo
Samuel Butler photo
Charles de Gaulle photo

“So, it is true that one’s homeland is entirely human, emotional and that it is the root of action, of authority, of responsibility from which one can build Europe. What elements? Well, [nation] States, because only States are valid, are legitimate, in this respect, in addition they are capable of… As I have already said and I repeat, that at the present time, there cannot be any other Europe than that of the States, apart of course from myths, fictions, parades. From this solidarity depends all hope of uniting Europe in the political field and in the field of defense, as in the economic field. From this solidarity depends, therefore, the destiny of Europe as a whole, from the Atlantic to the Urals.”

Charles de Gaulle (1890–1970) eighteenth President of the French Republic

Alors, il est vrai que la Patrie est un élément humain, sentimental et que c’est sur des éléments d’action, d’autorité, de responsabilité qu’on peut construire l’Europe. Quels éléments? Eh bien, les États, car il n’y a que les États qui, à cet égard, soient valables, soient légitimes et en outre soient capables de réaliser… J’ai déjà dit et je répète, qu’à l’heure qu’il est, il ne peut pas y avoir d’autre Europe possible que celle des États, en dehors naturellement des mythes, des fictions, des parades. De cette solidarité dépend tout espoir d’unir l’Europe dans le domaine politique et dans le domaine de la défense, comme dans le domaine économique. De cette solidarité dépend, par conséquent, le destin de l’Europe tout entière, depuis l’Atlantique jusqu’à l’Oural.
Press conference, Elysée Palace, Paris, 15 May 1962
Fifth Republic and other post-WW2

Greg Egan photo
George Eliot photo

“Astonishment is the only realistic emotion.”

Celia Green (1935) British philosopher

The Decline and Fall of Science (1976)

Willa Cather photo
Paul Johnson photo
A. R. Rahman photo