Quotes about ear
page 8

“This Sunday, for some reason, I had not gone to Church. All the rest of the house-party had gone and there was no one in the house but myself and the servants. I was sitting in the drawing-room reading. The door opened and in walked a tall man dressed in European clothes (very well cut, I remember) but with a turban on his head. He came in and sat down beside me. I was so petrified at the sight of the turban that I could not make a sound or ask what he was doing there. Then he started to talk. He told me there was some work that it was planned that I could do in the world but that it would entail my changing my disposition very considerably; I would have to give up being such an unpleasant little girl and must try and get some measure of self-control. My future usefulness to Him and to the world was dependent upon how I handled myself and the changes I could manage to make. He said that if I could achieve real self-control I could then be trusted and that I would travel all over the world and visit many countries, "doing your Master's work all the time." Those words have rung in my ears ever since. He emphasised that it all depended upon me…”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Source: The Unfinished Autobiography (1951), Chapter I, Part 2

World, Travel, Girl, Change

“Put my ear to the door / I just heard gunshots and hot rods and sirensPeople kill me these days / There's keys in their eyes but they lock from the inside”

Blake Schwarzenbach (1967) American singer

"Condition Oakland"
24 Hour Revenge Therapy (1993)

“Every sound perceived by the acute ear in the rhythm of the world about us can be represented musically. Some people wish above all to conform to the rules, I wish only to render what I can hear.”

Claude Debussy (1862–1918) French composer

Statement of 1910, as quoted in Debussy on Music (1977) edited and translated by Françoise Lesure and Richard Langham Smith, p. 243

People, World, Music

“The practical consequence of such a[n individualistic] philosophy is the well-known democratic respect for the sacredness of individuality,—is, at any rate, the outward tolerance of whatever is not itself intolerant. These phrases are so familiar that they sound now rather dead in our ears. Once they had a passionate inner meaning. Such a passionate inner meaning they may easily acquire again if the pretension of our nation to inflict its own inner ideals and institutions vi et armis upon Orientals should meet with a resistance as obdurate as so far it has been gallant and spirited. Religiously and philosophically, our ancient national doctrine of live and let live may prove to have a far deeper meaning than our people now seem to imagine it to possess.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

"Preface"
1910s, Talks to Teachers on Psychology and to Students on Some of Life's Ideals (1911)

People, Imagination, Passion, Dead

“I can't do it, I can't do it. I simply can't help turning a deaf ear to it and banging my head against the wall - yes - and all for an art that escapes me and will never know all the trouble I have taken on its behalf.”

Henri de Toulouse-Lautrec (1864–1901) French painter

Source: 1879-1884, T-Lautrec, by Henri Perruchot, p. 80 - c. 1882-1883

Art, Help

“Know you what it is to be a child? It is to be something very different from the man of today. It is to have a spirit yet streaming from the waters of baptism; it is to believe in love, to believe in loveliness, to believe in belief; it is to be so little that the elves can reach to whisper in your ear; it is to turn pumpkins into coaches, and mice into horses, lowness into loftiness, and nothing into everything, for each child has its fairy godmother in its soul; it is to live in a nutshell and to count yourself the king of infinite space; it is
To see a world in a grain of sand,
And a Heaven in a wild flower,
Hold infinity in the palm of your hand,
And eternity in an hour;
it is to know not as yet that you are under sentence of life, nor petition that it be commuted into death.”

Francis Thompson (1859–1907) British poet

Shelley. In the Dublin Review (July 1908).

Love, Life, Death, World

“Take breath and read it with the ears, as I always wish to be read, and my verse becomes all right.”

Gerard Manley Hopkins (1844–1889) English poet

Letter to Robert Bridges (25 October 1879 )
Letters, etc

Reading

“Punk: Don't stop on account of me. [Starts singing "Happy Birthday" to Rey's daughter, who is scared]. Rey, you look scared, but I assure you I'm not out here to hurt you, and I'm not out here to hurt your family. In fact, I'm happy that we're all here – my family and yours. And today's a big day, we all need to celebrate the occasion, and it doesn't get any bigger that WrestleMania, Rey, so that's exactly why I wanna challenge you to a match at WrestleMania. I also wanna challenge you to a match tonight. And I don't mean later in the show, Rey. I mean now. I mean, as in, right now!
Rey: Come on Punk. This ain't the time
Punk: Don't be sad. Aaliyah, since it's your birthday, sweet, innocent little Aaliyah, I'll tell you what. As my birthday present to you, I'll let you shut your eyes while I reduce your daddy to tears and make him beg for my mercy. And Dominik. You're such… you're all grown up now, aren't you? We watched you grow up before our very eyes, but I don't think you ever heard your father squeal like a pig from somebody repeatedly stomping his surgically repaired knees, so it's okay if you plug your ears. And beautiful, voluptuous Angie. Now I'm sure you and your loving husband Rey have shared the best of times. But look at me. I promise you, after I do what I'm going to do to your husband, it will be the worst of times. So feel free to cup your hand over your mouth to muffle the screams. What's the matter, Rey? Don't you wanna fight me in front of your family? No? Are you afraid that your family's gonna watch you get hurt? You're a coward! I know it; deep down inside, Dominik knows it; your wife has always known; and now on her 9th birthday, your sweet innocent little Aaliyah knows it. All these people here know it, Rey, you're a coward! What's it gonna take? Huh, Rey? Where's Giant-Killer Rey Mysterio at? [Crowd chants "619"] Where's your 619, huh, Rey? Where's the ultimate underdog, Rey? Rey, where's your machismo? Where's your machismo, Rey?! I'll tell you where, Rey. Your machismo, your courage – you never had it. What's it gonna take, Rey? Huh? Rey, I'll even drop down to your level, Rey. [Gets down on his knees] Come on, Rey! So, you're turning me down? You won't fight me? What's it gonna take, Rey? [Gets up] What's it gonna take, Rey?! Not now?! Not now?! [Slaps Rey across the face] [Rey then walks away very frustrated with his family. ] Come on, Rey! Come on, now! There he is, ladies and gentlemen! There's your superhero!
Striker: He's got no alternative but to protect his family.
Punk: Watch him take his walk of shame! But one more thing, sweet little princess Aaliyah… [Sings "Happy Birthday" to her in a disturbing type way. ]”

Phil Brooks (1978) American professional wrestler and mixed martial artist

March 12, 2010
Friday Night SmackDown

Love, Happiness, People, Sadness

“All I saw was the dame standing there in the glare of the headlights waving her arms like a huge puppet and the curse I spit out filled the car and my own ears. I wrenched the wheel over, felt the rear end start to slide, brought it out with a splash of power and almost ran up the side of a cliff as the car fishtailed. The brakes bit in, gouging a furrow in the shoulder, then jumped to the pavement and held.
Somehow I had managed a sweeping curve around the babe. For a few seconds she had been living on stolen time because instead of getting out of the way she had tried to stay in the beam of the headlights. I sat there and let myself shake. The butt that had fallen out of my mouth had burned a hole in the leg of my pants and I flipped it out the window. The stink of burned rubber and brake lining hung in the air like smoke and I was thinking of every damn thing I ever wanted to say to a hairbrained woman so I could have it ready when I got my hands on her.
That was as far as I got. She was there in the car beside me, the door slammed shut and she said, "Thanks, mister."”

Mickey Spillane (1918–2006) American writer

Kiss Me Deadly (1952)

Cars, Way, Thinking, Time

“The original 1954 Japanese film, Gojira was iconic, and only made a couple mistakes of any significance. (1)They killed him in the end, and we saw his body turned to skeleton. Not the best way to begin 60 years worth of sequels. (2) Godzilla was depicted as a dinosaur, and was associated with living trilobites. Even if there was some sort of ‘realm that time forgot’ out in the Pacific somewhere, Trilobites were already extinct before the first dinosaurs, and Godzilla was clearly no dinosaur. The conceptual artists reportedly referenced illustrations of dinosaurs, but that’s not what they rendered. All bi-pedal dinosaurs [Therapods] were digigrade, walking on their toes, like birds, and usually only three or four digits. Godzilla was plantigrade and pentadactyle, (having five digits and walking on the whole foot) just like lizards. It even looks like a lizard, apart from the fact that no reptile has an actual nose or external ears. In a sense, what Toho pictures created was actually an oriental dragon. These tend to mix reptilian and mammalian traits. Amusingly in 1954, Toho made a giant lizard and called it a dinosaur. In 1998, Tristar re-designed Godzilla as a dinosaur, but called it a lizard. Of course that wasn’t the only thing Tristar did wrong. They tried to ruin the monster completely. They took away the only thing that worked in decades of sequels, the look of the monster itself. Then they took away everything that made Godzilla appealing to Kaiju fans, then they tied it down and shot it. Such disrespect. If you’re going to make a movie that already has a fan-base, and they are the ones who will decide whether your film will pay off, respect those fans and the story they’re paying to see.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Way, Bird, Sense, Time

“Just as, in the case of the sunlight, on one who has never from the day of his birth seen it, all efforts at translating it into words are quite thrown away; you cannot make the splendour of the ray shine through his ears; in like manner, to see the beauty of the true and intellectual light, each man has need of eyes of his own; and he who by a gift of Divine inspiration can see it retains his ecstasy unexpressed in the depths of his consciousness; while he who sees it not cannot be made to know even the greatness of his loss. How should he? This good escapes his perception, and it cannot be represented to him; it is unspeakable, and cannot be delineated. We have not learned the peculiar language expressive of this beauty. … What words could be invented to show the greatness of this loss to him who suffers it? Well does the great David seem to me to express the impossibility of doing this. He has been lifted by the power of the Spirit out of himself, and sees in a blessed state of ecstacy the boundless and incomprehensible Beauty; he sees it as fully as a mortal can see who has quitted his fleshly envelopments and entered, by the mere power of thought, upon the contemplation of the spiritual and intellectual world, and in his longing to speak a word worthy of the spectacle he bursts forth with that cry, which all re-echo, "Every man a liar!"”

Gregory of Nyssa (335–395) bishop of Nyssa

I take that to mean that any man who entrusts to language the task of presenting the ineffable Light is really and truly a liar; not because of any hatred on his part of the truth, but because of the feebleness of his instrument for expressing the thing thought of.
On Virginity, Chapter 10

Truth, World, Beauty, Birth

“In order to qualify for Government grants, Shanti Niketan, the famous institution found by the great Rabindra Nath Tagore, the poet of the soul's Godward aspiration and a great representative of undying India, had to give up its Upanishadic motto: satyam, Sivam, sundaram. These figures represent the deepest and loftiest that spirituality has conceived about man, his aspirations and destiny, his hopes and possibilities. But to the modern secular ears of the present-day rulers, these terms sound communal and antiquated.”

Ram Swarup (1920–1998) Indian historian

On Hinduism (2000)

Hope, Soul, Communication

“I brewed potions in a vain search for life everlasting,
I read books, I sang songs of history,
And today I've come home to Cold Mountain
To pillow my head on the stream and wash my ears.”

Han-shan Chinese monk and poet

Cold Mountain: 100 Poems by the T'ang Poet Han-shan

Life, Books, Home, History

“Prostrate on earth the bleeding warrior lies,
And Isr'el's beauty on the mountains dies.
How are the mighty fallen!
Hush'd be my sorrow, gently fall my tears,
Lest my sad tale should reach the alien's ears:
Bid Fame be dumb, and tremble to proclaim
In heathen Gath, or Ascalon, our shame
Lest proud Philistia, lest our haughty foe,
With impious scorn insult our solemn woe.”

William Somervile (1675–1742) English poet

The Lamentation of David over Saul and Jonathan.

Sadness, Beauty, Mountain, Tear

“And someone saved my life tonight, sugar bear.
You almost had your hooks in me, didn't you dear?
You nearly had me roped and tied,
Altar-bound, hypnotized.
Sweet freedom whispered in my ear,
You're a butterfly.
And butterflies are free to fly,
Fly away, high away, bye bye.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Someone Saved My Life Tonight
Song lyrics, Captain Fantastic and the Brown Dirt Cowboy (1975)

Life, Freedom, Flying

“I send thee a shell from the ocean-beach;
But listen thou well, for my shell hath speech.
Hold to thine ear
And plain thou'lt hear
Tales of ships.”

Charles Henry Webb (1834–1905) American poet

With a Nantucket Shell, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Gather a shell from the strewn beach / And listen at its lips: they sigh / The same desire and mystery, / The echo of the whole sea's speech", Dante Gabriel Rossetti, The Sea Hints; The hollow sea-shell, which for years hath stood / On dusty shelves, when held against the ear / Proclaims its stormy parent, and we hear / The faint, far murmur of the breaking flood. / We hear the sea. The Sea? It is the blood / In our own veins, impetuous and near", Eugene Lee-Hamilton, Sonnet. Sea-shell Murmurs'.

“Purification of the soul … consists in scorning the pleasures that arise through the senses, in not feasting the eyes on the silly exhibitions of jugglers or on the sight of bodies which gives the spur to sensual pleasure, in not permitting licentious songs to enter through the ears and drench your souls.”

Basil of Caesarea (329–379) Christian Saint

Source: On Greek Literature, p. 419

Pleasure, Soul, Sense

“I thought it was normal, that’s the thing. When you’re little you think everything is normal. If your mother had a pointed head and green ears you’d think it’s normal. Only when you grow up do you realise that not everybody is like that. Gradually you can even come to learn that the time you are living in is strange too, that it hasn’t always been like this. The more you feel uncomfortable and unconfident and want to find a way to be like everyone else and fit in, the more normality runs away from you because there isn’t any such thing. Or if there is, you have to find someone else who’ll agree with you what it is. Which I seem singularly unable to do.”

Jane Rogers book The Testament of Jessie Lamb

Source: The Testament of Jessie Lamb (2011), Chapter 1 (pp. 6-7)

Way, Feeling, Thinking, Learning

“There are words agreeable to the eye (in the same way there are words agreeable to the ear). By a fortunate combination of the letters that form them or by the harmony of these letters. For each letter has its shape.”

Joseph Joubert (1754–1824) French moralist and essayist

Way

“The wrong sow by th' eare.”

John Heywood (1497–1580) English writer known for plays, poems and a collection of proverbs

Part II, chapter 9.
Proverbs (1546), Bartlett's Familiar Quotations, 10th ed. (1919)

“"Believe only half of what you see, and nothing that you hear," is a cynical saying, and yet less bitter than at first appears. It does not argue that human nature is false, but simply that it is human nature. How can any fallible human being with two eyes, two ears, one judgment, and one brain — all more or less limited in their apprehensions of things external, and biased by a thousand internal impressions, purely individual — how can we possibly decide on even the plainest actions of another, to say nothing of the words, which may have gone through half-a-dozen different translations and modifications, or the motives, which can only be known to the Omniscient Himself?”

Dinah Craik (1826–1887) English novelist and poet

Source: A Woman's Thoughts About Women (1858), Ch. 8; Craik is sometimes credited with originating the proverb "Believe only half of what you see, and nothing that you hear" — but in this passage she appears to be merely quoting it

Motivation, Nature, Appearance, Falseness

““Myth, Symbol, and Tradition” was the phrase I originally wrote at the top of the page, for editors like large, cloudy titles. Then I looked at what I had written and, wordlessly, the words reproached me. I hope I had the grace to blush at my own presumption and their portentousness. How could I, if I lived for a thousand years, attempt to cover more than a hectare of that enormous landscape?
So, I let out the air, in a manner of speaking, dwindled to my appropriate size, and gave myself over to that process which, for lack of a more erudite term, I have coined the phrase “Thinking is linking.” I thought of Kerenyi — “Mythology occupies a higher position in the bios, the Existence, of a people in which it is still alive than poetry, storytelling or any other art.” And of Malinowski — “Myth is not merely a story told, but a reality lived.” And, along with those, the word “Pollen,” the most pervasive substance in the world, kept knocking at my ear. Or rather, not knocking, but humming. What hums? What buzzes? What travels the world? Suddenly I found what I sought. “What the bee knows,” I told myself. “That is what I’m after.”
But even as I patted my back, I found myself cursing, and not for the first time, the artful trickiness of words, their capriciousness, their lack of conscience. Betray them and they will betray you. Be true to them and, without compunction, they will also betray you, foxily turning all the tables, thumbing syntactical noses. For — note bene! — if you speak or write about What The Bee Knows, what the listener, or the reader, will get — indeed, cannot help but get — is Myth, Symbol, and Tradition! You see the paradox? The words, by their very perfidy — which is also their honorable intention — have brought us to where we need to be. For, to stand in the presence of paradox, to be spiked on the horns of dilemma, between what is small and what is great, microcosm and macrocosm, or, if you like, the two ends of the stick, is the only posture we can assume in front of this ancient knowledge — one could even say everlasting knowledge.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

"What the Bee Knows" in Parabola : The Magazine of Myth and Tradition, Vol. VI, No. 1 (February 1981); later published in What the Bee Knows : Reflections on Myth, Symbol, and Story (1989)

People, World, Hope, Art

“The screech and mechanical uproar of the big city turns the citified head, fills citified ears — as the song of birds, wind in the trees, animal cries, or as the voices and songs of his loved ones once filled his heart. He is sidewalk-happy.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

“Earth”
The Living City (1958)

Love, Happiness, Bird, Tree

“You don't know what I'm up against. Because it's full of, of, of things that are only correct because they're grammatical, but they're tough on the ear, you see. This is a very wearying one. It's unpleasant to read. Unrewarding. "Because Findus freeze the cod at sea, and then add a crumb-crisp" Ooh, "crumb-crisp coating." Ahh, that's tough, "crumb-crisp coating." I think, no, because of the way it's written, you need to break it up, because it's not, it's not as conversationally written.”

Orson Welles (1915–1985) American actor, director, writer and producer

The Findus Foods "Frozen Peas" Session Out-Takes

Way, Thinking, Reading, Sea

“We are apprehensive that an ear turned to our inwardness will detect at most only meaningless murmurings, that a resort to the inner self will be a dizzying tumble into a bottomless pit. Fearing this, we anchor ourselves upon external things, we cast our lot with the fortunes of objects and events that appear to be untainted by the disease of selfhood.”

David L. Norton (1930–1995) American philosopher

Source: Personal Destinies: A Philosophy of Ethical Individualism (1976), p. 4

Fear, Disease, Appearance

“Through us you got guidance in the darkness and secured high position, and through us you got out of the gloomy night. The ears which do not listen to the cries may become deaf. How can one who remained deaf to the loud cries (of the Qur'an and the Prophet) listen to (my) feeble voice. The heart that has ever palpitated (with fear of Allah) may get peace.”

Ali book Nahj al-Balagha

Nahj al-Balagha

Fear, Peace, Heart, Night

“Though I know something about British birds I should have been lost and confused among American birds, of which unhappily I know little or nothing. Colonel Roosevelt not only knew more about American birds than I did about British birds, but he knew about British birds also. What he had lacked was an opportunity of hearing their songs, and you cannot get a knowledge of the songs of birds in any other way than by listening to them.
We began our walk, and when a song was heard I told him the name of the bird. I noticed that as soon as I mentioned the name it was unnecessary to tell him more. He knew what the bird was like. It was not necessary for him to see it. He knew the kind of bird it was, its habits and appearance. He just wanted to complete his knowledge by hearing the song. He had, too, a very trained ear for bird songs, which cannot be acquired without having spent much time in listening to them. How he had found time in that busy life to acquire this knowledge so thoroughly it is almost impossible to imagine, but there the knowledge and training undoubtedly were. He had one of the most perfectly trained ears for bird songs that I have ever known, so that if three or four birds were singing together he would pick out their songs, distinguish each, and ask to be told each separate name; and when farther on we heard any bird for a second time, he would remember the song from the first telling and be able to name the bird himself.”

Edward Grey, 1st Viscount Grey of Fallodon (1862–1933) British Liberal statesman

Recreation (1919)

Life, Way, Imagination, Business

“Every injury imports a damage, though it does not cost the party one farthing, and it is impossible to prove the contrary; for a damage is not merely pecuniary, but an injury imports a damage, when a man is hereby hindered of his right. As in an action for slanderous words, though a man does not lose a penny by reason of the speaking them, yet he shall have an action. So if a man give another a cuff on the ear, though it cost him nothing, no, not so much as a little diachylon, yet he shall have his action, for it is a personal injury.”

John Holt (Lord Chief Justice) (1642–1710) English lawyer and Lord Chief Justice of England

2 Raym. Rep. 955.
Ashby v. White (1703)

Personality

“Why do I feel so exercised about what we think of the people of the Middle Ages?…I guess it's because so many of their voices are ringing vibrantly in my ears – Chaucer's, Boccaccio's, Henry Knighton's, Thomas Walsingham's, Froissart's, Jean Creton's… writers and contemporary historians of the period who seem to me just as individual, just as alive as we are today. We need to get to know these folk better in order to know who we are ourselves.”

Terry Jones (1942–2020) Welsh comedian, screenwriter, actor, film director and author

The Observer http://observer.guardian.co.uk/comment/story/0,6903,1143405,00.html, February 8, 2004.

People, Age, Feeling, Exercises

“The seed of Appomattox blooms; its fruit
Rots where eyes are dazed with a hungry searching,
And ears are deaf with steps that murmur and follow
No command.”

Donald Davidson (1893–1968) American poet, essayist, critic and author

The Last Charge

“I always look at everything with the eyes of a child. I feel enthusiastic for things today fort he same reasons as I was enthusiastic about them as a child... I remember one summer morning when I was twelve years old [1888], I was with my father. We were following a road which crossed the plain from Rueil to Croissy. The whole plain was a solid field of corn and the ears stood higher than my head. I still retain today the impression of the vast expanse, spangled with flowers and filled with the drone of insects. Often, later on, I have tried to recapture, to fix firmly in my mind once again, the impression of that world around me, of the sun which burns my face and hands... Every time a see a field of corn I an reminded of that morning.”

Maurice de Vlaminck (1876–1958) French painter

Source: Quotes dated, Dangerous Corner', 1929, p. 18-19

World, Feeling, Flowers, Time

“Regarding my childhood, my grandmother could play by ear and she loved to hear me practice and would say after every piece, "That was pretty. Play that one again." She was a booster. I had two women piano teachers who encouraged me to compose--Margie Murphy and Helen Lipscomb. Helen was also a composer and we used part of my lessons for composition.
When I was in high school, I read John Cage's books and fell in love with the ideas and the excitement of the avant garde. My music, as a result, moved over to what has been called post-Cagian, non-academic. That lasted until about 1979 at which point I changed. My music is now quite lyrical, sometimes called neo-Romantic, and full of cut-ups/collage of newly composed materials. Since 1985 I have been composing mostly swales for various instrumental combinations.
A swale is a meadow or a marsh where there is nourishment and moisture and therefore, a rich diversity of plant life. My work, since 1984, has been made from swatches (of newly composed music, rather than found music) which are reminiscent of this diversity…”

Beth Anderson (1950) American neo-romantic composer

Anderson (1996-2011) "Beth Anderson, Composer, Miscellany From The Dark Past" at beand.com http://www.beand.com/, Last Updated January 3, 2011

Love, Life, Women, Books

“Like Karl Kraus, [Wittgenstein] was seldom pleased by what he saw of the institutions of men, and the idiom of the passerby mostly offended his ear—particularly when they happened to speak philosophically; and like Karl Kraus, he suspected that the institutions could not but be corrupt if the idiom of the race was confused, presumptuous, and vacuous, a fabric of nonsense, untruth, deception, and self-deception.”

Thomas Szasz (1920–2012) Hungarian psychiatrist

Source: Anti-Freud (1990), p. 67.

Men

“The asshole doesn’t need to be ashamed of being the asshole. The feet don’t have any reason to go on strike just because they’re only feet. The head isn’t the most important of all, and the navel doesn’t need to imagine he’s the father of all things. It’s strange though that people look at the prime minister as an especially important person. The nose can’t replace the eyes, and the mouth can’t replace the ears. Everything has its own identity, which is unsurpassable in the whole universe.”

Kodo Sawaki (1880–1965) Japanese zen Buddhist monk

Zen ni kike (To you) (Tokyo: Daihorinkaku, 1987)

People, Imagination, Universe, Personality

“The leading Nazis were divided as a rule between the three normal German points of view in regard to external policy. Some wanted an accommodation with France, some wanted to come to terms with Great Britain at the expense of France, and the third and most active group were trying to get an alliance with Soviet Russia against the whole of the West. I knew that [Eric] Koch was the chief advocate of this last policy. He took pains to keep in personal touch with Russian emissaries. He wanted to go to Russia himself. Assuming that I had Hitler's ear on questions of eastern policy, he repeatedly asked me to put forward his ideas in talking to Hitler.”

Hermann Rauschning (1887–1982) German politician

Source: Men in Chaos (1942), p. 247

Pain, Idea, Question, Personality

“The proximate goal of all perception is what we can get our hands upon. If we traverse the distance that separate us from that which we see or hear and find nothing for the hand to manipulate, the experience is an illusion or a hallucination. The world of perceptual reality, the world of physical things, is the world of our contacts and our manipulations, and the distance experience of the eye and the ear means first of all these physical things. Physical things are not only the meaning of what we see and hear; they are also the means we employ to accomplish our ends.”

George Herbert Mead (1863–1931) American philosopher, sociologist, and psychologist

George Herbert Mead (1926). "The Nature of Aesthetic Experience." International Journal of Ethics, Vol. 36, No. 4 (Jul., 1926), pp. 382-393; p. 382

World, Reality

“Several months later I had this dream. I was kneeling in the field where I'd seen the eye. A figure appeared in front of me: a man with green-flecked eyes, his smile mocking and oddly compassionate. As I stared up at him, he extended his hand until his finger touched the center of my forehead.
There was a blinding flash. I fell on my face, terrified, woke in bed with my ears ringing. It was the morning of my seventeenth birthday”

Elizabeth Hand book Generation Loss

Source: Generation Loss (2007), Ch. 1

Smile, Dreams, Birthday, Appearance

““I think that I will not answer that question,” he said at last. “I would create as many false images as there were ears to hear me.”
“Half as many,” Clissum pointed out delicately.”

Jack Vance Dying Earth

Source: Dying Earth (1950-1984), Cugel's Saga (1983), Chapter 4, section 2, "The Caravan"

Question, Thinking, Falseness

“Metre is to rhythm as eye is to ear.”

John Hollander (1929–2013) American poet

'Vision and Resonance:Two senses of Poetic Form' OUP London 1975

“The gentleman knows that whatever is imperfect and unrefined does not deserve praise. … He makes his eyes not want to see what is not right, makes his ears not want to hear what is not right, makes his mouth not want to speak what is not right, and makes his heart not want to deliberate over what is not right. … For this reason, power and profit cannot sway him, the masses cannot shift him, and nothing in the world can shake him.”

Xun Zi (-313–-238 BC) Ancient Chinese philosopher

Readings in Classical Chinese Philosophy (2001), p. 260
An Exhortation to Learning

World, Heart

“It is generally admitted that the absent are warned by a ringing in the ears, when they are being talked about.”
Absentes tinnitu aurium præsentire sermones de se receptum est.

Pliny the Elder book Natural History

Book XXVIII, sec. 5.
Naturalis Historia

“As the peculiar faculty of the eye is to see form and colour, and of the ear to hear sweet tones and voices, so is aspiration peculiar to the soul. To relax from ceaseless aspiration is sin. This energy of aspiration directed to and grasping God, as far as is possible for the creature, is called Hope, which is also a divine virtue. Through this faculty the soul acquires such great confidence that she deems nothing in the Divine Nature beyond her reach.”

Meister Eckhart (1260–1328) German theologian

Sermon VII : Outward and Inward Morality
Meister Eckhart’s Sermons (1909)

God, Hope, Soul, Confidence

“We have the wolf by the ears, and we can neither hold him nor safely let him go. Justice is in one scale, self-preservation in the other.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

On slavery, in a letter to John Holmes (22 April 1820)
1820s

Justice, Wolf

“Our age has lost much of its ear for poetry, as it has its eye for color and line, and its taste for war and worship, wine and women.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Women, War, Age, Color

“You've got one mouth and two ears. There's a reason.”

Ron Kaufman (1956) American author and consultant

Lift Me UP! Service With A Smile (2005)

“I took a deep breath, and the humming began behind my left ear. I now knew how I’d solved that math problem in Ashmore’s class. Everything, every thought that came to us came from heaven through our guardian angel, our genius, when we were at peace in our hearts and in balance in our brains. So yes, I was barking up the right tree with all these thoughts and words that were coming out of my mouth. And with such ease.”

Victor Villaseñor (1940) American writer

Crazy Loco Love: A Memoir (2008)

Peace, Angels, Problem, Tree

“Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.”

Thomas Beecham (1879–1961) British conductor and impresario

[Beecham admitted to Neville Cardus that he had made this up on the spur of the moment to satisfy an importunate journalist; he acknowledged that it was an oversimplification. (Neville Cardus: 'Sir Thomas Beecham, A Memoir', 1961)]

Music, Memory

“In a field of ripening corn I came to a place which had been trampled down by some ruthless foot; and as I glanced amongst the countless stalks, every one of them alike, standing there so erect and bearing the full weight of the ear, I saw a multitude of different flowers, red and blue and violet. How pretty they looked as they grew there so naturally with their little foliage! But, thought I, they are quite useless; they bear no fruit; they are mere weeds, suffered to remain only because there is no getting rid of them. And yet, but for these flowers, there would be nothing to charm the eye in that wilderness of stalks. They are emblematic of poetry and art, which, in civic life—so severe, but still useful and not without its fruit—play the same part as flowers in the corn.”

Arthur Schopenhauer book Parerga and Paralipomena

“Similes, Parables and Fables” Parerga and Paralipomena, vol. 2, § 380A
Parerga and Paralipomena (1851)

Life, Art, Flowers, Nature

“Had my eye never on the beauty dwelt
Of human face, and my ear never drank
The music of a human voice; I feel
My spirit would have pour'd itself in song,
Have learn'd a language from the rustling leaves,
The singing of the birds, and of the tide.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Erinna
The Golden Violet (1827)

Beauty, Music, Feeling, Bird

“We have, all of us, with a few unlucky exceptions, for which special schools are required, hands, eyes, and ears; and all these members should be trained and practiced in elementary education, as a means of improving the use of these organs, and so improving the great organ which directs and oversees the work of hands, eyes, and ears, and judges of its own work and its own acts.”

George Long (1800–1879) English classical scholar

An Old Man's Thoughts on Many Things, Of Education I

Education, School, Training

“In the same manner the voice executes its movements in concentric circles; but while in the case of water the circles move horizontally on a plane surface, the voice not only proceeds horizontally, but also ascends vertically by regular stages. Therefore, as in the case of the waves formed in the water, so it is in the case of the voice: the first wave, when there is no obstruction to interrupt it, does not break up the second or the following waves, but they all reach the ears of the lowest and highest spectators without an echo.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 7

Water

“Hamm: Look at the ocean!(Clov gets down, takes a few steps towards window left, goes back for ladder, carries it over and sets it down under window left, gets up on it, turns the telescope on the without, looks at length. He starts, lowers the telescope, examines it, turns it again on the without.)Clov: Never seen anything like that!Hamm (anxious): What? A sail? A fin? Smoke?Clov (looking): The light is sunk. Hamm (relieved): Pah! We all knew that. Clov (looking): There was a bit left. Hamm: The base. Clov (looking): Yes. Hamm: And now? Clov (looking): All gone. Hamm: No gulls? Clov (looking): Gulls! Hamm: And the horizon? Nothing on the horizon? Clov (lowering the telescope, turning towards Hamm, exasperated): What in God's name could there be on the horizon? (Pause.) Hamm: The waves, how are the waves? Clov: The waves? (He turns the telescope on the waves.) Lead. Hamm: And the sun? Clov (looking): Zero. Hamm: But it should be sinking. Look again. Clov (looking): Damn the sun. Hamm: Is it night already then? Clov (looking): No. Hamm: Then what is it? Clov (looking): Gray. (Lowering the telescope, turning towards Hamm, louder.) Gray! (Pause. Still louder.) GRRAY! (Pause. He gets down, approaches Hamm from behind, whispers in his ear.) Hamm (starting): Gray! Did I hear you say gray? Clov: Light black. From pole to pole.”

Samuel Beckett (1906–1989) Irish novelist, playwright, and poet

An explanation of the universe outside the room of Endgame
Endgame (1957)

God, Light, Sun, Night

“The album is very different from the all the other albums today. First of all, the album was one year delayed because I wasn’t happy and every time I did an album it was unofficially finished. I had some time to listen to some new songs and plug into some music programs and discovered this new song and delayed the release for a month, because I wanted to update the new tracks to these new sounds I found… so then when I did that all the other songs sounded like crap compared to the new ones! So I said f*** this I need to reproduce the other ones as well. Then I scrapped a few songs and produced new ones. So to produce this album I pretty much produced maybe about 50 tracks and picked out the best of them. You know when you buy an album from a producer/artist, you kind of hear the same sound repeating in each song, you hear the same sound repeating, but this album is like every song is individual. Like you wont find two songs which have the same sound. Each song is completely different which I think kind of represents what I do because I produce everything and I love producing everything. Sometimes I’m in the mood to produce you know a dance song, sometimes I’m in the mood to produce an R&B song, it’s just interesting because I just want to show people that I can deliver to all ears.”

Basshunter Calling Time

Guestlist interview with Ria Talsania (10 July 2013) https://guestlist.net/article/9219/catching-up-with-basshunter <br class="br">Calling Time

Love, Happiness, People, Music

“And 'speak truth unto power'? What does this mean? It means giving your best advice to superiors based on the best information available and objective analysis even when you know it may not be music to their ears.”

Anson Chan (1940) Hong Kong politician

Source: From Anson Chan's speech addressing to the Asia Society Hong Kong Center in April 2001.

Truth, Music

“A slight sound at evening lifts me up by the ears, and makes life seem inexpressibly serene and grand. It may be Uranus, or it may be in the shutter.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

July 10-12, 1841
Journals (1838-1859)

Life

“A man can never dream these kinds of things
Especially when she came and spread her wings
Whispered in my ear the things I'd like
Then she flew away into the night.”

Liam Gallagher (1972) English musician and songwriter

Song Songbird

Dreams, Night

“Music, also, the architect ought to understand so that he may have knowledge of the canonical and mathematical theory, and besides be able to tune ballistae, catapultae, and scorpiones to the proper key. For to the right and left in the beams are the holes in the frames through which the strings of twisted sinew are stretched by means of windlasses and bars, and these strings must not be clamped and made fast until they give the same correct note to the ear of the skilled workman.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 8

Music, Mathematics, Understanding, Knowledge

“And as the mouthpiece
Of every single citizen without peace
Direction and leadership
I'ma spit it 'til your ears can't believe this shit
We got weapons of mass destruction, and we is it”

Danny! (1983) American rapper

"Talk To You (remix)"
Albums, The College Kicked-Out (2004)

“But by and by the time came when the Christian Church apostatized and turned away, and began to follow after their own wisdom, and the Prophets and Apostles ceased, so far as the affairs of the Christian Church on the earth were concerned. Revelations, and visions, and the various gifts of the spirit were also taken away, according to their unbelief and apostacy; but in the latter days God intends to again raise up a Christian Church upon the earth. Do not be startled, you who think that God will no more have a Church on the earth, for he has promised that he would again have one, and that he would set up his kingdom, and when he does you may look out for a great many Prophets and inspired men; and if you ever see a Church arise, calling itself a Christian Church, and it has not inspired Apostles like those in ancient times, you may know that it is a spurious church, and that it makes pretensions to something that it does not enjoy. If you ever find a church called a Christian Church that has no men to foretell future events, you may know, at once, that it is not a Christian Church. If you find a Christian Church that has not the ancient gifts, for instance the gift of healing, opening the eyes of the blind, unstopping the ears of the deaf, causing the tongue of the dumb to speak and the lame to walk; if you ever find a people calling themselves a Christian Church and they have not these gifts among them, you may know with a perfect knowledge that they do not agree with the pattern given in the New Testament. The Christian Church is always characterized with inspired men, whose revelations are just as sacred as any contained in the Bible; and, if written and published, just as binding upon the human family. The Christian Church will always lay hands upon the sick in the name of Jesus, in order that the sick may be healed. The Christian Church will always have those among its members who have heavenly visions, the ministration of angels, and the various gifts that are promised according to the Gospel.”

Orson Pratt (1811–1881) Apostle of the LDS Church

Journal of Discourses 18:171-172 (March 26, 1876).
Apostacy

Wisdom, Men, God, People

“This flea which I have in mine ear.”

Francois Rabelais book Gargantua and Pantagruel

Source: Gargantua and Pantagruel (1532–1564), Third Book (1546), Chapter 31.

“The very sound of ‘Indian sub-continent’ is shocking to the ears of those who have had the privilege of performing or participating in some Hindu saMskãras. The wording of every saMkalpa, starting with Jambudvîpe BharatakhaNDe, invokes the opposite vision of a single, though vast and variegated land, inhabited by a people who are proud of being born and having lived in it. The territorial unity and integrity of Bharatavarsha - the land that lies south of the Himalayas, east of Sakadvipa (Seistan), south-east of Vãhlîka (Balkh), west of Burma and between the two seas - was never a political contrivance created by the sword of a conqueror. On the contrary, it was meant and manifested by Mother Nature herself as the cradle of an incomparable culture - the culture of Sanãtana Dharma.”

Sita Ram Goel (1921–2003) Indian activist

Muslim Separatism – Causes and Consequences (1987)

People, Nature, Sea

“Mauthen ain’t much for listenen. Nothin’ plugs a man’s ears like money.”

Patrick Rothfuss book The Name of the Wind

Source: The Name of the Wind (2007), Chapter 73, “Pegs” (p. 580)

Money

“Think about whatever you want to say in the first place. Do not talk only with your lips. Use your eyes, ears and body language to talk as well. If you see what you are talking about, audience can also visualize and feel it.”

Elia M. Ramollah (1973) founder and leader of the El Yasin Community

The Great Master of Thought (Amen- Vol.3), Observing management

Feeling, Thinking

“Dinosaurs seem strange, but that is just because we are mammals biased toward assuming the modern fauna is familiar and normal, and past forms are exotic and alien. Consider that elephants are bizarre creatures with their combination of big brains, massive limbs, oversized ears, teeth turned into tusks, and noses elongated into hose-like trunks. Nor were dinosaurs part of an evolutionary progression that was necessary to set the stage for mammals culminating into humans. What dinosaurs do show is a parallel world, one in which mammals were permanently subsidiary, whereas the dinosaurs show what largely diurnal land animals that evolved straight from similarly day-loving ancestors should actually look like. Modern mammals are much more peculiar, having evolved from nocturnal beasts that came into their own only after the entire elimination of nonavian dinosaurs. While dinosaurs dominated the land, small nocturnal mammals were just as abundant and diverse as they are in our modern world. If not for the accident of the later even, dinosaurs would probably still be the global norm.”

Gregory Scott Paul book The Princeton Field Guide to Dinosaurs

Gregory S. Paul (2010) The Princeton Field Guide to Dinosaurs, Princeton University Press, p. 14
The Princeton Field Guide to Dinosaurs

Love, World, Past, Animals

“I am an artist, and, through my eye, must confess to a tremendous bias. In my purely literary voyages my eye is always my compass. “The architectural simplicity” – whether of a platonic idea or greek temple – I far prefer to no idea at all, or no temple at all, or, for instance, to most of the complicated and too tropical structures of India. Nothing could ever convince my EYE – even if my intelligence were otherwise overcome – that anything that did not possess this simplicity, conceptual quality, hard exact outline, grand architectural proportion, was the greatest art. Bergson is indeed the arch enemy of every impulse having its seat in the apparatus of vision, and requiring a concrete world. Bergson is the enemy of the Eye, from the start; though he might arrive at some emotional compromise with the Ear. But I can hardly imagine any way in which he is not against every form of intelligent life. (p. 338)”

Wyndham Lewis (1882–1957) writer and painter

"The Great God Flux".
The Art of Being Ruled (1926)

Life, World, Art, Way

“The heavenly bodies are nothing but a continuous song for several voices (perceived by the intellect, not by the ear); a music which… sets landmarks in the immeasurable flow of time. It is therefore, no longer surprising that man, in imitation of his creator, has at last discovered the art of figured song, which was unknown to the ancients. Man wanted to reproduce the continuity of cosmic time… to obtain a sample test of the delight of the Divine Creator in His works, and to partake of his joy by making music in the imitation of God.”

Johannes Kepler book Harmonices Mundi

Book V, Ch. 7 as quoted in Arthur Koestler, The Sleepwalkers (1959)
Harmonices Mundi (1618)

God, Art, Music, Time

“An horrid stillness first invades the ear,
And in that silence we the tempest fear.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Astraea Redux (1660), line 7–8.

Fear, Silence

“Went in at the tone eare and out at the tother.”

John Heywood (1497–1580) English writer known for plays, poems and a collection of proverbs

Part II, chapter 9.
Proverbs (1546), Bartlett's Familiar Quotations, 10th ed. (1919)

“Every politician must be able to keep both feet on the fence with his ear to the ground.”

Gracie Allen (1902–1964) American actress and comedienne

Source: How to Become President (1940), Ch. 2 : Others make good, why not you?

“That’s behind me. Same as with everything else in my life, though, I approached what I learned with eyes and ears half-closed. It’s only now I realise how dangerous and destructive Christian culture has become. If there was ever any love in it, it’s been bled out. Three major religions preach Holy War: Shintoism, Islam, and Christianity. Christianity is the only one hypocritical enough simultaneously to enjoin its followers to turn the other cheek and suffer fools gladly and the rest of it. Look at the record. Germany was a Christian country almost exactly one hundred times as long as it was Nazi. Did the Nazis undo in twelve years all the church had done in twelve centuries? No, they built on it. Hitler was a baptised Catholic and never excommunicated. When he was enlisting the support of the bishops in 1933 he promised to do nothing to the Jews that the church had not already, and kept his promise.”

John Brunner book The Stone That Never Came Down

Source: The Stone That Never Came Down (1973), Chapter 16 (p. 124)

Love, Life, War, Religion

“Apple Watch is superfluous, an unnecessary accessory that literally no one needs. … it just seems so pointless. … I understand, even accept, that Apple hardware purchases involve most of the points made above and that most fans of the company simply don’t care or are essentially pushing their fingers into their ears and going "na-na-na-na" so they can’t hear the logic of the argument against their buying decisions. I am at peace with this.”

Paul Thurrott (1966) American podcaster, author, and blogger

The Problem with Apple Watch in a Nutshell http://thurrott.com/mobile/ios/3137/the-problem-with-apple-watch-in-a-nutshell in Thurrott - News & Analysis for Tech Enthusiasts (27 April 2015)

Peace, Understanding, Decision

“O ye Gods, and O great Jove,
Have pity on a father's love
And hear Evander's prayer:
If 'tis your purpose to restore
My Pallas to my arms once more;
If living is to see his face,
Then grant me life, of your dear grace:
No toil too hard to bear.
But ah! if Fortune be my foe,
And meditate some crushing blow,
Now, now the thread in mercy break,
While hope sees dim and cares mistake,
While still I clasp thee darling boy,
My latest and my only joy,
Nor let assurance, worse than fear,
With cruel tidings wound my ear.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book VIII, p. 295

Love, Life, God, Fear

“The heritage we give our children, and the myths we leave to sustain them, must work with the tug and press of life, or they will fail. Adaptability has to be enshrined alongside stability, or the ghost of Darwin will surely come back to haunt us, whispering in our ears the penalty of conceit.
We wish our descendants happiness. But over time one criterion alone will judge our efforts.
Survival.”

David Brin book Glory Season

Introduction to Chapter 12 (p. 192)
Glory Season (1993)

Life, Happiness, Children, Penalty

“Sometimes she felt sweet smells with her nose; it was sweeter, she thought, than ever was any sweet earthly thing that she smelled before…Sometimes she heard with her bodily ears such sounds and melodies that she might not well hear what a man said to her in that time unless he spoke the louder. These sounds and melodies had she heard nearly every day for the term of twenty-five years…She saw with her bodily eye many white things flying all about her on every side, as thick in a manner as motes in the sun; they were right delicate and comfortable, and the brighter that the sun shone …Also our Lord gave her another token, which endured about sixteen years, and it increased ever more and more, and that was a flame of fire wonderfully hot and delectable and right comfortable, not wasting but ever increasing of flame, for, though the weather was never so cold, she felt the heat burning in her breast and at her heart, and verily as a man should feel the material fire if he put his hand or his finger therein”

Margery Kempe (1373) English saint

(Staley, 2001: 64-5).
The Book of Margery Kempe

Feeling, Time, Sun, Heart

“In a time of sickness with the pleurisy, a little upward of two years and a half ago, I was brought so near the gates of death that I forgot my name. Being then desirous to know who I was, I saw a mass of matter of a dull, gloomy color, between the south and the east; and was informed that this mass was human beings in as great misery as they could be and live; and that I was mixed in with them, and that henceforth I might not consider myself as a distinct or separate being. In this state I remained several hours. I then heard a soft, melodious voice, more pure and harmonious than any I had heard with my ears before; I believed it was the voice of an angel, who spake to the other angels. The words were: “John Woolman is dead.””

John Woolman (1720–1772) American Quaker preacher

I soon remembered that I once was John Woolman, and being assured that I was alive in the body, I greatly wondered what that heavenly voice could mean. <br class="br">Source: The Journal of John Woolman (1774), p. 164 ( online http://books.google.nl/books?id=qPspAAAAYAAJ&pg=PA164)

Death, Angels, Color, Time

“The Sultan is not slack in jihad. He never lets go of his spear or bridle in pursuing jihad by land and sea routes. This is his main occupation which engages his eyes and ears. He has spent vast sums for the establishment of the faith and the spread of Islam in these lands, as a result of which the light of Islam has reached the inhabitants and the flash of the true faith brightened among them. Fire temples have been destroyed and the images and idols of Budd have been broken, and the lands have been freed from those who were not included in the darul Islam, that is, those who had refused to become zimmis. Islam has been spread by him in the far east and has reached the point of sunrise. In the words of Abu Nasr al-Aini, he has carried the flags of the followers of Islam where they had never reached before and where no chapter or verse (of the Quran) had ever been recited. Thereafter he got mosques and places of worship erected, and music replaced by call to prayers (azan), and the incantations of fire-worshippers stopped by recitations of the Quran. He directed the people of Islam towards the citadels of the infidels and, by the grace of Allah, made them (the believers) inheritors of wealth and land and that country which they (the believers) had never trodden upon.”

Muhammad bin Tughluq (1290–1351) Turkic Sultan of Delhi

Tughlaq Kalina Bharata, Persian texts translated into Hindi by S.A.A. Rizvi, 2 Volumes, Aligarh, 1956-57. p. 325 ff. Vol I. (Shihabuddin Al Umari.) Also quoted (using a different translation) in Jain, Meenakshi (2011). The India they saw: Foreign accounts. 8th to 15th Centuries, p. 274.

People, Faith, Music, Light

“You know there is the Fudesaki. What do you think of it? The seventeen parts of the Fudesaki were not completed in a short while. God spoke into my ears, saying, ‘Do not look at any writings, even the charge book from a bean curd shop.’ I wondered why. Then God said, ‘Brush, brush, take up the brush.’ I took the brush up for the first time at New Year’s when I became seventy-two years old. And when I took the brush up, My hand moved by itself. From heaven, God did it. After what was to be done was finished, My hand became numb and it could not be moved. God said, ‘Calm Your mind, and read this. If You find something You cannot understand, ask Me.’ I added brush strokes when I found something I could not understand. That is the Fudesaki.”

Nakayama Miki (1798–1887) Founder of Tenrikyo

Anecdotes of Oyasama, Foundress of Tenrikyo, from Anecdote 22, "Writing the Ofudesaki," p. 16.
Anecdotes of Oyasama

God, Books, Understanding, Thinking

“Hasslehoff, your liver is so shriveled, black, and dead. If you put your ear to your side you can hear it going "What you talking bout Willis."”

Greg Giraldo (1965–2010) American comedian

David Hasslehoff Comedy Central Roast (2010)

Dead

“People in the business always say, "You look fabulous." You get that all the time and it kind of goes in one ear and out the other because most of the time they just say that to make you feel good. It's nice when you hear it from an ordinary person and then I appreciate it.”

Heidi Klum (1973) German model, television host, businesswoman, fashion designer, television producer, and actress

Quoted in Parade Magazine 10 July 2008 http://www.parade.com/celebrity/celebrity-parade/archive/pc_0194.html.

People, Feeling, Business, Time

“God nodded his approval of as good.
So much those heroes knew and understood,
I mean the great four, Washington,
John Adams, Jefferson, and Madison
So much they saw as consecrated seers
They must have seen ahead what not appears,
They would bring empires down about our ears
And by the example of our Declaration
Make everybody want to be a nation.”

Robert Frost (1874–1963) American poet

1960s, Dedication (1960)

God, Appearance

“None but an ear, quickened as the mind can quicken the faculties of the body, could have heard a step that hesitated on the threshold.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Other Gift Books

“The old linear pattern of thinking by reading and describing from left to right, top to bottom has many problems in organizing information coming from eyes, ears, etc. For example, the ability to read and understand the context of a book is different from memorizing them simply as sentences.”

Tony Buzan (1942–2019) British psychologist

The Mind Map Book, Buzan and Buzan (1991)

Books, Understanding, Problem, Thinking

“Wherever we are, God's in that moment, God's speaking to us, and if we've just got our ears open and our antennas up, there's no lack of inspiration. He's not silent. We just have to be listening.”

Steven Curtis Chapman (1962) American Christian music singer-songwriter, record producer, actor, author, and social activist

Press conference after 2007 GMA Music Awards http://video.google.com/videoplay?docid=-5378840845486744543&q=steven+curtis+chapman

God

“I have just been thinking that the Blaue Reiter (Blue Rider) does not really represent my work. I have always been convinced that other things of mine are more important… Narcism, fake heroism, and blindness have a lot to answer for, in the 'Blaue Reiter'. All those high-sounding words about the birth of a great spiritual moment still resounding in my ears. Kandinsky can air his personal opinion about that or any other revolution he cares to mention. But I dislike the whole thing… Take my advice – work, and don't spent so much time thinking about blue riders or blue horses.”

August Macke (1887–1914) German painter of the expressionist group Der Blaue Reiter

In a letter to his friend Franz Marc (Jan. 1912), quoted in 'Meseure 38'; as quoted in Movement, Manifesto, Melee: The Modernist Group, 1910-1914, Milton A. Cohen, Lexington Books, Sep 14, 2004, p. 73, (note 19)

Birth, Thinking, Time, Horse

“Some on commission, some for the love of learning,
Some because they have nothing better to do
Or because they hope these walls of books will deaden
The drumming of the demon in their ears.”

Louis MacNeice (1907–1963) poet

"The British Museum Reading Room", line 4, from Plant and Phantom (1941)

Love, Books, Hope, Learning

“Women are still a relative rarity in rock bands, and studies of women's experiences with pop and rock music have indicated that girls are socialized to pop and rock music differently from boys: boys and young men tend to learn songs by ear and talk about popular music's technical aspects, while girls and young women tend to focus on lyrics rather than on equipment and instrumentation, and to resist learning songs by ear. Miki Bernyi's experience testifies to the truthfulness of those findings:”

Holly Kruse

'Girls don't have the patience to spend six years learning someone else's music. Me and Emma [Anderson] can't jam because we only know how to play our own songs. Jamming's more of a boy's thing....I think that women play more imaginatively because they learn to play while they're writing songs, instead of waiting to be technically good first.'
Quoted in Evans, 1994, p. 44.

Women, Men, Truth, Music