Quotes about copying
page 3

“As far back as 1624… Louis Savot invented the first heat-circulating fireplace. His unit was installed in the Louvre, Paris, and became the prototype for Ben Franklin's 1742 Pennsylvania stove. The 1624 French fireplace achieved 30 to 45 percent more efficiency than do most American tract home fireplaces of today! Savot surrounded the grate of his creation with a metal chamber, which had warm air outlets above the fire opening. He also supplied the fire with air from under the floor. Thus, room drafts were reduced and combustion efficiency was further improved. Few people are aware that practically all of the technical features of Franklin's Pennsylvania stove were copied from earlier inventors.”

Ken Kern American writer

The Owner Built Home: A How-to-do-it Book (1972)

People, Home

“What makes The Present Age and The Difference Between a Genius and an Apostle important is not so much that the former essay anticipates Heidegger and the latter, Barth: it would be more accurate to say that Heidegger’s originality is widely overestimated, and that many things he says at great length in his highly obscure German were said earlier by various writers who had made the same points much more elegantly, and that some of these writers, including Kierkegaard, were known to Heidegger. Why should Kierkegaard’s significance depend on someone else’s, quite especially when many points that others copied from him may be wrong?”

Walter Kaufmann (1921–1980) American philosopher

Walter Kaufmann, Preface to The Present Age, by Soren Kierkegaard, Dru translation 1962 p. 15-16
Other books

Age, Dependency

“Graves: “…Tigers with the souls of sheep and heads full of wind…” A CLEVER METAPHOR…NO WONDER THE “PROTOCOLS” COPIES IT!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.81

Soul

“[N]o one appeared to wonder whether this S-M proliferation was a lesbian copy of a faggot imitation of patriarchal backlash against feminism.”

Robin Morgan (1941) American feminist writer

"The Politics of Sado-Masochistic Fantasies", in Going Too Far: The Personal Chronicle of a Feminist, p 235.

Appearance

“Decidedly the best application of art to industry is when a great many copies are made from an exceedingly good pattern.”

William Burges (1827–1881) English architect

Source: Art applied to industry: a series of lectures, 1865, p. 1

Art

“Papa painted small landscapes by the river in Coyoacán, and copied sentimental paintings in watercolour and oil. Afterwards, he gave me a little box of paints that belonged to him. Ángel Salas gave me a small book that told me how to prepare the canvases, and I made them smooth, smooth. The courtship with Gómez Arias lasted from 1922 until 1925, when the bus crushed us both. Gómez Arias brought me books on painting and painters from Europe. These were the first books on art that fell into my hands.”

Frida Kahlo (1907–1954) Mexican painter

1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My Painting', p. 73

Books, Art, Painting, Box

“”Jewish Peril” exposed.
Historic “Fake.”
Details of the forgery.
More parallels.
We published yesterday an article from our Constantinople Correspondent, which showed that the notorious “Protocols of the Elders of Zion” – one of the mysteries of politics since 1905 – were a clumsy forgery, the text being based on a book published in French in 1865. The book, without title page, was obtained by our correspondent from a Russian source, and we were able to identify it with a complete copy in the British Museum.
The disclosure, which naturally aroused the greatest interest among those familiar with Jewish questions, finally disposes of the “Protocols” as credible evidence of a Jewish plot against civilization.
We publish below a second article, which gives further close parallels between the language of the Protocols and that attributed to Machiavelli and Montesquieu in the volume dated from Geneva.
Plagiarism at Work.
(From our Constantinople Correspondent.)
While the Geneva Dialogue open with an exchange of compliments between Monsequieu and Machiavelli, which covers seven pages, the author of the Protocols plunges at once in medias res.
One can imagine him hastily turning over those first seven pages of the book which he has been ordered to paraphrase against time, and angrily ejaculating, “Nothing here.” But on page 8 of the Dialogues he finds what he wants.
Publisher: Good work Graves…we finally paid your émigré £ 300 for it…now if we can find Golovinski and get his confession…
Graves: He joined the Bolsheviks.
Golovinski became a party ‘’’activist’’’ and rose to be an adviser to Trotsky. But he ‘’’died’’’ last year!
Publisher: Well, that’s that!
Publisher: Oh but Graves, “The Times” is influential… after our expose we’ll probably hear no more of this fraud!
Graves: I’m not sure!
Anti-Bolsheviks, White Russians, published thousands of copies! Here’s a page from Nilus’ “The Great in the Small.”
Publisher: Astonishing…mystical symbols…eh?
The “Protocols” quickly began to circulate around the world.
A French edition this year…and in America Henry Ford, the auto magnate, has been serializing it in his paper, the “Dearborn independent”!
Publisher: When did it first appear in Europe?
Graves: The German edition…dated 1919, was the first!
This is an evil book…a fake designed to malign a whole group of people.
Publisher: I know, I know! …Ugly stuff, Graves.
Graves: Well, what are we to do about it?
Publisher: Your report exposed it as a foul fraud!
Publisher: Y’forget the power of the press, graves! “The Times” has tremendous worldwide influence.
This fraud will soon be well known everywhere…so, my boy, ‘’’what harm can the “protocols” possibly do now?”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 91-94

People, Books, World, Imagination

“What sometimes enrages me and always disappoints and grieves me is the preference of great schools of learning for the derivative as opposed to the original, for the conventional and thin which can be duplicated in many copies rather than the new and powerful, and for arid correctness and limitation of scope and method rather than for universal newness and beauty, wherever it may be seen.”

Norbert Wiener book The Human Use of Human Beings

VIII. Role of the Intellectual and the Scientist. p. 135
The Human Use of Human Beings (1950)

School, Beauty, Disappointment, Learning

“♡ Copying is an act of love. Please copy & share.”

Nina Paley (1968) US animator, cartoonist and free culture activist

Copyheart.org home page (3 December 2010) http://copyheart.org

Love

“If you mean to know yourself, interline such of these aphorisms as affect you agreeably in reading, and set a mark to such as left a sense of uneasiness with you; and then show your copy to whom you please.”

Johann Kaspar Lavater (1741–1801) Swiss poet

No. 643
Aphorisms on Man (c. 1788)

Sense, Reading

“We have a massive system to regulate creativity. A massive system of lawyers regulating creativity as copyright law has expanded in unrecognizable forms, going from a regulation of publishing to a regulation of copying.”

Lawrence Lessig (1961) American academic, political activist.

OSCON 2002

Law

“My experience of the original Edison phonograph goes back to the period when it was first introduced into this country. In fact, I have good reason to believe that I was among the very first persons in London to make a vocal record, though I never received a copy of it, and if I did it got lost long ago. It must have been in 1881 or 1882, and the place where the deed was done was on the first floor of a shop in Hatton Garden, where I had been invited to listen to the wonderful new invention. To begin with, I heard pieces both in song and speech produced by the friction of a needle against a revolving cylinder, or spool, fixed in what looked like a musical box. It sounded to my ear like someone singing about half a mile away, or talking at the other end of a big hall; but the effect was rather pleasant, save for a peculiar nasal quality wholly due to the mechanism, though there was little of the scratching which later was a prominent feature of the flat disc. Recording for that primitive machine was a comparatively simple matter. I had to keep my mouth about six inches away from the horn and remember not to make my voice too loud if I wanted anything approximating to a clear reproduction; that was all. When it was played over to me and I heard my own voice for the first time, one or two friends who were present said that it sounded rather like mine; others declared that they would never have recognised it. I daresay both opinions were correct.”

Herman Klein (1856–1934) British musical critic journalist and singing teacher

The Gramophone magazine, December 1933

Music, Singing, Time, Personality

“Copying or emulating heroes is true power learning.”

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

Learning

“Earlier this year we went skiing and I was in a shop, paying a bill and there was a woman standing there whom I knew slightly. I was waiting for my bill and she was buying something, a tea strainer. Quite suddenly she said to me, 'Where was your Father killed?'. I was very surprised and blurted out 'Oh Anzio'. Now this is a woman of about my age, so she's 40-ish. She said, 'My Father was killed in the war'. Apparently somebody lent her a copy of 'The Final Cut' and she had listened to the whole thing and she had found it very moving. In fact she said it had moved her to tears. She told me this, standing in the shop, with some effort I suspect, and I remember thinking: That's enough really. It doesn't matter if the Americans don't buy it.”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

Karl Dallas Interview, 1984
Music

War, Age, Thinking, Tear

“By contrast, until proof of the contrary, the carbon-copy allegation against Pushyamitra may very reasonably be dismissed as sectarian propaganda. But a 20th-century Hindu scholar will twist and turn the literary data in order to uphold a sectarian and miracle-based calumny against the Hindu ruler Pushyamitra, and to explain away a sobering testimony about the fanaticism of Ashoka, that great secularist patron of Buddhism. Such is the quality of the "scholarship" deployed to undermine the solid consensus that among the world religions, Hinduism has always been the most tolerant by far.”

Pushyamitra Shunga King of Sunga Dynasty

Elst, K. (2002). Who is a Hindu?: Hindu revivalist views of Animism, Buddhism, Sikhism, and other offshoots of Hinduism.

World, Religion

“Is this sort of thing which has been thought about beneficial? So that if you're asking the question, for example, "Is it appropriate to think of making a copy of a person?" You have to ask not only, "What is the benefit to the people who are asking for this to be done?" But also, "What's the impact on the child that's going to be produced?"”

Ian Wilmut (1944) embryologist

And that last bit I think often gets missed out.
Interview at the Academy of Achievement (23 May 1998).

People, Question, Thinking, Personality

“Listening to as many guitar solos as possible is the best method for someone in the early stages. But saxophone solos can be helpful. They're interesting because they're all single notes, and therefore can be repeated on the guitar. If you can copy a sax solo you're playing very well, because the average saxophonist can play much better than the average guitarist.”

Ritchie Blackmore (1945) British guitarist and songwriter

Ritchie Blackmore, in: Guitar Player. Vol. 7. (1973). p. 235:
Answer to the question Does listening to solos performed on other instruments than the guitar help the beginning guitarist develop a personal style?

Help

“If my painting depicts faithfully and without over-refinement the simple and true character of the place you have frequented, if I succeed.... in giving its own life to that world of vegetation, then you will hear the trees moaning under the winter wind, the birds that call their young and cry after their dispersion; you will feel the old chateau tremble; it will tell you that, as the wife you loved, it too will.... disappear and be reborn in multiple forms.. One does not copy with mathematical precision what one sees, but one feels and interprets a real world, all of whose fatalities hold you fast bound.”

Théodore Rousseau (1812–1867) French painter (1812-1867)

Quote in a letter to M. Guizot, c. 1839-41; as cited by Charles Sprague Smith, in Barbizon days, Millet-Corot-Rousseau-Barye publisher, A. Wessels Company, New York, July 1902, pp. 172-173
The Duke de Broglie had ordered of Rousseau a painting of the 'Chateau de Broglie', for his friend M. Guizot. Madame Guizot had died there, and The Duke de Broglie urged Rousseau to make the painting grave and sad.. The quote presents Rousseau’s responding
1830 - 1850

Love, Life, World, Feeling

“Machinery of a very beautiful kind has been contrived for copying accurately, on a reduced or an enlarged scale, both medals and statues. The Venus de Medici itself could not be justly excluded from a purely industrial exhibition, if, placed in the centre of a series diminishing on the one side to a statuette of a foot high, and increasing on the other to a figure double her own height. Such a series, though fairly introduced as an illustration of industrial art, would, indeed, itself be highly interesting to the fine arts, as exhibiting the effect of change of magnitude, when the proportions remain identical.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 52-53

Beauty, Art, Change

“[M]ost of the pop music out today I consider to have become a homogenized product. It gets to the point that so much of what is going on is copying everything else that is out, because there is a businessman that knows what he has just sold millions of records with, and so he keeps trying to get every group that comes in to do it, you know. You know, you approach somebody who is well known as a booker or manager, and the first remark will be, "I love what you do, but you would have to change this to this, and that to that, and this to this, in order for me to be able to sell it." Well, by the time you've changed that, of course, it's like everything else that is out there. And when Prince first started sending me songs, I thought maybe that by the time I had done four arrangements that I would have started getting some sort of a repetitive something or other. I have been extremely surprised to find that each one is as different from the last as the next one is going to be different. Some of them are like little art songs. Some of them have dealt with heavy things like friendship and death. I mean, death of a friend. And yet, some of them are as baudy as…”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT456 (1992, 2006, 2014)

Love, Death, Friendship, Art

“I guess I don’t subscribe to the twee school. I remember trying to lose our copy of Thomas the Tank Engine before I had to read it again. Life is a more dimensional and interesting affair than vestigially Victorian notions of childhood. I was trying to make something substantial, something to be read and reread.”

Art Spiegelman (1948) cartoonist from the United States

On his book Jack and the Box, as quoted in "Smart Art : Spiegelman doesn’t dumb down for kids" by Alexandra Zissu in New York Magazine (16 November 2008) http://nymag.com/family/kids/52136/.

Life, School, Reading, Childhood

“I don't want Cambodia to be a carbon copy of the Philippines, Formosa, South Vietnam or South Korea. I don't even want a Cambodia which exports cameras like Japan. I want a decent Cambodia, a Cambodia like China. If that makes it a bit too austere, too bad. If this takes away the happiness I cultivated with my films and my songs, too bad. But, they say, there's the problem of individual freedom, freedom of thought. Yes, that's true. But where's the alternative? Nowhere. Let's use our common sense here: even if there was another solution, the Cambodian communists would never relenquish power.”

Norodom Sihanouk (1922–2012) Cambodian King

Said during his exile in Peking, as quoted by Oriana Fallaci (June 1973), Intervista con la Storia (sixth edition, 2011). page 128.
Interviews

Problem, Sense, Freedom, Happiness

“The question becomes, I suppose, one of value. Knowing that the Vision’s complete personality/memory/intelligence was downloaded into a computer in Titan (was it Titan? Memory blurs) allowed me to scrape his brain in my VisionQuest story, since everything could be restored with a literal flip of a switch. Should something that can be so easily copied and retrieved be treated as having the same intrinsic value as a human being? Should any of the human Avengers, for instance, ever risk their lives on behalf of the Vision? My vote would be no (as some of you have probably already guessed)—but I would say that even if it were not possible to restore or “save” the Vision in any other way. He is a “toaster.””

John Byrne (1950) American author and artist of comic books

2006
http://www.byrnerobotics.com/forum/forum_posts.asp?TID=15591
The humanity of the Vision, an android hero whose body was once the original Human Torch

Way, Intelligence, Question, Memory

“Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.”

Richard Rodríguez (1944) American journalist and essayist

Darling: A Spiritual Autobiography (2013)
Variant: Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.

Way, Star, Wine, Time

“Instead of copying Nature, we [ Cubists ] create a 'milieu', of our own, wherein our sentiment can work itself out through a juxtaposition of colors. It is hard to explain it, but it may perhaps be illustrated by analogy of literature and music. Your [ Gelett Burgess is American] Edgar Poe did not attempt to reproduce Nature realistically. Some phase of life suggested an emotion, as that of horror in 'The Fall of the House of Ushur.”

Jean Metzinger (1883–1956) French painter

That subjective idea he translated into art. He made a composition of it. Quote of Metzinger in 'The Wild Men of Paris', by Gelett Burgess https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf, in 'The Architectural Record, Vol XXVII, May 1910, p. 413

Life, Art, Music, Color

“The true test of all the arts, is not solely whether the production is a true copy of nature, but whether it answers the end of art, which is to produce a pleasing effect upon the mind.”

Joshua Reynolds (1723–1792) English painter, specialising in portraits

Discourse no. 13; vol. 2, p. 136.
Discourses on Art

Art, Nature

“Do you know what was great? Finding out that a stupid, ridiculous thing like copying a postcard could lead to a picture. And then the freedom to paint whatever you felt like. Stags, aircraft, kings, secretaries. Not having to invent anything anymore, forgetting everything you meant by painting – color, composition, space – and all of the things you previously knew and thought. Suddenly none of this was a prior necessity for art.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), pp. 60-61, note 94

Stupidity, Art, Color, Freedom

“There’s an editor for you.
They’re all the same. At first they’re all honey and sweet talk, with those long alcoholic lunches and blue-sky conversation about million-copy printings while they wheedle you into signing the contract. Then they turn nasty. They want the actual book delivered. When they don’t get it, or when the censors say they can’t print it, then there isn’t any more sweet talk and all the conversation is about how the aediles will escort you to debtors’ prison.”

Frederik Pohl (1919–2013) American science fiction writer and editor

Waiting for the Olympians (p. 257)
Platinum Pohl (2005)

Alcohol, Books

“Honest and peace-loving people shun the Courts and are prepared to suffer loss rather than fall into a Lawyer's clutches. However, the vagaries and inconsistencies of human nature are such that people are unwillingly dragged in and the experiences they undergo leave an indelible and nauseating impression. One of these is the flagrant and plausible manner in which clients are fleeced, and snowed under a series of documents and forms which not only puzzle them, but which are always accompanied with demands for payment. There is, of course, the Lawyer's fee, but this is accompanied with the fees of his clerk (real or imaginary), then typing charges, copying charges and numerous other innumerable heads and sub-heads. In this context it is refreshing to recall that eminent legal luminary, the late Pt. Motilal Nehru was paid Rs. 5/- as his first fee and the remuneration of Dr. John Mathai was a bunch of bananas. These latter have increased immeasurably in value and are good foreign exchange getters and it is not so easy now to slip on a banana peel!”

Peter de Noronha (1897–1970) Indian businessman

The Pageant of Life (1964), On Lawyers

Love, People, Peace, Nature

“The idea is to generate paperwork. The word could hardly be more apt. Paper is work. Paper is the big employer. Someone fills out a form (in triplicate), someone files one copy, the other copy goes somewhere else to be filed by someone else, the third is retained by the customer for his records. The most insignificant transaction must be scrupulously recorded and logged, filed and stored, even, on occasion, retrieved. On a trip to Libya, p. 183.”

Geoff Dyer (1958) English writer

Yoga For People Who Can't Be Bothered To Do It (1993)

Idea

“He's done two masterpieces, you don't have to bother with the rest. One is Blow-Up, which I've seen many times, and the other is La Notte, also a wonderful film, although that's mostly because of the young Jeanne Moreau. In my collection I have a copy of Il Grido, and damn what a boring movie it is. So devilishly sad, I mean. You know, Antonioni never really learned the trade… He concentrated on single images, never realising that film is a rhythmic flow of images, a movement. Sure, there are brilliant moments in his films. But I don't feel anything for L'Avventura, for example. Only indifference. I never understood why Antonioni was so incredibly applauded. And I thought his muse Monica Vitti was a terrible actress.”

Ingmar Bergman (1918–2007) Swedish filmmaker

On Michelangelo Antonioni
Variant translation: Antonioni has never properly learnt his craft. He's an aesthete. If, for example, he needs a certain kind of road for The Red Desert, then he gets the houses repainted on the damned street. That is the attitude of an aesthete. He took great care over a single shot, but didn't understand that a film is a rhythmic stream of images, a living, moving process; for him, on the contrary, it was such a shot, then another shot, then yet another. So, sure, there are some brilliant bits in his films... I can't understand why Antonioni is held in such high esteem.
Jan Aghed interview (2002)

Sadness, Feeling, Learning, Time

“It is indeed a striking proof of the essential soundness of the tradition that with which all these thousands of copies, tracing their ancestry back to so many different parts of the earth and to conditions of such diverse kinds, the variations of text are so entirely questions of detail, not of essential substance.”

Frederic G. Kenyon (1863–1952) British palaeographer and biblical and classical scholar

Source: The Story Of The Bible, Chapter X, The Position Today, p. 136

Question, Parting

“On the Arguement from Scripture: "Ever since the nineteenth century, scholarly theologians have made an overwhelming case that the gospels are not reliable accounts of what happened in the history of the real world. All were written long after the death of Jesus, and also after the epistles of Paul, which mentioned almost none of the alleged facts of Jesus's life. All were then copied and recopied … by falilible scribes who, in any case, had their own religious agendas."”

Richard Dawkins book The God Delusion

Source: The God Delusion (2006), p. 118

Life, Death, World, History

“We Europeans have to toil to achieve it, at least as a transitional stage, for it is what we feed our dreams upon. These Orientals [from India] have it in their blood, perhaps because they spend their lives I the sun. We poor wretched Europeans must sacrifice body and soul for even a shadow of it… It is not a question of trying to reproduce objective features, only of good practice for the fingers and for the perceptive faculty, and that too is very useful. You must have read how Van Gogh was always getting his brother to send him drawings to copy. And how Rembrandt used to copy Indian an Italian pictures. Not of course, because they were short of material, but to get 'du corps'. So one should be always drawing… Oh, you'd love the Indians. The pure, Aryan Indians, not those one could see in Berlin, whose forms had become rigid and sterile through mingling with the Chinese.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter to Nele van de Velde ((daughter of Henry van de Velde), from Frauenkirch, 1919/20; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 224-225
1916 - 1919

Love, Dreams, Soul, Question

“I am not collecting copies of the cheaper editions of Omar Khayyám. I gave the last four that I received to the lift-boy, and I like to think of him reading them, with FitzGerald's notes, to his aged mother. Lift-boys always have aged mothers; shows such nice feeling on their part, I think.”

Saki (1870–1916) British writer

"Reginald on Christmas Presents"
Reginald (1904)

Age, Feeling, Boy, Thinking

“Friends share music with each other, they don't allow themselves to be divided by a system that says that nobody is supposed to have copies.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

LibrePlanet Keynote Speech (2015) @20:45 https://media.libreplanet.org/u/libreplanet/m/richard-stallman-free-software-free-hardware/ 2010s

Music

“.. the rejection of impressionistic copies of nature and a move towards sensing the content, abstraction, – expressing the extract..”

Gabriele Münter (1877–1962) German painter

as quoted in the exposition-text 'Alexej von Jawlensky', Museum Boymans-van-Beuningen Rotterdam; 25/9 – 27/ 11-1994, p. 21
this quote of Gabriele Münter was the leading idea for her early painting during the period she worked with Kandinsky in and around Murnau..

Nature, Sense

“Art is an expression and stimulus to the imaginative life rather than a copy of actual life. Art appreciates emotion in and for itself. The artist, is the most constantly observant of his surroundings and the least affected by their intrinsic aesthetic value. As he contemplates a particular field of vision the aesthetically chaotic and accidental conjunction of forms and colours begin to crystallize into a harmony.”

Roger Fry (1866–1934) English artist and art critic

An essay on aesthetics (1909) from Vision and design by Roger fry, Forgotten Books , 2012
Art Quotes

Life, Art, Imagination

“I originated a remark many years ago that I think has been copied more than any little thing that I've every said, and I used it in the FOLLIES of 1922. I said America has a unique record. We never lost a war and we never won a conference in our lives. I believe that we could without any degree of egotism, single-handed lick any nation in the world. But we can't confer with Costa Rica and come home with our shirts on.”

Will Rogers (1879–1935) American humorist and entertainer

The Will Rogers Book (1972)

War, World, Home, Thinking

“I obey nature, I never presume to command her. The first principal in art is to copy what one sees.”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

Art, Nature

“These classic models are everywhere mirrored in all universal systems, and in each they are the ideals from which all varieties and versions of themselves constantly emerge. They are, then, the source of all phenomenal life and represent the inner structure behind all life forms. They do not produce copies of themselves, however, but new creative eccentricities which, in turn, alter the models. They also appear as the biological working models of the genes and chromosomes, and they can be affected and changed at any time through mental experience. they are, in fact, instantly responsive to mental and psychic events, through the natural interchange between the psychological model accepted by the focus personality, and the reflections of that model through the entire body structure.”

Jane Roberts (1929–1984) American Writer

Source: Psychic Politics: An Aspect Psychology Book (1976), p. 57-58

Life, Nature, Universe, Appearance

“The … false ideal … [that is] tokenism—which is commonly guised as Equal Rights, and which yields token victories—deflects and shortcircuits gynergy, so that female power, galvanized under deceptive slogans of sisterhood, is swallowed by The Fraternity. This method of vampirizing the Female Self saps women by giving illusions of partial success while at the same time making Success appear to be a far-distant, extremely difficult to obtain "elusive objective." When the oppressed are worn out in the game of chasing the elusive shadow of Success, some "successes" are permitted to occur—"victories" which can easily be withdrawn when the victim's energies have been restored. Subsequently, women are lured into repeating efforts to regain the hard-won apparent gains…. [¶] Thus tokenism is insidiously destructive of sisterhood, for it distorts the warrior aspect of Amazon bonding both by magnifying it and by minimizing it. It magnifies the importance of "fighting back" to the extent of making it devour the transcendent be-ing of sisterhood, reducing it to a copy of comradeship. At the same time, it minimizes the Amazon warrior aspect by containing it, misdirecting and shortcircuiting the struggle. [¶] This is a demonically double-sided trap, for of course reforms, such as legalization of abortion, aid many women in desperate situations. However, because the "changes" that are achieved are victories in a vacuum, that is, in a totally oppressive social context, they do not essentially free the Female Self but instead function to hide both the fact of continuing oppression and the possibilities for better options and for more radical freedom…. The Labrys of the A-mazing Female Mind must cut through the coverings of these double-sided/multiple-sided situations, dis-covering the context, identifying the more radical problems, yet neglecting none.”

Mary Daly (1928–2010) American radical feminist philosopher and theologian

Source: Gyn/Ecology: The Metaethics of Radical Feminism (1978–1990), pp. 375–376 (fnn. omitted, fn. at "apparent gains." giving as examples the Equal Rights Amendment, affirmative action, and abortion & fn. at "more radical freedom." stating "the fact that Lesbians/Spinsters have no need of abortions, unless forcibly raped").

Women, Game, Problem, Effort

“That night I made copies of all the documents with shaking hands and gave them to a friend with contacts in the British secret services. I had a bitter taste in my mouth.”

Jani Allan (1952) South African columnist and broadcaster

Writing in her column about how she reacted after she realised she had been recruited as an 'unwitting' spy by Cliff Saunders in London in the early 1990s. http://www.int.iol.co.za/index.php?set_id=1&click_id=13&art_id=ct20000227222234900S1258 Other

Secret, Night

“Reporter: The “Protocols” trial is on today. I’ve been assigned to report on it for my paper.
Reporter 2: What’s your hurry Carl? The Jewish community’s lawyer is trying to show the damage done by the “Protocols of Zion” book.
Lawyer: Your honor, we have demonstrated that the “Protocols” is ‘’’smut…’’’ I would conclude by exhibiting evidence of its influence on public opinion as a fraud.
Judge: You may proceed!
Lawyer: Since its first publication in Russia by Dr. Nilus in 1905, four printings have been distributed there!
In 1919, type script copies were distributed to delegated at the Versailles peace conference by white Russians.
In England Victor Marsden translated the “protocols” into English in 1922.
In 1920, the first polish language edition was brought into the United States and South America by Polish immigrants.
In 1921, the first Arabic and the first Italian copies appeared!
In 1921, “The Times” of London published its famous expose of this false document!
And because of his fame, Henry Ford’s work deserves recounting.
Lawyer: In 1920, Henry ford the American auto magnate, bought a small newspaper, the “Dearborn Independent.” He began a series, “The International Jew,” made up of borrowings from the “Protocols of the Elders on Zion.”
Later, in 1922, it was published in sxteen language for a world-wide distribution. It sold over a ‘’’half million’’’ copies in America alone!
Reporter: Actually, Ford recanted in 1926 when he was threatened with a libel suit.

Reporter 2: Really?
Reporter 3: What did he say?
Reporter: He said in part, “…To my great regret I learn that in the ‘Dearborn Independent’ there appeared articles which induced the Jews to regard me as their enemy promoting anti-Semitism!”
HE WENT ON TO SAY, “…I am…mortified that this Journal…is giving currency to ‘The Protocols of the wise men of Zion,’ which I learn to be gross forgeries…I deem it my duty…to make amends for the wrong done to the Jews as fellow men and brothers by asking their forgiveness.
HE GOES ON BY RECITING SOME OF THE MORE “evil ingredients” in the “Protocols” AND HE REFERS TO IT AS AN “infamous forgery.”
Reporter 3: DID HIS APOLOGY CHANGE ANYTHING?? HENRY FORD WAS FAMOUS the world over…his apology must have had influence!
Reporter: Not very much. In fact publication increased all over the globe.
Reporter 3: Look! Here I have two French translations of the “Protocols of the Elders of Zion” that were published in ‘’’France,’’’ dated 1934. Later they had many printings!
Judge: …I hope to see the day when nobody will be able to understand why otherwise sane and reasonable men should torment their brains for fourteen days over the authenticity or fabrication of the “Protocols of Zion”’’’…I regard the “protocols” as ridiculous nonsense!
Reporter: Good news! …judge Meyer found against the Nazis and imposed a fine on them…

Publisher: We will publish the judge’s decision!
Reporter: This should put an end to the “Protocols” at last!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 102-107

Men, Books, World, Peace

“When I was 15 years old, or 16, I carried around on the streets of Brooklyn a paperback copy of Plato's Republic, front cover facing outward. I had read only some of it and understood less, but I was excited by it and knew it was something wonderful.”

Robert Nozick book The Examined Life

The Examined Life (1989)

Reading

“For four or five centuries, Islam was the most brilliant civilization in the Old World. (…) At its higher level the golden age of Muslim civilization was both an immense scientific success and a exceptional revival of ancient philosophy. These was not its only triumphs; literature was another: but they eclipse the rest. First, science: it was there that the Saracens (…) made the most original contributions. These, in brief, were nothing less than trigonometry and algebra (with its significantly Arab name). (…) Equally distinguished were Islam's mathematical geographers, its astronomical observatories and instruments (…). The Muslims also deserve high marks for optics, for chemistry (…) and for pharmacy. More than half the remedies and healing aids used by the West came from Islam (…). Muslim medical skill was incontestable. (…) In the field of philosophy, what took place was rediscovery - a return, essentially of the peripatetic philosophy. The scope of this rediscovery, however, was not limited to copying and handling on, valuable as that undoubtely was. It also involved continuing, elucidating and creating.”

Fernand Braudel (1902–1985) French historian and a leader of the Annales School

A History of Civilizations , Penguin, 1995, p. 73-81

Age, World, Literature, Mathematics

“There was no Victoria in the school … That great name was sacred to the Queen and was not copied by her subjects to the extent imagined by period novelists of today.”

Flora Thompson book Lark Rise

Source: Lark Rise, ch. 11, School

School, Imagination

“I began to draw from plant life and found the flat leaf forms were easier to do than thighs and breasts. I wanted to flatten. The plant drawings from that time until now have always been linear. They are exact observations of the form of the leaf or flower of fruit seen. Nothing is changed or added, no surface marking. They are not an approximation of the thing seen nor are they a personal expression or an abstraction. They are an impersonal observation of the form. When I applied the procedure to other things such as the vaulting of Notre Dame [church in Paris] or a patch of tar on the road, the subject of the drawings and the subsequent paintings were not recognizable even though they were exact copies of the thing seen. I wanted to use things that had no pictorial use.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, pp. 25-26 : 'Notes from 1969'

Life, Flowers, Change, Time

“Life is pretty simple: You do some stuff. Most fails. Some works. You do more of what works. If it works big, others quickly copy it. Then you do something else. The trick is the doing something else.”

Tom Peters (1942) American writer on business management practices

Tom Peters in: " The Best Corporate Strategy? None, Of Course http://articles.chicagotribune.com/1994-07-11/business/9407110026_1_silicon-graphics-customers-richard-branson." Chicago Tribune, July 11, 1994.

Life

“Listen what happened to me when I was in the fifth form (ca. 1904), in the drawing lesson. An old-timer in the front row, the one who pinched me the most often, suddenly showed me a sketch on tissue paper, copied from the magazine "Niva": The Smoker. In this pandemonium! Leave me alone. I don't remember very well but this drawing, done not by me but by that fathead, immediately threw me into a rage. It roused a hyena in me. I ran to the library, grabbed that big volume of "Niva" and began to copy the portrait of the composer Rubinstein, fascinated by his crow's-feet and his wrinkles, or by a Greek woman and other illustrations; maybe I improvised some too, I hung them all up in my bedroom..”

Marc Chagall (1887–1985) French artist and painter

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, pp. 24-25
1920's, My life (1922)

Rage, Drawing

“If everyone appears similar to Carl it confirms the misconceptions about the Moderate Party. It becomes a party for Carl Bildt-copies.”

Fredrik Reinfeldt (1965) 32nd Prime Minister of Sweden

Vägen mot toppen kantad av bråk, Sveriges Television, 2006-10-17, 2006-11-23 http://svt.se/svt/jsp/Crosslink.jsp?d=55838&a=657073,

Appearance

“I am for the legal government of Republican Spain against Franco, since Spain herself, at a properly conducted election, chose that Government and rejected the party which now supports Franco. I am also against Fascism; the reforms of Diocletian were a work of genius and made many people temporarily happy, but failed in the end and added greatly to human misery. I see no reason why this inferior modern copy of them should succeed.”

Rebecca West (1892–1983) British feminist and author

"Authors Take Sides on the Spanish War" (1937), edited by Nancy Cunard, reprinted in The Spanish Front: Writers on the Civil War (1986), edited by Valentine Cunningham

People, Support, Happiness

“A presentation copy…is a copy of a book whoch does not sell, sent you by the author, with his foolish autograph at the beginning of it; for which, if a stranger, he only demands your friendship; if a brother author, he expects from you a book of yours, which does not sell, in return.”

Charles Lamb Last Essays of Elia

Popular Fallacies: XI, That We Must Not Look a Gift Horse in the Mouth.
Last Essays of Elia (1833)

Friendship, Books

“Graves: Here, we can clearly see how an idea is copied!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.79

Idea

“They really were living to be 900 years old, and there's a lot of biological reasons why they could do that. In the original creation, there was no genetic load. There were not deformed chromosomes, and they didn't suffer under the… You know, your gene code now is a copy off a copy off a copy off a copy who knows how many times of Adam. And the fact that it even works at all is pretty amazing. After all this copying process it's been through and plus the hostile environment, we, and the extra things we throw at it.”

Kent Hovind (1953) American young Earth creationist

Coast-to-Coast AM interview (August 2-3, 2000)

Hostility, Suffering, Time

“During my first year at Berkeley I arrived late one day to one of Neyman's classes. On the blackboard were two problems which I assumed had been assigned for homework. I copied them down. A few days later I apologized to Neyman for taking so long to do the homework - the problems seemed to be a little harder to do than usual. I asked him if he still wanted the work. He told me to throw it on his desk. I did so reluctantly because his desk was covered with such a heap of papers that I feared my homework would be lost there forever.
About six weeks later, one Sunday morning about eight o'clock, Anne and I were awakened by someone banging on our front door. It was Neyman. He rushed in with papers in hand, all excited: "I've just written an introduction to one of your papers. Read it so I can send it out right away for publication." For a minute I had no idea what he was talking about. To make a long story short, the problems on the blackboard which I had solved thinking they were homework were in fact two famous unsolved problems in statistics. That was the first inkling I had that there was anything special about them.”

George Dantzig (1914–2005) American mathematician

Dantzig (1986) in: D.J. Albers and C. Reid "An interview with George B. Dantzig : the father of linear programming". In: The College Mathematics Journal Vol 17, nr 4, 1986, p. 293-314.

Fear, Idea, Problem, Thinking

“Engineers did not discover insulation: they copied it from these old soldiers of the prairie war.”

Aldo Leopold book A Sand County Almanac

“April: Bur Oak”, p. 27.
A Sand County Almanac, 1949, "April: Come High Water," "April: Draba," "April: Bur Oak," & "April:Sky Dance"

War

“Now a writer can make himself a nice career while he is alive by espousing a political cause, working for it, making a profession of believing in it, and if it wins he will be very well placed. All politics is a matter of working hard without reward, or with a living wage for a time, in the hope of booty later. A man can be a Fascist or a Communist and if his outfit gets in he can get to be an ambassador or have a million copies of his books printed by the Government or any of the other rewards the boys dream about.”

Ernest Hemingway (1899–1961) American author and journalist

A Letter from Cuba (1934)

Books, Dreams, Hope, Boy

“Singing is something I’ve always wanted to do but I just want to be my own person, not to copy anyone else. I’d just like to be really famous.”

Taylor Horn (1992) American musician and actor

On becoming her own person as a professional musician. Malvern Gaz http://www.webcitation.org/query?id=1256525759902277&url=www.geocities.com/thecoolchip03/malverngaz.htm article, unidentified issue

Singing, Personality

“Process-chart notes and information should be collected and set down in sketch form by a highly intelligent man, preferably with an engineering training and experience, but who need not necessarily have been previously familiar with the actual details of the processes. In fact, the unbiased eye of an intelligent and experienced process-chart maker usually brings better results than does the study of a less keen man with more special information regarding present practices of the processes. The mere act of investigating sufficiently to make the notes in good enough condition for the draftsman to copy invariably results in many ideas and suggestions for improvement, and all of these suggestions, good and bad, should be retained and filed together with the description of the process chart. These suggestions and proposed improvements must be later explained to others, such as boards of directors, managers and foremen, and for best results also to certain workmen and clerks who have special craft or process knowledge. To overcome the obstacles due to habit, worship of tradition and prejudice, the more intelligence shown by the process-chart recorder, the sooner hearty cooperation of all concerned will be secured. Anyone can make this form of process chart with no previous experience in making such charts, but the more experience one has in making them, the more certain standard combinations of operations, inspection and transporting can be transferred bodily to advantage to the charts of proposed processes.”

Frank Bunker Gilbreth, Sr. (1868–1924) American industrial engineer

Source: Process charts (1921), p. 5-6.

Intelligence, Idea, Knowledge, Study

“Your Excellency, I am in receipt of His Majesty's royal order, which your excellency communicated to me on the 6th inst., accepting the offer of my work, the 'Caprichos' on eighty copper plate engraved with aqua-fortis by my hand, which I will hand to the Royal Calografia with the lot of prints which I had printed by way of precaution, amounting to two hundred and forty copies of eighty prints, in order not to defraud His Majesty in the least, and for my own satisfaction as to my mode of procedure. I am very grateful for the pension of twelve thousand reals which His Majesty has been pleased to grant to my son [Xavier Goya], for which I offer my best thanks to His Majesty, and to your excellency.... I only desire your excellency's orders, and that you may keep well. May God preserve your excellency's valuable life for many years... Your excellency's obedient and grateful servant, Franco de Goya.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to the Minister, Don Miguel Cayetano Soler, Madrid, October 9, 1803; as quoted in the 'Gazette des Beaux-Arts', 1860, p. 241, and reproduced in facsimile in Mr. Calvert's monograph, p. 88; also by Valerian von Loga: Francisco de Goya, Berlin, 1903, p. 77
1800s

Life, God, Way, Communication

“Pray God for guidance, man. It's thirty-odd years since I sold the last copy of Orvar-Odds saga. The country stands on an entirely different cultural footing nowadays. I can recommend the story of King Solomon's Mines there, all about the hero of Umslopogaas, in his own way a great man, and in my opinion no whit inferior to Orvar-Oddur.”

Halldór Laxness (1902–1998) Icelandic author

Sjálfstætt fólk (Independent People) (1935), Book One, Part II: Free of Debt

God, Way, Country

“Fortunately however, is that [painting] school where Mother Nature is placed in the foreground, and where only she is consulted to representate 'truth' on the canvas or panel. Only he knows the secrets of the manifold diversity of nature. His painting is a faithful copy of nature - which is the highest praise for a painter..”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Gelukkig echter de [schilder]school, waar moeder Natuur op den voorgrond staat, en zij alleen geraadpleegd wordt om 'waarheid' op het doek of paneel voor te stellen. – Hij kent de geheimen van de veelvuldige schakeringen der natuur, zijne schilderij is ene getrouwe kopij der natuur, ziedaar den hoogsten lof, die een schilder kan toegezwaaid worden..
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 27-28

Truth, Secret, School, Faith

“I received your favor. In reply I will say concerning the plates, I do say that the angel did show to me the plates containing the Book of Mormon. Further, the translation that I carried to Prof. Anthon was copied from these same plates; also, that the professor did testify to it being a correct translation. I do firmly believe and do know that Joseph Smith was a prophet of God, for without I know, he could not [have] had that gift, neither could he have translated the same. I can give, if you require it, one hundred witnesses to the proof of the Book of Mormon. I defy any man to show to me any passage of scripture that I am not posted on or familiar with. I will answer any questions you feel like asking to the best of my knowledge, if you can rely on my testimony of the same. In conclusion, I can say that I arrived at Utah safe, in good health and spirits, considering the long journey. I am quite well at present and have been, generally speaking, since I arrived. With many respects, I remain your humble friend.”

Martin Harris (1783–1875) Book of Mormon witness

The True Latter Day Saints’ Herald 22:630, 1875.
Letter written by Harris to the early Reorganized Church of Jesus Christ of Latter Day Saints newspaper after his arrival in Utah . The letter was addressed to “Mr. Emerson, Sir,” and is dated Smithfield, Utah, Nov. 23rd, 1870. (1870)

God, Health, Books, Angels

“[Carl] Rogers’s Encounter Groups … is copy for the campaign of self-manipulation in an age of mass manipulation. … The notion here is simple: the real person is locked within the artificial, the role, and needs a little encouragement to step out into the fresh air. As with the neo-Freudians, society is conceived as an external factor, an outside force acting on the individual, but not decisively casting the individual from without and from within. The mechanical conception, severing within and without, and presupposing that only the outside is prey to social forces, is assumed or stated throughout the post-Freudian writings.”

Russell Jacoby (1945) American historian

Source: Social Amnesia: A Critique of Conformist Psychology from Adler to Laing (1975), pp. 67-68

Age, Decision, Personality

“The big artist does not sit down monkey like & copy a coal scuttle or an ugly old woman like some Dutch painters have done nor a dungpile, but he keeps a sharp eye on Nature & steals her tools. He learns what she does with light the big tool & then colour then form and appropriates them to his own use. Then he's got a canoe of his own smaller than Nature's but big enough for every purpose except to paint the midday sun which is not beautiful at all. It is plenty strong enough though to make midday sunlight or the setting sun if you know how to handle it. With this canoe he can sail parallel to Nature's sailing. He will soon be sailing only where he wants to selecting nice little coves & shady shores or storms to his own liking, but if ever he thinks he can sail another fashion from Nature or make a better shaped boat he'll capsize or stick in the mud & nobody will buy his pictures or sail with him in his old tub.”

Thomas Eakins (1844–1916) American painter

Letter to Benjamin Eakins (1868-03-03).

Beauty, Fashion, Nature, Thinking

“Russian Roulette should not, under any circumstances, be copied. It is extremely dangerous.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Derren Brown Plays Russian Roulette Live (2003)

“Being encouraged by… success, beyond expectation; I afterwards ventured on many others and scarce missed of any, that I undertook, for many years, during our civil Wars, and afterwards. But of late years, the French Methods of Cipher are grown so intricate beyond what it was wont to be, that I have failed of many; tho' I have master'd divers of them. Of such deciphered Letters, there be copies of divers remaining in the Archives of the Bodleyan Library in Oxford; and many more in my own Custody, and with the Secretaries of State.”

John Wallis (1616–1703) English mathematician

Dr. Wallis's Account of some Passages of his own Life (1696)

War, Success

“Research desk: Despite the Russian court’s condemnation and the Dodd Keating congressional report in 1964, the world wide use and publication of the “Protocols” has continued.
Not only did the Ku Klux Klan continue to distribute the book in America.. but in 1968, in Beiruit, the Islamic institute there published 300,000 copies in French, Italian, Spanish, and Arabic.
Graphic novelist: Then why? Why? When everyone knows that the “protocols” is a fake… why are they still publishing it?”

Will Eisner (1917–2005) American cartoonist

'Research desk: Because it is a weapon of mass deception!'
Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), p.114

Books, World

“I bought a copy of the Nashville Tennessean out of a metal box, just to see what was happening in the world. The principal story indicated that the state legislature, in one of those moments of enlightenment with which the southern states often strive to distinguish themselves, was in the process of passing a law forbidding schools from teaching evolution. Instead they were to be required to instruct that that the earth was created by God, in seven days, sometime, oh, before the turn of the century. The article reminded us that this was not a new issue in Tennessee. The little town of Dayton—not far from where Katz and I now sat, as it happened—was the scene of the famous Scopes trial in 1925, when the state prosecuted a schoolteacher named John Thomas Scopes for rashly promulgating Darwinian hogwash. As nearly everyone knows, Clarence Darrow, for the defense, roundly humiliated William Jennings Bryan, for the prosecution, but what most people don’t realize is that Darrow lost the case. Scopes was convicted, and the law wasn’t overturned in Tennessee until 1967. And now the state was about to bring the law back, proving conclusively that the danger for Tennesseans isn’t so much that they may be descended from apes as overtaken by them.”

Bill Bryson A Walk in the Woods

Source: A Walk in the Woods (1997), Chapter 8 (pp. 107-108)

God, People, World, School

“All the copy-cat predictions of a Muslim takeover of Europe not only ignore history and Europe’s ineradicable viciousness and Europe's ineradicable piousness, but do a serious disservice by exacerbating fear and hatred. And when it comes to hatred, trust me: The Europeans don't need our help.”

Ralph Peters (1952) American military officer, writer, pundit

Source: 2000s, Wars of Blood and Faith: The Conflicts That Will Shape the Twenty-First Century (2007), p. 334

Fear, History, Cats, Help

“Bombay, which sold about 120,000 copies, is widely rated as my most successful work, though Roja is definitely the score that brought me where I am today.”

A. R. Rahman (1966) Indian singer and composer

In “A R Rahman: Composing a winning score”.

Success

“Half the campus was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe; Benton had been endowed with one to begin with, and had smiled and sweated and and spoken for the other. A visitor looked under black beams, through leaded casements (past apple boughs, past box, past chairs like bath-tubs on broomsticks) to a lawn ornamented with one of the statues of David Smith; in the months since the figure had been put in its place a shrike had deserted for it a neighboring thorn tree, and an archer had skinned her leg against its farthest spike. On the table in the President’s waiting-room there were copies of Town and Country, the Journal of the History of Ideas, and a small magazine—a little magazine—that had no name. One walked by a mahogany hat-rack, glanced at the coat of arms on an umbrella-stand, and brushed with one’s sleeve something that gave a ghostly tinkle—four or five black and orange ellipsoids, set on grey wires, trembled in the faint breeze of the air-conditioning unit: a mobile. A cloud passed over the sun, and there came trailing from the gymnasium, in maillots and blue jeans, a melancholy procession, four dancers helping to the infirmary a friend who had dislocated her shoulder in the final variation of The Eye of Anguish.”

Randall Jarrell book Pictures from an Institution

Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel

Smile, History, Idea, Tree

“[T]he mytaphysicks and logick of the Bráhmens, comprised in their six philosophical Sástras… have never yet been accessible to Europeans; and, by the help of the Sanscrit language, we now may read the works of the Saugatas, Bauddhas, A'rhatas, Jainas, and other heterodox philosophers, whence we may gather the metaphysical tenets prevalent in China and Japan, in the eastern peninsula of India, and in many considerable nations of Tartary: there are also some valuable tracts on these branches of science in Persian and Arabick, partly copied from the Greeks, and partly comprising the doctrines of the Súfís which anciently prevailed, and still prevail in great measure over this oriental world, and which the Greeks themselves condescended to borrow from eastern sages.”

William Jones (1746–1794) Anglo-Welsh philologist and scholar of ancient India

"On the Philosophy of the Asiatics" (1794)

World, Science, Reading, Help

“Only another writer, someone who had worked his heart out on a good book which sold three thousand copies, could appreciate the thrill that overcame me one April morning in 1973 when Dean Rivers of our small college in Georgia appeared at my classroom door.”

James A. Michener book Centennial

Centennial (1974) First lines

Books, Appearance, Heart

“Our friends up north spend over five billion dollars on research and development and all they seem to do is copy Google and Apple.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

On Microsoft, at the Worldwide Developer's Conference (August 2006)
2000s

“I recommend [the students] that you should work actively at the Hermitage and study the artistic structures of Rubens, Rembrandt, Titian, Watteau, Poussin, and other painters, even Chardin, where he is an artist. Study very closely their dabbing manner of execution and try to copy a small piece of canvas, just one square inch.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote in a letter of Malevich to his student Yudin, summer of 1924; as quoted in Marc Chagall – the Russian years 1906 – 1922, ed. By Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 66
1921 - 1930

Study

“On airlines, so many passengers' faces are buried in John Grisham books, they could be complimentary copies for Grisham Airlines.”

Kate Clinton (1947) American comedian

Don't Get Me Started

Books

“My mother had rubbings from the temple at Angkor Watt on the walls-that was the first thing that interested me. But it really began when I was in my teens, when my mother gave me a copy of A Passage to India. I really came into it from literature-only later did I turn to religious literature. I read Rumer Godden's Mooltiki, and other stories and poems of India (1957) and I read Kipling's Jungle Books. Then I read the Upanishads, and it was just so fascinating to me. I was raised by atheist and communist parents, so we had no religion whatsoever.”

Wendy Doniger (1940) American Indologist

About her first introduction to India.
Q&A with Wendy Doniger, the Mircea Eliade Distinguished Service Professor and author of The Hindus

Books, Religion, Literature, Parent

“We live small lives on the periphery; we are marginalized and there's a great deal in which we choose not to participate. We wanted silence and we have that silence now. We arrived here speckled in sores and zits, our colons so tied in knots that we never thought we'd have a bowel movement again. Our systems had stopped working, jammed with the odor of copy machines, Wite-Out, the smell of bond paper, and the endless stress of pointless jobs done grudgingly to little applause. We had compulsions that made us confuse shopping with creativity, to take downers and assume that merely renting a video on a Saturday night was enough. But now that we live here in the desert, things are much, much better.”

Douglas Coupland (1961) Canadian novelist, short story writer, playwright, and graphic designer

Generation X (1991)

Silence, Night

“Simply because I liked it so much I saw it in Venice and thought: I'd like to have that for myself. To start with I only meant to make a copy, so that I could have a beautiful painting at home and with it a piece of that period, all that potential beauty and sublimity... Then my copy went wrong, and the pictures that finally emerged went to show that it just can't be done any more, not even by way of a copy. All I could do was to break the whole thing down and show that it's no longer possible”

Gerhard Richter (1932) German visual artist, born 1932

Richter's quote refers to his 'Annunciation after Titian', he made in 1973
Source: after 2000, Doubt and belief in painting' (2003), p. 104, note 52

Beauty, Way, Quotes, Home

“An artist is a deception.... an artist is only an artist at certain times, by an effort of will.... the study of nature is a cliché; isn't Manet the living proof? For although he prided himself on slavishly copying nature, he was the most inadequate painter in the world, not making a single brushstroke without reference to the old masters; for instance, he refrained from drawing fingernails because Frans Hals did not draw them.”

Edgar Degas (1834–1917) French artist

Quote of Degas, in his talk with the visiting Mallarmé, 1880's; as cited in Berthe Morisot, the first lady of Impressionism, by Margaret Sehnan; Sutton Publishing (ISBN 0 7509 2339 3), 1996, p. 234
1876 - 1895

World, Nature, Effort, Study

“It were to be wished that no youth of genius were suffered ever to look into Statius, Lucan, Claudian, or Seneca the tragedian; authors who, by their forced conceits, by their violent metaphors, by their swelling epithets, by their want of just decorum, have a strong tendency to dazzle and to mislead inexperienced minds, and tastes unformed, from the true relish of possibility, propriety, simplicity, and nature. […] If I might venture to pronounce so rigorous a sentence, I would say, that the Romans can boast of but eight poets who are unexceptionably excellent,—namely, Terence, Lucretius, Catullus, Virgil, Horace, Tibullus, Propertius, Phaedrus. These only can be called legitimate models of just thinking and writing. Succeeding authors, as it happens in all countries, resolving to be original and new, and to avoid the imputation of copying, become distorted and unnatural. By endeavouring to open an unbeaten path, they deserted simplicity and truth; weary of common and obvious beauties, they must needs hunt for remote and artificial decorations…”

Joseph Warton (1722–1800) English literary critic

An Essay on the Genius and Writings of Pope, Vol. II (1782), pp. 21–24

Truth, Youth, Beauty, Nature

“I do hope, that if I ever do anything, at least to have the merit of not copying anyone.”

Frédéric Bazille (1841–1870) French painter

Quote in Bazille's letter to his father, 1864; as cited in: article: Frédéric Bazille and the Birth of Impressionism, Corrinne Chong, PhD -independent scholar http://www.19thc-artworldwide.org/autumn17/chong-reviews-frederic-bazille-and-the-birth-of-impressionism 1861 - 1865

Hope

“You've already got a DVD. It lasts forever. It never wears out. In the digital world, we don't need back-ups, because a digital copy never wears out. It is timeless.”

Jack Valenti (1921–2007) President of the MPAA

Responding to a question on breaking encryption to make a back-up copy of a DVD.
Interview in Harvard Political Review (2002)

World

“Implementing best practice is copying yesterday; innovation is inventing tomorrow.”

Paul Sloane (1950) British author and puzzle designer

Source: Quoted in "Paul Sloane Quotes on Goodreads https://www.goodreads.com/quotes/770591-implementing-best-practice-is-copying-yesterday-innovation-is-inventing-tomorrow/ (1 April 2013)

“You contain a trillion copies of a large, textual document written in a highly accurate, digital code, each copy as voluminous as a substantial book. I'm talking, of course, of the DNA in your cells.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

The Richard Dimbleby Lecture: Science, Delusion and the Appetite for Wonder (1996)

Books

“The trouble with us in America isn't that the poetry of life has turned to prose, but that it has turned to advertising copy.”

Louis Kronenberger (1904–1980) American critic and writer

"The Spirit of the Age", p. 18.
Company Manners: A Cultural Inquiry into American Life (1954)

Life

“Restricting copying is not the only basis for business in software. It is the most common basis because it brings in the most money. If it were prohibited, or rejected by the customer, software business would move to other bases of organization which are now used less often. There are always numerous ways to organize any kind of business.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

1980s, GNU Manifesto (1985)

Money, Way, Business

“How little inventiveness there is in man,
Grave copier of copies, I give thanks
For a new relish, careless to inquire
My pleasure's pedigree, if so it please,
Nobly, I mean, nor renegade to art.
The Grecian gluts me with its perfectness,
Unanswerable as Euclid, self-contained,
The one thing finished in this hasty world,
Forever finished, though the barbarous pit,
Fanatical on hearsay, stamp and shout
As if a miracle could be encored.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

The Cathedral, st. 9

Pleasure, World, Art, Perfection

“Most chess books only sell a few thousand copies, and a book titled something like “Women in Chess” would sell even fewer. The idea with this title was to spread the book outside the competitive chess world. I’m interested in attracting readers who love chess but play only casually, and feminists interested in male dominated fields.”

Jennifer Shahade (1980) chess player

On the title of her book Chess Bitch : Women in the Ultimate Intellectual Sport
Gothamist interview (2006)

Love, Women, Books, World

“In Abstract Expressionism the paintings symbolize the idea of ground-directedness as opposed to object-directedness. You put something down, react to it, put something else down, and the painting itself becomes a symbol of this. The difference is that rather than symbolize this ground-directedness I do an object-directed appearing thing. There is humor here. The work is still ground-directed; the fact that it's an eyebrow or an almost direct copy of something is unimportant. The ground-directedness is in the painter's mind and not immediately in apparent in the painting. Pop Art makes the statement that ground-directedness is not a quality that the painting has because of what it looks like…”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

Art, Idea, Appearance, Painting

“The circumstance which gives authors an advantage above all these great masters, is this, that they can multiply their originals; or rather, can make copies of their works, to what number they please, which shall be as valuable as the originals themselves.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 166 (10 September 1711).
The Spectator (1711–1714)

“id is both a technology and an art company, so we try to push the art and the technology to its edge on each game, and when you're into high-tech you want to make sure your game can run on several platforms, and you have some room to experiment with several architectures. We don't want to have a basic product, get it out the door, sell as many copies as we can, and then just do the next one. Everyone's putting a lot of soul into the games, and id has got enough money overhead to decide that they can afford to have game ports to show that technology is good on Linux and on Apple hardware.”

Timothee Besset French software programmer

Quoted in Dustin Reyes, "Interview with id Software's Timothee Besset" http://web.archive.org/web/20040924113843/http://www.linuxgames.com/?dataloc=articles/ttimo/ LinuxGames (2004-08-22).

Money, Art, Soul, Game

“To me, Pollock is the height of American painting. It's very lyrical. Gorky, who is very passionate, can copy a drawing or take a drawing and copy it exactly as a painting, and Miro can too, it's amazing. Miro can do a drawing to paint and that's another training in a sense. So there's a certain mannerism that comes in both of them [three], and probably everything becomes obvious in time. But I don't have that. The line is illustrated or the colour. I'm sure it has great feeling when they're doing it, but it's more towards defining something. It has a certain clarity because it's a complex thing. I'm a painter and my whole balance is not having to think about things. So all I think about is painting. It's the instinct for the placement where all that happens. I don't have to think about it. So I don't think of composition; I don’t think of colour here and there. Sometimes I alter something after. So all I could think is the rush... I cannot make a picture unless everything is working. It's like a state.”

Cy Twombly (1928–2011) American painter

Source: 2000 - 2011, Cy Twombly, 2000', by David Sylvester (June 2000), p. 179

Feeling, Thinking, Sense, Passion