Quotes about character
page 23

“The pictures [De Kooning had] done since the 'Women', they're emotions, most of them. Most of them are landscapes and highways and sensations of that, outside the city – with the feeling of going to the city or coming from it. I am not a pastoral character. I'm not a – how do you say that? – 'country dumpling'. I am here and I like New York City. But I love to go out in a car… I'm just crazy about going over the roads and highways.”

Willem de Kooning (1904–1997) Dutch painter

Interview conducted by David Sylvester for the BBC, 1962; as quoted in Abstract Expressionism: Creators and Critics, edited by Clifford Ross, Abrahams Publishers, New York 1990, p. 48.
1960's

Love, Women, Cars, Feeling

“We are forced to distinguish between three kinds of speech: (1) The external, “rhetorical speech,” in the common meaning of this expression, which only refers to images because they affect the passions. Since these images do not stem from insight, however, they remain an object of opinion. This is the case of the purely emotive, false speech: “rhetoric” in the usual negative sense. (2) The speech which arises exclusively from a rational proceeding. It is true that this is of a demonstrative character, but it cannot have a rhetorical effect because purely rational arguments do not attain to the passions, i. e., “theoretical” speech in the usual sense. (3) The true rhetorical speech. This springs from the archai, nondeductible, moving, and indicative, due to its original images. The original speech is that of the wise man, of the sophos, who is not only epistetai, but who with insight leads, guides, and attracts.”

Ernesto Grassi (1902–1991) Italian philosopher

Source: Rhetoric as Philosophy (1980), p. 32

Spring, Sense, Passion, Falseness

“I became interested in writing this book approximately ten years ago when, having become established as a psychiatrist, I became increasingly impressed by the vague, capricious and generally unsatisfactory character of the widely used concept of mental illness and its corollaries, diagnosis, prognosis and treatment.
Although (mental illness) might have been a useful concept in the nineteenth century, today it is scientifically worthless and socially harmful.
In non-psychiatric circles mental illness all too often is considered to be whatever psychiatrists say it is. The answer to the question, Who is mentally ill? thus becomes: Those who are confined in mental hospitals or who consult psychiatrists in their private offices.”

Thomas Szasz (1920–2012) Hungarian psychiatrist

Preface to the First Edition.
The Myth of Mental Illness: Foundations of a Theory of Personal Conduct (1961)

Books, Question

“It is said that adversity introduces us to ourselves. This is true of a nation as well. We see our national character in our ability to rally together in times of difficulties, celebrations and in eloquent acts of sacrifice.”

Josefa Iloilo (1920–2011) President of Fiji

Opening address to the National Day of Prayer in Suva, 15 May 2005 (excerpts) http://www.fiji.gov.fj/publish/page_4607.shtml

Time

“I don’t hate God. Some people say it’s impossible to hate a fictional character, but I hated the wicked step-mother in Disney’s Cinderella. Of course that’s because I knew people like her. Even though God is the most objectionable character in all fiction, he’s not real enough to hate. So it’s not that I hate God; it’s that I hate lies, and that’s what your god is made of.
If your god was real, you’d be able to convince me. In fact, he wouldn’t need you. I’d already know. However you are demonstrably wrong on everything you’ve said so far. Whether I can convince you of that depends only on whether you’re reasonably honest.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Correspondence with a Creationist http://www.patheos.com/blogs/reasonadvocates/2017/06/06/correspondence-with-a-creationist/ (June 6, 2017)

God, Hate, People, Dependency

“The result is a horrible mess of a movie, without shape, trajectory or purpose — a one joke movie, if it had one joke. The two characters wander witlessly past the bizarre backdrops of Las Vegas (some real, some hallucinated, all interchangeable) while zonked out of their minds. Humor depends on attitude. Beyond a certain point, you don't have an attitude, you simply inhabit a state. I've heard a lot of funny jokes about drunks and druggies, but these guys are stoned beyond comprehension, to the point where most of their dialog could be paraphrased as "eh?"… As for Depp, what was he thinking he made this movie? He was once in trouble for trashing a New York hotel room, just like the heroes of Fear and Loathing in Las Vegas. What was that? Research? After River Phoenix died of an overdose outside Depp's club, you wouldn't think Depp would see much humor in this story — but then, of course, there *isn't* much humor in this story.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/fear-and-loathing-in-las-vegas-1998 of Fear and Loathing in Las Vegas (22 May 1998) Reviews, One-star reviews

Fear, Guy, Thinking, Past

“With us the two great divisions of society are not the rich and the poor, but white and black, and all the former, the poor as well as the rich, belong to the upper class, and are respected and treated as equals, if honest and industrious, and hence have a position and pride of character of which neither poverty nor misfortune can deprive them.”

John C. Calhoun (1782–1850) 7th Vice President of the United States

Speech in the U.S. Senate https://web.archive.org/web/20070123074414/http://www.claremont.org/publications/pubid.667/pub_detail.asp (12 August 1849) 1840s

“I seek beauty, not character. For me portraiture and statuary are completely opposed to each other.”

Aristide Maillol (1861–1944) sculptor from France

remark to his biographer Judith Cladel (1939 - 1944); as quoted in Dictionary of artists’ models, Jill Berk Jiminez, Taylor and Francis 2001, p. 550

Beauty

“But in life, as we are cognizant of it, mental development can go but a little way. The mind hardly begins to awake ere the bodily powers decline — it but becomes dimly conscious of the vast fields before it, but begins to learn and use its strength, to recognize relations and extend its sympathies, when, with the death of the body, it passes away. Unless there is something more, there seems here a break, a failure. Whether it be a Humboldt or a Herschel, a Moses who looks from Pisgah, a Joshua who leads the host, or one of those sweet and patient souls who in narrow circles live radiant lives, there seems, if mind and character here developed can go no further, a purposelessness inconsistent with what we can see of the linked sequence of the universe.”

Henry George book Progress and Poverty

Progress and Poverty (1879)

Life, Death, Way, Soul

“Americans want to defeat terrorism and they want the basic character of this country to survive and prosper. They want both security and liberty, and unless we give them both, and we can if we try, we have failed.”

Russ Feingold (1953) Wisconsin politician; three-term U.S. Senator

On the Iraq War, in [Roberts, Joel, Senate Resoundingly Renews Patriot Act, https://www.cbsnews.com/news/senate-resoundingly-renews-patriot-act/, 20 August 2018, CBS News, February 28, 2006]
2006

Country

“I can't make real-life workplaces safer and more fair for women just by showing them with briefcases or crossbows. But I can try to grant my characters the quirky gift of humanity — whether they're adjudicating torts or dishing tortes or saving the world. And hope the little girls watching do the rest.”

Jane Espenson (1964) American television writer and producer

How to Succeed at Vampire Slaying and Keep Your Soul (2005)

Life, Women, World, Hope

“Consequences. In real life, these ramifications emanate from every action like ripples from a stone thrown into a pond. Often in movies, especially those that feature characters who don't play by the rules, such penalties are suspended. However, in Christopher Nolan's Batman universe, decisions and actions have consequences. The Dark Knight, arguably the moodiest and most adult superhero motion picture ever to reach the screen, illustrates this lesson in ways that are startling and painful. This is a tough, uncompromising motion picture — one that defies the common notions of what is expected from a "superhero" film. While there are plenty of action sequences and instances of derring-do, The Dark Knight's subtext has a tragic underpinning that would intrigue Shakespeare or the Greeks. It's about power and impotence, sanity and madness, image and reality, selfishness and sacrifice, and — yes — consequences.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1235 of The Dark Knight (2008). Four star reviews

Life, Pain, Penalty, Way

“Your character, Apollon Zamp, is marred by a certain paltriness of spirit, a diffused universal distrust which I truly deplore.”

Jack Vance book Showboat World

Source: Showboat World (1975), Chapter 13 (p. 151)

Universe

“At present, when the prevailing forms of society have become hindrances to the free expression of human powers, it is precisely the abstract branches of science, mathematics and theoretical physics, which … offer a less distorted form of knowledge than other branches of science which are interwoven with the pattern of daily life, and the practicality of which seemingly testifies to their realistic character.”

Max Horkheimer (1895–1973) German philosopher and sociologist

Source: "The Latest Attack on Metaphysics" (1937), p. 133.

Life, Mathematics, Knowledge, Science

“The family unit is the incubator for human character; the state is the incubator for human dependency.”

Robert LeFevre (1911–1986) American libertarian businessman

“The Family”, Pine Tree Press (Nov. 1963) p. 16.

Family, Dependency

“And so I have conceived that the news, properly presented, should be a sort of cross-section of the character of current human experience. It should delineate character, quality, tendencies and implications. In this way the reporter exercises his genius. Out of the current events he does not make a drab and sordid story, but rather an informing and enlightened epic. His work becomes no longer imitative, but rises to an original art.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Press Under a Free Government (1925)

Art, Way, Exercises

“My theory has been to discover the modern synthesis by methods based upon science, methods based upon the theory of colors discovered by M. Chevreul, in conformity with the experiments of Maxwell and the measurements of N. 0. Rood; to substitute the optical mingling for the mingling of pigments; in other words, the decomposition of all the colors into their constituent elements; because the optical mingling excites much more intense luminosity than the mingling of pigments. As for the execution, we regard it as nothing; it is at any rate only unimportant, art having nothing to do with it. According to us, the sole originality consists in the character of the drawing and the vision individual to each artist.”

Camille Pissarro (1830–1903) French painter

Quote in a letter, circa 1886-87; as quoted in Brush and Pencil, Vol. XIII, no. 6 , article: 'Camille Pissarro' Impressionist', by Henry G. Stephens; March, 1904, pp. 414-15
1880's

Art, Color, Science, Drawing

“We are again confronted with one of the most vexing aspects of advanced industrial civilization: the rational character of its irrationality. Its productivity and efficiency, its capacity to increase and spread comforts, … the extent to which this civilization transforms the object world into an extension of man's mind and body makes the very notion of alienation questionable. The people recognize themselves in their commodities; they find their soul in their automobile, hi-fi set, split-level home, kitchen equipment. The very mechanism which ties the individual to his society has changed, and social control is anchored in the new needs which it has produced.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), p. 9

People, World, Home, Soul

“No free government was ever founded, or ever preserved its liberty, without uniting the characters of the citizen and soldier in those destined for the defense of the state…such are well-regulated militia, composed of the freeholders, citizen and husbandman, who take up arms to preserve their property, as individuals, and their rights as freemen.”

Richard Henry Lee (1732–1794) American statesman

State Gazette (Charleston) (8 September 1788)

“Character is what God and the angels know of us; reputation is what men and women think of us.”

Horace Mann (1796–1859) American politician

Anonymous author; this is attributed to Mann, in The Wordsworth Dictionary of Quotations (1998) edited by Connie Robertson, and similar statements are often attributed to Thomas Paine, but the earliest published variant of such a declaration seem to be in an anecdote about an anonymous Boston woman in 1889:
I have the reputation of being of good moral character. But you know reputation is what people think of us, while character is what God and the angels know of us, and that I don't want to tell.
Anonymous Boston woman, as quoted in Current Opinion (1889)
There is a very great difference — is there not? — between the temporal and the eternal judgments, a very great difference between a man's reputation and a man's character, for reputation is what men think and say of us, while character is what God and the angels know of us.
Price Collier, in Sermons (1892)
Reputation is what men and women think of us, character is what God and the angels know of us.
Attributed to Thomas Paine in A Dictionary of Terms, Phrases,and Quotations (1895) edited by Henry Percy Smith, and Helen Kendrick Johnson
Misattributed

Women, Men, God, Angels

“Basil Fawlty was an easy character for me. For some reason, portraying a mean, uptight, incompetent bully comes naturally to me.”

John Cleese (1939) actor from England

On Fresh Air with Terry Gross (1997)

Nature

“The idea underlying such endless discussion and dreaming about the physical act is that sexual expertise confers worldliness and is therefore part of becoming an affirmed individual. This is a curious suggestion… Sex is many things — a need, a desire, an emotion, a release — but it has nothing to do with worldly sophistication, character building or even existential action. Sex, in general, is more of an obstacle than anything else for those who wish to free themselves and act as individuals… [W]e aren't dealing with a successful affirmation of responsible individualism in the real world. We are creating private dreams which compensate for the fracturing of the individual and the castration of his or her power in public life.”

John Ralston Saul (1947) Canadian author and essayist

Voltaire's Bastards (1992)

Life, World, Dreams, Sex

“Let us invent a character, a nice respectable, middle-class, middle-aged, maiden lady, with time on her hands and the money to help her pass it. She enjoys pictures, books, music, and the theatre and though to none of these arts (or rather, for consistency's sake, to none of these three arts and the one craft) does she bring much knowledge or discernment, at least, as she is apt to tell her cronies, she "does know what she likes."”

Terence Rattigan (1911–1977) playwright, screenwriter

Let us call her Aunt Edna.
The Collected Plays of Terence Rattigan (London: Hamish Hamilton, 1953) vol. 1, p. xi.

Money, Books, Age, Art

“But let us not speak anymore of books and theories on paper. Now then, did you see my exhibition? As you may remember, 1 gathered in 'Cahiers d'Art' ten very recent paintings, twenty-five gouaches and watercolors, also recent, and twenty-eight drawings that span the period from 1910-1934. In the majority of the compositions on canvas I used a sand technique more or less consistently.... but I usually don't distinguish between traditional oil painting, gouache, tempera and watercolor, and I even simultaneously use the various techniques in the same work. What is essential for me is to be able to clearly convey what I want, to recount my dream. / consider both technique and form to be mere instruments of expression, and my stories, furthermore, are not narrative or historical in character, but purely pictorial.”

Wassily Kandinsky (1866–1944) Russian painter

From an interview, 28 July 1935, in the Italian daily newspaper 'Lavoro fascista'; as quoted in Kandinsky in Paris: 1934-1944 - exhibition catalog, published by The Solomon K. Guggenheim Foundation, New York, 1985, p. 30
1930 - 1944

Books, Dreams, Drawing, Painting

“Ah! how much a mother learns from her child! The constant protection of a helpless being forces us to so strict an alliance with virtue, that a woman never shows to full advantage except as a mother. Then alone can her character expand in the fulfillment of all life’s duties and the enjoyment of all its pleasures.”

Honoré de Balzac (1799–1850) French writer

Ah! combien de choses un enfant apprend à sa mère. Il y a tant de promesses faites entre nous et la vertu dans cette protection incessante due à un être faible, que la femme n’est dans sa véritable sphère que quand elle est mère; elle déploie alors seulement ses forces, elle pratique les devoirs de sa vie, elle en a tous les bonheurs et tous les plaisirs.
Part I, ch. XXXI.
Letters of Two Brides (1841-1842)

Life, Pleasure, Learning

“Charm was what he excelled at. If anyone sensed his underlying shallowness, they usually mistook it for well-hidden great depth of character, like misinterpreting a radar bounce.”

Alastair Reynolds book Century Rain

Source: Century Rain (2004), Chapter 4 (p. 42)

Sense

“Politics is too often regarded as a poor relation, inherently dependent and subsidiary; it is rarely praised as something with a life and character of its own.”

Bernard Crick (1929–2008) British political theorist and democratic socialist

Source: In Defence Of Politics (Second Edition) – 1981, Chapter 1, The Nature Of Political Rule, p. 15.

Life, Dependency

“Take any action allow’d to be vicious: Wilful murder, for instance. Examine it in all lights, and see if you can find that matter of fact, or real existence, which you call vice. In which-ever way you take it, you find only certain passions, motives, volitions and thoughts. There is no other matter of fact in the case. The vice entirely escapes you, as long as you consider the object. You never can find it, till you turn your reflexion into your own breast, and find a sentiment of disapprobation, which arises in you, towards this action. Here is a matter of fact; but ’tis the object of feeling, not of reason. It lies in yourself, not in the object. So that when you pronounce any action or character to be vicious, you mean nothing, but that from the constitution of your nature you have a feeling or sentiment of blame from the contemplation of it. Vice and virtue, therefore, may be compar’d to sounds, colours, heat and cold, which, according to modern philosophy, are not qualities in objects, but perceptions in the mind”

David Hume book A Treatise of Human Nature

.
Part 1, Section 1
A Treatise of Human Nature (1739-40), Book 3: Of morals

Way, Feeling, Motivation, Nature

“The supreme importance of tactics and the necessity of maintaining its class struggle character, is something the party has been well conscious of from the beginning. … We find that in all questions of tactics the thought was continually kept in the foreground that the party must be kept clean from all mixture with all other parties, every one of which, no matter how much they differed from each other or how furiously they fought among themselves, stood upon the ground of bourgeois society as a common basis. This separation of the Social Democracy from all other parties, this essential difference, which silly opponents take as a reason or pretext for declaring us political outlaws, is our pride and our strength.”

Wilhelm Liebknecht (1826–1900) German socialist politician

No Compromise – No Political Trading (1899)

Democracy, Question

“Very few reporters in Fleet Street can write on the game with as much observation, sense of scene and character, and knowledge of the things that technically and tactically matter.”

Margaret Hughes (1645–1719) British actress

Neville Cardus, Foreword to All On A Summer's Day.
About

Game, Knowledge, Sense

“Seventh and Ninth generation Old Hemlocks, I see in them all of those ancestors, not just the bloodline and shape of the skull, but the character, the way they feel. […] They are all in my heart, not gone to some vague afterland to enjoy a happier life, for they were happiest with me. If I could have l kept one of them with me for all Time, it would have meant missing all the others.”

George Bird Evans (1906–1998) American writer

Grouse Along the Tramroad (1986)

Life, Way, Feeling, Time

“Domestication involved the initiation of production, vastly increased divisions of labor, and the completed foundations of social stratification. This amounted to an epochal mutation both in the character of human existence and its development, clouding the latter with ever more violence and work.”

John Zerzan (1943) American anarchist and primitivist philosopher and author

Elements of Refusal (1988)

“I don’t know if there are any other examples in history of an actress that got to play a teenager, the mid-20s version of the character and then the mid-30s version of the character. Now when I look back on it, it’s the role of a lifetime. Nancy and I, especially in New Nightmare, often get conflated into being the same type of person and Wes must have seen something in me that was the good type of girl Nancy was. Very self sufficient, strong and loyal to her friends. She’s a genius in some ways and has a spunky “won’t give up” spirit. As a teen auditioning for him, he must have seen something that he liked which was very flattering.”

Heather Langenkamp (1964) actress

Heather Langenkamp On Playing Nancy Through The Years http://bloody-disgusting.com/news/3274986/interview-heather-langenkamp-on-playing-nancy-through-the-years/ (January 27, 2014)

Way, History, Girl, Strong

“The great events of history are often due to secular changes in the growth of population and other fundamental economic causes, which, escaping by their gradual character the notice of contemporary observers, are attributed to the follies of statesmen or the fanaticism of atheists.”

John Maynard Keynes book The Economic Consequences of the Peace

Source: The Economic Consequences of the Peace (1919), Chapter II, Section I, pp. 14-15

History, Change

“And this doth show how a man may act foolishly, even when he doth believe that he hath a great caution; and surely it is borne in upon me afresh that none should trust over freely unto unproven matters, the which shall you heartily agree with; but yet do as foolishly, according to your lights and characters. And so shall you laugh not over hardly upon me.”

William Hope Hodgson book The Night Land

Source: The Night Land (1912), Chapter 7

Light

“Although Fox's private character was deformed by indulgence in vicious pleasures, it was in the eyes of his contemporaries largely redeemed by the sweetness of his disposition, the buoyancy of his spirits, and the unselfishness of his conduct. As a politician he had liberal sentiments, and hated oppression and religious intolerance. He constantly opposed the influence of the crown, and, although he committed many mistakes, and had in George III an opponent of considerable knowledge of kingcraft and immense resources, the struggle between him and the king, as far as the two men were concerned, was after all a drawn game…the coalition of 1783 shows that he failed to appreciate the importance of political principles and was ignorant of political science…Although his speeches are full of common sense, he made serious mistakes on some critical occasions, such as were the struggle of 1783–4, and the dispute about the regency in 1788. The line that he took with reference to the war with France, his idea that the Treason and Sedition bills were destructive of the constitution, and his opinion in 1801 that the House of Commons would soon cease to be of any weight, are instances of his want of political insight. The violence of his language constantly stood in his way; in the earlier period of his career it gave him a character for levity; later on it made his coalition with North appear especially reprehensible, and in his latter years afforded fair cause for the bitterness of his opponents. The circumstances of his private life helped to weaken his position in public estimation. He twice brought his followers to the brink of ruin and utterly broke up the whig party. He constantly shocked the feelings of his countrymen, and ‘failed signally during a long public life in winning the confidence of the nation’ (LECKY, Hist. iii. 465 sq). With the exception of the Libel Bill of 1792, the credit of which must be shared with others, he left comparatively little mark on the history of national progress. Great as his talents were in debate, he was deficient in statesmanship and in some of the qualities most essential to a good party leader.”

Charles James Fox (1749–1806) British Whig statesman

William Hunt, 'Fox, Charles James (1749–1806)', Dictionary of National Biography (1889).
About

Life, Men, Hate, War

“Gladness, in some instances, springs from a natural buoyancy of temperament, and is quite consistent with shallowness and superficiality of character. In other cases it is coincident with the swift flow of the currents of the blood, and ceases when the stream flows more slowly and begins to stagnate. Or it is due to gifts which an exceptional good fortune showers into the laps of favoured mortals. Gladness of this sort comes with happiness and departs with it.
But the purified gladness of which I speak is not dependent on these accidents. It is the mark of the ripest wisdom, and is based on the conviction, gained through experience, that life is worth living, that the victory is assured, and that the ends we pursue are of such excellence as to be incapable of ultimate defeat.”

Felix Adler (1851–1933) German American professor of political and social ethics, rationalist, and lecturer

Section 4 : Moral Ideals
Founding Address (1876), Life and Destiny (1913)

Life, Wisdom, Spring, Nature

“I hate the man who builds his name
On ruins of another's fame.
Thus prudes, by characters o'erthrown,
Imagine that they raise their own.
Thus Scribblers, covetous of praise,
Think slander can transplant the bays.”

John Gay (1685–1732) English poet and playwright

Fable XLV, "The Poet and the Rose"
Fables (1727)

Hate, Imagination, Thinking

“The inhuman character of Stalinism was demonstrated by the repressions of prisoners of war who survived fascist camps and then were thrown into Stalinist camps, the anti-worker "decrees," the criminal exile of entire peoples condemned to slow death, the unenlightened zoological kind of anti-Semitism that was characteristic of Stalin bureaucracy and the NKVD (and Stalin personally), the Ukrainophobia characteristic of Stalin, and the draconian laws for the protection of socialist property (five years' imprisonment for stealing some grain from the fields and so forth) that served mainly as a means of fulfilling the demands of the "slave market."”

Andrei Sakharov (1921–1989) Soviet nuclear physicist and human rights activist

Progress, Coexistence and Intellectual Freedom (1968), Dangers, Police Dictatorships

Death, War, People, Law

“While the war was still in progress, I was visited by a sudden feeling of the cruel and unnecessary character of the contest. It seemed to me a return to barbarism, the issue having been one which might easily have been settled without bloodshed. The question forced itself upon me, "Why do not the mothers of mankind interfere in these matters, to prevent the waste of that human life of which they alone bear and know the cost?" I had never thought of this before. The august dignity of motherhood and its terrible responsibilities now appeared to me in a new aspect, and I could think of no better way of expressing my sense of these than that of sending forth an appeal to womanhood throughout the world, which I then and there composed.”

Julia Ward Howe (1819–1910) American abolitionist, social activist, and poet

On the Franco-Prussian War as the inspiration for her "Mother's Day Proclamation" of 1870 calling for mothers to arise as a social force against war in general.
Reminiscences (1899)

Life, War, World, Way

“The actors feel that the music played before the curtain rises will put the audience in the wrong mood. The playwright suggests that the (purposefully lugubrious) music be played at twice-speed. This peps it up somewhat while retaining its essentially dark and gloomy character. The actors listen carefully, and are pleased.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“Opening", opening
Forty Stories (1987)

Music, Feeling, Mood, Speed

“Ordinarily, every body in society reminds us of somewhat else, or of some other person. Character, reality, reminds you of nothing else; it takes place of the whole creation. The man must be so much, that he must make all circumstances indifferent. Every true man is a cause, a country, and an age; requires infinite spaces and numbers and time fully to accomplish his design; — and posterity seem to follow his steps as a train of clients. A man Caesar is born, and for ages after we have a Roman Empire. Christ is born, and millions of minds so grow and cleave to his genius, that he is confounded with virtue and the possible of man. An institution is the lengthened shadow of one man … and all history resolves itself very easily into the biography of a few stout and earnest persons.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1840s, Essays: First Series (1841), Self-Reliance

Age, History, Reality, Time

“Power to vary in plants or animals is itself a feature as readily transmissible as is stability of character. The quality of varying to meet varying environments is therefore one of the hereditary traits which the plant breeder must consider, and which may itself be extended or overcome by the processes of crossing and selection.”

Luther Burbank (1849–1926) American botanist, horticulturist and pioneer in agricultural science

How Plants are Trained to Work for Man (1921) Vol. 1 Plant Breeding

Animals

“I’d go back to 1975. I commented elsewhere, recently, that pressing the “rewind” button would be a good idea, as long as it was done across the board, and not piecemeal or in stealth mode, a la “Birthright.” Take all the characters back to their status quo circa 1975, but set the stories now. Since the most anal-retentive fanboys need “explanations” for everything, have the Shaper of Worlds do it at M*****. Not sure who’d be up for the job at DC.”

John Byrne (1950) American author and artist of comic books

2004
https://web.archive.org/web/20090207020226/http://www.network54.com/Forum/248951/thread/1082467515/last-1082574445/Complete+DCU+And+M%2A%2A%2A%2A%2A++Universe++Overhauls.
On taking comics back to the basics; ‘rewinding’ or ‘resetting’ to the status quo

World, Idea

“He (Mike Pence) is a man of character and accomplishment. He is the right man for the job.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2016, July, (21 July 2016)

“Greene is a Jekyll and Hyde character, who has not succeeded in fusing the two sides of himself into any kind of harmony. There is conflict within him, and therefore he is liable to pursue conflict without.”

Malcolm Muggeridge (1903–1990) English journalist, author, media personality, and satirist

Like It Was, p.249

“A happy coincidence brought together [in Die Brücke ]the really talented men whose characters and gifts, even in human terms, left them with no other choice than the profession of artist. This form of living, of dwelling and working, though peculiar for a regular human being, was not a deliberate 'epater le bourgeois', but simply a very naive and pure necessity to harmonize art and life. And it was precisely this more than anything else that so tremendously influenced the forms of present-day art. Of course, it was mostly misunderstood and totally distorted, for there [the will] fashioned the form and gave it meaning, whereas here the unfamiliar form is affixed to habit, like a top hat on a cow.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

from Kirchner's Diary, 1923; as quoted in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 93
1920's

Life, Men, Art, Fashion

“We were all there when Janco arrived with his masks, and everyone immediately put one on. Then something strange happened. Not only did the mask immediately call for a costume; it also demanded a quite definite, passionate gesture, bordering on madness. Although we could not have imagined it five minutes earlier we were walking around with most bizarre movements, festooned and draped with impossible objects, each one of us trying to outdo the other in inventiveness... What fascinated us all about the masks is that they represent not human characters and passions, but.... passions that are larger than life. The horror of our time [World War 1., a. o. ], the paralyzing background of events, is made visible.”

Hugo Ball (1886–1927) German author, poet and one of the leading Dada artists

Ball's diary entry, 24 May 1916; as quoted in Looking at Dada, eds. Sarah Ganz Blythe & Edward D. Powers - The Museum of Modern Art New York, ISBN: 087070-705-1; p. 4
1916

Life, War, World, Imagination

““And then along came Satan’s Eye Itself. Television.” He laughed, as at some fatal irony. “Don’t you hear the evil hum of the word, the knell of Satan? Television! It’s the ruling character of your lives, like the moon must have been for Indians. An oracle, a companion, a signal of the changing seasons. But rather than divine illumination, each night it spews forth Satan’s imagery. Murders, car crashes, mad policemen, perverted strangers! And you lie there decomposing in its flickering, blue-gray light, absorbing His horrid fantasies!””

Lucius Shepard book Green Eyes

Source: Green Eyes (1984), Chapter 10, p. 115

Lie, Cars, Light, Evil

“Leaders demonstrate integrity and character by their actions an their words. They keep their promises. They demonstrate by their behavior the true depth of their beliefs—and it aligns with what they say. When you watch and listen to them, they make you feel like you want to be better yourself.”

Don Soderquist (1934–2016)

Don Soderquist “ Live Learn Lead to Make a Difference https://books.google.com/books?id=s0q7mZf9oDkC&lpg=pg=PP1&dq=Don%20Soderquist&pg=PP1#v=onepage&q&f=false, Thomas Nelson, April 2006 p. 143. On Acting with Integrity

Behavior, Feeling

“Plato in his allegory of the soul—in the Phaedrus—though he apparently divides the passions which draw the human chariot into two classes, the heavenward and the earthward—figured by the white horse and the black horse respectively—does not recommend that the black horse should be destroyed or dismissed, but only that he (as well as the white horse) should be kept under due control by the charioteer. By which he seems to intend that there is a power in man which stands above and behind the passions, and under whose control alone the human being can safely move. In fact if the fiercer and so-called more earthly passions were removed, half the driving force would be gone from the chariot of the human soul. Hatred may be devilish at times—but after all the true value of it depends on what you hate, on the use to which the passion is put. Anger, though inhuman at one time is magnificent and divine at another. Obstinacy may be out of place in a drawing-room, but it is the latest virtue on a battlefield when an important position has to be held against the full brunt of the enemy. And Lust, though maniacal and monstrous in its aberrations, cannot in the last resort be separated from its divine companion, Love. To let the more amiable passions have entire sway notoriously does not do: to turn your cheek, too literally, to the smiter, is (pace Tolstoy) only to encourage smiting; and when society becomes so altruistic that everybody runs to fetch the coal-scuttle we feel sure that something has gone wrong. The white-washed heroes of our biographies with their many virtues and no faults do not please us. We have an impression that the man without faults is, to say the least, a vague, uninteresting being—a picture without light and shade—and the conventional semi-pious classification of character into good and bad qualities (as if the good might be kept and the bad thrown away) seems both inadequate and false.”

Edward Carpenter (1844–1929) British poet and academic

Defence of Criminals: A Criticism of Morality (1889)

Love, Hate, Feeling, Soul

“One afternoon in early January, the weather showed a lack of character. There was no frost nor wind: the trees in the garden did not stir.”

Brian W. Aldiss (1925–2017) British science fiction author

Report On Probability A (1968)

Tree, Weather

“The practical reformer has continually to demand that changes be made in things which are supported by powerful and widely-spread feelings, or to question the apparent necessity and indefeasibleness of established facts; and it is often an indispensable part of his argument to show, how these powerful feelings had their origin, and how those facts came to seem necessary and indefeasible. There is therefore a natural hostility between him and a philosophy which discourages the explanation of feelings and moral facts by circumstances and association, and prefers to treat them as ultimate elements of human nature; a philosophy which is addicted to holding up favorite doctrines as intuitive truths, and deems intuition to be the voice of Nature and of God, speaking with an authority higher than that of our reason. In particular, I have long felt that the prevailing tendency to regard all the marked distinctions of human character as innate, and in the main indelible, and to ignore the irresistible proofs that by far the greater part of those differences, whether between individuals, races, or sexes, are such as not only might but naturally would be produced by differences in circumstances, is one of the chief hindrances to the rational treatment of great social questions, and one of the greatest stumbling blocks to human improvement.”

John Stuart Mill book Autobiography

Source: Autobiography (1873), Ch. 7: General View of the Remainder of My Life (p. 192)

God, Hostility, Truth, Sex

“Most people want to be actors because they want unconditional love and power and money and to be able to act out a character fantasy that involves themselves. So if one is truly honest about themselves in that way, then you're on the right path. If not, the process becomes convoluted. You have to go out grab it, and demand it.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

AOL Interview

Love, Money, People, Way

“A certain critic—for such men, I regret to say, do exist—made the nasty remark about my last novel that it contained ‘all the old Wodehouse characters under different names’. He has probably now been eaten by bears, like the children who made mock of the prophet Elisha: but if he still survives he will not be able to make a similar charge against Summer Lightning. With my superior intelligence, I have outgeneralled this man by putting in all the old Wodehouse characters under the same names. Pretty silly it will make him feel, I rather fancy. (From preface)”

P.G. Wodehouse book Summer Lightning

Summer Lightning (1929)

Men, Children, Feeling, Intelligence

“Whatever was peculiar about him was education, not character, and came to him, directly and indirectly, as the result of that eighteenth-century inheritance which he took with his name.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Education

“To ignore social costs because they require an evaluation by society… and to leave social losses out of account because they are 'external' and 'non-economic' in character, would be equivalent to attributing no or ‘zero’ value to all social damages which is no less arbitrary and subjective a judgement than any positive or negative evaluation of social costs.”

Karl William Kapp (1910–1976) American economist

Source: Social Costs of Business Enterprise, 1963, p. 12. Cited in: M. Rangone & S. Solari (2012) "Southern European capitalism and the social costs of business enterprise". in: Studi e Note di Economia, Anno XVII, n. 1-2012, pp. 3-28

Loss

“Wit makes its own welcome, and levels all distinctions. No dignity, no learning, no force of character, can make any stand against good wit.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

The Comic 1870s, Society and Solitude (1870), Books, Letters and Social Aims http://www.rwe.org/comm/index.php?option=com_content&task=category&sectionid=5&id=74&Itemid=149 (1876)

Learning

“Those who urge an alliance with Assad cite the example of Joseph Stalin, the Soviet despot who became an ally of Western democracies against Nazi Germany. I never liked historical comparisons and like this one even less. To start with, the Western democracies did not choose Stalin as an ally; he was thrusted upon them by the turn of events. When the Second World War started Stalin was an ally of Hitler thanks to the Molotov-Ribbentrop Pact. The Soviet Union actively participated in the opening phase of the war by invading Poland from the east as the Germans came in from the West. Before that, Stalin had rendered Hitler a big service by eliminating thousands of Polish army officers in The Katyn massacre. Between September 1939 and June 1941, when Hitler invaded the Soviet Union, Stalin was an objective ally of Hitler. Stalin switched sides when he had no choice if he wanted to save his skin. The situation in Syria today is different. There is no alliance of democracies which, thanks to Obama’s enigmatic behavior, lack any strategy in the Middle East. Unlike Stalin, Assad has not switched sides if only because there is no side to switch to. Assad regards ISIS as a tactical ally against other armed opposition groups. This is why Russia is now focusing its air strikes against non-ISIS armed groups opposed to Assad. More importantly, Assad has none of the things that Stalin had to offer the Allies. To start with Stalin could offer the vast expanse of territory controlled by the Soviet Union and capable of swallowing countless German divisions without belching. Field Marshal von Paulus’ one-million man invasion force was but a drop in the ocean of the Soviet landmass. In contrast, Assad has no territorial depth to offer. According to the Iranian General Hossein Hamadani, who was killed in Aleppo, Assad is in nominal control of around 20 percent of the country. Stalin also had an endless supply of cannon fodder, able to ship in millions from the depths of the Urals, Central Asia and Siberia. In contrast, Assad has publicly declared he is running out of soldiers, relying on Hezbollah cannon fodder sent to him by Tehran. If Assad has managed to hang on to part of Syria, it is partly because he has an air force while his opponents do not. But even that advantage has been subject to the law of diminishing returns. Four years of bombing defenseless villages and towns has not changed the balance of power in Assad’s favor. This may be why his Russian backers decided to come and do the bombing themselves. Before, the planes were Russian, the pilots Syrian. Now both planes and pilots are Russian, underlining Assad’s increasing irrelevance. Stalin’s other card, which Assad lacks, consisted of the USSR’s immense natural resources, especially the Azerbaijan oilfields which made sure the Soviet tanks could continue to roll without running out of petrol. Assad in contrast has lost control of Syria’s oilfields and is forced to buy supplies from ISIS or smugglers operating from Turkey. There are other differences between Stalin then and Assad now. Adulated as “the Father of the Nation” Stalin had the last word on all issues. Assad is not in that position. In fact, again according to the late Hamadani in his last interview published by Iranian media, what is left of the Syrian Ba’athist regime is run by a star chamber of shadowy characters who regard Assad as nothing but a figurehead.”

Amir Taheri (1942) Iranian journalist

Opinion: No, Bashar Al-Assad is no Joseph Stalin http://english.aawsat.com/2015/10/article55345413/opinion-no-bashar-al-assad-is-no-joseph-stalin, Ashraq Al-Awsat (16 Oct, 2015).

War, World, Law, Behavior

“While our view of the world is filtered through our senses, evolution has, by and large, molded those senses to perceive the world accurately, for there’s a severe penalty to be paid for seeing things wrongly. That holds not only for the external environment, but also for the character of others. Without accurate perceptions, we couldn’t find food, avoid predators and other dangers, or form harmonious social groups. And following those perceptions is indeed the pursuit of “true beliefs”: beliefs based on evidence. Natural selection doesn’t mold true beliefs; it molds the sensory and neural apparatus that, in general, promotes the formation of true beliefs.”

Jerry Coyne book Faith vs. Fact: Why Science and Religion are Incompatible

Source: Faith vs. Fact (2015), p. 182

World, Food, Penalty, Nature

“The main characters in this story, with whom you want to become intimate, are nowhere near here. They aren't expecting you; you mean nothing to them. If you think they're going to get out of their warm beds and travel miles to meet you, you are mistaken.”

Michel Faber book The Crimson Petal and the White

Source: The Crimson Petal and the White (2002), Ch. 1

Travel, Thinking

“I do not wish to force my thoughts upon you, but I feel forced myself. Little as I know of Captain Brown, I would fain do my part to correct the tone and the statements of the newspapers, and of my countrymen generally, respecting his character and actions. It costs us nothing to be just. We can at least express our sympathy with, and admiration of, him and his companions, and that is what I now propose to do.”

Henry David Thoreau book A Plea for Captain John Brown

A Plea for Captain John Brown (1859)

Feeling, Parting

“I loved playing Go Go, because the character's so extreme. And she's pretty close to my real character. Especially the fact that she liked her sword with a lot of accessories.”

Chiaki Kuriyama (1984) Japanese actress and singer

Complex Magazine (February/March 2004) On her role as Go Go Yubari in Kill Bill: Vol. 1

Love

“Christ, people. Learn C, instead of just stringing random characters together until it compiles”

Linus Torvalds (1969) Finnish-American software engineer and hacker

with warnings Torvalds, Linus, 2015-09-03, <nowiki>Linus Torvalds on the LKM mailing list</nowiki>, 2015-09-30 https://lkml.org/lkml/2015/9/3/428, 2010s, 2015

People, Learning, Christ

““Whether there can be love without esteem?” Oh yes, thou dear, pure one! Love is of many kinds. Rousseau proves that by his reasoning and still better by his example. La pauvre Maman and Madame N____ love in very different fashions. But I believe there are many kinds of love which do not appear in Rousseau’s life. You are very right in saying that no true and enduring love can exist without cordial esteem; that every other draws regret after it, and is unworthy of any noble soul. One word about pietism. Pietists place religion chiefly in externals; in acts of worship performed mechanically, without aim, as bond-service to god; in orthodoxy of opinion; and they have this among other characteristic marks, that they give themselves more solicitude about other’s piety than their own. It is not right to hate these men,-we should hate no one, but to me they are very contemptible, for their character implies the most deplorable emptiness of the head, and the most sorrowful perversion of the heart. Such my dear friend never can be; she cannot become such, even were it possible-which it is not-that her character were perverted; she can never become such, her nature has too much reality in it. You trust in Providence, your anticipation of a future life, are wise, and Christian. I hope, I may venture to speak of myself, that no one will take me to be a pietist or stiff formalist, but I know no feeling more thoroughly interwoven with my soul than these are.”

Johann Gottlieb Fichte (1762–1814) German philosopher

Johann Fichte Letter to Johanna Rahn from Johann Gottlieb Fichte's popular works: Memoir and The Nature of the Scholar https://archive.org/stream/johanngottlieb00fichuoft#page/14/mode/1up

Love, Life, Men, God

“I’m surprised that multiple personalities are so much less common in reality than in fiction: what a little disorder it would take, a distraction, a sleep, for one of our minor characters to imagine he was the star, to speak out for everyone else. And that’s what it would be, a change of billing, not of authorship. For you do not write your play—you are just the character in it called The Playwright. The real writer, you never meet.”

James Richardson (1950) American poet

#139
Vectors: Aphorisms and Ten Second Essays (2001)

Imagination, Star, Reality, Sleep

“Stereotyped rules laid down by judicial writers cannot be accepted as infallible canons of interpretation in these days, when commercial transactions have altered in character, and increased in complexity; and there can be no hard-and-fast rule by which to construe the multiform commercial agreements with which in modern times we have to deal.”

Charles Bowen (1835–1894) English judge

Jacobs v. Credit Lyonnais (1884), L. R. 12 Q. B. D. 601; 53 L. J. Q. B. 159.

Time

“When the characters of epic and heroic saga are on significant missions, they are led divinely.”

Cyrus H. Gordon (1908–2001) American linguist

Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VII Further Observations on Homer

“Jefferson refused to pin his hopes on the occasional success of honest and unambitious men; on the contrary, the great danger was that philosophers would be lulled into complacence by the accidental rise of a Franklin or a Washington. Any government which made the welfare of men depend on the character of their governors was an illusion.”

Daniel J. Boorstin (1914–2004) American historian

Source: The Lost World of Thomas Jefferson (1948), Ch. 4, Part 1: Natural History and Political Science, p. 178.

Men, Hope, Success, Dependency

“Anyone who has no character is not a man, but a thing.”

Nicolas Chamfort (1741–1794) French writer

Quiconque n'a pas de caractère n'est pas un homme, c'est une chose.
Maximes et pensées (1805)

“In a general way it may be said that to think in terms of systems seems the most appropriate conceptual response so far available when the phenomena under study--at any level and in any domain--display the character of being organized, and when understanding the nature of the interdependencies constitutes the research task. In the behavioral sciences, the first steps in building a systems theory were taken in connection with the analysis of internal processes in organisms, or organizations, when the parts had to be related to the whole.”

Fred Emery (1925–1997) Australian psychologist

Source: The Causal Texture of Organizational Environments (1963), p. 21.

Way, Behavior, Understanding, Nature

“Serious reflexion about one's own character will often induce a curious sense of emptiness; and if one knows another person well, one may sometimes intuit a similar void in him. (This is one of the strange privileges of friendship.)”

Iris Murdoch Sartre: Romantic Rationalist

Source: Sartre: Romantic Rationalist (1953), Ch. 8, p. 119

Friendship, Sense, Personality

“One cannot write about Robert E. Howard without writing about Texas. This is inevitable, and particularly so when discussing any aspect of Howard's biography. To ignore the presence of the Lone Star State in Robert E. Howard's life and writing invites, at the very least, a few wrongheaded conclusions, and at worst, abject character assassination. This doesn't keep people from plunging right in and getting it wrong every time.”

Robert E. Howard (1906–1936) American author

~ Mark Finn, 2006, p. 249, Blood and Thunder, ISBN 978-1-932265-21-7
About

Life, People, Star, Time

“If you take a look at science in its everyday function, of course you find that scientists run the gamut of human emotions and personalities and character and so on. But there’s one thing that is really striking to the outsider, and that is the gauntlet of criticism that is considered acceptable or even desirable. The poor graduate student at his or her Ph. D. oral exam is subjected to a withering crossfire of questions that sometimes seem hostile or contemptuous; this from the professors who have the candidate’s future in their grasp. The students naturally are nervous; who wouldn’t be? True, they’ve prepared for it for years. But they understand that at that critical moment they really have to be able to answer questions. So in preparing to defend their theses, they must anticipate questions; they have to think, “Where in my thesis is there a weakness that someone else might find — because I sure better find it before they do, because if they find it and I'm not prepared, I'm in deep trouble."”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

Wonder and Skepticism
Skeptical Inquirer
19
1
1995
January-February
0194-6730
http://www.csicop.org/si/show/wonder_and_skepticism/

Hostility, Understanding, Question, Nature

“The scenery and costumes of 'The Wizard of Oz' were all made in New York — Mr. Mitchell was a New York favorite, but the author was undoubtedly a Chicagoan, and therefore a legitimate butt for the shafts of criticism. So the critics highly praised the Poppy scene, the Kansas cyclone, the Scarecrow and the Tin Woodman, but declared the libretto was very bad and teemed with 'wild and woolly western puns and forced gags.' Now, all that I claim in the libretto of 'The Wizard of Oz' is the creation of the characters of the Scarecrow and the Tin Woodman, the story of their search for brains and a heart, and the scenic effects of the Poppy Field and the cyclone. These were a part of my published fairy tale, as thousands of readers well know. I have published fifteen books of fairy tales, which may be found in all prominent public and school libraries, and they are entirely free, I believe, from the broad jokes the New York critics condemn in the extravaganza, and which, the New York people are now laughing over. In my original manuscript of the play were no 'gags' nor puns whatever. But Mr. Hamlin stated positively that no stage production could succeed without that accepted brand of humor, and as I knew I was wholly incompetent to write those 'comic paper side-splitters' I employed one of the foremost New York 'tinkerers' of plays to write into my manuscript these same jokes that are now declared 'wild and woolly' and 'smacking of Chicago humor.' If the New York critics only knew it, they are praising a Chicago author for the creation of the scenic effects and characters entirely new to the stage, and condemning a well-known New York dramatist for a brand of humor that is palpably peculiar to Puck and Judge. I am amused whenever a New York reviewer attacks the libretto of 'The Wizard of Oz' because it 'comes from Chicago.”

L. Frank Baum (1856–1919) Children's writer, editor, journalist, screenwriter

Letter to "Music and the Drama", The Chicago Record-Herald (3 February 1903)
Letters and essays

People, Books, School, Search

“Traditional Chinese characters carry both cultural significance and artistic values and promoting these characters has nothing to do with any political stance. It's very important for us not to sacrifice the characters for tourism.”

Ma Ying-jeou (1950) Taiwanese politician, president of the Republic of China

Ma Ying-jeou (2014) cited in: " No plans to promote use of simplified characters: Ma http://www.taipeitimes.com/News/taiwan/archives/2014/01/02/2003580339" in Taipei Times, 2 January 2014. Statement made during a calligraphy activity in Grand Hotel in Taipei, 1 January 2014. Other topics

“To the question "What is God?" he now replies, "the most elevated conception of character that can be formed in the mind. It is the individual's own soul carried out to perfection."”

Robert D. Richardson (1934) American historian

Source: Emerson: The Mind on Fire (1995), p. 97

God, Soul, Question, Perfection

“The inner climate stamps each individual with its character. Every life-form has its own individual anomaly point of health, which makes the orderly reproduction of the species possible. This also explains why the world of parasites increases with fever.”

Viktor Schauberger (1885–1958) austrian philosopher and inventor

Implosion Magazine, No. 71, p. 12 (Callum Coats: Energy Evolution (2000))
Implosion Magazine

Life, Health, World

“Our patients are the ones who express and live out the subconscious and unconscious tendencies in the culture. The neurotic, or person suffering from what we now call character disorder, is characterized by the fact that the usual defenses of the culture do not work for him — a generally painful situation of which he is more or less aware…”

Rollo May book Love and Will

Source: Love and Will (1969), Ch. 1 : Introduction : Our Schizoid World, p. 20

Pain, Suffering, Personality

“It is nobody’s case that there was never any conflict among the sects and sub-sects of Sanãtana Dharma. Some instances of persecution were indeed there. Our plea is that they should be seen in a proper perspective, and not exaggerated in order to whitewash or counter-balance the record of Islamic intolerance. Firstly, the instances are few and far between when compared to those listed in Islamic annals. Secondly, those instances are spread over several millennia while the fourteen centuries of Islam stand crowded with religious crimes of all sorts. Thirdly, none of those instances were inspired by a theology, while in the case of Islam a theology of intolerance has continued to question the character of Muslim kings who happened to be tolerant. Fourthly, Jains were not always the victims of persecution; they were persecutors as well once in a while. Lastly, no king or commander or saint who showed intolerance has been a Hindu hero, while Islam has hailed as heroes only those characters who excelled in intolerance.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

Question

“The question of the size of the postwar population of the Soviet Union is not the least of the enigmas which have been baffling students of Russian affairs. Hardly any estimate or evaluation of an economic, sociological or military character for the U. S. S. R. can be made meaningful without an accurate knowledge of the demographic base.”

Eugene M. Kulischer (1881–1956) American sociologist

Kulischer (1949) "The Russian Population Enigma". in: Foreign affairs. Vol 27. April 1949. p. 497

Question, Knowledge

“Fellows of colleges in the universities are in one sense the recipients of alms, because they receive funds which originally were of an eleemosynary character.”

John Coleridge, 1st Baron Coleridge (1820–1894) British lawyer, judge and Liberal politician

Harrison v. Carter (1876), L. R. 2 Com. PI. D. 36.

Sense, Universe

“There used to be an old joke in role-playing circles—it isn’t funny these days—that there were only a thousand real people in the UK—everybody else was a non-player character. Now it’s pretty much the reverse.”

Charles Stross book Halting State

Source: Halting State (2007), Chapter 33, “Elaine: Gentlemen and Players” (p. 272)

People

“If the modern spirit, whatever that may be, is disinclined towards taking the Lord’s word at its face value (as I hear is the case), we may observe that Isaiah’s testimony to the character of the masses has strong collateral support from respectable Gentile authority. Plato lived into the administration of Eubulus, when Athens was at the peak of its jazz-and-paper era, and he speaks of the Athenian masses with all Isaiah’s fervency, even comparing them to a herd of ravenous wild beasts.”

Albert Jay Nock (1870–1945) American journalist

Source: Isaiah's Job (1936), II

Support, Strong

“It could even be said, perhaps, that this very opposition, this threat from the world of total work, is what characterizes the situation of philosophy today more than its own particular content. Philosophy increasingly adopts — necessarily, it seems — the character of the alien, of mere intellectual luxury, of that which seems ever more intolerable and unjustifiable, the more exclusively the demands of the daily world of work take over the world of man.”

Josef Pieper (1904–1997) German philosopher

Source: Leisure, the Basis of Culture (1948), The Philosophical Act, pp. 65–66

World

“Speculative Philosophy is the endeavour to frame a coherent, logical, necessary system of general ideas in terms of which every element of our experience can be interpreted. By this notion of 'interpretation' I mean that everything of which we are conscious, as enjoyed, perceived, willed, or thought, shall have the character of a particular instance of the general scheme.”

Charles Hartshorne (1897–2000) Philosopher

The Logic of Perfection and Other Essays in Neoclassical Metaphysics (1962) p. viii.

Idea

“The character of the artist has to be responsive and lucky. Personally I have never been interested in a defensible reason post card for working achievement functionally is a delusion. To do a needed work short changes art. It seems to me that a great part Indian moccasins of urgency in working lies in the fact that one acts freely friends and associates may become more closely allied with you real soon.”

Robert Rauschenberg (1925–2008) American artist

Quote from 'Note on Painting', Robert Rauschenberg, in Pop Art Redefined, October/November 1963, J. Rusell and Suzi Gablik, Praeger Publishers, New York, 1969
1960's

Art, Change, Parting, Personality

“I had been warned about Mr. Truman's quick and violent temper and prejudices, but he radiated nothing but courtesy and good humor during our meeting. He has an engaging personality, a quick and witty tongue, and I liked him from the start. At the conference itself, he seemed to take great pride in his historical knowledge, but, it seemed to me that in spite of his having read much, it was of a superficial character, encompassing facts without the logic and reasoning dictating those facts. Of the Far East he knew little, presenting a strange combination of distorted history and vague hopes that somehow, some way, we could do something to help those struggling against Communism.”

Douglas MacArthur (1880–1964) U.S. Army general of the army, field marshal of the Army of the Philippines

Source: Reminiscences (1964), p. 361

Hope, Way, History, Communication

“Duty is collective as well as personal. Law must rest on the eternal foundations of righteousness. Industry, thrift, character, cannot be conferred by act or resolve. Government cannot relieve from toil. Do the day's work. If it be to protect the rights of the weak — whoever objects — do it. If it be to help a powerful corporation better to serve the people, whatever the opposition, do that. Expect to be called a stand patter, but don't be a stand patter. Expect to be called a demagogue, but don't be a demagogue. We need a broader, firmer, deeper faith in the people, a faith that men desire to do right, that the government is founded upon a righteousness which will endure.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Duty of Government (1920)

Men, People, Faith, Law

“The unique purpose of geography is to seek comprehension of the variable character of areas in terms of all the interrelated features which together form that variable character.”

Richard Hartshorne (1899–1992) American Geographer

Source: Perspective on the nature of geography (1958), p. 20

“Mathematical physics represents the purest image that the view of nature may generate in the human mind; this image presents all the character of the product of art; it begets some unity, it is true and has the quality of sublimity; this image is to physical nature what music is to the thousand noises of which the air is full…”

Théophile de Donder (1872–1957) Belgian physicist

as quoted by Ilya Prigogine in his Autobiography http://nobelprize.org/nobel_prizes/chemistry/laureates/1977/prigogine-autobio.html given at the occasion of Prigogine's 1977 Nobel Prize in Chemistry.

Art, Music, Mathematics, Nature

“Effectiveness relates to the accomplishment of the cooperative purpose which is social and non-personal in character. Efficiency relates to the satisfaction of individual motives and is personal in character.”

Chester Barnard book The Functions of the Executive

Source: The Functions of the Executive (1938), p. 60

Motivation, Personality

“Quite often, when actors have such a strong charisma in real life, eventually it has to affect the characters they play. For myself I'm not charismatic in that way. I'm not a "performer". Ideally I would stay mute as River. That's the reason why, for a long time, I've said the opposite of what I really thought. In interviews, I've also played characters that I wasn't. I've lied and often contradicted myself to dumbfound people. It's all over now, because I have nothing left to hide. Eventually, I'm quite an ordinary person.”

River Phoenix (1970–1993) American actor, musician, and activist

Last interview, Premier, (October 1993)

Life, People, Way, Strong

“Undue cultivation of the inward or Dynamical province leads to idle, visionary, impracticable courses, and, especially in rude eras, to Superstition and Fanaticism, with their long train of baleful and well-known evils. Undue cultivation of the outward, again, though less immediately prejudicial, and even for the time productive of many palpable benefits, must, in the long-run, by destroying Moral Force, which is the parent of all other Force, prove not less certainly, and perhaps still more hopelessly, pernicious. This, we take it, is the grand characteristic of our age. By our skill in Mechanism, it has come to pass, that in the management of external things we excel all other ages; while in whatever respects the pure moral nature, in true dignity of soul and character, we are perhaps inferior to most civilised ages.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1820s, Signs of the Times (1829)

Age, Soul, Nature, Parent

“Journalism is a character defect. I think most non-journalists would agree with this. It is life lived at a safe remove: standing off to one side of the parade as it passes, noting its flaws, offering glib and unworkable suggestions for its improvement. Every journalist must know that this is not, really, how a serious-minded person would choose to spend his days. Serious-minded people do things; a journalist chatters about the things serious-minded people do, and so, not coincidentally, avoids having to do them himself. A significant body of research indicates that non-journalists find us insufferable, perhaps for this reason.”

Andrew Ferguson (1956) American journalist

"Scotty: All the news that's fit to schmooze" http://www.weeklystandard.com/Utilities/printer_preview.asp?idArticle=2248&R=ECC0849, The Weekly Standard, 24 February 2003

Life, People, Thinking, Personality

“I am Bourbon as a matter of honour, royalist according to reason and conviction, and republican by taste and character.”

François-René de Chateaubriand (1768–1848) French writer, politician, diplomat and historian

"De la restauration et de la monarchie élective" (1831).

“Such abstruse ideas are totally alien to Chopin. The Romantic interweaving of music and literature that was characteristic of Schumann and Liszt was a negligible source of inspiration. Schumann dedicated Kreisleriana to Chopin, but in fact Chopin’s consciousness for classical strength and form had nothing in common with the exalted, torn, eccentric and confused character of the work.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Music, Literature, Idea

“While the crash only took place six months ago, I am convinced we have now passed the worst and with continued unity of effort we shall rapidly recover. There is one certainty of the future of a people of the resources, intelligence and character of the people of the United States—that is, prosperity.”

Herbert Hoover (1874–1964) 31st President of the United States of America

Address at annual dinner of the Chamber of Commerce of the United States (1 May 1930). Hoover is sometimes misreported as having said on this occasion or another, "Prosperity is just around the corner"; reported in Paul F. Boller, Jr., and John George, They Never Said It: A Book of Fake Quotes, Misquotes, & Misleading Attributions (1989), p. 48.

People, Intelligence, Effort, Future

“Windelband, the historian of philosophy, in his essay on the meaning of philosophy (Was ist Philosophie? in the first volume of his Präludien) tells us that "the history of the word 'philosophy' is the history of the cultural significance of science." He continues: "When scientific thought attains an independent existence as a desire for knowledge, it takes the name of philosophy; when subsequently knowledge as a whole divides into its various branches, philosophy is the general knowledge of the world that embraces all other knowledge. As soon as scientific thought stoops again to becoming a means to ethics or religious contemplation, philosophy is transformed into an art of life or into a formulation of religious beliefs. And when afterwards the scientific life regains its liberty, philosophy acquires once again its character as an independent knowledge of the world, and in so far as it abandons the attempt to solve this problem, it is changed into a theory of knowledge itself." Here you have a brief recapitulation of the history of philosophy from Thales to Kant, including the medieval scholasticism upon which it endeavored to establish religious beliefs. But has philosophy no other office to perform, and may not its office be to reflect upon the tragic sense of life itself, such as we have been studying it, to formulate this conflict between reason and faith, between science and religion, and deliberately to perpetuate this conflict?”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

Life, World, Faith, Religion

“Most imprisoned writers have been shut away for their activities as citizens striving for liberation against the oppression of the general society to which they belong. Others have been condemned by repressive regimes for serving society by writing as well as they can; for this aesthetic venture of ours becomes subversive when the shameful secrets of our times are explored deeply, with the artist's rebellious integrity to the state of being manifest in life around her or him; then the writer's themes and characters inevitably are formed by the pressures and distortions of that society as the life of the fisherman is determined by the power of the sea.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

Writing and Being (1991)

Life, Secret, Time, Sea

Quotes about character page 23

Quotes about character
page 23