Quotes about display
page 2

“Everyone goes to the 'Grands-Boulevards' and let himself loose... Do not picture these in costume, they are not for the most part.... perhaps a clown with a big nose, or two girls with bare necks and short skirts.... the parade of the queens of the halls [Paris’ markets] is also one of the events.... Some are pretty but look awkward in their silk dresses and crowns, particularly as the broad sun displays their defects – perhaps a neck too thin or a painted face which shows ghastly white in the sunlight.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

In a letter to his mother, Paris, May 11, 1907; as quoted in Edward Hopper, Gail Levin, Bonfini Press, Switzerland 1984, p. 27
1905 - 1910

Girl, Sun, Parting, Painting

“It was this indifference to the quality of his material that earned Liszt the contempt of his most distinguished contemporaries and of many of the most respectable critics and historians of posterity. It was, nevertheless, his greatest strength. It made it possible for him to manipulate the material ruthlessly, to concentrate on effects of realization with unprecedented intensity, and to integrate styles and techniques of performance into composition in a new way. His invention of novel keyboard effects and his mastery of musical gesture have always been undervalued, especially by pianists of the German school who prefer the kind of music that can be executed while soulfully regarding the ceiling. On the whole, the most genuine understanding of his music has been displayed by musicians of eastern Europe, and he may almost be considered as the founder of Russian pianism.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 8 : Liszt: On Creation as Performance

School, Music, Way, Understanding

“For all species, including our own, the true figure of life is a perching bird, a passerine, alert and nervous in every part, ready to dart off in an instant. Life is always poised for flight. From a distance it looks still, silhouetted against the bright sky or the dark ground; but up close it is flitting this way and that, as if displaying to the world at every moment its perpetual readiness to take off in any of a thousand directions.”

Jonathan Weiner (1953) American nonfiction writer

Source: The Beak of the Finch: A Story of Evolution in Our Time (1994), Chapter 7, Twenty-Five Thousand Darwins

Life, World, Way, Bird

“Smooth lies the road to Pluto's gloomy shade,
And hell's black gates for ever stand displayed,
But 'tis a long unconquerable pain,
To climb to these ethereal realms again.”

Christopher Pitt (1699–1748) English poet

Book VI, line 182
The Æneid of Virgil (1740)

Pain, Hell

“Food, clothing, and shelter are the three evil paths. To desire and make a display of clothing is karma for the path of beasts. To greedily crave food is karma for the path of famished ghosts. To set up a shelter is karma for the path of hell. Hence, if you aspire to part from the three evil paths, you must free yourself from food, clothing, and shelter.”

Ippen (1239–1289) Japanese Buddhist monk, founder of the Jishu school.

"Words Handed Down by Disciples" (Chapter 9).
No Abode: The Record of Ippen (1997)

Food, Hell, Evil, Parting

“In a general way, the literature of the twentieth century is essentially psychological; and psychology consists of describing states of the soul by displaying them all on the same plane, without any discrimination of value, as though good and evil were external to them, as though the effort toward the good could be absent at any moment from the thought of any man.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

“The responsibility of writers,” p. 168
On Science, Necessity, and the Love of God (1968)

Way, Soul, Literature, Effort

“It is much to my advantage that several of my pictures should be seen together, as it displays to advantage their varieties of conception and also of execution, and what they gain by the mellowing hand of time which should never be forced or anticipated. Thus my pictures when first coming forth have a comparative harshness which at the time acts to my disadvantage.”

John Constable (1776–1837) English Romantic painter

Quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 516
posthumous, undated

Time

“The purpose of formulating [a] conflict as a game is not that of resolving the conflict by 'solving the game.' It is that of displaying the structure of the conflict and thereby exposing features of it that may be concealed by rhetoric. In particular, appreciation of the peculiar structure of some of the so-called mixed—motive conflicts represented nonzero-sum games may change the conflicting parties' perception of their situation.”

Anatol Rapoport (1911–2007) Russian-born American mathematical psychologist

Anatol Rapoport, Conflict in man-made environment. Harmondsworth: Penguin Books, 1974; As cited in M.J. Apter, ‎J.H. Kerr, ‎S. Murgatroyd (1993) Advances in Reversal Theory. p. 63-64
1970s and later

Game, Motivation, Change

“The Class of 1858, to which Henry Adams belonged, was a typical collection of young New Englanders, quietly penetrating and aggressively commonplace; free from meannesses, jealousies, intrigues, enthusiasms, and passions; not exceptionally quick; not consciously skeptical; singularly indifferent to display, artifice, florid expression, but not hostile to it when it amused them; distrustful of themselves, but little disposed to trust any one else; with not much humor of their own, but full of readiness to enjoy the humor of others; negative to a degree that in the long run became positive and triumphant. Not harsh in manners or judgment, rather liberal and open-minded, they were still as a body the most formidable critics one would care to meet, in a long life exposed to criticism.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Life, Hostility, Jealousy, Passion

“Extravagant in movie terms but stingy in emotional ones, it embodies all of [director Steven] Spielberg's bad impulses and almost none of his good ones: It's a grand display of how well he knows how to work us over, and yet the desperation with which he tries to get to us is repulsive.”

Stephanie Zacharek (1963) American film critic

Review http://dir.salon.com/story/ent/movies/review/2005/06/29/war/index.html of War of the Worlds (2005)

“But greed is a bottomless pit
And our freedom's a joke we're just taking a piss
And the whole world must watch the sad comic display
If you're still free start runnin' away
'cause we're comin' for ya!”

Conor Oberst (1980) American musician

I'm Wide Awake, It's Morning (2005)

World, Sadness, Freedom

“I fully subscribe to those words with my special thanks to all officers, noncommissioned officers and men for the attitude displayed during this fighting.”

Walter Model (1891–1945) German field marshal

After the Operation Market Garden, Field Marshal Model passed the appreciation from OB West on to his soldier, September 27, 1944. Quoted in "Rückzug: The German Retreat from France, 1944" - Page 278 - by Joachim Ludewig - 2012

Men, Fight

“The great evil, and it was a hard thing to say, was that English officials in India, with many very honourable exceptions, did not regard the lives of the coloured inhabitants with the same feeling of intense sympathy which they would show to those of their own race, colour, and tongue. If that was the case it was not their fault alone. Some blame must be laid upon the society in which they had been brought up, and upon the public opinion in which they had been trained. It became them to remember that from that place, more than from any other in the kingdom, proceeded that influence which formed the public opinion of the age, and more especially that kind of public opinion which governed the action of officials in every part of the Empire. If they would have our officials in distant parts of the Empire, and especially in India, regard the lives of their coloured fellow-subjects with the same sympathy and with the same zealous and quick affection with which they would regard the lives of their fellow-subjects at home, it was the Members of that House who must give the tone and set the example. That sympathy and regard must arise from the zeal and jealousy with which the House watched their conduct and the fate of our Indian fellow-subjects. Until we showed them our thorough earnestness in this matter—until we were careful to correct all abuses and display our own sense that they are as thoroughly our fellow-subjects as those in any other part of the Empire, we could not divest ourselves of all blame if we should find that officials in India did treat with something of coldness and indifference such frightful calamities as that which had so recently happened in that country.”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

Speech http://hansard.millbanksystems.com/commons/1867/aug/02/motion-for-an-address in the House of Commons (2 August 1867) on the Orissa famine of 1866 1860s

Fate, Age, Jealousy, Feeling

“What makes the spectacle of Western bourgeois society so repulsive is the waste and squander of resources on needless products of status or display (e. g., the large, heavy automobile; the extravagant packaging of consumer items) for the sake of consumption.”

Daniel Bell book The Cultural Contradictions of Capitalism

Source: The Cultural Contradictions of Capitalism (1976), Chapter 6, The Public Household, p. 274

“On January 3, 1992 a meeting of Russian and American scholars took place in the auditorium of a government building in Moscow. Two weeks earlier the Soviet Union had ceased to exist and the Russian Federation had become an independent country. As a result, the statue of Lenin which previously graced the stage of the auditorium had disappeared and instead the flag of the Russian Federation was now displayed on the front wall. The only problem, one American observed, was that the flag had been hung upside down. After this was pointed out to the Russian hosts, they quickly and quietly corrected the error during the first intermission.
The years after the Cold War witnessed the beginnings of dramatic changes in peoples’ identities and the symbols of those identities. Global politics began to be reconfigured along cultural lines. Upside-down flags were a sign of the transition, but more and more the flags are flying high and true, and Russians and other peoples are mobilizing and marching behind these and other symbols of their new cultural identities.”

Samuel P. Huntington (1927–2008) American political scientist

Source: The Clash of Civilizations and the Remaking of World Order (1996), Ch. 1: The New Era in World Politics, § 1 : Introduction: Flags And Cultural Identity

War, People, Error, Problem

“At this display the elder and less attractive of the maidens fled, uttering loud and continuous cries of apprehension in order to conceal the direction of her flight.”

Ernest Bramah (1868–1942) English author

The Encountering of Six within a Wood
Kai Lung's Golden Hours (1922)

“We should hide our strength rather than put it on display.”

Feng Shih-kuan (1945) Taiwanese politician

Feng Shih-kuan (2016) cited in " Taiwan deploys jet fighters to monitor China's aircraft carrier http://focustaiwan.tw/news/aipl/201612270011.aspx" on Focus Taiwan, 27 December 2016

“In looking back, with our present experience, we are driven to the melancholy conclusion that, instead of diminishing the number of wars, ecclesiastical influence has actually and very seriously increased it. We may look in vain for any period since Constantine, in which the clergy, as a body, exerted themselves to repress the military spirit, or to prevent or abridge a particular war, with an energy at all comparable to that which they displayed in stimulating the fanaticism of the crusaders, in producing the atrocious massacre of the Albigenses, in embittering the religious contests that followed the Reformation.”

William Edward Hartpole Lecky (1838–1903) British politician

Source: A History of European Morals from Augustus to Charlemagne (1869), Chapter 5 (3rd edition p. 254)

War

“In my account of his [Lamarck's] theory, I did not, at the time, fully appreciate the deep conviction which it displays of the slow manner in which geological changes have taken place, and the insignificance of thirty or forty centuries in the history of a species, and that, too, at a period when very narrow views were entertained of the extent of past time by most of the ablest geologists, and when great revolutions of the earth's crust, and its inhabitants, were generally attributed to sudden and violent catastrophes.”

Charles Lyell (1797–1875) British lawyer and geologist

Source: The Geological Evidences of the Antiquity of Man (1863), Ch.20, p. 392-393

History, Change, Time, Past

“The subject detects the presence and interrelationships of the basic components of one of the two-dimensional drawings - particularly, the variously oriented straight lines, the several types of vertices by which they are connected and, presumably, something of the structural relationships among these components within the two-dimensional pattern. Then, on the basis of some higher-level processing of these extracted features and their interrelationships, an internal representation, code, or verbal description is generated for each picture separately that captures the intrinsic structure of the three-dimensional object in a form that is independent of the particular orientation in which that object happens to be displayed.”

Roger Shepard (1929) American psychologist

Source: Mental images and their transformations. 1982, p. 64; as cited in: Keith K. Niall, "‘Mental rotation’, pictured rotation, and tandem rotation in depth." Acta psychologica 95.1 (1997): 31-83.

Drawing

“… this refined language of Indian modernity – an Indian language that was actually first used as a first language by a home-grown cosmopolitan elite – enough to say, with or without humour, ‘Ami tomake bhalobashi’ (‘I love you’) or ‘Apni kothai thhaken?’ (‘Where do you live?). These stray statements performed an incantatory ‘open sesame’ – into the bounded, charmed, small-scale world of ‘Bengaliness’. The ‘honorary’ Bengali might be myopic; might be an aficionado of art-house cinema; might be politically left wing; might have taste for lyric poetry; a tendency towards the autobiographical; an appetite for fish; or display none of these traits.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

citation needed
On Modernity

Love, World, Art, Home

“I think that the figure of the nerd provides a beautiful template for analyzing the transformation of the disciplinary society into the control society. The nerd, in his cliche form, first stepped out upon the world stage in the mid-1970s, when we were beginning to hear the first rumblings of what would become the Cambrian explosion of the information society. The nerd must serve as comic relief for the future-anxieties of Western society. And the transformation I'm talking about is already in full swing: the police gaze of 19th- and 20th-century disciplinary society made visible the individual, which is illuminated by power. In our burgeoning technological control society, the individual is x-rayed and algorithmized. Even worse: the individuals x-ray themselves, willingly putting themselves on display.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

via Boing Boing http://boingboing.net/2016/04/14/the-story-of-traceroute-about.html

World, Beauty, Thinking, Future

“The king is not responsible for the fate of each man's soul. Every man is responsible to God, but not the king, for this. Shakespeare, while displaying unflinchingly the defects of kingly rule, does not in the English histories have on his horizon any alternative to divine right monarchy. The American Founding's Lockean republican political theory provides an answer to the defects of Christian divine right monarchy, the answer that Lincoln inherited. This supplied as well the theoretical foundation for Lincoln's assault on slavery.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

2000s, Aristotle and Locke in the American Founding (2001)

God, Fate, Soul, History

“His picture to me seems always to have the enthusiasm and freshness of youth, moved with the high-minded and patriotic purpose of maturity. He displayed the same ambition for faithful service, whether he was leading his soldiers in the last charge for American liberty at Yorktown or rebuking the mob at Paris for its proposal to make him king. His part in the French Revolution is well known. He served the cause of ordered liberty in America; he was unwilling to serve any other cause in France. His admirers might say of him on the first anniversary of Bastile Day, 'He is galloping through the ages' But he refused to be a man on horseback. He knew that the welfare of his country lay in moderation. The people trusted him, but the extremists, whether Jacobin or Royalist, feared him. He urged the National Assembly to establish by constitutional guarantees what the Revolution had gained.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Ordered Liberty and World Peace (1924)

People, Youth, Age, Fear

“If computers are the wave of the future, displays are the surfboards.”

Ted Nelson (1937) American information technologist, philosopher, and sociologist; coined the terms "hypertext" and "hypermedia"

Dream Machines, p 22.
Computer Lib/Dream Machines (1974, rev. 1987)

Future

“Virtue is infinitely various. There is no situation in which a rational being is placed, from that of the best instructed Christian down to the condition of the rudest barbarian, which affords not room for moral agency; for the acquisition, exercise, and display of voluntary qualities, good and bad. Health and sickness, enjoyment and suffering, riches and poverty, knowledge and ignorance, power and subjection, liberty and bondage, civilisation and barbarity, have all their offices and duties, all serve for the formation of character: for when we speak of a state of trial, it must be remembered, that characters are not only tried, or proved, or detected, but that they are generated also, and formed, by circumstances. The best dispositions may subsist under the most depressed, the most afflicted fortunes.”

William Paley (1743–1805) Christian apologist, natural theologian, utilitarian

Source: Natural Theology (1802), Ch. 26 : The Goodness of the Deity.

Health, Exercises, Knowledge, Affliction

“Instead of being on display on the cliff for a thousand years
I'd rather have a hearty cry on my lover's shoulder for a single night.”

Shu Ting (1952) Chinese writer

"Goddess Peak" [神女峰, Shennü feng], in The Cambridge History of Chinese Literature, Volume II: From 1375 (Cambridge University Press, 2010), p. 649

Lovers, Cry, Night

“Universal History Spirit displays itself in its most concrete reality.”

Georg Wilhelm Friedrich Hegel book Lectures on the Philosophy of History

Lectures on the History of History Vol 1 p. 17 John Sibree translation (1857), 1914
Lectures on the Philosophy of History (1832), Volume 1
Context: The enquiry into the essential destiny of Reason as far as it is considered in reference to the World is identical with the question, what is the ultimate design of the World? And the expression implies that that design is destined to be realised! Two points of consideration suggest themselves: first, the import of this design its abstract definition; and secondly, its realization. It must be observed at the outset, that the phenomenon we investigate Universal History belongs to the realm of Spirit. The term “World" includes both physical and psychical Nature. Physical Nature also plays its part in the World's History, and attention will have to be paid to the fundamental natural relations thus involved. But Spirit, and the course of its development, is our substantial object. Our task does not require us to contemplate Nature as a Rational System in itself though in its own proper domain it proves itself such but simply in its relation to Spirit. On the stage on which we are observing it, Universal History Spirit displays itself in its most concrete reality. Notwithstanding this (or rather for the very purpose of comprehending the general principles which this, its form of concrete reality, embodies) we must premise some abstract characteristics of the nature of Spirit. Such an explanation, however, cannot be given here under any other form than that of bare assertion. The present is not the occasion for unfolding the idea of Spirit speculatively; for whatever has a place in an Introduction, must, as already observed, be taken as simply historical; something assumed as having been explained and proved elsewhere; or whose demonstration awaits the sequel of the Science of History itself.

History, Reality, Universe

“Cloudy all day. Showery on mtns. to eastward at noon. Fine thunderstorm evening, with grand display of zigzag intensely vivid & very near with keen cracks [and] grand trailing rain … Visited Elk ranch. About sixty old & young. Old bulls carry horns in noble style & grand airs.”

John Muir (1838–1914) Scottish-born American naturalist and author

journal entry, Island Park, Idaho (26 August 1913) — the last field entry http://digitalcollections.pacific.edu/cdm/ref/collection/muirjournals/id/3843/show/3839 in Muir's last field journal 1910s

“The history of medicine proves that in so far as man seeks to know himself and face his whole nature, he has become free from bewildered fear, despondent shame, or arrant hypocrisy. As long as sex is dealt with in the current confusion of ignorance and sophistication, denial and indulgence, suppression and stimulation, punishment and exploitation, secrecy and display, it will be associated with a duplicity and indecency that lead neither to intellectual honesty nor human dignity.”

Alfred Kinsey (1894–1956) American scientist (1894–1956)

Sexual Behaviour in the Human Male (1948)

Fear, Sex, History, Nature

“.. Is it indisputable that several aesthetic declarations of our French comrades (the Cubists) display a sort of masked academicism. It is not, indeed, a return to the Academy to declare that the subject, in painting, has a perfectly insignificant value?... To paint from the posing model as an absurdity, and an act of mental cowardice, even if the model be translated upon the picture in linear, spherical and cubic forms..”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Source: 1912, Les exposants au public', 1912, pp. 2, 3.

Painting

“Many schools are now introducing computers into the educational curriculum. Within 10 years it is predicted that computers will play a significant role in every classroom in North America. The question is, how will they be used? Many educators have been focusing on the use of computers for drill and programmed instruction—to provide individualized practice and instruction in the usual curriculum areas. There is another use for computers in education which some educators, myself included, find more exciting. These involve using the computer:
• to provide an environment in which learning can be intrinsically motivating and fun.
• to allow children to discover, explore and create knowledge.
• to help develop skills of thinking and problem solving.
• to make some of the most powerful ideas of the burgeoning computer culture accessible and tangible to children at an early age.
If you have ever watched a child playing good video games or if you play them yourself, then you know the powerful motivation that graphics displays can create. As I’ve watched children play these games, every bit of their attention focused on the screen, I’ve often thought how wonderful it would be to harness this motivation and channel it toward intellectual growth and learning…”

Michael Friendly (1945) American psychologist

Michael Friendly. Advanced Logo: A Language for Learning. Lawrence Erlbaum Associates, Inc. 1988. Preface

Children, Age, Education, School

“More than a billion women around the world want to emulate western women’s lifestyles and are rapidly acquiring the material ability to do so. It is therefore vital that in our leadership we display some reserve and responsibility in our spending so that the world’s finite resources will be available for our children, their children and their children’s children.”

Louise Burfitt-Dons (1953) Activist, writer, blogger

Speech on the Hot Women Campaign at UK Aware (April 2008)

Women, Children, World

“The Communist Party and the Soviet Government display constant concern to strengthen the country's defensive might and raise the combat readiness of the Armed Forces.”

Andrei Grechko (1903–1976) Soviet military commander

Quoted in "Soviet Civil Defense" - Page 5 - by Leon Gouré - 1971

Country

“Leave writing plays, and choose for thy command
Some peaceful province in acrostic land.
There thou mayst wings display and altars raise,
And torture one poor word ten thousand ways.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Source: Mac Flecknoe (1682), l. 205–208.

Peace, Way

“It is hard to write a simple definition of something as varied as hacking, but I think what these activities have in common is playfulness, cleverness, and exploration. Thus, hacking means exploring the limits of what is possible, in a spirit of playful cleverness. Activities that display playful cleverness have "hack value."”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

On Hacking (2002) http://stallman.org/articles/on-hacking.html 2000s

Thinking

“One question may possibly have dwelt in the reader's mind during the perusal of these observations, namely, Why should not the Deity have given to the animal the faculty of vision at once? … Why resort to contrivance, where power is omnipotent? Contrivance, by its very definition and nature, is the refuge of imperfection. To have recourse to expedients, implies difficulty, impediment, restraint, defect of power. … amongst other answers which may be given to it; beside reasons of which probably we are ignorant, one answer is this: It is only by the display of contrivance, that the existence, the agency, the wisdom of the Deity, could be testified to his rational creatures.”

William Paley (1743–1805) Christian apologist, natural theologian, utilitarian

Source: Natural Theology (1802), Ch. 3 : Application of the Argument.

Wisdom, Question, Nature, Animals

“Tell mankind Jehovah reigns;
He shall bind the world in chains,
So as it shall never slide,
And with sacred justice guide.
Let the smiling heavens rejoice,
Joyful earth exalt her voice;
Let the dancing billows roar,
Echoes answer from the shore,
Fields their flowery mantles shake;
All shall in their joy partake;
While the wood-musicians sing
To the ever-youthful spring.
Fill His courts with sacred mirth;
Lo! He comes to judge the earth:
Justly He the world shall sway,
And His truth to men display.”

Henry More (1614–1687) British philosopher

"A Hymn of Praise" (1668)

Men, Truth, Youth, World

“For what, in all the world, is more common than love? What state, what little town, what family lacks examples? Who, that has reached his thirtieth year, has not endured some villainy for love’s sake? I conjecture from myself whom love has sent into a thousand perils, and I thank the Gods above that I have a thousand times escaped the ambushes prepared for me; more fortunate in my star than Mars whom Vulcan took with Venus, and caught them in an iron net, and displayed them, as a laughing-stock, to the other Gods.”

Pope Pius II book The Tale of Two Lovers

Source: The Tale of Two Lovers, 1444, p. xix, preface (in 1933 edition)

Love, God, World, Family

“The events of these last few days constitute one of the greatest diplomatic defeats that this country and France have ever sustained. There can be no doubt that it is a tremendous victory for Herr Hitler. Without firing a shot, by the mere display of military force, he has achieved a dominating position in Europe which Germany failed to win after four years of war. He has overturned the balance of power in Europe. He has destroyed the last fortress of democracy in Eastern Europe which stood in the way of his ambition.”

Clement Attlee (1883–1967) Former Prime Minister of the United Kingdom

Speech https://api.parliament.uk/historic-hansard/commons/1938/oct/03/prime-ministers-statement#column_52 in the House of Commons (3 October 1938) against the Munich Agreement. 1930s

War, Way, Democracy, Victory

“I think it's time for all this discussion about the proper display of the Confederate flag, which in some quarters appears to obscure the enormity of the massacre at Charleston, to get to the heart of the matter. You tell me. Should the Confederate battle flag, including its versions as the Army of Northern Virginia flag, the Army of Tennessee flag, and the Confederate navy jack, be flown outside, period? Do you favor the removal of the Confederate flag flying on the grounds of the South Carolina State House? Why? If you believe that the flying of the Confederate battle flag on the grounds of the South Carolina State House should cease, are there any conditions when a Confederate battle flag should appear outside? Should the Confederate battle flag be banned from public display elsewhere? T-shirts, bumper stickers, headgear? Are your restrictions limited to the Confederate battle flag alone, or do they extend to other flags flown by the Confederacy, such as the trio of national flags?”

Brooks D. Simpson (1957) American historian

Brooks D. Simpson. "Simple Questions" https://cwcrossroads.wordpress.com/2015/06/21/simple-questions/ (21 June 2015), Crossroads, WordPress 2010s

Thinking, Appearance, Time, Heart

“Indignant Man resumes the shaft he gave,
Disarms the tyrant, and unbinds the slave,
Displays the unclad skeleton of kings,
Spectres of power, and serpents without stings.”

Joel Barlow (1754–1812) American diplomat

The Conspiracy of Kings (1792)

“One shining morning, at the head of the Pacheco Pass, a landscape was displayed that after all my wanderings still appears as the most divinely beautiful and sublime I have ever beheld. There at my feet lay the great central plain of California, level as a lake thirty or forty miles wide, four hundred long, one rich furred bed of golden Compositae. And along the eastern shore of this lake of gold rose the mighty Sierra, miles in height, in massive, tranquil grandeur, so gloriously colored and so radiant that it seemed not clothed with light, but wholly composed of it, like the wall of some celestial city. Along the top, and extending a good way down, was a rich pearl-gray belt of snow; then a belt of blue and dark purple, marking the extension of the forests; and stretching along the base of the range a broad belt of rose-purple, where lay the miners' gold and the open foothill gardens — all the colors smoothly blending, making a wall of light clear as crystal and ineffably fine, yet firm as adamant. Then it seemed to me the Sierra should be called, not the Nevada or Snowy Range, but the Range of Light. And after ten years in the midst of it, rejoicing and wondering, seeing the glorious floods of light that fill it, — the sunbursts of morning among the mountain-peaks, the broad noonday radiance on the crystal rocks, the flush of the alpenglow, and the thousand dashing waterfalls with their marvelous abundance of irised spray, — it still seems to me a range of light.”

John Muir (1838–1914) Scottish-born American naturalist and author

" The Treasures of the Yosemite http://books.google.com/books?id=ZzWgAAAAMAAJ&pg=PA483", The Century Magazine, volume XL, number 4 (August 1890) pages 483-500 (at page 483) 1890s

Beauty, Color, Way, Mountain

“Nor, on the other hand, are there any masculine charms [in Gabriele Münter's work] either: no 'sinewy brushwork', no heaps of paint, 'hurled on to the canvas'. The pictures are painted throughout with a delicately and correctly sensed measure of external strength, with not a trace of feminine or masculine coquetry in the 'making'. We could almost say that they are painted modestly; i. e. that they were inspired, not by a desire for outward display, but by a purely inward compulsion.”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Kandinsky, 1913; in the introduction of an exhibition-catalog 'Neue Künstlervereinigung', Munich; as cited by , in Expressionism; Praeger Publishers, New York, 1973, p. 120
1910 - 1915

Sense, Painting

“The noble simplicity of sentiment in McCain’s tweets is a world removed from Trump’s gaudy and boastful displays. And McCain’s demonstration of character and courage is a far more reliable guide to American greatness than the pronouncements of a president who speaks of it nonstop and embodies it not at all.”

William Kristol (1952) American writer

2010s, 2017, True American Greatness (2017)

World, Courage

“The icing on the cake is where I had to take second fiddle to Yaxeni Oriquen Garcia 2005 Ms Olympia that was a big stab in the back at the time we were instructed to reduce 20% in the muscularity round.. I normally compete at 160-162 that year being the embassador of the sport I must lead by example, which I did. I competed at 155lbs still same conditioning, shape etc…. Lord behold second fiddle to Yaxeni.. It looked as if Yaxeni had did the opposite of what the current ruling stated and she was being rewarded.. Come on we have two different body types! I have a small tapered waist line, fine detail flowing through out my body, nice harmony and she's displaying nothing but BIG. When someone refers to Yaxeni body they say she's a big girl.. She has great confidence about herself on stage, which is an EXCELLENT tool and having that can always gain you a few points, but to flat out win is RIDICULOUS and not possible… Anyhow, Yaxeni was more surprised then I when hearing her name announced victoriously. And believe it or not annoucing the winner that year was Lenda Murray, so she was probably soaking up every second of me losing as a mild way of payback. I was always told when going after the champ you have to completely knock the champ "OUT."”

Iris Kyle (1974) American bodybuilder

Anything close should not cause you a win.
2012-02-05
An Exclusive Interview With the Ms. Olympia Champion Iris Kyle
RX Muscle
Internet
http://www.rxmuscle.com/rx-girl-articles/female-bodybuilding/4986-an-exclusive-interview-with-the-ms-olympia-champion-iris-kyle.html
Sourced quotes, 2012

Way, Confidence, Girl, Sport

“I am very fond of the modest manner of life of those solitary owners of remote villages, who in Little Russia are commonly called "old-fashioned," who are like tumbledown picturesque little houses, delightful in their simplicity and complete unlikeness to the new smooth buildings whose walls have not yet been discolored by the rain, whose roofs are not yet covered with green lichen, and whose porch does not display its bricks through the peeling stucco.”

Nikolai Gogol (1809–1852) Russian writer

"Old World Landowners" (1835)

Life, Fashion, Housing

“When age hath made me what I am not now,
And every wrinkle tells me where the plow
Of time hath furrowed; when an ice shall flow
Through every vein, and all my head wear snow;
When death displays his coldness in my cheek,
And I myself in my own picture seek,
Not finding what I am, but what I was,
In doubt which to believe, this, or my glass;
Yet though I alter, this remains the same
As it was drawn, retains the primitive frame
And first complexion; here will still be seen
Blood on the cheek and down upon the chin:
Here the smooth brow will stay, the lively eye,
The ruddy lip, and hair of youthful dye.
Behold what frailty we in man may see,
Whose shadow is less given to change than he.”

Thomas Randolph (poet) (1605–1635) English poet and dramatist

"Upon his Picture"
Poems (pub. 1638)

Death, Youth, Age, Change

“The peculiar (or own) value that such and such activity can have for a man rather really depends ("dépend bien plutôt", Fr.) on the spirit in which it was deployed (or displayed, - "déployée", Fr.) than its importance or its scope. Thus the most humble work (or task, - "besogne", Fr.) can be accomplished by a great genius, whereas the highest functions (or offices), such as to rule over a whole people, can be practised in a petty”

African Spir (1837–1890) Russian philosopher

or mean or stingy) spirit of personal glorification, as it is frequently seen.", Fr.
Source: Words of a Sage : Selected thoughts of African Spir (1937), p. 49.

People, Dependency, Personality

“Our hopes, I see, resemble much the sun,
That rising and declining cast large shadows;
But when his beams are dressed in's midday brightness,
Yields none at all: when they are farthest from
Success, their guilt reflection does display
The largest shows of events fair and prosperous.”

George Chapman (1559–1634) English dramatist, poet, and translator

Revenge for Honour (1654), Act II, scene i. Attributed, probably falsely, to Chapman. The play may have been written by Henry Glapthorne.
Disputed

Hope, Success, Sun

“Use of the term visualization in the cartographic literature can be traced back at least four decades (Philbrick, 1953). It was the 1987 publication of a report by the U. S. National Science Foundation, however, that established a new meaning for this term in the context of scientific research (McCormick et al., 1987). The report, produced by a committee containing no cartographers, emphasized the role of computer display technology in prompting mental visualization - and subsequent insight. Scientific visualization has, thus, been defined as the use of sophisticated computing technology to create visual displays, the goal of which is to facilitate thinking and problem solving. Emphasis is not on storing knowledge but on knowledge construction.”

Alan MacEachren (1952) American geographer

Source: Exploratory cartographic visualization: advancing the agenda (1997), p. 2

Literature, Knowledge, Problem, Thinking

“Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls.”

Mervyn Peake book Titus Groan

Source: Titus Groan (1946), Chapter 1 “The Hall of the Bright Carvings” (p. 9; opening words)

“As display is vulgar, so fondness for jewelry is evidence of an uncultivated mind.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 163

“We humans replace the bulk of both our “hardware” (e. g., our cells) and our “software” (e. g., our memories) many times in our life span. Nonetheless, we perceive ourselves as stable and permanent. Likewise, we perceive objects other than ourselves as permanent. Or rather, what we perceive as objects are those aspects of the world that display a certain permanence. For instance, when observing the ocean, we perceive the moving waves as objects because they display a certain permanence, even though the water itself is only bobbing up and down. Similarly (…) we perceive only those aspects of the world that are fairly stable against quantum decoherence.”

Max Tegmark book Our Mathematical Universe

Our Mathematical Universe: My Quest for the Ultimate Nature of Reality (2014)

Life, World, Water, Memory

“Have you noticed that bank tellers are almost always very attractive? Is it because they're on display back there behind the glass so close and yet so far? Or is it like bartenders they have so much of what we want?”

Jack Terricloth (1970)

What Would Jack Do?

“We mortals sometimes cut a pitiable figure in our attempts at display. We may be sure of our own merits, yet fatally ignorant of the point of view from which we are regarded by our neighbour. Our fine patterns in tattooing may be far from throwing him into a swoon of admiration, though we turn ourselves all round to show them.”

George Eliot book Felix Holt, the Radical

Source: Felix Holt, the Radical (1866), Chapter 11 (at page 117)

Tattoo

“I fell into conversation with Douglas. His is a split personality. À deux he is delightful; clever, funny, observant, drily cynical. But get him anywhere near "display mode", particularly if there are officials around, and he might as well have a corncob up his arse. Pompous, trite, high-sounding, cautiously guarded.”

Alan Clark (1928–1999) British politician

January 29, 1988; page 198.
Diaries: In Power (1993)

Personality

“While many brilliant writers and speech makers have been battling passionately about communism, fascism, socialism, and democracy, our studies of how governmental organizations actually function have forced us to the conclusion that there is little significance to these terms. Indeed, it has been our general observation that not only in different countries, but from generation to generation men go on organizing their governments and earning their living in much the same manner. Notable changes and improvements can be credited from time to time to the scientists and engineers, and in general to improved technology, but throughout history economic laws and the processes of production and distribution display an utter contempt for changes in the political complexion of government. In appraising the many experiments in governmental organization that are being tried currently throughout the world, it is important that we should not be thrown off the track by the circumstance that the various revolutionary movements or changes in government have adopted different symbols around which to rally supporters. The vital point is the plain fact that, once the controlling group gets into power, the practical circumstances of the situation force the new leaders to organize the government according to principles of organization that are as old as the hills.”

James D. Mooney (1884–1957) American businessman

Source: The Principles of Organization, 1947, p. 14-15; as cited in: Albert Lepawsky (1949), Administration, p. 251-252 ; Parts published earlier in: News and Views. General Motors Acceptance Corporation, General Exchange Insurance Corporation, Motors Insurance Corporation, 1938. p. 8

Men, World, Law, Democracy

“We must not forget that it is not our [computing scientists'] business to make programs, it is our business to design classes of computations that will display a desired behaviour.”

Edsger W. Dijkstra (1930–2002) Dutch computer scientist

1970s, The Humble Programmer (1972)

Business, Forgetting

“Voluptuaries, consumed by their senses, always begin by flinging themselves with a great display of frenzy into an abyss. But they survive, they come to the surface again. And they develop a routine of the abyss: “It’s four o’clock … At five I have my abyss.””

Colette (1873–1954) 1873-1954 French novelist: wrote Gigi

Le Pur et l'Impur (The Pure and the Impure) (1932)

Sense

“The ideals of truth, beauty, and goodness represent attempts to interpret the process of development as a group of tendencies permanently directed towards certain permanent and universal ends. But human behaviour is not directed towards unchanging ends, not even towards those temporary ideals which each community sets up for itself. The formative tendency is displayed, not in any steady process of definite orientation, but in a rhythmic sequence of transformation which cannot be represented as tending towards any particular final condition.”

Lancelot Law Whyte (1896–1972) Scottish industrial engineer

Source: The Next Development in Man (1948), p. 261-262

Truth, Beauty, Communication, Universe

“A collection of short stories is generally thought to be a horrendous clinker; an enforced courtesy for the elderly writer who wants to display the trophies of his youth, along with his trout flies.”

John Cheever (1912–1982) American novelist and short story writer

Quoted in James Charlton's The Writer’s Quotation Book (1980).

Youth

“Reader, I must confess that while attending the sneak preview with its overwhelmingly female audience, I was gob-smacked by the delightful cleavage on display. Do women wear their lowest-cut frocks for each other?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/sex-and-the-city-2-2010 of Sex and the City 2 (25 May 2010) Reviews, One-star reviews

Women

“The very first thing the President did was to show me the new Presidential Seal, which he had just redesigned. He explained, 'The seal has to go everywhere the President goes. It must be displayed upon the lectern when he speaks. The eagle used to face the arrows but I have re-designed it so that it now faces the olive branches … what do you think?' I said, 'Mr. President, with the greatest respect, I would prefer the American eagle's neck to be on a swivel so that it could face the olive branches or the arrows, as the occasion might demand.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

An exchange (March 4, 1946) with Harry S. Truman aboard the Presidential train in Washington, D.C.'s Union Station before journeying to Fulton, Missouri; as quoted in "The Genius and Wit of Winston Churchill" http://www.winstonchurchill.org/i4a/pages/index.cfm?pageid=825 by Robin Lawson. Post-war years (1945–1955)

Thinking

“It certainly looks like the days of the Confederate battle flag flying on the grounds of the state house in Columbia, South Carolina are numbered. This is in large part due to prominent South Carolina political leaders changing positions under pressure given the recent mass murder in the state. No one can deny that. The arguments concerning the display of that particular flag are neither more nor less valid than before. Nor will the flag’s removal silence white supremacists and Confederate heritage advocates, especially those who have freely associated with white supremacists.”

Brooks D. Simpson (1957) American historian

2010s, Down It Comes: No What? (June 2015)

Silence, Change, Parting, Housing

“Regarding public Christmas displays: At some point, someone who worked at Rockefeller Center must have said, "Boys, I have a great idea for Christmas. Let's kill a beautiful tree that's been alive for seventy-five years and bring it to New York City. We'll stand it up in Rockefeller Plaza and conceal its natural beauty by hanging shiny, repulsive, man-made objects on it, and let it stand there slowly dying for several weeks while simpleminded children stare at it and people from Des Moines take pictures of it. That way, perhaps we can add our own special, obscene imprint to Christmas in Midtown."”

George Carlin (1937–2008) American stand-up comedian

Books, When Will Jesus Bring the Pork Chops? (2004)

Children, People, Beauty, Way

“So it was that the Catherines poured water and spooned gruel, while the Clares prayed for the intercession of the saints. The Catherines changed sheets. The Clares practiced mortification of the flesh. The Catherines employed antibiotics. The Clares made a public display of a kneecap of their patron saint.
It was soon widely know to which hospital one went to get well, and to which one went to die.”

Michael Swanwick book Jack Faust

Source: Jack Faust (1997), Chapter 9, “The Plague Kitchen” (p. 141)

Water, Change

“In no other country in the world is the love of property keener or more alert than in the United States, and nowhere else does the majority display less inclination toward doctrines which in any way threaten the way property is owned.”

Alexis De Tocqueville book Democracy in America

Book Three, Chapter XXI.
Democracy in America, Volume II (1840), Book Three

Love, World, Way, Country

“The attitude of Aristotelian physics toward lawfulness takes a new direction. So long as lawfulness remained limited to such processes as occurred repeatedly in the same way, it is evident, not only that the young physics still lacked the courage to extend the principle to all physical phenomena, but also that the concept of lawfulness still had a fundamentally historic, a temporally particular, significance. Stress was laid not upon the “general validity” which modem physics understands by lawfulness, but upon the events in the historically given world which displayed the required stability. The highest degree of lawfulness, beyond mere frequency, was characterized by the idea of the always eternal.”

Kurt Lewin (1890–1947) German-American psychologist

Source: 1930s, The conflict between Aristotelian and Galileian modes of thought in contemporary psychology, 1931, p. 147.

World, Law, Way, Idea

“Art can never exist without Naked Beauty displayed.”

William Blake (1757–1827) English Romantic poet and artist

The Laocoön
1800s

Beauty, Art

“I sent an email to my loved one, just the other day, it’s sad communication has evolved this way. We use so many words but have so little to relay, as angels scribble down every letter that we say. All the viral attachments sent and passionate insults we vent, it’s easy to be arrogant behind user passwords we invent. But on the day the scrolls are laid, with every word and deed displayed, when we read our accounts, I know, for one, I’ll be afraid.”

Dawud Wharnsby (1972) Canadian musician

"Afraid To Read"
The Prophet's Hands (2003)

Love, Sadness, Angels, Way

“Everything is both a trap and a display; the secret reality of the object is what the Other makes of it.”

Jean Paul Sartre book Critique of Dialectical Reason

Critique of Dialectical Reason (1960)

Secret, Reality

“What are the hallmarks of a competent writer of fiction? The first, it seems to me, is that he should be immensely interested in human beings, and have an eye sharp enough to see into them, and a hand clever enough to draw them as they are. The second is that he should be able to set them in imaginary situations which display the contents of their psyches effectively, and so carry his reader swiftly and pleasantly from point to point of what is called a good story.”

H.L. Mencken (1880–1956) American journalist and writer

The American Mercury (May 1933), p. 136
1930s

Drawing

“It always seems to me that one of the saddest things about the death of a literary man is the fact that the breaking-up of his collection of books almost invariably follows; the building up of a good library, the work of a lifetime, has been so much labour lost, so far as future generations are concerned. Talent, yes, and genius too, are displayed not only in writing books but also in buying them, and it is a pity that the ruthless hammer of the auctioneer should render so much energy and skill fruitless.”

Stuart Dodgson Collingwood (1870–1937) English clergyman, headmaster, author

The Life and Letters of Lewis Carroll (1898) p. 136.

Death, Books, Future

“The spirit acquires an increase of knowledge and experience in each of his corporeal existences. He loses sight of part of these gains during his reincarnation in matter, which is too gross to allow of his remembering them in their entirety; but he remembers them as a spirit. It is thus that some somnambulists give evidence of possessing knowledge beyond their present degree of instruction, and even of their apparent intellectual capacity. The intellectual and scientific inferiority of a somnambulist in his waking state, therefore, proves nothing against his possession of the knowledge he may display in his lucid state. According to the circumstances of the moment and the aim proposed, he may draw this knowledge from the stores of his own experience, from his clairvoyant perception of things actually occurring, or from the counsels which he receives from other spirits; but, in proportion as his own spirit is more or less advanced, he will make his statements more or less correctly.”

Allan Kardec (1804–1869) systematizer of Spiritism

Source: The Spirits' Book, p. 221.

Knowledge, Parting, Drawing

“It is true that Donatello, who afterwards did the ornamentation of the other organ opposite this one, displayed much more judgment and skill than Luca, as will be said in the proper place, because he did almost the whole of the work in the rough as it were, not delicately finishing it, so that it should appear much better at a distance than Luca's; as it does, for with all his care and skill the eye cannot appreciate it well because of the very polish and finish, which are lost in the distance, as it can the almost purely rough hewn work of Donato. To this matter artists should devote much attention, because experience shows that all things seen at a distance, whether they be paintings or sculptures or any other like thing, are bolder and more vigorous in appearance if skilfully hewn in the rough than if they are carefully finished. Besides the effect obtained by distance, it often happens that these rough sketches, which are born in an instant in the heat of inspiration, express the idea of their author in a few strokes, while on the other hand too much effort and diligence sometimes sap the vitality and powers of those who never know when to leave off.”

Giorgio Vasari (1511–1574) Italian painter, architect, writer and historian

Volume 2. p. 28
The Lives of the Painters, Sculptors, and Architects, 1900

Idea, Effort, Appearance, Painting

“A universe that displays local phenomena but upon a non-local reality is the only sort of world consistent with known facts and Bell's proof.”

Nick Herbert (1936) American physicist

Source: Quantum Reality - Beyond The New Physics, Chapter 12, Bell's Interconnectedness Theorem, p. 230

World, Reality, Universe

“Such is our ideal – not another museum, another bleak exhibition gallery, another classical building in which insulated and classified specimens of a culture are displayed for instruction, but an adult play-centre, a workshop where work is a joy, a source of vitality and daring experiment. We may be mocked for our naive idealism, but at least it will not be possible to say that an expiring civilisation perished without a creative protest.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

On the occasion of the opening of Forty Years of Modern Art (February 1948)
Literary Quotes

Joy

“Perhaps the dissenters believe that 'offense to others' ought to be the only reason for restricting nudity in public places generally.... The purpose of Indiana's nudity law would be violated, I think, if 60,000 fully consenting adults crowded into the Hoosierdome to display their genitals to one another, even if there were not an offended innocent in the crowd.”

Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States

On decency laws: Barnes v. Glen Theatre, Inc. (1991) (concurring).
1990s

Law, Thinking

“To some extent, of course, we're all impostors—we all play roles when on the stage of life, presenting a different public self than the private self we share with intimates, and morphing both selves as circumstances demand. Displaying a facade and misleading our audience are defensive behaviors learned early.”

Manfred F.R. Kets de Vries (1942) Dutch academic

Source: The Leader on the Couch, 2011, p. 16

Life, Behavior, Learning

“There are four distinct bases on which a system-design book might be organized. First are the chronological phases through which the system-design effort passes, such as organization and preliminary design. Second are the logical steps such as analysis of the single thread (operation on a single input) and high traffic (methods of handling multiplex inputs). Third are the parts of the system, such as communications and displays. Fourth are the tools of system design, such as information theory and queueing theory.”

Robert E. Machol (1917–1998) American systems engineer

Source: System Engineering (1957), p. 8

Books, Communication, Effort, Parting

“Disappearances, assassinations, and extended prison sentences for opposition political figures and journalists, and the banning of opposition parties, have been regular features of a 20-year-long Kagame-RPF “regime consolidation” and the ascendancy of Kagame Power. Were U. S. targets such as Russia’s President Vladimir Putin or Venezuela’s President Hugo Chavez or any number of successive Iranian presidents ever to have been awarded 93 or 95 percent of the reported votes in an election, the establishment U. S. media would have devoted huge, angry, and sarcastic denunciations to such a display of electoral corruption, and rejected and delegitimized the outcomes. But Kagame’s flagrantly corrupt victories and brutal means his RPF has employed to guarantee them have hardly caused a dent in his recognition as a respectable and legitimate leader.”

Edward S. Herman (1925–2017) American journalist

Herman and Peterson (2014), Enduring Lies: The Rwandan Genocide and the Propaganda System, 20 Years Later, p. 13.
2010s

Success, Victory

“So I ask that these papers be taken for what they merely are: exercises, trials, tryouts, a means of displaying possibilities, not establishing fact.”

Erving Goffman (1922–1982) Sociologist, writer, academic

Erving Goffman (1981, p. 1); As cited in: Trevino (2003,, p. 34).
1970s-1980s

Exercises

“The polls are the place where Politicians claim the lime-light. They fulminate with garnished oratory, display inherent and affected charm and poise and ingenuity in tackling hecklers and evading responses to tricky questions and acquire the knack of telling an untruth with utmost conviction.”

Peter de Noronha (1897–1970) Indian businessman

The Pageant of Life (1964), On Politicians

Question, Light

“In many ways, it (capitalism) resembles classic medieval feudalism, displaying the same tendency to create endless hierarchies of lords, vassals, and retainers. In other ways—notably in its managerialist ethos—it is profoundly different. And the whole apparatus, rather than replacing old-fashioned industrial capitalism, is instead superimposed on top of it, blending together in a thousand points in a thousand different ways. Hardly surprising, then, that the situation seems so confusing that even those directly in the middle don’t really know quite what to make of it.”

David Graeber book Bullshit Jobs

Bullshit Jobs: A Theory (2018)

Way, Fashion

“The real place of women is the house and she has been exempted from outdoor duties…She has however been allowed to go out of the house to fulfil her genuine needs, but whilst going out she must observe complete modesty. Neither should she wear glamorous clothes and attract attention, nor should she cherish the desire to display the charms of the face and the hand, nor should she walk in a manner which may attract attention of others. Moreover she should not speak to them without necessity, and if she has to speak she should not speak in a sweet and soft voice.”

Abul A'la Maududi (1903–1979) Indian theologian, politician and philosopher

Purdah and the status of Women in Islam, 1991, p. 140, Taj Company Ltd, Lahore, Pakistan.
After 1970s

Women, Housing, Clothes

“If the States may tax one instrument, employed by the Government in the execution of its powers, they may tax any and every other instrument. They may tax the mail; they may tax the mint; they may tax patent rights; they may tax the papers of the custom house; they may tax judicial process; they may tax all the means employed by the Government to an excess which would defeat all the ends of Government. This was not intended by the American people. They did not design to make their Government dependent on the States. […] If the controlling power of the States be established, if their supremacy as to taxation be acknowledged, what is to restrain their exercising control in any shape they may please to give it? Their sovereignty is not confined to taxation; that is not the only mode in which it might be displayed. The question is, in truth, a question of supremacy, and if the right of the States to tax the means employed by the General Government be conceded, the declaration that the Constitution and the laws made in pursuance thereof shall be the supreme law of the land is empty and unmeaning declamation.”

John Marshall (1755–1835) fourth Chief Justice of the United States

17 U.S. (4 Wheaton) 316, 432-433
McCulloch v. Maryland (1819)

People, Truth, Law, Exercises

“People who suffer beyond the formulas of expression,— who are crushed into silence, and beyond pain,— want no display of emotion,— no bleeding heart,— no weeping at the foot of the Cross,— no hysterics,— no phrases! They want to see God, and to know that he is watching over his own.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

God, Pain, People, Silence

“My [dear] Sir: Let me first offer my kind regards. I agree that I should come soon to see how the picture accords with the rest. As regards the price, I certainly deserve 200 pounds for it, but shall be content with whatever His Excellency pays me. And if you, Sir, do not deem it presumptuous, I shall not neglect to requite the favor. Your humble and devoted servant Rembrandt - It [the picture] will show to [the] best advantage in His Excellency's gallery, since there it will be [displayed] in bright light.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Letter to Constantijn Huygens (Amsterdam, after Feb. 1636) http://remdoc.huygens.knaw.nl/#/document/remdoc/e4429 Rembrandt emphasizes here the urge for a place with bright light, necessary to view his painting well. Not certain is which painting by Rembrandt is meant here. 1630 - 1640

Light

“The health of the white people requires that the negro cabin be kept clean; and the maintenance of chastity there is necessary for the protection of woman throughout the land. The need of making the black man more intelligent and conscientious has already been so far recognized by the South, that she has remodelled her entire school system for his benefit; and her desire to make him more valuable as a member of the community, cannot long permit him to be lynched or otherwise maltreated. Her memory of the misrule of the carpet-baggers will grow fainter; and she will finally be able to see that even the illiterate voter is not so dangerous a citizen in a republic as the man who has not this reason to interest himself in its welfare. The South may be much slower than we could wish in reaching these conclusions; but no others will be found permanently satisfactory to her; and it is by no means certain that her pace will be quickened by a display of federal bayonets.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Speech http://teachingamericanhistory.org/library/document/the-nations-problem/

People, Health, School, Intelligence

“God appears and god is light
To those poor souls who dwell in night
But does a human form display
To those who dwell in realms of day”

William Blake (1757–1827) English Romantic poet and artist

Source: 1800s, Auguries of Innocence (1803), Line 129

God, Soul, Light, Appearance

“Although the Russian bourgeois revolution of 1905-07 displayed no such “brilliant” successes as at time fell to the Portuguese and Turkish revolutions, it was undoubtedly a "real people's" revolution, since the mass of the people, their majority, the very lowest social groups, crushed by oppression and exploitation, rose independently and stamped on the entire course of the revolution the imprint of their own demands, their attempt to build in their own way a new society in place of the old society that was being destroyed.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Ch. 3 http://www.marxists.org/archive/lenin/works/1917/staterev/ch03.htm (1917)

People, Way, Time, Success

“Foreigners appreciate only military power.... Thus, they submit to us wholeheartedly and do not dare to despise China once we display our hunting techniques to them”

Qianlong Emperor (1711–1799) emperor of the Qing Dynasty

Qianlong in 1735 . (Qianlong emperor, 1993: 3.693) a translation by Gang Zhao of QIANLONG EMPEROR (1993) Qianlong yuzhi shiwen quanji (The complete collection of Qianlong’s essays and poems). 10 vols. Beijing: Zhongguo renmin daxue chubanshe. Source: Zhao 2006 https://web.archive.org/web/20140325231543/https://webspace.utexas.edu/hl4958/perspectives/Zhao%20-%20reinventing%20china.pdf, p. 9.

“What land is this? Yon pretty town
Is Delft, with all its wares displayed:
The pride, the market-place, the crown
And centre of the Potter's trade.”

Henry Wadsworth Longfellow (1807–1882) American poet

Kéramos http://www.worldwideschool.org/library/books/lit/poetry/TheCompletePoeticalWorksofHenryWadsworthLongfellow/chap22.html, line 66; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 187.

“Equally up to the task was baritone Vytautas Juozapaitis who's tortured characterization of Rigoletto was near flawless, strong and acted with intelligence and emotional depth. Mr. Juozapaitis has a full baritone that displays nice range and clarity, and coupled with the ease with which he commanded the stage, provided just the right measure of appeal that communicated to the audience the conflict and suppressed rage the character, no doubt, felt toward those who used and mocked him. Nicely done!”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Paul Walkovski, "If the rest of the season matches this production in artistic quality, it's going to be one hell of a good season for opera in Boston". operaonline.us (October, 2006) http://www.jennykellyproductions.com/prod_teatro_review_rigoletto.htm

Intelligence, Communication, Strong, Rage

“I find it a sufficient embarrassment that our Establishment Clause jurisprudence regarding holiday displays has come to 'require[e] scrutiny more commonly associated with interior decorators than with the judiciary'. But interior decorating is a rock hard science compared to psychology practiced by amateurs.”

Antonin Scalia (1936–2016) former Associate Justice of the Supreme Court of the United States

Lee v. Weisman (1992, dissenting) ; decided June 24, 1992
1990s

Science, Holiday

“Information impactedness is a derivative condition that arises mainly because of uncertainty and opportunism, though bounded rationality is involved as well. It exists when true underlying circumstances relevant to the transaction, or related set of transactions, are known to one or more parties but cannot be costlessly discerned by or displayed for others.”

Oliver E. Williamson (1932) American economist

Oliver E. Williamson (1975) Markets and Hierarchies p. 31.

“It is really intolerable that we can say only one thing at a time; for social behavior displays many features at the same time, and so in taking them up one by one we necessarily do outrage to its rich, dark, organic unity.”

George C. Homans (1910–1989) American sociologist

Source: Social behavior: Its Elementary Forms, 1961, p. 114

Behavior, Time

“The postwar era has not surprised Arthur Burns, for business cycles have continued their "unceasing round." although the United States recession of 1981-82 was the eighth since World War II and the deepest postwar slump by almost any measure, the 1983-84 recovery displayed an upward momentum sufficient to befuddle forecasters and delight incumbent politicians. Nor would a reincarnated Joseph Schumpeter be disappointed in the current status of business cycle research in the economics profession. To be sure, interest in business cycles decayed during the prosperity of the 1960s, as symbolized in the 1969 conference volume, Is the Business Cycle Obsolete? and in Paul Samuelson's remark the same year that the National Bureau of Economic Research "has worked itself out of one of its first jobs, namely, the business cycle."”

Robert J. Gordon (1940) American economist

Source: The American Business Cycle, 1986, p. 1-2

War, World, Disappointment, Business

“Vertically striped sheets of paper, the bands of which are 8.7 cms wide, alternate white and colored, are stuck over internal and external surfaces: walls, fences, display windows, etc.; and/or cloth/canvas support, vertical stripes, white and colored bands each 8.7 cms, the two ends covered with dull white paint.
I record that this is my work for the last four years, without any evolution or way out. This is the past: it does not imply either that it will be the same for another ten or fifteen years or that it will change tomorrow.
The perspective we are beginning to have, thanks to these past four years, allows a few considerations of the direct and indirect implications for the very conception of art. This apparent break (no research, or any formal evolution for four years) offers a platform that we shall situate at zero level, when the observations both internal (conceptual transformation as regards the action/praxis of a similar form) and external (work/production presented by others) are numerous and rendered all the easier as they are not invested in the various surrounding movements, but are rather derived from their absence.”

Daniel Buren (1938) sculptor from France

" Beware!" ("Mise en garde!") http://web.mit.edu/allanmc/www/buren1.pdf, in Konzeption/Conception, translated by Charles Harrison and Peter Townsend (Leverkusen: Stadtischer Museum, 1969. 1960s

Art, Color, Way, Support

Quotes about display page 2

Quotes about display
page 2