Quotes about blue
page 8

“A colossal orange moon rolls as an unbelievable ball against intense blue. The silhouettes of the houses flank this blue on both sides, forming a childishly rigid little frame. As if we witness the birth of the song of flowers which are subordinated to this blue and dominated by the orange moon.”

Marianne von Werefkin (1860–1938) expressionist painter

she wrote in 1905
1895 - 1905
Source: Lettres a un Inconnu, (Notebook III, p. 120) - Aux sources de l'expressionnisme. Presentation par Gabrielle Dufour-Kowalska. Klincksieck, 1999. p. 156

Flowers, Birth, Housing

“With a woman's selflessness and kindness, I look to end populism and political wrangling between the blue and green camps in the coming (2016 ROC) presidential election against Tsai (Ing-wen).”

Hung Hsiu-chu (1948) Taiwanese politician

Hung Hsiu-chu (2015) cited in " Refreshed Hung Hsiu-chu returns to the fray after time-out http://www.wantchinatimes.com/news-subclass-cnt.aspx?cid=1101&MainCatID=11&id=20150907000042" on Want ChinaTimes, 7 September 2015

“I think we can all agree that Blue Lives Murder. Now… Not all of them, not most of them, but a bunch of em, murder. [scoffs] Theyre murdering us. Well, not us. We're white, but….”

David Cross (1964) American comedian, writer and actor

Making America Great Again

Thinking

“From New Orleans and the back roads of the Mississippi Delta to Harlem and Chicago, black musicians set enduring and distinctive standards for American creativity. The blues of Ma Rainey and Bessie Smith, the gospel of Mahalia Jackson, the jazz of Duke Ellington, and the soul of Marvin Gaye claim fans of all ages from around the world. The trumpeting genius of Louis Armstrong and Dizzy Gillespie illustrate the exceptional musicianship so prominent in various genres of African-American music.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Black Music (June 2001)

Age, World, Music, Soul

“Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.”

Edward Lear (1812–1888) British artist, illustrator, author and poet

" The Jumblies http://www.nonsenselit.org/Lear/ns/jumblies.html", st. 1, in Nonsense Songs, Stories, Botany, and Alphabets (1871).

Sea

“In Nuoro Province of Sardinia Italy and Okinawa Japan there are zones called “blue zones” that are known for having the highest number of centenarians - which are people over age 100. When scientists researched these zones to find out how these people were living so long, they found the least common denominator: These people all had emphasized Ikigai in their cultures. They knew what their reason for being alive was. I have never believed that one man should remain a lifelong politician, therefore, I am imposing my own term limit on this office. Ideas get used up and then the man who had them needs to step aside to make way for the new ones. And so, I strive to become like he whom Plato once apotheosized - the statesman. This means that I know my place, and that is why as a builder and starter, it is now my time to pass the torch of good government on to whomever the public’s wisdom declares a new leader in the upcoming November election.”

Robert Agresta (1983)

Public Release May, 2011, Politicker NJ

Wisdom, People, Age, Way

“The mad road, lonely, leading around the bend into the openings of space towards the horizon Wasatch snows promised us in the vision of the West, spine heights at the world's end, coast of blue Pacific starry night — nobone halfbanana moons sloping in the tangled night sky, the torments of great formations in mist, the huddled invisible insect in the car racing onwards, illuminate. — The raw cut, the drag, the butte, the star, the draw, the sunflower in the grass — orangebutted west lands of Arcadia, forlorn sands of the isolate earth, dewy exposures to infinity in black space, home of the rattlesnake and the gopher the level of the world, low and flat: the charging restless mute unvoiced road keening in a seizure of tarpaulin power into the route.”

Jack Kerouac book Visions of Cody

Visions of Cody (1960)

World, Cars, Home, Star

“I still, when I judge my own pictures (either while I'm working or after I think it's finished) determine if they work in a certain kind of space through shape or color. I think all totally abstract pictures – the best ones that really come off – Newman, Pollock, Noland – have tremendous space; perspective space despite the emphasis on flat surface. For example, in Noland a band of yellow in relation to a band of blue and one of orange can move in depth although they are married to the surface. This has become a familiar explanation, but few people really see and feel it that way.... in my work, because of color and shape a lot is read in the landscape sense..”

Helen Frankenthaler (1928–2011) American artist

Source: 1960s, Interview with Henry Geldzahler', in 'Artforum', 1965, p. 37

People, Color, Way, Feeling

“Behold, within the leafy shade,
Those bright blue eggs together laid!
On me the chance-discovered sight
Gleamed like a vision of delight.”

William Wordsworth The Sparrow's Nest

The Sparrow's Nest, st. 1 (1801).

Chance

“The personal things should be left out of platforms at conventions…. You can argue yourself blue in the face, and you’re not going to change each other’s minds. It’s a waste of your time and my time.”

Barbara Bush (1925–2018) former First Lady of the United States

On the abortion debate, in which her stance was the opposite of her husband's, as quoted in TIME magazine (24 August 1992)

Change, Time, Personality

“Father, why is the sky blue?' - the child is not really interested in the sky as such; the real stake of the question is to expose father's impotence, his helplessness in the face of the hard fact, to present the whole chain of reasons leading to it. The blue of the sky thus becomes not only the father's problem, but in a way even his fault. The sky is blue, and you're just staring at it like an idiot incapable of doing anything about it!”

Slavoj Žižek book The Sublime Object of Ideology

203
The Sublime Object of Ideology (1989)

Way, Question, Problem

“Yesterday it was divinely beautiful [at Scheveningen beach]. These barges lay in dense rows against the slope [of the beach], and between them one walked as between a fancy-built city and from above between all those tarred hulls coal-black, gray, green and white, a deep blue sky.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Gisteren was 't er [op het strand van Scheveningen] goddelijk mooi. Die schuiten lagen in dichte rijen tegen de [strand]-helling en daartussen ging men als tussen een fantastisch gebouwde stad en van boven tussen die geteerde rompen koolzwart, grijs, groen, [en] wit een diepe blauwe lucht.
In Breitner's letter to A.P. van Stolk, nr. 49, Den Haag 17 Dec. 1883; in the RKD-Archive, The Hague; as cited in the master-thesis Van Gogh en Breitner in Den Haag, Helewise Berger, University of Utrecht, The Netherlands, p. 31
In 1881 already Breitner had rendered the surroundings of Scheveningen in the large 'Panorama of Mesdag', assisting Mesdag in this huge project
before 1890

Beauty

“The Great British Public; a nation of Blue Peter presenters.”

Luke Haines (1967) English musician and songwriter

Liner notes to Christie Malry's Own Double Entry OST, 2001

“Ikävä: If I'm off to see you with a bottle of red wine, shall I find some blue cheese at the petrol station, I wonder.”

Pauli Hanhiniemi (1964) Finnish musician and composer

Wine

“The traffic lights, they turn a blue tomorrow
And shine their emptiness down on my bed
The tiny island sags on downstream
Cause the life it lived, is, is dead”

Jimi Hendrix (1942–1970) American musician, singer and songwriter

The Wind Cries Mary
Song lyrics, Are You Experienced? (1967)

Life, Light, Dead

“The blue dye indigo was obtained from the indigo plant by the Egyptians more than 4000 years ago. …The famous and valuable "purple of Tyre" was perhaps first made in Crete in very early times… obtained at great cost… from tiny marine molluscs. …The scarlet dye mentioned in the Bible was obtained from the kermes insect”

J. R. Partington (1886–1965) British chemist

hence the name "crimson"
A Short History of Chemistry (1937)

Time

“Two pictures painted in the year 1907 can conveniently be taken as the starting point of twentieth-century art. They are Matisse's Blue Nude and Picasso's Demoiselles d'Avignon; and both these cardinal, revolutionary pictures represent the nude. The reason is that the revolt of twentieth-century painters was not against academicism: that had been achieved by the impressionists. It was a revolt against the doctrine, with which the impressionists implicitly agreed, that the painter should be no more than a sensitive and well-informed camera. And the very elements of symbolism and abstraction that made the nude an unsuitable subject for the impressionists commended it to their successors. When art was once more concerned with concepts rather than sensations, the nude was the first concept that came to mind.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Nude: A Study in Ideal Form (1951), Ch. IX: The Nude As an End in Itself

Art, Painting

“On the morning of January 11th, 1860, I passed, for the eighth time, through the Golden Gate… As the shores of California faded in the distance, and the summits of the Coast Range sank under the blue horizon, I bade farewell — yes, I do not doubt, forever — to those scenes which, however changed or unchanged, must always posses an ineffable interest for me.”

Richard Henry Dana Jr. (1815–1882) United States author and lawyer

Twenty-Four Years After (1869)

Change, Time

“As far as my exhibition concerned [opening was 8 May 1954, in Ghent].... there is however a recent and important painting hanging there 'Man met Boompje' [Man with tree, later titled 'The Gardener] - permettez-moi - with beautiful refracting matters and color: lemon-yellow spots and lacquerish black on white, (face) transparent pure light-blue with a very thin layer glacis over it (in the small wall) and strong-blue painted vertical line. Yellow brown and mauve brush-sweeps with small red dashes over it (for the small tree), and further a lot of beautiful white.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Wat nu mijn tentoonstelling betreft (opening was 8 mei 1954, in Gent].. .er is echter een recent en belangrijk werk bij n.l. 'Man met boompje' [later 'De Tuinman' getiteld] - permettez-moi- met mooie brekende materies en kleur: citroengele vlekken en lakachtig zwarte op wit, (gezicht) transparante zuivere lichte blauwe met een heel dunne glacis erover (in muurtje) en sterk blauwe geschilderde vertikale lijn. Geelbruine en mauve vegen met daarop kleine rode streepjes (voor boompje) verder veel mooi wit.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, May 1954; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 164 (translation: Fons Heijnsbroek)
1945 - 1960

Beauty, Color, Tree, Light

“Some within the Nazi hierarchy… called for 'blue- and white-collar workers to be put on equal footing’ to give them a preliminary taste of the harmonious future to come, which would be achieve through a ‘generous reform of the social-welfare state in the interest of working people.”

Götz Aly (1947) German journalist, historian and social scientist

Source: Hitler’s Beneficiaries: Plunder, Racial War, and the Nazi Welfare State (2007), p. 57

People, Future

“When, therefore, it shall be asked what we have to do with the memory of Abraham Lincoln, or what Abraham Lincoln had to do with us, the answer is ready, full, and complete. Though he loved Caesar less than Rome, though the Union was more to him than our freedom or our future, under his wise and beneficent rule we saw ourselves gradually lifted from the depths of slavery to the heights of liberty and manhood; under his wise and beneficent rule, and by measures approved and vigorously pressed by him, we saw that the handwriting of ages, in the form of prejudice and proscription, was rapidly fading away from the face of our whole country; under his rule, and in due time, about as soon after all as the country could tolerate the strange spectacle, we saw our brave sons and brothers laying off the rags of bondage, and being clothed all over in the blue uniforms of the soldiers of the United States; under his rule we saw two hundred thousand of our dark and dusky people responding to the call of Abraham Lincoln, and with muskets on their shoulders, and eagles on their buttons, timing their high footsteps to liberty and union under the national flag; under his rule we saw the independence of the black republic of Haiti, the special object of slave-holding aversion and horror, fully recognized, and her minister, a colored gentleman, duly received here in the city of Washington; under his rule we saw the internal slave-trade, which so long disgraced the nation, abolished, and slavery abolished in the District of Columbia; under his rule we saw for the first time the law enforced against the foreign slave trade, and the first slave-trader hanged like any other pirate or murderer.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, Oratory in Memory of Abraham Lincoln (1876)

Love, People, Age, Law

“After this Christ shewed a part of His Passion near His dying.
I saw His sweet face as it were dry and bloodless with pale dying. And later, more pale, dead, languoring; and then turned more dead unto blue; and then more brown-blue, as the flesh turned more deeply dead. For His Passion shewed to me most specially in His blessed face (and chiefly in His lips): there I saw these four colours, though it were afore fresh, ruddy, and pleasing, to my sight. This was a pitiful change to see, this deep dying.”

Julian of Norwich (1342–1416) English theologian and anchoress

The Eighth Revelation, Chapter 16

Passion, Change, Christ, Parting

“Each of us [the Der Blaue Reiter (Blue Rider) artists] was interested in the work of the other members of our group, much as each of us was also interested in the health and happiness of the others. But we were still far from considering ourselves as a group or a school of art... I don't think we were ever as programmatic in out theories, as competitive or a self-assertive, as some of the modern [art] schools of Paris.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), p. 117

Happiness, Health, School, Art

“There were entertaining, impassioned, or witty lectures on Goethe, say, in which he would be depicted descending from a post chaise wearing a blue frock-coat to seduce some Strassburg or Wetzlar girl; or on Arabic culture; in all of them a number of fashionable phrases were shaken up like dice in a cup and everyone was delighted if he dimly recognized one or two catchwords.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

Girl, Fashion

“It was growing dusk, the blue hour when solid things take on a certain transparency and phantoms become palpable.”

Kage Baker book The Graveyard Game

Source: The Graveyard Game (2001), Chapter 27, “Avalon” (p. 244)

“Often since I have, in some sort, shot an Iguana, and have remembered that one in the reserve. Up at Meru I saw a young Native girl with a bracelet on, a leather strap two inches wide, and all embroidered over with very small turquoise-coloured beads which varied little in colour and played in green, light blue and ultra-marine. It was an extraordinarily live thing; it seemed to draw breath on her arm, so that I wanted it for myself, and made Farah buy it from her. No sooner had it come upon my arm that it gave up the ghost. It was nothing now, a small, cheap, purchased article of finery. It had been the play of colors, the duet between the turquoise and the "negre", — that quick, sweet, brownish black, like peat and black pottery, of the Native's skin, — that had created the life of the bracelet. …I stood in Meru and looked at my pale hand and the dead bracelet, it was as if an injustice had been done to a noble thing, as if truth had been suppressed. So sad did it seem that I remembered the saying of the hero in a book that I had read as a child: "I have conquered them all, but I am standing amongst graves."”

Karen Blixen book Out of Africa

Out of Africa (1937)

Life, Truth, Books, Sadness

“What is more cheerful, now, in the fall of the year, than an open-wood-fire? Do you hear those little chirps and twitters coming out of that piece of apple-wood? Those are the ghosts of the robins and blue-birds that sang upon the bough when it was in blossom last Spring. In Summer whole flocks of them come fluttering about the fruit-trees under the window: so I have singing birds all the year round.”

Thomas Bailey Aldrich (1836–1907) American poet, novelist, editor

Miss Mehitabel's Son; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Spring, Bird, Tree, Singing

“Silence lay like a white shroud over all. Kane wrenched his dirk clear and a trickle of seeping blood followed sluggishly, then ceased. The Puritan mechanically swished the blade through the air to shake off the red drops which clung to the steel, and as it flashed in the lanthorn light, it seemed to Jack Hollinster to glitter like a blue flame—a flame which had been quenched in scarlet.”

Robert E. Howard (1906–1936) American author

"The Blue Flame of Vengeance" (1968)

Light, Silence

“He said, 'The royal robe I wear
Trails all along the fields of light:
Its silent blue and silver bear
For gems the starry dust of night.'
'The breath of joy unceasingly
Waves to and fro its folds starlit,
And far beyond earth's misery
I live and breathe the joy of it.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

By Still Waters (1906)

Light, Joy, Night

“Where did you come from baby dear?
Out of the everywhere into the here….
Where did you get your eyes so blue?
Out of the skies as I came through.”

George MacDonald book At the Back of the North Wind

At the Back of the North Wind (1871)

Baby

“I had some brand new shoes
They were all red but they gave me the blues
And they're runnin' away, they left me a letter
It's just like you told me it'd be
It's nothin' nothin' nothin'
nothin' at all”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

"Brand New Shoes".
Volume Two (2010)

Shoe

“Not counting you I've never had a heartache.
Not counting you I never have been blue.
There's no exceptions to the rule;
I've never been nobody's fool.
I've never lost at love not counting you.”

Garth Brooks (1962) American country music artist

Not Counting You.
Song lyrics, Garth Brooks (1989)

Love, Fools

“A novelist has to enter deeper exile still. In most outward ways the experience was depressive, as many young would-be writers and painters who have ever gone to Greece have discovered. We used to have a nickname for the sense of inadequacy and accidie it produced – the ‘Aegean blues’. One has to be a very complete artist to create good work among the purest and most balanced landscapes on the planet…The Greece of the Islands is Circe still; no place for the artist-voyager to linger long, if he cares for his soul.”

John Fowles book The Magus

Introduction (1977 edition)
The Magus (1965)

Way, Soul, Sense

“By the road to the contagious hospital
under the surge of the blue
mottled clouds driven from the
northeast — a cold wind.”

William Carlos Williams book Spring and All

"Spring and All"
Spring and All (1923)

“Oh, where have you been, my blue-eyed son?
And where have you been, my darling young one?”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Compare: "O where ha' you been, Lord Randal, my son? And where ha' you been, my handsome young man?" Lord Randall, no. 12.
Song lyrics, The Freewheelin' Bob Dylan (1963), A Hard Rain's a-Gonna Fall

“So he imports this special breed of scorpions and feeds them on metal meal and the scorpions turned a phosphorescent blue color and sort of hummed. “Now we must find a worthy vessel,” he said. So we flush out this old goof ball artist and put the scorpion to him and he turned sort of blue and you could see he was fixed right to metal. These scorpions could travel on a radar beam and service the clients after Doc copped for the bread. It was a good thing while it lasted and the heat couldn’t touch us. However all these scorpion junkies began to glow in the dark and if they didn’t score on the hour metamorphosed into scorpions straight away. So there was a spot of bother and we had to move on disguised as young junkies on the way to Lexington. Bill and Johnny we sorted out the names but they keep changing like one day I would wake up as Bill the next day as Johnny. So there we are in the train compartment shivering junk sick our eyes watering and burning.”

William S. Burroughs book The Soft Machine

Source: The Soft Machine (1961), Chapter One: "Dead on Arrival"

Color, Way, Travel, Water

“Perfect was Gweir's prison in the Faery Fort.
Due to the ministry of Pwyll and Pryderi
none before him had entered therein.
In the heavy blue chain a faithful servant kept him
and for the Spoils of Annwfn keenly he chanted
and unto Doom shall continue in bard-orison.
Three fulnesses of Prydwen we entered in:
Save for seven none came up from Fort Faery.”

Taliesin (534–599) Welsh bard

Book of Taliesin (c. 1275?), The Spoils of Annwn

Faith, Perfection

“Dreaming upon the sands I lift mine eyes to gaze
Beyond the infinite and heaving blue;
The far horizon, blurred in cloud and haze,
Bends o'er some beach (I muse) a thousand leagues from view.
"And there," saith Fancy, " looking toward these sands,
Wistful like thee, an unknown dreamer stands!"”

Robert Stanley Weir (1856–1926) Canadian judge and poet

"By The Sea", in The North American Review, Vol. 187 (February 1913) p. 234

Dreams

“So, probably.... when I started painting the pelvis bones I was most interested in the holes in the bones — what I saw through them - particularly the blue from holding them up in the sun against the sky as one is apt to do when one seems to have more sky than earth in one's world.... they were most beautiful against the Blue — that Blue that will always be there as it is now after all man's destruction is finished.”

Georgia O'Keeffe (1887–1986) American artist

O'Keeffe's contribution (1939) to the exhibition catalogue of the show An American place (1944)
1930 - 1950

World, Beauty, Sun, Painting

“We have worked together for the last 20 years, first in America and now at INSEAD in France, with time also spent in Asia along the way. From the get-go, we shared an intellectual curiosity to understand what it takes to stand apart and create strong profitable growth. In search of an answer to this question, we looked back more than 100 years and across more than 30 industries. Contrary to common thought, we did not find any permanently excellent companies, nor permanently excellent industries in our research. What we did find, however, were smart strategic moves. And the strategic move that we found matters centrally is to create blue oceans. Blue oceans allow companies to stand apart and create strong profitable growth. This led to our book, Blue Ocean Strategy. Even before Blue Ocean Strategy was released, it broke Harvard Business School Press's historical record for most foreign licenses ever obtained.”

Renée Mauborgne American economist

W. Chan Kim & Renée Mauborgne in: Alistair Craven " Guru Interview: W. Chan Kim & Renée Mauborgne http://first.emeraldinsight.com/interviews/pdf/kim_mauborgne.pdf?PHPSESSID=1423baeb156c88436a5b11," Emerald Management First, p. 2. Accessed 08.2016.

Books, School, Way, Search

“Quite all right, sir. Plenty of time. You have a sleep, sir.’
Hood turned over with his fat bottom towards Nabby Adams. Thank God. Nabby Adams tiptoed over again to the serving-hatch, ordered another, downed it. He began to feel a great deal better. After yet another he felt better still. Poor old Robin Hood wasn’t such a bad type. Stupid, didn’t know a gear-box from a spare tyre, but he meant well. The world generally looked better. The sun shone, the palms shook in the faint breeze, a really lovely Malay girl passed by the window. Proud of carriage, in tight baju and rich sarong, she balanced voluptuous haunches. Her blue-black hair had some sort of a flower in it; how delicate the warm brown of her flat flower-like face.
‘What time is it, Nabby?’….”

Anthony Burgess (1917–1993) English writer

Fiction, Time for a Tiger (1956)

Love, God, Stupidity, World

“Sam stood in the center of the church, listening for the presence of God. It was a hot place. The air was blue with floating radioisotopes. She glanced up at the clouds and they staggered by as if the walls were falling in on her. She looked away quickly. The air flowed around her, calm and peaceful and blue. But there was no divine presence.”

Michael Swanwick (1950) American science fiction author

Source: In the Drift (1985), Chapter 3, “Boneseeker” (pp. 99-100)

God, Peace

“I squint down at my feet and see that my metal plate is surrounded by blue waves that lap up over my boots. Slowly I raise my eyes and take in the water spreading out in every direction.
I can only form one clear thought.
This is no place for a girl on fire.”

Suzanne Collins (1962) American television writer and novelist

Katniss, p. 263
The Hunger Games trilogy, Catching Fire (2009)

Girl, Water

“The term "chorus form" is often used to denote a type of performance - typically in jazz or rhythm 'n' blues, but also sometimes in country music and rock 'n' roll - where a given structural unit is repeated an indefinite number of times. The unit itself may be sectionally elaborate, as in the case of most Tin Pan Alley ballads. It may be twelve-bar blues, or something similar, as in the case of many R&B and rock 'n' roll numbers: here, a three-line AAB lyric, set to a three-phrase melody, is underpinned by a single gestural sweep in the harmony. Occasionally - as in some funk, dub reggae, and hip-hop, for example - it may approach the status of open-ended process.”

Richard Middleton British musicologist

[Key Terms in Popular Music and Culture, ISBN 0631212639, Middleton, Richard, 1999]

Music, Time, Country

“You can talk film theory till you're blue in the face, but in the end, the thing that may haunt you most about a movie is a pair of eyes.”

Stephanie Zacharek (1963) American film critic

Seduced and Abandoned, Salon.com, 1997-05-09, 2006-08-25, http://web.archive.org/web/19990828005105/http://www.salon.com/may97/vep970509.html, 1999-08-28 http://www.salon.com/may97/vep970509.html,

“Allow me to repeat what I said when you were here: deal with nature by means of the cylinder, the sphere and the cone, all placed in perspective, so that each side of an object or a plane is directed towards a central point. Lines parallel to the horizon give breadth, a section of nature, or if you prefer, of the spectacle spread before our eyes by the 'Pater Omnipotens Aeterne Deus'. Lines perpendicular to that horizon give depth. But for us men, nature has more depth than surface, hence the need to introduce in our vibrations of light, represented by reds and yellows, enough blue tints to give a feeling of air.”

Paul Cézanne (1839–1906) French painter

Quote from Cézanne's letter to Émile Bernard, 15 April 1904; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 180
Quotes of Paul Cezanne, after 1900

Men, Feeling, Nature, Light

“It seemed odd to Joel that nature did not reflect so solemn an event: flowers of cotton-boll clouds within a sky as scandalously blue as kitten-eyes were offensive to their sweet disrespect.”

Truman Capote book Other Voices, Other Rooms

At Jesus Fever's funeral
Other Voices, Other Rooms (1948)

Flowers, Nature

“Well it's Saturday night you're all dressed up in blue.
I been watching you awhile, maybe you been watching me too.
So somebody ran out, left somebody's heart in a mess.
Well if you're looking for love, honey I'm tougher than the rest.”

Bruce Springsteen (1949) American singer and songwriter

"Tougher Than the Rest"
Song lyrics, Tunnel Of Love (1987)

Love, Heart, Night

“I like the juicy stem of grass that grows
within the coarser leaf folded round,
and the butteryellow glowin the narrow flute from which the morning-glory
opens blue and cool on a hot morning.”

Denise Levertov (1923–1997) Poet

Pleasures
With Eyes at the Back of Our Heads (1960)

Grass

“Hey Uncle Sam
Put your name at the top of his list
And the Statue of Liberty
Started shaking her fist.
And the eagle will fly
Man, it's gonna be hell
When you hear Mother Freedom
Start ringing her bell
And it feels like the whole wide world is raining down on you
Brought to you Courtesy of the Red White and Blue.”

Toby Keith (1961) American country music singer and actor

Courtesy of the Red, White, & Blue (The Angry American).
Song lyrics, Unleashed (2002)

World, Feeling, Hell, Freedom

“During the LA riots English people were trying to sympathize with me, "Oh Bill, crime is horrible. If it's any consolation, crime is awful here, too." Shut up. This is Hobbiton and I'm Bill-bo Hicks … You gotta see English crime. It's hilarious. You don't know if you're reading the front page or the comic section over there. I swear to God. I read an article front page of the paper one day, in England: "Yesterday, some hooligans knocked over a dustbin in Shaftesbury." … Wooooo. The hooligans are loose! The hooligans are loose! … What if they become ruffians? I would hate to be a dustbin in Shaftesbury tonight. [to the tune of "Behind Blue Eyes" by The Who] "No one knows what it's like … to be a dustbin … in Shaftesbury … with hooligans …"”

Bill Hicks (1961–1994) American comedian

Arizona Bay (1997)

God, Hate, People, Reading

“Looking through an aperture [a door or a window] is a way that I have been able to isolate or fragment a single form. My first memory of focusing through an aperture occurred when I was around twelve years old. One evening, passing the lighted window of a house. I was fascinated by red, blue and black shapes inside a room. But when I went up and looked in, I saw a red coach, a blue drape and a black table. The shapes had disappeared. I had to retreat to see them again.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'

Way, Light, Memory, Housing

“It tossed and tossed,—
A little brig I knew,—
O'ertook by blast,
It spun and spun,
And groped delirious, for morn.

It slipped and slipped,
As one that drunken stepped;
Its white foot tripped,
Then dropped from sight.

Ah, brig, good-night
To crew and you;
The ocean's heart too smooth, too blue,
To break for you.”

Emily Dickinson Life, and Death, and Giants —

Life, p. 30
Collected Poems (1993)

Heart, Night

“There are, broadly speaking, two types of drinkers. There is the man whom we all know, stupid, unimaginative, whose brain is bitten numbly by numb maggots; who walks generously with wide-spread, tentative legs, falls frequently in the gutter, and who sees, in the extremity of his ecstasy, blue mice and pink elephants…. The other type of drinker has imagination, vision. Even when most pleasantly jingled he walks straight and naturally, never staggers nor falls, and knows just where he is and what he is doing. It is not his body but his brain that is drunken.”

Jack London book John Barleycorn

Source: John Barleycorn (1913), Ch. II

Stupidity, Imagination, Nature

“The vagabond who's rapping at your door,
Is standing in the clothes that you once wore,
Strike another match, go start anew!
And it's all over now, Baby Blue.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Bringing It All Back Home (1965), It's All Over Now, Baby Blue

Baby, Clothes

“He strode over to the ruined church. This, Blue had discovered, was how Gansey got places - striding. Walking was for ordinary people.”

Maggie Stiefvater (1981) American writer

Blue, about Gansey
The Raven Cycle Series, The Raven Boys (2012)

People

“This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks”

T.S. Eliot (1888–1965) 20th century English author

Ash-Wednesday (1930)
Context: And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth
This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.

Dreams, Birth, Solitude, Time

“The man bent over his guitar,
A shearsman of sorts. The day was green.
They said, "You have a blue guitar,
You do not play things as they are."
The man replied, "Things as they are
Are changed upon the blue guitar."
And they said then, "But play, you must,
A tune beyond us, yet ourselves,
A tune upon the blue guitar
Of things exactly as they are."”

Wallace Stevens (1879–1955) American poet

The Man With the Blue Guitar (1937)

Change

“Today anyone who paints space must actually go into space to paint [the Russian cosmonaut Gagarin said on 12 April 1961 from his space capsule: 'The earthy is a beautiful blue colour'], but he must there go without any faking, and neither in an aeroplane, a parachute nor a rocket; he must go there by his own means, an autonomous, individual force; in a word, he must be capable of levitating.”

Yves Klein (1928–1962) French artist

In 1961; p. 67
1960 -1964, "Yves Klein, 1928 – 1962, Selected Writings"

Beauty, Painting

“For the very first time, I understood what mi papá had been telling me all these years about his very own father, the great Don Juan, straight from Spain, and how he’d only liked and loved his blue-eyed children, the ones like himself, and had never even recognized his dark Indian-looking children like my dad.”

Victor Villaseñor (1940) American writer

Crazy Loco Love: A Memoir (2008)

Love, Children, Time

“Mondrian began with his paintings of the seashore, with blue trees and the cathedral. These paintings were totally symbolist paintings... Until the very end Mondrian remains a Symbolist and an Expressionist.”

Anselm Kiefer (1945) German painter and sculptor

(1986) n.p.
Structures are no longer valid', in "Ein Gespräch..."

Tree, Painting

“That house with its remoteness and the islands going down like soft gongs all the time into the amazing blue, and I shall never, never ever forget a youth spent there, discovered by accident. It was pure gold. But then of course …youth does mean happiness, it does mean love, and that's something you can't get over.”

Lawrence Durrell (1912–1990) British novelist, poet, dramatist, and travel writer

About the pre-WWII days in Kalami on Corfu (1975), as quoted in Amateurs in Eden (2011) by Joanna Hodgkin, p. 6

Love, Happiness, Youth, Time

“Once in a blue moon a captain imposes his influence not just upon his opponents, but on a generation of cricketers, by the sheer force of his personality.”

James Coldham (1924–1987)

F.S. Jackson, A Cricketing Biography (1989)

Personality

“A human being at rest runs on 90 watts. That’s how much power you need just to lie down. And if you’re a hunter-gatherer and you live in the Amazon, you’ll need about 250 watts. That’s how much energy it takes to run about and find food. So how much energy does our lifestyle [in America] require? Well, when you add up all our calories and then you add up the energy needed to run the computer and the air-conditioner, you get an incredibly large number, somewhere around 11,000 watts. Now you can ask yourself: What kind of animal requires 11,000 watts to live? And what you find is that we have created a lifestyle where we need more watts than a blue whale. We require more energy than the biggest animal that has ever existed. That is why our lifestyle is unsustainable. We can’t have seven billion blue whales on this planet. It’s not even clear that we can afford to have 300 million blue whales.”

Geoffrey West (1940) British physicist

2010s Source: Jonah Lehredec. " A Physicist Solves the City http://www.nytimes.com/2010/12/19/magazine/19Urban_West-t.html?pagewanted=5&_r=1," in www.nytimes.com. Dec 17, 2010.

Lie, Food, Animals

“It was cool and quiet in here because instead of windows there were cosmoramic projections, latest of late devices to prevent the intrusion of untasteful exterior reality. Nearby the chimneys reeked a twenty-four-hour day yet the view was of clean white clouds, blue sky, yellow sun not so bright that it dazzled. Superior to the natural article, yes. Also birds flew or perched between two layers of glass on real branches in air-conditioned environment. It was not ordinary to see birds. Very yes.”

John Brunner book The Sheep Look Up

March “THE MARVELS OF MODERN CIVILIZATION”
The Sheep Look Up (1972)

Nature, Bird, Reality, Sun

“The sea
For the sky
Confuses its white sheep
With pure angels
The sea
Shepherdess of the blue Infinite”

Charles Trenet (1913–2001) French singer-songwriter

"La Mer" (1943)

Angels, Sea

“A year ago on this day around 9:45 a. m. you came downstairs dressed in an orange Korean dress and we left together for the ceremonies. You were leaving the Blue House for the last time in your life. This day a year ago was the longest of my life, the most painful and sad. My mind went blank with grief and despair. I felt as though I had lost everything in the world. All things became a burden and I lost my courage and will. A year has passed since then. And during that year I have cried alone in secret too many times to count.”

Park Chung-hee (1917–1979) Korean Army general and the leader of South Korea from 1961 to 1979

Diary entry (15 August 1975), as quoted in The Two Koreas: A Contemporary History Revised and Updated http://books.google.com/books?id=yJZKpYXh2SAC&printsec=frontcover&dq=The+Two+Koreas:+A+Contemporary+History+revised+updated&hl=en&sa=X&ei=X-xvU5TRFPOisQSa34CIBA&ved=0CCsQ6AEwAA#v=onepage&q=already%20into%20the%20last%20week&f=false (2001), by Don Oberdorfer, p. 56. 1970s

Life, Pain, Secret, World

“As when around the clear bright moon, the stars
Shine in full splendor, and the winds are hush'd,
The groves, the mountain-tops, the headland-heights
Stand all apparent, not a vapor streaks
The boundless blue, but ether open'd wide
All glitters, and the shepherd's heart is cheer'd.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

The Iliad of Homer: translated into English blank verse (1791), Book VIII, line 643.

Mountain, Star, Heart

“I have tried, in this book, to do three things. I try first to bring a greater awareness of the way in which the differences and the similarities in the bodies of human beings are the basis on which all our learnings about our sex, and our relationship to the other sex, are built. Talking about our bodies is a complex and difficult matter. We are so used to covering them up, to referring to them obliquely with slang terms or in a borrowed language to hiding even infants' sex membership under blue and pink ribbons. It is difficult to become aware of those things about us which have been, and will always be, patterned by our own particular modesties and reticences. We reject, and very rightly, catalogues of caresses arranged in frequency tables, or accounts of childhood that read like a hospital chart…”

Margaret Mead (1901–1978) American anthropologist

Source: 1940s, Male and Female (1949), p. 4-5

Books, Sex, Way, Learning

“Give me the clear blue sky over my head, and the green turf beneath my feet, a winding road before me, and a three hours' march to dinner — and then to thinking! … I begin to feel, think, and be myself again. Instead of an awkward silence, broken by attempts at wit or dull common-places, mine is that undisturbed silence of the heart which alone is perfect eloquence.”

William Hazlitt (1778–1830) English writer

"On Going on a Journey" Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

Feeling, Thinking, Silence, Heart

“The tower of heaven turns darker blue; a starry sparkle now begins;
The mystery and magnificence, the myriad beauty and the sins
Come back to me.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Beauty

“Already in 1915, Sophie Taeuber [his wife] divides the surface of her aquarelle into squares and rectangles which she then juxtaposes horizontally and perpendicularly [as Mondrian, Itten and Paul Klee did in the same period]. She constructs them as if they were masonry work. The colors are luminous, ranging from the raw yellow to deep red or blue.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 288, Arp refers in this quote to the structure in the early watercolor paintings by his wife Sophie Taeuber.

Color

“Suppose aliens invade the earth and threaten to obliterate it in a year's time unless human beings can find the Ramsey number for red five and blue five. We could marshal the world's best minds and fastest computers, and within a year we could probably calculate the value. If the aliens demanded the Ramsey number for red six and blue six, however, we would have no choice but to launch a preemptive attack.”

Paul Erdős (1913–1996) Hungarian mathematician and freelancer

As quoted in "Ramsey Theory" by Ronald L. Graham and Joel H. Spencer, in Scientific American (July 1990), p. 112-117

World, Time

“The dinner that evening was dreadful, the epitome of English vacuity…they were all the same, each mind set in the same weird armour, like an archosaur’s ruff, like a fringe of icicles. All I heard the whole evening was the tinkle of broken ice-needles as people tried timidly and vainly to reach through the stale fence of words, tinkle, tinkle, and then withdraw. Nobody behaved with breadth, with warmth, with naturalness, and finally it became pathetic. We were all the same; I hardly said anything, but that made me no more innocent – or less conditioned. The solemn figures of the Old Country, the Queen, the Public School, Oxbridge, the Right Accent, People Like Us, stood around the table like secret police, ready to crush down in an instant on any attempt at an intelligent European humanity.* We…were held by those cloud-grey shapes on the world’s blue rim. Death machines holding thousands of gum-chewing, contraceptive-carrying men; for some reason more 30 years away than 30 miles; as if we were looking into the future, not the south; into a world where there were no more Prosperos, no private domains, no Poetries, fantasies, tender sexual promises…I felt acutely the fragility of time itself…”

John Fowles book Daniel Martin

Daniel Martin (1977)

Death, Men, People, Secret

“Each somersault whipped out a perfect arc of shiny drops from his thick black hair. Then, as if it were his decision and not gravity’s, he opened the blade of his body toward the water and pierced its placid blue surface.”

Andrea Lewis (writer) Microsoft employee

“The Empire Pool” Conclave: A Journal of Character, Issue 5, (Spring, 2013)
2010-

Decision, Water, Perfection

“I saw standing against the great stone pillar — on more red plush — a tall, slim boy in evening dress — so much slimmer, so much taller, so much more poised than I expected. A very refined face, not at all like those grinning 'Lindy' pictures — a firm mouth, clear, straight blue eyes, fair hair, and nice color. Then I went down the line very confused and overwhelmed by it all. He did not smile — just bowed and shook hands.”

Anne Morrow Lindbergh (1906–2001) American aviator and author

On first meeting Charles.
Bring Me a Unicorn (1971)

Smile, Color, Boy

“Men are like pillow-cases. The colour of one may be red, that of another blue, and that of the third black; but all contain the same cotton within. So it is with man; one is beautiful, another is ugly, a third holy, and a fourth wicked; but the Divine Being dwells in them all”

Ramakrishna (1836–1886) Indian mystic and religious preacher

Source: Sayings of Sri Ramakrishna (1960), p. 37

Men, Beauty

“His eyes were frighteningly alive, the curve of his mouth savage and pleased. It suddenly didn't seem at all surprising that he should be able to pull things from his dreams. In that moment, Blue was a little in love with all of them. Their magic. Their quest. Their awfulness and strangeness. Her raven boys.”

Maggie Stiefvater (1981) American writer

Blue
The Raven Cycle Series, The Dream Thieves (2013)

Love, Dreams, Boy

“It is color, not locally true from the point of view of the stereoscopic realist, but color to suggest any emotion of an ardent temperament. When Paul Mantz saw at the exhibition the violent and inspired sketch of Delacroix…. the 'Barque of Christ' - he turned away from it exclaiming: 'I did not know that one could be so terrible with a little blue and green'. Hokusai wrings the same cry from you [Theo], but he does it by his line, his drawing, when you say in your letter - 'the waves are claws and the ship is caught in them'. Well, if you make the color exact or the drawing exact, it won't give you sensations like that.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, 8 September 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 533) pp. 32-33 1880s, 1888

Color, Christ, Drawing, Cry

“The Assyrian came down like the wolf on the fold,
And his cohorts were gleaming in purple and gold;
And the sheen of their spears was like stars on the sea,
When the blue wave rolls nightly on deep Galilee.”

George Gordon Byron book Hebrew Melodies

The Destruction of Sennacherib http://englishhistory.net/byron/poems/destruct.html, st. 1. Hebrew Melodies (1815)

Star, Wolf, Sea

“After Charlie [Charlie Monroe, Bill's brother] and me broke up, I was searching for a name for my group. And I wanted a name from the state of Kentucky. Before I come to WSM in Nashville - I started on WWNC, Asheville - why, I'd already decided on using the name "bluegrass," because that's what they'd call Kentucky, the Blue Grass State. So I just used "Bill Monroe and the Blue Grass Boys," and that let people throughout the country know I was from Kentucky, saved a lot of people from having to ask me where I was from. Governor Ford, he claims I've done more than any one man for Kentucky - every time I use the word "bluegrass" it leads back to the state.”

Bill Monroe (1911–1996) American bluegrass musician

People, Search, Boy, Grass

“I don't think it's a good attitude in your life to feel that you have to be rich to have self-esteem. You know, I saw a billboard in New York I wish I had photographed. It was for the TNN network. It said three words against a patriotic background of red, white and blue — BIGGER, YOUNGER, RICHER. Now, I find that fascinating: 'Bigger, younger, richer.' This whole idea of being wealthy has gone too far. I never ride in a limousine, you know. I feel gross if I get in a limousine. One good thing about the sixties was it sort of was the opposite back then. You looked silly trying to appear rich.”

Tom Petty (1950–2017) American musician

Rolling Stone interview (2002)

Life, Feeling, Idea, Thinking

“Sun-swept beaches with a light wind blowing
From the immense blue circle of the sea,
And the soft thunder where long waves whiten —
These were the same for Sappho as for me. Two thousand years — much has gone by forever,
Change takes the gods and ships and speech of men —
But here on the beaches that time passes over
The heart aches now as then.”

Sara Teasdale (1884–1933) American writer and poet

"The Unchanging"
Flame and Shadow (1920)

Men, God, Light, Change

“All the woodland path is broken
By warm tints along the way,
And the low and sunny slope
Is alive with sudden hope
When there comes the silent token
Of an April day,—
Blue hepatica!”

Dora Read Goodale (1866–1953) U.S. poet

Hepatica, reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 365.

Hope, Way

“My breast, though proofless, still attests a bite
Mysterious, due to some august tooth;
But enough! for confidant such mystery chose
The great double reed which one plays 'neath the blue.”

Stéphane Mallarmé (1842–1898) French Symbolist poet

The Afternoon of a Faun (1876)

Confidence

“Can believe it, like no other,
love is a gift and you take it so much!
You need the blue night to discover
only true lovers have the magic touch.”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Islands (1987)

Love, Lovers, Night

“So when the 1960's came along I was feeling split, schizophrenic. The war, what was happening to America, the brutality of the world. What kind of man am I, sitting at home, reading magazines, going into a frustrated fury about everything—and then going into my studio to adjust a red to a blue.”

Phillip Guston (1913–1980) American artist

Guston's quote is describing his departure from Abstract Expressionism 1961 - 1980 Source: 'It's About Freedom' - as quoted in 'It's About Freedom, Philip Guston's Late Works in the Schirn'; Schirn Kunsthalle, Frankfurt 11/6/2013 – 2/2/2014 http://db-artmag.com/en/78/on-view/its-about-freedom-philip-gustons-late-works-in-the-schirn/

War, World, Feeling, Home

“I'm a Cranky Old Yank in a Clanky Old Tank on the Streets of Yokohama with my Honolulu Mama Doin’ Those Beat-o, Beat-o Flat-On-My-Seat-o, Hirohito Blues”

Hoagy Carmichael (1899–1981) American composer, pianist, singer, actor and bandleader

1947 song title, generally agreed to be the longest title of any commercially published song.

“My tears are fallin'
'Cause you've taken her away.
And though it really hurts me so,
There's something that I've gotta say.Take good care of my baby.
Please don't ever make her blue.
Just tell her that you love her.
Make sure you're thinking of her
In everything you say and do.”

Carole King (1942) Nasa

Take Good Care of My Baby (1961), co-written with Gerry Goffin, first performed by Bobby Vee
Song lyrics, Singles

Love, Thinking, Tear, Hurt

“You cannot be objective about this because you have been indoctrinated, sermonized, drenched, imbued, inculcated and policed on the matter since first you wore blue booties. You come from a time and place in which the maleness of the male, and the femaleness of the female, and the importance of their difference, were matters of almost total preoccupation.”

Theodore Sturgeon book Venus Plus X

Section 41 (p. 123)
Venus Plus X (1960)

Time

“She seemed to have neither sense of fullness nor taste, and would often combine foods in manners that struck Blue as problematic. She didn't believe in telling people how to live their lives (well, maybe a little), but it was hard to stand by and watch Gwenllian spread peanut butter on a cold hot dog.”

Maggie Stiefvater (1981) American writer

pg 165-166
The Raven Cycle Series, Blue Lily, Lily Blue (2014)

People, Food, Dogs, Sense

“Tommy started to play the guitar and sing. He and I had trekked more than once downtown to the Folk Center to hear a barefoot hillbilly woman in a long, faded skirt intone Elizabethan songs and pluck at a dulcimer or to listen, frightened and transported, to a big black Lesbian with a crew cut moan her way through the blues. The People — those brawny, smiling farmers, those plump, wholesome teens bursting out of bib overalls, those toothless ex-cons, those white-eyed dust bowel victims — the People, half-glimpsed in old photos, films and WPA murals, were about to reemerge, we trusted, into history and our lives.”

Edmund White book A Boy's Own Story

Source: A Boy's Own Story (1982), Chapter Five (p. 120).

People, Smile, Way, Photo

“Well, if I were thus rationed in this article and could have but one adjective for George Gershwin, that adjective would be "ingenuous." Ingenuous at and about his piano. Once an occasional composer named Oscar Levant stood beside that piano while those sure, sinewy, catlike Gershwin fingers beat their brilliant drum-fire—the tumultuous cascade of the "Rhapsody In Blue," the amorous languor of "The Man I Love," the impish glee of "Fascinating Rhythm," the fine, jaunty, dust-spurning scorn of "Strike Up the Band." If the performer was familiar with the work of any other composer, he gave no evidence of it. Levant (who, by the way, makes a fleeting appearance in the new Dashlell Hammett book, under the guise of Levi Oscant) could be heard mutterIng under his breath, "An evening with Gershwin Is a Gershwln evening."
"I wonder," said our young composer dreamily, "if my music will be played a hundred years from now."
"It certainly will be," said the bitter Levant,"if you are still around."”

Alexander Woollcott (1887–1943) American critic

"George the Ingenuous" in Cosmopolitan (November 1933); reprinted in Ch. IV: "'...A Young Colossus...'" https://books.google.com/books?id=ATcjgQTx0uIC&pg=PA45#v=onepage&q&f=false from Gershwin Remembered (1992) by Edward Jablonski, pp. 44-45

Love, Books, Music, Way

“Magic doesn't happen often — not once in a blue moon … I expect there isn't another magic ship like this one in the whole world.”

Hilda Lewis (1896–1974) British writer

Source: The Ship that Flew (1939), Ch. 2 : And Continues

World

“You know who doesn't like that bit? Cops. They don't like it. They don't like it. And I think its important -- I'm being sincere. I think its important that we acknowledge, all of us, that there are plenty of good, decent, ethical, very brave cops, who put their lives on the line every day, and they don't appreciate being painted with this broad brush as being violent predators just because of the actions of a minority of their brothers. They don't like being stereotyped so that when you see blue, you just think "Oh, violent thug."”

David Cross (1964) American comedian, writer and actor

They don't appreciate it.
Making America Great Again

Thinking, Painting, Sincerity

“Right here I might offer a word of advice to the Ivory-billed Woodpecker, now the rarest bird on the North American continent and one that is going to come in for more and more attention. Keep away from bird lovers, fellows, or you'll be standing on a little wooden pedestal with a label containing your full name in Latin: Campephilus principalis. People will be filing past admiring your glossy blue-black feathers, your white stripes and patches, your nasal plumes in front of lores, your bright red crest and your beady yellow eyes. You'll be in the limelight, but you won't know it. I don't want to alarm you fellows, but there are only about twenty of you alive as I write these lines, but there are more than two hundred of you in American museums and in collections owned by Ivory-billed Woodpecker enthusiasts. Get it?”

Will Cuppy (1884–1949) American writer

And I Ought to Know
How to Become Extinct (1941)

People, Lovers, Bird, Past

“I've got a lot of white associates. Elijah Muhammad, is the one who preached that the white man of America, number one, is the Devil. He's been preaching — he never mentioned England. England's people have never lynched us, raped us, castrated us, tarred and feathered us, burned us up, pulled our sockets apart, stick knives in pregnant women's stomachs, enslaved us, rob us of our names, our knowledge, our — Elijah Mohammad's been preaching that the white man of America – God taught him – is the blue-eyed, blond-headed Devil! No good in him, no justice, he's gonna be destroyed! His rule is over. He is the Devil!”

Muhammad Ali (1942–2016) African American boxer, philanthropist and activist

interview with Michael Parkinson (1974), quoted in Adam Lusher, " 'The white man is the devil' – what the Nation of Islam taught Muhammad Ali https://www.independent.co.uk/news/world/muhammad-ali-nation-of-islam-michael-parkinson-interview-who-were-elijah-muhammad-a7066301.html", _The Independent_ (June 5, 2016)

Women, God, People, Justice