Quotes about classic
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David Brin photo

“This is not about classic left-vs-right anymore. (As if that metaphor ever held cogent meaning.)”

David Brin (1950) novelist, short story writer

A rant about stupidity... and the coming civil war... (2009)
Context: This is not about classic left-vs-right anymore. (As if that metaphor ever held cogent meaning.) Not when every measure of national health that conservatives ought to care about — from budget balancing to small business startups, to military readiness, to States' Rights, to the economy, to individual liberty, to control over immigration at our borders — does vastly and demonstrably better under democrats. With nearly 100% perfection.
(Fact avoidance is even worse when you encompass ALL of history. Ask today's conservatives which force destroyed more freedom and nearly every competitive market, across 5,000 years. Which foe of liberty and enterprise did Adam Smith despise? Hint: it wasn't "socialism" or "government bureaucrats.")
No. Given their lack of any other tangible accomplishments across the last fifteen years, one must to conclude that the core agenda of Rush Limbaugh, Rupert Murdoch and their petroprince backers really is quite simple.
To find out just how far they can push "culture war" toward a repeat of 1861.

Robert M. Pirsig photo

“Although motorcycle riding is romantic, motorcycle maintenance is purely classic.”

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 6
Context: The romantic mode is primarily inspirational, imaginative, creative, intuitive. Feelings rather than facts predominate. "Art" when it is opposed to "Science" is often romantic. It does not proceed by reason or by laws. It proceeds by feeling, intuition and esthetic conscience. In the northern European cultures the romantic mode is usually associated with femininity, but this is certainly not a necessary association.
The classic mode, by contrast, proceeds by reason and by laws—which are themselves underlying forms of thought and behavior. In the European cultures it is primarily a masculine mode and the fields of science, law and medicine are unattractive to women largely for this reason. Although motorcycle riding is romantic, motorcycle maintenance is purely classic.

Harry V. Jaffa photo

“The civil rights establishment, led by the NAACP, fought the good fight that led to the Brown v. Board of Education decision in 1954 and the Civil Rights Acts of 1964 and 1965. They fought that fight under the banner of the Equal Protection Clause of the 14th Amendment, which reflected the equality proclaimed in the Declaration of Independence. The classic statement of this principle is to be found in Justice John Marshall Harlan's dissenting opinion in Plessy v. Ferguson,”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

1990s, The Party of Lincoln vs. The Party of Bureaucrats (1996)
Context: The civil rights establishment, led by the NAACP, fought the good fight that led to the Brown v. Board of Education decision in 1954 and the Civil Rights Acts of 1964 and 1965. They fought that fight under the banner of the Equal Protection Clause of the 14th Amendment, which reflected the equality proclaimed in the Declaration of Independence. The classic statement of this principle is to be found in Justice John Marshall Harlan's dissenting opinion in Plessy v. Ferguson, the infamous 1896 decision that enshrined "separate but equal" into constitutional law for more than half a century, "In view of the Constitution, in the eye of the law, there is in this country no superior dominant ruling class of citizens. There is no caste here. Our Constitution is color blind, and neither knows nor tolerates classes among citizens. In respect of civil rights, all citizens are equal before the law. The humblest is the peer of the most powerful. The law regards man as man, and takes no account of his surroundings or of his color when his civil rights as guaranteed by the supreme law of the land are involved".

Cyril Connolly photo

“Its cardinal assumption is that neither the writer nor the reader is in a hurry, that both are possessed of a classical education and a private income. It is Ciceronian English.”

Source: Enemies of Promise (1938), Part 1: Predicament, Ch. 3: The Challenge to the Mandarins (p. 17-18)
Context: The Mandarin style at its best yields the richest and most complete expression of the English language. It is the diction of Donne, Browne, Addison, Johnson, Gibbon, de Quincey, Landor, Carlyle and Ruskin as opposed to that of Bunyan, Dryden, Locke, Defoe, Cowper, Cobbett, Hazlitt, Southey and Newman. It is characterized by long sentences with many dependent clauses, by the use of the subjunctive and conditional, by exclamations and interjections, quotations, allusions, metaphors, long images, Latin terminology, subtlety and conceits. Its cardinal assumption is that neither the writer nor the reader is in a hurry, that both are possessed of a classical education and a private income. It is Ciceronian English.

Al Gore photo

“Today, at the dawn of the 21st Century, we need a foreign policy that addresses the classic security threats — and understands the new ones as well.”

Al Gore (1948) 45th Vice President of the United States

Quotes, IPI speech (2000)
Context: Today, at the dawn of the 21st Century, we need a foreign policy that addresses the classic security threats — and understands the new ones as well. We need a new approach for a new century — grounded in our own economic and security interests, but uplifted by what is right in the world. We need to pursue a policy of "forward engagement" — addressing problems early in their development before they become crises; addressing them as close to the source of the problem as possible; and having the forces and resources to deal with those threats as soon after their emergence as possible.

Thomas Merton photo

“Chuang Tzu continued to exert an influence on all cultured Chinese thought, since he never ceased to be recognized as one of the great writers and think­ ers of the classical period. The subtle, sophisticated, mystical Taoism of Chuang Tzu and Lao Tzu has left a permanent mark on all Chinese culture and on the Chinese character itself.”

Thomas Merton (1915–1968) Priest and author

"The Way Of Chuang Tzu".
The Way of Chuang-Tzŭ (1965)
Context: The humor, the sophistication, the literary genius, and philosophical insight of Chuang Tzu are evident to anyone who samples his work. But before one can begin to understand even a little of his subtlety, one must situate him in his cul­tural and historical context. That is to say that one must see him against the background of the Confucianism which he did not hesitate to ridicule, along with all the other sedate and accepted schools of Chinese thought, from that of Mo Ti to that of Chuang's contemporary, friend, and constant op­ponent, the logician Hui Tzu. One must also see him in rela­tion to what followed him, because it would be a great mistake to confuse the Taoism of Chuang Tzu with the popular, de­ generate amalgam of superstition, alchemy, magic, and health­ culture which Taoism later became.
The true inheritors of the thought and spirit of Chuang Tzu are the Chinese Zen Buddhists of the Tang period (7th to 10th centuries A. D.). But Chuang Tzu continued to exert an influence on all cultured Chinese thought, since he never ceased to be recognized as one of the great writers and think­ ers of the classical period. The subtle, sophisticated, mystical Taoism of Chuang Tzu and Lao Tzu has left a permanent mark on all Chinese culture and on the Chinese character itself. There have never been lacking authorities like Daisetz T. Suzuki, the Japanese Zen scholar, who declare Chuang Tzu to be the very greatest of the Chinese philosophers. There is no question that the kind of thought and culture represented by Chuang Tzu was what transformed highly speculative Indian Buddhism into the humorous, iconoclastic, and totally practical kind of Buddhism that was to flourish in China and in Japan in the various schools of Zen. Zen throws light on Chuang Tzu, and Chuang Tzu throws light on Zen.

Brian Greene photo

“Like modern and classical music, it’s not that one approach is right and the other wrong – the methods one chooses to use are largely a matter of taste and training.”

The Elegant Universe : Superstrings, Hidden Dimensions, and the Quest for the Ultimate Theory (1999), p. 271
Context: Physicists are more like avant-garde composers, willing to bend traditional rules and brush the edge of acceptability in the search for solutions. Mathematicians are more like classical composers, typically working within a much tighter framework, reluctant to go to the next step until all previous ones have been established with due rigor. Each approach has its advantages as well as drawbacks; each provides a unique outlet for creative discovery. Like modern and classical music, it’s not that one approach is right and the other wrong – the methods one chooses to use are largely a matter of taste and training.

Wolfgang Pauli photo

“In the new pattern of thought we do not assume any longer the detached observer, occurring in the idealizations of this classical type of theory, but an observer who by his indeterminable effects creates a new situation, theoretically described as a new state of the observed system.”

Wolfgang Pauli (1900–1958) Austrian physicist, Nobel prize winner

"Matter" in Man's Right to Knowledge, 2nd series (1954), p. 10; also in Writings on Physics and Philosophy‎ (1994) edited by Charles Paul P. Enz and Karl von Meyenn
Context: In the new pattern of thought we do not assume any longer the detached observer, occurring in the idealizations of this classical type of theory, but an observer who by his indeterminable effects creates a new situation, theoretically described as a new state of the observed system. In this way every observation is a singling out of a particular factual result, here and now, from the theoretical possibilities, therefore making obvious the discontinuous aspect of physical phenomena.
Nevertheless, there remains still in the new kind of theory an objective reality, inasmuch as these theories deny any possibility for the observer to influence the result of a measurement, once the experimental arrangement is chosen. Therefore particular qualities of an individual observer do not enter into the conceptual framework of the theory.

Roger Penrose photo

“How relevant, indeed, is our present lack of understanding of physics at the quantum/classical boundary? Or is consciousness really “no big deal,” as has sometimes been expressed?
It would be too optimistic to expect to find definitive answers to all these questions, at our present state of knowledge, but there is much scope for healthy debate…”

Roger Penrose (1931) English mathematical physicist, recreational mathematician and philosopher

Foreword (March 2007) to Quantum Aspects of Life (2008), by Derek Abbott.
Context: Does life in some way make use of the potentiality for vast quantum superpositions, as would be required for serious quantum computation? How important are the quantum aspects of DNA molecules? Are cellular microtubules performing some essential quantum roles? Are the subtleties of quantum field theory important to biology? Shall we gain needed insights from the study of quantum toy models? Do we really need to move forward to radical new theories of physical reality, as I myself believe, before the more subtle issues of biology — most importantly conscious mentality — can be understood in physical terms? How relevant, indeed, is our present lack of understanding of physics at the quantum/classical boundary? Or is consciousness really “no big deal,” as has sometimes been expressed?
It would be too optimistic to expect to find definitive answers to all these questions, at our present state of knowledge, but there is much scope for healthy debate...

Ryōkan photo

“It's a pity, a gentleman in refined retirement composing poetry:
He models his work on the classic verse of China.
And his poems are elegant, full of fine phrases.
But if you don't write of things deep in your own heart,
What's the use of churning out so many words?”

Ryōkan (1758–1831) Japanese Buddhist monk

Variant translation:
With gaudy words their lines are formed
And further adorned by novel and curious phrases.
Yet if they fail to express what is in their own minds
What is the use, no matter
How many poems they compose!
"Zen Poetics of Ryokan" in Simply Haiku: A Quarterly Journal of Japanese Short Form Poetry (Summer 2006)
Dewdrops on a Lotus Leaf : Zen Poems of Ryokan (1993)

Reza Pahlavi photo

“Western classical music, to be sure, is not part of traditional Iranian culture, and yes it’s elitist. But the fact that the Tehran symphony Orchestra and the Roudaki Hall have survived the vagaries of these past three decades is yet another evidence that the forces of darkness, the cult of death, martyrdom and superstition has not conquered the spirit of our nation.”

Reza Pahlavi (1960) Last crown prince of the former Imperial State of Iran

"Peace and Stability in the Middle East and Beyond: A Hostage to Iranian Intransigence and Adventurism." http://www.rezapahlavi.org/details_article.php?article=142&page=4, Oct. 24, 2007.
Speeches, 2007

Karl Pearson photo
Baruch Spinoza photo
Baruch Spinoza photo
Nathan Seiberg photo
Hillary Clinton photo
Mary McCarthy photo
Eldridge Cleaver photo

“The much loved classical diva of 20th century India Akhtaribai Faizabadi, or Begum Akhtar was the last of the great female singers from the courtesan (tawaif) community.”

Begum Akhtar (1914–1974) Indian musician

In New Release: Begum Akhtar: Love’s Own Voice, 31 August 2009, 2 January 2014, Hindustan Times http://www.hindustantimes.com/lifestyle/books/new-release-begum-akhtar-love-s-own-voice/article1-448844.aspx,

Alhazen photo

“He moved to Egypt and supported himself by teaching and by copying Arabic translations of Greek mathematical classics such as Euclid’s Elements and Ptolemy’s Almagest.”

Alhazen (965–1038) Arab physicist, mathematician and astronomer

Abdelhamid I. Sabra, in “Ibn al-Haytham Brief life of an Arab mathematician: died circa 1040 (September-October 2003)”

Charles Webster Leadbeater photo
Raymond Chandler photo
Jay Nordlinger photo

“Maybe baseball has to accept that it is now more like classical music than popular music, with football and basketball — and soccer?”

Jay Nordlinger (1963) American journalist

being the Justin Biebers and Lady Gagas of sports. Baseball need not hang its head in shame. A lot of things that are good and worthy are not popular. And baseball is plenty popular, for heaven's sake.
2010s, Baseball and Its Worriers (2018)

Baruch Spinoza photo
Baruch Spinoza photo

“For many years I did not dare look into a Latin author or at anything which evoked an image of Italy. If this happened by chance, I suffered agonies. Herder often used to say mockingly that I had learned all my Latin from Spinoza, for that was the only Latin book he had ever seen me reading. He did not realize how carefully I had to guard myself against the classics, and that it was sheer anxiety which drove me to take refuge in the abstractions of Spinoza.”

Baruch Spinoza (1632–1677) Dutch philosopher

Original in German: Schon einige Jahre her durft' ich keinen lateinischen Autor ansehen, nichts betrachten, was mir ein Bild Italiens erneute. Geschah es zufällig, so erduldete ich die entsetzlichsten Schmerzen. Herder spottete oft über mich, daß ich all mein Latein aus dem Spinoza lerne, denn er hatte bemerkt, daß dies das einzige lateinische Buch war, das ich las; er wußte aber nicht, wie sehr ich mich vor den Alten hüten mußte, wie ich mich in jene abstrusen Allgemeinheiten nur ängstlich flüchtete.
Johann Wolfgang von Goethe, Letters from Italy, 1786–88. Translated from the German by W. H. Auden and Elizabeth Mayer (New York: Penguin Books, 1995)
G - L, Johann Wolfgang von Goethe

Baruch Spinoza photo
Baruch Spinoza photo

“To sum it up in a word: Marx was close to Hegel in his insistence on rejecting every philosophy of the Origin and of the Subject, whether rationalist, empiricist or transcendental; in his critique of the cogito, of the sensualist-empiricist subject and of the transcendental subject, thus in his critique of the idea of a theory of knowledge. Marx was close to Hegel in his critique of the legal subject and of the social contract, in his critique of the moral subject, in short of every philosophical ideology of the Subject, which whatever the variation involved gave classical bourgeois philosophy the means of guaranteeing its ideas, practices and goals by not simply reproducing but philosophically elaborating the notions of the dominant legal ideology. And if you consider the grouping of these critical themes, you have to admit that Marx was close to Hegel just in respect to those features which Hegel had openly borrowed from Spinoza, because all this can be found in the Ethics and the Tractatus Theologico-Politicus.”

Baruch Spinoza (1632–1677) Dutch philosopher

These deep-rooted affinities are normally passed over in pious silence; they nevertheless constitute, from Epicurus to Spinoza and Hegel, the premises of Marx's materialism. They are hardly ever mentioned, for the simple reason that Marx himself did not mention them, and so the whole of the Marx-Hegel relationship is made to hang on the dialectic, because this Marx did talk about!

Louis Althusser, Essays in Self-Criticism (1976), "Is it Simple to be a Marxist in Philosophy?"
A - F, Louis Althusser

B.K.S. Iyengar photo
M. Balamuralikrishna photo

“With all awards and accolades at the international level and his outstanding contribution to classical music, his appeal was not restricted to purists or the elite connoisseur. He endeared himself to the public at large by his tasteful rendering of light music and film songs.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Jayalalithaa in: Balamuralikrishna deserves Bharat Ratna: Jayalalithaa http://www.hindu.com/2005/07/26/stories/2005072617030500.htm, Thee Hindu, 26 Jul y 2005.

M. Balamuralikrishna photo

“An enduring legacy of Balamuralikrishna is the wider accessibility of classical kirtanas to the public. Many of his contemporaries tend to treat classical and popular music as watertight compartments.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Garimella Subramaniam in: A musical colossus http://hindu.com/2004/07/06/stories/2004070603272000.htm, The Hindu, 6 July 2004.

M. Balamuralikrishna photo
Paul Bernays photo
Vyjayanthimala photo

“The most striking aspect of Ms. Bali’s dance was her fidelity to tradition. She is a copybook of Bharatanatyam, traditional and classical.”

Vyjayanthimala (1936) Indian actress, politician & dancer

By N. Murali in "Vyjayanthimala Bali a copybook of Bharatanatyam".

Bismillah Khan photo
Hema Malini photo

“It has been more than three decades but Hema Malini’s passion for dance has not diminished. Starting in the early 70s with solo Bhratanatyam performances, the diva has reinvented herself at every stage of her career. When she felt that the pure classical dance form would not be appreciated by a less aware audience, she expanded her art form to include ballets.”

Hema Malini (1948) Indian actress, dancer and politician

Writer Bhawana Somaaya in [Bhawana Somaaya, Fragmented Frames: Reflections of a Critic, http://books.google.com/books?id=HQ3Yi9VPU8QC&pg=PP201, 1 January 2008, Pustak Mahal, 978-81-223-1016-0, 201–]

Bhimsen Joshi photo
Lotfi A. Zadeh photo

“A frequent source of misunderstanding has to do with the interpretation of fuzzy logic. The problem is that the term fuzzy logic has two different meanings. More specifically, in a narrow sense, fuzzy logic, FLn, is a logical system which may be viewed as an extension and generalization of classical multivalued logics. But in a wider sense, fuzzy logic, FLw is almost synonymous with the theory of fuzzy sets.”

Lotfi A. Zadeh (1921–2017) Electrical engineer and computer scientist

In this context, what is important to recognize is that: (a) FL<sub>w</sub> is much broader than FL<sub>n</sub> and subsumes FL<sub>n</sub> as one of its branches; (b) the agenda of FL<sub>n</sub> is very different from the agendas of classical multivalued logics; and (c) at this juncture, the term fuzzy logic is usually used in its wide rather than narrow sense, effectively equating fuzzy logic with FL<sub>w</sub>
Zadeh (1995) in Foreword of George J. Klir Fuzzy sets and fuzzy logic: theory and applications.
1990s

Alasdair Gray photo

“A good poem is a tautology. It expands one word by adding a number which clarify it, thus making a new word which has never before been spoken. The seed-word is always so ordinary that hardly anyone perceives it. Classical odes grow from and or because, romantic lyrics from but or if.”

Alasdair Gray (1934–2019) Scottish writer and artist

Immature verses expand a personal pronoun ad nauseam, the greatest works bring glory to a common verb.
"Prometheus", pp. 208-9.
Unlikely Stories, Mostly (1983)

Ravi Shankar photo

“Without…Yehudi Menuhin, the West may not have found Indian classical music and decades later…thanks to Menuhin’s chance meeting and later lasting friendship with the master sitarist Ravi Shankar, the Wets witnessed the sublimity that the merging of the Western and Indian classical music could produce.”

Ravi Shankar (1920–2012) Indian musician and sitar player

[Wetzel, Richard, The Globalization of Music in History, http://books.google.com/books?id=kjS9PnHJUE4C&pg=PA26, 17 June 2013, Routledge, 978-1-136-62624-1, 26–]

Thomas Merton photo

“The book of the Bible which most obviously resembles the Taoist classics is Ecclesiastes.”

Thomas Merton (1915–1968) Priest and author

But at the same time there is much in the teaching of the Gospels on simplicity, childlikeness, and humility, which responds to the deepest aspirations of the Chuang Tzu book and the Tao Teh Ching.
"A Note To The Reader".
The Way of Chuang-Tzŭ (1965)

Roberto Durán photo
Matthew Arnold photo

“The power of the Latin classic is in character, that of the Greek is in beauty.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

Now character is capable of being taught, learnt, and assimilated: beauty hardly.
"Schools and Universities on the Continent" (1868)

“The classics of Socialist and Anarchist literature seem at mid-century to speak a foolish and naïve language to minds hardened by two generations of realpolitik.”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

It was not just the sophisticates and the reformers who had no belief in the validity or endurance of the system. Everybody in what they used to call the master class, from the Pope to William Howard Taft, believed in his bones that the days of his kind were strictly numbered and found wanting. What happened instead of apocalypse and judgment was a long-drawn-out apocalypse of counterrevolution against the promise and potential of a humane civilization. It began with the world economic crisis of 1912, and the First and Second World Wars and the Bolshevik Revolution have been episodes, always increasing in violence and plain immorality, in the struggle of our civilization to suppress its own potential.
"Introduction"
An Autobiographical Novel (1991)

Hunter S. Thompson photo
Richard Dawkins photo
Paul A. Samuelson photo
Dana Arnold photo
Ounsi el-Hajj photo
Erwin Schrödinger photo

“I would not call [entanglement] one but rather the characteristic trait of quantum mechanics, the one that enforces its entire departure from classical lines of thought.”

Erwin Schrödinger (1887–1961) Austrian physicist

italics in the original

DISCUSSION OF PROBABILITY RELATIONS BETWEEN SEPARATED SYSTEMS (1935)

Tullio De Mauro photo

“It is not possible to fully understand modern world culture without appreciating its connection and its continuity with the heritage of classical culture.”

Tullio De Mauro (1932–2017) Italian linguist

Claudio Gentili, “Time out” for Classical Studies? The Future of Italian Liceo Classico in the 4.0 world https://www.researchgate.net/deref/http%3A%2F%2Fdx.doi.org%2F10.15581%2F004.33.127-143, in Estudios Sobre Educacion, 33:127-143, October 2017.

Emily Ratajkowski photo
David Cay Johnston photo
Will Durant photo
Chloé Zhao photo

“There's one that I remember so dearly, it's called the Three Character Classics. The first phrase goes... 'People at birth are inherently good.'”

Chloé Zhao (1982) Chinese film director, screenwriter, and film producer

Those six letters had such a great impact on me when I was a kid, and I still truly believe them today.
2021 Academy Award acceptance speech

Cui Jian photo

“I think rock music is more personal for me. I have more freedom. I can show more of my personal emotions in rock and roll music. With classical music, I can only play something that is written already.”

Cui Jian (1961) Chinese rock musician of Korean descent

"Cui Jian: Father of Chinese Rock 'N' Roll in UCLA Global (3 June 2005) https://international.ucla.edu/institute/article/11612

Carlo Rovelli photo
Carlo Rovelli photo

“Nothing conduces so emphatically to the harmony of sounds as perfect classical piano play.”

Olga Rotari (1989) Moldovan classical pianist and chamber musician

https://www.youtube.com/watch?v=QoTrlcR4KyA Youtube

Jesmyn Ward photo

“The reason that I like to use classical myths as models is because African American writers and African American stories are usually understood as occurring in some kind of vacuum — because of slavery.”

Jesmyn Ward (1977) American writer

Source: On using mythology in her works in “INTERVIEWS: Powell's Interview: Jesmyn Ward, Author of 'Sing, Unburied, Sing'” https://www.powells.com/post/interviews/powells-interview-jesmyn-ward-author-of-sing-unburied-sing in Powell City of Books (2017 Aug 29)

China Miéville photo
T. E. Hulme photo
Prevale photo

“Classical dance is the elegant expression of every movement.”

Prevale (1983) Italian DJ and producer

Original: La danza classica è l'espressione elegante di ogni movimento.
Source: prevale.net