Quotes about breath
page 8

Nathaniel Hawthorne photo
Vincent Van Gogh photo

“This one thing remains: faith; one feels instinctively that many things are changing and that everything will change. We are living in the last quarter of a century which will end again in an enormous revolution.... we shall certainly not live to see the better times of pure air and the refreshing of the old society after those big storms. We are still in the closeness but the following generations will be able to breathe in freely.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Antwerp Belgium, Winter 1886; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 451), p. 38
1880s, 1886

John Dear photo
Stefan Szczesny photo
Lois McMaster Bujold photo
Emily Brontë photo
Letitia Elizabeth Landon photo
Peter Greenaway photo
Ken Ham photo

“Personally, I don't believe insects had to be on board [Noah's ark]. You see, I don't believe they're classified in the Bible as having the "breath of life" as vertebrates are.”

Ken Ham (1951) Australian young Earth creationist

Did Adam have a Bellybutton?: And other tough questions about the Bible (2000)

George Eliot photo
Prem Rawat photo
Curtis Mayfield photo
Conrad Aiken photo
Noel Gallagher photo
Robert G. Ingersoll photo
Louise Chandler Moulton photo

“This Life is a fleeting breath,
And whither and how shall I go,
When I wander away with Death
By a path that I do not know?”

Louise Chandler Moulton (1835–1908) American poet, story-writer and critic

When I wander away with Death.
Bartlett's Familiar Quotations, 10th ed. (1919)

Prem Rawat photo

“Listen to satsang. It is a very good thing. God created day and night. After that He created excellent things to eat, and then he landed us in this world. Isn't this human body beautiful? There is a nose to breathe with. Tell me, could we have survived without it? See what a good job of seeing these eyes do. Look how beautiful are the hands and the feet. If no seva is done, then these hands are of no use. These two ears have been given, if we don’t listen to satsang with them, aren’t they useless? If you do not go to satsang walking with these feet, they are also worthless. God has created all the parts of this body quite well, but if we don't use them properly, it is our fault, not the Creator's. The river flowing over there is the Ganga, but it is not flowing for its own use. It is we who drink its water, wash our clothes in it, and irrigate our fields with it. By bathing in it only the dirt of this body is washed, but by bathing in the Ganga of satsang, all the evils are removed. What I am telling you is also written in the Gita. But Gita cannot make you understand. Only the satguru can make you understand the satnam (true name), so do practice Knowledge. Look at Lord Shiva sitting with eyes closed [pointing towards a fountain with a statue of Shiva]. He always stays in the contemplation of Guru Maharaj. Whenever I see him he doesn’t do any other work. I don’t know whether he doesn’t like doing any other work or what. Therefore, you too should also practice Knowledge like this.”

Prem Rawat (1957) controversial spiritual leader

Prem Nagar, Hardwar August 21,1962 (translated from Hindi). Birthday Celebrations, as published in "Hansadesh" magazine, Issue 1, Mahesh Kare, January 1963. (First published address.)
1960s

Willem Roelofs photo

“.. when making a painting after a study, it costs me a lot of effort to follow this study very well. One is very much inclined to make something different, so-called better, and that's why people usually get confused. A good outdoor-study has a breath of nature in it which must not be neglected or destroyed. You have to get everything out of that study and not just a third or half. If you can really improve one or the other: a la bonheur, but otherwise it is advisable to follow the study obediently as a guide.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) ..groote moeite kost het [me om] bij het maken van een schilderij naar een studie, deze werkelijk goed te volgen. Men is maar al te zeer geneigd, er iets anders, zoogenaamd iets beters, van te maken, en daardoor geraakt men meestal juist van de wijs. Een goede buiten-studie heeft een adem der natuur in zich, dien men niet mag verwaarloozen of vernietigen. Men moet uit zo'n studie alles halen, wat er in zit en niet een derde of de helft. Kan men waarlijk het een of ander verbeteren, a la bonheur, maar anders is het raadzaam, de studie gehoorzaam te volgen als gids.
Quote of Roelofs; recorded and cited by his student nl:Frans Smissaert in 1891, as quoted in Zó Hollands - Het Hollandse landschap in de Nederlandse kunst sinds 1850, Antoon Erftemeijer https://www.franshalsmuseum.nl/wp-content/uploads/2017/12/zohollands_eindversie_def_1.pdf; Frans Hals museum | De Hallen, Haarlem 2011, p. 16
undated quotes

Amir Taheri photo
Alfred Noyes photo

“Once more I hear the everlasting sea
Breathing beneath the mountain's fragrant breast”

Alfred Noyes (1880–1958) English poet

Resurrection
Collected Poems (1913)

Michael Elmore-Meegan photo
Richard Rodríguez photo

“Thud. My eyes are open. It is four-thirty in the morning, one morning, and my dry eyes click in their sockets, awake before the birds. There is no light. The eye strains for logic, some play of form. I have been dreaming of wind. The tree outside my window stands silent. I listen to the breathing of the man lying beside me. I know where I am. I am awake. I am alive. Am I tethered to earth only by this fragile breath? A strawful of breath at best. Yet this is the breath that patients beg, their hands gripping the edges of mattresses; this is the breath that wrestles trees, that brings down all the leaves in the Third Act. We know where the car is parked. We know, word-for-word, the texts of plays. We have spoken, in proximity to one another, over years, sentences, hundreds of thousands of sentences—bright, grave, fallible, comic, perishable—perhaps eternal? I don’t know. Where does the wind go? When will the light come? We will have hotcakes for breakfast. How can I protect this...? My church teaches me I cannot. And I believe it. I turn the pillow to its cool side. Then rage fills me, against the cubist necessity of having to arrange myself comically against orthodoxy, against having to wonder if I will offend, against theology that devises that my feeling for him, more than for myself, is a vanity. My brown paradox: The church that taught me to understand love, the church that taught me well to believe love breathes—also tells me it is not love I feel, at four in the morning, in the dark, even before the birds cry. Of every hue and caste am I.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Albrecht Thaer photo

“Arriving in Berlin, I found myself in my element, and began to breathe freely. Jerusalem and Lessing had given us letters of introduction to the greatest men in Berlin; but they knew us already, Leisewitz as author of "Julius Von Tarent," and myself as author of my Dissertation. We had daily the choice of the first society; covers were laid for us in the first families daily, for dinner as well as supper. Von Zetlitz sent a general invitation that covers were laid for us every day during our stay in Berlin. Most of the time we could spare was divided between physicians and philosophers, of which the latter had the greater share. Spalding, Mendelsohn, Eberhard, Engel, Nicolai, Reichard, and Madame Bamberger, daughter of Doctor Sack, Bishop of Berlin, honoured us with their most sincere friendship. The latter, a highly gifted and accomplished lady, possessed the rare art of spreading over the most abstract hypothesis and theorem the brightest and most charming light; Jerusalem, the father of the ill-fated Werther (see the "Sorrows of Werther," by Goethe), used to send her his works to correct, and she alone was able to console and comfort him, when he was informed of the death of his beloved son. This amiable lady assumes in common life the character of a plain woman, and when at court, as friend of the Queen and the Princess Amalie, she won all hearts by her truly noble man ners and unconstrained courtesy: at court beloved, she was admired, nay, adored in the philosophical clubs. But do not think that here alone we spent all our time; Madame Bamberger knew how to blend study with amusement; she issued frequently cards of invitation to select parties, for suppers and balls, and her house was the point of union of all that was learned, beautiful, and amiable. Thus Berlin became my Paradise. I had the most tempting offers from the Minister of State to stay here; but the illness of my father obliged me, after a stay of three months, to return home. I visited Lessing on my journey back; stayed two days, which were the most interesting of all days I ever remember.”

Albrecht Thaer (1752–1828) German agronomist and an avid supporter of the humus theory for plant nutrition

My Life and Confessions, for Philippine, 1786

Stanley Baldwin photo
John Ruysbroeck photo
Joshua Lawrence Chamberlain photo

“The momentous meaning of this occasion impressed me deeply. I resolved to mark it by some token of recognition, which could be no other than a salute of arms. Well aware of the responsibility assumed, and of the criticisms that would follow, as the sequel proved, nothing of that kind could move me in the least. The act could be defended, if needful, by the suggestion that such a salute was not to the cause for which the flag of the Confederacy stood, but to its going down before the flag of the Union. My main reason, however, was one for which I sought no authority nor asked forgiveness. Before us in proud humiliation stood the embodiment of manhood: men whom neither toils and sufferings, nor the fact of death, nor disaster, nor hopelessness could bend from their resolve; standing before us now, thin, worn, and famished, but erect, and with eyes looking level into ours, waking memories that bound us together as no other bond;—was not such manhood to be welcomed back into a Union so tested and assured? Instructions had been given; and when the head of each division column comes opposite our group, our bugle sounds the signal and instantly our whole line from right to left, regiment by regiment in succession, gives the soldier's salutation, from the "order arms" to the old "carry"—the marching salute. Gordon at the head of the column, riding with heavy spirit and downcast face, catches the sound of shifting arms, looks up, and, taking the meaning, wheels superbly, making with himself and his horse one uplifted figure, with profound salutation as he drops the point of his sword to the boot toe; then facing to his own command, gives word for his successive brigades to pass us with the same position of the manual, honor answering honor. On our part not a sound of trumpet more, nor roll of drum; not a cheer, nor word nor whisper of vain-glorying, nor motion of man standing again at the order, but an awed stillness rather, and breath-holding, as if it were the passing of the dead!”

Joshua Lawrence Chamberlain (1828–1914) Union Army general and Medal of Honor recipient

The Passing of the Armies: An account of the Army of the Potomac, based upon personal reminiscences of the Fifth Army Corps (1915), p. 260

Victor Villaseñor photo
Robert J. Sawyer photo
Sarah Dessen photo
Robert Hunter photo

“Don't waste the breath to save your face, When you have done your best, And even more is asked of you, Let fate decide the rest.”

Robert Hunter (1941–2019) American musician

"Built to Last"
Built to Last (1989)

William Beebe photo
Daniel Tosh photo

“The next monument visited was the great Jain temple built only a few years before by Shantidas Jhaveri, one of the wealthiest men of Gujarat in his day and high in favour both with Shah Jahan and after him with Aurangzeb. …In 1638, however, when Mandelslo visited the place, this temple which he calls ‘ the principal mosque of the Banyas ’ was in all its pristine splendour and ‘ without dispute one of the noblest structures that could be seen’. ‘It was then new,’ he adds, ‘ for the Founder, who was a rich Banya merchant, named Shantidas, was living in my time.
As Mandelslo’s description is the earliest account we have of this famous monument, which was desecrated only seven years after visit by the Orders of Aurangzeb, then viceroy of Gujarat (1645), we shall reproduce it at some length. It stood in the middle of a great court which was enclosed by a high wall of freestone. All about this wall on the inner side was a gallery, similar to the cloisters of the monasteries in Europe, with a large number of cells, in each of which was placed a statue in white or black marble. These figures no doubt represented the Jain Tirthankars, but Mandelslo may be forgiven when he speaks of each of them as ‘ representing a woman naked, sitting, and having her legs lying cross under her, according to the mode of the country. Some of the cells had three statues in them, namely, a large one between two smaller ones.’ At the entrance to the temple stood two elephants of black marble in life- size and on one of them was seated an effigy of the builder. The walls of the temple were adorned with figures of men and animals. At the further end of the building were the shrines consisting of three chapels divided from each other by wooden rails. In these were placed marble statues of the Tirthankars with a lighted lamp before that which stood in the central shrine. One of the priests attending the temple was busy receiving from the votaries flowers which were placed round the images, as also oil for the lamps that hung before the rails, and wheat and salt as a sacrifice. The priest had covered his mouth and nose with a piece of linen cloth so that the impurity of his breath should not profane the images.”

Shantidas Jhaveri (1580–1659) Indian jewellery and bullion trader during Mughal era

Description of the temple built by Shantidas Jhaveri. Mandelslo’s Travels In Western India (a.d.1638-9) https://archive.org/details/in.ernet.dli.2015.531053 p. 23-25

Adelaide Anne Procter photo
Letitia Elizabeth Landon photo
Iain Banks photo
Stephenie Meyer photo

“Through them [his paintings] I breathe again.”

Clyfford Still (1904–1980) American artist

Clyfford Still (1950) as quoted in Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd London, 1990, p. 145 : Statement for his 1950 show about his paintings
1950s

Paul Klee photo
Theodore Dreiser photo

“Oh, the moon is fair tonight along the Wabash,
From the fields there comes the breath of new-mown hay;
Through the sycamores the candle lights are gleaming
On the banks of the Wabash, far away.”

Theodore Dreiser (1871–1945) Novelist, journalist

On the Banks of the Wabash (1896), chorus; this song as a whole was written by Dreiser's brother Paul (known as Paul Dresser); but Dreiser stated that "I wrote the first verse and chorus", in A Hoosier Holiday (1916) Ch. XLIII: "The Mystery of Coincidence".

George Holyoake photo

“This was the angerless philosophy of Owen, which inspired him with a forbearance that never failed him, and gave him that regnant manner which charmed all who met him. We shall see what his doctrine of environment has done for society, if we notice what it began to do in his day, and what it has done since.
Men perished by battle, by tempest, by pestilence, Faith might comfort, but it did not save them. In every town, nests of pestilence co-existed with the churches, who were concerned alone with worship. Disease was unchecked by devotion. Then Owen asked, "Might not safety come by improved material condition?" As the prayer of hope brought no reply, as the scream of agony, if heard, was unanswered, as the priest, with the holiest intent, brought no deliverance, it seemed prudent to try the philosopher and the physician.
Then Corn Laws were repealed, because prayers fed nobody. Then parks were multiplied because fresh air was found to be a condition of health. Alleys and courts, were begun to be abolished-since deadly diseases were bred there. Streets were widened, that towns might be ventilated. Hours of labour were shortened, since exhaustion means liability to epidemic contagion. Recreation was encouraged, as change and rest mean life and strength. Temperance — thought of as self-denial — was found to be a necessity, as excess of any kind in diet, or labour, or pleasure means premature death. Those who took dwellings began to look, not only to drainage and ventilation, but to the ways of their near neighbours, as the most pious family may poison the air you breathe unless they have sanitary habits.”

George Holyoake (1817–1906) British secularist, co-operator, and newspaper editor

Memorial dedication (1902)

Mark Rothko photo

“I do not believe that there was ever a question of being abstract or representational. It is really a matter of ending this silence and solitude, of breathing, and stretching one's arms again transcendental experiences became possible.”

Mark Rothko (1903–1970) American painter

in The Romantics were prompted, essay by Mark Rothko, 1947/48; as quoted in Possibilities, vol 1, no. 1, winter 1947-48, Kate Rothko Prizel and Christophor Rothko.
1940's

Dan Bern photo

“Stop…
Stop what you're doing…
Stop what you're doing and breathe.”

Dan Bern (1965) American musician

Breathe
Breathe (2006)

Jack Vance photo
Walter Rauschenbusch photo
Letitia Elizabeth Landon photo
Sinclair Lewis photo
Ivan Illich photo
Pierce Brown photo
Lee Child photo
Mike Scott photo

“every breath is yours, beloved
every breath is yours”

Mike Scott (1958) songwriter, musician

"Every Breath Is Yours"
Universal Hall (2003)

John Buchan photo
James Weldon Johnson photo

“Whose starward eye
Saw chariot “swing low”? And who was he
That breathed that comforting, melodic sigh,
“Nobody knows de trouble I see”?”

James Weldon Johnson (1871–1938) writer and activist

O Black and Unknown Bards, st. 2.
Fifty Years and Other Poems (1917)

Kerli photo
Thomas Gray photo
George William Russell photo
Joaquin Miller photo
Stanley Baldwin photo
Ehud Olmert photo
Mohammad-Ali Taskhiri photo
Greg Egan photo
Siegfried Sassoon photo

“If I were fierce, and bald, and short of breath,
I'd live with scarlet Majors at the Base,
And speed glum heroes up the line of death.”

Siegfried Sassoon (1886–1967) English poet, diarist and memoirist

"Base Details"
The Counter-Attack and Other Poems (1918)

Anthony Burgess photo

“…the whole world here breathed easy concupiscence…”

Anthony Burgess (1917–1993) English writer

Fiction, The Enemy in the Blanket (1958)

Fausto Cercignani photo

“Genuine living and mere vegetating have only breathing in common (and a few other things).”

Fausto Cercignani (1941) Italian scholar, essayist and poet

Examples of self-translation (c. 2004), Quotes - Zitate - Citations - Citazioni

Letitia Elizabeth Landon photo
Emily Brontë photo
Ray Bradbury photo
Richard Rodríguez photo
Edward Bouverie Pusey photo
Peter Greenaway photo

“If Good approved of his creature's creation, He breathed the painted clay-model into life by signing His name.”

Peter Greenaway (1942) British film director

From the seventh book, "The Book of Youth"
The Pillow Book

Carl Safina photo

“Most of the oxygen we breathe is made by ocean plankton. And when animals left the seas in which life arose, they took seawater with them, in their bodies — an internal environment crucial for cellular survival. We are, in a sense, soft vessels of seawater.”

Carl Safina (1955) American biologist

Source: [A sea ethic: floating the Ark, Blue Ocean Institute, 2005, http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.495.177&rep=rep1&type=pdf]

Percy Bysshe Shelley photo

“On a poet's lips I slept
Dreaming like a love-adept
In the sound his breathing kept.”

Fourth Spirit, Act I, l. 737
Prometheus Unbound (1818–1819; publ. 1820)

Fitz-Greene Halleck photo
John Horgan photo

“Whenever we go into a pulp town I breathe deep and it reminds me of a positive time in my youth.”

John Horgan (1959) 36th Premier of British Columbia

https://www.bcndp.ca/about-john

William Julius Mickle photo
Christopher Hitchens photo
Ray Comfort photo

“It was senseless, as— I held my breath, feeling myself shiver with fear— as Billy's blindness was senseless.”

Reuven Malter when thinking about the death of Pres. Roosevelt
The Chosen (1967)

Tanith Lee photo

“Each for himself, we all sustain
The durance of our ghostly pain;
Then to Elysium we repair,
The few, and breathe this blissful air.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book VI, p. 220

Nadine Gordimer photo
William Collins photo
Dan Quayle photo

“Mars is essentially in the same orbit. … Mars is somewhat the same distance from the Sun, which is very important. We have seen pictures where there are canals, we believe, and water. If there is water, that means there is oxygen. If oxygen, that means we can breathe.”

Dan Quayle (1947) American politician, lawyer

Press comment on Mars exploration http://bobpark.physics.umd.edu/WN89/wn090189.html (11 August 1989), televised on CNN, and referenced in "A Quayle Vision of Mars" in The Washington Post (1 September 1989)

Tawakkol Karman photo
Louis-ferdinand Céline photo

“And the music came back with the carnival, the music you've heard as far back as you can remember, ever since you were little, that's always playing somewhere, in some corner of the city, in little country towns, wherever poor people go and sit at the end of the week to figure out what's become of them, sometimes here, sometimes there, from season to season, it tinkles and grinds out the tunes that rich people danced to the year before. It's the mechanical music that floats down from the wooden horses, from the cars that aren't cars anymore, from the railways that aren't at all scenic, from the platform under the wrestler who hasn't any muscles and doesn't come from Marseille, from the beardless lady, the magician who's a butter-fingered jerk, the organ that's not made of gold, the shooting gallery with the empty eggs. It's the carnival made to delude the weekend crowd. We go in and drink the beer with no head on it. But under the cardboard trees the stink of the waiter's breath is real. And the change he gives you has several peculiar coins in it, so peculiar that you go on examining them for weeks and weeks and finally, with considerable difficulty, palm them off on some beggar. What do you expect at the carnival? Gotta have what fun you can between hunger and jail, and take things as they come. No sense complaining, we're sitting down aren't we? Which ain't to be sneezed at. I saw the same old Gallery of the Nations, the one Lola caught sight of years and years ago on that avenue in the park of Saint-Cloud. You always see things again at carnivals, they revive the joy of past carnivals. Over the years the crowds must have come back time and again to stroll on the main avenue of the park of Saint-Cloud…taking it easy. The war had been over long ago. And say I wonder if that shooting gallery still belonged to the same owner? Had he come back alive from the war? I take an interest in everything. Those are the same targets, but in addition, they're shooting at airplanes now. Novelty. Progress. Fashion. The wedding was still there, the soldier too, and the town hall with its flag. Plus a few more things to shoot at than before.”

27
Journey to the End of the Night (1932)

Walter Rauschenbusch photo

“Under the warm breath of religious faith all social institutions become plastic.”

Walter Rauschenbusch (1861–1918) United States Baptist theologian

Source: Christianity and the Social Crisis (1907), Introduction, p.xii

Alexander Pope photo

“Not louder shrieks to pitying heav'n are cast,
When husbands, or when lapdogs, breathe their last.”

Canto III, line 157.
The Rape of the Lock (1712, revised 1714 and 1717)

Letitia Elizabeth Landon photo

“The dream on the pillow,
That flits with the day,
The leaf of the willow
A breath wears away;
The dust on the blossom,
The spray on the sea;
Ay,—ask thine own bosom—
Are emblems of thee.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(29th March 1823) Song - The dream on the pillow.
The London Literary Gazette, 1823

Erasmus Darwin photo
Letitia Elizabeth Landon photo

“For love is like the breathing wind,
That everywhere may entrance find.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - The Child of the Sea
The Golden Violet (1827)

Rudy Rucker photo
Joanna Newsom photo

“And never will I wed.
I'll hunt the pearl of death to the bottom of my life,
and ever hold my breath,
till I may be the diver's wife.”

Joanna Newsom (1982) American musician

Divers
Divers https://en.wikipedia.org/wiki/Divers_(Joanna_Newsom_album) (2015)