“We're really not very good about putting music in a social and political context, particularly classical music. It's all sort of above everything. But in South Africa, everything is politicised. You play a piece of classical music out there and you are making a real cultural statement. Or you play with a marimba band and you are saying something else. I think that's the way things should be. The way people write about music makes it seem completely devoid of social context. And audiences drift away as a result.”

Financial Times, 11/11/1999
On Classical Music

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Joanna MacGregor38

British musician 1959

Giles Andreae (1966) British artist, poet

“I don't really go along with this sense that you sometimes pick up - that is, classical music is superior to everything else. I think classical music is a very great music form, but I can also think of other great music forms. And certainly within each field, you have absolute geniuses operating. Over the years, I've tried to bring together different people from different fields, and I do try to put Bach and Beethoven next to other types of musicians.”

Joanna MacGregor (1959) British musician

Denver Post, 18/02/2005
On Classical Music

“You don't rely on a great army of people to spoon-feed you. Today's classical-music world is very self-defeating. I love the fact that all these corporations are falling apart. They're sinking millions into acts and getting it wrong. And I know why - it's not about the music, or the audiences. So in many ways this is a very encouraging time.”

Joanna MacGregor (1959) British musician

The Independent, 23/06/2003
On Classical Music

“There are certain devices that one uses in Romantic music that are appropriate only for Romantic or subsequent music. If you take those devices and apply them to earlier music, then it’s totally inappropriate, and it makes the Classical music sound silly. However, if you were to use what you might call ‘Classical devices’ on Romantic music, historically, that would be correct! It very often benefits Romantic music, which is sometimes rather disjunctive, rather shapeless in comparison with Classical symphonic or sonata form. Romantic music very often benefits from that tighter organization that you get from Classical music.”

Leon Fleisher (1928) American conductor and pianist

Interview with pianist Leon Fleisher http://www.examiner.com/article/interview-with-pianist-leon-fleisher by Elijah Ho (October 1, 2014)

“I have absolutely no difficulty in coming out and saying Bach and Beethoven are great composers. You must school young people into great classical music, but you must also allow them to hear other music as well. At one point classical music colonised the high ground. Now we're reaping the backlash for that.”

Joanna MacGregor (1959) British musician

The Times, 21/04/2006
On Classical Music

“On horseback you feel as if you're moving in time to classical music; a camel seems to progress to the beat of a drum played by a drunk.”

Walter Moers The 13½ Lives of Captain Bluebear

Source: The 13½ Lives of Captain Bluebear

“People used to make records, as in the record of an event, the event of people playing music in a room, and now everything's cross-marketing, its about sunglasses and shoes, or guns and drugs that you choose.”

Ani DiFranco (1970) musician and activist

Fuel
Song lyrics

“If you're going to make music, you need to find the context in which it might be enjoyed.”

Mixmaster Morris (1965) English ambient DJ

Looking for the Perfect Beat, 2000.

“I was raised in Germany until I was 13, and then my family decided to go back to Turkey. It was good in a way, because I studied music. And I went to a Turkish classical music school and studied music for three years. And then I just realized that I can't do anything else but singing music. And everything just happened naturally.”

Tarkan (1972) Turkish singer

Tarkan finds his moves take him across borders, CNN Worldbeat, August 9, 1999 http://www.cnn.com/SHOWBIZ/Music/9908/09/tarkan.wb/index.html,

“That's what music is about, and those are the types of experiences I value most in looking for the visceral and unidentifiable thing it is that makes music music, and not something else.”

Mark Heard (1951–1992) American musician and record producer

Life in the Industry: A Musician's Diary

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