Quotes about classic
page 6

“First, most producers are employees of firms, not owners. Viewed from the vantage point of classical [economic] theory, they have no reason to maximize the profits of firms, except to the extent that they can be controlled by owners. Moreover, profit-making firms, nonprofit organizations, and bureaucratic organizations all have exactly the same problem of inducing their employees to work toward organizational goals. There is no reason, a priori, why it should be easier (or harder) to produce this motivation in organizations aimed at maximizing profits than in organizations with different goals. If it is true in an organizational economy that organizations motivated by profits will be more efficient than other organizations, additional postulates will have to be introduced to account for it.”

Herbert A. Simon (1916–2001) American political scientist, economist, sociologist, and psychologist

Simon (1991) "Organizations and Markets:" in: Journal of Economic Perspectives. 5 (2 Spring 1991): p. 28.
1980s and later

Motivation, Problem

“War loses a great deal of its romance after a soldier has seen his first battle. I have a more vivid recollection of the first than the last one I was in. It is a classical maxim that it is sweet and becoming to die for one's country; but whoever has seen the horrors of a battlefield feels that it is far sweeter to live for it.”

John S. Mosby (1833–1916) Confederate Army officer

War Loses Its Romance (1887), as quoted at the Veterans Memorial at the Lackawanna County Courthouse in Scranton, Pennsylvania.

War, Feeling, Country

“Khe Sanh will stand in history, I am convinced, as a classic example of how to defeat a numerically superior besieging force by co-ordinated application of firepower.”

William Westmoreland book A Soldier Reports

Source: A Soldier Reports (1976), p. 336.

History

“I’ve noticed, the wealthy part of my audience is unable to take in classical Romance for more than 40 minutes, one hour for them is maximum. The Art is to be apportioned for them in small doses. Like vitamins which are good for you in tiny portions but could be poisonous when taken in a bulk. Intelligentsia is prepared for such vitamins, while nouve riches are not. They have to begin with homeopathic doses.”

Nina Shatskaya (1966) Russian singer

Ogonyok interview. Нина Шацкая, Огонек, 2011-01-01 http://www.ogoniok.com/4977/25/,

Art, Parting

“To approach Bach, one has to realize that 100 years after Bach’s death, Bach and his music totally had been forgotten. Even while he was still alive, Bach himself believed in the polyphonic power and the resulting symmetric architectures of well-proportioned music. But this had been an artificial truth - even for him. Other composers, including his sons, already composed in another style, where they found other ideals and brought them to new solutions. The spirit of the time already had changed while Bach was still alive. A hundred years later, it was Mendelssohn who about 1850 discovered Bach anew with the performance of the St. Matthew Passion. Now a new renaissance began, and the world learned to know the greatness of Bach. To become acquainted with Bach, many transcriptions were done. But the endeavors in rediscovering Bach had been - stylistically - in a wrong direction. Among these were the orchestral transcriptions of Leopold Stokowski, and the organ interpretations of the multitalented Albert Schweitzer, who, one has to confess, had a decisive effect on the rediscovery of Bach. All performances had gone in the wrong direction: much too romantic, with a false knowledge of historic style, the wrong sound, the wrong rubato, and so on. The necessity of artists like Rosalyn Tureck and Glenn Gould - again 100 years later - has been understandable: The radicalism of Glenn Gould pointed out the real clarity and the internal explosions of the power-filled polyphony in the best way. This extreme style, called by many of his critics refrigerator interpretations, however really had been necessary to demonstrate the right strength to bring out the architecture in the right manner, which had been lost so much before. I’m convinced that the style Glenn Gould played has been the right answer. But there has been another giant: it was no less than Helmut Walcha who, also beginning in the 1950, started his legendary interpretations for the DG-Archive productions of the complete organ-work cycle on historic organs (Silbermann, Arp Schnitger). Also very classical in strength of speed and architectural proportions, he pointed out the polyphonic structures in an enlightened but moreover especially humanistic way, in a much more smooth and elegant way than Glenn Gould on the piano. Some years later it was Virgil Fox who acquainted the U. S. with tours of the complete Bach cycle, which certainly was effective in its own way, but much more modern than Walcha. The ranges of Bach interpretations had become wide, and there were the defenders of the historical style and those of the much more modern romantic style. Also the performances of the orchestral and cantata Bach had become extreme: on one side, for example, Karl Richter, who used a big and rich-toned orchestra; on the other side Helmut Rilling, whose Bach was much more historically oriented.”

Burkard Schliessmann classical pianist

Talkings on Bach

Death, Truth, World, Music

“The classical argument for why a supposedly decent and moral creature like Homo sapiens can mistreat and even extirpate other species rests upon an extreme position in a continuum. The Cartesian tradition, formulated explicitly in the seventeenth century, but developed in "folk" and other versions throughout human history no doubt, holds that other animals are little more than unfeeling machines, with only humans enjoying "consciousness," however defined.”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"Can We Truly Know Sloth and Rapacity?" pp. 389
Leonardo's Mountain of Clams and the Diet of Worms (1998)

History, Animals

“This shifted the centre of a truly Hellenic civilization to the east, to the Aegean, the Ionian littoral of Asia Minor and to Constantinople. It also meant that modem Greeks could hardly count as being of ancient Greek descent, even if this could never be ruled out.’ There is a sense in which the preceding discussion is both relevant to a sense of Greek identity, now and earlier, and irrelevant. It is relevant in so far as Greeks, now and earlier, felt that their ‘Greekness’ was a product of their descent from the ancient Greeks (or Byzantine Greeks), and that such filiations made them feel themselves to be members of one great ‘super-family’ of Greeks, shared sentiments of continuity and membership being essential to a lively sense of identity. It is irrelevant in that ethnies arc constituted, not by lines of physical descent, but by the sense of continuity, shared memory and collective destiny, i. e. by lines of cultural affinity embodied in distinctive myths, memories, symbols and values retained by a given cultural unit of population. In that sense much has been retained, and revived, from the extant heritage of ancient Greece. For, even at the time of Slavic migrations, in Ionia and especially in Constantinople, there was a growing emphasis on the Greek language, on Greek philosophy and literature, and on classical models of thought and scholarship. Such a ‘Greek revival’ was to surface again in the tenth and fourteenth centuries, as well as subsequently, providing a powerful impetus to the sense of cultural affinity with ancient Greece and its classical heritage.”

Anthony D. Smith (1939–2016) British academic

Source: National Identity (1991), p. 29: About Ethnic Change, Dissolution and Survival

Family, Feeling, Literature, Sense

“That is what we are against [the ancient-Greek ideas about art], because that is the key to the classic and tragic finality from which we must free ourselves.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian c. 1944, in 'Mondrian in New York: a Memoir', by Carl Holty; 'Arts', Sept. 1957, p. 11; as cited in 'The Aesthetics of Piet Mondrian, by Arthur Chandler https://static1.squarespace.com/static/53b9abe9e4b0366641161844/t/577168f69de4bb1f780e3724/1467050265255/The+Aesthetics+of+Piet+Modrian+by+Arthur+Chandler.pdf; California State University, San Francisco; MSS Information Corporation, New York, 1972 1940's

Art, Idea

“[Italian] Fascism was a variant of classical Marxism, a believe system that pressed some themes argued by both Marx and Engels until they found expression in the form of ‘national syndicalism’ that was to animate the first Fascism.”

A. James Gregor (1929–2019) American political scientist

Source: Young Mussolini and the Intellectual Origins of Fascism, (1979), p. xi

Animals

“As the glossaries lengthen, as the footnotes become more elementary and didactic, the poem, the epic, the drama, move out of balance on the actual page. As even the more rudimentary of mythological, religious or historical references, which form the grammar of Western literature, have to be elucidated, the lines of Spenser, of Pope, of Shelley or of Sweeney Among the Nightingales, blur away from immediacy. Where it is necessary to annotate every proper name and classical allusion in the dialogue between Jessica and Lorenzo in the garden at Belmont, or in Iachimo's stealthy rhetoric when he emerges in Imogen's bedchamber, these marvellous spontaneities of enacted feeling become "literary" and twice-removed.”

George Steiner (1929–2020) American writer

"Tomorrow".
In Bluebeard's Castle (1971)

Feeling, Literature

“Any man can face death but to be committed to bring it as close as possible while performing certain classic movements and do this again and again and again and then deal it out yourself with a sword to an animal weighing half a ton which you love is more complicated than just facing death. It is facing your performance as a creative artist each day and your necessity to function as a skillful killer. Antonio had to kill quickly and mercifully and still give the bull one full chance at him when he crossed over the horn at least twice a day.
Everyone in bullfighting helps everyone else in bullfighting in the ring. In spite of all rivalries and hatreds it is the closest brotherhood there is. Only bullfighters know the risks they run and what the bull can do with his horns to their bodies and their minds.”

Ernest Hemingway (1899–1961) American author and journalist

Source: The Dangerous Summer (1985), Ch. 9

Love, Death, Chance, Help

“A reference framework is required in order to locate events in time and space. With some contractions and omissions, Figure 1.1 shows the conventional divisions for the classical and medieval periods. Even before the birth of the idea of nationality, it is quite acceptable to refer to specific countries, such as Greece and Italy, whose boundaries are well defined. It is also usual to refer to areas in which there is felt to have been some degree of cultural unity —— for example, the Roman Empire and Islam. Sometimes space and time are embraced by one image: the Roman Empire can mean either the first four centuries of our era or the area under Roman dominion. Used with care, these concepts have value for some historical purposes, but they can be very misleading. In the first place, we have to bear in mind the shifting of frontiers; in AD 750, for example, the Iberian peninsula was predominantly Muslim while Asia Minor was Christian — by 1450 the reverse was the case. Also, and this can be more serious, the conventional divisions are associated most closely with political and military realities, and often have little bearing on intellectual or social activities.”

Donald Hill (1922–1994) British historian and engineer

A History of Engineering in Classical and Medieval Times, (1985), 1. Introduction.

Idea, Birth, Reality, Time

“The Faerie Queene is the most extended and extensive meditation on sex in the history of poetry. It charts the entire erotic spectrum, a great chain of being rising from matter to spirit, from the coarsest lust to chastity and romantic idealism. The poem’s themes of sex and politics are parallel: the psyche, like society, must be disciplined by good government. Spenser agrees with the classical and Christian philosophers on the primacy of reason over animal appetites. He looks forward to the Romantic poets, however, in the way that he shows the sex impulse as ultimately daemonic and barbaric, breeding witches and sorcerers of evil allure. Like the Odyssey, The Faerie Queene is a heroic epic in which the masculine must evade female traps or delays.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 188

Sex, Way, History, Evil

“Classical organization theory suffers from "ethnocentrism": It ignores the significance of the political, social, and economic milieu in shaping organizations and influencing managerial practice.”

Douglas McGregor (1906–1964) American professor

Source: The Human Side of Enterprise (1960), p. 16 (p. 23 in 2006 edition)

Suffering

“The central idea of quantum theory is that energy, like matter, is not continuous but it exists only in discrete packets. Discreteness of matter and charge on the microscopic scale seems entirely reasonable and familiar to us, based on the modern picture of atomic structure. But, the idea that energy also exists only in discrete chunks is contrary to our experience of the macroscopic world. The motions of a soccer ball rolling up and down the sides of a gully involve arbitrary amounts of kinetic and potential energy; nothing in ordinary human experience suggests that the energy of a system should change abruptly by “jumps.” Understanding quantum mechanics requires that we develop a new kind of physical intuition, based on the results of experiments that are impossible to understand using classical mechanics. These results are completely divorced from ordinary human experience in the macroscopic world around us, and our physical intuition from the macroscopic world cannot be transferred to the quantum domain. We must resist the urge to interpret these quantum results in terms of ordinary experience.”

David W. Oxtoby (1951) President of Pomona college

Principles of Modern Chemistry (7th ed., 2012), Ch. 4 : Introduction to Quantum Mechanics

World, Idea, Understanding, Change

“The computer's most profound aesthetic implication is that we are being forced to dismiss the classical view of art and reality which insists that man stand outside of reality in order to observe it, and, in art, requires the presence of the picture frame and the sculpture pedestal. The notion that art can be separated from its everyday environment is a cultural fixation [in other words, a mythic structure] as is the ideal of objectivity in science. It may be that the computer will negate the need for such an illusion by fusing both observer and observed, "inside" and "outside."”

Jack Burnham (1931) American art historian

It has already been observed that the everyday world is rapidly assuming identity with the condition of art. Jack Burnham (1969). "The Aesthetics of Intelligent Systems" in Edward F. Fry, ed. (1970). On the Future of Art. New York: The Viking Press, p. 103; as cited in: Edward A. Shanken. "The House That Jack Built: Jack Burnham's Concept of 'Software' as a Metaphor for Art" http://www.artexetra.com/House.html in Leonardo Electronic Almanac 6:10 (November, 1998)

World, Art, Reality, Science

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

World, Lying, Idea, Change

“Whether they are armed with bombs or bacteria, stopping weaponized individuals from harming others ─ intentionally or unintentionally ─ falls perfectly within the purview of the “night-watchman state of classical-liberal theory”.”

Ilana Mercer South African writer

“The Swine Are Loose,” http://takimag.com/article/the_swine_are_loose#axzz3461cvrNm Taki’s Magazine, May 2, 2009. 2000s, 2009

Night

“You got that James Dean daydream look in your eye,
And I got that red lip, classic thing that you like.
And when we go crashing down, we come back every time,
'Cause we never go out of style, we never go out of style.
You've got that long hair slick back, white t-shirt
And I got that good girl faith and a tight little skirt.
And when we go crashing down, we come back every time.
'Cause we never go out of style, we never go out of style”

Taylor Swift (1989) American singer-songwriter

Style, written by Taylor Swift, Max Martin, Shellback, and Ali Payami
Song lyrics, 1989 (2014)

Faith, Girl, Time

“If i were a little braver i would have asked her something like, "Do you think Kickass: the movie is a comedy in the traditional, classical sense?" and we could have that conversation and it would lead to other conversations during the flat and lonely times.”

Daniel Handler book Adverbs

Adverbs (2006), Obviously

Thinking, Sense, Time

“(about concerts)"I love the adrenaline rush you get from having a live audience in front of you. There's nothing like performing live. I like to categorize classical music as one of those really beautiful, glamorous gems from the old era. The men are in tails onstage, the women are in beautiful dresses and the soloist comes out in a gorgeous evening gown. I really, really love that old-school glamour. For me, concert days are always exciting. It doesn't matter if I give 100 concerts or 150 concerts that season. Every concert is magical. Every concert has a sparkle to it. The challenge is to keep myself fresh and to give a spontaneous performance every single night while maturing and growing as a musician every day. The whole art form of being onstage is so mysterious and magical, it fascinates me. "”

Sarah Chang (1980) violinist

Newsweek September 2006 http://www.msnbc.msn.com/id/14870541/site/newsweek/?page=6

Love, Women, Men, School

“Perhaps because so much of what the classical economists wrote about traditional systems of agricultural production was divorced from the seemingly more timeless remarks about pure theory, later readers have passed over such portions of their works in haste. … I argue that these interventionist recommendations were a significant element in the overall thrust of their works. Specifically, classical political economy advocated restricting the viability of traditional occupations in the countryside to coerce people to work for wages.”

Michael Perelman (1939) American economist

Source: The Invention of Capitalism: Classical Political Economy and the Secret History of Primitive Accumulation (2000), p. 3

People

“I don't necessarily see the elements that I invoke on the cover and in the songs as being in binary opposition. I know certain binary tensions emerge between these elements, but a lot of times they're more like archetypal elements; these free-standing, huge forces. Mortality, standing alone, as a thing; as opposed to, "Over here's life; over here's death. Here's bad luck, but here's blessing and redemption. Here's water; here's fire." Certainly those things come up again and again in the songs, but it's not intentional, and probably has more to do with the fact that those things emerge in real life, without any effort on our part whatsoever, than they are derived from any classical tradition. I think classicism in general might reflect more closely the natural order of human life, while postmodernism is somehow removed from the natural order, more cerebral and sterile, removed from real life on some level. So what seems like classicism in some of these songs might be just what I view as an accurate reflection of real life on this planet.”

Joanna Newsom (1982) American musician

Interview with Pitchfork (2006)

Life, Death, Bad luck, Nature

“Mass immigration is swamping the GOP base. Tens of millions of immigrants who vote Democratic, once they are naturalized and registered, have come and are coming to America. History may yet record that the Immigration Act of 1965 act converted 'The Emerging Republican Majority' of Kevin Phillips' classic work into the Lost Colony of the 21st century.”

Patrick Buchanan (1938) American politician and commentator

2000s, State of Emergency (2006)

History, Nature

“The eighteenth-century polymath Thomas Young was the last person to have read all the books published in his lifetime. That means that he would've read all the Shakespeare and all the Greek and Roman classics and all the theology and all the philosophy and all the science. But the same man today, a man who had read all the books published today, would've had to've read all Dan Brown's novels, two volumes of Chris Moyles' autobiography, The World According to Clarkson by Jeremy Clarkson, The World according to Clarkson II by Jeremy Clarkson, The World according to Clarkson III by Jeremy Clarkson… his mind would be awash with bad metaphors and unsustainable, reactionary opinion; one long anecdote about the time that Comedy Dave put a pound coin in the urinal. In short, the man who had read everything published today would be more stupid than a man who had read nothing. That's not a good state of affairs.”

Stewart Lee (1968) English stand-up comedian, writer, director and musician

Series 1 Episode 1: "Toilet Books"

Books, Stupidity, World, Science

“While in the ﬁrst quarter of this century physicists and cosmologists were forced to revise the basic notions that govern the natural sciences, in the last quarter of this century biologists will force a revision of the basic notions that govern science itself. After that “ﬁrst revolution” it was clear that the classical concept of an “ultimate science”, that is an objective description of the world in which there are no subjects (a “subjectless universe”), contains contradictions.”

Heinz von Foerster (1911–2002) Austrian American scientist and cybernetician

Source: 1980s, Notes on an epistemology for living things, 1981, p.258

World, Nature, Universe, Science

“When my brother… was a young boy learning the Chinese classics, I was in the habit of listening with him and I became unusually proficient at understanding those passages that he found too difficult to grasp and memorize. Father, a most learned man, was always regretting the fact: "Just my luck!" he would say. "What a pity she was not born a man!" But then I gradually realized that people were saying "It's bad enough when a man flaunts his Chinese learning; she will come to no good," and since then I have avoided writing the simplest [Chinese] character. My handwriting is appalling.”

Murasaki Shikibu book The Diary of Lady Murasaki

trans. Richard Bowring
The Diary of Lady Murasaki

People, Boy, Understanding, Learning

“Classical science was based upon the belief that it is possible to formulate both the position and velocity at one time of any given particle. It followed that knowledge of the position and velocity of a given number of particles would enable the future behavior of the whole collection to be accurately predicted. The principle of Heisenberg is that given the determination of position, its velocity can be stated only as of a certain order of probability, while if its velocity is determined the correlative factor of position can be stated only as of a certain order of probability. Both cannot be determined at once, from which it follows necessarily that the future of the whole collection cannot possibly be foretold except in terms of some order of probability.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

Behavior, Knowledge, Science, Time

“People have no idea of the sources for my work. I didn't invent anything; It's all there in the culture; it's not a big mystery. I just combine my personal experience with classic cartoon stereotypes.”

Robert Crumb (1943) American cartoonist

Comment made to the press in 1976, quoted in The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 260

People, Idea, Personality

“Indian art has been the product of Indian culture as the Greek art has been the product of Greek culture or the Roman art has been the product of Roman culture. Indian culture, however, has been the product of two streams of thoughts and practices, one, the Folk, belonging to the oral traditions operating at the folk level, in the villages, and, the other, classical, belonging to the sophisticated literary traditions, the former is sometimes called 'Lower Tradition' and the latter 'Higher Tradition.”

Swaraj Prakash Gupta (1931–2007) Indian archaeologist and art historian

Elements of Indian Art (2002)

Art

“I wish more English teachers helped their students engage the classics at the level of raw delight, instead of putting them on the scent of symbols. A novel is not a cryptogram.”

James K. Morrow (1947) (1947-) science fiction author

Source: The Philosopher's Apprentice (2008), P. S. (p. 15)

Teachers, Help

“I think classical music is a great, beautiful art as long as people recognize it. But first we need to calm down and listen to it with heart. In this technologically advanced time, too many things are drawing peoples' attention. Sometimes we need to slow down, look back and feel the beauty of art and life.”

Lang Lang (1982) Chinese pianist

huffingtonpost.com http://www.huffingtonpost.com/2012/09/26/lang-lang_n_1912686.html.

Life, People, Beauty, Art

“I believe that art has a kind of Rightness, as in music, when we hear whether or not a note is false. And that's why classical paintings, which are right in their own terms, are so necessary for me. In addition to that there's nature, which also has this rightness.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 106, note 59

Art, Music, Nature, Painting

“In contrast to the arbitrarily complicated evolution of a (nonintegrable) classical system, all a quantum state ever does is move in circles.”

Sean Carroll (1966) American theoretical cosmologist

FQXi Prize winning essay What if Time Really Exists? http://fqxi.org/community/forum/topic/318, 2008.

“I knew the Classics, but disliked them. What I enjoyed were the romances of Old China, and especially stories of rebellions. I read the Yo Fei Chuan, Shui Hu Chuan, Fan T'ang, San Kuo, and Hsi Yu Chi, while still very young, and despite the vigilance of my old teacher, who hated these outlawed books and called them wicked. I used to read them in school, covering them up with a Classic when the teacher walked past. So also did most of my schoolmates. We learned many of the stories almost by heart, and discussed and re-discussed them many times. We knew more of them than the old men of the village, who also loved them and used to exchange stories with us. I believe that perhaps I was much influenced by such books, read at an impressionable age.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

In Edgar Snow's Red Star Over China (1937)

Love, Men, Hate, Books

“Hayek had high regard for Marx in technical economic theory and considered him a predecessor in his business cycle theory. […] It was not in technical economic theory that the classical Austrians disagreed with Marx. So towering a figure in history is Marx that discussion of his thought in summary form is always difficult, for there is so much that he said and that others have said about him. At the same time, so tendentious, ill-spirited, and just plain wrong a thinker was Marx that it is surprising that he may have had some of the influence attributed to him. Hayek’s opposition to Marx was in the realm of practical political emanations from Marx’s thought. Here he considered Marx’s influence to have been wholly pernicious.”

Alan O. Ebenstein (1959) American political scientist, educator and author

Hayek's Journey: The Mind of Friedrich Hayek (2003)

History, Business, Time

“The combined efforts of Government policy since 1979 have been not to improve but substantially to worsen our competitive position. We have gone from a huge manufacturing surplus of £5.5 billion in 1980 to a 1986 third quarter deficit of £8 billion a year…Even with oil production continuing for some time, the current account has gone from a £3 billion surplus to a deficit predicted by the Chancellor of £1.5 billion…Sadly, the Government's great contribution, having refused to stimulate the economy by more respectable means, is a roaring consumer boom, which there is not the slightest chance of their moderating before an election. A roaring consumer boom does not, to any significant extent, mean more employment. In our competitive position, worsening under the Government, it means overwhelmingly higher imports, a still worse balance of payments position and a classic path to perdition. To have produced, after seven and a half years, the combination of total monetary muddle, a worsened competitive position, a widespread doubt in other countries as to how we are to pay our way in the future, a desperately vulnerable currency and the prospect of an unending plateau of the highest unemployment in a major country in the industrialised world is a unique achievement over which the Chancellor is an appropriate deputy acting presiding officer.”

Roy Jenkins (1920–2003) British politician, historian and writer

Speech http://hansard.millbanksystems.com/commons/1986/nov/06/economic-policy in the House of Commons (6 November 1986) 1980s

World, Way, Effort, Chance

“It's [the art-magazine 'Circle'] been reprinted and it's now referred to as classic. Well it is. But w:Ben Nicholson, Sir Leslie Martin, Gabo and Leslie Martin's wife, Sadie Speaight, and I did that. We were sitting round the fire and we said, 'Why shouldn't we do a book?”

Barbara Hepworth (1903–1975) English sculptor

And so we started and now it's a classic and referred to as such.
Source: 1961 - 1975, Art Talk, conversations with 15 woman artists', (1975), p. 17

Books, Art

“Logical positivism was progressive compared with the classical positivism of Ptolemy, Hume, d'Alembert, Compte, John Stuart Mill, and Ernst Mach. It was even more so by comparison with its contemporary rivals—neo-Thomisism, neo-Kantianism, intuitionism, dialectical materialism, phenomenology, and existentialism. However, neo-positivism failed dismally to give a faithful account of science, whether natural or social. It failed because it remained anchored to sense-data and to a phenomenalist metaphysics, overrated the power of induction and underrated that of hypothesis, and denounced realism and materialism as metaphysical nonsense. Although it has never been practiced consistently in the advanced natural sciences and has been criticized by many philosophers, notably Popper (1959 [1935], 1963), logical positivism remains the tacit philosophy of many scientists. Regrettably, the anti-positivism fashionable in the metatheory of social science is often nothing but an excuse for sloppiness and wild speculation.”

Mario Bunge (1919) Argentine philosopher and physicist

Mario Bunge (1996). Finding Philosophy in Social Science. Yale University Press. p. 317.
1960s-1990s

Faith, Fashion, Nature, Sense

“I admit I know little of Orient art. But that is because I cannot find in it what I am looking for, or what I am talking about. To me the Oriental idea of beauty is that 'it isn’t there'. It is in a state of nor being there. It is absent. That is why it is so good. It is the same thing I don't like in Suprematism, Purism and non-objectivity… I do like the idea that they - the 'pots and pans' [pictured in the classic still life paintings], I mean – are always in relation to man. They have no soul of their own, like they seem to have in the Orient..”

Willem de Kooning (1904–1997) Dutch painter

Quote from De Kooning's lecture Trans/formation, at Studio 35, 1950.
1950's

Life, Beauty, Art, Soul

“This pioneer work, written for both the professional economist and the businessman, has become a classic in its field. It is a detailed examination of the structure of the large business corporation in relation to its actual economic functioning. Because Gordon views the corporation not as an external institution but as organized human activity, his emphasis is on the personal and volitional elements in leadership, or how businessmen actually shape their practices. His analysis is based on a formidable mass of case material and statistical data”

Robert Aaron Gordon (1908–1978) American economist

Abstract
Business Leadership in the Large Corporation (1945)

Business, Personality

“A Christianity split into a diversity of ecclesiastical streams, the dualism implicit within its political agenda – nation-forming on the one side, universalism on the other was further accentuated. The classical eastern orthodox form stressing the power of the emperor was in principle universalist enough in its vision of Constantinople as the New Rome, but in practice Byzantium became a rather thoroughly Greek empire, alienating non-Greeks in Egypt, Syria or the west. This combined with its considerable degree of Caesaropapism led to the generation of a type of church-state relationship characteristic of eastern autocephalous churches of a highly nationalist type.”

Adrian Hastings (1929–2001) Roman Catholic priest, historian and author

Source: The construction of nationhood: ethnicity, religion, and nationalism (1997), p. 202; As cited in: Cristian Romocea (2011) Church and State: Religious Nationalism and State Identification in Post-Communist Romania . p. 90.

Universe

“I have respect for mother nature's methods of robustness (billions of years allow most of what is fragile to break); classical thought is more robust (in its respect for the unknown, the epistemic humility) than the modern post-Enlightenment naïve pseudoscientific autism. Thus my classical values make me advocate the triplet of erudition, elegance, and courage; against modernity’s phoniness, nerdiness and philistinism.”

Nassim Nicholas Taleb book The Bed of Procrustes: Philosophical and Practical Aphorisms

Source: The Bed of Procrustes: Philosophical and Practical Aphorisms (2010), pp. 107-108

Courage, Nature

“The editor of this selection from Chopin’s Pianoforte Studies has, however, no such intention; on the contrary. he wishes to make some of them, which owing to their difficulty have hitherto remained unpopularised, more accessible, particularly to the amateur, by pointing out the way to their correct study. And thus, on the basis of the technical facility to be acquired through these pieces, to enable even the non-professional to enjoy a more intimate acquaintance with those works of the classical romanticist, which, though representing the best and most undying side of his genius, have found till now but a small, though daily increasing circle of admirers; for the “Ladies’-Chopin”, which for forty years has blossomed in the pale and sickly rays of dilettantism; the “talented, languishing, Polish youth” to whom the most modest place on the Parnassus of musical literature was denied by the amateurish criticism of German professors, is as little the genuine entire Chopin, as is the Beethoven of “Adelaide” and the “Moonlight Sonata”, the god of Symphony. Truly a span of time must yet elapse before the matured and manly Chopin, the author of the two Sonatas, the 3rd and 4th Scherzos, the 4th Ballade, the Polonaise in F# minor, the later Mazurkas and Nocturnes etc., will be completely and generally appreciated at his full worth. At the same time much may be done by preparing and clearing the way; and one of the best means towards this end is sifting the material, and replacing favourite and unimportant works, by those less known though more important.”

Hans von Bülow (1830–1894) German musician

Preface to Instructive ausgabe. Klavier-Etuden von Fr. Chopin, 1880.

God, Youth, Music, Way

“The peasantry … were the true philosophers of the modern world, the heirs to classical sages such as Seneca and Socrates. Only they knew how to live, precisely because they knew nothing much about anything else.”

Sarah Bakewell book How to Live

Source: How to Live, or, A Life of Montaigne in one Question and Twenty Attempts at an Answer (2010), p. 51.

World

“The authority of science … promotes and encourages the activity of observing, comparing, measuring and ordering the physical characteristics of human bodies.… Cartesian epistemology and classical ideals produced forms of rationality, scientificity and objectivity that, though efficacious in the quest for truth and knowledge, prohibited the intelligibility and legitimacy of black equality…. In fact, to "think" such an idea was to be deemed irrational, barbaric or mad.”

Cornel West (1953) African-American philosopher and political/civil rights activist

Prophesy Deliverance! (2002)

Truth, Intelligence, Idea, Knowledge

“The smallest unit of the institutional economists is a unit of activity — a transaction, with its participants. Transactions intervene between the labor of the classic economists and the pleasures of the hedonic economists, simply because it is society that controls access to the forces of nature, and transactions are, not the "exchange of commodities," but the alienation and acquisition, between individuals, of the rights of property and liberty created by society, which must therefore be negotiated between the parties concerned before labor can produce, or consumers can consume, or commodities be physically exchanged.”

John R. Commons (1862–1945) United States institutional economist and labor historian

Source: "Institutional Economics," 1931, p. 652

Pleasure, Nature

“This fallacious result is not… a peculiarity of classical mechanics; it is given also by a very wide class of possible systems of mechanics. This being so, no minor modification of the classical mechanics can possibly put things right. Something far more drastic is needed; we are called upon to surrender either the [1] continuity or the [2] causality of classical mechanics, or else the possibility of [3] representing changes by motions in time and space.”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

Change, Time

“The absolutely inaudible is rejected from music during the period of Viennese Classicism in which every musical line is potentially or imaginatively audible, but it makes a dramatic reappearance in the music of Schumann. The most striking of many examples is one of the episodes in the Humoresk, the last of the great piano works of Schumann's early years. … There are three staves: the uppermost for the right hand; the lowest for the left; the middle, which contains the melody, is not to be played. Note that the melody is no more to be imagined as a specific sound than it is to be played: nothing tells us that the melody is to be heard as vocal or instrumental. This melody, however, is embodied in the upper and lower parts as a kind of after-resonance-out of phase, delicate, and shadowy.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Music, Imagination, Parting

“On the Indian front, [the Hindutva movement] should spearhead the revival, rejuvenation and resurgence of Hinduism, which includes not only religious, spiritual and cultural practices springing from Vedic or Sanskritic sources, but from all other Indian sources independently of these: the practices of the Andaman islanders and the (pre-Christian) Nagas are as Hindu in the territorial sense, and Sanâtana in the spiritual sense, as classical Sanskritic Hinduism. (…) A true Hindutvavadi should feel a pang of pain, and a desire to take positive action, not only when he hears that the percentage of Hindus in the Indian population is falling due to a coordination of various factors, or that Hindus are being discriminated against in almost every respect, but also when he hears that the Andamanese races and languages are becoming extinct; that vast tracts of forests, millions of years old, are being wiped out forever; that ancient and mediaeval Hindu architectural monuments are being vandalised, looted or fatally neglected; that priceless ancient documents are being destroyed or left to rot and decay; that innumerable forms of arts and handicrafts, architectural styles, plant and animal species, musical forms and musical instruments, etc. are becoming extinct; that our sacred rivers and environment are being irreversibly polluted and destroyed…”

Shrikant Talageri (1958) Indian author

Talageri in S.R. Goel (ed.): Time for Stock-Taking, p.227-228.

Pain, Art, Music, Feeling

“Classics which at home are drowsily read have a strange charm in a country inn, or in the transom of a merchant brig.”

Ralph Waldo Emerson English Traits

English Traits (1856)

Home, Reading, Country

“Classical mechanics is mathematical not only in the sense that it makes use of mathematical terms and methods for abbreviating arguments which might, if necessary, also be expressed in the language of everyday speech; it is so also in the much more stringent sense that its basic concepts are mathematical concepts, that mechanics itself is a mathematics.”

Eduard Jan Dijksterhuis (1892–1965) Dutch historian

Source: The mechanization of the world picture, 1961, p. 499

Mathematics, Sense

“The reason the Internationalist Theatre productions demanded attention was that the directors who had already worked at top theatres like the Royal Court and the Royal Shakespeare Company had agreed to take the risk of directing classical plays with multi-racial casts, that the performance was of a very good standard, and furthermore that many prominent members of the arts establishment, Lindsay Anderson, Cameron MacKintosh, John Barton, Richard Eyre, the great casting director Mary Selway, Stephen Berkoff, Nicolas Roeg, came to see performances by Internationalsit Theatre.”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

On Internatioanlist Theatre
Interview on Helenism .net (September 2011)

Art

“But when the artist abandons visible appearance, as in Mondrian's black grids on white grounds filled with balancing rectangles of colour, many people feel left behind. And yet the rhythms of Mondrian are those of nature. The harmonies are those which guided proportion in classical buildings and Renaissance churches. Rothko's glowing maroon Seagram Murals at the Tate may, like Turner's late canvases, appear to be "of nothing" but in their brooding depth Rothko suggests another world. As one four year old child said of the Rothko room at the Tate "it makes me think of God."”

Nicholas Serota (1946) British curator

The Dimbleby Lecture 2000

God, People, World, Feeling

“For more than two thousand years architectural design by the use of a modulus, except in the case of the classic orders, had been a lost art.”

Ernest Flagg (1857–1947) American architect

Source: Small Houses: Their Economic Design and Construction (1922), Ch. II

Art

“He deliberately rejects the classic beauty of the form for the sake of fragility, transience or simply greater sensitivity to what is present. His work has a mockery and ironic character. He looks critically and with great apprehension at Poland, he does it from the perspective of an emigrant, from culturally and socially different Netherlands, which became a new homeland for him.”

Tomasz Vetulani (1965) Polish artist

Fred Gijbels, Curatorial text accompanying exhibition Multi-Kulti http://dom-norymberski.com/multi-kulti-wystawa/, 2018

Beauty

“Poos himself on stage, classic Billy”

Billy Connolly (1942) British comedian

“Among organization theorists general, if not universal agreement obtains that it is proper to view the development of organization theory as divided into three periods. Conventionally, this "history" is regarded as beginning early in this century; and the three periods are customarily are designed by the terms classic, neo-classic and modern… The classical period has its beginning, in the conventional view, with Frederick W. Taylor and Henri Fayol… [and] reaches its high point in the thirties with the work of James Mooney and of the editors and authors of the Paper in the Science of Administration. The neo-classical wave is seen as beginning with the Hawthorne experiments in the late twenties. These experiments challenge the formality and rationality of classical theory with the "discovery"of human relations.”

Dwight Waldo (1913–2000) American political scientist

Dwight Waldo (1978), "Organization Theory: Revisiting the Elephant," Public Administration Review, 38 (November/December): p. 589

History, Universe, Science

“In doing so, socialist, labor, and social democratic parties contributed to -- though they were not the sole authors of -- the development of the mixed economies that exist in advanced countries today. If these mixed economies are a far cry from the centralized systems that were created in Eastern Europe under Leninist rulers, they are also very far from the classical liberal model of a self-regulating market economy. If we look to the most advanced economies for guidance, then we should not allow ourselves to be misled by dogma about "free markets."”

Robert A. Dahl (1915–2014) American political scientist

After the Revolution? (1970; 1990), Ch. 3 : Democracy and Markets

Cry, Country

“If Keynes was Luther, Friedman was Ignatius of Loyola, founder of the Jesuits. And like the Jesuits, Friedman’s followers have acted as a sort of disciplined army of the faithful, spearheading a broad, but incomplete, rollback of Keynesian heresy. By the century’s end, classical economics had regained much though by no means all of its former dominion, and Friedman deserves much of the credit.”

Paul Krugman (1953) American economist

"Who Was Milton Friedman?", The New York Review of Books (February 15, 2007)
The New York Review of Books articles

Faith

“My favorite composers tend to be great improvisers as well as great players. It doesn't matter whether they're contemporary or classical.”

Joanna MacGregor (1959) British musician

The Independent, 23/06/2003
On Classical Music

“Corporate planning cycles are a classic example of generals fighting the last ware over again instead of preparing for what might lie ahead.”

Jay Samit (1961) American businessman

Source: Disrupt You! (2015), p.84

Lie, Fight

“Wall Street's crime, in the eyes of its classical enemies, was less its power than its morals.”

John Kenneth Galbraith book The Great Crash, 1929

Chapter VIII https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929, Aftermath II, Section IV, p 155 The Great Crash, 1929 (1954 and 1997 https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929)

“My work may be balanced on the second side [the Romantic tendency]….- but I believe it has some elements of order & unity, some design, even balance & abstract qualities, some tenseness. When its all classical, its too obvious & cold & deadly perfect - when its all romantic, its too loose uncontrolled wildly chaotic & shapeless – But in my opinion – Gothic sculpture – Mexican, all primitive sculpture, Shakespeare, Beethoven, Tintoretto, El Greco, Rubens, Michelangelo, Masaccio, are all more romantic than classic [Moore is reacting here on Stanley Casson's critic in 'The Listener' 25 Aug. 1937”

Henry Moore (1898–1986) English artist

Source: 1925 - 1940, Unpublished notes' for 'The Sculptor Speaks' (1937), p. 116

Perfection

“Three distinct geometries on S7 arise as solutions of the classical equations of motion in eleven dimensions. In addition to the conventional riemannian geometry, one can also obtain the two exceptional Cartan-Schouten compact flat geometries with torsion.”

François Englert (1932) Belgian theoretical physicist

[10.1016/0370-2693(82)90684-0, 1982, Spontaneous compactification of eleven-dimensional supergravity, Physics Letters B, 119, 4–6, 339–342]

“The history of Greek mathematics is, for the most part, only the history of such mathematics as are learnt daily in all our public schools. …If it was not wanted, as it ought to have been, by our classical professors and our mathematicians, it would have served at any rate to quicken, with some human interest, the melancholy labours of our schoolboys.”

James Gow (scholar) (1854–1923) scholar

Preface
A Short History of Greek Mathematics (1884)

School, History, Mathematics, Parting

“"Be in high-growth markets." In the old economic order, in the age of market share, volume growth was a guarantor of success. Growth was what we were taught to pursue. It created higher profits for all, including market share laggards, companies with poor business designs, and companies that were poorly managed. A rising tide raised all boats. One manager articulated the classic view: "There are no management problems that volume growth can't solve. Even if we manage poorly, rising revenue helps cover the mistakes we made."”

Adrian Slywotzky (1951) American economist

Source: The Profit Zone (2007), p. 5.

Age, Business, Problem, Success

“In those days, dances were dances and songs were songs. Film dances always had a semi-classical or folk element to them and songs were all about soul-stirring lyrics and haunting music. These days, they are more about technique and technology, often it's the camera that's dancing, the synthesiser that's singing. Not my cup of tea.”

Vyjayanthimala (1936) Indian actress, politician & dancer

Vyjayanthimala still cuts a striking figure tall

Music, Soul, Singing, Dance

“Towards the end of the twelfth century, while Western Europe was still wavering between a dying Roman influence and a dawning Gothicism, preliminaries to a medieval era which would make possible the development of a world-wide humanism, Asia had already lived through her classical period and, sinking into decay, was preparing to face a long period of political and spiritual unrest. While India was beginning to suffer under the yoke of the victorious Mussulman, who had come down on her from the mountains of Afghanistan and the plains of Iran, and while the domination of the Khmers was reaching its climax at Angkor, China, under pressure from the barbarians of the north, was withdrawing to the south where the Song empire, thinking itself safe from invasions, continued to live a life of luxury.”

Louis Frédéric (1923–1996) French scholar

Frédéric, L. (1984). Daily life in Japan at the time of the samurai, 1185-1603. Tokyo: Tuttle.

Life, World, Mountain, Thinking

“If our intention now is to reveal classical unreason on its own terms, outside of its ties with dreams and error, it must be understood not as a form of reason that is somehow diseased, lost or mad, but quite simply as reason dazzled.”

Michel Foucault (1926–1984) French philosopher

Part Two: 2. The Transcendence of Delirium
History of Madness (1961)

Disease, Dreams, Error, Madness

“The main result reached by the new theory was that the classical mechanics can be made to account for the whole range of spectral phenomena, provided entirely new meanings are given to such symbols as p and q which had hitherto been taken to describe the position and motion of the electron…. The most significant of the new properties is that the product pq is no longer the same as the product qp - in other words the order in which the two factors are multiplied together is no longer a matter of indifference. The difference between pq and qp is found to be always the same, being Planck's constant h multiplied by a numerical multiplier.”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

Indifference

“Let us suppose that an explosion occurs on Mars, which is observed by an astronomer on earth, who records the instant when he sees the flash. If light travelled instantaneously with an infinite velocity, this instant would coincide with the time… recorded by the… observer on Mars. In this way a meaning could be attached automatically to absolute time and the simultaneity of events at different places; indeed, the classical theory is now regarded as the limiting form of Einstein's theory when the velocity of light becomes infinite. But as there is a mass of experimental evidence supporting the view that light takes a finite time to travel… the terrestrial observer must correct the time recorded on his watch. This correction… will depend on assumptions concerning the velocity of light and the measurement of distance. Thus the concept of a world-wide simultaneity ceases to be a primitive idea.”

Gerald James Whitrow (1912–2000) British mathematician

p, 125
The Structure of the Universe: An Introduction to Cosmology (1949)

World, Way, Travel, Idea

“The more books and articles on Ayodhya and on "communalism" I look into, the more I feel confirmed in my assessment that the Hindu presentation of their own case regarding Ayodhya is the single worst public relations job in world history. (…) Future books on the affair will certainly include a chapter on "the Ayodhya scandal": the unscrupled use of academic and media power positions by the secularists to suppress relevant evidence, and the gullibility of foreign scholars relying on hearsay from Indian colleagues whose bona fides is open to question. (…) Future scholars of political and communications science will study the reporting on the Ayodhya affair as an absolute classic of brilliantly successful disinformation. … The buffoon of the affair is the Western class of India-watchers …. they have swallowed the anti-Hindu propaganda hook, line and sinker.”

Koenraad Elst (1959) orientalist, writer

K. Elst : The Ayodhya Demolition: an Evaluation, in India., & Dasgupta, S. (1995). The Ayodhya reference: The Supreme Court judgement and commentaries.
1990s

Books, World, Feeling, History

“What I mean by the "pursuit of learning" is not the ability to read classical texts and study ancient history, but to be fully acquainted with conditions all over the world and to have a keen awareness of what is going on abroad and around us. Now from what I can see world trends and conditions are still unsettled, and as long as they remain unsettled there is still a chance that something can be done. First, therefore, we must rectify conditions in our own domain, after which conditions in other domains can be rectified. This having been done, conditions at court can be rectified and finally conditions throughout the whole world can be rectified. First one must set an example oneself and then it can be extended progressively to others. This is what I mean by the "pursuit of learning."”

Yoshida Shoin (1830–1859) Japanese politician

Vol. IV.
Yoshida Shoin Zenshu

World, History, Study, Learning

“I do not overlook the important contributions to economic theory in the past whether orthodox or heterodox I correlate them with institutional economics. The classical and communistic economists used as their measure of value the man hour of labor. This is evidently since the incoming of scientific management the engineering economics of efficiency. The Austrian and hedonistic economists deriving from Bentham used as the measure of value the diminishing marginal utility of consumption goods. This is evidently the home economics recently introduced in the college curriculum.”

John R. Commons (1862–1945) United States institutional economist and labor historian

Source: "Institutional economics," 1936, p. 242

Home, Past

“The same influences have persisted throughout my career: Stan Brakhage, Warhol, John Ford, Chaplin. Toxie's blind girlfriend is straight out of City Lights. And Preston Sturges's Sullivan's Travels; the school for the blind in Toxic Avenger Part II, that's from Sullivan's Travels. Most of what influenced me were classic American movies. I like Renoir a lot; I like Fritz Lang's American movies. In fact, I tried to re-enact the first shot of The Big Heat in Terror Firmer, where the guy blows his brains.”

Lloyd Kaufman (1945) American film director

Village Voice http://www.villagevoice.com/2014-01-15/film/troma-lloyd-kaufman-interview/ January 15, 2014 2014

School, Travel, Guy, Light

“The original Lucas version of the new-classical macroeconomics combined the undeniable appeal of rational expectations with two more dubious assumptions inherited from Friedman (1968), that is, continuous market clearing and imperfect information, to form the foundation of the famous “Lucas supply function” (more justly, the Friedman-Lucas supply function). Soon Sargent and Wallace (1975) extracted from Lucas’s model its implication for monetary policy, the famous “policy-ineffectiveness proposition.” The demonstration by Barro (1977) that one could interpret historical U. S. data to be consistent with the proposition and the theory brought new-classical economics to its shortlived period of peak influence.”

Robert J. Gordon (1940) American economist

"Fresh Water, Salt Water, and other Macroeconomic Elixirs", 1989

“Vangelis has been writing and performing electronic music for three decades and suggests that it is perhaps the only genre - with the exception of "pure" classical music - that can comunicate universally.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

https://books.google.hr/books?id=_hMEAAAAMBAJ
Vangelis Prepares For Blastoff On Musical Mission To Mars
Maria Paravantes
August 25, 2001
Billboard
113
34
50
0006-2510
2001

Music, Universe

“In the Critique of Cynical Reasoning, a great bestseller in Germany (Sloterdijk, 1983), Peter Sloterdijk puts forward the thesis that ideology's dominant mode of functioning is cynical which renders impossible - or, more precisely, vain - the classical critical-ideological procedure. The cynical subject is quite aware of the distance between the ideological mask and the social reality, but he none the less still insists upon the mask”

Slavoj Žižek book The Sublime Object of Ideology

Source: The Sublime Object of Ideology (1989), pp.29, "Cynicism as a Form of Ideology"

Reality

“Great women scholars like Jane Harrison and Gisela Richter were produced by the intellectual discipline of the masculine classical tradition, not the wishy-washy sentimentalism of clingy, all-forgiving sisterhood, from which no first-rate book has yet emerged. Every year, feminists provide more and more evidence for the old charge that women can neither think nor write.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 244

Women, Books, Forgiveness, Thinking

“Godzilla is the ultimate culmination of the "who cares about plot" summer movie. A loose remake of the 1954 "classic" Japanese monster movie, Godzilla, King of the Monsters (which is itself pretty thin in the story department), Roland Emmerich and Dean Devlin's big-budget lizard-stomps-Manhattan disaster flick has been written with the brain dead in mind. The script isn't just "dumbed down," it's lobotomized. Godzilla lives and dies on special effects alone.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=58 of Godzilla (1998). One-and-a-half star reviews

Summer, Dead

“Surrey, for his justness of thought, correctness of style, and purity of expression, may justly be pronounced the first English classical poet.”

Henry Howard, Earl of Surrey (1516–1547) English Earl

Thomas Warton The History of English Poetry (1774-81) vol. 3, p. 27.
Criticism

“I'm becoming very interested in non-Western things, and in Europe a lot of what's offered to me is the Western tradition I've grown up with. Now I've got to find a way out, but the problem is that the piano is just about as Western as you can get. The piano's my instrument, and I wouldn't want it any other way, but I'm gravitating quite naturally towards things that have developed my sense of rhythm. "I've come to all this incredible Indian classical music and its more modern formations late in the day; the Messiaen I've played has led me down that road, and I've been following my nose all the time.”

Joanna MacGregor (1959) British musician

The Times, 15/12/1998
Musician's life

Music, Way, Nature, Problem

“It is true – is it not – that even Ingres [French classical painter, famous for his line] had to revise – yes, the surface of the painting is smooth, finished and incorruptible as a diamond, but under the accomplished surface are pentimenti – see there at the shoulder, how the line of the black dress was lowered qua fraction and the hand was extended to give greater elegance... Are these not signs of the patient revision that even a genius has to make.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: 1942 - 1948, Arshile Gorky, – Goats on the roof' (2009), p. 358: in: 'A visit to the Metropolitan Museum with Gorky', Ethel Schwabacher, 1947

Painting

“That is why classical Utopias, and the modern dystopias which ironically incorporate their ideals, are static. … The technically expert citizen is expert only in his allotted task; for him to think about the value of that task is for him to pass completely beyond the limits of what is permissible.”

John Passmore (1914–2004) Australian philosopher

Source: The Perfectibility of Man (1971), p. 282.

Thinking

“Increasingly unable to create for itself a relevant body of myth, the modern imagination will ransack the treasure house of the classic.”

George Steiner (1929–2020) American writer

Source: The Death of Tragedy (1961), Ch. VI (p. 228).

Imagination, Housing

“We live today in a world which only faintly resembles that of a half century ago. The standard of living, the level of education, and the political complexion of the United States today profoundly affect both the possibilities and limitations of organizational behavior. In addition, technological changes are bringing about changes in all types of organization. In the military, for example, it is becoming increasingly difficult to manage a weapons team in the field as a typical infantry unit was managed a couple of decades ago. Such a team requires a high degree of autonomy. Instead of following explicit orders from superiors, it must be able to adjust its behavior to fit local circumstances within the context of relatively broad objectives. (It is interesting to note the attempts that are made — by "programming" for example — to retain central control over the operations of such units. Established theories of control are not abandoned easily, even in the face of clear evidence of their inappropriateness.) Underlying the principles of classical organization theory are a number of assumptions about human behavior which are at best only partially true.”

Douglas McGregor (1906–1964) American professor

Source: The Human Side of Enterprise (1960), p. 16 (2006; 23)

World, Education, Behavior, Change

“Fifty years ago, when Europeans and Americans still distinguished high culture from popular culture, and when classical learning was still highly esteemed in colleges and universities, C. P. Snow delivered his famous Rede Lecture at Cambridge University, "The Two Cultures and the Scientific Revolution." Snow did more than warn of the growing split between the old culture of the humanities and the rising culture of science. He took Britain's literary aristocracy to task for its dangerous dismissal of scientific and technological progress, which Snow believed offered the solutions to the world's deepest problems. In a vitriolic response to Snow, the literary critic F. R. Leavis defended the primacy of the humanities for a civilizing education, insisting that science must not be allowed to operate outside of the moral norms that a first-rate humanistic education alone could provide.”

Leon R. Kass (1939) American academic

Looking for an Honest Man (2009)

World, Education, Problem, Learning

“The effectiveness of authority as a means of control depends first of all upon the ability to enforce it through the use of punishment. In the two organizations which have been the models for classical organization theory, the situation with respect to enforcement is clear. In the military, authority is enforceable through the court-martial, with the death penalty as the extreme form of punishment. In the Church, excommunication represents the psychological equivalent of the death penalty.”

Douglas McGregor (1906–1964) American professor

Source: The Human Side of Enterprise (1960), p. 27 (in 2006 edition)

Death, Penalty, Dependency

“For a period of roughly 35 years, Keynesian theory provided a central paradigm for macroeconomists, and considerable progress was made on several empirical fronts. It was widely recognized that some of the ingredients of Keynesian economics (e. g. money illusion and/or nominal wage rigidity) rested on slender to non-existent microtheoretic foundations; and there were always dissenters. But, thought of as a collection of empirical regularities that fit together into a coherent whole, the theory worked tolerably well. In the 1970s, however, the Keynesian paradigm was rejected by a great many academic economists, especially in the United States, in favour of what we now call new classical economics. By about 1980, it was hard to find an American academic macroeconomist under the age of 40 who professed to be a Keynesian. That was an astonishing intellectual turnabout in less than a decade, an intellectual revolution for sure.”

Alan Blinder (1945) economist

"The fall and rise of Keynesian economics", (1988)

Money, Age

“It was the tragedy of modernist artists, Left or Right, that the much more effective political commitment of their own mass movements and politicians - not to mention their adversaries - rejected them. With the partial exception of Futurist-influenced Italian fascism, the new authoritarian regimes of both Right and Left preferred old-fashioned and gigantic monumental buildings and vistas in architecture, inspirational representations in both painting and sculpture, elaborate performances of the classics on stage, and ideological acceptability in literature.”

Eric Hobsbawm book The Age of Extremes

The Arts 1914-1945
The Age of Extremes (1992)

Literature, Fashion, Painting

“The musical language which made the classical style possible is that of tonality, which was not a massive, immobile system but a living, gradually changing language from its beginning. It had reached a new and important turning point just before the style of Haydn and Mozart took shape.”

Charles Rosen (1927–2012) American pianist and writer on music

Part I. Introduction. 1. The Musical Language of the Late Eighteenth Century
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)

Music, Change

“In general the claim can be supported that a view of classical political economy as committed to extreme laissez-faire or unmitigated economic individualism misrepresents or at the very least analytically overgeneralizes their circumscribed theoretical and practical aims. In general then, with regard to both political and economic liberty, the classical political economists might be seen to be united in their efforts to theorize and systematize the productive and allocating functions of the mechanism of the market as the most efficient means to engender the growth of wealth. At the same time, classicals such as Smith, Malthus, Ricardo, and Mill recognized that the market, of necessity, operated in a larger context of restriction – not only legal, but equally as important, within political, religious, moral, and conventional restrictions – which could not be readily or in some cases even desirably overcome.”

Shannon C. Stimson (1951) American political theorist

"Classical Political Economy", in Coole, Diana H.; Gibbons, Michael; Ellis, Elisabeth et al., The encyclopedia of political thought (2014); see also Adam Smith

Support, Effort, Time, Wealth

“Money as a medium of exchange becomes important when workers are paid in medium of exchange rather than in wage goods directly. Since wage goods constitute the majority of goods produced (particularly in the early stages of development), it is tempting (but misleading) to focus on exchanges and on money as a medium of exchange [like the neo-classicals]. Once capitalist production dominates the economy, money becomes universally important: money operates as a medium of exchange and money hoards provide a measure of security. However, production involves goods and services now in exchange for a promise to pay in the future. That is, money is involved in the production process because production is time-based and involves debt commitments. If one only focuses on the use of money in exchange or as a store of value, one ignores how money creation is inextricably related to time-based production in private property economies.”

L. Randall Wray (1953) American economist

Source: Money and Credit in Capitalist Economies, 1990, p. 10; Cited in Howard Stein. "Theories of institutions and economic reform in Africa." World Development 22.12 (1994): 1833-1849.

Money, Universe, Time, Future