Quotes about dame

A collection of quotes on the topic of dame, herring, likeness, time.

Quotes about dame

Dante Alighieri photo

“The dames and cavaliers, the toils and ease
That filled our souls with love and courtesy,
There where the hearts have so malicious grown!”

Canto XIV, lines 109–111 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Purgatorio

Alejandro Jodorowsky photo

“Deserted now the Imperial bowers
Save by some few poor lonely flowers…
One white-haired dame,
An emperor's flame,
Sits down and tells of bygone hours.”

"At an Old Palace" (《行宫》), in Gems of Chinese Literature, trans. Herbert A. Giles
Variant translations:
Deserted now imperial bowers.
For whom still redden palace flowers?
Some white-haired chambermaids at leisure
Talk of the late emperor's pleasure.
"At an Old Palace", in Song of the Immortals: An Anthology of Classical Chinese Poetry, trans. Yuanchong Xu (Beijing: New World Press, 1994), p. 128
The ancient Palace lies in desolation spread.
The very garden flowers in solitude grow red.
Only some withered dames with whitened hair remain,
Who sit there idly talking of mystic monarchs dead.
"The Ancient Palace", as translated by W. J. B. Fletcher in Lotus and Chrysanthemum: An Anthology of Chinese and Japanese Poetry (New York: Boni & Liveright, 1934), p. 107

Kim Harrison photo
Victor Hugo photo
Bette Davis photo

“I'm the nicest goddamn dame that ever lived.”

Bette Davis (1908–1989) film and television actress from the United States
Ignatius Sancho photo
Thomas Hardy photo
Robert G. Ingersoll photo
Winthrop Mackworth Praed photo
Carl Panzram photo
Richard Cobden photo
Giovanni Fiorentino photo

“Lose thou no time that seek’st to garner fame,
Or wouldst deserve the favour of thy dame.”

Non perder tempo chi cerca aver fama,
voglia acquistar grazia di sua dama.
Il Pecorone, Giornata X., Novella II. Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 377.

Charles Fort photo
Guillaume de Salluste Du Bartas photo

“To man the earth seems altogether
No more a mother, but a step-dame rather.”

Guillaume de Salluste Du Bartas (1544–1590) French writer

First Week, Third Day. Compare: "It is far from easy to determine whether she [Nature] has proved to him a kind parent or a merciless stepmother" Pliny the Elder, Natural History, Book vii, Section 1.
La Semaine; ou, Création du monde (1578)

Wallace Stevens photo

“My dame, sing for this person accurate songs.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Be Abstract

Thomas Morton (playwright) photo
Robert Burns photo
Robert Spencer photo

“Europe could be Islamic by the end of the twenty-first century. … Will tourists in Paris in the year 2015 take a moment to visit the "mosque of Notre Dame" and the "Eiffel Minaret?" Through massive immigration and official dhimmitude from European leaders, Muslims are accomplishing today what they have failed to do at the time of the Crusaders: conquer Europe. If demographic trends continue, France, Holland, and other Western European nations could have Muslim majorities by middle of this century. … What Europe has long sown it is now reaping. In her book Eurabia, Bat Ye'or, the pioneering historian of dhimmitude, chronicles how this has come to pass. Europe, she explains, began thirty years ago to travel down a path of appeasement, accommodation, and cultural abdication in pursuit of shortsighted political and economic benefits. She observes that today, "Europe has evolved from a Judeo-Christian civilization, with important post-Enlightenment/secular elements, to a 'civilization of dhimmitude,' i. e., Eurabia: a secular-Muslim transitional society with its traditional Judeo-Christian mores rapidly disappearing." … France and Germany have pursued a different strategy, attempting to establish the European Union as a global counterweight of the United States—a strategy that involves close cooperation with the Arab League.”

Robert Spencer (1962) American author and blogger

The Politically Incorrect Guide to Islam, 2005, ISBN 0-89526-013-1, pp. 221-224 http://books.google.com/books?id=_7RD2jwMU2wC&pg=PA221

Jack Vance photo
Margaret Thatcher photo
Wyndham Lewis photo
John Ogilby photo

“When they and Venus to his cottage came,
For lust-rewards prefer'd the Cyprian dame.”

John Ogilby (1600–1676) Scottish academic

Book XXIV; the Judgement of Paris.
Homer His Iliads Translated (1660)

Anne Brontë photo
Garth Nix photo
Garth Nix photo
John Keats photo
Ellsworth Kelly photo

“It was jest another instance of a flaw in work of man;
A lefty never figgered in the gunman’s battle plan;
There ain’t no scheme man thinks of that Dame Nature cannot beat —
So his pupils are unlearnin’ that cute trick they got from Pete.”

Arthur Chapman (poet) (1873–1935) American poet and newspaper columnist

Pete's Error http://www.cowboypoetry.com/ac.htm#PETE, st. 4.
Out Where the West Begins and Other Western Verses http://www.cowboypoetry.com/ac.htm#outbk (1917)

Carl Panzram photo
John Hoole photo

“Reflect, ye gentle dames, that much they know,
Who gain experience from another's woe.”

John Hoole (1727–1803) British translator

Book X, line 32
Translations, Orlando Furioso of Ludovico Ariosto (1773)

Anastacia photo
William Blake photo
Kate Bush photo

“You stood in the belltower,
But now you're gone.
So who knows all the sights
Of Notre Dame?”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Lionheart (1978)

Bel Kaufmanová photo
Michael Swanwick photo
Mickey Spillane photo
Ludovico Ariosto photo

“Reflect, ye gentle dames, that much they know,
Who gain experience from another's woe.”

Canto X, stanza 6 (tr. J. Hoole)
Orlando Furioso (1532)

Colley Cibber photo
Don Marquis photo

“oh i should worry and fret
death and i will coquette
there s a dance in the old dame yet
toujours gai toujours gai”

Don Marquis (1878–1937) American writer

the song of mehitabel
archy and mehitabel (1927)

Edmund Blunden photo
Charles Maturin photo

“O wretched is the dame, to whom the sound,
"Your lord will soon return," no pleasure brings.”

Charles Maturin (1782–1824) Irish writer

Bertram (first staged May 9, 1816), Act II, scene 5.

William McGonagall photo

“But I may say Dame Fortune has been very kind to me by endowing me with the genius of poetry. I remember how I felt when I received the spirit of poetry. It was in the year of 1877.”

William McGonagall (1825–1902) weaver, actor, poet

"The Autobiography of Sir William Topaz McGonagall", published in the Weekly News
McGonagall's "knighthood" was an honorary one conferred on him by King Theebaw of the Andaman Islands: "Knight of the White Elephant of Burmah".
Other works

Sydney Smith photo
Henry Howard, Earl of Surrey photo
Jeffrey Tucker photo
John Keats photo
Ravachol photo

“What is needed then? Destroy poverty, that source of crime, by assuring to each the satisfaction of all needs! And how difficult is this to achieve? It would suffice to establish society on new bases where everything would be in common and each, producing according to their aptitudes and strengths, could consume according to their needs. Then we would no longer see people like the hermit of Notre-Dame-de-Grace and others crave a metal of which they become the slaves and the victims! We would no longer see women flaunt their charms, like a vulgar merchandise, in exchange for this same metal that so often prevents us from recognising if the affection is truly sincere.”

Ravachol (1859–1892) French anarchist

Que faut-il alors ? Détruire la misère, ce germe de crime, en assurant à chacun la satisfaction de tous les besoins ! Et combien cela est difficile à réaliser ! Il suffirait d'établir la société sur de nouvelles bases où tout serait en commun, et où chacun, produisant selon ses aptitudes et ses forces, pourrait consommer selon ses besoins. Alors on ne verra plus des gens comme l'ermite de Notre-Dame-de-Grâce et autres mendier un métal dont ils deviennent les esclaves et les victimes ! On ne verra plus les femmes céder leurs appâts, comme une vulgaire marchandise, en échange de ce même métal qui nous empêche bien souvent de reconnaître si l'affection est vraiment sincère.
Trial statement

John F. Kennedy photo

“Five score years ago the ground on which we here stand shuddered under the clash of arms and was consecrated for all time by the blood of American manhood. Abraham Lincoln, in dedicating this great battlefield, has expressed, in words too eloquent for paraphrase or summary, why this sacrifice was necessary. Today, we meet not to add to his words nor to amend his sentiment but to recapture the feeling of awe that comes when contemplating a memorial to so many who placed their lives at hazard for right, as God gave them to see right. Among those who fought here were young men who but a short time before were pursuing truth in the peaceful halls of the then new University of Notre Dame. Since that time men of Notre Dame have proven, on a hundred battlefields, that the words, "For God, For Country, and For Notre Dame," are full of meaning. Let us pray that God may grant us the wisdom to find and to follow a path that will enable the men of Notre Dame and all of our young men to seek truth in the halls of study rather than on the field of battle."”

John F. Kennedy (1917–1963) 35th president of the United States of America

"Message from the President on the Occasion of Field Mass at Gettysburg, delivered by John S. Gleason, Jr." (29 June 1963) http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx; Box 10, President's Outgoing Executive Correspondence, White House Central Chronological Files, Papers of John F. Kennedy, John F. Kennedy Presidential Library
1963

George Chapman photo

“What man can blame
The Greekes and Trojans to endure, for so admired a Dame,
So many miseries, and so long? In her sweet countenance shine
Lookes like the Godesses.”

George Chapman (1559–1634) English dramatist, poet, and translator

Book III, line 167, p. 41
The Iliads of Homer, Prince of Poets (1611)

Mickey Spillane photo

“I was thinking too damn much to be careful. When I stabbed my key in the lock and turned it there was a momentary catch in the tumblers before it went all the way around and I swore out loud as I rammed the door with my shoulder and hit the floor. Something swished through the air over my head and I caught an arm and pulled a squirming, fighting bundle of muscle down on top of me.
If I could have reached my rod I would have blown his guts out. His breath was in my face and I brought my knee up, but he jerked out of the way bringing his hand down again and my shoulder went numb after a split second of blinding pain. He tried again with one hand going for my throat, but I got one foot loose and kicked out and up and felt my toe smash onto his groin. The cramp of the pain doubled him over on top of me, his breath sucking in like a leaky tire.
Then I got cocky. I thought I had him. I went to get up and he moved. Just once. That thing in his hand smashed against the side of my head and I started to crumple up piece by piece until there wasn't anything left except the sense to see and hear enough to know that he had crawled out of the room and was falling down the stairs outside. Then I thought about the lock on my door and how I had a guy fix it so that I could tell if it had been jimmied open so I wouldn't step into any blind alleys without a gun in my hand, but because of a dame who lay naked and smiling on a bed I wouldn't share, I had forgotten all about it.”

The Big Kill (1951)

Robert Burns photo
Paula Modersohn-Becker photo
Oliver Goldsmith photo
Henry Adams photo

“If you cannot feel the color and quality,— the union of naïveté and art,— the refinement,— the infinite delicacy and tenderness — of this little poem ["Tombeor de Notre Dame"], then nothing will matter much to you; and if you can feel it, you can feel, without more assistance, the majesty of Chartres.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The anonymous thirteenth-century poem "Tombeor de Notre Dame", of which Adams gives a fairly detailed summary, is translated in Of the Tumbler of Our Lady and Other Miracles, edited by Alice Kemp-Welsh (London: Chatto & Windus, 1909).
Mont Saint Michel and Chartres (1904)

John Skelton photo

“PLA ce bo!
Who is there, who?
Di le xi!
Dame Margery,
Fa, re, my, my.
Wherefore and why, why?
For the soul of Philip Sparrow
That was late slain at Carrow,
Among the Nunnės Black.
For that sweet soulės sake,
And for all sparrows' souls,
Set in our bead-rolls,
Pater noster qui,
With an Ave Mari,
And with the corner of a Creed,
The more shall be your meed.”

John Skelton (1460–1529) English poet

Source: Jane Scroop (her lament for Philip Sparrow) (likely published c. 1509), Lines 1-16; the poem is about a girl who is distraught that her family's pet cat has killed her pet bird, a sparrow; the poem is the basis for the later nursery rhyme, Who Killed Cock Robin? The opening line, PLA ce bo, is from a canticle for the dead.

Theodore Hesburgh photo

“There is no academic virtue in playing mediocre football and no academic vice in winning a game that by all odds one should lose…There has indeed been a surrender at Notre Dame, but it is a surrender to excellence on all fronts, and in this we hope to rise above ourselves with the help of God.”

Theodore Hesburgh (1917–2015) Congressional Gold Medal recipient

"The Facts Of The Matter," Sports Illustrated (1959-01-19), ( online http://sportsillustrated.cnn.com/vault/article/magazine/MAG1070047/1/index.htm)

Samuel Butler (poet) photo

“When civil fury first grew high,
And men fell out, they knew not why;
When hard words, jealousies, and fears,
Set folks together by the ears,
And made them fight, like mad or drunk,
For Dame Religion, as for punk; Whose honesty they all durst swear for,
Though not a man of them knew wherefore:”

Canto I, first lines
Hudibras, Part I (1663–1664)
Context: When civil fury first grew high,
And men fell out, they knew not why;
When hard words, jealousies, and fears,
Set folks together by the ears,
And made them fight, like mad or drunk,
For Dame Religion, as for punk; Whose honesty they all durst swear for,
Though not a man of them knew wherefore:
When Gospel-Trumpeter, surrounded
With long-ear'd rout, to battle sounded,
And pulpit, drum ecclesiastick,
Was beat with fist, instead of a stick;
Then did Sir Knight abandon dwelling,
And out he rode a colonelling.

Alfred, Lord Tennyson photo
P.G. Wodehouse photo
Edith Sitwell photo

“People are usually made Dames for virtues I do not possess.”

Edith Sitwell (1887–1964) British poet

Source: The Last Years of a Rebel (1967), p. 24

John Milton photo
Yvonne De Carlo photo

“Baby, I've never been drunk in public and I never run around with men half my age. The dames I started out with are all batty today. They had their looks and nothing more and now they think they're finished.”

Yvonne De Carlo (1922–2007) Canadian-American actress, dancer, and singer

Source: As quoted in "A girl no longer, but . . . De Carlo's a beauty still" (1975)