Quotes about culture
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Mohamed Nasheed photo
Muhammad Ali Jinnah photo

“We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.”

Muhammad Ali Jinnah (1876–1948) Founder and 1st Governor General of Pakistan

Address to Civil, Naval, Military and Air Force Officers of Pakistan Government, Karachi (11 October 1947)

Terence McKenna photo
Jean-François Lyotard photo
Ian Buruma photo

“The question, then, for Western companies, as much as for Western governments, is to decide whose side they are on: the Chinese officials who like to define their culture in a paternalistic, authoritarian way, or the large number of Chinese who have their own ideas about freedom.”

Ian Buruma (1951) Dutch writer and academic

Battling the Information Barbarians China often views the ideas of foreigners, from missionaries in the 17th century to 21st-century Internet entrepreneurs, as subversive imports. The tumultuous history behind the clash with Google. http://online.wsj.com/article/SB10001424052748704878904575031263063242900.html#video%3DA8F64C9A-F513-4C06-8E68-CCB96C2ED70D%26articleTabs%3Darticle

Jimmy Wales photo

“We come from geek culture, we come from the free software movement, we have a lot of technologists involved. If we had done the same sort of comparison on poets or artists, I think that we would not have fared nearly as well.”

Jimmy Wales (1966) Wikipedia co-founder and American Internet entrepreneur

Wales to the Miami Herald, "Will Wikipedia change history?" http://www.miami.com/mld/miamiherald/business/technology/15328352.htm

Naomi Klein photo
Christopher Hitchens photo
Georg Simmel photo

“The most profound reason… why the metropolis conduces to the urge for the most individual personal existence… appears to me to be the following: the development of modern culture is characterized by the preponderance of what one may call the "objective spirit" over the "subjective spirit."”

Georg Simmel (1858–1918) German sociologist, philosopher, and critic

Source: The Metropolis and Modern Life (1903), p. 421 as cited in: Kenneth Allan (2009) Explorations in Classical Sociological Theory: Seeing the Social World. p. 212

Stephen Baxter photo
Gillian Anderson photo

“By moving to London I removed myself from the madness of the entertainment industry. I love the city and the culture, and it was an opportunity to bring my children up in a more sane environment.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

John Hiscock (July 25, 2008) "Mulder and Scully: the truth is here Anderson on Duchovny David Duchovny and Gillian Anderson, stars of the new 'X-Files' movie, talk to Will Lawrence and John Hiscock about their on-screen chemistry", The Daily Telegraph.
2000s

Clarence Darrow photo
Max Weber photo

“The Lokayata is not an Agama. viz. not a guide to cultural living, not a system of do's and don’ts; hence it is nothing but irresponsible wrangling.”

Charvaka An unorthodox school of Hindu philosophy

Jayanta Bhatta, quoted from Harsh Narain, Myths of Composite Culture and Equality of Religions (1990)

“Ultimately, all addictions are the same. What distinguishes one from the other is only that some are visible and socially unacceptable, whereas others fall into cultural blind spots and get applauded. The latter are the addictions society seems to need in order to keep the system and economy going.”

Herb Goldberg (1937–2019) American psychologist

The Personal Journey of Masculinity: From Externalization to Disconnection to Oblivion, pp. 27–28
What Men Still Don't Know About Women, Relationships, and Love (2007)

Rajiv Malhotra photo
Stephen L. Carter photo
Viktor Schauberger photo
Monier Monier-Williams photo
Ian Kershaw photo
Ernst Gombrich photo
Heinz von Foerster photo
Ram Dass photo
Dana Gioia photo
Ernst Gombrich photo
Kurt Schuschnigg photo
Herbert Marcuse photo
Carl Gustav Jacob Jacobi photo

“History knew a midnight, which we may estimate at about the year 1000 A. D., when the human race lost the arts and sciences even to the memory. The last twilight of paganism was gone, and yet the new day had not begun. Whatever was left of culture in the world was found only in the Saracens, and a Pope eager to learn studied in disguise in their unversities, and so became the wonder of the West. At last Christendom, tired of praying to the dead bones of the martyrs, flocked to the tomb of the Saviour Himself, only to find for a second time that the grave was empty and that Christ was risen from the dead. Then mankind too rose from the dead. It returned to the activities and the business of life; there was a feverish revival in the arts and in the crafts. The cities flourished, a new citizenry was founded. Cimabue rediscovered the extinct art of painting; Dante, that of poetry. Then it was, also, that great courageous spirits like Abelard and Saint Thomas Aquinas dared to introduce into Catholicism the concepts of Aristotelian logic, and thus founded scholastic philosophy. But when the Church took the sciences under her wing, she demanded that the forms in which they moved be subjected to the same unconditioned faith in authority as were her own laws. And so it happened that scholasticism, far from freeing the human spirit, enchained it for many centuries to come, until the very possibility of free scientific research came to be doubted. At last, however, here too daylight broke, and mankind, reassured, determined to take advantage of its gifts and to create a knowledge of nature based on independent thought. The dawn of the day in history is know as the Renaissance or the Revival of Learning.”

Carl Gustav Jacob Jacobi (1804–1851) German mathematician

"Über Descartes Leben und seine Methode die Vernunft Richtig zu Leiten und die Wahrheit in den Wissenschaften zu Suchen," "About Descartes' Life and Method of Reason.." (Jan 3, 1846) C. G. J. Jacobi's Gesammelte werke Vol. 7 https://books.google.com/books?id=_09tAAAAMAAJ&pg=PA309 p.309, as quoted by Tobias Dantzig, Number: The Language of Science (1930).

Angelique Rockas photo
Jacob Bronowski photo
Ursula Goodenough photo
John Ralston Saul photo
Nayef Al-Rodhan photo

“There is only one collective human civilisation comprised of geo-cultural domains and cultures.”

Nayef Al-Rodhan (1959) philosopher, neuroscientist, geostrategist, and author

Source: Sustainable History and the Dignity of Man (2009), p.28

David Morrison photo
George W. Bush photo
Clive Hamilton photo
Gloria Estefan photo
Gail Levin photo

“By definition, a catalogue raissonne employs methodical scholarship to gather and digest in systematic form all that can be known of an artist's work and life. In short the evidence of his intellectual and cultural life.”

Gail Levin (1948) art historian

Introduction -'Edward Hopper-an intimate biography' University of California Press, Berkeley, 1995 ISBN 0520214757

Pat Condell photo
Joseph Massad photo

“Such a Zionist scenario misses the fact that the majority of American Jews are so assimilated into "whiteness" that they are no longer Jews, religiously or culturally, except by name.”

Joseph Massad (1963) Associate Professor of Arab Studies

Massad, "Deconstructing Holocaust Consciousness", Journal of Palestine Studies, 2002
On American Jewry

Amit Chaudhuri photo
Roberto Mangabeira Unger photo
Alice A. Bailey photo
Dana Gioia photo

“I want a poetry that can learn as much from popular culture as from serious culture. A poetry that seeks the pleasure and emotionality of the popular arts without losing the precision, concentration, and depth that characterize high art. I want a literature that addresses a diverse audience distinguished for its intelligence, curiosity, and imagination rather than its professional credentials. I want a poetry that risks speaking to the fullness of our humanity, to our emotions as well as to our intellect, to our senses as well as our imagination and intuition. Finally I hope for a more sensual and physical art — closer to music, film, and painting than to philosophy or literary theory. Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses. Responding to poetry has become an exercise mainly in interpretation and analysis. Although poetry contains some of the most complex and sophisticated perceptions ever written down, it remains an essentially physical art tied to our senses of sound and sight. Yet, contemporary literary criticism consistently ignores the sheer sensuality of poetry and devotes its considerable energy to abstracting it into pure intellectualization. Intelligence is an irreplaceable element of poetry, but it needs to be vividly embodied in the physicality of language. We must — as artists, critics, and teachers — reclaim the essential sensuality of poetry. The art does not belong to apes or angels, but to us. We deserve art that speaks to us as complete human beings. Why settle for anything less?”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

“What is a harp but an over-sized cheese-slicer with cultural pretensions?”

Denis Norden (1922–2018) British comedy scriptwriter and television presenter

You can't have your Kayak and heat it

Richard Perle photo
Gloria Estefan photo

“My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beathles song, "Till There was You"… also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be rady for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

Alan Moore photo
Bernard Leach photo

“It seems reasonable to expect that beauty will emerge from a fusion of the individual character and culture of the potter, with the nature of his materials.”

Bernard Leach (1887–1979) British studio potter and art teacher

A Potters Book (1940) Faber & Faber,London 1978 (reprint of 1940) ISBN 978-0571109739

Wendy Doniger photo
William Empson photo

“Attending there let us absorb the cultures of nations
And dissolve into our judgement all their codes.
Then, being clogged with a natural hesitation
(People are continually asking one the way out),
Let us stand here and admit that we have no road.”

William Empson (1906–1984) English literary critic and poet

"Homage to the British Museum" (1932), line 8; cited from John Haffenden (ed.) The Complete Poems (London: Allen Lane, 2000) p. 55.
The Complete Poems

Hillary Clinton photo

“I think the Congress should support the president’s request to fund programs that would protect people and change the culture of criminality and violence in Central America, helping people be able to stay safely in their homes and countries.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Presidential campaign (April 12, 2015 – 2016), Democratic Presidential Debate in Miami (March 9, 2016)

N.T. Wright photo
Abdullah Öcalan photo
Johannes Grenzfurthner photo
Bell Hooks photo
Oswald Spengler photo

“And at that point, too, in Buddhist India as in Babylon, in Rome as in our own cities, a man's choice of the woman who is to be, not mother of his children as amongst peasants and primitives, but his own "companion for life", becomes a problem of mentalities. The Ibsen marriage appears, the "higher spiritual affinity" in which both parties are "free"—free, that is, as intelligences, free from the plantlike urge of the blood to continue itself, and it becomes possible for a Shaw to say "that unless Woman repudiates her womanliness, her duty to her husband, to her children, to society, to the law, and to everyone but herself, she cannot emancipate herself." The primary woman, the peasant woman, is mother. The whole vocation towards which she has yearned from childhood is included in that one word. But now emerges the Ibsen woman, the comrade, the heroine of a whole megalopolitan literature from Northern drama to Parisian novel. Instead of children, she has soul-conflicts; marriage is a craft-art for the achievement of "mutual understanding"….
At this level all Civilizations enter upon a stage, which lasts for centuries, of appalling depopulation. The whole pyramid of cultural man vanishes. It crumbles from the summit, first the world-cities, then the provincial forms, and finally the land itself, whose best blood has incontinently poured into the towns, merely to bolster them up awhile. At the last, only the primitive blood remains, alive, but robbed of its strongest and most promising elements. This residue is the Fellah type.
If anything has demonstrated the fact that Causality has nothing to do with history, it is the familiar "decline" of the Classical, which accomplished itself long before the irruption of Germanic migrants. The Imperium enjoyed the completest peace; it was rich and highly developed; it was well organized; and it possessed in its emperors from Nerva to Marcus Aurelius a series of rulers such as the Caesarism of no other Civilization can show. And yet the population dwindled, quickly and wholesale. The desperate marriage-and-children laws of Augustus—amongst them the Lex de maritandis ordinibus, which dismayed Roman society more than the destruction of Varus's legions—the wholesale adoptions, the incessant plantation of soldiers of barbarian origin to fill the depleted country-side, the immense food-charities of Nerva and Trajan for the children of poor parents—nothing availed to check the process.”

Vol. II, Alfred A. Knopf, 1928, pp. 104–06 https://archive.org/stream/Decline-Of-The-West-Oswald-Spengler/Decline_Of_The_West#page/n573/mode/2up/search/depopulation
The Decline of the West (1918, 1923)

Edsger W. Dijkstra photo
Sam Harris photo

“One of the enduring pathologies of human culture is the tendency to raise children to fear and demonize other human beings on the basis of religious faith.”

Sam Harris (1967) American author, philosopher and neuroscientist

Source: 2000s, Letter to a Christian Nation (2006), p. 80

Mitch Albom photo

“If the culture doesn't work, don't buy it.”

Tuesdays with Morrie (1997)

Henry Flynt photo
Robert Crumb photo
Pauline Kael photo

“At the movies, we are gradually being conditioned to accept violence as a sensual pleasure. The directors used to say they were showing us its real face and how ugly it was in order to sensitize us to its horrors. You don't have to be very keen to see that they are now in fact desensitizing us. They are saying that everyone is brutal, and the heroes must be as brutal as the villains or they turn into fools. There seems to be an assumption that if you're offended by movie brutality, you are somehow playing into the hands of the people who want censorship. But this would deny those of us who don't believe in censorship the use of the only counterbalance: the freedom of the press to say that there's anything conceivably damaging in these films — the freedom to analyze their implications. If we don't use this critical freedom, we are implicitly saying that no brutality is too much for us — that only squares and people who believe in censorship are concerned with brutality. Actually, those who believe in censorship are primarily concerned with sex, and they generally worry about violence only when it's eroticized. This means that practically no one raises the issue of the possible cumulative effects of movie brutality. Yet surely, when night after night atrocities are served up to us as entertainment, it's worth some anxiety. We become clockwork oranges if we accept all this pop culture without asking what's in it. How can people go on talking about the dazzling brilliance of movies and not notice that the directors are sucking up to the thugs in the audience?”

"Stanley Strangelove" (January 1972) http://www.visual-memory.co.uk/amk/doc/0051.html, review of A Clockwork Orange
Deeper into Movies (1973)

Naum Gabo photo
Stephen Hillenburg photo
Patrick Buchanan photo
Jeet Thayil photo
Mohammed VI of Morocco photo

“I add that the French people know and love Morocco. Between our two countries there exists a cultural, social and human capillarity which transcend the circumstantial difficulties. But in France there is also, a reflex of security because we amalgamate Morocco with other countries of the southern Mediterranean. Morocco has a different identity.”

Mohammed VI of Morocco (1963) King of Morocco

Original French: J’ajoute que les Français connaissent et aiment le Maroc. Entre nos deux pays, il y a une capillarité culturelle, sociale et humaine qui transcende les difficultés de la conjoncture. Mais il y a aussi, en France, un réflexe sécuritaire parce qu’on fait l’amalgame entre le Maroc et d’autres pays de la rive sud de la Méditerranée.
Interview with Le Figaro–September 2001 http://www.maroc.ma/fr/discours-royaux/interview-accord%C3%A9e-par-sa-majest%C3%A9-le-roi-mohammed-vi-au-quotidien-fran%C3%A7ais-%C2%AB-le

Manuel Castells photo
Marshall McLuhan photo

“The celebrated earthy tactility of Rabelais is a massive backwash of receding manuscript culture.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 170

Phyllis Chesler photo
Houston Stewart Chamberlain photo
Ralph Ellison photo

“Commercial rock ’n’ roll music is a brutalization of the stream of contemporary Negro church music … an obscene looting of a cultural expression.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"Some Questions and Some Answers" (1958), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 298.

Friedrich Hayek photo
Michel Foucault photo
Epifanio de los Santos photo

“powerful intelligence, a formidable receptacle of culture and gifted with words.”

Epifanio de los Santos (1871–1928) Filipino politician

As a quote by Jaime C. De Veyra in "81 Years of Premio Zobel Legacy of Philippine Literature in Spanish" by Lourdes Castrillo Brillantes. Vibal Publishing House, Inc. 2006.
BALIW

“The covenant form is essential not only for understanding certain highly unusual features of the Old Testament faith, but also for understanding the existence of the community itself and the interrelatedness of the different aspects of early Israel's social culture. Here we reach a clear watershed, so to speak, in historical research. Do the people create a religion, or does the religion create a people? Historically, when we are dealing with the formative period of Moses and the Judges, there can be no doubt that the latter is correct, for the historical, linguistic and archaeological evidence is too powerful to deny. Religion furnished the foundation for a unity far beyond what had existed before, and the covenant appears to have been the only conceivable instrument through which the unity was brought about and expressed. If the very heart and center of religion is "allegiance," which the Bible terms "love," religion and covenant become virtually identical. Out of this flows nearly the whole of those aspects of biblical faith that constitute impressive contrasts to the ancient paganism of the ancient Near Eastern world, in spite of increasingly massive evidence that the community of ancient Israel did not constitute a radical contrast to them either ethnically, in material culture, or in many patterns of thought or language.”

George E. Mendenhall (1916–2016) American academic

The Tenth Generation: The Origins of the Biblical Tradition (1973)

“Culture can flourish only under the protection of a society with aristocratic characteristics.”

Fritz Wotruba (1907–1975) Austrian sculptor (23 April 1907, Vienna – 28 August 1975, Vienna)

Source: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 12.