Quotes about city
page 5

Jeremy Corbyn photo
Aldo Leopold photo
Halldór Laxness photo
Thomas Henry Huxley photo
Vladimir Putin photo

“Sadly, it reminds me of World War II, when German fascist forces surrounded our cities, like Leningrad, and shelled population centres and their residents.”

Vladimir Putin (1952) President of Russia, former Prime Minister

On the Ukrainian army's siege of pro-Russian rebel strongholds in Donetsk and Luhansk, 29 August 2014, http://www.wsj.com/articles/putin-lashes-out-at-ukraine-over-failure-of-talks-1409312151, The Wall Street Journal
On Ukraine

“Stout men, not stout walls, make a well-held city.”

Andre Norton (1912–2005) American writer of science fiction and fantasy

Source: Dragon Magic (1972), Chapter 5, “Shui Mien Lung—Slumbering Dragon” (p. 158)

Attila photo

“For what fortress, what city, in the wide extent of the Roman empire, can hope to exist, secure and impregnable, if it is our pleasure that it should be erased from the earth?”

Attila (406–453) King of the Hunnic Empire

As quoted by Edward Gibbon (1781), The History of the Decline and Fall of the Roman Empire, Vol. III, chapter 34

Lila Rose photo
Wilkie Collins photo

“Rosanna Spearman had been a thief, and not being of the sort that get up Companies in the City, and rob from thousands, instead of only robbing from one, the law laid hold of her, and the prison and the reformatory followed the lead of the law.”

[Street, 1868] ( p. 54 https://books.google.com/books?id=FmsOAAAAQAAJ&pg=PA18)
Also in Convict Voices: Women, Class, and Writing about Prison in Nineteenth-Century England by Anne Schwan [University of New Hampshire Press, 2014, ISBN 1611686725] ( p. 82 https://books.google.com/books?id=sAqXBQAAQBAJ&pg=PA82)
The Moonstone (1868)

Jacques Ellul photo
Harold Innis photo
Seymour Papert photo
Michael Chabon photo

“[I]f neuroses were swimming pools one might, like Cheever's swimmer, steer a course from my house to the city limits and never touch dry land.”

Michael Chabon (1963) Novelist, short story writer, essayist

The Mysteries of Berkeley (March 2002)

Gilberto Gil photo

“Brasília is a weird place but I like being here. I can focus on the job here, there's no city madness and I don't need urban stimulation.”

Gilberto Gil (1942) Brazilian singer, guitarist, songwriter and politician

[Sue, Steward, Minister of cool: part one, http://arts.guardian.co.uk/features/story/0,,1066490,00.html, The Observer, Guardian Media Group, 2003-10-19, 2008-03-16]

Conor Oberst photo

“The sun came up with no conclusions
Flowers sleepin' in their beds
The city cemetary's hummin'
I'm wide awake, its mornin”

Conor Oberst (1980) American musician

Road To Joy
I'm Wide Awake, It's Morning (2005)

Winston S. Churchill photo

“The greatest danger to the British Empire and to the British people is not to be found among the enormous fleets and armies of the European Continent, nor in the solemn problems of Hindustan; it is not in the 'Yellow Peril' nor the 'Black Peril' nor any danger in the wide circuit of colonial and foreign affairs. No, it is here in our midst, close at home, close at hand in the vast growing cities of England and Scotland, and in the dwindling and cramped villages of our denuded countryside. It is there you will find the seeds of Imperial ruin and national decay—the unnatural gap between rich and poor, the divorce of the people from the land, the want of proper discipline and training in our youth, the exploitation of boy labour, the physical degeneration which seems to follow so swiftly on civilized poverty, the awful jumbles of an obsolete Poor Law, the horrid havoc of the liquor traffic, the constant insecurity in the means of subsistence and employment which breaks the heart of many a sober, hard-working man, the absence of any established minimum standard of life and comfort among the workers, and, at the other end, the swift increase of vulgar, joyless luxury—here are the enemies of Britain. Beware lest they shatter the foundations of her power.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

The People's Rights [1909] (London: Jonathan Cape, 1970), pp. 139-140
Early career years (1898–1929)

Albert Lutuli photo
George H. W. Bush photo

“To those who work outside Washington, I would send a special message. At times it may be frustrating when it seems that the head office is thousands of miles away and the message is not getting through. But if I may, I'm going to issue a verbal Executive order: We're going to listen, because the heart of our government is not here in Washington, it's in every county office, every town, every city across this land. Wherever the people of America are, that's where the heart of our government is.”

George H. W. Bush (1924–2018) American politician, 41st President of the United States

George Bush: "Remarks to Members of the Senior Executive Service," January 26, 1989. Online by Gerhard Peters and John T. Woolley, The American Presidency Project. http://www.presidency.ucsb.edu/ws/index.php?pid=16628&st
Address to the Senior Executive Service (1989)

Alastair Reynolds photo

“At last the bourgeois has a theatre of his own in which he really feels at home. In every little town there is a modest building, and in the big cities those new palaces of stone or marble whose remains still survive.”

Arnold Hauser (1892–1978) Hungarian art historian

The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter III. Greece and Rome

Anna Akhmatova photo

“A multi-colored crowd streaked about,
and suddenly all was totally changed.
It wasn't the usual city racket.
It came from a strange land.”

Anna Akhmatova (1889–1966) Russian modernist poet

"The First Long Range Artillery Fire On Leningrad," translation by Daniela Gioseffi (1993) http://users.tellurian.net/wisewomensweb/OnPrgudc.html

Natalie Merchant photo

“these sobering sights I've seen
in the City of Angels
have all been one rude awakening
that was due to me
in this city of fallen angels”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, In My Tribe (1987), City of Angels

Marcus Terentius Varro photo

“It was divine nature which gave us the country, and man's skill that built the cities.”
Divina Natura dedit agros, ars humana ædificavit urbes.

Marcus Terentius Varro (-116–-27 BC) ancient latin scholar

Marcus Porcius Cato on Agriculture : Marcus Terentius Varro on Agriculture. W.D. Hooper & H.B. Ash. (translation). Harvard University Press, 1993. Bk. 3, ch. 1
De Re Rustica

Kátya Chamma photo

“We always travelled to other cities, other states, looking for the festivals. It's gone the musical way of one generation.”

Kátya Chamma (1961) Brazilian singer and writer

Source: Interview at Recanto das Letras http://recantodasletras.com.br/entrevistas/625556, 2007.

Stephen Harper photo
Horace Greeley photo

“One of the most happiest and most convincing political arguments ever made in this City… No man ever made such an impression on his first appeal to a New-York audience.”

Horace Greeley (1811–1872) American politician and publisher

As quoted in New York Tribune (28 February 1860).
1860s

Studs Terkel photo

“Doris Lessing: We simply have no idea of Chicago … We never think of you as being on a lake, or of the city being beautiful. We think about the gangsters. You do still have gangsters, don't you?
Terkel: Yes, but these days they're mostly in business, or politics.”

Studs Terkel (1912–2008) American author, historian and broadcaster

Conversation with Lessing in 1969, quoted in "Doris Lessing comes to town" (15 October 1969) by Roger Ebert http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19691015/PEOPLE/71016002/1023

David Hume photo

“That original intelligence, say the MAGIANS, who is the first principle of all things, discovers himself immediately to the mind and understanding alone; but has placed the sun as his image in the visible universe; and when that bright luminary diffuses its beams over the earth and the firmament, it is a faint copy of the glory which resides in the higher heavens. If you would escape the displeasure of this divine being, you must be careful never to set your bare foot upon the ground, nor spit into a fire, nor throw any water upon it, even though it were consuming a whole city. Who can express the perfections of the Almighty? say the Mahometans. Even the noblest of his works, if compared to him, are but dust and rubbish. How much more must human conception fall short of his infinite perfections? His smile and favour renders men for ever happy; and to obtain it for your children, the best method is to cut off from them, while infants, a little bit of skin, about half the breadth of a farthing. Take two bits of cloth, say the Roman catholics, about an inch or an inch and a half square, join them by the corners with two strings or pieces of tape about sixteen inches long, throw this over your head, and make one of the bits of cloth lie upon your breast, and the other upon your back, keeping them next your skin: There is not a better secret for recommending yourself to that infinite Being, who exists from eternity to eternity.”

Part VII - Confirmation of this doctrine
The Natural History of Religion (1757)

Daniel Handler photo

“Rama, Rama, Rama chant, this grand
Lord’s name do not forget in mind
With nine orifices this jam-packed city
Five kings ruling there with all majesty
They guard this body with all the vanity
Do not get spoiled believing this mendacity.
This insecure body, just a bony cage
Tightly wrapped with a cover of skin
Full of sewage, slush, and germs within
Do not rely on this sewn up cartilage
Respected by the recurring Brahmas and celestials
Take Hari’s name with His supreme credentials
Pray the feet of Purandara Vittala
And get rid of the fear of the evils all.”

Purandara Dasa (1484–1564) Music composer

This is an allegorical song in which Dasa refers to the nine openings of the body to the city and the five kings relate to the five universal elements of fire, air, water, earth and space. Degradable wastes are within the body which all binds us to this world. And to seek salvation he advices to take the name of God. This quote is here[Narayan, M.K.V., Lyrical Musings on Indic Culture: A Sociology Study of Songs of Sant Purandara Dasa, http://books.google.com/books?id=-r7AxJp6NOYC&pg=PA79, 1 January 2010, Readworthy, 978-93-80009-31-5, 87]

Glen Cook photo
Frances Bean Cobain photo

“Dark City is such an underrated film.”

Frances Bean Cobain (1992) American artist

7 July 2014 https://twitter.com/alka_seltzer666/status/486080120382189570
Twitter https://twitter.com/alka_seltzer666 posts

John Ralston Saul photo
Gloria Estefan photo

“We're lucky to call Miami and the United States home. What other city can claim to have its own foreign policy? Miami is many things, but it is never boring.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

comment to audience while headlining concert to open Carnival Center for the Performing Arts www.miamiherald.com (October 6, 2006)
2007, 2008

“One of our core beliefs was that significant art could be made by anyone, anywhere and anytime. You didn’t have to live and work in New York City to be an artist. It was in line with the philosophy of Outsider art and movements for artistic "localism."”

Joe Lewis (artist) (1953) American photographer

Walter Robinson. " Joe Lewis: Clairvoynace http://www.artnet.com/magazineus/features/robinson/robinson8-16-07.asp" at artnet.com, 2015.

Giorgio de Chirico photo

“I took a trip to Florence and Rome in October and in the spring I will probably go to Florence to live as it is the city I like the most. I have been working and studying a lot and I now have very different goals than before..”

Giorgio de Chirico (1888–1978) Italian artist

Quote from De Chirico's letter to Mr. Fritz Gartz, 27 Dec. 1909; from LETTERS BY GIORGIO DE CHIRICO, GEMMA DE CHIRICO AND ALBERTO DE CHIRICO TO FRITZ GARTZ, MILAN-FLORENCE, 1908-1911 http://www.fondazionedechirico.org/wp-content/uploads/559-567Metafisica7_8.pdf, p. 560
1908 - 1920

Enoch Powell photo

“So long as the figures 'now superseded' and the academic projections based upon them held sway, it was possible for politicians to shrug their shoulders. With so much of immediate and indisputable importance on their hands, why should they attend to what was forecast for the end of the century, when most of them would be not only out of office but dead and gone? … It was not for them to heed the cries of anguish from those of their own people who already saw their towns being changed, their native places turned into foreign lands, and themselves displaced as if by a systematic colonisation. For these the much vaunted compassion of the parties and politicians was not available: the parties and the politicians preferred to be busy making speeches on race relations; and if any of their number dared to tell them the truth, even less than the whole truth, about what was happening and what would happen here in England, they denounced them as racialist and turned them out of doors. They could feel safe; for they said in their hearts: 'If trouble comes, it will not be in our time; let the next generation see to it!' … The explosive which will blow us asunder is there and the fuse is burning, but the fuse is shorter than had been supposed. The transformation which I referred to earlier as being without even a remote parallel in our history, the occupation of the hearts of this metropolis and of towns and cities across England by a coloured population amounting to millions, this before long will be past denying. It is possible that the people of this country will, with good or ill grace, accept what they did not ask for, did not want and were not told of. My own judgment— it is a judgment which the politician has a duty to form to the best of his ability— I have not feared to give: it is— to use words I used two years and a half ago— that 'the people of England will not endure it'.”

Enoch Powell (1912–1998) British politician

Speech to the Carshalton and Banstead Young Conservatives at Carshalton Hall (15 February 1971), from Still to Decide (Eliot Right Way Books, 1972), pp. 202-203.
1970s

William the Silent photo
Sinclair Lewis photo
Ossip Zadkine photo

“The image of the city and the obliterated streets of Rotterdam haunted me. When I returned to Paris, I made a draft model for a statue in clay which attempted to express the combination of confusion and horror.... to stimulate emotion in the onlooker, to exude something which captivates the spectator, which opens up to them an unsuspected pathway in their own soul.”

Ossip Zadkine (1890–1967) French sculptor

Quote of Zadkine from his 'Memoirs', 1967; as cited in 'Torso of the Destroyed City' http://www.zadkine.paris.fr/en/oeuvre/torso-destroyed-city, Musée Zadkine
Zadkine recounts the violence of the impressions which he felt then; the first draft for a monument to the 'Destroyed City', was broken in transport. A new version of a 'projected monument for a bombed city' was produced in 1947
1960 - 1968

Edvard Munch photo

“I was walking along a path with two friends — the sun was setting — suddenly the sky turned blood red — I paused, feeling exhausted, and leaned on the fence — there was blood and tongues of fire above the blue-black fjord and the city — my friends walked on, and I stood there trembling with anxiety — and I sensed an infinite scream passing through nature.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Quote of an entry in his Diary (22 January 1892), on the experience which inspired his famous painting, '(The Scream)' ('Shrik'), originally titled: 'Der Schrei der Natur' ('The Cry of Nature')
1880 - 1895

Ben Klassen photo
Mickey Spillane photo
Calvin Coolidge photo
John Fante photo
Francis Escudero photo
Bion of Borysthenes photo

“Love of money is the mother-city (metropolis) of all evils.”

Bion of Borysthenes (-325–-246 BC) ancient greek philosopher

As quoted by Stobaeus, iii.10.37

“Almost everywhere and at all times the saying of St. Augustine aptly described the situation: "et paupera et inops est ecclesia — the Church is poor and helpless." The Church was powerful only when the state wanted it to be so or when pious laymen had a burning desire to make it so. In the Middle Ages especially the Church was sedulously oppressed: Popes were frequently imprisoned, made the pawns of secular rulers, persecuted, ridiculed, besieged, plundered, exiled, imprisoned and insulted. What about Canossa? People forget how the story ended, and the words of Gregory VII on his death-bed in exile: "Dilexi iustitiam et odi iniquitatem, propterea morior in exilio [I loved justice and hated injustice, therefore I die in exile]." Finally there came the Babylonian Captivity at Avignon. It is true that all of this looks quite different in the elementary schools of Kazachstan, in McKinley High and to our intellectuals, whose grasp of history is almost nil.
The situation altered very little in the nineteenth century. Once again there was a prisoner in the Vatican, Pius IX, whose body the mob yelling "Al fiume la carogna!" wanted to throw into the Tiber. This brings us to the twentieth century: Mexico City, Moabit, Dachau, Plötzensee, Auschwitz, Struthof, Carcel Modelo, Andrássy-út 66, Sremska Mitrovica, Vorkuta, Karaganda, Magadan, Lubyanka, Ocnele Mare — these are the modern Stations of the Cross of our clergy. (Pg 128)”

Erik von Kuehnelt-Leddihn (1909–1999) Austrian noble and political theorist

The Timeless Christian (1969)

W. H. Auden photo
Isa Genzken photo
Camille Paglia photo
N. K. Jemisin photo
John F. Kennedy photo

“I think it is most appropriate that the President of the United States, whose business place is in Washington, should come to this city and participate in these rallies. Because the business of the Government is the business of the people”

John F. Kennedy (1917–1963) 35th president of the United States of America

and the people are right here.
Speech at Madison Square Garden in New York City to support his program of "medical care for the aged." (20 May 1962) http://www.presidency.ucsb.edu/ws/index.php?pid=8669 http://www.jfklibrary.org/Asset-Viewer/Archives/JFKPOF-038-023.aspx
1962

John Fante photo
Woody Allen photo

“You know, the whole American culture is going down the drain, you can't turn on a television set and see anything, or walk in the street and not find garbage, or neighborhoods that were formerly beautiful now have McDonald's in them, and it's all a part of an enormous degeneration of culture in the United States. People that exist in that culture are forced to make moral decisions all the time about their lives, their occupations, their love-lives, and they make decisions that are commensurate with what's happening to them in this culture, and it's too bad that that's happening because that's what Manhattan is about, that New York used to be such a great city, so wonderful, and it has to fight every day for its survival against the encroachment of all this terrible ugliness that is gradually overcoming all the big cities in America.
This ugliness comes from a culture that has no spiritual center, a culture that has money and education, but no sense of being at peace with the world, no sense of purpose in life. They don't know what they're doing, or why they're here. They have no religious center, they have no philosophical center, and so they act, they do what's expedient at the moment. They have no long view of society. They only have the view of quick money, and kill the pain of the moment, and so instead of dealing with the real problems that exist, that are complicated, they sweep them under the rug by turning on the television set, or taking cocaine, or doing many things that enable them to escape confrontation with the unpleasant realities of the world.”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

[Allen, Woody, France Roche, Woody Allen, ou L'Anhedoniste; le Plus Drole du Monde, New York, 1979, France 2, 05 January 2013]
Others

Eric Holder photo
Greil Marcus photo
Martin Luther King, Jr. photo

“Your honoured letter regarding suppression of the Jats has arrived. Allah is merciful, and it is hoped that he will crush the enemy. You should rest assured… You should forge unity with Musa Khan and other Muslim groups, and put to use this friendship and unity for facing the enemies. I hope for sure that on account of this unity among Muslims and their nobility, victory will be achieved.
The reason for the rise of enemies and the fall of Muslims is nothing except that, led by their lower nature, Muslims have shared their (Muslims’) concerns with Hindus. It is obvious that Hindus will not tolerate the suppression of non-Muslims. Being farsighted and practising patience are praiseworthy things, but not to the extent that non-Muslims take possession of Muslim cities, and go on occupying one (such) city every day… This is no time for farsightedness and patience. This is the time for putting trust in Allah, for manifesting the might of the sword, and for arousing the Muslim sense of honour. If you will do that, it is possible that winds of favour will start blowing. Whatever this recluse knows is this that war with the Jats is a magic spell which appears fearful at first but which, if you depend fully on the power of Allah and draw His attention towards this (war), will turn out to be no more than a mere show. Let me hope that you will keep me informed of developments and the faring of your arms…”

Shah Waliullah Dehlawi (1703–1762) Indian muslim scholar

To Taj Muhammad Khan Baluch Translated from the Urdu version of K.A. Nizami, Shãh Walîullah Dehlvî ke Siyãsî Maktûbãt, Second Edition, Delhi, 1969, pp. 150-51.
From his letters

Calvin Coolidge photo
Jean-Baptiste-Camille Corot photo

“I am staying on in Geneva, this charming city. With each step I discover delightful motives. How pleasant it is to work here. And the light is just the way I like it, full of delicate nuances.”

Jean-Baptiste-Camille Corot (1796–1875) French landscape painter and printmaker in etching

Quote in a letter to his friend, the painter Paul Tavernier, Geneva, July 1842; ; as quoted in 'Corot', Gary Tinterow, Michael Pantazzi, Vincent Pomarède - Galeries nationales du Grand Palais (France), National Gallery of Canada, Metropolitan Museum of Art (New York, N.Y.), 1996, p. 136
1820 - 1850

“There was a house made out of sticks, there was a city, made out of bricks, I was amazed at what I saw, all I could say was Subhanallah!”

Dawud Wharnsby (1972) Canadian musician

"Subhanallah, Alhamdulillah and Insha Allah"
A Picnic of Poems in Allah's Green Garden (2011)

Calvin Coolidge photo
George Washington Plunkitt photo
Hugh Macmillan, Baron Macmillan photo
Nick Drake photo

“And at the chime of the city clock
Put up your road block.
Hang on to your crown.
For a stone in a tin can
Is wealth to the city man
Who leaves his armour down.”

Nick Drake (1948–1974) British singer-songwriter

At the Chime of a City Clock
Song lyrics, Bryter Later (1970)

Robert Fisk photo
Marty Feldman photo
Robert A. Heinlein photo

“Mercifully, we stay our hand. Earth’s cities will not be bombed. The free citizens of Venus Republic have no wish to slaughter their cousins still on Terra. Our only purpose is to establish our own independence, to manage our own affairs, to throw off the crushing yoke of absentee ownership and taxation without representation which has bleed us poor.
In doing so, in so taking our stand as free men, we call on all oppressed and impoverished nations everywhere to follow our lead, accept our help. Look up into the sky! Swimming there above you is the very station from which I now address you. The fat and stupid rulers of the Federation have made of Circum-Terra an overseer’s whip. The threat of this military base in the sky has protected their empire from the just wrath of their victims for more then five score years.
We now crush it.
In a matter of minutes this scandal in the clean skies, this pistol pointed at the heads of men everywhere on your planet, will cease to exist. Step out of doors, watch the sky. Watch a new sun blaze briefly, and know that its light is the light of Liberty inviting all of Earth to free itself.
Subject peoples of Earth, we free men of the free Republic of Venus salute you with that sign!”

Source: Between Planets (1951), Chapter 6, “The Sign in the Sky” (p. 74) - Speech given before the destruction of the nuclear-armed satellite Circum-Terra.

Anne Morrow Lindbergh photo
Francis Bacon photo
Stevie Wonder photo
Zbigniew Herbert photo
Ron Paul photo
Jacques Herzog photo

“We all become great explorers during our first few days in a new city, or a new love affair.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Herm Edwards photo
Tommy Douglas photo
Statius photo

“Wonderful but true! Shall future progeny of men believe, when crops grow again and this desert shall once more be green, that cities and peoples are buried below and that an ancestral countryside vanished in a common doom? Nor does the summit yet cease its deadly thrust.”
Mira fides! credetne virum ventura propago, cum segetes iterum, cum iam haec deserta virebunt, infra urbes populosque premi proavitaque tanto rura abiisse mari? necdum letale minari cessat apex.

iv, line 81
Silvae, Book IV

Stanley Baldwin photo
Samuel R. Delany photo

“Honesty is the best policy; a policy is, after all, a strategy for living in the polis — in the city …”

Source: The Mad Man (1994), p. 67; ellipses in the original

Pope Alexander VI photo

“The Duke (Cesare) is a good-natured man, but he cannot tolerate affronts. I have often told him that Rome is a free city, and that everyone may write and speak as he pleases. Evil is even spoken of me, but I let it pass." The Duke replied: "Rome is accustomed to write and speak; it is well, but I will teach such people repentance."* The Pope finally reminded him how much he himself had forgiven, and especially at the time of Charles VIII's invasion, so many cardinals, whom the King himself had called his betrayers. "I could," he said, "have sentenced the Vice-Chancellor and Cardinal Vincula to death, but I did not wish to harm anyone, and I have forgiven fourteen great nobles.”

Pope Alexander VI (1431–1503) pope of the Catholic Church 1492-1503

Report of the Ferrarese ambassador, Beltrando Costabili to Ercole I d'Este, Duke of Ferrara, February 1, 1502. Archives of Modena: As quoted in History of the City of Rome in the Middle Ages (1900), Ferdinand Gregorovius, George Bell & Sons, London, Volume 7, Part 2 (1497-1503), p. 486. http://books.google.com/books?id=kW1OAAAAMAAJ&pg=PA486&dq=%22often+told+him+that+Rome+is+a+free+city%22&hl=en&sa=X&ei=PQRlUeiiBIPA9QT4s4H4CA&ved=0CC4Q6AEwAA#v=onepage&q=%22often%20told%20him%20that%20Rome%20is%20a%20free%20city%22&f=false See also L. Pastor, History of the Popes, vol.6, p. 12. http://books.google.com/books?id=hk1DAQAAIAAJ&pg=PA112&dq=%22told+him+that+Rome+is+a+free+city%22&hl=en&sa=X&ei=ojZlUeS7Dob49QTTn4HQBw&ved=0CEUQ6AEwAg#v=onepage&q=%22told%20him%20that%20Rome%20is%20a%20free%20city%22&f=false. (Commonweal writes: “Whatever his faults, the Pope appears to have been of a forgiving and clement disposition, pardoning foes when he had them in his power, and becoming reconciled with those who had bitterly opposed him. With Savonarola — pulpit methods, by the way, were scarcely as novel and extraordinary then as our author (Peter de Roo) thinks — Alexander VI dealt on the whole rather patiently, more so, indeed, than our author, who is hardly fair to the friar.” -- Commonweal (1924), Commonweal Publishing Company, volume 1, p. 185. https://www.google.com/search?tbm=bks&hl=en&q=Whatever+his+faults%2C+the+Pope+appears+to+have+been+of+a+forgiving+and+clement+disposition&btnG=#hl=en&tbm=bks&sclient=psy-ab&q=%22Whatever+his+faults%2C+the+Pope+appears+to+have+been+of+a+forgiving+and+clement+disposition%22&oq=%22Whatever+his+faults%2C+the+Pope+appears+to+have+been+of+a+forgiving+and+clement+disposition%22&gs_l=serp.3...1287.1287.1.1562.1.1.0.0.0.0.79.79.1.1.0...0.0...1c.1.8.psy-ab.VnzmdIrn1SQ&pbx=1&bav=on.2,or.r_qf.&bvm=bv.44990110,d.eWU&fp=5b7686e7449457e7&biw=1294&bih=770)

Chief Seattle photo
Hywel ab Owain Gwynedd photo

“One I have loved, uneluding, dearly possessed,
Two I have wooed, by greater praise be they blessed –
Three, yea, and four, with fortune lavish of gold,
Five maidens I've won their white flesh fair to behold,
And six more bright than the sun on my city's strong walls
With never a treacherous rede to blemish delight;
Seven by heaven! though hardly won was the fight –
Yea eight of whom I have sung: but to bridle the tongue
Lest heedless a careless word slip – the teeth they are strong!”

Keueisy vun dunn diwyrnawd;
keueisy dwy, handid mwy eu molawd;
keueisy deir a pheddir a phawd;
keueisy bymp o rei gwymp eu gwyngnawd;
keueisy chwech heb odech pechawd;
gwen glaer uch gwengaer yt ym daerhawd;
keueisy sseith ac ef gweith gordygnawd;
keueisy wyth yn hal pwyth peth or wawd yr geint;
ys da deint rac tauaed.
"Gorhoffedd" (The Boast), line 75; translation from Robert Gurney Bardic Heritage (London: Chatto & Windus, 1969) p. 41.

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“The dynamics of the city. His mother had been scared of cities. It had been part of his education. She had told him cities are dangerous places. They're full of tough, scary guys. He was a tough boy himself but he had walked around as a teenager ready and willing to believe her. And he had seen that she was right. People on city streets were fearful and furtive and defensive. They kept their distance and crossed to the opposite sidewalk to avoid coming near him. They made it so obvious he became convinced the scary guys were always right behind him, at his shoulder. Then he suddenly realized no, I'm the scary guy. They're scared of me. It was a revelation. He saw himself reflected in store windows and understood how it could happen. He had stopped growing at fifteen when he was already six feet five and two hundred and twenty pounds. A giant. Like most teenagers in those days he was dressed like a bum. The caution his mother had drummed into him was showing up in his face as a blank-eyed, impassive stare. They're scared of me. It amused him and he smiled and then people stayed even farther away. From that point onward he knew cities were just the same as every other place, and for every city person he needed to be scared of there were nine hundred and ninety-nine others a lot more scared of him. He used the knowledge like a tactic, and the calm confidence it put in his walk and his gaze redoubled the effect he had on people. The dynamics of the city.”

Source: Running Blind (2000), Ch. 1.

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