Quotes about classic
page 7

“The trend in the north is more Punjabi folk and simple music. But, in the past, people like Naushad experimented with Hindustani classical music which I think has been completely forgotten. People don't experiment anymore and think that Hindustani classical music won't work. For me, coming from the south, it was just a little step to learn Punjabi music. The nuances are louder in Punjabi music. Songs like Mukkala muqqabla or Humma humma had more of the Tamil folk music in it.”

A. R. Rahman (1966) Indian singer and composer

The A R Rahman Chat

People, Music, Thinking, Learning

“Many individuals spend a considerable portion of their lifetimes in terror of one imagined catastrophe or another. The classic is that your immortal soul will be consigned to eternal torment in the never-ending subterranean barbecue if you fail to follow the whacky edicts of one particular set of puckered dogwhistles or another. You may recall from the great movie Strange Days that a "dogwhistle" is a guy whose asshole is so tight that when he farts, only dogs can hear him.”

L. Neil Smith (1946) American writer

"The Bad Guys," http://www.bigheadpress.com/lneilsmith/?p=136 28 April 2009.

Dogs, Guy, Soul, Imagination

“Four decades after the mullahs created the Khomeinist republic their revolution has not produced a single poet worth the name. Khomeini and Khamenei, both amateur poets, have produced nothing but frankly embarrassing imitations of classical ghazal without its charm. The last remaining great poets of the pre-revolution era are all in exile, among them Hushang Ebtehaj, Manuchehr Yektai, Yadollah Roya’i, Esmail Khoi, Muhammad Jalali, and Hadi Khorsandi. Inside Iran, some promising younger poets such as Sa’id Sultanpour, Heydar Mehregan, and, more recently, Hashem Shaabani were executed by the regime but gained posthumous popularity greater than any officially endorsed poet. At the same time, almost all of Iran’s poets, from the 9th century to this day, are either censored or, in rare cases, totally banned by the mullahs. Most poets of the past 100 years are on various blacklists established by the oxymoronically named Ministry of Islamic Guidance and Culture. And, yet, Khamenei calls on the government to prepare a plan, and allocate resources, to increase the production of poetry as if it were the same as centrifuges churning out enriched uranium.”

Amir Taheri (1942) Iranian journalist

When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

Time, Past

“[Abraham Lincoln believed that] [t]he only reason people do not succeed in a capitalist environment is because they are improvident, they are lazy, they are good for nothing, or they experience some incredible turn of bad luck—that’s why "better luck next time." That may seem like vanishingly small consolation to people who’ve just come through a depression, but for Lincoln, that kind of hardship paled beside slavery. Slavery says that there is a category of people that can never be allowed to rise, that cannot improve themselves no matter how hard they try because they will always be slaves. It’s very much the classic disjuncture between the Enlightenment and feudalism. Feudalism talks about people being born with status, and everyone comes into this world equipped with a status. This status is either free or slave, serf or nobility, elect or damned, whatever. For the Enlightenment people come into this world armed with rights, and the ideal political system is the system that allows them to realize those rights, to use those rights in the freest and most natural fashion possible.”

Allen C. Guelzo (1953) American historian

2010s, Interview with Tom Mackaman (2013)

Bad luck, People, World, Fashion

“In the present decade, the U. S. economy has undergone its first major depression since the 1930’s, to the accompaniment of inflation rates in excess of 10 percent per annum. These events have been transmitted […] to other advanced countries and in many cases have been amplified. These events did not arise from a reactionary reversion to outmoded, 'classical' principles of tight money and balanced budgets. On the contrary, they were accompanied by massive government budget deficits and high rates of monetary expansion, policies which, although bearing an admitted risk of inflation, promised according to modern Keynesian doctrine rapid real growth and low rates of unemployment. That these predictions were wildly incorrect and that the doctrine on which they were fundamentally flawed are now simple matters of fact, involving no novelties of economic theory. The task now […] is to sort through the wreckage, determining which features of that remarkable intellectual event called the Keynesian Revolution can be salvaged and put to use and which others must be discarded.”

Robert Lucas Jr. (1937) American economist

As contained in The Rational Expectations Revolution: Readings From the Front Line https://en.wikiquote.org/wiki/Special:BookSources/0262631555, Preston J. Miller, MIT Press (reprint 1994), pp. 5-6 "After Keynesian macroeconomics" 1978

Money, Country

“A good poem is a tautology. It expands one word by adding a number which clarify it, thus making a new word which has never before been spoken. The seed-word is always so ordinary that hardly anyone perceives it. Classical odes grow from and or because, romantic lyrics from but or if. Immature verses expand a personal pronoun ad nauseam, the greatest works bring glory to a common verb.”

Alasdair Gray (1934–2019) Scottish writer and artist

"Prometheus", pp. 208-9.
Unlikely Stories, Mostly (1983)

Personality

“In classical Newtonian physics there was a clear understanding of 'what reality is'. Indeed in this classical view, reality at a certain time is the collection of all what is actual at this time, and this is contained in 'the present'. Often it is stated that three dimensional space and one dimensional time have been substituted by four dimensional space-time in relativity theory, and as a consequence the classical concept of reality, as that what is 'present', cannot be retained. Is reality then the four dimensional manifold of relativity theory? And if so, what is then the meaning of 'change in time?”

Diederik Aerts (1953) Belgian theoretical physicist

Aerts, D. (1996). " Relativity theory: what is reality? http://www.vub.ac.be/CLEA/aerts/publications/1996RelReal.pdf". Foundations of Physics, 26, pp. 1627-1644

Understanding, Reality, Change, Time

“In a general way, we can represent the present value of a future good as a function of the time separating the present from this future. In the classical conception, an exponential future discount is stipulated, which implies that the curves corresponding to two distinct future goods, one small and immediate, the other large and more remote, never intersect. According to more recent research, however, it seems that this discount typically takes a hyperbolic form.”

Jon Elster (1940) Norwegian academic

Reason and Rationality (2009)

Way, Time, Future

“It needs but half an eye to see in these latter days that science, the Grand Revelator of modern Western culture, has reached, without having intended to, a frontier. Either it must bury its dead, close its ranks, and go forward into a landscape of increasing strangeness, replete with things shocking to a culture-trammeled understanding, or it must become, in Claude Houghton's expressive phrase, the plagiarist of its own past. The frontier was foreseen in principle very long ago, and given a name that has descended to our day clouded with myth. That name is Babel. For science's long and heroic effort to be strictly factual has at last brought it into entanglement with the unsuspected facts of the linguistic order. These facts the older classical science had never admitted, confronted, or understood as facts. Instead they had entered its house by the back door and had been taken for the substance of Reason itself.”

Benjamin Lee Whorf (1897–1941) American linguist

Source: Language, thought and reality (1956), p. 264.

Understanding, Effort, Science, Past

“In string theory one studies strings moving in a fixed classical spacetime. …what we call a background-dependent approach. …One of the fundamental discoveries of Einstein is that there is no fixed background. The very geometry of space and time is a dynamical system that evolves in time. The experimental observations that energy leaks from binary pulsars in the form of gravitational waves—at the rate predicted by general relativity to the… accuracy of eleven decimal places—tell us that there is no more a fixed background of spacetime geometry than there are fixed crystal spheres holding the planets up.”

Lee Smolin (1955) American cosmologist

"Loop Quantum Gravity," The New Humanists: Science at the Edge (2003)

Study, Time, Dependency

“In The Bob Hope Golf Classic (LWT) the participation of President Gerald Ford was more than enough to remind you that the nuclear button was at one stage at the disposal of a man who might have either pressed it by mistake or else pressed it deliberately in order to obtain room service.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Blinding white flash'
Essays and reviews, Glued to the Box (1983)

Hope

“The prevailing situation of criticism… has given rise to a cult of professional expertise whose effect in general is pernicious. For the intellectual class, expertise has usually been a service rendered, and sold, to the central authority of society. This is the trahison des clercs of which Julien Benda spoke in the 1920s. Expertise in foreign affairs, for example, has usually meant the legitimization of the conduct of foreign policy and, what is more to the point, a sustained investment in revalidating the role of experts in foreign affairs. The same sort of thing is true of literary critics and professional humanists, except that their expertise is based upon noninterference in what Vico grandly calls the world of nations but which prosaically might just as well be called “the world.” We tell our students and our general constituency that we defend the classics, the virtues of a liberal education, and the precious pleasures of literature even as we also show ourselves to be silent (perhaps incompetent) about the historical and social world in which all these things take place…. Humanists and intellectuals accept the idea that… cultural types are not supposed to interfere in matters for which the social system has not certified them.”

Edward Said (1935–2003) Professor of English and literature

The World, the Text, and the Critic (1983), pp. 2-3

Pleasure, World, Education, Literature

“In the human reality, all existence that spends itself in procuring the prerequisites of existence is thus an “untrue” and unfree existence. Obviously this reflects the not at all ontological condition of a society based on the proposition that freedom is incompatible with the activity of procuring the necessities of life, that this activity is the “natural” function of a specific class, and that cognition of the truth and true existence imply freedom from the entire dimension of such activity. … Society still is organized in such a way that procuring the necessities of life constitutes the full-time and life-long occupation of specific social classes, which are therefore unfree and prevented from a human existence. In this sense, the classical proposition according to which truth is incompatible with enslavement by socially necessary labor is still valid.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 127-128

Life, Truth, Way, Nature

“Bohr had… discovered that the frequencies corresponding to very large integers could be calculated accurately from the classical mechanics; they were simply the number of times that an ordinary electron would complete the circuit of its orbit in one second when it was at a very great distance from the nucleus of the atom to which it belonged. This could only mean that when an electron receded to a great distance from the nucleus of its atom, it not only assumed the properties of an ordinary electron, but also behaved as directed by the classical mechanics. Yet the classical mechanics failed completely for the calculation of frequencies corresponding to small orbits.”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

Time

“A lot of musicians are going to have to retrain. It's nonsense to say that traditional classical music is more complex. Contemporary pieces by Harrison Birtwistle are much harder to play than Mozart or Wagner. I know a lot of people don't want to hear that.”

Joanna MacGregor (1959) British musician

The Mail on Sunday, 06/02/2000
On Classical Music

People, Music

“Everywhere, no matter what the sphere of interest (whether religious, political, or personal), the really creative acts are represented as those deriving from some sort of dying to the world; and what happens in the interval of the hero's nonentity, so that he comes back as one reborn, made great and filled with creative power, mankind is also unanimous in declaring. We shall have only to follow, therefore, a multitude of heroic figures through the classic stages of the universal adventure in order to see again what has always been revealed. …the singleness of the human spirit in its aspirations, powers, vicissitudes, and wisdom.”

Joseph Campbell book The Hero with a Thousand Faces

Source: The Hero with a Thousand Faces (1949), Chapter 3

Wisdom, World, Universe, Personality

“The pure normative standpoint that Kant’s ethics tries to occupy, a standpoint in which we consider only the normatively relevant features of a possible world, abstracting strictly from the real world and the empirical accidents of concrete situations, is an expression of what Dewey called “the quest for certainty.” In an insecure world, weak humans struggle convulsively to reach some kind of stability; the a priori is an overcompensation in thought for experienced human weakness. This is one of the origins of Kant’s notorious rigidity, his authoritarian devotion to “principles,” and his tendency to promote local habits of thought to constituents of the absolute framework in which alone (purportedly) any coherent experience was possible; thus, Euclidean geometry is declared the a priori condition of human experience, and sadistic remnants of Puritanism become demands of pure practical reason. Classical liberalism rejected Kant’s practical philosophy, but perhaps this is not enough. Perhaps one should also reject the very idea of a pure normative standpoint.”

Raymond Geuss (1946) British philosopher

“Liberalism and its Discontents,” pp. 20-21.
Outside Ethics (2005)

World, Idea

“So vast has been the change in the claim and position of slavery! So entirely has it reversed the classic story, and the blind, begging Belisarius has become the imperial general! So proudly, in such long and dazzling and magnificent array, stands Xerxes at the fiery pass of war! And where is Leonidas? Where is liberty?”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

War, Change

“Rumor has it "The Blueprint" classic
Couldn't even be stopped by Bin Laden
So September 11th marks the era forever
of a revolutionary Che Gueverra”

Jay-Z (1969) American rapper, businessman, entrepreneur, record executive, songwriter, record producer and investor

The Bounce
The Blueprint 2: The Gift & The Curse (2002)

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Age, Dreams, Music, Search

“Thomas Jefferson, the leading Enlightenment figure in the United States, along with Benjamin Franklin, who took exactly the same view, argued that dependence will lead to "subservience and venality", and will "suffocate[s] the germs of virtue". And remember, by dependence he meant wage labor, which was considered an abomination under classical liberal principles.”

Noam Chomsky (1928) american linguist, philosopher and activist

Quotes 1990s, 1995-1999, Education and Democracy, 1995

Dependency

“I did not care for Wagner. My tastes are more classical. Der Fuhrer had no musical taste and liked Wagner because of the bombastic Teutonic glories.”

Hans Frank (1900–1946) German war criminal

To Leon Goldensohn, February 12, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004

Music

“I came from a background of blues and rock based(music). I hadn’t listened to Jazz or even Classical Music until just recently. Listening to Stan Getz, you know, he is one of my favorite Saxophonists, so he’s influenced my sound and influences how I play this music. Right now.”

Ross Mintzer (1987) American musician and performer

NPR interview (2005)

Music

“Even where it is manipulated by major talents, deconstruction tends to bear either on marginal texts (Sade, Lautréamont), or on secondary work by a great writer (Barthes on Balzac's Sarrazine). The classics of deconstruction, in Jacques Derrida or Paul De Man, are "misreadings" not of literature but of philosophy; they address themselves to philosophical linguistics and the theory of language. The masks they seek to strip off are those worn by Plato, by Hegel, by Rousseau, by Nietszche or Saussure. Deconstruction has nothing to tell us of Aeschylus or Dante, of Shakespeare or Tolstoy.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), II: The Broken Contract, Ch. 8 (p. 128).

Literature

“Classical quotation is the parole of literary men all over the world.”

Samuel Johnson (1709–1784) English writer

May 8, 1781
Life of Samuel Johnson (1791), Vol IV

Men, World

“I think one word we can agree Bob is, uh? Epic, classic. Thriller, block-buster. I think all the clichés were made real. I mean? You woke up this morning, saying you felt nervous about this game. Now, I know why.”

Ian Darke (1950) British association football and boxing commentator

Brazil v. United States http://www.listenonrepeat.com/watch/?v=ke8XNArZvVU (10 July 2011). 2010s, 2011, 2011 FIFA Women's World Cup

Game, Thinking

“Young Prokofiev was attentive to new musical trends. We can find traces of various influences in his early compositions. Some of the piano works from the set Visions fugitives, op. 22 (1915–17), are reminiscent of Debussy; the Andante assai section of the First Piano Concerto, op. 10 (1911–12), sounds like Rachmaninov; and the harmonies of the symphonic poem Osen neye(Autumnor Autumnal Sketch), op. 8 (1910), harken back to Scriabin. These, however, were rather passing influences. Others proved to be more enduring.
One of them was the fairy-tale streak in Russian music. Russians have always been fond of fairy tales, which to this day continue to be an important part of every child’s upbringing. …
Another significant influence was the Classical style.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language

Music, Autumn, Parting

“In spite of such limitations, the New Institutional Economics research programme, given its willingness to acknowledge the central role played by information in the economic process, constitutes a marked advance over what is on offer from the neoclassical orthodoxy. There, information retains the status of the luminiferous ether of classical physics before Einstein: a ubiquitous medium that admitted of a mechanical account of action at a distance and kept the world conveniently Newtonian.
Institutional economics, however, needs a more explicit and dynamic theory of information flows if it is to make more than a dent in the neoclassical defences. Having established that there exists credible institutional alternatives to markets, it needs to show how information production and exchange underpins them all, shaping their internal evolution as well as how they collaborate and compete. In effect, what is needed is a theory of social learning that extends beyond the individual or the organization to encompass more complex institutional settings. Such as theory, I believe, is foreshadowed in Douglas North’s historical studies of institutions. It now needs further development.”

Max Boisot (1943–2011) British academic and educator

Source: Information Space, 1995, p. 290; As cited in: Ortiz et al. (2006)

World, Study, Learning

“Emergence is the phenomenon of properties, capabilities and behaviours evident in the whole system that are not exclusively ascribable to any of its parts. Classic examples of emergence include: self awareness from the human brain; the pungent smell of ammonia emerging from two colorless, odorless gases-nitrogen and hydrogen; and so on.”

Derek Hitchins (1935) British systems engineer

Source: Advanced Systems Thinking, Engineering and Management (2003), p. 24

Parting

“Machines change their style so rapidly. If one tries to reproduce them in art as realistically as man and the horse in classical art, one immediately lapses into a kind of anecdotic or documentary art... Only the stylisation of a painter like Leger could integrate the machine as the subject matter of art. Here in Italy, the futurists, before 1914, attempted a similar integration of the machine.... César [French sculptor, in the generation of Marini] creates with elements borrowed from industry and the world of machines, sculptural fossils that appear to have survived the same kind of catastrophe as my own figures. But I would like to show you [ interviewer w:Eduard Roditi now in my studio my latest fossils..”

Marino Marini (1901–1980) Italian sculptor

Source: Interview with Edouard Roditi' (1958), p. 89

World, Art, Appearance, Change

“This is an absolute deep contrast to Chopin, who found himself favoring a classical form of musical essence. He needs to bring nothing in from outside, the music is nearly ‘absolute.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Music

“The relation of tonic to dominant is the foundation of Western triadic tonality. The attempt of the early nineteenth century to substitute third or mediant relationships for the classical dominant amounted to a frontal attack on the principles of tonality, and it eventually contributed to the ruin of triadic tonality. This ruin was accomplished from within the system, however, as mediant relationships were essential to tonality as conceived in the eighteenth century.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 4 : Formal Interlude

“Can they solve the problem of the nagging unanswerable question of justification and vocation? Their principle is the traditional one of classical mysticism: by “experiences” (“kicks”) to transcend the nagged and nagging self altogether and get out of one’s skin, to where no questions are asked—nor is there any articulate speech to ask them in.”

Paul Goodman book Growing Up Absurd

Source: Growing Up Absurd (1956), p. 156.

Question, Problem

“The white room is an interior to be made devoid of any specific sensualism emanated by objects. Ultimately it is classic white canvas expanded into three-dimensional space.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 144 (1985)

“Aside from anarcho-libertarianism, there are two contending ideas of libertarianism. In its broad sense, libertarianism is equated with civil liberties and political rights—what we usually mean by democracy. Sweden, Japan, and the United States would thus be almost equally libertarian. In its narrow sense, libertarianism is equivalent to classical liberal democracy, adding to democracy the requirement of a free market. India would then be less libertarian than Japan; Israel less libertarian than West Germany. Theoretically, liberal democracies should have significantly less violence than socialist democracies, but both should have significantly less than nondemocracies.”

Rudolph Rummel (1932–2014) American academic

“Libertarian Propositions on Violence Within and Between Nations: A Test Against Published Research Results," The Journal of Conflict Resolution, 29, Sage Publications, (September, 1985): pp. 419-455. https://www.hawaii.edu/powerkills/DP85.HTM

Democracy, Idea, Sense

“If he is this good at acting crazy, it's because he is." Nor is military psychology mistaken in this regard: in this sense, all crazy people simulate, and this lack of distinction is the worst kind of subversion. It is against this lack of distinction that classical reason armed itself in all its categories. But it is what today again outflanks them, submerging the principle of truth.”

Jean Baudrillard (1929–2007) French sociologist and philosopher

The Precession of Simulcra
1980s, Simulacra and Simulation (1981)

People, Truth, Sense

“When we come to inanimate elements, the prevailing view has been that time and sequential change are entirely foreign to their nature. According to this view they do not have careers; they simply change their relations is space. We have only to think of the classic conception of atoms. The Newtonian atom, for example, moved and was moved, thus changing its position in space, but it was unchangeable in its own being. …In itself it was like a God, the same yesterday, today, and forever.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

God, Nature, Thinking, Change

“Aiyyo, the brother's "Stillmatic"
I crawled up out of that grave, wipin the dirt, cleanin my shirt. They thought I'd make another "Illmatic"
But it's always forward I'm movin
Never backwards stupid here's another classic”

Nas (1973) American rapper, record producer and entrepreneur

Stillmatic (The Intro)
On Albums, Stillmatic (2001)

Stupidity

“With all this science and physics and so forth that I absorbed. I did have one early experience with engineering, however. When we got the Book of Knowledge, I found on one page a diagram for a short-wave radio. I thought it would be neat to try to make a shortwave radio, so I arranged with all the radio repairmen in the town that whenever they were going to junk a radio, they should set it aside and I would pick it up. I got all these old radios -- really classics now -- that I stripped. I had huge transformers and loudspeakers and huge condensers -- the whole works. Boxes full of this stuff. I didn't understand it. I didn't know a thing about it. I just liked to take things apart and learn how to solder. I discovered out of my collection of parts -- with the tuning condensers (with movable plates), the knobs, and all that stuff, that I had what seemed to be needed in this one page diagram of a shortwave receiver.”

Douglas T. Ross (1929–2007) American computer scientist

Source: An Interview with Douglas T. Ross (1984), p. 11-12.

Books, Understanding, Knowledge, Learning

“Their [Athenians] history furnishes the classic example of the peril of Democracy under conditions singularly favourable. For the Athenians were not only brave and patriotic and capable of generous sacrifice, but they were the most religious of the Greeks. They venerated the constitution which had given them prosperity and equality and the pride of freedom…They tolerated considerable variety of opinion, and great license of speech…Thus they became the only people of antiquity that grew great by democratic institutions. But the possession of unlimited power, which corrodes the conscience, hardens the heart, and confounds the understanding of monarchs exercised its demoralizing influence on the illustrious Democracy of Athens.”

John Dalberg-Acton, 1st Baron Acton (1834–1902) British politician and historian

The History of Freedom in Antiquity (1877)

People, Exercises, Democracy, History

“In his seminar on The Ethic of Psychoanalysis, Lacan speaks of the role of the Chorus in classical tragedy: we, the spectators, came to the theatre worried, full of everyday problems, unable to adjust without reserve to the problems of the play, that is to feel the required fears and compassions - but not problem, there is a chorus, who feels the sorrow and the compassion instead of us - or, more precisely, we feel the required emotions through the medium of the chorus: 'You are then relieved of all worries, even if you do not feel anything, the Chorus will do so in your place.”

Slavoj Žižek book The Sublime Object of Ideology

32; quote from Lacan's Le séminaire, livre VII : L'éthique de la psychanalyse, 295
The Sublime Object of Ideology (1989)

Fear, Feeling, Problem

“Keynesian theory initially prevailed because it did a far better job than classical orthodoxy of making sense of the world around us, and Friedman’s critique of Keynes became so influential largely because he correctly identified Keynesianism’s weak points. And just to be clear: although this essay argues that Friedman was wrong on some issues, and sometimes seemed less than honest with his readers, I regard him as a great economist and a great man.”

Paul Krugman (1953) American economist

"Who Was Milton Friedman?", The New York Review of Books (February 15, 2007)
The New York Review of Books articles

World, Sense

“After Magna Carta became subject to renewed interest in the 17th century, William Blackstone referred to this provision as protecting the 'absolute rights of every Englishman'. And he formulated those absolute rights as 'the right of personal security', which included the right to life; 'the right of personal liberty'; and 'the right of private property'. He defined 'the right of personal liberty' as 'the power of loco-motion, of changing situation, or removing one's person to whatsoever place one’s own inclination may direct; without imprisonment or restraint, unless by due course of law'. The Framers drew heavily upon Blackstone's formulation, adopting provisions in early State Constitutions that replicated Magna Carta's language, but were modified to refer specifically to 'life, liberty, or property'. State decisions interpreting these provisions between the founding and the ratification of the Fourteenth Amendment almost uniformly construed the word 'liberty' to refer only to freedom from physical restraint. Even one case that has been identified as a possible exception to that view merely used broad language about liberty in the context of a habeas corpus proceeding—a proceeding classically associated with obtaining freedom from physical restraint.”

Clarence Thomas (1948) Associate Justice of the Supreme Court of the United States

Obergefell v. Hodges http://www.supremecourt.gov/opinions/14pdf/14-556_3204.pdf (26 June 2015). 2010s

Life, Law, Decision, Freedom

“The classical support for as-if models in the social sciences stems from the economist Milton Friedman (1953), who, like the psychologist B. F. Skinner, saw little value in modeling cognitive processes. In contrast, our aim is to understand actual decision processes, not only the outcomes. There is a good reason for this. Without modeling the cognitive blade of Simon's scissors, it is utterly impossible to determine in what environments heuristics succeed, that is, their ecological rationality.”

Gerd Gigerenzer Heuristics

Gerd Gigerenzer, Ralph Hertwig, and Thorsten Pachur, Heuristics: The Foundations of Adaptive Behavior, 2015.

Understanding, Support, Decision, Science

“The intellectual abstraction of the second period of Cubism was of great importance, however. By its aspirations to the eternal and its 'concept of proportion inspired by the Classics' it revived the sense of craftsmanship concept in many painters. And this perfectly coincided with another of my ambitions – which was to make, with paint, an object having the same perfection of craftsmanship that a cabinet-maker would put into a piece of furniture.”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, Letters of the great artists', 1963, p. 248

Sense, Painting, Perfection

“The laws of classical mechanics represent a mathematical idealization and should not be assumed to correspond to the real laws of nature. … We now have to realize that errors are inevitable (..) a discovery that makes strict determinism impossible.”

Léon Brillouin (1889–1969) French physicist

[Léon Brillouin, Science and Information Theory, second edition, Academic Press, New York, 1962, 0-48643-918-6, 314]

Law, Error, Mathematics, Nature

“Much of social science has been built as a citadel against metaphysics and politics. Faithful to the outlook produced by the modern revolt against ancient philosophy, the classic social theorists were anxious to free themselves first from the illusions of metaphysics, then from the seeming arbitrariness of political judgments. They wanted to create a body of objective knowledge of society that would not be at the mercy of philosophical speculation or political controversy, and, up to a point, they succeeded. But now we see that to resolve its own dilemmas, social theory must again become, in a sense, both metaphysical and political. It must take a stand on issues of human nature and human knowledge for which no "scientific" elucidation is, or may ever be, available. And it must acknowledge that its own future is inseparable from the fate of society.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Law in Modern Societyː Toward a Criticism of Social Theory (1976), p. 266-7

Fate, Faith, Nature, Knowledge

“It was great mixing dance beats with the choir. The reaction of the classically trained choir when asked to sing on top of dance beats was great.”

Jesper Kyd (1972) musician

Recording the score for Freedom Fighters, BSOSpirit interview

Singing, Dance, Training

“Such abstruse ideas are totally alien to Chopin. The Romantic interweaving of music and literature that was characteristic of Schumann and Liszt was a negligible source of inspiration. Schumann dedicated Kreisleriana to Chopin, but in fact Chopin’s consciousness for classical strength and form had nothing in common with the exalted, torn, eccentric and confused character of the work.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Music, Literature, Idea

“Indeed, I find it illuminating to consider to what extent our "classical conditions" for economic growth are satisfied in the current, monopolistic phase of capitalism.”

Paul A. Baran (1909–1964) American Marxist economist

Source: The Political Economy Of Growth (1957), Chapter Three, Standstill And Movement Under Monopoly Capitalism, I, p. 51

“I'd like to combine melancholy and sunshine... There's a sadness in Provence which no one has expressed; Poussin would have shown it in terms of some tomb, underneath the poplars of the Alyscamps... I'd like to put reason in the grass and tears in the sky, like Poussin... You really need to see and feel your subject very clearly, and then If I express myself with distinction and power, there's my Poussin, there's my classicism..”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 211 in: 'What he told me – III. The Studio'

Sadness, Feeling, Tear, Grass

“Millet was one of those artists on whom a few formal ideas make so deep an impression that they feel compelled to spend the whole of their lives in trying to lever them out. Perhaps this is the chief distinguishing mark of the classical artist; certainly it is what distinguishes his use of subject matter from that of the illustrator. The illustrator is essentially a reporter, his subjects come from the outside, lit by a flash. A subject comes to the classical artist from inside, and when he discovers confirmation of it in the outside world he feels that it has been there all the time. He must give to his subjects an air of complete inevitability, and this becomes a problem of formal completeness. That is why the classic artists, Degas no less than Poussin, return to the same motives again and again, hoping each time to mould the subject closer to the idea.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Romantic Rebellion (1973), Ch. 12: Millet

World, Hope, Feeling, Motivation

“The Bobbit case, which brought to life the ancient mythic archetype of woman as castrator, demonstrated that women are as aggressive as men and that sex is a dark, dangerous force of nature. But of course the feminist establishment, stuck in its battered-woman blinders, learned nothing as usual from this lurid refutation of its normal views. Classic art works like Bizet’s Carmen tell us more about the irrationality of love, jealousy and revenge than do all the pat formulas of the counseling industry.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 42

Love, Life, Women, Men

“The power of the Latin classic is in character, that of the Greek is in beauty. Now character is capable of being taught, learnt, and assimilated: beauty hardly.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

"Schools and Universities on the Continent" (1868)

Beauty

“It should be said that such an art would be neither more false nor more true than classical art.”

Jean Metzinger (1883–1956) French painter

Cubism was born

Art, Falseness

“Since mobile, indie and retro inspired games are built on a legacy of inequality in the medium the new wave of 80s and 90s nostalgia has brought with it a resurrection of the worst of the old-school damsel in distress stereotypes. Indeed, many of these new titles essentially function as love letters to the trope as a way of paying homage to classic games of years gone by.”

Anita Sarkeesian (1983) American blogger

Damsel in Distress: Part 3 (Aug 1, 2013)
Tropes vs. Women in Video Games (Feminist Frequency, 2013 - 2015)

Love, School, Way, Game

“To understand the economy then is to comprehend how it is driven by the animal spirits. Just as Adam Smith’s invisible hand is the keynote of classical economics, Keynes’ animal spirits are the keynote to a different view of the economy — a view that explains the underlying instabilities of capitalism.”

George Akerlof book Animal Spirits: How Human Psychology Drives the Economy, and Why It Matters for Global Capitalism

George Akerlof and Robert Shiller. Animal Spirits: How Human Psychology Drives the Economy, and Why It Matters for Global Capitalism, 2009, Preface

Understanding, Animals

“It is often sadly remarked that the bad economists present their errors to the public better than the good economists present their truths. It is often complained that demagogues can be more plausible in putting forward economic nonsense from the platform than the honest men who try to show what is wrong with it. But the basic reason for this ought not to be mysterious. The reason is that the demagogues and bad economists are presenting half-truths. They are speaking only of the immediate effect of a proposed policy or its effect upon a single group. As far as they go they may often be right. In these cases the answer consists in showing that the proposed policy would also have longer and less desirable effects, or that it could benefit one group only at the expense of all other groups. The answer consists in supplementing and correcting the half-truth with the other half. But to consider all the chief effects of a proposed course on everybody often requires a long, complicated, and dull chain of reasoning. Most of the audience finds this chain of reasoning difficult to follow and soon becomes bored and inattentive. The bad economists rationalize this intellectual debility and laziness by assuring the audience that it need not even attempt to follow the reasoning or judge it on its merits because it is only “classicism” or “laissez-faire,” or “capitalist apologetics” or whatever other term of abuse may happen to strike them as effective.”

Henry Hazlitt book Economics in One Lesson

Economics in One Lesson (1946), The Lesson (ch. 1)

Men, Truth, Error

“We were picking apart a problem in linguistic history and, as it were, examining close up the peak period of glory in the history of a language; in minutes we had traced the path which had taken it several centuries. And I was powerfully gripped by the vision of transitoriness: the way before our eyes such a complex, ancient, venerable organism, slowly built up over many generations, reaches its highest point, which already contains the germ of decay, and the whole intelligently articulated structure begins to droop, to degenerate, to totter toward its doom. And at the same time the thought abruptly shot through me, with a joyful, startled amazement, that despite the decay and death of that language it had not been lost, that its youth, maturity, and downfall were preserved in our memory, in our knowledge of it and its history, and would survive and could at any time be reconstructed in the symbols and formulas of scholarship as well as in the recondite formulations of the Glass Bead Game. I suddenly realized that in the language, or at any rate in the spirit of the Glass Bead Game, everything actually was all-meaningful, that every symbol and combination of symbols led not hither and yon, not to single examples, experiments, and proofs, but into the center, the mystery and innermost heart of the world, into primal knowledge. Every transition from major to minor in a sonata, every transformation of a myth or a religious cult, every classical or artistic formulation was, I realized in that flashing moment, if seen with a meditative mind, nothing but a direct route into the interior of the cosmic mystery, where in the alternation between inhaling and exhaling, between heaven and earth, between Yin and Yang, holiness is forever being created.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

Death, Youth, World, Way

“Once upon a time, the best minds of the human species believed that the planets were attached to crystal spheres. …Both in classic and in medieval times, it was prominently speculated that gods or angels propelled them, gave them a twirl every now and then. The Newtonian gravitational superstructure replaced angels with GMm/r2… as science advances, there seems to be less and less for God to do.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

The Varieties of Scientific Experience: A Personal View of the Search for God (2006)

God, Angels, Science, Time

“It is therefore not unreasonable to suppose that some portion of the neglect of science in England, may be attributed to the system of education we pursue. A young man passes from our public schools to the universities, ignorant of almost every branch of useful knowledge; and at these latter establishments … classical and mathematical pursuits are nearly the sole objects proposed to the student's ambition.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: Reflections on the Decline of Science in England, and on Some of its Causes (1830), p. 3

Education, School, Mathematics, Knowledge

“I feel I'm happily inspired now on Classical soil:
The Past and Present speak louder, more charmingly.
Here, as advised, I leaf through the works of the Ancients
With busy hands, and, each day, with fresh delight.
But at night Love keeps me busy another way:
I become half a scholar but twice as contented.
And am I not learning, studying the shape
Of her lovely breasts: her hips guiding my hand?”

Johann Wolfgang von Goethe book Roman Elegies

Elegy 5
Roman Elegies (1789)

Love, Way, Feeling, Business

“To view an object in the proper light we must stand away from it. The study of the classical literatures gives the aloofness which cultivates insight. In learning to live with peoples and civilizations that have long ceased to be alive, we gain a vantage point, acquire an enlargement and elevation of thought, which enable us to study with a more impartial and liberal mind the condition of the society around us.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 106

People, Literature, Study, Light

“The breaking of casting cliches also broke boundaries. A short, Latin-looking actress like me playing classical roles such as Miss Julie, and playing them well, made casting directors uncomfortable. It was unheard of that a short, dark-haired actress of Greek temperament could play the aristocratic Miss Julie. Not beautiful or tall enough etc. It proved one of the best productions of Miss Julie ever seen in London.”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

On the formation of Internationalist Theatre.
The South African Interview (August 8, 2011)

Beauty

“I loved to talk about music to Nicky … His influence came from people like The Beatles and The Beach Boys, and he had these ideas about layering vocals, painting landscapes with music. Roma knew about Irish mythology, told stories, wrote poetry and had this special feeling for lyrics. My grounding came from the classics.”

Enya (1961) Irish singer, songwriter, and musician

Women's Weekly interview (2006)

Love, People, Music, Feeling

“Later evolutionary theorists of linear progress had to advance the overtly physical and historical claim that an ancestral lineage of arthropods actually turned over to become the first vertebrates (for the classical statement of the inversion theory, see William Patten, The Grand Strategy of Evolution, 1920).”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

Source: Leonardo's Mountain of Clams and the Diet of Worms (1998) "Brotherhood by Inversion", p. 327

“It's an updated version of what's being talked about or danced to today but still with my classic grit to it. Good part about it is the 1990s are back so this was da best time to do it. A lot of artist samplin' Three 6 now, our music was before its time.”

DJ Paul (1977) American rapper and record producer

Interview with DJ Paul – Stream DJ Paul Kom's 'Undergroud, Vol. 17 – For da Summa Album http://www.xxlmag.com/news/2017/09/dj-paul-underground-vol-17-for-da-summa-album/

Music, Time, Dance, Parting

“In the interior of the atom, Bohr had tried the plan of retaining the particle-electron and modifying the classical mechanics. Heisenberg took the opposite course, his procedure amounting in effect to retaining the classical mechanics, at least in form, and modifying the electron. Actually, the electron dropped out all together, because it exists only as a matter of inference and not of direct observation. For the same reason, the new theory contains no mention of atoms, nuclei, protons, or of electricity in any shape or form. The existences of all these are matters of inference, and Heisenberg's purely mathematical theory could no more make contact with them than with the efficiency of a turbine or with the price of wheat.”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

Mathematics

“Mark: Hayley I know that during this last week there's been a little, um, sort of non-verbal tension between us and it's never really been about you as a person. It's definitely not because you as a person, there's so much to admire. There really is. Your heart and your will is just enormous and there are so many people who have had hits without having classically great recording voices and they've done it on the strength of their spirit and the strength of their heart and you've got all of that and heaps.”

Hayley Jensen (1983) Australian singer

Australian Idol, Final Performances, Final 9

People, Heart, Personality

“Totalitarian art must be a form of classicism: the state which is founded on order and subordination demands an art with a similar basis. Romantic painting, however popular, expresses the revolt of the individual. The State also requires an art of reason by which appropriate works may be produced as required. Inspiration is outside state control. The classic attitude toward subject matter — that it should be clear and unequivocal — supports the attitude of unquestioning belief. Add the fact that totalitarian art must be real enough to please the ignorant, ideal enough to commemorate a national hero, and well enough designed to present a memorable image, and one sees how perfectly The Death of Marat fills the bill. That it happens also to be a great work of art makes it dangerously misleading.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Romantic Rebellion (1973), Ch. 1: David

Death, Art, Support, Painting

“The big classical compositions are finished; an ordinary view of daily life would be much more interesting.”

Frédéric Bazille (1841–1870) French painter

Quote by Jean Renoir, in: Renoir my father, p. 96; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 24

a remark of Bazille, in the winter of 1862 – 63 during a walk with Renoir

the two painters passed a crying baby while its nurse was flirting with a soldier
1861 - 1865

Life

“I have been vitally aware of the Law of Opposites, and this awareness has kept me reasonably serene… the drama of life… the play of truth. the quarrel of fools and frauds, male and female, the classic and the romantic, the disciplined and the free… the comic and the tragic contrasting of the opposites in all areas of possibility and on and on and on.”

William Saroyan (1908–1981) American writer

Obituaries (1979)

Life, Truth, Law, Fools

“Using the scanty means at my disposal I attempted to paint the room together with several objects that I had gathered together, white on white. The white room is an interior to be made devoid of any specific sensualism emanated by objects. Ultimately it is a classic white canvas expanded into three-dimensional space. It was in these surroundings that I rolled across the room, my body wrapped up in pieces of white cloth like a pile of parcels. The pieces of cloth unwound themselves from my tense body, which for a long time remained in a catatonic position, with the soles of both my feet stuck as it were to the wall. […] I had planned to do some bodypainting for the second part of the performance. […] At first I poured black paint over the white objects, I painted Anni with the aim of making a “living painting”. But gradually a certain uncertainty crept in. This was caused by jealous fight between two photographers, which ended by one of them leaving the room in a rage. […] My unease increased, as I became aware of the defects in my “score”-and should this not have any, the mistakes in the way I was translating it into actions. Recognising this, I succumbed to a fit of painting which was like an instinct breaking through. I jammed myself into a step-ladder that had fallen over and on which I had previously done the most dreadful gymnastic exercises, and daubed the walls in frantic despair-until I was exhausted. The very last hour of “informel.””

Günter Brus (1938) Austrian artist

Mühl angrily ridiculed my relapse into a “technique” that had to be overcome.
Source: Nervous Stillness on the Horizon (2006), P. 120 (1985)

Way, Exercises, Rage, Time

“He's a genius…a classical dancer like I never saw in my life.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Mikhail Baryshnikov in "Interview with Mike Wallace", 60 Minutes, CBS Television. February 18, 1979. (M).

Life

“Since the late 1960s macroeconomic debates in the United States have centered on the competing interpretations of the new classical and new Keynesian macroeconomics. The initial new classical model developed in the early 1970s by Robert E. Lucas, Jr., combined market-clearing, imperfect information, and rational expectations. After much testing, it was eventually rejected in the late 1970s for failing to explain why business cycles lasted on average four years while information delays lasted only a few weeks. It was soon replaced by a second new classical approach, the Real Business Cycle (RBC) model, which was also based on continuous market clearing and competitive equilibrium, but now generated the business cycle through serially correlated procyclical technology shocks.”

Robert J. Gordon (1940) American economist

Robert J. Gordon, Are Procyclical Productivity Fluctuations a Figment of Measurement Error? (1992).

Business

“The book of the Bible which most obviously resembles the Taoist classics is Ecclesiastes. But at the same time there is much in the teaching of the Gospels on simplicity, childlikeness, and humility, which responds to the deepest aspirations of the Chuang Tzu book and the Tao Teh Ching.”

Thomas Merton (1915–1968) Priest and author

"A Note To The Reader".
The Way of Chuang-Tzŭ (1965)

Books, Time

“Given my interest in the concept of time, it was only natural that my attention was focused on the second principle, as I felt from the start that it would introduce a new, unexpected element into the description of physical world evolution. No doubt it was the same impression illustrious physicists such as Boltzmann and Planck would have felt before me. A huge part of my scientific career would then be devoted to the elucidation of macroscopic as well as microscopic aspects of the second principle, in order to extend its validity to new situations, and to the other fundamental approaches of theoretical physics, such as classical and quantum dynamics.”

Ilya Prigogine (1917–2003) physical chemist

Ilya Prigogine (1977) " The Nobel Prize in Chemistry 1977: Autobiography http://www.nobelprize.org/nobel_prizes/chemistry/laureates/1977/prigogine-autobio.html".

World, Nature, Time, Parting

“Liberals disagree about the scope, nature, and weight of the liberties they consider basic. High liberals have a thin conception of economic liberty. They think that freedom of occupation and freedom to own personal property are among the basic liberties. In contrast, classical liberals, libertarians, and neoclassical liberals think that the basic liberties also include strong rights to freedom of contract, freedom to own and use productive property, freedom to buy and sell on voluntary terms, and so on. They regard these rights as on par with civil liberties, while high liberals regard them as lesser rights, or in some cases, not rights at all. High liberals tend to interpret the civil liberties broadly. They assume that the civil liberties have a wide scope and are quite weighty. Neoclassical liberals hold that economic liberties have the same weight and wide scope as the civil liberties.”

Jason Brennan (1979) philosopher

High liberals will want to ask: Why?
Neoclassical Liberalism: How I’m Not a Libertarian (2011)

Nature, Thinking, Freedom, Strong

“The libertarian creed, finally, offers the fulfillment of the best of the American past along with the promise of a far better future. Even more than conservatives… libertarians are squarely in the great classical liberal tradition that built the United States and bestowed on us the American heritage of individual liberty, a peaceful foreign policy, minimal government, and a free-market economy.”

Murray N. Rothbard book For a New Liberty

For a New Liberty: The Libertarian Manifesto (1973)

Peace, Past, Future

“The present article is almost wholly devoted to a single problem—the definition of truth. Its task is to construct—with reference to a given language—a materially adequate and formally correct definition of the term 'true sentence. This problem, which belongs to the classical problems of philosophy, raises considerable difficulties. For although the meaning of the term 'true sentence' in colloquial language seems to be quite clear and intelligible, all attempts to define this meaning more precisely have hitherto been fruitless, and many investigations in which this term has been used and which started with apparently evident premisses have often led to paradoxes and antinomies (for which, however, a more or less satisfactory solution has been found). The concept of truth shares in this respect the fate of other analogous concepts in the domain of the semantics of language.”

Alfred Tarski (1901–1983) Polish-American logician

"The Concept of Truth in Formalized Languages" (1931) in Logic, Semantics, Metamathematics: Papers from 1923 to 1938 (1956) Tr. J. H. Woodger.

Fate, Truth, Intelligence, Problem

“It is… the author's confident hope that this book will give a fresh interest to the story of Greek mathematics in the eyes both of mathematicians and of classical scholars.”

Thomas Little Heath (1861–1940) British civil servant and academic

Preface p. v
A History of Greek Mathematics (1921) Vol. 1. From Thales to Euclid

Books, Hope, Confidence, Mathematics

“My background in music came from me playing drums and piano as a young child. My grandmother was a pianist and I was influenced by her and my parents were playing rock records which influenced my drumming. I was a fan of film scores, rock, classical, jazz, and hip-hop in my early years and tried to learn as much about each of those genres as possible. I began writing music in a serious way in my teen years while I was playing in various bands and orchestras.”

Brian Tyler (1972) American composer, producer, conductor, and film producer

Interview with Brian Tyler https://8dio.com/2012/12/05/interview-with-brian-tyler/ (December 5, 2012)

Music, Way, Parent, Learning

“Pāṇini's grammar defines Classical Sanskrit, so Pāṇini by definition lived at the end of the Vedic period. He notes a few special rules, marked chandasi ("in the hymns") to account for forms in the Vedic scriptures that had fallen out of use in the spoken language of his time. These indicate that Vedic Sanskrit was already archaic, but still a comprehensible dialect.”

Pāṇini ancient Sanskrit grammarian

An Analytical Study of 'Sanskrit' and 'Panini' as Foundation of Speech Communication in India and the World

Time

“"The Sanskrit shall be our " Deva Bhasha)" our sacred language and the "Sanskrit Nishtha" Hindi, the Hindi which is derived from Sanskrit and draws its nourishment from the latter, is our ' 'mr' ' (Rashtra Bhasha) 12 [f.12] our current national language—-besides being the richest and the most cultured of the ancient languages of the world, to us Hindus the Sanskrit is the holiest tongue of tongues. Our scriptures, history, philosophy and culture have their roots so deeply imbedded in the Sanskrit literature that it forms veritably the brain of our Race. Mother of the majority of our mother tongues, she has suckled the rest of them at her breast. All Hindu languages current today whether derived from Sanskrit or grafted on to it can only grow and flourish on the sap of life they imbibe from Sanskrit. The Sanskrit language therefore must ever be an indispensable constituent of the classical course for Hindu youths.”

Vinayak Damodar Savarkar (1883–1966) Indian pro-independence activist,lawyer, politician, poet, writer and playwright

V.D. Savarkar quoted from B.R. Ambedkar, Pakistan or The Partition of India (1946)

Life, Youth, World, History

“The classic instrument to measure drawn angles and to draw angles of a given measure is the protractor — essentially half a circular ring, subdivided by ray segments into 180 degrees. For reasons I was unable to find out, this instrument has recently been superseded by an isosceles right triangle — called geo-triangle, solid, transparant, made of plastic — with an angular division radiating from the midpoint of the hypotenuse to the other sides. Well, inside the triangle half a circle with the midpoint of the hypotenuse as its centre is indicated, and from the position of the degree numbers it becomes clear that it is the semicircle that really matters. One is inclined to say "an outrageously misleading instrument"…”

Hans Freudenthal (1905–1990) Dutch mathematician

Source: Mathematics as an Educational Task (1973), p. 363

Drawing

“Jazz, often called America's classical music, so influenced our culture that Americans named a decade after it. Like the country of its birth, jazz blends many traditions, such as African-American folk, rhythm and blues, French Creole classical form, and gospel. Through the creation and performance of music like jazz, black Americans were better able to exchange ideas freely across racial and cultural barriers. Before our Nation made significant strides in truly promoting equal justice and opportunity for all, black and white musicians in the genres of jazz, blues, and country played together in jam sessions, recording studios, and small bands. In many ways, their art preceded social change, allowing black and white musicians to meet as equals and to be judged on their musical ability, rather than the color of their skin. Their music also provided an outlet for African Americans to speak passionately and brilliantly to the rest of the Nation and the world.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Black Music (June 2001)

World, Justice, Art, Music

“Classical sex is romantic, profound, serious, emotional, moral, mysterious, spontaneous, abandoned, focused on a particular person, and stereotypically feminine. Baroque sex is pop, playful, funny, experimental, conscious, deliberate, amoral, anonymous, focused on sensation for sensation's sake, and stereotypically masculine.”

Ellen Willis (1941–2006) writer, activist

"Classical and Baroque Sex in Everyday Life" (1979), Beginning To See the Light: Pieces of a Decade (1981)
Context: There are two kinds of sex, classical and baroque. Classical sex is romantic, profound, serious, emotional, moral, mysterious, spontaneous, abandoned, focused on a particular person, and stereotypically feminine. Baroque sex is pop, playful, funny, experimental, conscious, deliberate, amoral, anonymous, focused on sensation for sensation's sake, and stereotypically masculine. The classical mentality taken to an extreme is sentimental and finally puritanical; the baroque mentality taken to an extreme is pornographic and finally obscene. Ideally, a sexual relation ought to create a satisfying tension between the two modes (a baroque idea, particularly if the tension is ironic) or else blend them so well that the distinction disappears (a classical aspiration).

Sex, Personality

“We shall have to bear in mind that the gulf separating classical Israel (of the great Prophets) from classical Greece (of the scientists and philosophers) must not be read back into the heroic age when both peoples formed part of the same international complex.”

Cyrus H. Gordon (1908–2001) American linguist

Introduction
The Common Background of Greek and Hebrew Civilizations (1965 [1962])
Context: The customs of both the Greeks and Hebrews in that heroic age were often alien to their respective descendants in the classical periods. We shall have to bear in mind that the gulf separating classical Israel (of the great Prophets) from classical Greece (of the scientists and philosophers) must not be read back into the heroic age when both peoples formed part of the same international complex.

People, Age, Reading, Parting

“Literature was a vast minefield occupied by enemies, except for a few classic authors (just a few), and every day I had to walk through that minefield, where any false move could be fatal, with only the poems of Archilochus to guide me.”

Roberto Bolaño (1953–2003) Chilean author

"Meeting with Enrique Lihn" (The New Yorker,December 22, 2008)
Context: Literature was a vast minefield occupied by enemies, except for a few classic authors (just a few), and every day I had to walk through that minefield, where any false move could be fatal, with only the poems of Archilochus to guide me. It’s like that for all young writers. There comes a time when you have no support, not even from friends, forget about mentors, and there’s no one to give you a hand; publication, prizes, and grants are reserved for the others, the ones who said “Yes, sir,” over and over, or those who praised the literary mandarins, a never-ending horde distinguished only by their aptitude for discipline and punishment — nothing escapes them and they forgive nothing.

Literature, Falseness

“Ideally, a sexual relation ought to create a satisfying tension between the two modes (a baroque idea, particularly if the tension is ironic) or else blend them so well that the distinction disappears (a classical aspiration).”

Ellen Willis (1941–2006) writer, activist

Idea

“Somehow the stagehand on the other side got his signals mixed, started pulling, and the swan left without Papa. He quietly turned around and said: "What time's the next swan?"
That story has since become a classic in operatic lore.”

Leo Slezak (1873–1946) Austrian opera tenor

Walter Slezak, in What Time's the Next Swan? (1962), p. 210
Context: Papa told her about a Lohengrin performance. It was just before his first entrance. He was ready to step into the boat, which, drawn by a swan, was to take him on-stage. Somehow the stagehand on the other side got his signals mixed, started pulling, and the swan left without Papa. He quietly turned around and said: "What time's the next swan?"
That story has since become a classic in operatic lore.

Time

“Most anarchists are, frankly, incapable of living in an autonomous cooperative manner. A lot of them aren't very bright. They tend to peruse their own classics and insider literature to the exclusion of broader knowledge of the world we live in.”

Bob Black (1951) American anarchist

Anarchism And Other Impediments To Anarchy (1985)
Context: My considered judgment, after years of scrutiny of, and sometimes harrowing activity in the anarchist milieu, is that anarchists are a main reason — I suspect, a sufficient reason — why anarchy remains an epithet without a prayer of a chance to be realized. Most anarchists are, frankly, incapable of living in an autonomous cooperative manner. A lot of them aren't very bright. They tend to peruse their own classics and insider literature to the exclusion of broader knowledge of the world we live in. Essentially timid, they associate with others like themselves with the tacit understanding that nobody will measure anybody else's opinions and actions against any standard of practical critical intelligence; that no one by his or her individual achievements will rise too far above the prevalent level; and, above all, that nobody challenges the shibboleths of anarchist ideology.

World, Literature, Knowledge

“If we are to repudiate the Old Testament and banish it from our schools and from our national libraries, then we must disown our German classics.”

Michael von Faulhaber (1869–1952) German Roman Catholic Cardinal

Sermon 1
Context: The German classics honoured the Scriptures of the Old Testament... If we are to repudiate the Old Testament and banish it from our schools and from our national libraries, then we must disown our German classics. We must cancel many phrases from the German language... We must disown the intellectual history of our nation.

School

“That is the classic example of an irresponsible person. He carries out his technical task and isn’t interested in anything else.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

The Betrayal by Technology (1993 film)
Context: In a society such as ours, it is almost impossible for a person to be responsible. A simple example: a dam has been built somewhere, and it bursts. Who is responsible for that? Geologists worked out. They examined the terrain. Engineers drew up the construction plans. Workmen constructed it. And the politicians decided that the dam had to be in that spot. Who is responsible? No one. There is never anyone responsible. Anywhere. In the whole of our technological society the work is so fragmented and broken up into small pieces that no one is responsible. But no one is free either. Everyone has his own, specific task. And that's all he has to do.
Just consider, for example, that atrocious excuse… It was one of the most horrible things I have ever heard. The director of the Bergen-Belsen concentration camp was asked at the Nuremburg trials, “But didn’t you find it horrible? All those corpses?” He replied, “What could I do? I couldn’t process all those corpses. The capacity of the ovens was too small. It caused me many problems. I had no time to think about these people. I was too busy with the technical problem of my ovens.” That is the classic example of an irresponsible person. He carries out his technical task and isn’t interested in anything else.

Personality

“I even belief that the schools and artistic movements is past. After the Romantic movement, born of classicizing exaggeration, after the Realist movement, product of the follies of Romanticism, it may be seen that there is a great foolishness in all these ideas. We are going to achieve a personal manner of feeling.”

Henri Fantin-Latour (1836–1904) painter from France

quote in Fantin-Latour's letter to his English friend Edwin Edwards 14 April, 1866; as quoted by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 48

School, Feeling, Idea, Past

“Classical modern science described only the surface of things, a single dimension of reality. And the more dogmatically science treated it as the only dimension, as the very essence of reality, the more misleading it became.”

Václav Havel (1936–2011) playwright, essayist, poet, dissident and 1st President of the Czech Republic

The Need for Transcendence in the Postmodern World (1994)
Context: Classical modern science described only the surface of things, a single dimension of reality. And the more dogmatically science treated it as the only dimension, as the very essence of reality, the more misleading it became. Today, for instance, we may know immeasurably more about the universe than our ancestors did, and yet, it increasingly seems they knew something more essential about it than we do, something that escapes us.

Reality, Science

“One physicist writes a study on microphysics, but another writes a book on the importance of Lenin’s and Engels’ works for the development of physics; one mathematician proves theorems, another publishes demagoguery on ingenious mathematical ideas of classical Marxists.”

Aleksandr Zinovyev (1922–2006) Russian writer

On the Social State of Marxism (1978)

Books, Mathematics, Idea, Study

“In 1673 he wrote his great work De Algebra Tractatus; Historicus & Practicus, of which an English edition appeared in 1685. In this there is seen the first serious attempt in England to write on the history of mathematics, and the result shows a wide range of reading of classical literature of the science.”

David Eugene Smith (1860–1944) American mathematician

This work is also noteworthy because it contains the first of an effort to represent the imaginary number graphically by the method now used. The effort stopped short of success but was an ingenious beginning.
History of Mathematics (1923) Vol.1

History, Literature, Mathematics, Appearance

“Aristotle established the classical definition of man, according to which man is the living being who has logos.”

Hans-Georg Gadamer (1900–2002) German philosopher

Man and Language (1966)
Context: Aristotle established the classical definition of man, according to which man is the living being who has logos. In the tradition of the West, this definition became canonical in a form which stated that man is the animal rationale, the rational being, distinguished from all other animals by his capacity for thought. Thus it rendered the Greek word logos as reason or thought. In truth, however, the primary meaning of this word is language.... The word logos means not only thought and language, but also concept and law.

“Our debt to the Bible and Classics is so great that this type of research will deepen our understanding of our culture and of ourselves.”

Cyrus H. Gordon (1908–2001) American linguist

Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VIII Further Observations on the Bible
Context: If archeology had yielded only the Epic of Kret, we would have enough to bridge the gap between the Iliad and Genesis. But... our new sources are so rich that we have only begun... The years ahead bid fair to be the most fruitful in the annals of Classical and Biblical scholarship. Our debt to the Bible and Classics is so great that this type of research will deepen our understanding of our culture and of ourselves.

Understanding

Quotes about classic page 7

Quotes about classic
page 7