Quotes about clock
page 3

Lee Smolin photo
Robert A. Heinlein photo
Norman Mailer photo
Jonah Lehrer photo
Melinda M. Snodgrass photo
Derren Brown photo
Michele Bachmann photo

“Well I couldn't agree with you more, so the timing and the sense of urgency. That's why with everything within us we need to start literally banging garbage lids together, to create enough noise so that our neighbors and our co-workers realize where the time clock is at this point, because the second hand is literally banging up against 11:59 on the clock on freedom when it comes to health care.”

Michele Bachmann (1956) American politician

On right-wing radio station Hot Tea Radio, 2010-03-08
Erik
Kleefeld
Bachmann: 'We Need To Start Literally Banging Garbage Lids Together' Against Health Care Bill
TPM via the Minnesota Independant
2010-03-10
http://talkingpointsmemo.com/dc/bachmann-we-need-to-start-literally-banging-garbage-lids-together-against-health-care-bill
2016-11-18
2010s

David Ogilvy photo

“At 60 miles an hour the loudest noise in this Rolls-Royce comes from the electric clock.”

David Ogilvy (1911–1999) Advertising executive

Source: Rolls-Royce print ad, 1958. This is sometimes referred to as the most famous headline in advertising history.

Chris Rea photo
James Jeans photo

“The human race, whose intelligence dates back only a single tick of the astronomical clock, could hardly hope to understand so soon what it all means.”

James Jeans (1877–1946) British mathematician and astronomer

Source: The Stars in their Courses (1931), p. 153.

Jacob Bronowski photo
Robert Hooke photo
Kate Bush photo
Richard Dawkins photo

“Don't call him "clock boy" since he never made a clock. Hoax Boy, having hoaxed his way into the White House, now wants $15M in addition!”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

@RichardDawkins https://twitter.com/RichardDawkins/status/669098728662409216 ()
Regarding the Ahmed Mohamed clock incident.
Twitter

Jeremy Clarkson photo
John Updike photo
Ed Bradley photo
Sister Nivedita photo
Ernst Bloch photo
Louis de Broglie photo

“Assuming that the particle has an internal vibration which allows to assimilate it to a small clock, I supposed that the clock was traveling with the wave in such a way that its internal vibration remained constantly in phase with the wave's : this is the phase matching postulate.”

Louis de Broglie (1892–1987) French physicist

Admettant que la particule possède une vibration interne qui permet de l'assimiler à une petite horloge, je supposais que cette horloge se déplaçait dans son onde de façon que sa vibration interne reste constamment en phase avec celle de l'onde : c'est le postulat de l'accord des phases.
Sur les véritables idées de base de la mécanique ondulatoire, Louis de Broglie, C. R. Acad. Sci., 277, série B, 1973, p. 71-73.

Théodore Rousseau photo
Jerome K. Jerome photo
Charles Krauthammer photo
Pete Seeger photo

“I like to say I'm more conservative than Goldwater. He just wanted to turn the clock back to when there was no income tax. I want to turn the clock back to when people lived in small villages and took care of each other.”

Pete Seeger (1919–2014) American folk singer

" The Old Left http://www.nytimes.com/1995/01/22/magazine/sunday-january-22-1995-the-old-left.html?n=Top/Reference/Times%20Topics/People/S/Seeger,%20Pete", New York Times Magazine, 22 January 1995, sect. 6 p. 13

Henry Wadsworth Longfellow photo
Philip Pullman photo
Johann Wolfgang von Goethe photo
Ayaan Hirsi Ali photo
John Lanchester photo
Ryū Murakami photo
Oliver Stone photo
Franz Kafka photo
Robert Jordan photo
Graham Greene photo
Lee Child photo
Bill Bryson photo

“I knew more things in the first ten years of my life than I believe I have known at any time since. I knew everything there was to know about our house for a start. I knew what was written on the undersides of tables and what the view was like from the tops of bookcases and wardrobes. I knew what was to be found at the back of every closet, which beds had the most dust balls beneath them, which ceilings the most interesting stains, where exactly the patterns in wallpaper repeated. I knew how to cross every room in the house without touching the floor, where my father kept his spare change and how much you could safely take without his noticing (one-seventh of the quarters, one-fifth of the nickels and dimes, as many of the pennies as you could carry). I knew how to relax in an armchair in more than one hundred positions and on the floor in approximately seventy- five more. I knew what the world looked like when viewed through a Jell-O lens. I knew how things tasted—damp washcloths, pencil ferrules, coins and buttons, almost anything made of plastic that was smaller than, say, a clock radio, mucus of every variety of course—in a way that I have more or less forgotten now. I knew and could take you at once to any illustration of naked women anywhere in our house, from a Rubens painting of fleshy chubbos in Masterpieces of World Painting to a cartoon by Peter Arno in the latest issue of The New Yorker to my father’s small private library of girlie magazines in a secret place known only to him, me, and 111 of my closest friends in his bedroom.”

Bill Bryson (1951) American author

Source: The Life And Times of the Thunderbolt Kid (2006), p. 36

Robert A. Heinlein photo
Elton John photo
Shahrukh Khan photo
Alan Rusbridger photo

“We're no longer a once-a-day text medium for a predominantly domestic audience. Increasingly - around the clock - we use a combination of media in telling stories, and in commentary, to millions of users around the globe.”

Alan Rusbridger (1953) British newspaper editor

Alan Rusbridger. " We're all doomed to be surprised http://www.theguardian.com/media/2007/aug/20/mondaymediasection3" The Guardian, Monday 20 August 2007; Partly cited in: Peter English. "Caught by the Web: The Case of Guardian News & Media's Sports Desk." Journal of Sports Media 7.1 (2012): 133-148.
2000s

James Clapper photo

“Looking at the recording of that interview, I again appeared tired. This time, I wasn't tired from working around the clock for months on end. I was tired because my journey of 76 years had led me to a place that should be home, and I'd found that the foundation of that home was beginning to crumble and the pillars that supported its roof were shaking.”

James Clapper (1941) US government official

Excerpt from Clapper's memoir Facts And Fears, in reference to a video of himself on a talk show prior to the release of the book, quoted in [In 'Facts And Fears,' Ex-Spy Boss Clapper Comes In From The Cold, Badly Chilled, https://www.npr.org/2018/05/22/613107871/in-facts-and-fears-ex-spy-boss-clapper-comes-in-from-the-cold-badly-chilled, 27 July 2018, National Public Radio, May 22, 2018]

Louis Brownlow photo
George W. Bush photo
Letitia Elizabeth Landon photo

“There is a flower, a magical flower,
On which love hath laid a fairy power;
Gather it on the eve of St. John,
When the clock of the village is tolling one;
Let no look be turned, no word be said,
And lay the rose-leaves under your head;
Your sleep will be light, and pleasant your rest,
For your visions will be of the youth you love best.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(28th December 1822) Fragments in Rhyme X: The Eve of St. John
28th December 1822) Fragments in Rhyme XI: The Emerald Ring — a Superstition see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

Thom Yorke photo

“Time is running out for us
But you just move the hands upon the clock
You throw coins in the wishing well
For us
You just move your hands upon the wall”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

"The Clock"
Lyrics, The Eraser (2006)

John Gray photo
Erkki Pulliainen photo

“Lehtomäki has to be put on a round-the-clock supervision. She is more interested in destroying than protecting the nature.”

Erkki Pulliainen (1938) Finnish zoologist and politician

Keskustan ympäristöteot pelottavat, Kaleva 15.5.2008.

Lewis Mumford photo

“The clock, not the steam-engine, is the key-machine of the modern industrial age.”

Source: Technics and Civilization (1934), Ch. 1, sct. 2

Boris Johnson photo

“In 1904, 20 per cent of journeys were made by bicycle in London. I want to see a figure like that again. If you can't turn the clock back to 1904, what's the point of being a Conservative?”

Boris Johnson (1964) British politician, historian and journalist

Boris Johnson on South Bank for Barclays Cycle Hire launch http://www.london-se1.co.uk/news/view/4722, London SE1, 30 July 2010
Said during the official launch of the Barclays Cycle Hire scheme.
2010s, 2010

Ambrose Bierce photo
Jane Roberts photo
Christopher Hitchens photo
William Hazlitt photo

“The mind of man is like a clock that is always running down, and requires to be as constantly wound up.”

William Hazlitt (1778–1830) English writer

"On Cant and Hypocrisy"
Men and Manners: Sketches and Essays (1852)

Aldo Leopold photo

“It’s a game against the clock, but what isn’t?”

Source: Mother of Storms (1994), p. 104

Jean de La Bruyère photo

“Making a book is a craft, like making a clock; it needs more than native wit to be an author.”

C'est un métier que de faire un livre, comme de faire une pendule: il faut plus que de l'esprit pour être auteur.
Aphorism 3; Variant translation: It requires more than mere genius to be an author.
Les Caractères (1688), Des Ouvrages de l'Esprit

Robert Frost photo
George Pólya photo
Manuel Castells photo

“But we are not just witnessing a relativisation of time according to social contexts or alternatively the return to time reversibility as if reality could become entirely captured in cyclical myths. The transformation is more profound: it is the mixing of tenses to create a forever universe, not self-expanding but self-maintaining, not cyclical but random, not recursive but incursive: timeless time, using technology to escape the contexts of its existence, and to appropriate selectively any value each context could offer to the ever-present. I argue that this is happening now not only because capitalism strives to free itself from all constraints, since this has been the capitalist system’s tendency all along, without being able fully to materialize it. Neither is it sufficient to refer to the cultural and social revolts against clock time, since they have characterized the history of the last century without actually reversing its domination, indeed furthering its logic by including clock time distribution of life in the social contract. Capital’s freedom from time and culture’s escape from the clock are decisively facilitated by new information technologies, and embedded in the structure of the network society.
The transformation of time as surveyed in this chapter does not concern all processes, social groupings, and territories in our societies, although it does affect the entire planet. What I call timeless time is only the emerging, dominant form of social time in the network society, as the space of flows does not negate the existence of places. It is precisely my argument that social domination is exercised through the selective inclusion and exclusion of functions and people in different temporal and spatial frames.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: The Rise of the Network Society, 1996, p. 433–434 as quoted in: Wayne Hope (2006) Global Capitalism and the Critique of Real Time http://www.sagepub.com/dicken6/Sociology%20Online%20readings/CH%202%20-%20HOPE.pdf. Sage publications. p. 289

Ernest Hemingway photo
Garth Nix photo
Simon Armitage photo
James Howard Kunstler photo
William S. Burroughs photo
Jim Butcher photo

“Harry Dresden: Even a broken clock gets it right occasionally.”

Source: The Dresden Files, Turn Coat (2009), Chapter 47

“And then, all of a sudden, it was as though through those dark eyes an electrical circuit had been struck. She sat fascinated. Snake-and-bird fascinated. Afterwards she could not recall the details of what he had said. She remembered only that she had been absorbed, rapt, lost, for over ten minutes by the clock. She had perceived images conjured up from the dead past: a hand trailed in clear river water, deliciously cool, while the sun smiled and a shoal of tiny fishes darted between her fingers; the crisp flesh of a ripe apple straight from the tree, so juicy it ran down her chin; grass between her bare toes, the turf like springs so that she seemed not to bear the whole of her weight on her soles but to be floating, dreamlike, in slow motion, instantly transported to the moon; the western sky painted with vast heart-tearing slapdash streaks of red below the bright steel-blue of clouds, and stars coming snap-snap into view against the eastern dark; wind gentle in her hair and on her cheeks, bearing flower perfumes, dusting her with petals; snow cold to the palm as it was shaped into a ball; laughter echoing from a dark lane where only lovers walked, not thieves and muggers; butter like an ingot of soft gold; ocean spray sharp and clean as the edge of an axe; with the same sense of safe, provided rightly used; round pebbles polychrome beside a pool; rain to which a thirsty mouth could open, distilling the taste of a continent of air... And under, and through, and in, and around all this, a conviction: “Something can be done to get that back!”
She was crying. Small tears like ants had itched their paths down her cheeks. She said, when she realized he had fallen silent, “But I never knew that! None of it! I was born and raised right here in New York!””

”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

Oliver Goldsmith photo
Arthur Schopenhauer photo
William S. Burroughs photo
Poul Anderson photo
Thomas Hobbes photo
Marcus Orelias photo
Byron Katie photo

“Stress is an alarm clock that lets you know you’ve attached to something not true for you.”

Byron Katie (1942) American spiritual writer

Loving What Is: Four Questions That Can Change Your Life (2002)

Michael Chabon photo
Colum McCann photo
P.G. Wodehouse photo
Jack Vance photo
Jeff VanderMeer photo
Charles Stuart Calverley photo
Robert G. Ingersoll photo

“In the old times of which I have spoken, they desired to make all men think exactly alike. All the mechanical ingenuity of the world cannot make two clocks run exactly alike, and how are you going to make hundreds of millions of people, differing in brain and disposition, in education and aspiration, in conditions and surroundings, each clad in a living robe of passionate flesh — how are you going to make them think and feel alike?”

Robert G. Ingersoll (1833–1899) Union United States Army officer

The Liberty of Man, Woman and Child (1877)
Context: In the old times of which I have spoken, they desired to make all men think exactly alike. All the mechanical ingenuity of the world cannot make two clocks run exactly alike, and how are you going to make hundreds of millions of people, differing in brain and disposition, in education and aspiration, in conditions and surroundings, each clad in a living robe of passionate flesh — how are you going to make them think and feel alike? If there is an infinite god, one who made us, and wishes us to think alike, why did he give a spoonful of brains to one, and a magnificent intellectual development to another? Why is it that we have all degrees of intelligence, from orthodoxy to genius, if it was intended that all should think and feel alike?

Lyndon B. Johnson photo

“It is empty to plead that the solution to the dilemmas of the present rests on the hands of the clock. The solution is in our hands.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, Memorial Day speech (1963)
Context: It is empty to plead that the solution to the dilemmas of the present rests on the hands of the clock. The solution is in our hands. Unless we are willing to yield up our destiny of greatness among the civilizations of history, Americans — white and Negro together — must be about the business of resolving the challenge which confronts us now.

Mike Scott photo

“He stopped every clock in New York state
and every heart that heard him
and time itself was beaten and confused
and fell lamb-like under the spell of his
fabulous flashing fingers”

Mike Scott (1958) songwriter, musician

"The Return of Jimi Hendrix"
Dream Harder (1993)
Context: He did a forty-two minute
cosmic rise in future shocks
Star Spangled Banner
in the back of CBGB's He stopped every clock in New York state
and every heart that heard him
and time itself was beaten and confused
and fell lamb-like under the spell of his
fabulous flashing fingers He played an encore at the Bitter End
a heartburst Little Wing
even the waiters cried
and then we fell outside
and in the dusty dawn of Bleeker street
a sweet rain fell
and Jimi died.

Cyrano de Bergerac photo

“When I opened a box, I found inside something made of metal, somewhat like our clocks, full of an endless number of little springs and tiny machines. It was indeed a book, but it was a miraculous one that had no pages or printed letters. It was a book to be read not with eyes but with ears.”

Cyrano de Bergerac (1619–1655) French novelist, dramatist, scientist and duelist

The Other World (1657)
Context: When I opened a box, I found inside something made of metal, somewhat like our clocks, full of an endless number of little springs and tiny machines. It was indeed a book, but it was a miraculous one that had no pages or printed letters. It was a book to be read not with eyes but with ears. When anyone wants to read, he winds up the machine with a large number of keys of all kinds. Then he turns the indicator to the chapter he wants to listen to. As though from the mouth of a person or a musical instrument come all the distinct and different sounds that the upper-class Moon-beings use in their language.
When I thought about this marvelous way of making books, I was no longer surprised that the young people of that country know more at the age of sixteen or eighteen than the greybeards of our world. They can read as soon as they can talk and are never at a loss for reading material. In their rooms, on walks, in town, during voyages, on foot or on horseback, they can have thirty books in their pockets or hanging on the pommels of their saddles. They need only wind a spring to hear one or more chapters or a whole book, if they wish. Thus you always have with you all the great men, both living and dead, who speak to you in their own voices.

Ray Bradbury photo

“I stopped my inner time clock at the age of 14. Another reason I became a writer was to escape the hopelessness and despair of the real world and enter the world of hope I could create with my imagination.”

Ray Bradbury (1920–2012) American writer

Playboy interview (1996)
Context: I was madly in love with Hollywood. … I was so blindly and madly in love with the film and radio business in Hollywood that I didn't realize what a pest I was. George no doubt thought he could get me off his back by using my words for one of the eight-line vignettes he had Gracie close their broadcasts with. I wanted to live that special life forever. When that summer was over, I stopped my inner time clock at the age of 14. Another reason I became a writer was to escape the hopelessness and despair of the real world and enter the world of hope I could create with my imagination. … And strangely enough, my parents never protested. They just figured I was crazy and that God would protect me. Of course back then you could go around town at night and never risk getting mugged or beaten up.

Nelson Algren photo

“The clock in the room above the Safari told only Junkie Time.”

Frankie Machine above the Club Safari, where drug is sold.
The Man with the Golden Arm (1949)
Context: The clock in the room above the Safari told only Junkie Time. For every hour here was Old Junkie's Hour and the walls were the color of all old junkies' dreams: the hue of diluted morphine in the moment before the needle draws the suffering blood. / Walls that went up and up like walls in a troubled dream. Walls like water where no legend could be written and no hand grasp metal or wood. [... ] He was falling between glacial walls, he didn't know how anyone could fall so far away from everyone else in the world. So far to fall, so cold all the way, so steep and dark between those morphine-colored walls of [an addict]'s terrible pit.

Alan Moore photo

“The TV, sofa, clock and room, the whole civilisation that contains them once were nothing save ideas.”

Alan Moore (1953) English writer primarily known for his work in comic books

What Is Reality?
Context: The Here-and-Now demands attention, is more present to us. We dismiss the inner world of our ideas as less important, although most of our immediate physical reality originated only in the mind. The TV, sofa, clock and room, the whole civilisation that contains them once were nothing save ideas.

Eugene Field photo
James Joyce photo

“Imagine my glimpses at that clock as the gropings of a spiritual eye which seeks to adjust its vision to an exact focus. The moment the focus is reached the object is epiphanised.”

Stephen Hero (1944)
Context: Imagine my glimpses at that clock as the gropings of a spiritual eye which seeks to adjust its vision to an exact focus. The moment the focus is reached the object is epiphanised. It is just in this epiphany that I find the third, the supreme quality of beauty. … No esthetic theory, pursued Stephen relentlessly, is of any value which investigates with the aid of the lantern of tradition. What we symbolise in black the Chinaman may symbolise in yellow: each has his own tradition. Greek beauty laughs at Coptic beauty and the American Indian derides them both. It is almost impossible to reconcile all tradition whereas it is by no means impossible to find the justification of every form of beauty which has ever been adored on the earth by an examination into the mechanism of esthetic apprehension whether it be dressed in red, white, yellow or black. We have no reason for thinking that the Chinaman has a different system of digestion from that which we have though our diets are quite dissimilar. The apprehensive faculty must be scrutinised in action.

Charles Trenet photo

“The clock goes tic-tac-tic-tic
The birds of the lake pic-pac-pic-pic
Glou-glou-glou go all the turkeys
And the pretty bell ding-dang dong But... BOOM!
When our heart goes Boom,
All else says Boom
And it is Love that awakens.”

Charles Trenet (1913–2001) French singer-songwriter

"Boum!" (1938) - Performance in La route enchantée (1938) http://www.youtube.com/watch?v=p0KWyWwVp0E

“In railway halls, on pavements near the traffic,
They beg, their eyes made big by empty staring
And only measuring Time, like the blank clock.”

Stephen Spender (1909–1995) English poet and man of letters

"In Railway Halls, on Pavements Near the Traffic"
Context: In railway halls, on pavements near the traffic,
They beg, their eyes made big by empty staring
And only measuring Time, like the blank clock. No, I shall weave no tracery of pen-ornament
To make them birds upon my singing tree:
Time merely drives these lives which do not live
As tides push rotten stuff along the shore.

John Adams photo

“The complete accomplishment of it, in so short a time and by such simple means, was perhaps a singular example in the history of mankind. Thirteen clocks were made to strike together — a perfection of mechanism, which no artist had ever before effected.
In this research, the gloriole of individual gentlemen, and of separate States, is of little consequence. The means and the measures are the proper objects of investigation. These may be of use to posterity, not only in this nation, but in South America and all other countries.”

John Adams (1735–1826) 2nd President of the United States

1810s, What do we mean by the American Revolution? (1818)
Context: The colonies had grown up under constitutions of government so different, there was so great a variety of religions, they were composed of so many different nations, their customs, manners, and habits had so little resemblance, and their intercourse had been so rare, and their knowledge of each other so imperfect, that to unite them in the same principles in theory and the same system of action, was certainly a very difficult enterprise. The complete accomplishment of it, in so short a time and by such simple means, was perhaps a singular example in the history of mankind. Thirteen clocks were made to strike together — a perfection of mechanism, which no artist had ever before effected.
In this research, the gloriole of individual gentlemen, and of separate States, is of little consequence. The means and the measures are the proper objects of investigation. These may be of use to posterity, not only in this nation, but in South America and all other countries. They may teach mankind that revolutions are no trifles; that they ought never to be undertaken rashly; nor without deliberate consideration and sober reflection; nor without a solid, immutable, eternal foundation of justice and humanity; nor without a people possessed of intelligence, fortitude, and integrity sufficient to carry them with steadiness, patience, and perseverance, through all the vicissitudes of fortune, the fiery trials and melancholy disasters they may have to encounter.

Robert Frost photo

“One luminary clock against the sky
Proclaimed the time was neither wrong nor right.”

Robert Frost (1874–1963) American poet

" Acquainted with the Night http://www.ketzle.com/frost/acquainted.htm" (1928)
General sources
Context: One luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.

Yevgeny Zamyatin photo

“A literature that is alive does not live by yesterday's clock, nor by today's but by tomorrow's.”

Yevgeny Zamyatin (1884–1937) Russian author

On Literature, Revolution, Entropy and Other Matters (1923)
Context: A literature that is alive does not live by yesterday's clock, nor by today's but by tomorrow's. It is a sailor sent aloft: from the masthead he can see foundering ships, icebergs, and maelstroms still invisible from the deck. He can be dragged down from the mast and put to tending the boilers or working the capstan, but that will not change anything: the mast will remain, and the next man on the masthead will see what the first has seen.
In a storm, you must have a man aloft. We are in the midst of storm today, and SOS signals come from every side.