Quotes about beginning
page 31

José Ortega Y Gasset photo
Nikolai Krylenko photo

“We must finish once and for all with the neutrality of chess. We must condemn once and for all the formula "chess for the sake of chess", like the formula "art for art's sake". We must organize shockbrigades of chess-players, and begin immediate realization of a Five-Year Plan for chess.”

Nikolai Krylenko (1885–1938) Russian revolutionary, politician and chess organiser

Krylenko on promoting chess in the Soviet Union. Quoted in Robert Conquest, The Great Terror: A Reassessment

Jack Johnson (musician) photo
Werner Heisenberg photo
Marcus Tullius Cicero photo

“The beginnings of all things are small.”
Omnium rerum principia parva sunt.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

Variant translation: Everything has a small beginning.
"De Finibus Bonorum et Malorum" Book V, Chapter 58

Carol Ann Duffy photo
Al Gore photo
Enoch Powell photo

“The nation has been, and is still being, eroded and hollowed out from within by the implantation of large unassimilated and unassimiliable populations—what Lord Radcliffe once in a memorable phrase called "alien wedges"—in the heartland of the state…The disruption of the homogeneous "we", which forms the essential basis of parliamentary democracy and therefore of our liberties, is now approaching the point at which the political mechanics of a "divided community"…take charge and begin to operate autonomously. Let me illustrate this pathology of a society that is being eaten alive…The two active ingredients are grievance and violence. Where a community is divided, grievance is for practical purposes inexhaustible. When violence is injected—and quite a little will suffice for a start—there begins an escalating competition to discover grievance and to remove it. The materials lie ready to hand in a multiplicity of agencies with a vested interest, more or less benevolent, in the process of discovering grievances and demanding their removal. The spiral is easily maintained in upward movement by the repetitions and escalation of violence. At each stage alienation between the various elements of society is increased, and the constant disappointment that the imagined remedies yield a reverse result leads to growing bitterness and despair. Hand in hand with the exploitation of grievance goes the equally counterproductive process which will no doubt, as usual, be called the "search for a political solution"…Indeed, attention has already been drawn publicly to the potentially critical factor of the so-called immigrant vote in an increasing number of worthwhile constituencies. The result is that the political parties of the indigenous population vie with one another for votes by promising remedy of the grievances which are being uncovered and exploited in the context of actual or threatened violence. Thus the legislature finds itself in effect manipulated by minorities instead of responding to majorities, and is watched by the public at large with a bewildering and frustration, not to say cynicism, of which the experience of legislation hitherto in the field of immigration and race relations afford some pale idea…I need not follow the analysis further in order to demonstrate how parliamentary democracy disintegrates when the national homogeneity of the electorate is broken by a large and sharp alteration in the composition of the population. While the institutions and liberties on which British liberty depends are being progressively surrendered to the European superstate, the forces which will sap and destroy them from within are allowed to accumulate unchecked. And all the time we are invited to direct towards Angola or Siberia the anxious attention that the real danger within our power and our borders imperatively demand.”

Enoch Powell (1912–1998) British politician

Speech the Hampshire Monday Club in Southampton (9 April 1976), from A Nation or No Nation? Six Years in British Politics (Elliot Right Way Books, 1977), pp. 165-166
1970s

Bill O'Reilly photo
George Eliot photo
John Buchan photo
Ray Liotta photo
Thomas Jefferson photo
Edward B. Titchener photo
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo

“Half a century ago, the first feeling of all Englishmen was for England. Now, the sympathies of a powerful party are instinctively given to whatever is against England. It may be Boers or Baboos, or Russians or Affghans, or only French speculators – the treatment these all receive in their controversies with England is the same: whatever else my fail them, they can always count on the sympathies of the political a party from whom during the last half century the rulers of England have been mainly chosen…It is striking, though by no means a solitary indication of how low, in the present temper of English politics, our sympathy with our own countrymen has fallen. Of course, we shall be told that a conscience of exalted sensibility, which is the special attribute of the Liberal party, has enabled them to discover, what English statesmen had never discovered before, that the cause to which our countrymen are opposed is generally the just one…For ourselves, we are rather disposed to think that patriotism has become in some breasts so very reasonable an emotion, because it is ceasing to be an emotion at all; and that these superior scruples, to which our fathers were insensible, and which always make the balance of justice lean to the side of abandoning either our territory or our countrymen, indicate that the national impulses which used to make Englishmen cling together in face of every external trouble are beginning to disappear.”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

‘Disintegration’, Quarterly Review, no. 312; October 1883, reprinted in Paul Smith (ed.), Lord Salisbury on Politics. A selection from his articles in the Quaterly Review, 1860-1883 (Cambridge University Press, 1972), pp. 342-343
1880s

Stanley Baldwin photo

“The mystery, the romance, the coincidence of real life far transcends the mystery and the romance and the coincidence of fiction. I would like at the beginning of my remarks to remind hon. Members of something that has always struck me as one of the strangest and most romantic coincidences that have entered into our political life. Far away in time, in the dawn of history, the greatest race of the many races then emerging from prehistoric mists was the great Aryan race. When that race left the country which it occupied in the western part of Central Asia, one great branch moved west, and in the course of their wanderings they founded the cities of Athens and Sparta; they founded Rome; they made Europe, and in the veins of the principal nations of Europe flows the blood of their Aryan forefathers. The speech of the Aryans which they brought with them has spread through out Europe. It has spread to America. It has spread to the Dominions beyond the seas. At the same time, one branch went south, and they crossed the Himalayas. They went into the Punjab and they spread through India, and, as an historic fact, ages ago, there stood side by side in their ancestral land the ancestors of the English people and the ancestors of the Rajputs and of the Brahmins. And now, after aeons have passed, the children of the remotest generations from that ancestry have been brought together by the inscrutable decree of Providence to set themselves to solve the most difficult, the most complicated political problem that has ever been set to any people of the world.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/commons/1929/nov/07/india in the House of Commons (7 November 1929).
1929

John Wallis photo

“Suppose we a certain Number of things exposed, different each from other, as a, b, c, d, e, &c.; The question is, how many ways the order of these may be varied? as, for instance, how many changes may be Rung upon a certain Number of Bells; or, how many ways (by way of Anagram) a certain Number of (different) Letters may be differently ordered?
Alt.1,21) If the thing exposed be but One, as a, it is certain, that the order can be but one. That is 1.
2) If Two be exposed, as a, b, it is also manifest, that they may be taken in a double order, as ab, ba, and no more. That is 1 x 2 = 2. Alt.3
3) If Three be exposed; as a, b, c: Then, beginning with a, the other two b, c, may (by art. 2,) be disposed according to Two different orders, as bc, cb; whence arise Two Changes (or varieties of order) beginning with a as abc, acb: And, in like manner it may be shewed, that there be as many beginning with b; because the other two, a, c, may be so varied, as bac, bca. And again as many beginning with c as cab, cba. And therefore, in all, Three times Two. That is 1 x 2, x 3 = 6.
Alt.34) If Four be exposed as a, b, c, d; Then, beginning with a, the other Three may (by art. preceeding) be disposed six several ways. And (by the same reason) as many beginning with b, and as many beginning with c, and as many beginning with d. And therefore, in all, Four times six, or 24. That is, the Number answering to the case next foregoing, so many times taken as is the Number of things here exposed. That is 1 x 2 x 3, x 4 = 6 x 4 = 24.
5) And in like manner it may be shewed, that this Number 24 Multiplied by 5, that is 120 = 24 x 5 = 1 x 2 x 3 x 4 x 5, is the number of alternations (or changes of order) of Five things exposed. (Or, the Number of Changes on Five Bells.) For each of these five being put in the first place, the other four will (by art. preceeding) admit of 24 varieties, that is, in all, five times 24. And in like manner, this Number 120 Multiplied by 6, shews the Number of Alternations of 6 things exposed; and so onward, by continual Multiplication by the conse quent Numbers 7, 8, 9, &c.;
6) That is, how many so ever of Numbers, in their natural Consecution, beginning from 1, being continually Multiplied, give us the Number of Alternations (or Change of order) of which so many things are capable as is the last of the Numbers so Multiplied. As for instance, the Number of Changes in Ringing Five Bells, is 1 x 2 x 3 x 4 x 5 = 120. In Six Bells, 1 x 2 x 3 x 4 x 5 x 6 = 120 x 6 = 720. In Seven Bells, 720 x 7 = 5040. In Eight Bells, 5040 x 8 = 40320, And so onward, as far as we please.”

John Wallis (1616–1703) English mathematician

Source: A Discourse of Combinations, Alterations, and Aliquot Parts (1685), Ch.II Of Alternations, or the different Change of Order, in any Number of Things proposed.

The Mother photo

“I took my little cat-it was really sweet -and put it on a table and called Sri Aurobindo. I told him, "Kiki has been stung by a scorpion, it must be cured." The cat stretched its neck and looked at Sri Aurobindo, its eyes already a little glassy. Sri Aurobindo sat before it and looked at it also. Then we saw this little cat gradually beginning to recover, to come round, and an hour later it jumped to its feet and went away completely healed.”

The Mother (1878–1973) spiritual collaborator of Sri Aurobindo

One day a cat named Kiki happened to play with a scorpion and got stung. It quickly ran to the Mother and showed her the paw which was already dangerously swollen. "I took my little cat -it was really sweet, quoted in "Pondicherry", also in God Shall Grow Up: Body, Soul & Earth Evolving Together by Wayne Bloomquist (1 January 2001) http://books.google.co.in/books?id=T1Me82LNkP0C&pg=PA90, p. 90.

Alexis De Tocqueville photo

“It is almost never when a state of things is the most detestable that it is smashed, but when, beginning to improve, it permits men to breathe, to reflect, to communicate their thoughts with each other, and to gauge by what they already have the extent of their rights and their grievances. The weight, although less heavy, seems then all the more unbearable.”

Alexis De Tocqueville (1805–1859) French political thinker and historian

Letter to Pierre Freslon, 23 September 1853 Selected Letters, p. 296 as cited in Toqueville's Road Map p. 103 http://books.google.com/books?id=fLL6Bil2gtcC&pg=PA103&dq=%22almost+never+when+a+state+of+things+is+the+most+detestable+that+it+is+smashed%22
1850s and later

William Hazlitt photo
George William Russell photo

“The tower of heaven turns darker blue; a starry sparkle now begins;
The mystery and magnificence, the myriad beauty and the sins
Come back to me.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

D.H. Lawrence photo
Aron Ra photo

“The original 1954 Japanese film, Gojira was iconic, and only made a couple mistakes of any significance. (1)They killed him in the end, and we saw his body turned to skeleton. Not the best way to begin 60 years worth of sequels. (2) Godzilla was depicted as a dinosaur, and was associated with living trilobites. Even if there was some sort of ‘realm that time forgot’ out in the Pacific somewhere, Trilobites were already extinct before the first dinosaurs, and Godzilla was clearly no dinosaur. The conceptual artists reportedly referenced illustrations of dinosaurs, but that’s not what they rendered. All bi-pedal dinosaurs [Therapods] were digigrade, walking on their toes, like birds, and usually only three or four digits. Godzilla was plantigrade and pentadactyle, (having five digits and walking on the whole foot) just like lizards. It even looks like a lizard, apart from the fact that no reptile has an actual nose or external ears. In a sense, what Toho pictures created was actually an oriental dragon. These tend to mix reptilian and mammalian traits. Amusingly in 1954, Toho made a giant lizard and called it a dinosaur. In 1998, Tristar re-designed Godzilla as a dinosaur, but called it a lizard. Of course that wasn’t the only thing Tristar did wrong. They tried to ruin the monster completely. They took away the only thing that worked in decades of sequels, the look of the monster itself. Then they took away everything that made Godzilla appealing to Kaiju fans, then they tied it down and shot it. Such disrespect. If you’re going to make a movie that already has a fan-base, and they are the ones who will decide whether your film will pay off, respect those fans and the story they’re paying to see.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Letitia Elizabeth Landon photo
Georgia O'Keeffe photo
Donald J. Trump photo
Greg Bear photo
Richard Nixon photo
George Friedman photo
Frank Wilczek photo
Edwin Lefèvre photo
Marcus Aurelius photo

“The Bruce, with which the Scottish contribution to English literature begins, long held its place as the national epic of Scotland.”

John Barbour (1316–1395) Scottish poet

Kenneth Sisam Fourteenth Century Verse and Prose (Oxford: Clarendon Press, 1964) p. 108.
Criticism

Cesare Pavese photo
Jane Austen photo

“Here I am once more in this scene of dissipation and vice, and I begin already to find my morals corrupted.”

Jane Austen (1775–1817) English novelist

Letter (August 1796) on arriving in London [Letters of Jane Austen -- Brabourne Edition]
Letters

George Bernard Shaw photo
Learned Hand photo

“"I beseech ye in the bowels of Christ, think that ye may be mistaken." I should like to have that written over the portals of every church, every school, and every courthouse, and, may I say, of every legislative body in the United States. I should like to have every court begin, "I beseech ye in the bowels of Christ, think that we may be mistaken."”

Learned Hand (1872–1961) American legal scholar, Court of Appeals judge

Morals in Public Life (1951); Hand is here paraphrasing a famous expression of Oliver Cromwell from his letter of 3 August 1650 to the general assembly of the Church of Scotland.
Extra-judicial writings

Ernst Gombrich photo
Noel Coward photo
Periyar E. V. Ramasamy photo

“As there was no open opposition to Aryanism from the beginning, it grew in stages and made us degraded”

Periyar E. V. Ramasamy (1879–1973) Tamil politician and social reformer

Quoted in Collected Works of Thanthai Periyar E.V. Ramasami, Volume 1 http://books.google.co.in/books?id=I2xDAAAAYAAJ, p. 56.
Aryanism

John Gray photo
Kevin Kelly photo

“Every time a closed system opens, it begins to interact more directly with other existing systems, and therefore acquires all the value of those systems.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995), New Rules for the New Economy: 10 Radical Strategies for a Connected World (1999)

P.G. Wodehouse photo
Marshall McLuhan photo

“In Catch-22, the figure of the black market and the ground of war merge into a monster presided over by the syndicate. When war and market merge, all money transactions begin to drip blood.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1970s, Take Today : The Executive as Dropout (1972), p. 211

“When one of Feuerbach’s friends attempts to get him an academic position, Feuerbach writes to him: “The more people make of me, the less I am, and vice versa. I am … something only so long as I am nothing.” Hegel felt himself free in the midst of bourgeois restriction. For him, it was by no means impossible as an ordinary official … to be something and at the same time be himself. … In the third epoch of the spirit, that is, since the beginning of the “modern” world, he says … philosophers no longer comprise a separate class; they are what they are, in perfectly ordinary relationship to the state: officially appointed teachers of philosophy. Hegel interprets this transformation as the “reconciliation of the worldly principle with itself.” It is open to each and every one to construct his own “inner world” independent of the force of circumstances which has materialized. The philosopher can now entrust the “external” side of his existence to the “order,” just as the modern man allows fashion to dictate the way he will dress. … The important thing, Hegel concludes, is “to remain true to one’s purpose” within the context of the normal life of a citizen. To be free for truth and at the same time dependent on the state—to him, these two things seemed quite consistent with each other.”

From Hegel to Nietzsche, D. Green, trans. (1964), pp. 68-69.

Ashraf Pahlavi photo
Nina Shatskaya photo
Burkard Schliessmann photo

“To approach Bach, one has to realize that 100 years after Bach’s death, Bach and his music totally had been forgotten. Even while he was still alive, Bach himself believed in the polyphonic power and the resulting symmetric architectures of well-proportioned music. But this had been an artificial truth - even for him. Other composers, including his sons, already composed in another style, where they found other ideals and brought them to new solutions. The spirit of the time already had changed while Bach was still alive. A hundred years later, it was Mendelssohn who about 1850 discovered Bach anew with the performance of the St. Matthew Passion. Now a new renaissance began, and the world learned to know the greatness of Bach. To become acquainted with Bach, many transcriptions were done. But the endeavors in rediscovering Bach had been - stylistically - in a wrong direction. Among these were the orchestral transcriptions of Leopold Stokowski, and the organ interpretations of the multitalented Albert Schweitzer, who, one has to confess, had a decisive effect on the rediscovery of Bach. All performances had gone in the wrong direction: much too romantic, with a false knowledge of historic style, the wrong sound, the wrong rubato, and so on. The necessity of artists like Rosalyn Tureck and Glenn Gould - again 100 years later - has been understandable: The radicalism of Glenn Gould pointed out the real clarity and the internal explosions of the power-filled polyphony in the best way. This extreme style, called by many of his critics refrigerator interpretations, however really had been necessary to demonstrate the right strength to bring out the architecture in the right manner, which had been lost so much before. I’m convinced that the style Glenn Gould played has been the right answer. But there has been another giant: it was no less than Helmut Walcha who, also beginning in the 1950, started his legendary interpretations for the DG-Archive productions of the complete organ-work cycle on historic organs (Silbermann, Arp Schnitger). Also very classical in strength of speed and architectural proportions, he pointed out the polyphonic structures in an enlightened but moreover especially humanistic way, in a much more smooth and elegant way than Glenn Gould on the piano. Some years later it was Virgil Fox who acquainted the U. S. with tours of the complete Bach cycle, which certainly was effective in its own way, but much more modern than Walcha. The ranges of Bach interpretations had become wide, and there were the defenders of the historical style and those of the much more modern romantic style. Also the performances of the orchestral and cantata Bach had become extreme: on one side, for example, Karl Richter, who used a big and rich-toned orchestra; on the other side Helmut Rilling, whose Bach was much more historically oriented.”

Burkard Schliessmann classical pianist

Talkings on Bach

Thomas Carlyle photo
Camille Pissarro photo

“Each one of us [artists] has several facets. The surface often appears more important than what is inside, hence the errors of those who judge carelessly. How many times has that not happened to me! The surface is often complete in some people from the very beginning, but not the possession of their own sensations. From this come errors. Some natures achieve the surface very slowly j this is the least danger an artist runs. So one should not think of the surface or the appearance, but concentrate on what is inner!”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, Eragny, 17 November 1890, in a letter to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, pp. 139-140
1890's

Donald J. Trump photo

“How can our great society tolerate the continued brutalization of its citizens by crazed misfits? Criminals must be told that their CIVIL LIBERTIES END WHEN AN ATTACK ON OUR SAFETY BEGINS!”

Donald J. Trump (1946) 45th President of the United States of America

"Bring Back the Death Penalty. Bring Back Our Police!" http://assets.nydailynews.com/polopoly_fs/1.1838466.1403324800!/img/httpImage/image.jpg_gen/derivatives/article_970/trump21n-1-web.jpg An advert taken out by Trump in the New York Daily News and other newspapers in the wake of the arrests of the Central Park Five (whose convictions were eventually vacated once the real perpetrator was identified in 2002) (1 May 1989)
1980s

Robert Hunter (author) photo
Haruki Murakami photo
Gloria Steinem photo

“God may be in the details, but the goddess is in the questions. Once we begin to ask them, there's no turning back.”

Gloria Steinem (1934) American feminist and journalist

Part 6 : Doing Sixty, p. 270
Moving Beyond Words (1994)

Johann Georg Hamann photo

“Self knowledge begins with the neighbor, the mirror, and just the same with true self-love; that goes from the mirror to the matter.”

Johann Georg Hamann (1730–1788) German philosopher

Briefwechsel, ed. Arthur Henkel (1955-1975), vol. VI, p. 281.

Nikolai Berdyaev photo
Ambrose Bierce photo
Jane Austen photo

“Let me know when you begin the new tea, and the new white wine. My present elegancies have not yet made me indifferent to such matters. I am still a cat if I see a mouse.”

Jane Austen (1775–1817) English novelist

Letter to Cassandra (1813-09-23) [Letters of Jane Austen -- Brabourne Edition]
Letters

Ben Harper photo
Jean Baudrillard photo
Peter Greenaway photo
Mordechai Anielewicz photo
J. M. Barrie photo
Jerome K. Jerome photo
Howard S. Becker photo
Ed Bradley photo
H. G. Wells photo
Aphra Behn photo

“Oh what a dear ravishing thing is the beginning of an Amour!”

Aphra Behn (1640–1689) British playwright, poet, translator and fiction writer

The Emperor of the Moon, Act I, sc. i (1687).

T. B. Joshua photo

“You will begin to succeed with your life when the pains and problems of others matter to you.”

T. B. Joshua (1963) Nigerian Christian leader

In an interview with The News Magazine, Nigeria, on his charitable activities - "Why I Cater For The Poor" http://www.docstoc.com/docs/10442557/TB-Joshua-Interview---Why-I-Cater-For-The-Poor (December 17 2007)

Frank Chodorov photo

“No sooner do men settle down to a given set of ideas, a pat-tern of living and of thinking, than fault-finding begins, and fault-finding is the tap-root of revolutions.”

Frank Chodorov (1887–1966) American libertarian thinker

Source: One is A Crowd: Reflections of An Individualist (1952), p. 34

Stanisław Lem photo
Jean-Baptiste-Camille Corot photo
Harry Hopkins photo
Ian Bremmer photo
Henry Wadsworth Longfellow photo

“Between the dark and the daylight,
When the night is beginning to lower,
Comes a pause in the day's occupation,
That is known as the Children's Hour.”

Henry Wadsworth Longfellow (1807–1882) American poet

The Children's Hour http://www.americanpoems.com/poets/longfellow/19249, St. 1 (1860).

Markiplier photo

“[begins the game; gets startled by the enemy character flying away from him] "Okay—UH! …Well, that startled the crap outta me."”

Markiplier (1989) American YouTuber and Internet personality

Video game commentary, SuperHOT prototype (September 15, 2013)
Source: SuperHOT, Markiplier, wikipedia:Markiplier, September 15, 2013, YouTube https://www.youtube.com/watch?v=W7qY7s1tCtU,
Source: SUPERHOT - an FPS where time moves only when you move, 2014, July 9, 2014 http://superhotgame.com,

Gerhard Richter photo
Whittaker Chambers photo
Adelaide Anne Procter photo
Nastassja Kinski photo
Suzanne Collins photo
Ellen G. White photo
Barbara Jordan photo
Pat Robertson photo

“I don't think there is any harm in it, but I tell you, there are demons and there are evil people in the world, and you post a picture like that and some cultist gets hold of it or a coven and they begin muttering curses against an unborn child. […] You never know what somebody's going to do.”

Pat Robertson (1930) American media mogul, executive chairman, and a former Southern Baptist minister

2015-02-16
Pat Robertson
The 700 Club
Television, quoted in * 2015-02-17
Pat Robertson: Satanic Covens Use Facebook To Curse Your Family
Brian
Tashman
Right Wing Watch
http://www.rightwingwatch.org/content/pat-robertson-satanic-covens-use-facebook-curse-your-family
Answering a viewer question from Cynthia: "Young parents now regularly post fetal ultrasound photos as their Facebook photo. From a spiritual point of view is there any harm in doing this?"

Michel Seuphor photo
Yi Hwang photo
Donald J. Trump photo
Ludwig Feuerbach photo