Quotes about emotion
page 11

“But who can fathom the subtleties of the human heart? Certainly not those who expect from it only decorous sentiments and normal emotions.”

W. Somerset Maugham book The Moon and Sixpence

Source: The Moon and Sixpence (1919), Ch. 43, p. 154

Heart

“These universal means of expression were discovered in modern painting by a logical and gradual progress toward ever more abstract form and color. Once the solution was discovered, there followed the exact representation of relations alone, that is to say, of the essential and fundamental element in any plastic emotion of the beautiful.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

Beauty, Color, Universe, Painting

“When news had reached me through well-informed channels that my Aunt Agatha for many years a widow, or derelict, as I believed it is called, was about to take another pop at matrimony, my first emotion, as was natural in the circumstances, had been a gentle pity for the unfortunate goop slated to step up the aisle with her - she, as you are aware, being my tough aunt, the one who eats broken bottles and conducts human sacrifices by the light of the full moon.”

P.G. Wodehouse book Joy in the Morning

Joy in the Morning (1947)

Nature, Light

“Above all, religion, faith healing, and alternative medicine all show the diagnostic feature of faith: an agenda not to find the truth, but to support one’s biases, emotions, and personal beliefs.”

Jerry Coyne book Faith vs. Fact: Why Science and Religion are Incompatible

Source: Faith vs. Fact (2015), p. 238

Truth, Faith, Religion, Support

“Anytime you travel through life, [emotional] baggage is apart of the journey. It’s not about not having baggage, it’s about learning to travel lighter and lighter.”

Marcus Orelias (1993) American actor, rapper, songwriter, author and entrepreneur

Life, Travel, Learning

“Life is complex in its expression, involving more than percipience, namely desire, emotion, will, and feeling.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

1910s, The Principles of Natural Knowledge (1919)

Life, Feeling

“Fellowship with Jesus lies not alone in pleasurable emotions; you must learn it in suffering and in service.”

Anna Shipton (1815–1901) British religious writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 246.

Pleasure, Suffering, Learning

“Those involved in such disasters - the survivors - often use such larger-than-life circumstances in order to participate in affairs that seem to have greater import than those possessed by previous humdrum existences. They seek the excitement, whatever its consequences. They become a part of history to whatever extent. For once their private lives are identified with a greater source - and from it many derive new strength and vitality. Social barriers are dropped, economic positions forgotten. The range of private emotions is given greater, fuller, sweep.”

Jane Roberts (1929–1984) American Writer

Session 821, Page 99
The Individual and the Nature of Mass Events, (1981)

Life, History, Parting

“We must call attention, among the workers parties or the extremist tendencies within those parties, to the need to undertake an effective ideological action in order to combat the emotional influence of.”

Guy Debord (1931–1994) French Marxist theorist, writer, filmmaker and founding member of the Situationist International (SI)

Our Immediate Tasks
Report on the Construction of Situations (1957)

“[Kenneth Patchen] has a real, but disorganized, self-indulgent, but rather commonplace talent.
This is not Mr. Patchen’s opinion of himself. (Nor is it that of William Carlos Williams, who almost invents a new language, a kind of system of emotional nonsense syllables, in his effort to praise Mr. Patchen properly. For instance, Mr. Patchen is “a hawk on the grave of John Donne.” I should have called him a parrot on the stones of half a cemetery.)”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poetry in a Dry Season”, p. 35
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Effort

“There is inherent in every true football supporter a reservoir of natural optimism. This inner holding pond of hope springs eternal, and is the safety valve that regulates the emotional turbulence synonymous with professional football. It mollifies the annual agitation and soothes the savage beast of frustration. Without this optimistic dimension the personality of the authentic fan is incomplete.”

Damien Richardson (1947) Irish footballer and manager

Shamrock Rovers versus Finn Harps, 22 August 1999.

Hope, Spring, Optimism, Support

“The 2004 tour hasn't ended. I still have to finish Latin America and Europe. [Celia Cruz and I] were good friends. Emilio did her first video; we wrote a song for her. I would have loved to have had her there [when recording "90 Millas"]. But she was there. I felt her. That's the beauty of a legacy. Celia was economical and tasty in her choices. And in the pocket like you wouldn't believe? [Which means] It's like a rhythm, from son music. To have it it is to be locked in, like a tuned engine. Once you're in the pocket, you're free. That's why, for most of these songs, I sang and I sang until I had the emotion, then... one take. {Couldn't you be considered the heiress to Celia Cruz? ] you can't give youself a title! That's crazy! If I ever start talking like that, please put me out of my misery. I don't care if I'm 80, with my butt to my ankles, put me down.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

Love, Beauty, Music

“A girl looking for emotion could starve in L. A.”

Christopher Golden book Sins of the Father

Sins of the Father (1999

Girl

“There can be no doubt that our innate moral emotions and instincts were acquired in the hundreds of thousand years—probably half a million years—in which Homo sapiens lived in small hunting and gathering groups and developed a physiological constitution which governed his innate instincts. These instincts are still very strong in us. Yet civilization developed by our gradually learning cultural rules which were transmitted by teaching and which served largely to restrain and suppress some of those natural instincts.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

1980s and later, Knowledge, Evolution and Society (1983), "Coping with Ignorance", "Science and Socialism"

Nature, Strong, Learning

“The very saddest sound in all my memory was burned into my awareness at age five on my uncle's dairy farm in Wisconsin. A cow had given birth to a beautiful male calf. The mother was allowed to nurse her calf but for a single night. On the second day after birth, my uncle took the calf from the mother and placed him in the veal pen in the barn—only ten yards away, in plain view of the mother. The mother cow could see her infant, smell him, hear him, but could not touch him, comfort him, or nurse him. The heartrending bellows that she poured forth—minute after minute, hour after hour, for five long days—were excruciating to listen to. They are the most poignant and painful auditory memories I carry in my brain. Since that age, whenever I hear anyone postulate that animals cannot really feel emotions, I need only to replay that torturous sound in my memory of that mother cow crying her bovine heart out to her infant. Mother's love knows no species barriers, and I believe that all people who are vegans in their hearts and souls know that to be true.”

Michael Klaper (1947) American physician

Quoted in Joanne Stepaniak, The Vegan Sourcebook (Lowell House, 1998), pp. 39-40.

Love, Pain, People, Age

“It is impossible for the mind which is not totally destitute of piety, to behold the sublime, the awful, the amazing works of creation and providence — the heavens with their luminaries, the mountains, the ocean, the storm, the earthquake, the volcano, the circuit of the seasons, and the revolutions of empires — without marking in them all the mighty hand of God, and feeling strong emotions of reverence toward the Author of these stupendous works.”

Timothy Dwight IV (1752–1817) American historian

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 273.

God, Feeling, Mountain, Strong

“.. when I see people making quote 'abstract' painting, I think it's just a dialogue and a dialogue isn't enough, that is to say, there is you painting and this canvas. I think there has to be a third thing, it has to be a trialogue. Whether that third thing - it must be, to reverberate and make trouble, you have to have trouble and contradictions, it has to become complex because life is complex, emotions are complex, - whether that third element is a still life of something, or an idea or a concept, in each case it has to be a trialogue and above all has to involve you.... The real thing that matters is how involved you are in that.”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, pp. 73-75

Life, People, Quotes, Idea

“What then is the content of the concept of God common to all monotheistic religions? What remains, it seems, is only the emotional content: the highest enthusiasm and respect, humility and submissiveness”

Kazimierz Ajdukiewicz (1890–1963) Philosopher, logician

Source: Problems and theories of philosophy, 1949, p. 152, as cited in Łukasiewicz, 2016.

God, Religion

“Religious beliefs are counterfactual insofar as they are anomalous (e. g., God is gendered but sexless; Saturn devours his own children; lambs lie with lions), implausible (e. g., Athena bursts forth from Zeus's head; the Zai:rean Nkundo hero Lianja springs fully armed from the leg of his mother; Lao-Tse either emerges with his white beard from the left side of his mother, who bore him for eighty years, or is born immaculately of a shooting star), and, most significantly, counterintuitive (e. g., the Judea-Christian God is a sentient and emotional being with no body; Greek, Hindu, Maya, and Egyptian deities are half-human half-beast; the Chinese monkey god can travel thousands of kilometers at one somersault).”

Scott Atran (1952) Anthropologist

Introduction: an evolutionary riddle, p. 4
In Gods We Trust: The Evolutionary Landscape of Religion (2002)

God, Children, Lie, Travel

“Do you know what le vice Anglais – the English vice – really is? Not flagellation, not pederasty – whatever the French believe it to be. It's our refusal to admit to our emotions. We think they demean us, I suppose.”

Terence Rattigan In Praise of Love

In Praise of Love, Act II. (1973).

Thinking

“In Geneva lived Jean-Jacques Rousseau. He too was a rebel, mighty in war. Voltaire was keener, wittier, deeper, greater. Rousseau was more fiery, emotional, passionate. Both were really warriors in the same great cause. From their different places, three miles apart, both sent forth their thunderbolts to wake a sleeping world. When the world awakened and shook itself, churches, thrones, institutions, laws, and customs were buried in the wreck. Some charged the wreck to Voltaire, some to Rousseau.”

Clarence Darrow (1857–1938) American lawyer and leading member of the American Civil Liberties Union

Voltaire (1916)

War, World, Law, Sleep

“The notion that there might be any need for, or possibility of, profound changes in the institutions that shape American life work, family, technology, the primacy of the car and the single-family house — is foreign to the mainstream media that define our common sense. And so conflicts that cannot be addressed politically have expressed themselves by other means. From public psychodramas like the O. J. Simpson trial, the Lewinsky scandal and Columbine to disaster movies, talk shows and "reality TV," popular culture carries the burden of our emotions about race, feminism, sexual morality, youth culture, wealth, competition, exclusion, a physical and social environment that feels out of control.”

Ellen Willis (1941–2006) writer, activist

"Dreaming of War," The Nation (15 October 2001)

Life, Youth, Family, Cars

“Hitler was a good man and it takes some f---ing balls for someone to say this out loud this day and age, especially for a public figure like myself, but you know what? SOMEONE NEEDS TO SPEAK THE TRUTH WITHOUT FEAR! Otherwise the dark cabal who currently control the world and all of the world bankers will continue to feed you their lies, feed off your emotions, take advantage of your emotions and will continue to keep you THEIR SLAVE!”

Tila Tequila (1981) American television and social media personality, singer and glamour model

blog post http://www.hollywoodreporter.com/news/tila-tequila-sympathizes-hitler-claims-664482

Truth, Age, World, Fear

“Memory is so subjective. We all remember in a visceral, emotional way, and so even if we agree on the facts—what was said, what happened where and when—what we take away and store from a moment, what we feel about it, can vary radically.”

Alan Cumming (1965) Scottish actor

Not My Father's Son: A Family Memoir (2014)

Way, Feeling, Memory

“A surprise party is where your friends and family lie to you to make you feel alone and unloved. Then, when they throw you the party they would have thrown, regardless, you experience a sudden rush of emotion as your depressed self returns back to normal. Some people think that life in general's like that. They keep waiting for the party. I call that: denial.”

Ze Frank (1972) American online performance artist

http://www.zefrank.com/wiki/index.php/the_show:_03-30-06
"The Show" (www.zefrank.com/theshow/)

Life, People, Lie, Family

“I think intelligence has a kind of range of sense and allows us to contemplate the coexistence of the conceptual aspect of thought and the emotional aspect of thought as ideally wedded, troth-plight, and the circumstances in which this troth-plight can be effected are to be found in the medium of language itself.”

Geoffrey Hill (1932–2016) English poet and professor

Interview, The Paris Review No. 80, Spring 2000 http://www.theparisreview.org/interviews/730/the-art-of-poetry-no-80-geoffrey-hill

Intelligence, Thinking, Sense, Wedding

“I should perhaps confess that on September 11 last, once I had experienced all the usual mammalian gamut of emotions, from rage to nausea, I also discovered that another sensation was contending for mastery. On examination, and to my own surprise and pleasure, it turned out be exhilaration. Here was the most frightful enemy–theocratic barbarism–in plain view…. I realized that if the battle went on until the last day of my life, I would never get bored in prosecuting it to the utmost.”

Christopher Hitchens (1949–2011) British American author and journalist

"Images in a Rearview Mirror The Nation" http://www.thenation.com/article/images-rearview-mirror, The Nation (November 15, 2001). 2000s, 2001

Life, Pleasure, Rage

“Story belongs to the people. They are sounder judges of it than anyone else, for their senses are unspoiled and their emotions are free.”

Pearl S. Buck (1892–1973) American writer

The Chinese Novel (1938)

People, Sense

“Each expression-medium has a life of its own. Regulated by certain laws, it can be mastered only by intuition during the act of creating. It is in the nature of the laws which govern every expression medium that two separate entities, related through empathy, always produce a higher third of a purely spiritual nature. This spiritual third manifests itself as a quality which carries emotional content. This quality is the opposite of illusion; it is the reality of the spirit.”

Hans Hofmann (1880–1966) American artist

'Excerpts from the Teaching of Hans Hofmann', p. 61
Search for the Real and Other Essays (1948)

Life, Law, Nature, Reality

“Art is an expression and stimulus to the imaginative life rather than a copy of actual life. Art appreciates emotion in and for itself. The artist, is the most constantly observant of his surroundings and the least affected by their intrinsic aesthetic value. As he contemplates a particular field of vision the aesthetically chaotic and accidental conjunction of forms and colours begin to crystallize into a harmony.”

Roger Fry (1866–1934) English artist and art critic

An essay on aesthetics (1909) from Vision and design by Roger fry, Forgotten Books , 2012
Art Quotes

Life, Art, Imagination

“There are times when the emotions are so clamorous and the rational working of the mind so perfunctory that there is no telling where the actual leaves off and the images of fantasy begin.”

Mervyn Peake (1911–1968) English writer, artist, poet and illustrator

Source: Gormenghast (1950), Chapter 35 (p. 577)

Time

“These last days [of Manet, dying] were very painful. Poor Edouard suffered atrociously. His agony was horrible, death in one of its most appealing forms, that I once again witnessed at a very close range. If you add to these almost physical emotions my old bond of friendship with Edouard, a entire past of youth and work suddenly ending, you will know that I am devastated.”

Berthe Morisot (1841–1895) painter from France

in a letter to her sister Edma, April 1883; as quoted in The Correspondence of Berthe Morisot, with her family and friends Denish Rouart - newly introduced by Kathleen Adler and Tamer Garb; Camden Press London 198, p. 131
1881 - 1895

Death, Pain, Friendship, Youth

“We understand the notions of both ethnic pride and hyphenated Americanism, but many of us are still bewildered about contradictory impulses: the emotional need to display Mexican decals on cars and hang Mexican flags on houses and businesses — or boo an American team at a soccer match — coupled with equally heated expressions of outrage that anyone might suggest that those who broke American law in coming to the United States would ever have to return where their hearts would “always be.” That paradox is the most disturbing — and ignored — aspect of the immigration debate: the contradictory impulse to fault the United States for a litany of sins (exploitation, racism, xenophobia, nativism) without commensurate attention to why any newcomer would wish to reside in a place that is so clearly culpable…”

Victor Davis Hanson (1953) American military historian, essayist, university professor

2010s, Western Cultural Suicide (2013)

Law, Cars, Understanding, Business

“The sadistic person is as dependent on the submissive person as the latter is on the former; neither can live without the other. The difference is only that the sadistic person commands, exploits, hurts, humiliates, and that the masochistic person is commanded, exploited, hurt, humiliated. This is a considerable difference in a realistic sense; in a deeper emotional sense, the difference is not so great as that which they both have in common: fusion without integrity.”

Erich Fromm book The Art of Loving

Source: The Art of Loving (1956), Ch. 2

Sense, Hurt, Dependency, Personality

“She appears composedSo she is, I supposeWho can really tell?She shows no emotion at allStares into space like a dead china doll”

Elliott Smith (1969–2003) American singer-songwriter

Waltz #2 (XO).
Lyrics, XO (1998)

Appearance, Dead

“It was blazing sunshine and I went on in a turquoise neck muff, glamorous dress and muddy boots and just had the best gig, really emotional. I've had emails from people saying that they cried. They promised it wasn't the drugs.”

KT Tunstall (1975) Scottish singer-songwriter and guitarist

On a performance on the Avalon Stage at the Glastonbury Festival.
KTTunstall.com

People

“Aristotle writes that persuasion is based on three things: the ethos, or personal character of the speaker; the pathos, or getting the audience into the right kind of emotional receptivity; and the logos, or the argument itself, carried out by abbreviated syllogisms, or something like deductive syllogisms, and by the use of example.”

Randal Marlin (1938) Canadian academic

Source: Propaganda & The Ethics Of Persuasion (2002), Chapter Two, History Of Propaganda, p. 47

Personality

“.. if the objects will be mathematical values, the ambient in which they live will be a particular rhythm in the emotion which surrounds them. The graphic translation of this rhythm will be a state of form, a state of color, each of which will give back to the spectator the 'state of mind' which produced it..”

Umberto Boccioni (1882–1916) Italian painter and sculptor

in a letter of 12 Feb. 1912 from Paris, to his friend Nino Barbantini (director of the Ca' Pesaro in Venice); as cited in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 67 1912

Color, Mathematics

“But now, the sounds of infancy, always nearest the heart, and sure to come to the lips in our deepest emotion, returned in His anguish; and in words which He had learned at His mother's knee, His heart uttered its last wail — "Eloi! Eloi! lama sabachthani?"”

John Cunningham Geikie (1824–1906) Scottish Presbyterian minister and author

"My God! My God! why hast Thou forsaken me?"
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 73.

God, Learning, Heart

“[About the Golden Rule ] But by whatever combination of rational and emotive we ourselves understand - and feel- it best, whether we elevate it to a religious principle or reduce it to simple good manners, whether we honor it in the breach or not at all, it is the foundation of civilised social life.”

Clara Claiborne Park (1923–2010) Author about autism experiences

page 148
Exiting Nirvana: A Daughter's Life In Autism (2001)

Life, Feeling, Understanding

“It is too evident that if the drawing is bad, the color false, the deepest emotion must fail to express itself.”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

Color, Drawing, Falseness

“The act of speaking, the release from silence, invariably meant that the prisoner would say too much, give something away, let slip an honest truth in the midst of the self-justification. Inspector Singh, like a fine piano-tuner, could listen to these verbal outpourings and pick up those hints of expression or emotion that were off-key and those that rang true. And so he waited for Jasper Lee to open his mouth, and a door to the truth, at the same time.”

Shamini Flint book Inspector Singh Investigates: A Most Peculiar Malaysian Murder

Inspector Singh Investigates: A Most Peculiar Malaysian Murder, Cap 10

Truth, Silence, Time, Waiting

“Ultimately, I conclude that however we understand existence, what gives meaning to our lives are those things that serve our neurochemically based emotional self-interest in a sustainable way.”

Nayef Al-Rodhan (1959) philosopher, neuroscientist, geostrategist, and author

Source: Sustainable History and the Dignity of Man (2009), pp.85-86

Way, Understanding

“Drifting a dream
On a mystical sea…
A wishful emotion
A drop in the ocean
A hush in the air
You can feel anywhere
In the cool twilight
Of a tropical night…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Crises (1983)

Dreams, Feeling, Sea, Night

“I never imagined that any of my films, especially Pather Panchali, would be seen throughout this country or in other countries. The fact that they have is an indication that, if you're able to portray universal feelings, universal relations, emotions, and characters, you can cross certain barriers and reach out to others, even non-Bengalis.”

Satyajit Ray (1921–1992) Indian author, poet, composer, lyricist, filmmaker

The Cineaste Interviews: On the Art and Politics of the Cinema, ed. Dan Georgakas and Lenny Rubenstein, Chicago: Lake View Press, 1982, Vol. 1, Ch. 34 ( eprint at satyajitray.org http://www.satyajitray.org/about_ray/ray_on_ray.htm)

Feeling, Imagination, Universe, Country

“The older I get, the more I realize the importance of exercising the various dimensions of my body, soul, mind and heart. Taken together, these aspects give me a sense of wholeness. I want to be a whole human being rather than one who limps on one leg because I don't know how to use all of my parts. Intellectual, emotional, and physical activity are not separate entities. Rather, they are dimensions of the same human being.”

Robert Fulghum (1937) American writer

"Pay Attention" in Handbook for the Soul (1995) edited by Benjamin Shield

Exercises, Soul, Sense, Heart

“If we take an unprejudiced view of the processes of consciousness, free from all the so-called association rules and theories, we see at once that an idea is no more an even relatively constant thing than is a feeling or emotion or volitional process. There exist only changing and transient ideational processes; there are no permanent ideas that return again and disappear again.”

Wilhelm Wundt (1832–1920) German physician, physiologist, philosopher and professor

Source: An Introduction to Psychology (1912), p. 122

Feeling, Idea, Change

“His formidable originality within the picture-book convention may not have been altogether apparent to Keeping himself, which is both a strength and a weakness: the strength that he could communicate with unrivalled emotional intensity — but possibly only with one child in twenty; the concomitant weakness is that there was not a lot he could do to broaden this minority appeal and ensure that his books remained in print over longer periods. ~ Douglas Martin in Charles Keeping: an illustrator's life (1993) he is a good auther”

Charles Keeping (1924–1988) British illustrator and children's writer

Life, Books, Communication

“The Left’s identity politics poses a threat to free speech and to the kind of rational discourse needed to sustain a democracy… The focus on lived experience by identity groups prioritizes the emotional world of the inner self over the rational examination of issues in the outside world and privileges sincerely held opinions over a process of reasoned deliberation that may force one to abandon prior opinions.”

Francis Fukuyama (1952) American political scientist, political economist, and author

"Against Identity Politics" https://web.archive.org/web/20180823073547/https://www.foreignaffairs.com/articles/americas/2018-08-14/against-identity-politics (14 August 2018), Foreign Affairs 2010s

World, Democracy, Sincerity

“Mr. Sandburg possesses a powerful imagination, which plays over and about his realistic themes and constantly ennobles them. …strikes, and factories, and slaughter-houses, and railroad trains, all take on a lyric quality under his touch. …When Carl Sandburg left college, he was no longer an unskilled labourer, working with his hands. He was a thinking man, with a brain charged with ideas and emotions, determined to do his part in bringing about the millennium. For Carl Sandburg… is a revolutionary; he must push the world to where he is convinced it ought to be. …again and again, he deserts the seer's mountain peak for the demagogue's soap-box. …Mr. Sandburg is like a man striving to batter down a jail with balls of brightly coloured glass. …Whether constant preoccupation with disease is a healthy form of literature, whether it acts as a curative, is open to question. But we can surely say that to be curative the disease must be treated unsentimentally and truly. Mr. Sandburg has aimed at doing this, has striven hard to do it. For this, one honours him above his fellows. For this, and the spirit of beauty which pervades his work.”

Amy Lowell (1874–1925) US writer

"Edgar Lee Masters and Carl Sandburg," Tendencies in Modern American Poetry http://books.google.com/books?id=UgZaAAAAMAAJ (1917).

World, Disease, Beauty, Imagination

“Then he said something that was absolutely defining for him: "Write this down and never forget it: Love is as much a question of the will as it is of the emotion. And if you will to love somebody, you can."”

Ravi Zacharias (1946) Indian philosopher

[I, Isaac, Take Thee, Rebekah: Moving from Romance to Lasting Love, 2005, 9781418515812, http://books.google.com/books?id=lhWCB2v3UlQC&pg=PA29&dq=%22Love+is+as+much+a+question+of+the+will%22, 29]
quoting his brother
2000s

Love, Question, Forgetting

“All our emotional scars and mental stress come from the pain of being fully accepted and cherished in ourselves.”

Michael Elmore-Meegan (1959) British humanitarian

All shall be well (2014)

Pain

“More or less, we're all afflicted with the psychology of the voyeur. Not in a strictly clinical or criminal sense, but in our whole physical and emotional stance before the world. Whenever we seek to break this spell of passivity, our actions are cruel and awkward and generally obscene, like an invalid who has forgotten to walk.”

Jim Morrison (1943–1971) lead singer of The Doors

The Lords and the New Creatures: Poems (1969), The Lords: Notes on Vision

World, Sense, Affliction

“…the position of the body significantly influences the emotions and sensations during the desired stage of hypnotism; also, whatever the passion which one wants to express by the attitude of the patient, when the muscles necessary to this expression are brought into play, the passion itself bursts forth suddenly and the whole organism responds accordingly. The upright body, the expanded chest, the contracted extensors, all that suggests the feeling of self-esteem, self-determination, resolve and unconquerable pride. As soon as one decreases the contraction of these muscles, that gives to the patient a depressed attitude, with a sunken chest, the expression of the features changes in a very manifest way, the voice and the whole manner of being of the individual now express humility, abasement and pity.”

James Braid (1795–1860) Scottish surgeon, hypnotist, and hypnotherapist

Original Philosophy of Hypnotism The International College of Hypnosis & Hypnotherapy

Way, Feeling, Passion, Change

“While many of us feel a strong emotional attachment to our homeland, we should not allow emotions to deter us from speaking of things the way they really are. It should be remembered that this very surrender to emotion has led to insane and counterproductive atrocities on the scale of the Ankara and Istanbul suicide assaults, as well as the Orly bombing and the Lisbon disaster. By surrendering to emotions we enable the A. R. F. and slogans like "w:Hagop Hagopian" to lead thousands of well-intentioned patriots down a path which does not lead to Armenia, and to sacrifice the lives of young fighters in campaigns which directly contradict the interests of the Armenian people. If we are to achieve even the minimum requirements for Armenian national self-determination, we must approach problems in a serious and sober manner.”

Monte Melkonian (1957–1993) National Hero of Armenia

Source: The Right to Struggle (1993), P. 60.

People, Way, Feeling, Problem

“The metaphysical forms which compose our futurist pictures are the result of realities conceived and realities created entirely by the artist. These last are inspired by the emotion or intuition and dependent on atmosphere-ambience.”

Gino Severini (1883–1966) Italian painter

Quote of Severine 1913, from the opening paragraphs of his text 'Art du fantastique dans le sacre', as cited in Gino Severini Ecrits sur l'art, (1913-1962), with a preface by Serge Fauchereau, (Paris: Editions Cercle d'Art, 1987), p. 47
Severini opens 'Art du fantastique' with a theoretical explanation of the concept, form and content of a Futurist work

Reality, Dependency

“The city and the crowd unidealise love; and love, in the young warm heart of a girl, should be a dream apart from all commoner emotions — as sweet and as ethereal as the blush with which it is born and dies. Beauty gives its own gracefulness to love — there must be romance blended with the passion inspired by the very lovely face which the mirror reflected.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Other Gift Books

Love, Beauty, Dreams, Girl

“A human is a complicated organic/electrical system, which is immersed in a culture. Try raising a monkey like a human, it won't work, you need the human's certain brain characteristics (including self-reflection) in order to create a truly intelligent creature. The brain processes inputs and perception in very particular ways, and I think until we understand the underlying processes better, there is no way to really simulate it in software. Computers will continue to be good at simplistic analysis, and raw processing power, but the subtlety of emotions is something intrinsic to the human organism and culture.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

Way, Intelligence, Understanding, Thinking

“There were worlds in the jewel. There was ancient Barsoom of my childhood fairy tales; there was Middle Earth with brooding castles and sentient forests. The jewel was a window on something unimaginable, a place where there were no questions and no emotions but a vast awareness.”

John Varley (1947) American science fiction author

"In the Bowl", The Magazine of Fantasy & Science Fiction (December 1975), reprinted in The Persistence of Vision (1978)

World, Question, Childhood

“Any attempt to break with the past, or with existing social structures, is a failure if it leads to a bored, listless, and colourless style of life; assertive and enduring innovation, like the mastering of a new environment, requires the confidence and discipline which are founded on exuberant emotions.”

John Carroll (1944) Australian professor and author

Source: Break-Out from the Crystal Palace (1974), pp. 95-96, note

Life, Confidence, Failure, Past

“Carving is interrelated masses conveying an emotion; a perfect relationship between the mind and the colour, light and weight which is the stone, made by the hand which feels. It must be so essentially sculpture that it can exist in no other way, something completely the right size but which has growth, something still and yet having movement, so very quiet and yet with a real vitality.”

Barbara Hepworth (1903–1975) English sculptor

Extract from Hepworth's statement in Unit One, as cited in The Modern Movement in English Architecture, Painting and Sculpture, ed. Herbert Read, London, 1934, p. 19
1932 - 1946

Way, Feeling, Light, Perfection

“It seems to me that dominant cinema seems to require an empathy or a sympathy between the film and the audience which is basically to do with the manipulation of the emotions and it seems to me again -- and this is a very subjective position -- that most cinema seems to trivialise the emotions, sentimentalising or romanticising them.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

“Before I was shot [June, 1968], I always thought that I was more half-there than all-there - I always suspected that I was watching TV instead of living life. People sometimes say that the way things happen in the movies is unreal, but actually it's the way things happen to you in life that's unreal. The movies make emotions look so strong and real, whereas when things really do happen to you, it's like watching television - you don't feel anything. Right when I was being shot and ever since, I knew that I was watching television. The channels switch, but it's all television.”

Andy Warhol (1928–1987) American artist

Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 6: Work

Life, People, Way, Feeling

“I think, about a lot of these monsters is that there are these very central, basic, human emotions that you can talk about when you talk about these monsters. You can talk about Dracula’s longing for love, you can talk about the Mummy’s longing for love. So as messed up as they may be in terms of their behavior, and they are monsters, there always has to be a rooting and an understandable idea behind why they are who they are.”

Alex Kurtzman (1973) American television producer

Alex Kurtzman On ‘The Mummy’: The Tone, Tom Cruise, The PG-13 Rating & More http://www.slashfilm.com/alex-kurtzman-the-mummy-interview/2/ (December 5, 2016)

Love, Behavior, Idea, Understanding

“When I was nine years old, I stumbled upon a book that contained photos of preborn children who had been killed in the 1st trimester by suction abortion. Even at that age, I could plainly see that abortion involves killing a child and does tremendous violence to its mother. As I grew older, I began to research abortion's impact on our nation, and its effects on the mother -- injuries, infertility, life-long depression and guilt, and even the likelihood for that guilt to manifest itself in physical or emotional abuse of later children. I also studied the lives of those who fought human rights abuses, from slavery to the Nazi extermination of the Jews to the civil rights movement, and activists and advocates like Martin Luther King, Jr., St Teresa of Calcutta, William Wilberforce, and Sophie Scholl.”

Lila Rose (1988) American anti-abortion activist

Life, Children, Books, Age

“Isn't the use by America and some Western governments of their fire against others in the world including, or in the forefront of whom are the Arabs and the Muslims, one of the most important reasons of the lack of stability in the world at the present time? Isn't the evil inflicted on America in the act of September 11, 2001, and nothing else, a result of this and other acts? This is the main question and this is what the American administration along with of the Western governments or the Western public opinion should answer in the first place with serenity and responsibility, without emotional reaction and without the use of the same old methods that America used against the world.”

Saddam Hussein (1937–2006) Iraqi politician and President

Open letter to the American peoples http://www.wadinet.de/news/iraq/nw273_saddamopenletter.htm (15 September 2001).

World, Question, Evil, Time

“Emotional Ketchup Burst: The bottling up of opinions and emotions inside onself so that they explosively burst forth all at once, shocking and confusing employers and friends -- most of whom thought things were fine.”

Douglas Coupland (1961) Canadian novelist, short story writer, playwright, and graphic designer

Definitions

“After divorce, women’s biggest fear is economic deprivation; men’s biggest fear is emotional deprivation.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Women Can't Hear What Men Don't Say (2000)

Women, Men, Fear

“The show is much more emotional now. It's a journey, but it is still about clothes, too. It's been fascinating to see how looking good and having faith in your appearance makes you into a sexier person, which makes you attractive to your partner again. We come in as complete strangers and get to know them all extremely well. It was a privilege for Trinny and I to have these people feel they could open up to us. It was very humbling, too.”

Susannah Constantine (1962) British fashion designer and journalist

Regarding Trinny & Susannah Undress..., as quoted in Laid Bare The Daily Mirror http://www.mirror.co.uk/news/topstories/tm_objectid=17846372&method=full&siteid=94762&headline=laid-bare-name_page.html (30 September 2006)

People, Faith, Feeling, Appearance

“Emotion is the glue that causes history to stick.”

James W. Loewen book Lies My Teacher Told Me

As quoted in Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong https://books.google.com/books?id=5m2_xeJ4VdwC&dq=%22although+he+may+be+poor+not+a+man%22&source=gbs_navlinks_s (2007), New York: New Press, p. 342 2000s, 2007, Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong (2007)

History

“Sometimes we can get too emotional as a club with things that are happening but we are both of a common denominator; we don't want the club to be in anyone else's hands. That is the way that the club stands with that. I support that.”

Alex Ferguson (1941) Scottish footballer and manager

Daily Telegraph (21 November 2004) http://www.telegraph.co.uk/sport/2391739/Fergie-warns-off-Glazer.html.

Way, Support

“But I do want to trigger emotions like his [Miyazaki] movies triggered our emotions.”

Makoto Shinkai (1973) Japanese anime director and former graphic designer

Interviewed on The Guardian https://www.theguardian.com/film/2016/nov/09/makoto-shinkai-director-anime-your-name About Your Name

“The woman who has sprung free has emotional mobility. She is able to move toward the things that are satisfying to her and away from those that are not. She is free, also, to succeed.”

Colette Dowling (1938)

Source: The Cinderella Complex: Women's Hidden Fear of Independence (1981), pp. 228–229

“Just as vision is inseparable from our spiritual intelligence, our capacity to handle ambiguity, uncertainty, and complexity is bound up with our emotional intelligence.”

Danah Zohar (1945) American writer

Danah Zohar (1997) Using the New Science to Rethink How We Structure and Lead Organizations. p. 14.

Intelligence

“Oldboy makes us feel a part of something bigger than ourselves. It's a grand, gritty, indelible experience, the sort of picture that mimics great literature in the way it envelops you in a well-told story while also evoking subtle but strong gradations of emotion.”

Stephanie Zacharek (1963) American film critic

Review http://dir.salon.com/story/ent/movies/review/2005/03/25/oldboy/index.html of Oldboy (2003)

Way, Feeling, Literature, Strong

“Entitled people who blame others for their own emotions and actions do so because they believe that if they constantly paint themselves as victims, eventually someone will come along and save them, and they will receive the love they’ve always wanted.”

Mark Manson (1984) American writer and blogger

Source: The Subtle Art of Not Giving a F*ck (2016), Chapter 8, “The Importance of Saying No” (p. 178)

Love, People, Painting

“Emotion is the glue that causes memories to stick.”

Eric Edmeades (1970) Canadian businessman

The Stage Effect ASIN: B0787CQDYW - March 2018 https://www.amazon.com/Stage-Effect-Influence-Incredible-Opportunities-ebook/dp/B0787CQDYW

Memory

“As absurd as it might sound, there's a strange synergy between very bad movies and very good ones. That's because films on either extreme of the quality scale have the ability to burrow deep into the subconscious, with unpredictable and occasionally remarkable results. Great works of art can cause euphoria, touch a deep emotional chord, or, in rare cases, affect fundamental changes in a person's outlook on life. Conversely, viewing unwatchable tripe can be damaging, possibly resulting in psychotic episodes, an appreciation of '70s fashion, or leaping to the defense of Pauly Shore. There's something almost profound about enduring a horrifically inept piece of cinema, and Coyote Ugly, living up to every letter in its name, offers the opportunity for such an experience.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1611 of Coyote Ugly (2000). One-star reviews

Life, Art, Fashion, Change

“The emotional stress is a complex network of unusual strains inherent in the combat situation. The stress is derived from different sources, which again mutually reinforce each other.”

Roy R. Grinker, Sr. (1900–1993) American psychiatrist and neurologist

Source: Men Under Stress, 1945, p. 33 cited in: David Goodman Mandelbaum -(1952) Soldier groups and Negro soldiers. p. 78

“What happens in the case of a constructive psychic energy when it [the inner self] is purposely denied aggressive outlets? It finds out... How strong and potent is the energy that is at its command?… It is quite necessary that all these questions be answered, for the inner self is composed of energy, and in other fields of activity thoughts and emotions are instantaneously translated, their results instantly seen. There is no saving time lag.”

Jane Roberts (1929–1984) American Writer

Session 280
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 6

Question, Strong, Time

“Yes, I weeping, a teardrop attack
I give emotion at the drop of a hat
When I remember days at school
I remember many things, but
Most of all, I remember the sun”

Colin Moulding (1955) English bassist, songwriter and vocalist

"I Remember The Sun"
The Big Express (1984)

School, Sun

“I believe that the great painters with their intellect as master have attempted to force this unwilling medium of paint and canvas into a record of their emotions. I find any digression from this large aim leads me to boredom.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

1911 - 1940, Notes on Painting - Edward Hopper (1933)

Painting

“Well, you must now imagine my friend at my age or almost there. You must picture him growing gray, tired of life and convinced that he had at last discovered the secret of peace. At this time he met, while visiting some relatives in a country house, a mere girl of twenty, who was the image, the haunting image of her whom he had hoped to marry thirty years before. It was one of those strange resemblances which extend from the color of the eyes to the 'timbre' of the voice, from the smile to the thought, from the gestures to the finest feelings of the heart. I could not, in a few disjointed phrases describe to you the strange emotions of my friend. It would take pages and pages to make you understand the tenderness, both present and at the same time retrospective, for the dead through the living; the hypnotic condition of the soul which does not know where dreams and memories end and present feeling begins; the daily commingling of the most unreal thing in the world, the phantom of a lost love, with the freshest, the most actual, the most irresistibly naïve and spontaneous thing in it, a young girl. She comes, she goes, she laughs, she sings, you go about with her in the intimacy of country life, and at her side walks one long dead. After two weeks of almost careless abandon to the dangerous delights of this inward agitation imagine my friend entering by chance one morning one of the less frequented rooms of the house, a gallery, where, among other pictures, hung a portrait of himself, painted when he was twenty-five. He approaches the portrait abstractedly. There had been a fire in the room, so that a slight moisture dimmed the glass which protected the pastel, and on this glass, because of this moisture, he sees distinctly the trace of two lips which had been placed upon the eyes of the portrait, two small delicate lips, the sight of which makes his heart beat. He leaves the gallery, questions a servant, who tells him that no one but the young woman he has in mind has been in the room that morning.”

Paul Bourget (1852–1935) French writer

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love

Love, Life, Secret, Age

“There must be no premature renunciation, physical or emotional. The heart, like the body, needs exercise. Naturally there can be no deliberate stirring up of emotion, but why, merely for reasons of age, should one deny oneself those that can be genuinely experienced? Because old men in love are ridiculous? They are ridiculous only if they forget that they are old men. There is nothing ridiculous about two old people really in love. Each still finds in the other those qualities which were admired in youth. Tender consideration, affection, and admiration have no age. In fact, it often happens that, when youth and its passions have vanished, love takes on an asceticism which is delightful. Sensual misunderstandings disappear with physical desire and jealousy with youth; impetuosity wanes with the body's strength. From the remnants of a stormy youth may be created an agreeable old age. Thus the existence of a couple resembles a river which leaps dangerously over jagged rocks near its source, but whose clear waters flow more slowly as it approaches the sea, its broad surface reflecting the poplars along its banks and the stars at night.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

Love, Men, People, Youth

“The somatosensory system… mediates emotional behaviors.”

James W. Prescott (1930) American psychologist

"Before Ethics and Morality" (1972)

Behavior

“Our emotional intelligence determines our potential for learning the practical skills that are based on its five elements: self-awareness, motivation, self-regulation, empathy, and adeptness in relationships”

Daniel Goleman (1946) American psychologist & journalist

Source: Working with Emotional Intelligence (1998), p. 24

Intelligence, Motivation, Learning

“The expression of joy also makes the ego more resilient, less fearful, less resentful of diverse conditions when they occur. The emotion itself is an automatic signal that unites the conscious and subconscious is shared experience.”

Jane Roberts (1929–1984) American Writer

Session 152, Page 21
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 4

Fear, Joy

“This is a highly motivated, good country. It is driven by good motives. But it is also a country with an extremely simplistic understanding of world affairs, and with still a high confidence in America’s capacity to prevail, by force if necessary. (…) This is a country of good emotions, but poor knowledge and little sophistication about the world.”

Zbigniew Brzeziński (1928–2017) Polish-American political scientist

Interview in The National Interest - Brzezinski on the Syria Crisis, Interview in The National Interest http://nationalinterest.org/commentary/brzezinski-the-syria-crisis-8636 (June 24, 2013).

World, Confidence, Motivation, Understanding

“Nietzsche … explicates his preferred distinction between good and bad individuals as non-condemnatory of the latter. A ‘bad person’ is merely devoid of what Nietzsche personally considers to be noble or virtuous qualities; he is not morally evil. Nietzsche’s aim is … to defuse morality of reactive emotion. … It would be futile, tactless, and cruel, he suggests, to try to change a bad person, one with whom one does not empathize; his formula advises: ‘Where you cannot love, pass by’. No on should be blamed for what he is; there is no point in lamenting fate.”

John Carroll (1944) Australian professor and author

Source: Break-Out from the Crystal Palace (1974), p. 91

Love, Fate, Evil, Change

“Books … hold within them the gathered wisdom of humanity, the collected knowledge of the world's thinkers, the amusement and excitement built up by the imaginations of brilliant people. Books contain humor, beauty, wit, emotion, thought, and, indeed, all of life. Life without books is empty.”

Isaac Asimov book Puzzles of the Black Widowers

Puzzles of the Black Widowers (1990), pp. 74-75
General sources

Life, Wisdom, People, Books

“A literary work can only be received through symbols, through concepts — for that is what words are; but cinema, like music, allows for utterly direct, emotional, sensuous perception of the work.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 176

Music

“It's only my town (Chagall was born in Vitebsk), mine, which I have rediscovered. I come back to it with emotion. It was at that time that I painted my Vitebsk series of 1914. (Chagall couldn't go back to Paris because of the outbreak of the first World War in 1914) I painted everything that met my eyes. I painted at my window; I never walked down the street without my box of paint.”

Marc Chagall (1887–1985) French artist and painter

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 31
1920's, My life (1922)

War, World, Time, Painting

“We are indeed a strange lot! There are times we doubt that we have any emotions we can honestly call our own. I have approached every dynamic scene change in my life the same way. When I married Charlie MacArthur, I sat down and wondered how I could play the best wife that ever was…. My love for him was the truest thing in my life; but it was still important that I love him with proper effect, that I act loving him with great style, that I achieve the ultimate in wifedom.”

Helen Hayes (1900–1993) actress

Thoughts on actors, Ch. 1
On Reflection (1968)

Love, Life, Way, Change

“But now if I can wrap myself up in that song, and when that song gets to be a part of me, and affects me emotionally, then the emotions that I go through, chances are I’ll be able to communicate to you. Make the people out there become a part of the life of this song that you’re singing about. That’s soul when you can do that.”

Ray Charles (1930–2004) American musician

http://interview.sweetsearch.com/2010/11/ray-charles.html A symposium on soul, Pop Chronicles, Show 15: The Soul Reformation http://digital.library.unt.edu/explore/partners/UNTML/browse/?start=14&fq=untl_collection%3AJGPC, interview recorded 3.8.1968 http://web.archive.org/web/20100116003442/http://www.library.unt.edu/music/special-collections/john-gilliland/index-to-interviews.

Life, People, Soul, Communication

“I think people tend to forget that as celebrities we are still human. We have the same emotions - we cry, we have fun, we laugh, we get sad, and we get hurt. When something is written about you, which millions of people are reading, and it is not true, imagine how hurtful it can be.”

Sania Mirza (1986) Indian tennis player

Source: Garima Sharma My husband is very calm and that is very annoying, says Sania Mirza http://timesofindia.indiatimes.com/sports/tennis/interviews/My-husband-is-very-calm-and-that-is-very-annoying-says-Sania-Mirza/articleshow/17533676.cms, The Times of India, 8 December 2012

People, Sadness, Imagination, Thinking