Quotes about cartoon

A collection of quotes on the topic of cartoon, likeness, doing, thing.

Quotes about cartoon

“Not all cartoon humor is just about having bugged-out eyes and tongues flying out of people's heads.”

John Kricfalusi (1955) Canadian animator

Dixon, Collected Interviews, 90–91

“The main thing missing from cartoons is today that old cartoons were cartoony. They did things you can't do in any other medium. Today's cartoons are very conservative and are more like live action. The characters look the same in every frame of the damn cartoon. The old cartoons squashed, stretched, and did crazy expressions. They were imaginative and crazy. A lot of cartoons aren't imaginative, they just say things. It might as well be radio. There is no point in having anything to look at in modern cartoons. But you can't say that about every cartoon. Genndy Tartakovsky's cartoons are beautiful. The closest thing now to what I'm saying is SpongeBob but even that doesn't go very far. It's like a conservative version of Ren & Stimpy.”

John Kricfalusi (1955) Canadian animator

Daniel Robert Epstein (Oct 12, 2004), " John Kricfalusi, interview http://suicidegirls.com/interviews/John%20Kricfalusi/", SuicideGirls, retrieved 2011-03-01

Beauty, Imagination

“Forget the takes. Takes are cheap shots. Anyone can do a goddamn take. […] You don't have to be a genius to draw a take. It's emotions— the full range of emotions— that works in Clampett's cartoons.”

John Kricfalusi (1955) Canadian animator

Wheeler W. Dixon (2001), "Creating Ren and Stimpy (1992)", Collected Interviews: Voices from Twentieth-Century Cinema (SIU Press): 89

Drawing, Forgetting

“Without a flicker of hesitatoin I inejected the morphine into my arm. My insecurity, frefulness and timidity were swept away completely; I turned into an expansively optimistic and fluent talker. The injection mademe forget how weak my body was, and I applied myself energetically to my cartoon.”

Osamu Dazai book No Longer Human

The Third Notebook: Part Two
No Longer Human

Forgetting

“I've got the economy set up well for him. No facts, no consequences, they can just have a cartoon.”

Barack Obama (1961) 44th President of the United States of America

In response to Donald Trump's election victory https://www.nytimes.com/2018/05/30/us/politics/obama-reaction-trump-election-benjamin-rhodes.html. (November 2016) 2016

“I like physics, but I love cartoons.”

Stephen Hawking (1942–2018) British theoretical physicist, cosmologist, and author

Love

“I feel there is sensuality … eroticism in the primary things that move, like animals and insects. Being able to inspire the movement to still images … gives me the joy of the creator that breathes life into things that do not have life. The movement must be sufficiently round and sweet … so express its eroticism. In creating cartoons I always think of an ideal, but … half the finish to doubt the rightness of what I'm doing. So I put all my expectations always work next. * * […] I often say jokingly that comics are my true wife and that the cartoons are my lover. The fact that I am fully dedicated to animation, my lover … is because it allows me to express in a sublime … the interesting metamorphosis of a changing body. For me, the greatest fun, no doubt, lies in the draw and give movement to change processes. Always look in my cartons this metamorphosis.”

Osamu Tezuka (1928–1989) Japanese cartoonist and animator

From Interview to the author , in Osamu Tezuka, Jumping ; quoted in AA.VV., Osamu Tezuka: A Manga Biography , vol. 4, translated by Marta Fogato, Coconino Press, Bologna, 2001, p. 178. ISBN 8888063188

Life, Feeling, Lovers, Thinking

“If I try harder I might be reincarnated as a lonely virgin hiding behind a cartoon frog.”

Joanne K. Rowling (1965) British novelist, author of the Harry Potter series

January 2017 tweet, as reported by Ian Cheong of Heat Street https://heatst.com/entertainment/harry-potter-author-j-k-rowling-calls-trump-supporter-a-lonely-virgin/ 2010s

“For example, throughout the long contest, extending over several decades, on the free [silver] coinage question, the existence of this motto on the coins was a constant source of jest and ridicule; and this was unavoidable. Everyone must remember the innumerable cartoons and articles based on phrases like 'In God we trust for the other eight cents'; 'In God we trust for the short weight'; 'In god we trust for the thirty-seven cents we do not pay'; and so forth and so forth. Surely I am well within bounds when I say that a use of the phrase which invites constant levity of this type is most undesirable.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1900s, "In God we Trust" letter (1907)

God, Question

“(Cartoon title) A cat being cured of hairballs through a television ministry. (Voice on television) Place your right paw on the screen.”

Nicole Hollander (1939) Cartoonist

Source: Sylvia cartoon strip, p. 120

Cats

“I've had groups of twentysomethings saying they still talk to each other in SpongeBob memes. It's really touching, you know? You get people who have had very difficult lives, and they say that SpongeBob got them through things, which is very touching. Someone told us that they were considering suicide, and SpongeBob made them laugh, and they cycled through that phase of their life. You get everything from that, to I had a great happy childhood and SpongeBob was part of it. You get all colours of the spectrum in terms of people coming up. Not just with SpongeBob either. It may be some cartoon that was a failure, or a videogame that took an hour to record in 1996. But they say it was the biggest thing in their life at one point. It's mind-blowing. You don't realise the footprint of what you're doing is leaving behind.”

Tom Kenny (1962) American actor

Tom Kenny Interview: The Voice of SpongeBob SquarePants http://www.denofgeek.com/us/tv/spongebob-squarepants/248119/tom-kenny-interview-the-voice-of-spongebob-squarepants (August 3, 2015)

Life, People, Failure, Suicide

“Now if we do wanna live the thug life and the gangsta' life and all that, OK, so stop being cowards and let's have a revolution. But we don't wanna do that, dudes just wanna live "character", they wanna be "cartoons", but if they really wanted to do something, they was that tuff, alright, let's start our own country, let's start a revolution, let's get outta' here, let's do something. But they don't wanna do that, they wanna pimp our communities and portray this image that they know we all can't survive and make, and that's what I saw.”

Tupac Shakur (1971–1996) rapper and actor

1990s, Prison interviews and interrogations (1995)

Life, Communication, Country

“Conspiracy theory, in my humble opinion … is a kind of epistemological cartoon about reality.”

Terence McKenna (1946–2000) American ethnobotanist

"Dreaming Awake at the End of Time" (13 December 1998) 11:30 - 15:29 https://www.youtube.com/watch?v=KboPUQ0xCDs Context: For some reason, a balkanization of epistemology is taking place. And what I mean by that is: there is no longer a commonality of understanding. I mean, for some people quantum physics provides the answers. Their next door neighbors may look to the channeling of archangels with equal fervor. … It is accompanied by a related phenomenon which is technology, or the historical momentum of things, is creating such a bewildering social milieu that the monkey mind cannot find a simple story, a simple creation myth or redemption myth to lay over the crazy contradictory patchwork of profane techno-consumerist post-McLuhanist electronic pre-apocalyptics existence. And so into that dimension of anxiety created by this inability to parse reality rushes a bewildering variety of squirrelly notions, epistemological cartoons if you will. … Conspiracy theory, in my humble opinion … is a kind of epistemological cartoon about reality. I mean, isn't it so simple to believe that things are run by the greys, and that all we have to do is trade sufficient fetal tissue to them and then we can solve our technological problems, or isn't it comforting to believe that the Jews are behind everything, or the Communist Party, or the Catholic Church, or the Masons. Well, these are epistemological cartoons, you know, it is kindergarten in the art of amateur historiography. I believe that the truth of the matter is far more terrifying, that the real truth that dare not speak itself, is that no one is in control, absolutely no one.… Nobody is in control. This stuff is ruled by the equations of dynamics and chaos. Now, there may be entities seeking control — the World Bank, the Communist Party, the rich, the somebody-or-others — but to seek control is to take enormous aggravation upon yourself. … Because this process which is underway will take the control-freak by the short and curly and throw them against the wall. It's like trying to control a dream, you see. The global destiny of the species is somehow unfolding with the logic of a dream.

Reality

“Some of the crazy lefties at the ABC, and on The Guardian, Huffington Post, can express concern and draw mean cartoons about me and all the rest of it. They don’t realise how completely dead they are to me.”

Peter Dutton (1970) Australian politician

Interview on 2GB radio, 22/03/2018

Drawing, Dead

“Saturday morning was their unrestricted television time, and they usually took advantage of it to watch a series of cartoon shows that would certainly have been impossible before the discovery of LSD.”

Jeff Lindsay book Dexter in the Dark

Source: Dexter in the Dark

Time

“Like a cartoon world, where the figures are flat and outlined in black, jerking through some kind of goofy story that might be real funny if it weren't for the cartoon figures being real guys…”

Ken Kesey book One Flew Over the Cuckoo's Nest

Source: One Flew Over the Cuckoo's Nest

World, Jerk, Guy

“I think the world is a series of broken dams and floods, and my cartoons are tiny little lifeboats.”

Sherman Alexie book The Absolutely True Diary of a Part-Time Indian

Source: The Absolutely True Diary of a Part-Time Indian

World, Thinking

“So what do you do? Really? (Kat)
Nothing. Really. It’s boring as hell. Artemis won’t allow me to bring anything here with me. No guitar. No Cartoon Network. Occasionally, I sneak a book in just to watch her wig out when she finds it. (Acheron)”

Sherrilyn Kenyon (1965) Novelist

Source: Devil May Cry

Books, Hell

“Ian sighed wanly. "I once had the means to be gaga over art–before I found myself in a country where the standard of beauty is toaster waffles shaped like cartoon characters.”

Gordon Korman book The Medusa Plot

Source: The Medusa Plot

Beauty, Art, Country

“The more I examined my emotions, the more I was able to put that in my writing. I wanted to concentrate more on human emotions and internal feelings in the characters, inasmuch as I could in an animated cartoon show—ostensibly one for a young audience. There were times when I felt I couldn’t put the depth of feeling that I wanted to in the cartoons at that time, because it’s for kids and you have to keep it kind of upbeat. But I did it where I could. And I put it in my other work as well, when I was writing things like comics and screenplays.”

Paul Dini (1957) writer

Harley Quinn co-creator Paul Dini discusses how Batman helped him heal https://www.dailydot.com/parsec/paul-dini-batman-dark-night-harley-quinn-interview/ (June 21, 2016)

Feeling, Time, Animals

“I would like to thank the people who encouraged me to draw army cartoons at a time when the gag man's conception of the army was one of mean ole sergents and jeeps which jump over mountains.”

Bill Mauldin (1921–2003) American editorial cartoonist

Up Front (1945)

People, Mountain, Time, Drawing

“Arakawa: Yes, and because I think I look a little like a cartoon cow, so it fits.”

Hiromu Arakawa (1973) award winning Japanese manga artist

Interview with mobuta.com (2004)

Thinking

“Americans once expected parents to raise their children in accordance with the dominant cultural messages. Today they are expected to raise their children in opposition to them. Once the chorus of cultural values was full of ministers, teachers, neighbors, leaders. They demanded more conformity, but offered more support. Now the messengers are violent cartoon characters, rappers and celebrities selling sneakers. Parents are considered "responsible" only if they are successful in their resistance. That's what makes child-raising harder. It's not just that American families have less time with their kids; it's that we have to spend more of this time doing battle with our own culture.”

Ellen Goodman (1941) American journalist and writer

Attributed

Children, Family, Support, Parent

“It is an irony to see in some Muslim societies someone who curses God, in his daily slang when angry, go out and protest against the Danish cartoons about the Prophet.”

Yasser Harrak Canadian liberal writer, columnist and human rights activist

Yasser Harrak. 2010. "Origins of Insluting Islam in the Sunna and in Muslim societies". Annabaa Information Network. Accessed January 20, 2010. http://annabaa.org/nbanews/2010/05/243.htm

God

“While I was still on the WPA I was submitting designs for the Section of Fine Arts competitions which I did on my own time. Burgoyne Diller gave me a mural to do in the Community Building of the Queensbridge Housing Project on Long Island. I worked on the design and cartoons for about a year. Everything was approved and the walls prepared - casein tempera painted on the wall…. [It was] about 1938. Holger Cahill asked me through Diller to do the outdoor facade mural of the WPA Building at the World's Fair. 1 stopped work on the Queens mural and began working on the Fair mural which was finished on schedule in time for the opening of the Fair.”

Phillip Guston (1913–1980) American artist

n.p.
1961 - 1980, Oral history interview with Philip Guston, 1965 January 29

World, Art, Communication, Time

“Our most important aim is to develop definite personalities in our cartoon characters. We don't want them to be just shadows, for merely as moving figures they provoke no emotional response from the public. We invest them with life a caricature of life.”

Walt Disney (1901–1966) American film producer and businessman

Walt Disney interview, New York Times, (March 1938).

Life, Personality

“I was deeply distressed that the cartoons were seen by many Muslims as an attempt by Denmark to mark and insult or behave disrespectfully towards Islam or Mohammed.”

Anders Fogh Rasmussen (1953) former Prime Minister of Denmark and NATO secretary general

In relation to the Danish cartoon affair http://www.telegraph.co.uk/news/worldnews/europe/turkey/5115171/Rasmussen-to-give-Turkey-senior-posts-in-Nato.html (6 April 2009)

“I am now Painter to the King with fifteen thousand reales [a year].... the King sent out an order to Bayeu and Maella to search out the best two painters that could be found, to paint the cartoons for tapestries. Bayeu proposed his brother, and Maella proposed me. Their advice was put before the king, and the favor was done, and I had no idea of what was happening to me.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to his friend Don Martín Zapater https://www.wikidata.org/wiki/Q3915977, June 1786; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 81 Goya was already forty then; the four painters should paint the designs of all the new tapestries for the royal palace; their designs were then woven in the Royal Tapestry Factory 1780s

Search, Idea, Painting

“There is a relationship between cartooning and people like Miro and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney.”

Roy Lichtenstein (1923–1997) American pop artist

Quoted in Robert Andrews, Dictionary of Contemporary Quotations (1996), p. 66
1990's

People

“In order to win this war, we need to understand that the terrorists and extremists are opportunists. They will grab onto any cause to incite hatred and to justify the killing of innocent men, women and children. If we weren't in Iraq, they would be using our relationship and friendship with Israel as a reason to recruit, or the Crusades, or cartoons as a reason to commit murder. They recruit based upon lies and excuses. And they murder because of their raw desire for power. They hope to impose their dominion over the broader Middle East and establish a radical Islamic empire where millions are ruled according to their hateful ideology. We know this because al-Qaeda has told us. The terrorist Zawahiri, number two man in the al-Qaeda team, al-Qaeda network, he said, we'll proceed with several incremental goals. The first stage is to expel the Americans from Iraq; the second stage is to establish an Islamic authority, then develop it and support it until it achieves the level of caliphate; the third stage, extend the jihad wave to secular countries neighboring Iraq; and the fourth stage, the clash with Israel. This is the words of the enemy. The President of the United States and the Congress must listen carefully to what the enemy says in order to be able to protect you. It makes sense for us to take their words seriously if our most important job is the security of the United States. Mister Zawahiri has laid out their plan. That's why they attacked us on September the 11th. That's why they fight us in Iraq today. And that is why they must be defeated.”

George W. Bush (1946) 43rd President of the United States

As quoted in "FLASHBACK 2006: Media Elites Slam Bush For Predicting Rise Of Islamic Caliphate In Iraq" http://dailycaller.com/2016/05/24/flashback-2006-media-elites-slam-bush-for-predicting-rise-of-islamic-caliphate-in-iraq/ (24 May 2016), The Daily Caller 2000s, 2006, Remarks at Bob Riley for Governor Luncheon (2006)

Women, Men, Hate, Friendship

“I think it's quite enough to simply be sarcastic about something. I like to do that quite a lot, and it's one of my favorite things to look at. That's why I think there's a thin line between melodrama and satire, and I like to dance across that line sometimes. I like the story to take a very funny turn or have a character who is much more of a cartoon.”

Frank Miller (1957) American writer, artist, film director

Source: Eisner/Miller (2005), p. 95

Thinking, Dance

“I had more flow as a designer. I could just drop down into the zone and stay there for hours. With cartooning, I'm constantly coming up for air, procrastinating, looking for reasons not to be doing it. I spend all day granting myself special dispensation, with 'creative process' as my cover story. Carpenters and deli countermen can't do that, so I think they may feel better about themselves at the end of the day.”

Garry Trudeau (1948) cartoonist

[Doonesbury's War, Gene Weingarten, http://www.washingtonpost.com/wp-dyn/content/article/2006/10/20/AR2006102000446_5.html?nav=hcmoduleand=again, Washington Post, October 22, 2006, July 24, 2007]

Feeling, Thinking

“You should always cook eggs slowly" was Joan's advice in the kitchen on 118th Street. Joan did everything slowly, Edie reflected; she spoke, walked, dressed and read slowly, as if savoring every moment. She read everything, every newspaper and magazine. She liked the cartoons of William Steig in The New Yorker, particularly the one of the dejected fellow saying, "My mother loved me but she died." Joan didn't get along with her mother, and felt that she had nothing in common with her parents' country-club existence. She had rebelled against her background by living the New York City bohemian life.”

Joan Vollmer (1923–1951) Common-law wife of William S. Burroughs

About

Love, Life, Parent, Reading

“Actually, cartoon characters do exist.”

Robert Trujillo (1964) American bassist known for his role as the current bassist of Metallica

Unsourced

“I want to do kiddie movies now. I'm fed up with adult movies — most of them stink. At a certain point with movies it becomes all about mathematics: this has to lead up to this, this has to lead up to that — you're always bound by some kind of formula. But since having kids and watching lots of animated cartoons and all those great old Disney films, I think they're better, they're much better. They're more fun and they take more risks.”

Johnny Depp (1963) American actor, film producer, and musician

Quoted in Jessamy Calkin, "One That Got Away," http://www.johnnydeppfan.com/interviews/telegraphmag.htm The Daily Telegraph Magazine (2002-08-03)

Mathematics, Thinking, Animals

“A question I have often asked is, ‘What would an inoffensive political cartoon look like?’ What would a respectful cartoon look like? The form requires disrespect and so if we are going to have in the world things like cartoons and satire, we just have to accept it as part of the price of freedom.”

Salman Rushdie (1947) British Indian novelist and essayist

The Hindu interview (2012)

World, Question, Freedom, Parting

“Composing a score is like getting in one of those mini-submarines that take you to the bottom of the ocean. You crawl into this little bubble, seal yourself away from the outside world and dive deep into uncharted territory. Sometimes the places you explore are dark, sometimes they’re light. If you have the right tools and knowledge you can explore wherever you like and have a great experience. It’s a crude analogy to genre hopping, but it’s accurate. I was lucky as a kid to be exposed to so much different material. I watched cartoons and read all kinds of comics as much as I buried my head in scary stuff. It makes going from talking animals one day to shape-shifters the next pretty easy. Truth is, most composers are pinballs. They can bounce around from style to style and adapt really well.”

Michael Wandmacher (1967) composer

Michael Wandmacher (‘The Last Exorcism II’) On Composing Horror http://bloody-disgusting.com/news/3233495/interview-michael-wandmacher-the-last-exorcism-ii-on-composing-horror/ (May 17, 2013)

Truth, World, Knowledge, Light

“Cartoons are ridicule and satire by definition. A negative attitude is the nature of the art.”

Paul Conrad (1924–2010) German theologian

As cited in Lordan, Edward J. (2006). Politics, Ink: How America's Cartoonists Skewer Politicians, from King George III to George Dubya. Rowman & Littlefield. p. 135.

Art, Nature

“America's first great surrealist artists were named Walt Disney, Max Fleischer, and Tex Avery. Their artistic medium was cartoon animation, though we must remember that cartoons of this era were seen not only by children but by a mixed audience, consisting mainly of adults. These men took — quite literally — the principles of surrealism and turned them into mass entertainment. As Fleischer's scantily clad Betty Boop ran through a phantasmagoric underground landscape to the driving beat of Cab Calloway's "Minnie the Moocher," moviegoers of the Thirties saw surrealist dream-logic unfold more powerfully than in any experimental poem created in Greenwich Village. To this day the greatest moment of North American surrealism is probably Dumbo's drunken nightmare choreographed to the demonic oom-pah-pah of "Pink Elephants on Parade" from Walt Disney's 1941 movie. When the surrealist style was so quickly assimilated into mass-media comedy, what avant-garde poet could consider it sufficiently chic?”

Dana Gioia (1950) American writer

"James Tate and American Surrealism," BBC Radio 3, published in Denver Quarterly (Fall 1998)
Essays

Men, Children, Dreams, Animals

“While reading the Times of India each morning, my father spares a minute for the cartoon by R. K. Laxman. While my mother is, like a magician, making untidy sheets disappear in the bedroom and producing fresh towels in the bathroom, or braving bad weather in the kitchen, my father, in the extraordinary Chinese calm of the drawing-room, is dmiring the cartoon by R. K. Laxman, and, if my mother happens to be there, unselfishly sharing it with her. She, as expected, misunderstands it completely, laughing not at the joke but at the expressions on the faces of the caricatures, and at the hilarious fact that they talk to each other like human beings.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Afternoon Raag (1993)

Time, Reading, Drawing, Weather

“I don't see a great deal in editorial cartooning today, and neither do the editors. Damn few of them want cartoons that say something that should be said, politically, that is. As long as that continues, cartoonists are going to be in bad shape, but not as bad shape as the publishers and owners of the newspapers will be in when the people realize they're not reading anything.”

Paul Conrad (1924–2010) German theologian

As quoted in Pompilio, N. (2002). Not So Funny http://www.ajr.org/article_printable.asp?id=2651. American Journalism Review.

People, Reading

“I only know three songs by REM and guess what? I don't like two of them! That's right, I'm not cool- I don't like REM. Don't hang out with me, I'm a nerd.
I saw REM, they're the best. The lead singer is so serious and heavy, he comes out, all, 'This next song is about the overcommercialization of rock and roll and how corporations have come and' -- hey, just sing the goddamn songs, alright buddy? I'm already depressed, I want you to make me shiny and happy!
The thing about Showtime is, it's basically softcore porn. I'm into it. I forget I have Showtime, until like, Saturday mornings when I get home from work, and it's: cartoon, cartoon, cartoon, 'Warning: This program contains massive nudity.”

David Spade (1964) American stand-up comedian

Yeeeah!
David Spade: Take the Hit, HBO Special, 1997

Home, Singing, Forgetting, Happiness

“Much as I admire Tolkien, and I do admire Tolkien — he’s been a huge influence on me, and his Lord of the Rings is the mountain that leans over every other fantasy written since and shaped all of modern fantasy — there are things about it, the whole concept of the Dark Lord, and good guys battling bad guys, Good versus Evil, while brilliantly handled in Tolkien, in the hands of many Tolkien successors, it has become kind of a cartoon. We don’t need any more Dark Lords, we don’t need any more, ‘Here are the good guys, they’re in white, there are the bad guys, they’re in black. And also, they’re really ugly, the bad guys. It is certainly a genuine, legitimate topic as the core of fantasy, but I think the battle between Good and Evil is waged within the individual human hearts. We all have good in us and we all have evil in us, and we may do a wonderful good act on Tuesday and a horrible, selfish, bad act on Wednesday, and to me, that’s the great human drama of fiction. I believe in gray characters, as I’ve said before. We all have good and evil in us and there are very few pure paragons and there are very few orcs. A villain is a hero of the other side, as someone said once, and I think there’s a great deal of truth to that, and that’s the interesting thing. In the case of war, that kind of situation, so I think some of that is definitely what I’m aiming at.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

AssignmentX interview (June 2011) http://www.assignmentx.com/2011/interview-game-of-thrones-creator-george-r-r-martin-on-the-future-of-the-franchise-part-2/

War, Truth, Guy, Mountain

“DEATH TO THE CARTOON HETEROSEXUAL PARADIGM.”

Joey Comeau (1980) writer

Lockpick Pornography

Death

“There’s only one faith, for example, that kills you or wants to kill you if you draw a bad cartoon of the prophet. There’s only one faith that kills you or wants to kill you if you renounce the faith… obviously, most Muslim people are not terrorists. But ask most Muslim people in the world, if you insult the prophet, do you have what’s coming to you? It’s more than just a fringe element.”

Bill Maher (1956) American stand-up comedian

Bill Maher: Jeff Poor, "Bill Maher: Comparing violence of Islam to Christianity ‘liberal bullsh*t’ [VIDEO"], The Daily Caller, April 20, 2013 (archived).

People, World, Faith, Drawing

“And if they legalize it, they're gonna have to regulate it and they're gonna have to put a warning on a box of joints. It's gonna have to say, "Surgeon General has determined this will make your music… awesome! Even Yanni. And if you think you liked cartoons before…"”

Robin Williams (1951–2014) American actor and stand-up comedian

Weapons of Self Destruction (2010)

Music, Thinking, Box

“The amazing part of the great Danish cartoon caper isn't that Muslims immediately engage in acts of mob violence when things don't go their way. That is de rigueur for the Religion of Peace. Their immediate response to all bad news is mass violence. That's a "dog bites man" story and belongs on page B-34, next to the grade school hot lunch menu and the birth notices. After an Egyptian ferry capsized recently, killing hundreds of passengers, a whole braying mob of passengers' relatives staged an organized attack on the company, throwing furniture out the window and burning the building to the ground. Witnesses say it was the most violent ocean liner-related incident since Carnival Cruise Lines fired Kathie Lee Gifford. The "offense to Islam" ruse is merely an excuse for Muslims to revert to their default mode: rioting and setting things on fire.”

Ann Coulter (1961) author, political commentator

"Muslim Bites Dog" (15 February 2006) http://www.anncoulter.com/cgi-local/printer_friendly.cgi?article=100. 2006

School, Peace, Religion, Dogs

“When I had my own company on Traffic and Coonskin, all metaphors were able to get to the screen clearly. In Cool World, with the producer and Paramount watching me carefully to make sure I was in good taste, I instinctively poured stuff into the picture that I wanted to talk about. But when you force stuff, it's not really very clear. But, I have a great love for Max Fleischer, especially some of his Black & White Betty Boops with their strange Cab Calloway and Louis Armstrong black folk tale jazz hipness that part of Cool World was a homage in style to those films and that style of cartooning. The Grim Reaper is right out of a Max Fleischer cartoon or old Terrytoons, which is why I hired and love Milton Knight the artist. He understands totally the Uncle Remus fable like qualities behind Fleischer and Terrytoons. Milton Knight is probably the purest artist of that style in the business. He has a hard time because studios think he is old fashioned…but that's the point.”

Ralph Bakshi (1938) Animator, filmmaker

[c. 17 September 2004, http://www.wild-things.com/bray/documents/ralphb.doc, Questions for Ralph Bakshi, DOC, Ralph Bakshi Forum, 2007-11-27]

Love, World, Fashion, Understanding

“We wanted to figure out a way to get crank phone calls on television. Watching someone on TV talking on a phone isn't that entertaining, and obviously we couldn't send a camera crew around to the people getting the calls, so it was limited to either animation or puppets. And puppets seemed halfway between cartoons and people, so that seemed like the most real way that we could do it.”

Jimmy Kimmel (1967) American talk show host and comedian

Discussing Crank Yankers — reported in Hugh Hart (May 30, 2002) "Kimmel, Carolla Pulling The Strings On Crank Calls Show", Sun-Sentinel, p. 3E.

People, Way, Animals

“I decide who's right and who's wrong, and go from there. But I can't just comment on an issue. I've got to take an editorial position. Too many cartoonists simply illustrate the news. Well, the readers know the news, and a cartoon that illustrates doesn't tell them a thing they don't already know. So, I formulate an opinion and draw it.”

Paul Conrad (1924–2010) German theologian

Paul Conrad. (2010) [1992]. Contemporary Authors Online. Gale. As quoted in Lebo, Harlan H. (December 1977). Writer's Digest.

Drawing

“The video of 'Paranoid Android' has been censored by MTV. They took all nipples out of the cartoon, but they had no problem with the scene in which a man cuts off his own arms and legs.”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

source http://www.greenplastic.com/coldstorage/articles/humo.html

Problem

“Modern 3D cinema technology works by ensuring your left eye sees one image while your right sees another. But they could, presumably, issue one pair of specs comprising two left-eye lenses (for children to wear), and another with two right-eye lenses (for adults). This would make it possible for parents to take their offspring to the cinema and watch two entirely different films at the same time. So while the kiddywinks are being placated by an animated CGI doodle about rabbits entering the Winter Olympics or something, their parents will be bearing witness to some apocalyptically degrading pornography. The tricky thing would be making the soundtracks match. Those cartoon rabbits would have to spend a lot of time slapping their bellies and moaning.”

Charlie Brooker (1971) journalist, broadcaster and writer from England

The Guardian 15 February 2010. http://www.guardian.co.uk/commentisfree/2010/feb/15/charlie-brooker-ebook-convert Guardian columns

Children, Parent, Winter, Time

“(Cartoon title) Don't throw that old diaphragm away! (Sylvia at typewriter) Because it can be used as: 1. Doorknob cover (no need to worry about fingerprints ever again) 2. Bathtub stopper 3) Rainhat for cat 4. Small frisbee.”

Nicole Hollander (1939) Cartoonist

Source: Sylvia cartoon strip, p. 121

Cats

“Everything on Saturday morning [cartoons] moves alike—that's one of the reasons it's not animation. The drawings are different, but everybody acts the same way, their feet move the same way, and everybody runs the same way. It doesn't matter whether it's an alligator or a man or a baby or anything, they all move the same.”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

Adamson, "Witty Birds and Well-Drawn Cats", 64.

Way, Animals, Baby, Drawing

“The Wizard of Oz (M. G. M.) should settle an old Hollywood controversy: whether fantasy can be presented on the screen as successfully with human actors as with cartoons. ("The New Pictures," August 21, 1939)”

Whittaker Chambers (1901–1961) Defected Communist spy

TIME magazine (1939-1948)

“Our violence is, as you know, cartoon violence.”

Lloyd Kaufman (1945) American film director

Village Voice http://www.villagevoice.com/2014-01-15/film/troma-lloyd-kaufman-interview/ January 15, 2014 2014

“Puppets have the same sort of graceful aging that cartoon characters have.”

Jim Henson (1936–1990) American puppeteer

Interview with Associated Press (1986)

Age

“At least some Americans are still having children. Unfortunately, many of those children spend their formative years being taught how to surrender. The emasculation of American boys is one step short of suicide. […] Schoolyards used to be filled with kids at recess playing games like "kill the guy with the ball." Nobody died. Boys played with G. I. Joes and girls played with dolls. Kids played freeze tag without a single incident of sexual harassment. […] Not too many years ago, cartoons were filled with violence. Bugs Bunny tied a gun barrel in a knot and Elmer Fudd's gun went kaboom, covering his own head in black soot. Wile E. Coyote chased the Road Runner and fell off a cliff to his destruction. We as children watched Superman cartoons, but we knew not to try and jump off the roof. Teenage boys watched Rocky and Rambo and Conan films. Then they went home without trying to kill anybody. […] We did not need liberals to tell us the difference between pretend and real life. Common sense and our parents handled that. Now schools across the country are canceling gym class. Dodgeball apparently promotes aggression […]. Even rock-paper-scissors is too violent. Rocks and scissors could be used by children to harm each other. Paper requires murdering trees. It's no wonder that Islamists produce strapping young men while America produces sensitive crybabies […]. Muslim children are taught hate in madrassas. They are taught how to kill infidels and the blasphemers. American boys are suspended from school for arranging their school lunch vegetables in the shape of a gun. […] During World War II, young boys volunteered to go overseas to save the world. […] Now American kids on college campuses retreat to their safe spaces to escape from potential microagressions. Islamists cut off heads and limbs and our young boys shriek at the drop of a microaggression. And we haven't seen the worst of it.”

Michael Savage (1942) U.S. radio talk show host, Commentator, and Author

Scorched Earth: Restoring the Country after Obama (2016)

Life, Men, Hate, War

“b>Interviewer: Have you ever attended a mime school?
Brian: Nop. Never. I used to watch a lot of cartoons and the Muppets Show and that's why I make the funny faces. So it was all cartoon and Jim Henson.”

Brian Viglione (1979) American musician

School

“The power of the United States depended heavily on its pale empire of ideas, attitudes and innovations. Its ideas alighted effortlessly on foreign ground, irrespective of who owned the ground. Much of its influence came from such innovations as the telephone, electricity, aircraft and the cheap car, nuclear weapons and spacecraft, computers and the Internet. Its influence came through jazz, cartoons, Hollywood, television and popular culture. Its influence came from an excitement about technology and economic change, and a belief in incentives and individual enterprise. It was also the most ardent missionary for the creed of democracy. While military and economic might was vital to the success of the United States, the power of its pale empire of ideas was probably even more pervasive.”

Geoffrey Blainey book A Short History of the World

A Short History of the World (2000)

Cars, Democracy, Idea, Change

“The stem cell debate was an introduction to a phenomenon I witnessed throughout my presidency: highly personal criticism. Partisan opponents and commentators questioned my legitimacy, my intelligence, and my sincerity. They mocked my appearance, my accent, and my religious beliefs. I was labeled a Nazi, a war criminal, and Satan himself. That last one came from a foreign leader, Venezuelan President Hugo Chavez. One lawmaker called me both a loser and a liar. He became majority leader of the U. S. Senate. In some ways, I wasn't surprised. I had endured plenty of rough politics in Texas. I had seen Dad and Bill Clinton derided by their opponents and the media. Abraham Lincoln was compared to a baboon. Even George Washington became so unpopular that political cartoons showed the hero of the American revolution being marched to the guillotine. Yet the death spiral of decency during my time in office, exacerbated by the advent of twenty-four-hour cable news and hyper-partisan political blogs, was deeply disappointing. The toxic atmosphere in American politics discourages good people from running for office.”

George W. Bush (1946) 43rd President of the United States

Source: 2010s, 2010, Decision Points (November 2010), p. 121

Death, War, People, Disappointment

“Anime is the most disgusting, sexist, and misogynistic form of media to ever come out of Japan. Anime defiles women and caters to perverts and losers. These cartoons are corrupting teenagers and promoting rape culture.”

Anita Sarkeesian (1983) American blogger

Andrea Hardie (4 October 2014), @JudgyBitch1, Twitter, falsely attributing a fabricated screenshot of an over 140-character tweet to @femfreq
Misattributed

Women, Animals

“If you're an aspiring show maker, and you have the means to sit around for a few months, you should be making funny cartoons and uploading them to the internet. I feel like I've discovered this secret about the entertainment industry it's that they're desperate. They're super, super desperate for new talent and constantly developing and canceling things all the time. It's the nature of the business, so if you're one of those people who can make a cartoon so funny that it gets a ton of hits on the internet then the industry is going to be all over your business.”

Pendleton Ward (1982) American animator

It's Adventure Time! Pendleton Ward Talks About His Hit Cartoon https://www.forbes.com/sites/davidewalt/2011/11/15/its-adventure-time-pendleton-ward-talks-about-his-hit-cartoon/#406f76175c69 (November 15, 2011)

People, Secret, Feeling, Business

“I was totally amazed. This little home made underground comix thing was turning into a business before my eyes. It went from us going around Haight Street trying to sell these things we had folded and stapled ourselves to suddenly being a business with distributors, lawyers, contracts, and money talk. … The whole thing began to take on a heaviness that I believe had a negative effect on my work. I was only twenty-five years old when all this happened. It was a case of "too much too soon," I think. I became acutely self-conscious about what I was doing. Was I now a "spokesman" for the hippies or what? I had no idea how to handle my new position in society! … Take Keep On Truckin'… for example. Keep on Truckin'… is the curse of my life. This stupid little cartoon caught on hugely. … I didn't want to turn into a greeting card artist for the counter-culture! I didn't want to do 'shtick'—the thing Lenny Bruce warned against. That's when I started to let out all my perverse sex fantasies. It was the only way out of being "America's Best Loved Hippie Cartoonist."”

Robert Crumb (1943) American cartoonist

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 163

Love, Life, Money, Stupidity

“In May 2004, a fourteen-year-old boy at a middle-class intermediate school in Walnut Creek, an upper-middle-class suburb east of San Francisco, was detained by police who stormed his clasroom, cuffed him in front of the students and teachers, and frog-marched him across the quad… for posting a flash cartoon on his web home page. […] A few years earlier the kid would have been given a serious sit-down, but today, America has no patience for touchy-feely liberal crap. If you step out of line, Team America will be called in to destroy you.”

Mark Ames (1965) American writer and journalist

Part V: More Rage. More Rage., page 176-177.
Going Postal: Rage, Murder, and Rebellion, From Reagan's Workplaces to Clinton's Columbine and Beyond (2005)

School, Home, Boy, Teachers

“You should always determine first what you want to say. It's a bad situation for a cartoonist to think of his pictures first…A cartoonist should get out of bed mad and stay mad. The cartoonist's function is essentially a negative one, and the cartoon that advocates something usually says nothing.”

Paul Conrad (1924–2010) German theologian

As quoted in One of the Few. (1960, June 13). Time, 75(24): 54.

Thinking, Madness

“I think about how I think I know a person then 'poof!' I discover I only knew a cartoon version. Suddenly there's this fleshy, demanding, noisy creature in front of me, unknowable and just as lost as I am, and equally unable to remember that every soul in the world is hurting, not just themselves.”

Douglas Coupland book Shampoo Planet

Shampoo Planet (1992)

World, Soul, Thinking, Hurt

“What kind of God is it who's upset by a cartoon in Danish?”

Salman Rushdie (1947) British Indian novelist and essayist

Interview with Bill Moyers, Bill Moyers on Faith & Reason (23 June 2006) http://www.pbs.org/moyers/faithandreason/portraits_rushdie.html - transcript http://www.pbs.org/moyers/faithandreason/print/faithandreason101_print.html

God

“I don’t mind people admiring me if they want to but I don’t think it’s very logical. It’s not like I was St. George knocking off some dumb dragon or anything like that. First of all, you’re talking about something I did a long, long time ago. Secondly, we were doing things that were not expected to last a lifetime. We figured they’d last about three years and then disappear forever. Remember there was no television back then and no place for the cartoons to go after they left the theaters. But I’m not trying to demean what we did. I always took the work very seriously and I’m proud to have been associated with the work we did. It’s just that adulation is impractical and makes me uncomfortable. Nobody noticed us back then. Nobody called us geniuses. And we didn’t feel like artists. We were just trying to make people laugh.”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

Orange County Register, October 22, 1989

People, Feeling, Thinking, Time

“Roecker seems to have been as inspired by Todd Haynes's legendary underground film "Superstar" -- in which he told Karen Carpenter's life story with surprising tenderness using Barbie dolls and a bootlegged soundtrack -- as by the stop-motion animation of Ray Harryhausen and the "Frosty the Snowman" cartoon.”

John Roecker (1966) American film director

Ann Hornaday — quoted in The Washington Post, The Washington Post Company, One Forgettable 'Freak' Show, January 27, 2006, Ann, Hornaday http://www.washingtonpost.com/wp-dyn/content/article/2006/01/26/AR2006012600739.html, About

Life, Animals

“Contrary to the cartoon history of ideas that prevails today, Darwinism’s threat to religion did not come principally from challenging the biblical account of creation. Until a few centuries ago the Genesis story was known to be a myth – a poetic way of rendering truths that would otherwise be inaccessible. At the beginning of the Christian religion, Augustine warned against the dangers of literalism. The Jewish scholars who preceded him always viewed the Genesis story as a metaphor for truths that could not be accessed in any other way. It was only with the rise of modern science that the Genesis myth came to be misunderstood as an explanatory theory. Yet Darwinism was still a major threat to religion, for it confronted Victorians with the prospect of their final mortality. Darwin forced them to ask why their lives should not end like those of other animals, in nothingness. If this was so, how could human existence have meaning? How could human values be maintained if human personality was destroyed at death?”

John Gray (1948) British philosopher

Cross-correspondences (pp. 21-22)
The Immortalization Commission: The Strange Quest to Cheat Death (2011)

Death, Truth, Religion, Way

“People have no idea of the sources for my work. I didn't invent anything; It's all there in the culture; it's not a big mystery. I just combine my personal experience with classic cartoon stereotypes.”

Robert Crumb (1943) American cartoonist

Comment made to the press in 1976, quoted in The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 260

People, Idea, Personality

“I do love Alice in Wonderland though, that's something I think I could do very well. Don't you think we ought to do an A. W.? A. W.'s Alice in Wonderland? Andy Warhol's Alice in Wonderland? A. W. stands for a lot of things, I understand. It, uh, it would make a fantastic film. So I wanted somebody to write the script for it, in a modern sense. I think it would be the most marvelous movie in the world, if it could be done. Don't you think? Really, I don't think they'e done one since they did a Walt Disney one — which isn’t really doing it. In a sense it is, but not in the way it really should be done. What's needed right now is a real scene. I mean not just cartoon characters, but the actual character of people because there's so many fantastic people that you might as well use the people.”

Edie Sedgwick (1943–1971) Socialite, actress, model

Inner and Outer Space (1965), directed by Andy Warhol

Love, People, World, Way

“[L]iberals are going to have to make peace with the possibility that their political enemies aren’t always the cartoon villains they so desperately want them to be.”

Jonah Goldberg (1969) American political writer and pundit

2010s, 2018, Liberals' Irritable Mental Gestures (2018)

Peace

“I knew more things in the first ten years of my life than I believe I have known at any time since. I knew everything there was to know about our house for a start. I knew what was written on the undersides of tables and what the view was like from the tops of bookcases and wardrobes. I knew what was to be found at the back of every closet, which beds had the most dust balls beneath them, which ceilings the most interesting stains, where exactly the patterns in wallpaper repeated. I knew how to cross every room in the house without touching the floor, where my father kept his spare change and how much you could safely take without his noticing (one-seventh of the quarters, one-fifth of the nickels and dimes, as many of the pennies as you could carry). I knew how to relax in an armchair in more than one hundred positions and on the floor in approximately seventy- five more. I knew what the world looked like when viewed through a Jell-O lens. I knew how things tasted—damp washcloths, pencil ferrules, coins and buttons, almost anything made of plastic that was smaller than, say, a clock radio, mucus of every variety of course—in a way that I have more or less forgotten now. I knew and could take you at once to any illustration of naked women anywhere in our house, from a Rubens painting of fleshy chubbos in Masterpieces of World Painting to a cartoon by Peter Arno in the latest issue of The New Yorker to my father’s small private library of girlie magazines in a secret place known only to him, me, and 111 of my closest friends in his bedroom.”

Bill Bryson (1951) American author

Source: The Life And Times of the Thunderbolt Kid (2006), p. 36

Life, Women, Secret, World

“John Lewell: Can you tell us: what exactly was Jack Warner like, as an employer?
Chuck Jones: Well, what he was like was nothing! We had nothing to do with Jack Warner. After fifteen years of direction (and the other person present, Friz Ferleng, had directed longer than that) we were finally invited by him to have lunch in the executive dining room. This was reserved for executives and favorite directors. Jack Warner was there. And Harry Warner was there. Jack didn't say very much to us. He was talking to other people about other things. But Harry Warner said: "The only thing I know about our cartoon department is that we make Mickey Mouse." Well, that was a little startling. It was the early 1950s, for God's sake! And so when we left, I said: "Don't worry, Mr Warner, we'll continue to make good Mickey Mouses!"”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

And he patted me on the back.
Lewell, "The Art of Chuck Jones", 139.

God, People, Personality

“When a cartoonist attempts to be ‘fair and balanced’ and ‘understand all sides,’ they have failed. Too many avoid that altogether and instead become comedians. They take any topic and cast about and ask themselves: “What’s funny in this?” I despise that attitude. Sure, satirical humor is an important element, but not the only element. A good cartoonist need not be funny to be effective. Many of my best cartoons are not funny.”

Ben Garrison American political cartoonist

The “Rogue Cartoonist” Ben Garrison on What it’s Like to be a Political Cartoonist During the Presidential Election http://www.lifeandnews.com/articles/the-rogue-cartoonist-ben-garrison-on-what-its-like-to-be-a-political-cartoonist-during-the-presidential-election/ (September 30, 2016)

Understanding

“Not all monotheisms are exactly the same, at the moment. They're all based on the same illusion, they're all plagiarisms of each other, but there is one in particular that at the moment is proposing a serious menace not just to freedom of speech and freedom of expression, but to quite a lot of other freedoms too. And this is the religion that exhibits the horrible trio of self-hatred, self-righteousness and self-pity. I am talking about militant Islam. Globally it's a gigantic power. It controls an enormous amount of oil wealth, several large countries and states, with an enormous fortune it's pumping the ideologies of wahhabism and salafism around the world, poisoning societies where it goes, ruining the minds of children, stultifying the young in its madrassas, training people in violence, making a cult of death and suicide and murder. That's what it does globally, it's quite strong. In our societies it poses as a cringing minority, whose faith you might offend, who deserves all the protection that a small and vulnerable group might need. Now, it makes quite large claims for itself, doesn't it? It says it's the Final Revelation. It says that God spoke to one illiterate businessman – in the Arabian Peninsula – three times through an archangel, and that the resulted material, which as you can see as you read it is largely plagiarized ineptly from the Old…and The New Testament, is to be accepted as the Final Revelation and as the final and unalterable one, and that those who do not accept this revelation are fit to be treated as cattle infidels, potential chattel, slaves and victims. Well I tell you what, I don't think Muhammad ever heard those voices. I don't believe it. And the likelihood that I am right – as opposed to the likelihood that a businessman who couldn't read, had bits of the Old and The New Testament re-dictated to him by an archangel, I think puts me much more near the position of being objectively correct. But who is the one under threat? The person who promulgates this and says I'd better listen because if I don't I'm in danger, or me who says "no, I think this is so silly you can even publish a cartoon about it"? And up go the placards and the yells and the howls and the screams – this is in London, this is in Toronto, this is in New York, it's right in our midst now – "Behead those who cartoon Islam". Do they get arrested for hate speech? No. Might I get in trouble for saying what I just said about the prophet Muhammad? Yes, I might. Where are your priorities ladies and gentlemen? You're giving away what is most precious in your own society, and you're giving it away without a fight, and you're even praising the people who want to deny you the right to resist it. Shame on you why you do this. Make the best use of the time you've got left. This is really serious. … Look anywhere you like for the warrant for slavery, for the subjection of women as chattel, for the burning and flogging of homosexuals, for ethnic cleansing, for antisemitism, for all of this, you look no further than a famous book that's on every pulpit in this city, and in every synagogue and in every mosque. And then just see whether you can square the fact that the force that is the main source of hatred, is also the main caller for censorship.”

Christopher Hitchens (1949–2011) British American author and journalist

https://www.youtube.com/watch?v=jyoOfRog1EM&feature=youtu.be&t=16m36s
"Be It Resolved: Freedom of Speech Includes the Freedom to Hate", 15/11/2006.
2000s, 2006

Death, Women, God, Hate

“Cartoons drove the photo back to myth and dream screen.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1970s, Culture Is Our Business (1970)

Dreams, Photo

“Basically there’s a gulf between truth and untruth, I don’t want to be too mathematical about it, because I’m not very good at maths. But it’s a divide between, I dunno, a film and a cartoon. I’ve just become this cartoon character. I try not to follow it, but when you see pictures of yourself that have been photo-shopped to show you doing something you didn’t…. that’s wrong. It’s my worst nightmare – and being misquoted, too, especially as I’m so precious about words.”

Pete Doherty (1979) English musician, writer, actor, poet and artist

Speaking out on the media's caricature of him
People

Truth, Photo, Mathematics

“What the Big Bang theory tells us, is that at least our region of the universe 13.82 years ago, was an extremely hot, dense uniform soup of particles which in the conventional standard Big Bang model filled literally all of space—and now we certainly believe that it filled essentially all of the space that we have access to—uniformly. …This is contrary to a popular cartoon image of the Big Bang, which is just plain wrong. The cartoon image of the Big Bang is the image of a small egg of highly dense matter that then exploded and spewed out into empty space. That is not the scientific picture of the Big Bang. …If there was a small egg that exploded into empty space, you would certainly expect that today you would see something different if you were looking towards where the egg was, versus looking the opposite direction, but we don't see any effect like that. When we look around the sky the universe looks completely uniform, on average, in all directions, to a very high degree of accuracy… So we don't see a sign of an egg having happened anywhere. Rather, the Big Bang seems to have happened everywhere, uniformly.”

Alan Guth (1947) American theoretical physicist and cosmologist

Lecture 1: Inflationary Cosmology: Is Our Universe Part of a Multiverse? Part I.
The Early Universe (2012)

Universe

“President Obama keeps insisting that ISIS is not Islamic. Well, maybe they don't practice the Muslim faith the same way he does, but if vast numbers of Muslims across the world believe, and they do, that humans deserve to die for merely holding a different idea, or drawing a cartoon, or writing a book, or eloping with the wrong person, not only does the Muslim world have something in common with ISIS, it has too much in common with ISIS. There's so much talk … about wiping out ISIS. You can't, not with bombs. You can only expose that something is a bad idea … Cultures are different. It's okay to judge that rule of law isn't just different than theocracy, it's better. If you don't see that, you're either a religious fanatic or a masochist, but one thing you certainly are not is a liberal. To count yourself as a liberal, you have to stand up for liberal principles. Free speech, separation of church and state, freedom to practice any religion or no religion without the threat of violence. Respect for minorities including homosexuals, equality for women.”

Bill Maher (1956) American stand-up comedian

http://www.realclearpolitics.com/video/2014/09/27/maher_rips_liberals_over_islam_if_were_giving_no_quarter_to_intolerance_shouldnt_we_start_with_honor_killers.html September 26, 2014. Real Time with Bill Maher

Women, Books, World, Faith

“I cannot help but protest in the strongest possible terms against the cartoon on page 3 of your publication of the 30th of December equating the present governments of Poland and Chile. It can only be explained by complete ignorance of the facts or by the systematically promoted socialist calumnies of the present situation in Chile, which I had not expected the F. A. Z. to fall for. I believe that all the participants in the Mont Pelerin Society conference held a few weeks ago in Chile would agree with me that you owe the Chilean government a humble apology for such twisting of the facts. Any Pole lucky enough to escape to Chile could consider himself fortunate.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

Letter to the editor of Frankfurter Allgemeine Zeitung, on a cartoon comparing Pinochet's Chile to Jaruzelski's Poland, which was published on 6 January 1982
1980s and later

Help

“One of the things a cartoon does is to express violent emotion and passion in a completely mechanical and removed style. To express this thing in a painterly style would dilute it; the techniques I use are not commercial, they only appear to be commercial – and the ways of seeing and composing and unifying are different and have different ends.”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

Way, Appearance, Passion

“If I were a better artist, I'd be a painter, and if I were a better writer, I'd write books — but I'm not, so I draw cartoons!”

Charles M. Schulz (1922–2000) American cartoonist

1992, as quoted by Tom Tomorrow in his comic strip This Modern World (21 February 2000) http://archive.salon.com/comics/tomo/2000/02/21/tomo/index.html

Books, Drawing

“When your rainy day fund is so big you've got to check it for swimming cartoon ducks, you might not be a non-profit anymore.”

John Oliver (1977) English comedian

Last Week Tonight (8 June 2014)
Last Week Tonight (2014–present)

“Americans may laud Charlie Hebdo for being brave enough to publish cartoons ridiculing the Prophet Muhammad, but, if Ayaan Hirsi Ali is invited to campus, there are often calls to deny her a podium. So this might be a teachable moment. As we are mortified by the slaughter of those writers and editors in Paris, it’s a good time to come up with a less hypocritical approach to our own controversial figures, provocateurs and satirists. The first thing to say, I suppose, is that whatever you might have put on your Facebook page yesterday, it is inaccurate for most of us to claim, Je Suis Charlie Hebdo, or I Am Charlie Hebdo. Most of us don’t actually engage in the sort of deliberately offensive humor that that newspaper specializes in.”

David Brooks (1961) American journalist, commentator and editor

David Brooks. "I Am Not Charlie Hebdo" http://archive.li/nlsvG The New York Times (January 2015) 2010s

Time

“I was wondering what electrons are actually doing when they sit in your hard drive in an old laptop at the back of your closet. I mean, how does an electron sit still — is it like a cartoon M&M learning back in a folding beach chair? Is it like an angry little steel ball bearing hovering there, just waiting to go nuts on protons? What’s the mechanism that starts and stops the electron? Who’s its dungeon master?”

Douglas Coupland book JPod

JPod (2006)

Learning, Waiting

“The subject [of Stalin's death] permitted a rare blend of invective and speculation—both Hearst papers, as I recall, ran cartoons of Stalin being rebuffed at the gates of Heaven, where Hearst had no correspondents—and I have seldom enjoyed a week of newspaper reading more.”

A. J. Liebling (1904–1963) American journalist

Just Enough Liebling: Classic Work by the Legendary New Yorker Writer, p. 23.

Death, Reading

“Dinosaurs have a bad public image as symbols of obsolescence and hulking in inefficiency; in political cartoons they are know-nothing conservatives that plod through miasmic swamps to inevitable extinction.”

Robert T. Bakker (1945) American paleontologist

"Dinosaur Renaissance", Scientific American 232, no. 4 (April 1975), 58—78
Dinosaur Renaissance (1975)

“There is no right in the world not to be offended. That right simply doesn’t exist. In a free society, an open society, people have strong opinions, and these opinions very often clash. In a democracy, we have to learn to deal with this. And this is true about novels, it’s true about cartoons, it’s true about all these products.”

Salman Rushdie (1947) British Indian novelist and essayist

The Hindu interview (2012)

People, World, Democracy, Strong

“There's none of this wisecracking and cynicism that you see in … some of the other cartoons. He's supposed to be a role model for kids. He cares about other people.”

Art Clokey (1921–2010) American animator

Quoted by Michelle Locke (Associated Press), "Gumby comes back to TV", The Dispatch (Lexington), 14 November 1995, p. 6B

People

“If you win elections on the theory that government is always bad and will mess up a two-car parade a real change-maker represents a real threat. So your only option is to create a cartoon, a cartoon alternative, then run against the cartoon. Cartoons are two- dimensional, they’re easy to absorb. Life in the real world is complicated and real change is hard. And a lot of people even think it’s boring.”

Bill Clinton (1946) 42nd President of the United States

2010s, (July 26, 2016)

Life, People, World, Cars

“"Ethan, there has to be more to my life than this."
"Why can't you just be happy as a shallow cartoon glyph of a human like everybody else here?"”

Douglas Coupland book JPod

JPod (2006)

Life, Happiness

“When I was a small child, for some reason—and I don’t know if this was from cartoons or movies or what—I was very frightened of skeletons. I also was very afraid of the dark. I used to have incredibly terrible nightmares. I was afraid of everything as a child. Now look what I’m doing.”

Rich Koz (1952) American actor and comedian

Rich Koz http://www.chicagomag.com/Chicago-Magazine/October-2017/Rich-Koz/ (October 27, 2017)

“There is a clear acknowledgement all over the world that we should not teach people to read and then to leave them without literature. For they would then relapse into a dreary and ultimately dangerous state of half-education, in which they would be easily satisfied by crude semi-pictorial approximations of the strip cartoon and by the abundant supply of degenerate literature which destroys, rather than promotes, a capacity to face the problems of the world with skill and courage”

A.D. Patel (1905–1969) Fijian politician

His argument for the introduction of a colony-wide library system in 1955.

People, World, Education, Literature

“If you can turn yourself into a cartoon character, you can retire, and a whole team of people will keep you au courant.”

Terence McKenna (1946–2000) American ethnobotanist

Technopagans at the End of History (1998)
Context: I think we have to have character models built of ourselves, and turn the whole thing over to our writers; and we'll just go off to Tahiti, and the writers can — it's the "Uncle Duke" solution. If you can turn yourself into a cartoon character, you can retire, and a whole team of people will keep you au courant. … You know, I think the only way to keep your career going is to retire the "bod", and create an online character– a Saturday morning cartoon show apparently is where the action is.

People

“Furthermore, the younger members of our society have for some time been in growing rebellion against paternal authority and the paternal state. For one reason, the home in an industrial society is chiefly a dormitory, and the father does not work there, with the result that wife and children have no part in his vocation. He is just a character who brings in money, and after working hours he is supposed to forget about his job and have fun. Novels, magazines, television, and popular cartoons therefore portray "Dad" as an incompetent clown. And the image has some truth in it because Dad has fallen for the hoax that work is simply something you do to make money, and with money you can get anything you want.
It is no wonder that an increasing proportion of college students want no part in Dad's world, and will do anything to avoid the rat-race of the salesman, commuter, clerk, and corporate executive. Professional men, too—architects, doctors, lawyers, ministers, and professors—have offices away from home, and thus, because the demands of their families boil down more and more to money, are ever more tempted to regard even professional vocations as ways of making money. All this is further aggravated by the fact that parents no longer educate their own children. Thus the child does not grow up with understanding of or enthusiasm for his father's work. Instead, he is sent to an understaffed school run mostly by women which, under the circumstances, can do no more than hand out mass-produced education which prepares the child for everything and nothing. It has no relation whatever to his father's vocation.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 111

Women, Men, Money, Children

“I think it's very important to have both cartoons and more realistic structures. The cartoons have the power of representing the essential very often, but have this intrinsic weakness of being in a certain sense predictable.”

Benoît Mandelbrot (1924–2010) Polish-born, French and American mathematician

Segment 70
Peoples Archive interview
Context: I think it's very important to have both cartoons and more realistic structures. The cartoons have the power of representing the essential very often, but have this intrinsic weakness of being in a certain sense predictable. Once you look at the Sierpinski triangle for a very long time you see more consequences of the construction, but they are rather short consequences, they don't require a very long sequence of thinking. In a certain sense, the most surprising, the richest sciences are those in which we start from simple rules and then go on to very, very long trains of consequences and very long trains of consequences, which you are still predicting correctly.

Thinking, Sense

“I want a shot at redemption
Don’t want to end up a cartoon
In a cartoon graveyard.”

Paul Simon (1941) American musician, songwriter and producer

You Can Call Me Al
Song lyrics, Graceland (1986)
Context: A man walks down the street
He says why am I soft in the middle now
Why am I soft in the middle
The rest of my life is so hard
I need a photo opportunity
I want a shot at redemption
Don’t want to end up a cartoon
In a cartoon graveyard.