Quotes about background

A collection of quotes on the topic of background, people, doing, way.

Quotes about background

Victor Hugo photo

“Whatever causes night in our souls may leave stars. Cimourdain was full of virtues and truth, but they shine out of a dark background.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Part 2, Book 1, Ch. 2
Variant translation: What makes night within us may leave stars.
Source: Ninety-Three (1874)
Context: Cimourdain was a pure-minded but gloomy man. He had "the absolute" within him. He had been a priest, which is a solemn thing. Man may have, like the sky, a dark and impenetrable serenity; that something should have caused night to fall in his soul is all that is required. Priesthood had been the cause of night within Cimourdain. Once a priest, always a priest.
Whatever causes night in our souls may leave stars. Cimourdain was full of virtues and truth, but they shine out of a dark background.

Peter Higgs photo
Hermann Göring photo

“The Russians are primitive folk. Besides, Bolshevism is something that stifles individualism and which is against my inner nature. Bolshevism is worse than National Socialism — in fact, it can't be compared to it. Bolshevism is against private property, and I am all in favor of private property. Bolshevism is barbaric and crude, and I am fully convinced that that atrocities committed by the Nazis, which incidentally I knew nothing about, were not nearly as great or as cruel as those committed by the Communists. I hate the Communists bitterly because I hate the system. The delusion that all men are equal is ridiculous. I feel that I am superior to most Russians, not only because I am a German but because my cultural and family background are superior. How ironic it is that crude Russian peasants who wear the uniforms of generals now sit in judgment on me. No matter how educated a Russian might be, he is still a barbaric Asiatic. Secondly, the Russian generals and the Russian government planned a war against Germany because we represented a threat to them ideologically. In the German state, I was the chief opponent of Communism. I admit freely and proudly that it was I who created the first concentration camps in order to put Communists in them. Did I ever tell you that funny story about how I sent to Spain a ship containing mainly bricks and stones, under which I put a single layer of ammunition which had been ordered by the Red government in Spain? The purpose of that ship was to supply the waning Red government with munitions. That was a good practical joke and I am proud of it because I wanted with all my heart to see Russian Communism in Spain defeated finally.”

Hermann Göring (1893–1946) German politician and military leader

To Leon Goldensohn (28 May 1946)
The Nuremberg Interviews (2004)

Immanuel Wallerstein photo

“And in the present we are all irremediably the products of our background, our training, our personality and social role, and the structured pressures within which we operate.”

Immanuel Wallerstein (1930–2019) economic historian

Wallerstein (1974) The modern world system capitalist agriculture and the origins of the European world economy in the sixteenth century. New York: Academic Press.

John Ronald Reuel Tolkien photo
Ludwig Wittgenstein photo
George Orwell photo

“The issue truth-versus-untruth is as far as possible kept in the background.”

George Orwell (1903–1950) English author and journalist

"The Prevention of Literature" (1946)
Context: The enemies of intellectual liberty always try to present their case as a plea for discipline versus individualism. The issue truth-versus-untruth is as far as possible kept in the background. Although the point of emphasis may vary, the writer who refuses to sell his opinions is always branded as a mere egoist. He is accused, that is, either of wanting to shut himself up in an ivory tower, or of making an exhibitionist display of his own personality, or of resisting the inevitable current of history in an attempt to cling to unjustified privileges.

Brian K. Vaughan photo
Rainer Maria Rilke photo

“Right in the difficult we must have our joys, our happiness, our dreams: there against the depth of this background, they stand out, there for the first time we see how beautiful they are.”

Rainer Maria Rilke (1875–1926) Austrian poet and writer

Selected Letters of Rainer Maria Rilke (1960)
Rilke's Letters
Context: What is required of us is that we love the difficult and learn to deal with it. In the difficult are the friendly forces, the hands that work on us. Right in the difficult we must have our joys, our happiness, our dreams: there against the depth of this background, they stand out, there for the first time we see how beautiful they are.

Dave Barry photo
Barack Obama photo
Francisco Varela photo
Wangari Maathai photo
Leonardo Da Vinci photo

“A shadow will appear dark in proportion to the brilliancy of the light surrounding it and conversely it will be less conspicuous where it is seen against a darker background.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance

Leonardo Da Vinci photo

“Of several luminous bodies of equal size and brilliancy and at an equal distance, that will look the largest which is surrounded by the darkest background.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance

H.P. Lovecraft photo

“I do differ from you radically in respect to familiar things & scenes; for I always demand close correlation with the landscape & historic stream to which I belong, & would feel completely lost in infinity without a system of reference-points based on known & accustomed objects. I take complete relativity so much for granted, that I cannot conceive of anything as existing in itself in any recognisable form. What gives things an aspect & quasi-significance to us is the fact that we view things consistently from a certain artificial & fortuitous angle. Without the preservation of that angle, coherent consciousness & entity itself becomes inconceivable. Thus my wish for freedom is not so much a wish to put all terrestrial things behind me & plunge forever into abysses beyond light, matter, & energy. That, indeed, would mean annihilation as a personality rather than liberation. My wish is perhaps best defined as a wish for infinite visioning & voyaging power, yet without loss of the familiar background which gives all things significance. I want to know what stretches Outside, & be able to visit all the gulfs & dimensions beyond Space & Time. I want, too, to juggle the calendar at will; bringing things from the immemorial past down into the present, & making long journeys into the forgotten years. But I want the familiar Old Providence of my childhood as a perpetual base for these necromancies & excursions—& in a good part of these necromancies & excursions I want certain transmuted features of Old Providence to form part of the alien voids I visit or conjure up. I am as geographic-minded as a cat—places are everything to me. Long observation has shewn me that no other objective experience can give me even a quarter of the kick I can extract from the sight of a fresh landscape or urban vista whose antiquity & historic linkages are such as to correspond with certain fixed childhood dream-patterns of mine. Of course my twilight cosmos of half-familiar, fleetingly remembered marvels is just as unattainable as your Ultimate Abysses—this being the real secret of its fascination. Nothing really known can continue to be acutely fascinating—the charm of many familiar things being mainly resident in their power to symbolise or suggest unknown extensions & overtones.”

H.P. Lovecraft (1890–1937) American author

Letter to Clark Ashton Smith (7 November 1930), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 214
Non-Fiction, Letters

C.G. Jung photo
H.P. Lovecraft photo
Barack Obama photo
Noam Chomsky photo
Steven Weinberg photo
H.P. Lovecraft photo

“Of the complete biological inferiority of the negro there can be no question—he has anatomical features consistently varying from those of other stocks, & always in the direction of the lower primates... Equally inferior—& perhaps even more so—is the Australian black stock, which differs widely from the real negro... In dealing with these two black races, there is only one sound attitude for any other race (be it white, Indian, Malay, Polynesian, or Mongolian) to take—& that is to prevent admixture as completely & determinedly as it can be prevented, through the establishment of a colour-line & the rigid forcing of all mixed offspring below that line. I am in accord with the most vehement & vociferous Alabaman or Mississippian on that point … Other racial questions are wholly different in nature—involving wide variations unconnected with superiority or inferiority. Only an ignorant dolt would attempt to call a Chinese gentleman—heir to one of the greatest artistic & philosophic traditions in the world—an "inferior" of any sort... & yet there are potent reasons, based on wide physical, mental, & cultural differences, why great numbers of the Chinese ought not to mix into the Caucasian fabric, or vice versa. It is not that one race is any better than any other, but that their whole respective heritages are so antipodal as to make harmonious adjustment impossible. Members of one race can fit into another only through the complete eradication of their own background-influences—& even then the adjustment will always remain uneasy & imperfect if the newcomer's physical aspect froms a constant reminder of his outside origin. Therefore it is wise to discourage all mixtures of sharply differentiated races—though the color-line does not need to be drawn as strictly as in the case of the negro, since we know that a dash or two of Mongolian or Indian or Hindoo or some such blood will not actually injure a white stock biologically.... As a matter of fact, most of the psychological race-differences which strike us so prominently are cultural rather than biological. If one could take a Japanese infant, alter his features to the Anglo-Saxon type through plastic surgery, & place him with an American family in Boston for rearing—without telling him that he is not an American—the chances are that in 20 years the result would be a typical American youth with very few instincts to distinguish him from his pure Nordic college-mates. The same is true of other superior alien races including the Jew—although the Nazis persist in acting on a false biological conception. If they were wise in their campaign to get rid of Jewish cultural influences (& a great deal can be said for such a campaign, when the dominance of the Aryan tradition is threatened as in Germany & New York City), they would not emphasize the separatism of the Jew but would strive to make him give up his separate culture & lose himself in the German people. It wouldn't hurt Germany—or alter its essential physical type—to take in all the Jews it now has.”

H.P. Lovecraft (1890–1937) American author

However, that wouldn't work in Poland or New York City, where the Jews are of an inferior strain, & so numerous that they would essentially modify the physical type.
Letter to Natalie H. Wooley (22 November 1934), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, p. 77
Non-Fiction, Letters

Friedrich Nietzsche photo

“This independence is glorified as "academic freedom," … except that in the background, a discreet distance away, stands the state watching with a certain supervisory look on its face, making sure to remind everybody from time to time that it is the aim, the purpose, the essence of this whole strange process.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Diese doppelte Selbständigkeit preist man mit Hochgefühl als ›akademische Freiheit‹: ... nur daß hinter beiden Gruppen in bescheidener Entfernung der Staat mit einer gewissen gespannten Aufsehermiene steht, um von Zeit zu Zeit daran zu erinnern, daß er Zweck, Ziel und Inbegriff der sonderbaren Sprech- und Hörprozedur sei.
Anti-Education (1872)

H.P. Lovecraft photo

“As for your artificial conception of "splendid & traditional ways of life"—I feel quite confident that you are very largely constructing a mythological idealisation of something which never truly existed; a conventional picture based on the perusal of books which followed certain hackneyed lines in the matter of incidents, sentiments, & situations, & which never had a close relationship to the actual societies they professed to depict... In some ways the life of certain earlier periods had marked advantages over life today, but there were compensating disadvantages which would make many hesitate about a choice. Some of the most literarily attractive ages had a coarseness, stridency, & squalor which we would find insupportable... Modern neurotics, lolling in stuffed easy chairs, merely make a myth of these old periods & use them as the nuclei of escapist daydreams whose substance resembles but little the stern actualities of yesterday. That is undoubtedly the case with me—only I'm fully aware of it. Except in certain selected circles, I would undoubtedly find my own 18th century insufferably coarse, orthodox, arrogant, narrow, & artificial. What I look back upon nostalgically is a dream-world which I invented at the age of four from picture books & the Georgian hill streets of Old Providence.... There is something artificial & hollow & unconvincing about self-conscious intellectual traditionalism—this being, of course, the only valid objection against it. The best sort of traditionalism is that easy-going eclectic sort which indulges in no frenzied pulmotor stunts, but courses naturally down from generation to generation; bequeathing such elements as really are sound, losing such as have lost value, & adding any which new conditions may make necessary.... In short, young man, I have no quarrel with the principle of traditionalism as such, but I have a decided quarrel with everything that is insincere, inappropriate, & disproportionate; for these qualities mean ugliness & weakness in the most offensive degree. I object to the feigning of artificial moods on the part of literary moderns who cannot even begin to enter into the life & feelings of the past which they claim to represent... If there were any reality or depth of feeling involved, the case would be different; but almost invariably the neotraditionalists are sequestered persons remote from any real contacts or experience with life... For any person today to fancy he can truly enter into the life & feeling of another period is really nothing but a confession of ignorance of the depth & nature of life in its full sense. This is the case with myself. I feel I am living in the 18th century, though my objective judgment knows better, & realises the vast difference from the real thing. The one redeeming thing about my ignorance of life & remoteness from reality is that I am fully conscious of it, hence (in the last few years) make allowances for it, & do not pretend to an impossible ability to enter into the actual feelings of this or any other age. The emotions of the past were derived from experiences, beliefs, customs, living conditions, historic backgrounds, horizons, &c. &c. so different from our own, that it is simply silly to fancy we can duplicate them, or enter warmly & subjectively into all phases of their aesthetic expression.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 307
Non-Fiction, Letters, to Frank Belknap Long

Ian Smith photo
H.P. Lovecraft photo

“You & James Ferdinand simply can't learn to distinguish betwixt intellectual opinion & irrelevant instinctive emotion... For instance, he has the idea that I place an exaggerated intellectual valuation on the 18th century merely because my chance emotions have given me a strong but irrational subjective sense of belonging to it. I've told that bird dozens of times that I have no especial intellectual brief for Georgian days... He can't understand my ability to class as merely one period among others an age to which random early impressions have so closely bound my emotions & sense of identity... the point is that my own personal mess of subjective emotions has nothing whatever to do with my intellectual opinions. I have freely declared myself at all times (like everybody else in his respective way) a mere product of my background, & do not consider the values of that background as applicable to outsiders. The only way for the individual to achieve any contentment or harmonic relationship to a pattern is to adhere to the background naturally his; & that is what I am doing. Others I urge to adhere to their own respective backgrounds & traditions, however remote from mine these may be. When I venture now & then to suggest values of a more general kind, I approach the problem in an entirely different way—speaking not as Old Theobald of His Majesty's Rhode-Island Colony, but as the cosmic & impersonal Ec'h-Pi-El, denizen of the invisible world 'Ui-ulh in the second zone of curved space outside angled space... If there is any approach to an absolute value in the cosmos—or at least on this planet—then this is it. Sincerity—is-or-isn't-ness—technical perfection—harmony—coherence—consistency—symmetry—all these things are obviously aspects of one single property of space, energy, & general mathematical harmonics whose universality gives it the deepest possible significance. I have thought this all my life, & that is why to me one Newton or Einstein, one M. Atilius Regulus, M. Porcius Cato, or P. Cornelius Scipio, seems to me in certain ways worth a full dozen of your prattling little Keatses & Baudelaires.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 312
Non-Fiction, Letters, to Frank Belknap Long

Barack Obama photo
Barack Obama photo
Barack Obama photo
C.G. Jung photo
Leonardo Da Vinci photo

“A dark object seen against a bright background will appear smaller than it is. A light object will look larger when it is seen against a background darker than itself.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance

Nisargadatta Maharaj photo
Wassily Leontief photo

“The general, and at the same time dynamic, type of analysis still remains an unwritten chapter of economic theory, the claims of innumerable “model-builders” notwithstanding… The … theoretical approach, based on the combination of the complexities of a general interdependent system with the simplifying assumptions of static analysis, constitutes the background of this investigation.”

Wassily Leontief (1906–1999) Russian economist

Source: Structure of American economy, 1919-1929, 1941, p. 33, as cited in: Drejer, Ina. " The Role of Technological Linkages in a Leontief Scheme-From Static Structures to Endogenous Evolution of Technical Coefficients http://www.druid.dk/uploads/tx_picturedb/dw1999-340.pdf." Preparado para: DRUID Winter Conference, Holte (enero 1999). 1998.

Kurt Vonnegut photo
I. K. Gujral photo
John Maynard Keynes photo
H.P. Lovecraft photo
Barack Obama photo

“First of all, this is Duke's band, and this is Tchaikovsky. Knowing things in their original sources, I abhor taking a concert thing and trying to treat it in a jazz light. In the beginning they have a very nice orchestral usage, but the minute they start going into Johnny Hodges and 4/4, it just doesn't fit. It comes out neither fowl nor fish. The orchestration is enjoyable because, for one reason, they've done a nice job of getting nice, legitimate, straight-sounding things. The melodies are very lovely, but, of course, Duke is the master in this type of thing. But over-all, from a jazz standpoint, I don't appreciate it at all. If I didn't know it was Tchaikovsky, for instance, with the tambourine bit and all, I would feel it was straight out of an MGM Arabian movie. The harmonies he used, particularly some of the background things, interested me more than the melodies, probably because the harmonic part of music interests me more than any. From an orchestrational standpoint I would give this somewhere around 3½ stars; but from a jazz standpoint, none.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing "Arabesque Cookie" https://www.youtube.com/watch?v=GJtWZ771OqA from Ellington's The Nutcracker Suite; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe by Leonard Feather, in Downbeat (October 25, 1962), p. 39

Karl Marx photo

“Despite all its shortcomings, this Constitution looms against the background of Russo-Prusso-Austrian barbarism as the only work of liberty which Eastern Europe has ever created independently, and it emerged exclusively from the privileged class, from the nobility. The history of the world has never seen another example of such nobility of the nobility.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Mit allen ihren Mängeln erscheint diese Konstitution mitten in der russisch−preußisch−österreichischen Barbarei als das einzige Freiheitswerk, das Osteuropa je selbständig hervorgebracht hat. Und sie ging ausschließlich von der bevorrechteten Klasse, dem Adel, aus. Die Weltgeschichte bietet kein andres Beispiel von ähnlichem Adel des Adels.
On the Polish Constitution of May 3, 1791.
"Poland, Prussia and Russia" (1863 manuscript). In Werner Conze and Dieter Hertz-Eichenrode (ed.) Manuskripte über die polnische Frage (1863-1864). Hague: Mouton, 1961.

H.P. Lovecraft photo
Slavoj Žižek photo

“Insofar as the gap between essence and appearance is inherent to appearance, in other words, infsofar as essence is nothing but appearance reflected into itself, appearance is appearance against the background of nothing - everything appears ultimately out of nothing.”

Slavoj Žižek (1949) Slovene philosopher

Source: Less Than Nothing (2012), Chapter One (The Drink Before), Vacillating The Semblances
Context: The implicit lesson of Plato is not that everything is appearance, that it is not possible to draw a clear line of separation between appearance and reality (that would have meant the victory of Sophism), but that essence is "appearance as appearance,"that essence appears in contrast to appearance within appearance; that the distinction between appearance and essence has to be inscribed into appearance itself. Insofar as the gap between essence and appearance is inherent to appearance, in other words, infsofar as essence is nothing but appearance reflected into itself, appearance is appearance against the background of nothing - everything appears ultimately out of nothing.

Henri Barbusse photo

“On this seat — where she came to me for the first time, which was once so important to us that it seemed as if the background of things all about us had been created by us — we sit down to-day, after we have vainly sought in nature the traces of our transit.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XIX - Ghosts
Context: On this seat — where she came to me for the first time, which was once so important to us that it seemed as if the background of things all about us had been created by us — we sit down to-day, after we have vainly sought in nature the traces of our transit.
The landscape is peaceful, simple, empty; it fills us with a great quivering. Marie is so sad and so simple that you can see her thought.
I have leaned forward, my elbows on my knees. I have contemplated the gravel at my feet; and suddenly I start, for I understand that my eyes were looking for the marks of our footsteps, in spite of the stone, in spite of the sand.
After the solemnity of a long silence, Marie's face takes on a look of defeat, and suddenly she begins to cry. The tears which fill her — for one always weeps in full, drop on to her knees. And through her sobs there fall from her wet lips words almost shapeless, but desperate and fierce, as a burst of forced laughter.
"It's all over!" she cries.

“And now you know my background.”

Eden ahbez (1908–1995) American songwriter and recording artist

Tape recording declaring how he recited one of his poems in response to a question "What is your background?" (1992)
Shadowbox Studio
Context: I am a being of Heaven and Earth,
of thunder and lightning,
of rain and wind,
of the galaxies,
of the suns and the stars
and the void through which they travel.
The essence of nature,
eternal, divine that all men seek to know to hear,
known as the great illusion time,
and the all-prevailing atmosphere.
And now you know my background.

Barack Obama photo

“No one is born hating another person because of the color of his skin or his background or his religion. … People must learn to hate, and if they can learn to hate, they can be taught to love. … For love comes more naturally to the human heart than its opposite.”

Barack Obama (1961) 44th President of the United States of America

https://twitter.com/BarackObama/status/896523357272911872 Speaking via twitter on August 13, 2017 in response to the 2017 Unite the Right rally in harlottesville, Virginia and quoting Nelson Mandela. Archived via Wayback Machine on August 14, 2017 https://web.archive.org/web/20170814133749/https:/twitter.com/BarackObama/status/896523357272911872. Source: Bipartisan condemnation for 'Unite the Right' rally by CNN's Jennifer Hansler on August 13, 2017 http://edition.cnn.com/2017/08/12/politics/parties-condemn-white-nationalist-rally/index.html. Archived via Wayback Machine on August 14, 2017 https://web.archive.org/web/20170814134330/http://edition.cnn.com/2017/08/12/politics/parties-condemn-white-nationalist-rally/index.html.
2017
Variant: Madiba reminds us that: “No one is born hating another person because of the color of his skin, or his background, or his religion. People must learn to hate, and if they can learn to hate, they can be taught to love, for love comes more naturally to the human heart.”

Aleister Crowley photo

“No event can be fairly judged without background and perspective.”

Aleister Crowley (1875–1947) poet, mountaineer, occultist

Source: The Confessions of Aleister Crowley (1929), Ch. 23.
Context: To read a newspaper is to refrain from reading something worth while. The natural laziness of the mind tempts one to eschew authors who demand a continuous effort of intelligence. The first discipline of education must therefore be to refuse resolutely to feed the mind with canned chatter.
People tell me that they must read the papers so as to know what is going on. In the first place, they could hardly find a worse guide. Most of what is printed turns out to be false, sooner or later. Even when there is no deliberate deception, the account must, from the nature of the case, be presented without adequate reflection and must seem to possess an importance which time shows to be absurdly exaggerated; or vice versa. No event can be fairly judged without background and perspective.

Ronald Reagan photo

“Not in spite of but because of our polyglot background, we have had all the strength in the world. That is the American way.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

While signing the Bill Providing Restitution for the Wartime Internment of Japanese-American Civilians, quoting himself at the funeral of Kazuo Masuda in December 1945 (10 August 1988) http://history.wisc.edu/archdeacon/404tja/redress.html
1980s, Second term of office (1985–1989)
Context: Blood that has soaked into the sands of a beach is all of one color. America stands unique in the world: the only country not founded on race but on a way, an ideal. Not in spite of but because of our polyglot background, we have had all the strength in the world. That is the American way.

Barack Obama photo
Ronald Reagan photo

“Prejudice is not a failing peculiar to one race, it can and does exist in people of every race and ethnic background. It takes individual effort to root it out of one’s heart. In my case my father and mother saw that it never got a start. I shall be forever grateful to them.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

As quoted in "Ronald Reagan and Race" https://www.nationalreview.com/2019/08/ronald-reagan-and-race-richard-nixon-tape/ (August 2019), by Jay Nordlinger, National Review
1980s, First term of office (1981–1985)

Miles Davis photo

“Miles said he looked on his need for constant change as a curse. However, Miles, along with Duke Ellington, in terms of looking for models of how you strategize with a band, have been there constantly in the background for me. Not the Beatles as a construct for a group, not Led Zeppelin, not the Floyd. My guides have always been Miles and Duke.”

Miles Davis (1926–1991) American jazz musician

Robert Fripp, on how Miles Davis influenced his leadership in King Crimson.
As quoted in a Rolling Stone interview "The Crimson King Seeks a New Court" by Hank Shteamer (15 April 2019) https://www.rollingstone.com/music/music-features/robert-fripp-interview-king-crimson-tour-david-bowie-kanye-west-820783/.
Quotes by others

Zail Singh photo
Georges Bataille photo
Erin Gruwell photo
Jenny Han photo
Sherrilyn Kenyon photo

“With my background and genetic makeup, buddy, you're lucky I'm as normal as I am.
(Katra Agrotera)”

Sherrilyn Kenyon (1965) Novelist

Variant: You’re really not right, are you? (Sin)
With my background and genetic makeup, buddy, you’re lucky I’m as normal as I am. (Kat)
Source: Devil May Cry

P.G. Wodehouse photo

“There was a sound in the background like a distant sheep coughing gently on a mountainside. Jeeves sailing into action.”

P.G. Wodehouse (1881–1975) English author

Joy in the Morning (1947)
Source: Jeeves in the Morning

Rick Riordan photo
Nicholas Sparks photo
P.G. Wodehouse photo

“Unseen, in the background, Fate was quietly slipping the lead into the boxing-glove.”

P.G. Wodehouse (1881–1975) English author

Very Good, Jeeves (1930)
Source: Very Good, Jeeves!

Edith Wharton photo
Jean Rhys photo
Neal Shusterman photo
Jenny Han photo
Diane Duane photo
Anne Morrow Lindbergh photo

“The shape of my life is, of course, determined by many things; my background and childhood, my mind and its education, my conscience and its pressures, my heart and its desires.”

Source: Gift from the Sea (1955)
Context: The shape of my life is, of course, determined by many other things; my background and childhood, my mind and its education, my conscience and its pressures, my heart and its desires. I want to give and take from my children and husband, to share with friends and community, to carry out my obligations to man and to the world, as a woman, as an artist, as a citizen.
But I want first of all — in fact, as an end to these other desires — to be at peace with myself. I want a singleness of eye, a purity of intention, a central core to my life that will enable me to carry out these obligations and activities as well as I can. I want, in fact — to borrow from the languages of the saints — to live "in grace" as much of the time as possible. I am not using this term in a strictly theological sense. By grace I mean an inner harmony, essentially spiritual, which can be translated into outward harmony.
Context: The shape of my life today starts with a family. I have a husband, five children and a home just beyond the suburbs of New York. I have also a craft, writing, and therefore work I want to pursue. The shape of my life is, of course, determined by many other things; my background and childhood, my mind and its education, my conscience and its pressures, my heart and its desires. I want to give and take from my children and husband, to share with friends and community, to carry out my obligations to man and to the world, as a woman, as an artist, as a citizen.
But I want first of all — in fact, as an end to these other desires — to be at peace with myself. I want a singleness of eye, a purity of intention, a central core to my life that will enable me to carry out these obligations and activities as well as I can. I want, in fact — to borrow from the languages of the saints — to live "in grace" as much of the time as possible. I am not using this term in a strictly theological sense. By grace I mean an inner harmony, essentially spiritual, which can be translated into outward harmony. I am seeking perhaps what Socrates asked for in the prayer from Phaedrus when he said, "May the outward and the inward man be at one." I would like to achieve a state of inner spiritual grace from which I could function and give as I was meant to in the eye of God.

Harry Truman photo
Rick Riordan photo
Stephen Sondheim photo
Ernesto Che Guevara photo
Matt Taibbi photo
Nile Kinnick photo
Edouard Manet photo

“Get it down quickly, don't worry about the background. Just go for the tonal values. You see? When you look at it, and above all when you see how to render it as you see it, thats is, in such a way that its make the same impression on the viewer as it does on you, you don't look for, you don't see the lines on the paper over there, do you? And then, when you look at the whole thing you don't try to count the scales on the salmon, of course you don't. You see them as little silver pearls against grey and pink – isn't thats right? – look at the pink of the salmon, with the bone appearing white in the centre and then grays, like the shades of mother of pearl. And the grapes, now do you count each? No, of course not. What strikes you is their clear, amber colour and the bloom which models the form by softening it. What you have to decide with the cloth is where the highlights come and then the planes which are not in the direct light. Halftones are for the magasin pittoresque engravers. The folds will come by themselves if you put them in the proper place. Ah! M. Ingres, there's the man! We're all just children. There's the one who knew how to paint materials! Ask Bracquemond [Paris' artist and print-maker]. Above all, keep your colours fresh. [instructing his new protegee, the Spanish young woman-painter Eva Gonzales, circa 1869]”

Edouard Manet (1832–1883) French painter

Manet, recorded by Philippe Burty, as cited in Manet by Himself, ed. Juliet Wilson-Bareau, Little Brown 2000, London; p. 52
1850 - 1875

Robert Maynard Hutchins photo

“For me, I have seen worlds and people begin and end, actually and metaphorically, and it will always be the same. It’s always fire and water.
No matter what your scientific background, emotionally you’re an alchemist. You live in a world of liquids, solids, gases and heat-transfer effects that accompany their changes of state. These are the things you perceive, the things you feel. Whatever you know about their true natures is rafted on top of that. So, when it comes to the day-to-day sensations of living, from mixing a cup of coffee to flying a kite, you treat with the four ideal elements of the old philosophers: earth, air, fire, water.
Let’s face it, air isn’t very glamorous, no matter how you look at it. I mean, I’d hate to be without it, but it’s invisible and so long as it behaves itself it can be taken for granted and pretty much ignored. Earth? The trouble with earth is that it endures. Solid objects tend to persist with a monotonous regularity.
Not so fire and water, however. They’re formless, colorful, and they’re always doing something. While suggesting you repent, prophets very seldom predict the wrath of the gods in terms of landslides and hurricanes. No. Floods and fires are what you get for the rottenness of your ways. Primitive man was really on his way when he learned to kindle the one and had enough of the other nearby to put it out. It is coincidence that we’ve filled hells with fires and oceans with monsters? I don’t think so. Both principles are mobile, which is generally a sign of life. Both are mysterious and possess the power to hurt or kill. It is no wonder that intelligent creatures the universe over have reacted to them in a similar fashion. It is the alchemical response.”

Source: Isle of the Dead (1969), Chapter 6 (pp. 137-138)

Jane Roberts photo
Lee Smolin photo

“… a man can overcome his background, even as he can overcome a skilled opponent.”

Source: Drenai series, The King Beyond the Gate, Ch. 13

James Madison photo

“Do not separate text from historical background. If you do, you will have perverted and subverted the Constitution, which can only end in a distorted, bastardized form of illegitimate government.”

James Madison (1751–1836) 4th president of the United States (1809 to 1817)

Not found in any writings of Madison. The earliest known appearance is a 1994 pamphlet from the Militia of Montana. See “In that sense alone it is the legitimate Constitution”, above, for a sourced quote with a related theme.
Misattributed

Dinesh D'Souza photo
Richard Pipes photo
Pat Condell photo

“There are many reasons why the religion of Islam impoverishes western society, but the main one, in my opinion, is that it degrades and debases women, except, of course, for left-wing women, who happily degrade and debase themselves defending Islam, like turkeys defending Christmas. A woman in Islam needs to be covered from head to toe because men are not expected to exhibit any kind of basic self-control. I get a lot of correspondence from angry Muslim males and I've lost count of the number of times I've been told that western women are asking to be raped because of the way they dress. No other religion teaches people to think like this. Recently here in Britain, we've had a rash of Muslim gangs pimping and raping young girls in northern England. I do mean Muslim gangs, and not Asians, as the media keep reporting. There are no Sikhs or Hindus involved in this, and to call them Asians to avoid naming the real problem is a slander on Hindus and Sikhs. These men do it because they regard non-Muslim women as subhuman trash. And this poison is coming directly from their religion, a religion whose values are dictated and imposed by some of the most narrow-minded, psychotic human beings on this planet. And, coming as I do from an Irish Catholic background, believe me, that's saying something.”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"Name the poison" (22 June 2011) http://youtube.com/watch?v=sEsWO4xep44
2011

Aldo Palazzeschi photo
Thomas Kuhn photo

“In science, as in the playing card experiment, novelty emerges only with difficulty, manifested by resistance, against a background provided by expectation.”

Source: The Structure of Scientific Revolutions (1962), VI. Anomaly and the Emergence of Scientific Discoveries, p. 64 (2012 ed.)

J. Bradford DeLong photo

“Hayek says that the problem with classical liberalism was that it was not pure enough. The government needed to restrict itself to establishing the rule of law and to using antitrust to break up monopolies. It was the overreach of the government beyond those limits, via central banking and social democracy, that caused all the trouble. A democratic government needs to limit itself to rule of law and antitrust–and perhaps soup kitchens and shelters. And what if democracy turns out not to produce a government that limits itself to those activities? Then, Hayek says, so much the worse for democracy. A Pinochet is then called for to, in a Lykourgan moment, minimalize the state. After social democracy has been leveled and the rubble cleared away, then–perhaps–a limited range of issues can be discussed and debated by a–limited–restored democracy, with some kind of group of right-wing army officers descended from latifundistas Council of Guardians in the background to ensure that property remains sacred and protected, and the government small enough to fit in a bathtub. […] Hayek was formed in Austria. From his perspective the property and enterprise respecting Imperial Habsburg government of Franz Josef eager to make no waves, to hold what it has, and to keep the lid off the pressure cooker appears not unattractive. This is especially so when you contrasted would be really existing authoritarian alternatives: anti-Semitic populist demagogue mayors of Vienna; nationalist Serbian or Croatian politicians interested in maintaining popular legitimacy by waging class war or ethnic war; separatists who seek independence and then one man, one vote, one time. An “authoritarian” after the manner of Franz Josef looks quite attractive in this context–and if you convince yourself but they are as dedicated to small government neoliberalism as you are, and that the Lykourgan moment of the form will be followed by soft rule and popular assent, so much the better. And if the popular assent is not forthcoming? Then Hayek can blame the socialists, and say it is their fault for not understanding how good a deal they are offered.”

J. Bradford DeLong (1960) American economist

Making Sense of Friedrich A. von Hayek: Focus/The Honest Broker for the Week of August 9, 2014 http://equitablegrowth.org/making-sense-friedrich-von-hayek-focusthe-honest-broker-week-august-9-2014/ (2014)

Charles Cooley photo
Rudy Giuliani photo
Marianne von Werefkin photo
John F. Kennedy photo

“This Nation was founded by men of many nations and backgrounds. It was founded on the principle that all men are created equal, and that the rights of every man are diminished when the rights of one man are threatened.”

John F. Kennedy (1917–1963) 35th president of the United States of America

Radio and television report to the American people on civil rights (11 June 1963)]
1963, Civil Rights Address

Noam Chomsky photo

“In Somalia, we know exactly what they had to gain because they told us. The chairman of the Joint Chiefs, Colin Powell, described this as the best public relations operation of the Pentagon that he could imagine. His picture, which I think is plausible, is that there was a problem about raising the Pentagon budget, and they needed something that would be, look like a kind of a cakewalk, which would give a lot of prestige to the Pentagon. Somalia looked easy. Let's look back at the background. For years, the United States had supported a really brutal dictator, who had just devastated the country, and was finally kicked out. After he's kicked out, it was 1990, the country sank into total chaos and disaster, with starvation and warfare and all kind of horrible misery. The United States refused to, certainly to pay reparations, but even to look. By the middle of 1992, it was beginning to ease. The fighting was dying down, food supplies were beginning to get in, the Red Cross was getting in, roughly 80% of their supplies they said. There was a harvest on the way. It looked like it was finally sort of settling down. At that point, all of a sudden, George Bush announced that he had been watching these heartbreaking pictures on television, on Thanksgiving, and we had to do something, we had to send in humanitarian aid. The Marines landed, in a landing which was so comical, that even the media couldn't keep a straight face. Take a look at the reports of the landing of the Marines, it must've been the first week of December 1992. They had planned a night, there was nothing that was going on, but they planned a night landing, so you could show off all the fancy new night vision equipment and so on. Of course they had called the television stations, because what's the point of a PR operation for the Pentagon if there's no one to look for it. So the television stations were all there, with their bright lights and that sort of thing, and as the Marines were coming ashore they were blinded by the television light. So they had to send people out to get the cameramen to turn off the lights, so they could land with their fancy new equipment. As I say, even the media could not keep a straight face on this one, and they reported it pretty accurately. Also reported the PR aspect. Well the idea was, you could get some nice shots of Marine colonels handing out peanut butter sandwiches to starving refugees, and that'd all look great. And so it looked for a couple of weeks, until things started to get unpleasant. As things started to get unpleasant, the United States responded with what's called the Powell Doctrine. The United States has an unusual military doctrine, it's one of the reasons why the U. S. is generally disqualified from peace keeping operations that involve civilians, again, this has to do with sovereignty. U. S. military doctrine is that U. S. soldiers are not permitted to come under any threat. That's not true for other countries. So countries like, say, Canada, the Fiji Islands, Pakistan, Norway, their soldiers are coming under threat all the time. The peace keepers in southern Lebanon for example, are being attacked by Israeli soldiers all the time, and have suffered plenty of casualties, and they don't like it. But U. S. soldiers are not permitted to come under any threat, so when Somali teenagers started shaking fists at them, and more, they came back with massive fire power, and that led to a massacre. According to the U. S., I don't know the actual numbers, but according to U. S. government, about 7 to 10 thousand Somali civilians were killed before this was over. There's a close analysis of all of this by Alex de Waal, who's one of the world's leading specialists on African famine and relief, altogether academic specialist. His estimate is that the number of people saved by the intervention and the number killed by the intervention was approximately in the same ballpark. That's Somalia. That's what's given as a stellar example of the humanitarian intervention.”

Noam Chomsky (1928) american linguist, philosopher and activist

Responding to the question, "what did the United States have to gain by intervening in Somalia?", regarding Operation Provide Relief/Operation Restore Hope/Battle of Mogadishu.
Quotes 1990s, 1995-1999, Sovereignty and World Order, 1999

Markiplier photo
Halle Berry photo

“When I held that statuette, I felt as if I had won a triumph not just for myself, but for every other woman who'd struggled to overcome the same sort of background.”

Halle Berry (1966) American actress

On winning an Academy Award — reported in Barbara Davies (August 10, 2008) "Lost and Found", Sunday Telegraph Magazine, p. 18.