Quotes about character
page 22

Ernie Banks photo

“Baseball reveals character; golf exposes it”

Ernie Banks (1931–2015) American baseball player and coach

http://www.sportsfeelgoodstories.com/sport-quotes/sports-quotes/golf-quotes/10/21/2011.

Stanley Baldwin photo
Michael Sheen photo
George Bernard Shaw photo
Michelle Obama photo
John Desmond Bernal photo

“At different stages in the educational process different changes are required. In schools the chief need is for a general change in the attitude towards science, which should be from the beginning an integral part and not a mere addition, often an optional addition, to the curriculum. Science should be taught not merely as a subject but should come into all subjects. Its importance in history and in modern life should be pointed out and illustrated. The old contrast, often amounting to hostility, between scientific and humane subjects need to be broken down and replaced by a scientific humanism. At the same time, the teaching of science proper requires to be humanized. The dry and factual presentation requires to be transformed, not by any appeal to mystical theory, but by emphasizing the living and dramatic character of scientific advance itself. Here the teaching of the history of science, not isolated as at present, but in close relation to general history teaching, would serve to correct the existing atmosphere of scientific dogmatism. It would show at the same time how secure are the conquests of science in the control they give over natural processes and how insecure and provisional, however necessary, are the rational interpretations, the theories and hypotheses put forward at each stage. Past history by itself is not enough, the latest developments of science should not be excluded because they have not yet passed the test of time. It is absolutely necessary to emphasize the fact that science not only has changed but is continually changing, that it is an activity and not merely a body of facts. Throughout, the social implications of science, the powers that it puts into men's hands, the uses they could make of them and those which they in fact do, should be brought out and made real by a reference to immediate experience of ordinary life.”

John Desmond Bernal (1901–1971) British scientist

Source: The Social Function of Science (1939), p. 246 : How such a method of teaching could become an integral part of general education is sketched by H. G. Wells' British Association address, "The Informative Content of Education," reprinted in World Brain (Mathuen, 1938).

“Each individual in a society is a nexus where innumerable relationships of this character intersect.”

Carroll Quigley (1910–1977) American historian

Source: The Evolution of Civilizations (1961) (Second Edition 1979), Chapter 2, Man and Culture, p. 59

Johann Kaspar Lavater photo
Zygmunt Bauman photo
Stella Adler photo
George Lucas photo
Tracey Ullman photo
Winnifred Harper Cooley photo

“The finest achievement of the new woman has been personal liberty. This is the foundation of civilization; and as long as any one class is watched suspiciously, even fondly guarded, and protected, so long will that class not only be weak, and treacherous, individually, but parasitic, and a collective danger to the community. Who has not heard wives commended for wheedling their husbands out of money, or joked [about] because they are hopelessly extravagant? As long as caprice and scheming are considered feminine virtues, as long as man is the only wage-earner, doling out sums of money, or scattering lavishly, so long will women be degraded, even if they are perfectly contented, and men are willing to labor to keep them in idleness!

Although individual women from pre-historic times have accomplished much, as a class they have been set aside to minister to men's comfort. But when once the higher has been tried, civilization repudiates the lower. Men have come to see that no advance can be made with one half-humanity set apart merely for the functions of sex; that children are quite liable to inherit from the mother, and should have opportunities to inherit the accumulated ability and culture and character that is produced only by intellectual and civil activity. The world has tried to move with men for dynamos, and "clinging" women impeding every step of progress, in arts, science, industry, professions, they have been a thousand years behind men because forced into seclusion. They have been over-sexed. They have naturally not been impressed with their duties to society, in its myriad needs, or with their own value as individuals.

The new woman, in the sense of the best woman, the flower of all the womanhood of past ages, has come to stay — if civilization is to endure. The sufferings of the past have but strengthened her, maternity has deepened her, education is broadening her — and she now knows that she must perfect herself if she would perfect the race, and leave her imprint upon immortality, through her offspring or her works.”

Winnifred Harper Cooley (1874–1967) American author and lecturer

The New Womanhood (New York, 1904) 31f.

Isa Bowman photo

“He had a curiously womanish face, and, in direct contradiction to his real character, there seemed to be little strength in it.”

Isa Bowman (1874–1958) British actress

Page 9.
The Story of Lewis Carroll (1899)

Frederick Douglass photo

“For the first time in the history of our people, and in the history of the whole American people, we join in this high worship, and march conspicuously in the line of this time-honored custom. First things are always interesting, and this is one of our first things. It is the first time that, in this form and manner, we have sought to do honor to an American great man, however deserving and illustrious. I commend the fact to notice; let it be told in every part of the republic; let men of all parties and opinions hear it; let those who despise us, not less than those who respect us, know that now and here, in the spirit of liberty, loyalty, and gratitude, let it be known everywhere, and by everybody who takes an interest in human progress and in the amelioration of the condition of mankind, that, in the presence and with the approval of the members of the American House of Representatives, reflecting the general sentiment of the country; that in the presence of that august body, the American Senate, representing the highest intelligence and the calmest judgment of the country; in the presence of the Supreme Court and Chief-Justice of the United States, to whose decisions we all patriotically bow; in the presence and under the steady eye of the honored and trusted President of the United States, with the members of his wise and patriotic Cabinet, we, the colored people, newly emancipated and rejoicing in our blood-bought freedom, near the close of the first century in the life of this republic, have now and here unveiled, set apart, and dedicated a monument of enduring granite and bronze, in every line, feature, and figure of which the men of this generation may read, and those of aftercoming generations may read, something of the exalted character and great works of Abraham Lincoln, the first martyr President of the United States.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, Oratory in Memory of Abraham Lincoln (1876)

Brad Dourif photo
James Wilson photo
Lloyd Kenyon, 1st Baron Kenyon photo
Jimmy Carter photo
Francis Galton photo
Thomas Carlyle photo
Joseph Hayne Rainey photo
Alan Keyes photo
David Myatt photo
Ethan Hawke photo
Calvin Coolidge photo
Paul Bourget photo

“Have the courage to analyze great emotions to create characters who shall be lofty and true. The whole art of the analytical novel lies there.”

Paul Bourget (1852–1935) French writer

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love

Ralph Waldo Trine photo
Robert Chambers (publisher, born 1802) photo
Joseph Gordon-Levitt photo
Emma Goldman photo
Tryon Edwards photo

“Thoughts lead on to purposes; puposes go forth in actions; actions form habits; habits decide character; and character fixes our destiny.”

Tryon Edwards (1809–1894) American theologian

Source: A Dictionary of Thoughts, 1891, pp. 114-115.

Harold Lloyd photo
Waheeda Rehman photo
Philip Roth photo
Paul Newman photo

“I was always a character actor. I just looked like Little Red Riding Hood.”

Paul Newman (1925–2008) American actor and film director

Quoted in Maureen Dowd, "Testing Himself," The New York Times (1986-09-28), section 6, page 16, column 1

Clive Barker photo
Gordon Strachan photo
African Spir photo
Azar Nafisi photo
Roger Ebert photo
Joseph Massad photo
Philip Roth photo
Sarvepalli Radhakrishnan photo

“Logical knowledge is indirect and symbolic in its character. It helps us to handle and control the object and its workings.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

George W. Bush photo
Craig Ferguson photo

“[The Secretariat horse character reveals his true identity, and it happens to be Bob Newhart. ]
Craig: Bob Newhart! What are you doing here?
Bob Newhart: Hey, Craig; it's your dream!”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

During the final episode, the ending of the classic sitcom Newhart was spoofed here; Craig, in his role as Nigel Wick from The Drew Carey Show, wakes up next to Drew and discovers his entire stint as host of the Late Late Show was all a bad dream.
The Late Late Show with Craig Ferguson (2005–2014)

Jean Dubuffet photo
Letitia Elizabeth Landon photo

“Few are the beliefs, still fewer the superstitions of to-day. We pretend to account for everything, till we do not believe enough for that humility so essential to moral discipline. But the dark creed of the fatalist still holds its ground — there is that within us, which dares not deny what, in the still depths of the soul, we feel to have a mysterious predominance. To a certain degree we controul our own actions — we have the choice of right or wrong; but the consequences, the fearful consequences, lie not with us. Let any one look upon the most important epochs of his life; how little have they been of his own making — how one slight thing has led on to another, till the result has been the very reverse of our calculations. Our emotions, how little are they under our own controul! how often has the blanched lip, or the flushed cheek, betrayed what the will was strong to conceal! Of all our sensations, love is the one which has most the stamp of Fate. What a mere chance usually leads to our meeting the person destined to alter the whole current of our life. What a mystery even to ourselves the influence which they exercise over us. Why should we feel so differently towards them, to what we ever felt before? An attachment is an epoch in existence — it leads to casting off old ties, that, till then, had seemed our dearest; it begins new duties; often, in a woman especially, changes the whole character; and yet, whether in its beginning, its continuance or its end, love is as little within our power as the wind that passes, of which no man knows whither it goeth or whence it comes.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

No.14. The Bride of Lammermuir — LUCY ASHTON.
Literary Remains

Mao Zedong photo
Mary McCarthy photo

“The American character looks always as if it had just had a rather bad haircut, which gives it, in our eyes at any rate, a greater humanity than the European, which even among its beggars has an all too professional air.”

Mary McCarthy (1912–1989) American writer

"America the Beautiful: The Humanist in the Bathtub", p. 17
On the Contrary: Articles of Belief 1946–1961 (1961)

Neil Patrick Harris photo
Baruch Spinoza photo
Hugh Macmillan, Baron Macmillan photo
Alfred Rosenberg photo
Douglas Coupland photo
George Hendrik Breitner photo

“The so-called bourgeoisie doesn't provide any substance for my art. The character [of the models] there is too faint and without any spirit. It doesn't represent a race in an artistic sense. So there is no other choice for me [than folk women].”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner, in het Nederlands:) De zogenaamde burgerij levert geen stof voor mijn kunst. Het karakter [van de modellen] dáár is te flauw en geesteloos. Het vertegenwoordigt in artistieken zin geen ras. Mij rest dus geen andere keuze [dan volksvrouwen].
Quote of Breitner; as cited by B. van Garrel, in his article 'Het getekende bestaan van G.H. Breitner', Dutch newspaper Haagse Post, 23 June 1973, jrg. 60, nr. 25
The young saleswoman of hats, nl:Geesje Kwak was Breitner's model for several years
undated quotes

Lawrence Lessig photo
Mohammed VI of Morocco photo

“In Morocco, I am perfectly known. Moroccans know my character and my ideas, they know absolutely everything of me. This notion of mystery is entertained by some press: to sell, a label must be assigned. I was assigned this label of mystery, just because I decided that, before speaking, I will wait to better know.”

Mohammed VI of Morocco (1963) King of Morocco

Original French: Au Maroc, on me connaît parfaitement. Les Marocains connaissent mon caractère et mes idées, ils savent absolument tout de moi. Cette notion de mystère est entretenue par une certaine presse : pour vendre, il faut mettre une étiquette. On m’a donc collé une étiquette, celle du mystère, simplement parce que j’ai décidé que, avant de parler, j’attendrais de mieux savoir.
Interview with Le Figaro–September 2001 http://www.maroc.ma/fr/discours-royaux/interview-accord%C3%A9e-par-sa-majest%C3%A9-le-roi-mohammed-vi-au-quotidien-fran%C3%A7ais-%C2%AB-le

Vytautas Juozapaitis photo

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

“Since 1977, there have been many science fiction movies, but none has managed to equal [A New Hope's] blend of adventure, likable characters, and epic storytelling.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/s/sw1.html of Star Wars Episode IV: A New Hope (1977).
Four star reviews

Confucius photo

“When we see men of worth, we should think of equaling them; when we see men of a contrary character, we should turn inwards and examine ourselves.”

Confucius (-551–-479 BC) Chinese teacher, editor, politician, and philosopher

James Legge, translation (1893)
When you meet someone better than yourself, turn your thoughts to becoming his equal. When you meet someone not as good as you are, look within and examine your own self.
Dim Cheuk Lau translation (1979)
When you see a good person, think of becoming like her/him. When you see someone not so good, reflect on your own weak points.
As quoted in Liberating Faith : Religious Voices for Justice, Peace, and Ecological Wisdom (2003) by Roger S. Gottlieb, p. 24
The Analects, Chapter I, Chapter IV

Drashti Dhami photo

“I don’t think any heroine’s marital status matters. On TV, it’s all about the character. We have so many married actresses playing lead roles on TV shows. We are probably more married on TV than in real life.”

Drashti Dhami (1985) Indian television actress and model

View on marriage http://www.hindustantimes.com/tv/didn-t-get-overwhelming-film-offers-drashti-dhami/story-y8fDhD9tpuiZqM8HbfnGBK.html

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo
James Madison photo

“Twenty years will produce all the mischief that can be apprehended from the liberty to import slaves. So long a term will be more dishonorable to the National character than to say nothing about it in the Constitution.”

James Madison (1751–1836) 4th president of the United States (1809 to 1817)

1780s, The Debates in the Federal Convention (1787)
Source: Madison's notes (25 August 1787) http://avalon.law.yale.edu/18th_century/debates_825.asp

Vera Farmiga photo

“As an actor, you're sort of the court-appointed lawyer for the character. And that's what used to draw me to scripts – something in a woman that I wanted to defend, something that I recognized or wanted to understand, something that turned my head.”

Vera Farmiga (1973) American actress

As quoted in " Vera Farmiga interview: Chats 'Up in the Air' and her craft http://www.nj.com/entertainment/movies/index.ssf/2009/12/vera_farmiga_interview_chats_up_in_the_air_and_her_craft.html" by Stephen Whitty at NewJersey.com (December 7, 2009)

Anthony Burgess photo
Letitia Elizabeth Landon photo

“Alas, the strange varieties or life!
We live 'mid perils and pleasures, like
Characters 'graven on the sand, or hues
Colouring the rainbow. Wild as a sick fancy
And changeful as a maiden, is this dream,
This brief dream on earth - - -”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(7th September 1822) Poetical Sketches. Third series - Sketch the First. The Mine
14th September 1822) Poetical Sketches. Third series - Sketch the Second. Gladesmuir see The Improvisatrice (1824
21st September 1822) Poetical Sketches. Third series - Sketch the Third. The Minstrel of Portugal see The Improvisatrice (1824
28th September 1822) Poetical Sketches. Third series - Sketch the Fourth. The Castilian Nuptuals see The Vow of the Peacock (1835
5th October 1822) Poetical Sketches. Third series - Sketch the Fifth. The Lover's Rock see The Vow of the Peacock (1835
12th October 1822) Poetical Sketches. Third series - Sketch the Sixth. The Basque girl and Henri Quatre see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

Muhammad photo

“By his good character, a believer will attain the degree of one who prays during the night and fasts during the day.”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Abu Dawood, Hadith 2233
Sunni Hadith

Maria Edgeworth photo
Gao Xingjian photo
Sarvepalli Radhakrishnan photo
Thomas Hardy photo
Paulo Freire photo
Thomas Carlyle photo

“The infinite, absolute character of Virtue has passed into a finite, conditional one; it is no longer a worship of the Beautiful and Good; but a calculation of the Profitable.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1820s, Signs of the Times (1829)

Archibald Primrose, 5th Earl of Rosebery photo

“It is by self-reliance, humanly speaking, by the independence which has been the motive and impelling force of our race, that the Scots have thriven in India and in Canada, in Australia and New Zealand, and even in England, where at different times they were banned. As things are we in Scotland do not take much or even ask much from the State, but the State invites us every day to lean upon it. I seem hear the wheedling and alluring whisper, "Sound you may be; we bid you be a cripple. Do you see? Be blind. Do you hear? Be deaf. Do you walk? Be not venturesome; here is a crutch for one arm. When you get accustomed to it you will soon want another, the sooner the better." The strongest man, if encouraged, may soon accustom himself to the methods of an invalid; he may train himself to totter or to be fed with a spoon. The ancient sculptors represent Hercules leaning on his club; our modern Hercules would have his club elongated and duplicated and resting under his arms. (Laughter.) The lesson of our Scottish teaching was "Level up"; the cry of modern civilization is "Level down; let the Government have a finger in every pie," probing, propping, disturbing. ("Hear, hear," and laughter.) Every day the area for initiative is being narrowed, every day the standing ground for self-reliance is being undermined, every day the public infringes, with the best intentions, no doubt, on the individual. The nation is being taken into custody by the State. Perhaps the current cannot now be stemmed; agitation or protest may be alike unavailing; the world rolls on, it may be part of its destiny, a necessary phase in its long evolution, a stage in its blind, toilsome progress to an invisible goal. I neither affirm nor deny. All in the long run is doubtless for the best; but, speaking as a Scotsman to Scotsmen, I plead for our historical character, for the maintenance of those sterling national qualities which have meant so much to Scotland in the past.”

Archibald Primrose, 5th Earl of Rosebery (1847–1929) British politician

Cheers.
Speech to Glasgow University (12 June 1908), reported in The Times (13 June 1908), p. 12.

Tyler Perry photo

“I have to thank Eddie Murphy, 'cause after I saw him do the Klumps [in Nutty Professor II], I said, "I'm going to try my hand at a female character." It was the brilliance of Eddie Murphy. I need to write him a check. Say thank you”

Tyler Perry (1966) American actor, director, screenwriter, playwright, producer, author, and songwriter

On how Madea was created
Interview with Oprah Winfrey

Ian McEwan photo
Jacques Maritain photo

“The act of philosophizing involves the character of the philosopher.”

Jacques Maritain (1882–1973) French philosopher

Science and Wisdom (1954), p. 207.

Thomas Jefferson photo
Alfred de Zayas photo
Asger Jorn photo

“There can be no question of selecting in any direction, but of a penetrating the whole cosmic law of rhythms, forces and material that are the real world, from the ugliest to the most beautiful, everything that has character and expression, from the crudest and most brutal to the gentlest and most delicate; everything that speaks to us in its capacity as life. From this it follows that one must know all in order to be able to express all. It is the abolition of the aesthetic principle. We are not disillusioned because we have no illusions; we have never had any. What we have and what is our strength, is our joy in life; our interest in life, in all its amoral aspects. That is also the basis of our contemporary art. We do not even know the laws of aesthetics. That old idea of selection according to the beauty-principle Beautiful — Ugly, like to ethical Noble — Sinful, is dead for us, for whom the beautiful is also ugly and everything ugly is endowed with beauty. Behind the comedy and the tragedy we find only life's dramas uniting both; not in noble heroes and false villains, but people.”

Asger Jorn (1914–1973) Danish artist

Variant translations:
What we possess and what gives us strength is our joy in life, our interest in life in all its amoral facets. This is also the foundation for today's art. We do not even know the aesthetic laws.
We are not disillusioned because we have no illusions; we have never had any. What we have, and what constitutes our strength, is our joy in life, in all of its moral and amoral manifestations.
1940 - 1948, Intimate Banalities' (1941)

Thomas Carlyle photo

“In every man's writings, the character of the writer must lie recorded.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Goethe (1828).
1820s, Critical and Miscellaneous Essays (1827–1855)

Alain de Botton photo

“I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In New York Movie (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), pp. 83-84.

Benjamin Franklin photo

“I wish the Bald Eagle had not been chosen as the representative of our country; he is a bird of bad moral character; like those among men who live by sharping and robbing, he is generally poor, and often very lousy. The turkey is a much more respectable bird.”

Benjamin Franklin (1706–1790) American author, printer, political theorist, politician, postmaster, scientist, inventor, civic activist, …

letter to Sarah Bache (26 January 1784).
Epistles

Henry Ward Beecher photo
Samuel Taylor Coleridge photo
Pauline Kael photo