Quotes about distance
page 3

Ralph Waldo Emerson photo

“You have just dined, and however scrupulously the slaughterhouse is concealed in the graceful distance of miles, there is complicity.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Fate
1860s, The Conduct of Life (1860)

Robert Penn Warren photo

“The past is a candle at great distance: too close to let you quit, too far to comfort you.”

Amy Bloom (1953) Fiction writer, screenwriter, social worker, psychotherapist

Source: Away

Lois Lowry photo
Marcus Aurelius photo
Albert Einstein photo

“Human beings, vegetables, or cosmic dust, we all dance to a mysterious tune, intoned in the distance by an invisible piper.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

1920s, Viereck interview (1929)
Context: I claim credit for nothing. Everything is determined, the beginning as well as the end, by forces over which we have no control. It is determined for the insect as well as for the star. Human beings, vegetables or cosmic dust, we all dance to a mysterious tune, intoned in the distance by an invisible player.

Kristin Armstrong photo
Carl Sagan photo

“Those at too great a distance may, I am well aware, mistake ignorance for perspective.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

Introduction (p. 7)
The Dragons of Eden (1977)
Source: Dragons of Eden: Speculations on the Evolution of Human Intelligence

Richelle Mead photo
Zoë Heller photo

“Always mind the distance between your dreams and your reality.”

Zoë Heller (1965) British writer

Source: Notes On A Scandal

Douglas Adams photo
David Benioff photo
Sarah Dessen photo

“A straight line is not the shortest distance between two points.”

Madeleine L'Engle (1918–2007) American writer

Source: A Wrinkle in Time: With Related Readings

Rick Riordan photo
Diana Gabaldon photo
W.S. Merwin photo
Brian W. Aldiss photo

“Civilisation is the distance that man has placed between himself and his own excreta.”

Brian W. Aldiss (1925–2017) British science fiction author

Source: The Dark Light Years

Zora Neale Hurston photo

“Ships at a distance have every man's wish on board.”

Source: Their Eyes Were Watching God (1937), Ch. 1, p. 9.

Edward Albee photo

“Sometimes it's necessary to go a long distance out of the way in order to come back a short distance correctly.”

Edward Albee (1928–2016) American playwright

The Zoo Story (1959)
Variant: It's one of those things a person has to do; sometimes a person has to go a very long distance out of his way to come back a short distance correctly.
Source: The American Dream & The Zoo Story

Alice Hoffman photo
James Joyce photo

“Mr. Duffy lived a short distance from his body.”

Source: Dubliners

Amanda Stevens photo
Gustav Stresemann photo
Jeremy Rifkin photo
A. R. Rahman photo
Larry Holmes photo

“When you constantly hear people talking about going the distance, going the distance, you can't help but wonder about it. I learned a lesson: next time I will fight my fight without that doubt.”

Larry Holmes (1949) American boxer

After the Cooney fight, as quoted in "Sport: Larry Holmes: I Still Have It" by Tom Callahan in TIME (21 June 1982) http://www.time.com/time/magazine/article/0,9171,925485-3,00.html.

“I can still enjoy sex at 74 - I live at 75, so it's no distance.”

Bob Monkhouse (1928–2003) English entertainer

Independent on Sunday obituary http://web.archive.org/web/20100522031727/http://www.independent.co.uk/news/media/bob-monkhouse-jokewriter-to-the-stars-and-the-longreigning-king-of-primetime-comedy-dies-at-75-578058.html

Ernest Shackleton photo
Arthur Schopenhauer photo

“Opinion is like a pendulum and obeys the same law. If it goes past the centre of gravity on one side, it must go a like distance on the other; and it is only after a certain time that it finds the true point at which it can remain at rest.”

Vol. 2 "Further Psychological Observations" as translated in Essays and Aphorisms (1970), as translated by R. J. Hollingdale
Parerga and Paralipomena (1851), Counsels and Maxims

Ela Bhatt photo
George Gamow photo
Yehudi Menuhin photo
Aristarchus of Samos photo
Manuel Castells photo

“Internet use enhanced sociability both at a distance and in the local community.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: The Internet Galaxy - Reflections on the Internet, Business, and Society (2001), Chapter 4, Virtual Communities or Network Society?, p. 122

Louis Kronenberger photo
William Herschel photo
Kage Baker photo
Michael J. Sandel photo
Paul Graham photo
Harry Turtledove photo

“The crowd of ragged Confederates on the White House lawn had doubled and more since he went in to confer with Lincoln. The trees were full of men who had climbed up so they could see over their comrades. Off in the distance, cannon occasionally still thundered; rifles popped like firecrackers. Lee quietly said to Lincoln, "Will you send out your sentries under flag of truce to bring word of the armistice to those Federal positions still firing upon my men?" "I'll see to it," Lincoln promised. He pointed to the soldiers in gray, who had quieted expectantly when Lee came out. "Looks like you've given me sentries enough, even if their coats are the wrong color." Few men could have joked so with their cause in ruins around them. Respecting the Federal President for his composure, Lee raised his voice: "Soldiers of the Army of Northern Virginia, after three years of arduous service, we have achieved that for which we took up arms-" He got no further. With one voice, the men before him screamed out their joy and relief. The unending waves of noise beat at him like a surf from a stormy sea. Battered forage caps and slouch hats flew through the air. Soldiers jumped up and down, pounded on one another's shoulders, danced in clumsy rings, kissed each other's bearded, filthy faces. Lee felt his own eyes grow moist. At last the magnitude of what he had won began to sink in.”

Source: The Guns of the South (1992), p. 180

Daniel Handler photo
Shaun Ellis photo
Leopoldo Galtieri photo
Slavoj Žižek photo
Aristarchus of Samos photo
Aldous Huxley photo
Enoch Powell photo
Eugène Delacroix photo
Caspar David Friedrich photo

“Gently rising hills block the view into the distance; line the wishes and desires of the children, who enjoy the blissful moments of the present without wanting to know what lies beyond. Bushes in bloom, nourishing herbs, and sweet-smelling flowers surround the quiet clear stream in which the pure blue of the cloudless sky is reflected like the glorious image of God in the souls of the children... There is no stone to be seen here, no withered branch, no fallen leaves. The whole of nature breathes, peace, joy, innocence and life.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from Friedrich's Diary entry, written Aug. 1803 at Loschwitz; as cited in Religious Symbolism in Caspar David Friedrich, by Colin J. Bailey https://www.escholar.manchester.ac.uk/api/datastream?publicationPid=uk-ac-man-scw:1m2225&datastreamId=POST-PEER-REVIEW-PUBLISHERS-DOCUMENT.PDF, paper; Oct. 1988 - Edinburgh College of Art, pp. 11-12
Friedrich is describing here his first composition of the painting 'Spring', 1803 (a later version he painted in 1808, viewed and described then by Gotthilf Heinrich von Schubert)
1794 - 1840

José Rizal photo
Bel Kaufmanová photo

“I had used my sense of humor; I had called it proportion, perspective. But perspective is distance.”

Part X, ch. 51 (Sylvia Barrett)
Up the Down Staircase (1965)

Grant Morrison photo
Tad Williams photo

“I’m your apprentice!” Simon protested. “When are you going to teach me something?”
“Idiot boy! What do you think I’m doing? I’m trying to teach you to read and to write. That’s the most important thing. What do you want to learn?”
“Magic!” Simon said immediately. Morgenes stared at him.
“And what about reading…?” the doctor asked ominously.
Simon was cross. As usual, people seemed determined to balk him at every turn. “I don’t know,” he said. What’s so important about reading and letters, anyway? Books are just stories about things. Why should I want to read books?”
Morgenes grinned, an old stoat finding a hole in the henyard fence. “Ah, boy, how can I be mad at you…what a wonderful, charming, perfectly stupid thing to say!” The doctor chuckled appreciatively, deep in his throat.
“What do you mean?” Simon’s eyebrows moved together as he frowned. “Why is it wonderful and stupid?”
“Wonderful because I have such a wonderful answer,” Morgenes laughed. Stupid because…because young people are made stupid, I suppose—as tortoises are made with shells, and wasps with stings—it is their protection against life’s unkindnesses.”
“Begging your pardon?” Simon was totally flummoxed now.
“Books,” Morgenes said grandly, leaning back on his precarious stool, “—books are magic. That is the simple answer. And books are traps as well.”
“Magic? Traps?”
“Books are a form of magic—” the doctor lifted the volume he had just laid on the stack, “—because they span time and distance more surely than any spell or charm. What did so-and-so think about such-and-such two hundred years agone? Can you fly back through the ages and ask him? No—or at least, probably not.
But, ah! If he wrote down his thoughts, if somewhere there exists a scroll, or a book of his logical discourses…he speaks to you! Across centuries! And if you wish to visit far Nascadu or lost Khandia, you have also but to open a book….”
“Yes, yes, I suppose I understand all that.” Simon did not try to hide his disappointment. This was not what he had meant by the word “magic.” “What about traps, then? Why ‘traps’?”

Tad Williams (1957) novelist

Morgenes leaned forward, waggling the leather-bound volume under Simon’s nose. “A piece of writing is a trap,” he said cheerily, “and the best kind. A book, you see, is the only kind of trap that keeps its captive—which is knowledge—alive forever. The more books you have,” the doctor waved an all-encompassing hand about the room, “the more traps, then the better chance of capturing some particular, elusive, shining beast—one that might otherwise die unseen.”
Source: Memory, Sorrow, and Thorn, The Dragonbone Chair (1988), Chapter 7, “The Conqueror Star” (pp. 92-93).

Gerald James Whitrow photo
Helena Petrovna Blavatsky photo
Fred Astaire photo
L. K. Advani photo

“Dr Koenraad Elst, in his two-volume book titled The Saffron Swastika, marshals an incontrovertible array of facts to debunk slanderous attacks on the BJP by a section of the media. About the Rath Yatra, he writes: ‘But what about Advani’s bloody Rath Yatra (car procession) from Somnath to Ayodhya in October 1990? Very simple: it is not at all that the Rath Yatra was a bloody affair. While in the same period, there was a lot of rioting in several parts of the country (particularly Hyderabad, Karnataka and Uttar Pradesh), killing about 600 people in total, there were no riots at all along the Rath Yatra trail. Well, there was one: upper-caste students pelted stones at Advani because he had disappointed them by not supporting their agitation against the caste-based reservations which V. P. Singh was promoting. Even then, no one was killed or seriously wounded. It is a measure of the quality of the Indian English-language media that they have managed to turn an entirely peaceful procession, an island of orderliness in a riot-torn country, into a proverbial bloody event (“Advani’s blood yatra”). And it was quite a sight how the pressmen in their editorials blamed Advani for communal riots of which the actual, non-Advanirelated causes were given on a different page of the same paper. Whether Advani with his Rath Yatra was at 500 miles distance from a riot (as with the riot in Gonda in UP), or under arrest, or back home after the high tide of the Ayodhya agitation, every riot in India in the second half of 1990 was blamed on him’.”

L.K. Advani, My Country My Life (2008). ISBN 978-81-291-1363-4, quoting Koenraad Elst, The Saffron Swastika (2001)

Temple Grandin photo

“You've read about action at a distance, or quantum theory. I've always had the feeling that when I go to a meat plant I must be very careful, because God's watching. Quantum theory will get me.”

Temple Grandin (1947) USA-american doctor of animal science, author, and autism activist

Page 282 of An Anthropologist On Mars By Oliver Sacks

Clive Staples Lewis photo
John Updike photo
Henry Moore photo

“The idea for [his sculpture] 'The Warrior' came to me at the end of 1952 or very early in 1953. It was evolved from a pebble I found on the seashore in the summer of 1952, and which reminded me of the stump of a leg, amputated at the hip. Just as Leonardo says somewhere in his notebooks that a painter can find a battle scene in the lichen marks on a wall, so this gave me the start of The Warrior idea. First I added the body, leg and one arm and it became a wounded warrior, but at first the figure was reclining. A day or two later I added a shield and altered its position and arrangement into a seated figure and so it changed from an inactive pose into a figure which, though wounded, is still defiant... The head has a blunted and bull-like power but also a sort of dumb animal acceptance and forbearance of pain... The figure may be emotionally connected (as one critic has suggested) with one’s feelings and thoughts about England during the crucial and early part of the last war. The position of the shield and its angle gives protection from above. The distance of the shield from the body and the rectangular shape of the space enclosed between the inside surface of the shield and the concave front of the body is important... This sculpture is the first single and separate male figure that I have done in sculpture and carrying it out in its final large scale was almost like the discovery of a new subject matter; the bony, edgy, tense forms were a great excitement to make... Like the bronze 'Draped Reclining Figure' of 1952-3 I think 'The Warrior' has some Greek influence, not consciously wished…”

Henry Moore (1898–1986) English artist

Quote from Moore's letter, (15 Jan. 1955); as cited in Henry Moore on Sculpture: a Collection of the Sculptor's Writings and Spoken Words, ed. Philip James, MacDonald, London 1966, p. 250
1940 - 1955

Babe Ruth photo

“There is one hit of mine which will not stay in the official records, but which I believe to be the longest clout ever made off a major league pitcher. At least some of the veteran sport writers told me they never saw such a wallop. The Yanks were playing an exhibition game with the Brooklyn Nationals at Jacksonville, Fla., in April, 1920. Al Mamaux was pitching for Brooklyn. In the first inning, the first ball he sent me was a nice, fast one, a little lower than my waist, straight across the heart of the plate. It was the kind I murder, and I swung to kill it. The last time we saw the ball it was swinging its way over the 10-foot outfield fence of Southside Park and going like a shot. The ball cleared the fence by at least 75 feet. Let's say the total distance traveled was 500 feet: the fence was 423 feet from the plate. If such a hit had been made at the Polo Grounds, I guess the ball would have come pretty close to the top of the screen in the centerfield bleachers.”

Babe Ruth (1895–1948) American baseball player

In "Wherein Babe Tells of Some Longish Swats" http://archives.chicagotribune.com/1920/08/15/page/18/article/wherein-babe-tells-of-some-longish-swats by Ruth (as told to Pegler), in The Chicago Tribune (August 15, 1920); reprinted as "The Longest Hit in Baseball" https://books.google.com/books?id=SAAlxi-0EZYC&pg=PA39&dq=%22There+is+one+hit+of+mine%22&hl=en&sa=X&ved=0ahUKEwjngMzRjbnQAhXDYyYKHe-JCCMQ6AEIFDAA#v=onepage&q=%22There%20is%20one%20hit%20of%20mine%22&f=false2 in Playing the Game: My Early Years in Baseball, p. 39

Lee Child photo

“The dynamics of the city. His mother had been scared of cities. It had been part of his education. She had told him cities are dangerous places. They're full of tough, scary guys. He was a tough boy himself but he had walked around as a teenager ready and willing to believe her. And he had seen that she was right. People on city streets were fearful and furtive and defensive. They kept their distance and crossed to the opposite sidewalk to avoid coming near him. They made it so obvious he became convinced the scary guys were always right behind him, at his shoulder. Then he suddenly realized no, I'm the scary guy. They're scared of me. It was a revelation. He saw himself reflected in store windows and understood how it could happen. He had stopped growing at fifteen when he was already six feet five and two hundred and twenty pounds. A giant. Like most teenagers in those days he was dressed like a bum. The caution his mother had drummed into him was showing up in his face as a blank-eyed, impassive stare. They're scared of me. It amused him and he smiled and then people stayed even farther away. From that point onward he knew cities were just the same as every other place, and for every city person he needed to be scared of there were nine hundred and ninety-nine others a lot more scared of him. He used the knowledge like a tactic, and the calm confidence it put in his walk and his gaze redoubled the effect he had on people. The dynamics of the city.”

Source: Running Blind (2000), Ch. 1.

Haruki Murakami photo
Why the lucky stiff photo
Michael J. Sandel photo

“Ever since the Industrial Revolution, Western society has benefited from science, logic, and reductionism over intuition and holism. Psychologically and politically we would much rather assume that the cause of a problem is “out there,” rather than “in here.” It’s almost irresistible to blame something or someone else, to shift responsibility away from ourselves, and to look for the control knob, the product, the pill, the technical fix that will make a problem go away.
Serious problems have been solved by focusing on external agents — preventing smallpox, increasing food production, moving large weights and many people rapidly over long distances. Because they are embedded in larger systems, however, some of our “solutions” have created further problems. And some problems, those most rooted in the internal structure of complex systems, the real messes, have refused to go away.
Hunger, poverty, environmental degradation, economic instability, unemployment, chronic disease, drug addiction, and war, for example, persist in spite of the analytical ability and technical brilliance that have been directed toward eradicating them. No one deliberately creates those problems, no one wants them to persist, but they persist nonetheless.
That is because they are intrinsically systems problems-undesirable behaviors characteristic of the system structures that produce them. They will yield only as we reclaim our intuition, stop casting blame, see the system as the source of its own problems, and find the courage and wisdom to restructure it.”

Donella Meadows (1941–2001) American environmental scientist, teacher, and writer

Pages 3-4.
Thinking in systems: A Primer (2008)

Tim Moore photo
Jean Baudrillard photo
Frédéric Bazille photo
Husayn ibn Ali photo

“One who pursues a goal through sinful ways, will ironically distance himself from that goal, and will approach what he was afraid of.”

Husayn ibn Ali (626–680) The grandson of Muhammad and the son of Ali ibn Abi Talib

Majlisi, Bihārul Anwār, vol.78, p. 120
Religious-based Quotes

Elia M. Ramollah photo

“Successful role models in any path have travelled a distance in which you might go through it. Therefore use the best paths that are similar to those ones who were successful in it.”

Elia M. Ramollah (1973) founder and leader of the El Yasin Community

The Great Master of Thought (Amen- Vol.3), Observing management

Clifford D. Simak photo
Winston S. Churchill photo

“She shone for me like the Evening Star. I loved her dearly — but at a distance.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

On his mother, Lady Randolph Churchill, Chapter 1 (Childhood).
My Early Life: A Roving Commission (1930)

Warren Farrell photo

“The nature of men’s responsibilities distanced men from feelings, whereas the nature of women’s responsibilities encouraged the expression of feelings.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Women Can't Hear What Men Don't Say (2000)

“There are two main things about Julian – he has a big heart and he goes the distance.”

Sandra Seacat (1936) American acting teacher and actress

Discussing the producer of In the Spirit (which was and remains the only feature film directed by Seacat), as quoted in "Film Not Just Product for 'Torn Apart' Producer" http://articles.sun-sentinel.com/1990-09-09/features/9002130466_1_film-julian-schlossberg-west-bank by Candice Russell, in The South Florida Sun-Sentinel (September 9, 1990)

Sukarno photo
Louis Althusser photo
Louis Tronson photo

“Have we referred to it with indignation, distance and contempt; and have we made it clear that it is filled only with corruption, vanity and falsehood?”

Louis Tronson (1622–1700) French Roman Catholic priest

En avons-nous parlé avec indignation, éloignement et mépris; et avons-nous fait connaître qu'il n'était plein que de corruption, de vanité et de mensonge?
Examens particuliers sur divers sujets, p. 321 http://books.google.com/books?id=esY9AAAAIAAJ&pg=PA321 as translated by Mary Ilford in The Bourgeois: Catholicism vs. Capitalism in Eighteenth-Century France (1968), p. 116
Examens particuliers sur divers sujets [Examination of Conscience upon Special Subjects] (1690)

Marsden Hartley photo

“Every painter must traverse for himself that distance from Paris to Aix (Aix-en-Provence where Paul Cézanne frequently painted in open air] or from Venice to Toledo [where w:El Greco lived and painted for many years]. Expression is for one knowing its own pivot. Every expressor relates solely to himself – that is the concern of the individualist.”

Marsden Hartley (1877–1943) American artist

statement for catalogue of 'Forum exhibition 1916', reprinted in On art, p. 66-67; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 57
1908 - 1920

Michel Foucault photo
Aimee Mann photo

“There's always something that's smoldering somewhere
I know it don't make a difference to you
But oh! It sure made a difference to me
You'll see me off in the distance, I hope
At the other end
At the other end of the telescope.”

Aimee Mann (1960) American indie rock singer-songwriter (born 1960)

The Other End (of the Telescope), written by Elvis Costello and Aimee Mann
Song lyrics, Everything's Different Now (1988)

Manuel Castells photo

“Let me start a different/ analysis by recalling an idea from Max Weber. He characterized cultural modernity as the separation of the substantive reason expressed in religion and metaphysics into three autonomous spheres. They are science, morality and art. These came to be differentiated because the unified world-views of religion and metaphysics fell apart. Since the 18th century, the problems inherited from these older world-views could be arranged so as to fall under specific aspects of validity: truth, normative rightness, authenticity and beauty. They could then be handled as questions of knowledge, or of justice and morality, or of taste. Scientific discourse, theories of morality, Jurisprudence, and the production and criticism of art could in turn be institutionalized. Each domain of culture could be made to correspond to cultural professions in which problems could be dealt with as the concern of special experts. This professionalized treatment of the cultural tradition brings to the fore the intrinsic structures of each of the three dimensions of culture. There appear the structures of cognitive-instrumental, of moral-practical and of aesthetic-expressive rationality, each of these under the control of specialists who seem more adept at being logical in these particular ways than other people are. As a result, the distance grows between the culture of the experts and that of the larger public. What accrues to culture through specialized treatment and reflection does not immediately and necessarily become the property of everyday praxis. With cultural rationalization of this sort, the threat increases that the life-world, whose traditional substance has already been devalued, will become more and more impoverished.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: Modernity — An Incomplete Project, 1983, p. 8-9

Carl Sagan photo
John Ogilby photo