Quotes about body
page 23

James Jeans photo
William Morris photo
G. K. Chesterton photo
James Kenneth Stephen photo
Vitruvius photo
Democritus photo

“If one choose the goods of the soul, he chooses the diviner [portion]; if the goods of the body, the merely mortal.”

Democritus Ancient Greek philosopher, pupil of Leucippus, founder of the atomic theory

Source Book in Ancient Philosophy (1907), The Golden Sayings of Democritus

Francis Bacon photo
Alain de Botton photo
Aron Ra photo
George Frideric Handel photo

“Whether I was in my body or out of my body I know not. God knows it!”

George Frideric Handel (1685–1759) German, later British Baroque composer

Quoted in The Harvard Magazine (December 1862), p. 141.
On composing the "Hallelujah Chorus" in 1741.

Alexandre Vinet photo
Muhammad photo
Arthur Jensen photo
George W. Bush photo
Wilkie Collins photo

“No man under Heaven deserves these sacrifices from us women. Men! They are the enemies of our innocence and our peace — they drag us away from our parents' love and our sisters' friendship — they take us body and soul to themselves, and fasten our helpless lives to theirs as they chain up a dog to his kennel.”

Vol. I [Bernhard Tauchnitz, 1860] ( p. 194 https://books.google.com/books?id=wUN2KP79lhUC&pg=PA194)
Also in The Cambridge Companion to Sensation Fiction edited by Andrew Mangham [Cambridge University Press, 2013, ISBN 1-107-51169-0] ( p. 82 https://books.google.com/books?id=rQZCAQAAQBAJ&pg=PA82)
The King of Inventors: A Life of Wilkie Collins by Catherine Peters [Princeton University Press, 2014, ISBN 1-400-86345-7] ( p. 224 https://books.google.com/books?id=T0AABAAAQBAJ&pg=PA224)
Cemetery of the Murdered Daughters: Feminism, History, and Ingeborg Bachmann by Sara Lennox [University of Massachusetts Press, 2006, ISBN 1-558-49552-5] ( p. 227 https://books.google.com/books?id=_9VjDtk5ss4C&pg=PA227)
The Law and the Lady (1875)

John F. Kennedy photo
Aristophanés photo

“Chremylus: And what good thing can [Poverty] give us, unless it be burns in the bath, and swarms of brats and old women who cry with hunger, and clouds uncountable of lice, gnats and flies, which hover about the wretch's head, trouble him, awake him and say, “You will be hungry, but get up!” […]
Poverty: It's not my life that you describe; you are attacking the existence beggars lead. […] The beggar, whom you have depicted to us, never possesses anything. The poor man lives thriftily and attentive to his work; he has not got too much, but he does not lack what he really needs. […] But what you don't know is this, that men with me are worth more, both in mind and body, than with [Wealth]. With him they are gouty, big-bellied, heavy of limb and scandalously stout; with me they are thin, wasp-waisted, and terrible to the foe. […] As for behavior, I will prove to you that modesty dwells with me and insolence with [Wealth]. […] Look at the orators in our republics; as long as they are poor, both state and people can only praise their uprightness; but once they are fattened on the public funds, they conceive a hatred for justice, plan intrigues against the people and attack the democracy. […]
Chremylus: Then tell me this, why does all mankind flee from you?
Poverty: Because I make them better. Children do the very same; they flee from the wise counsels of their fathers. So difficult is it to see one's true interest.”

tr. O'Neill 1938, Perseus http://www.perseus.tufts.edu/hopper/text.jsp?doc=Aristoph.+Pl.+535
Plutus, line 535-539 & 548 & 552-554 & 558-561 & 563-564 & 567-570 & 575-578
Plutus (388 BC)

Anthony Trollope photo
Samuel R. Delany photo
Percy Bysshe Shelley photo
Derek Jarman photo
Torquato Tasso photo

“Great Carthage low in ashes cold doth lie,
Her ruins poor the herbs in height scant pass,
So cities fall, so perish kingdoms high,
Their pride and pomp lies hid in sand and grass:
Then why should mortal man repine to die,
Whose life, is air; breath, wind; and body, glass?”

Torquato Tasso (1544–1595) Italian poet

Giace l'alta Cartago; appena i segni
Dell'alte sue ruine il lido serba.
Muojono le città, muojono i regni;
Copre i fasti e le pompe arena ed erba;
E l'uomo d'esser mortal par che si sdegni:
O nostra mente cupida e superba!
Canto XV, stanza 20 (tr. Fairfax)
Max Wickert's translation:
: Exalted Carthage lies full low. The signs
of her great ruin fade upon the strand.
So dies each city, so each realm declines,
its pomp and glory lost in scrub and sand,
and mortal man to see it sighs and pines.
(Ah, greed and pride! when will you understand?)
Gerusalemme Liberata (1581)

Koichi Tohei photo
Richard Watson photo

“The weakest believer is a member of Christ as well as the strongest; and the weakest member of the body mystically shall not perish. Christ will cut off rotten members, but not weak members.”

Richard Watson (1781–1833) British methodist theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 105.

Joseph Addison photo
Oscar Niemeyer photo

“It is not the right angle that attracts me, nor the straight line, hard and inflexible, created by man. What attracts me is the free and sensual curve — the curve that I find in the mountains of my country, in the sinuous course of its rivers, in the body of the beloved woman.”

Oscar Niemeyer (1907–2012) Brazilian architect

As quoted in Plans, Sections and Elevations : Key Buildings of the Twentieth Century (2004) by Richard Weston
Variant translations:
It is not the right angle that attracts me,
Nor the hard, inflexible straight line, man-made.
What attracts me are free and sensual curves.
The curves in my country’s mountains,
In the sinuous flow of its rivers,
In the beloved woman’s body.
As quoted in "Architect of Optimism" http://www.ft.com/cms/s/0/db740a7a-e897-11db-b2c3-000b5df10621.html?nclick_check=1, Angel Gurria-Quintana, Financial Times (2007-04-13)
It is not the right angle that attracts me.
nor the straight line, tough, inflexible,
created by man.
what attracts me is the free, sensual curve.
the curve I find in the mountains of my country,
in the sinuous course of its rivers,
in the waves of the sea,
in the clouds of the sky,
in the body of the favourite woman.
Of curves is made all the universe.
As quoted on a Photo page on the Museum of Contemporary Art over Baia da Guanabara http://app.tabblo.com/studio/stories/view/122423/?nextnav=favs&navuser=1

Edmund Spenser photo

“(Woman in office) Help, I am a rich woman being kept prisoner in a working woman's body.”

Nicole Hollander (1939) Cartoonist

Source: Sylvia cartoon strip, p. 196

Charles Baudelaire photo

“Women do not know how to separate the soul from the body.”

Charles Baudelaire (1821–1867) French poet

La femme ne sait pas séparer l'âme du corps.
Journaux intimes (1864–1867; published 1887), Mon cœur mis à nu (1864)

William Ewart Gladstone photo
Thomas Little Heath photo
Ray Comfort photo
Madison Grant photo
James Braid photo
Clive Staples Lewis photo
Lysander Spooner photo
Marisa Miller photo

“Growing up, I was always really shy about my body.”

Marisa Miller (1978) American model

Marisa Miller: “I Was Always Shy About My Body”, OK! Magazine, Ramos, Patricia, 2009-11-24, 2010-03-29 http://www.okmagazine.com/2009/11/marisa-miller-i-was-always-shy-about-my-body/,

Warren Farrell photo
Leo Tolstoy photo
Lord Randolph Churchill photo

“Your iron industry is dead; dead as mutton. Your coal industries, which depend greatly upon the iron industries, are languishing. Your silk industry is dead, assassinated by the foreigner. Your woollen industry is in articulo mortis, gasping, struggling. Your cotton industry is seriously sick. The shipbuilding industry, which held out longest of all, is come to a standstill. Turn your eyes where you like, survey any branch of British industry you like, you will find signs of mortal disease. The self-satisfied Radical philosophers will tell you it is nothing; they point to the great volume of British trade. Yes, the volume of British trade is still large, but it is a volume which is no longer profitable; it is working and struggling. So do the muscles and nerves of the body of a man who has been hanged twitch and work violently for a short time after the operation. But death is there all the same, life has utterly departed, and suddenly comes the rigot mortis…But what has produced this state of things? Free imports? I am not sure; I should like an inquiry; but I suspect free imports of the murder of our industries much in the same way as if I found a man standing over a corpse and plunging his knife into it I should suspect that man of homicide, and I should recommend a coroner's inquest and a trial by jury…”

Lord Randolph Churchill (1849–1895) British politician

Speech in Blackpool (24 January 1884), quoted in Robert Rhodes James, Lord Randolph Churchill (London: Phoenix, 1994), p. 137

“Communist writers likewise maintain that the Judaic-Christian code of ethics is "class" morality. By this they mean that the Ten Commandments and the ethics of Christianity were created to protect private property and the property class. To show the lengths to which Communist writers have gone to defend this view we will mention several of their favorite interpretations of the Ten Commandments. They believe that "Honor thy Father and thy Mother" was created by the early Hebrews to emphasize to their children the fact that they were the private property of their parents. "Thou shalt not kill" was attributed to the belief of the dominant class that their bodies were private property and therefore they should be protected along with other property rights. "Thou shalt not commit adultery" and "Thou shalt not covet thy neighbor's wife" were said to have been created to implement the idea that a husband was the master of the home and the wife was strictly private property belonging to him. This last line of reasoning led to some catastrophic consequences when the Communists came into power in Russia. In their anxiety to make women "equal with men" and prevent them from becoming private property, they degraded womankind to the lowest and most primitive level. Some Communist leaders advocated complete libertinism and promiscuity to replace marriage and the family.”

The Naked Communist (1958)

Muhammad photo

“The believers in their kindness and merciful behaviors are like one body, if any organ of this body complains, the rest of the body stays awake, ill and feverish.”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Ṣaḥīḥ al-Bukhārī 5665, Ṣaḥīḥ Muslim 2586
Sunni Hadith

Samuel Vince photo

“I have lately spent some Thoughts relative to the Nature of Light, whether it be subject to the common Laws of Motion. In this particular Newton seems to contradict himself. For in his Principia Sect. 14th he applies the common Laws of Motion to account for Reflection and Refraction, as he does also in one Part of his Optics where he proves the Sine of Incid. to Sine Refr, in a given in a given Ratio. But in another Part he says, “nothing more is requisite for producing all the Variety of Colours and Degrees of Refrangibility than that the Rays of Light be Bodies of different Sizes, the least of which may make Violet, and the Greatest the Red"; this manifestly is not consistent with the Theory of Motion applied to Bodies, where the Magnitude of the Bodies is of no Consequence. Now it is evident that if the common Theory of Motion can be applied to Light, the Red Light must have had the greatest Velocity before Incidence, as it suffers the least Deviation, for if the Vels of all the Difft colour'd Light were equal before Incidence, they must by Newton's Principia Sect. Sect. 8. Prop. 1. have continued equal after, and therefore must have suffered the same Deviation. The Determination of this Point seems to be of considerable Importance, as we so often apply the Theory of Motion to Light.”

Samuel Vince (1749–1821) British mathematician, astronomer and physicist

As quoted in: Russell McCormmach (2011) Weighing the World: The Reverend John Michell of Thornhill. p. 193

Jacques Ellul photo
Cesar Chavez photo
Frederick Douglass photo
William Lenthall photo
Julia Butterfly Hill photo
RZA photo
Russell Brand photo
Richard Walther Darré photo
Bawa Muhaiyaddeen photo
Nick Cave photo

“My body is a monster driven insane,
My heart is a fish toasted in flames.”

Nick Cave (1957) Australian musician

Song lyrics, Prayers on Fire (1981), Zoo-Music Girl

Sören Kierkegaard photo

“He fixed his definition thus: reflection is the possibility of the relation, consciousness is the relation, the first form of which is contradiction. He soon noted that, as a result, the categories of reflection are always dichotomous. For example ideality and reality, soul and body, to recognize – the true, to will – the good, to love – the beautiful, God and the world, and so on, these are categories of reflection. In reflection, these touch each other in such a way that a relation becomes possible. The categories of consciousness, on the other hand, are trichotomous, as language itself indicates, for when I say I am conscious of this, I mention a trinity. Consciousness is mind and spirit, and the remarkable thing is that when in the world of mind or spirit one is divided, it always becomes three and never two. Consciousness, therefore, presupposes reflection. If this were not true it would be impossible to explain doubt. True, language seems to contest this, since in most languages, as far as he knew, the word ‘doubt’ is etymologically related to the word ‘two’. Yet in his opinion this only indicated the presupposition of doubt, especially because it was clear to him that as soon as I, as spirit, become two, I am eo ipso three. If there were nothing but dichotomies, doubt would not exist, for the possibility of doubt lies precisely in that third which places the two in relation to each other. One cannot therefore say that reflection produces doubt, unless one expressed oneself backwards; one must say that doubt presupposes reflection, though not in a temporal sense. Doubt arises through a relation between two, but for this to take place the two must exist, although doubt, as a higher expression, comes before rather than afterwards.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Johannes Climacus (1841) p. 80-81
1840s, Johannes Climacus (1841)

Stephen Crane photo
Natalie Merchant photo
Laurell K. Hamilton photo
Mata Amritanandamayi photo
Mike Oldfield photo
Philip Roth photo
Jerzy Vetulani photo

“Life is an ulcer on the body of universe.”

Jerzy Vetulani (1936–2017) Polish scientist

Vetulani, Jerzy (2007): Starość okiem przyrodnika. Psychogeriatria polska, 4(3), pp. 109–138.

Matthew Lewis (writer) photo
Bill Bryson photo
George Gallup photo

“I could prove God statistically. Take the human body alone — the chances that all the functions of an individual would just happen is a statistical monstrosity.”

George Gallup (1901–1984) American statistician

Quoted in http://books.google.com/books?id=ck6bXqt5shkC&q="I+could+prove+God+statistically"&pg=PA298#v=onepage Readers Digest (October 1943)

Thomas Sowell photo

“I love painting the way one loves the body of a women.... if painting must have an intellectual and social background, it is only to enhance and make more rich an essentially warm, simple, radiant act, for which everyone has a need.”

Robert Motherwell (1915–1991) American artist

Conversation with W.C. Seitz, in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983
after 1970

Lloyd Kenyon, 1st Baron Kenyon photo
Charles I of England photo
Nick Cave photo
Charles Sumner photo

“With me, sir, there is no alternative. Painfully convinced of the unutterable wrongs and woes of slavery; profoundly believing that, according to the true spirit of the Constitution and the sentiments of the fathers, it can find no place under our National Government — that it is in every respect sectional, and in no respect national — that it is always and everywhere the creature and dependent of the States, and never anywhere the creature or dependent of the Nation, and that the Nation can never, by legislative or other act, impart to it any support, under the Constitution of the United States; with these convictions, I could not allow this session to reach its close, without making or seizing an- opportunity to declare myself openly against the usurpation, injustice, and cruelty, of the late enactment by Congress for the recovery of fugitive slaves. Full well I know, sir, the difficulties of this discussion, arising from prejudices of opinion and from adverse conclusions, strong and sincere as my own. Full well I know that I am in a small minority, with few here to whom I may look for sympathy or support. Full well I know that I must utter things unwelcome to many in this body, which I cannot do without pain. Full well I know that the institution of slavery in our country, which I now proceed to consider, is as sensitive as it is powerful — possessing a power to shake the whole land with a sensitiveness that shrinks and trembles at the touch. But, while these things may properly prompt me to caution and reserve, they cannot change my duty, or my determination to perform it. For this I willingly forget myself, and all personal consequences. The favor and good-will of my fellow-citizens, of my brethren of the Senate, sir, — grateful to me as it justly is — I am ready, if required, to sacrifice. All that I am or may be, I freely offer to this cause.”

Charles Sumner (1811–1874) American abolitionist and politician

"Freedom National, Slavery Sectional," speech in the Senate (July 27, 1852).

Dashiell Hammett photo
Percy Bysshe Shelley photo
Erving Goffman photo
John Lancaster Spalding photo

“Exercise of body and exercise of mind are supplementary, and both may be made recreative and educative.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 239

Julian Assange photo
Paul of Tarsus photo
Philip K. Dick photo
Rachel Whiteread photo

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Rachel Whiteread (1963) British sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007: on Louise Bourgeois

David Lloyd George photo
Walter Dill Scott photo
Al-Biruni photo
Ralph Waldo Emerson photo

“Genius borrows nobly. When Shakespeare is charged with debts to his authors, Landor replies: "Yet he was more original than his originals. He breathed upon dead bodies and brought them into life."”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1870s, Society and Solitude (1870), Quotation and Originality
Variant: Genius borrows nobly. When Shakespeare is charged with debts to his authors, Landor replies: "Yet he was more original than his originals. He breathed upon dead bodies and brought them into life".

Brigham Young photo
Shane Claiborne photo
Hunter S. Thompson photo
Gilbert Ryle photo
Heidi Klum photo
Jahangir photo

“On the 24th of the same month I went to see the fort of Kangra, and gave an order that the Qazi, the Chief Justice (Mir'Adl), and other learned men of Islam should accompany me and carry out in the fort whatever was customary, according to the religion of Muhammad. Briefly, having traversed about one koss, I went up to the top of the fort, and by the grace of God, the call to prayer and the reading of the Khutba and the slaughter of a bullock which had not taken place from the commencement of the building of the fort till now, were carried out in my presence. I prostrated myself in thanksgiving for this great gift, which no king had hoped to receive, and ordered a lofty mosque to be built inside the fort' ….'After going round the fort I went to see the temple of Durga, which is known as Bhawan. A world has here wandered in the desert of error. Setting aside the infidels whose custom is the worship of idols, crowds of the people of Islam, traversing long distances, bring their offerings and pray to the black stone (image)' Some maintain that this stone, which is now a place of worship for the vile infidels, is not the stone which was there originally, but that a body of the people of Islam came and carried off the original stone, and threw it into the bottom of the river, with the intent that no one could get at it. For a long time the tumult of the infidels and idol-worshippers had died away in the world, till a lying brahman hid a stone for his own ends, and going to the Raja of the time said: 'I saw Durga in a dream, and she said to me: They have thrown me into a certain place: quickly go and take me up.”

Jahangir (1569–1627) 4th Mughal Emperor

The Raja, in the simplicity of his heart, and greedy for the offerings of gold that would come to him, accepted the tale of the brahman and sent a number of people with him, and brought that stone, and kept it in this place with honour, and started again the shop of error and misleading
Kangra (Himachal Pradesh) , Tuzuk-i-Jahangiri, translated into English by Alexander Rogers, first published 1909-1914, New Delhi Reprint, 1978, Vol. II, pp. 223-25.

Arthur Schopenhauer photo

“My body and my will are one.”

Book 1
The World as Will and Representation (1819; 1844; 1859)

Vanna Bonta photo

“It's an amazing and exhilarating thing to experience gravity lift away from around the body.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks Sex in Space (Interview - Femail magazine)