Quotes about aspect
page 8

George Holmes Howison photo
Honoré de Balzac photo

“Sufferings predispose the mind to devotion, and nearly all young girls, impelled by instinctive tenderness, are inclined to mysticism, the deepest aspect of religion.”

Les souffrances disposent à la dévotion, et presque toutes les jeunes filles, poussées par une tendresse instinctive, inclinent au mysticisme, le côté profond de la religion.
Source: Pierrette (1840), Ch. V: History of Poor Cousins in the Home of Rich Ones.

Alex Kurtzman photo
Ellen Willis photo
Robinson Jeffers photo

“Poetry is bound to concern itself chiefly with permanent aspects of life.”

Robinson Jeffers (1887–1962) American poet

As quoted in Encyclopedia of World Literature in the 20th Century (1981) edited by Leonard S. Klein, Vol. 2, p. 504

Wassily Kandinsky photo
James Meade photo
David Cronenberg photo
Christian Dior photo
Bhakti Tirtha Swami photo
John Holloway photo

“Robinson (1952) pointed out some limits to approaching map symbolization and design from a purely artistic viewpoint, as he suggested was the guiding perspective at the time. Maps, like buildings that are designed primarily for artistic impact, are often not functional… Robinson (1952) argued that treating maps as art can lead to "arbitrary and capricious" decisions. He saw only two alternatives: either standardize everything so that no confusion can result about the meaning of symbols, or study and analyze characteristics of perception as they apply to maps so that symbolization and design decisions can be based on "objective" rules… Robinson's dissertation, then, signaled the beginning of a more objective approach to map symbolization and design based on testing the effectiveness of alternatives, an approach that followed the positivist model of physical science. In his dissertation, Robinson cited several aspects of cartographic method for which he felt more objective guidelines were required (e. g., lettering, color, and map design). He also suggested that this objective look at cartographic methods should begin by considering the limitations of human perception. One goal he proposed was identification of the "least practical differences" in map symbols”

Alan MacEachren (1952) American geographer

e.g., the smallest difference in lettering size that would be noticeable to most readers
Source: How Maps Work: Representation, Visualization, and Design (1995), p. 2-3

Johannes Bosboom photo

“In the [art-magazine] 'Kunst-Kronijk' my work 'Monastic corridor' came under your eyes; it is after a drawing that I started at Kleve after Nature and of which the painting is now almost finished. I believe, you know Kleve. The smallest of the Catholic Churches is a kind of monastery church; it has a nice sacristy, and the passage along the building gave me the motive of which you saw the lithography. On the same spot I designed a sketch in the 'Paarden-posterij' [Horse post-location] (where the cars are stored at Emmerich). I later made it a drawing - one of my best, and also the construction of it is now already in oil, to be completed soon. As motive, aspect, effect, etc. it pleases everyone - it is a real stable with lots of horses in it, and yet I do not have to make an enormous effort to paint the horses. As they are in the stable, they take the mysterious part [of the image]. Who knows, the K[unst]-K[ronyk] will produce a reproduction of it.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch, (citaat van een brief van Johannes Bosboom, in het Nederlands:) In de 'Kunstkronijk' kwam U mijn 'Kloostergang' onder de oogen; 't is naar een Teek[ening] die ik te Cleef naar de Natuur begon en waarvan nu de schilderij bijna gereed is. Ik geloof, gij kent Kleef. De kleinste der Kath. Kerken is een [soort] van Kloosterkerk, heeft een aardige sacristy en de gang langs het Pand gaf mij het motief, waarvan gij de lith[ographie] zaagt. Bij datzelfde verblijf ontwierp ik eene schets in de Paardenposterij (waar de wagens op Emmerik stallen). Ik maakte die later tot eene Teek[ening], een mijner beste, en ook daarvan staat de aanleg in olie gereed, om eerlang voltooid te worden. Als motief, aspect, effect, etc. bevalt het een ieder - 't is een echte stal, waar veel paarden in zijn, en toch hoef ik mij aan het schilderen der paarden niet te buiten te gaan. Zooals ze erin zijn, nemen zij het mysterieuse gedeelte in. Wie weet, levert de K[unst]-K[ronyk] er niet een reproductie van.
Quote from Bosboom's letter, 1866; as cited in: Uit het leven van een kunstenaarspaar: brieven van Johannes Bosboom, H.F.W. Jeltes, 1916 https://rkd.nl/nl/explore/excerpts/437 (translation from the original Dutch: Fons Heijnsbroek)
1860's

Émile Durkheim photo
H.V. Sheshadri photo
Anthony Kiedis photo
D. V. Gundappa photo
Amir Taheri photo

“Many Frenchmen see their society as drifting in uncertain waters without an anchor. They are concerned by increasingly powerless elected governments, distant bureaucrats who intervene in every aspect of people’s lives, and an economic system that promises much but delivers little. The advocates of Western decline claim that Europeans no longer believe in anything and are thus doomed to lose the fight against homegrown Islamists who passionately believe in the little they know of Islam. A note of comedy is injected into this tragedy by people like President Hollande who keep repeating that the terror attacks had “nothing to do with Islam.” Is Hollande an authority on what is and what is not Islam? Talking heads repeat ad nauseam that France is not at war against Islam. OK. However, part of Islam is certainly at war against France, and the rest of the civilized world, including a majority of Muslims across the globe. One’s enemy is not whom one wants him to be but whom he wants to be. The Charlie killers saw themselves as jihadis, and it is only in seeing them as such that one could start dealing with them in an effective way. In designating them as Islamists, one is not “at war against Islam.” Millions of French are expected to take part in marches across the country today to pay respect to the 17 people, including 10 journalists, who were killed in the attacks. There is going to be just one slogan: “We are all Charlie.” Do they believe it? The French would do well to remember that, once all is said and done, they still live in one of the few countries in the world where they can think and say what they like, a state of bliss a majority of Muslims across the globe could only dream of. And, the prophets of decline notwithstanding, that is something worth living and fighting for.”

Amir Taheri (1942) Iranian journalist

What happens to Western values if no one stands up against Islam? http://nypost.com/2015/01/11/what-happens-to-western-values-if-no-one-stands-up-against-islam/, New York Post (January 11, 2015).
New York Post

Mahatma Gandhi photo
Jack Vance photo
Qian Xuesen photo
Charles Krauthammer photo
Hank Aaron photo

“Guessing what the pitcher is going to throw is 80 percent of being a successful hitter. The other 20 percent is just execution. The mental aspects of hitting were especially important to me. I was strictly a guess hitter, which meant I had to have a thorough knowledge of every pitcher I came up against and develop a strategy for hitting him. My method was to identify the pitches a certain pitcher had and eliminate all but one or two and then wait for them. One advantage I had was quick wrists. Another advantage—and one that all good hitters have—was my eyesight. Sometimes I could read the pitcher's grip on the ball before he ever released it and be able to tell what pitch he was throwing. I never worried about the fastball. They couldn't throw it past me, none of them.”

Hank Aaron (1934) Retired American baseball player

From I Had a Hammer (1990) by Aaron, with Lonnie Wheeler; as reproduced in Hank Aaron https://books.google.com/books?id=tcPC-qgM8McC&pg=PA48&lpg=PA48&dq=%22Guessing+what+the+pitcher+is+going+to+throw+is+80+percent+of+being+a+successful+hitter.+The+other+20+percent+is+just+execution.%22&source=bl&ots=QZ81enT7WV&sig=NL9G0fGgcTJGfc6oVOYvuzBV2sI&hl=en&sa=X&ved=0ahUKEwjQu9DFxcjVAhUEwYMKHdamDmsQ6AEIOzAE#v=onepage&q=%22Guessing%20what%20the%20pitcher%20is%20going%20to%20throw%20is%2080%20percent%20of%20being%20a%20successful%20hitter.%20The%20other%2020%20percent%20is%20just%20execution.%22&f=false (2007) by Jamie Poolos, p. 48

“Women are still a relative rarity in rock bands, and studies of women's experiences with pop and rock music have indicated that girls are socialized to pop and rock music differently from boys: boys and young men tend to learn songs by ear and talk about popular music's technical aspects, while girls and young women tend to focus on lyrics rather than on equipment and instrumentation, and to resist learning songs by ear. Miki Bernyi's experience testifies to the truthfulness of those findings:”

'Girls don't have the patience to spend six years learning someone else's music. Me and Emma [Anderson] can't jam because we only know how to play our own songs. Jamming's more of a boy's thing....I think that women play more imaginatively because they learn to play while they're writing songs, instead of waiting to be technically good first.'
Quoted in Evans, 1994, p. 44.

Ted Nelson photo
Elizabeth May photo

“Of all the deteriorating aspects of Canadian democracy, the lack of concern over the ability of the national police force to interfere in elections is the one that most suggests Third World politics.”

Elizabeth May (1954) Canadian politician

Source: Losing Confidence - Power, politics, And The Crisis In Canadian Democracy (2009), Chapter 5, Police State?, p. 124

Martin Amis photo
Georg Wilhelm Friedrich Hegel photo

“Without rhetorical exaggeration, a simply truthful combination of the miseries that have overwhelmed the noblest of nations and polities, and the finest exemplars of private virtue, forms a picture of most fearful aspect, and excites emotions of the profoundest and most hopeless sadness, counterbalanced by no consolatory result. We endure in beholding it a mental torture, allowing no defence or escape but the consideration that what has happened could not be otherwise; that it is a fatality which no intervention could alter. And at last we draw back from the intolerable disgust with which these sorrowful reflections threaten us, into the more agreeable environment of our individual life the Present formed by our private aims and interests. In short we retreat into the selfishness that stands on the quiet shore, and thence enjoys in safety the distant spectacle of "wrecks confusedly hurled." But even regarding History as the slaughter-bench at which the happiness of peoples, the wisdom of States, and the virtue of individuals have been victimised the question involuntarily arises to what principle, to what final aim these. enormous sacrifices have been offered.”

Geschichte Als Schlachtbank
Pt. III, sec. 2, ch. 24 Lectures on the History of History Vol 1 p. 22 John Sibree translation (1857), 1914
Lectures on the Philosophy of History (1832), Volume 1

Wendy Doniger photo
John Constable photo
Mata Amritanandamayi photo
Donald A. Norman photo
Piet Mondrian photo

“the Cubists in Paris made me see that there was also a possibility of suppressing the natural aspect of form. I continued my research by abstracting the form and purifying the colour more and more. While working, I arrived at suppressing the closed effect of abstract form, expressing myself exclusively by means of the straight line in rectangular opposition; thus by rectangular planes of colour with white, grey and black. At that time, I encountered artists with approximately the same spirit, First Van der Leck, who, though still figurative, painted in compact planes of pure colour. My more or less cubist technique - in consequence still more or less picturesque - underwent the influence of his exact technique. Shortly afterwards I had the pleasure of making the acquaintance of Van Doesburg. Full of vitality and zeal for the already international movement that was called 'abstract', and most sincerely appreciative of my work, he came to ask me to collaborate in a review he intended to publish, and which he [Theo van Doesburg] was to call 'De Stijl.”

Piet Mondrian (1872–1944) Peintre Néerlandais

I was happy with an opportunity to publish my ideas on art, which I was engaged in writing down: I saw the possibility of contacts with similar efforts.
Quote of Mondrian c 1931, in 'De Stijl' (last number), p. 48; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, pp. 44-45
published in the memorial number of 'De Stijl', after the death of Theo Van Doesburg in 1931
1930's

Emil M. Cioran photo

“[There will be movement toward] behavioral economics… [which] involves study of those aspects of men’s images, or cognitive and affective structures that are more relevant to economic decisions.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding (1958) "Contemporary Economic Research".  In Donald P. Ray (ed.). Trends in Social Science, pp. 9-26. as cited in: James Alm (2011) Testing Behavioral Public Economics Theories in the Laboratory http://econ.tulane.edu/RePEc/pdf/tul1102.pdf. Working paper.
Alm proceeds by stating: "Given the essential role of psychological insights in the field, together with the obvious truism that all economics concerns “behavior” in one form or another, a more descriptive name for the field is perhaps “cognitive economics”, as recognized early on by Boulding (1958)."
1950s

J.M. Coetzee photo
George Holmes Howison photo

“Freedom and determinism are only the obverse and the reverse of the two-faced fact of rational self-activity. Freedom is the thought-action of the self, defining its specific identity, and determinism means nothing but the definite character which the rational nature of the action involves. Thus freedom, far from disjoining and isolating each self from other selves, especially the Supreme Self, or God, in fact defines the inner life of each, in its determining whole, in harmony with theirs, and so, instead of concealing, opens it to their knowledge — to God, with absolute completeness eternally, in virtue of his perfect vision into all possible emergencies, all possible alternatives; to the others, with an increasing fulness, more or less retarded, but advancing toward completeness as the Rational Ideal guiding each advances in its work of bringing the phenomenal or natural life into accord with it. For our freedom, in its most significant aspect, means just our secure possession, each in virtue of his self-defining act, of this common Ideal, whose intimate nature it is to unite us, not to divide us; to unite us while it preserves us each in his own identity, harmonising each with all by harmonising all with God, but quenching none in any extinguishing Unit. Freedom, in short, means first our self-direction by this eternal Ideal and toward it, and then our power, from this eternal choice, to bring our temporal life into conformity with it, step by step, more and more.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Harmony of Determinism and Freedom, p.375-6

Charles Wheelan photo
Asger Jorn photo
Cyrano de Bergerac photo
Andrew Sullivan photo
Paul Gauguin photo

“Painting is the most beautiful of all arts. In it, all sensations are condensed, at its aspect everyone may create romance at the will of his imagination, and at a glance have his soul invaded by the most profound memories, no efforts of memory, everything summed up in one moment. Complete art which sums up all the others and completes them. Like music, it acts on the soul through the intermediary of the senses, the harmonious tones corresponding to the harmonies of sounds, but in painting, a unity is obtained which is not possible in music, where the accords follow one another, and the judgement experiences a continuous fatigue if one wants to reunite the end and the beginning. In the main, the ear is an inferior sense to the eye. The hearing can only grasp a single sound at one time, whereas the sight takes in everything and at the same time simplifies at its will.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

La peinture est le plus beau de tous les arts; en lui se résument toutes les sensations, à son aspect chacun peut, au gré de son imagination, créer le roman, d'un seul coup d'œil avoir l'âme envahie par les plus profonds souvenirs; point d'effort de mémoire, tout résumé en un seul instant. — Art complet qui résume tous les autres et les complète. — Comme la musique, il agit sur l'âme par l'intermédiaire des sens, les tons harmonieux correspondant aux harmonies des sons; mais en peinture on obtient une unité impossible en musique où les accords viennent les uns après les autres, et le jugement éprouve alors une fatigue incessante s'il veut réunir la fin au commencement. En somme, l'oreille est un sens inférieur à celui de l'œil. L'ouïe ne peut servir qu'à un seul son à la fois, tandis que la vue embrasse tout, en même temps qu'à son gré elle simplifie.
Quote of Gauguin from: Notes Synthéthiques (ca. 1884-1885), ed. Henri Mahaut, in Vers et prose (July-September 1910), p. 52; translation from John Rewald, Gauguin (Hyperion Press, 1938), p. 161.
1870s - 1880s

Nayef Al-Rodhan photo
Michael Löwy photo
Eugène Delacroix photo
Ephraim Mirvis photo
Richard Courant photo
David Graeber photo
Ravindra Prabhat photo
Poul Anderson photo
Benjamin Stanton photo
Paulo Freire photo
Jane Roberts photo
José Ortega Y Gasset photo
Francisco Palau photo
W. C. Allee photo
John B. Cobb photo

“Whereas traditional Christianity calls for the subordination of all other commitments to the commitment to God, Buddhism teaches us to give up all craving and attachment, just those aspects of the human psyche that ground economism.”

John B. Cobb (1925) American theologian

Eastern View of Economics http://web.archive.org/web/20150906075839/http://www.religion-online.org/showarticle.asp?title=3607

Morarji Desai photo
Jonah Goldberg photo
Adam Schaff photo
Jürgen Habermas photo
P.G. Wodehouse photo

“There are many aspects of the ancient laws of Israel that simply do not mediate an experience of divine will for people today.”

Roger Haight (1936) American theologian

Source: Dynamics Of Theology, Chapter Six, Scripture and Theology, p. 118

Rudolf E. Kálmán photo
Dana Gioia photo
Starhawk photo
Samuel Butler photo

“Sin is like a mountain with two aspects according to whether it is viewed before or after it has been reached: yet both aspects are real.”

Samuel Butler (1835–1902) novelist

Sin
The Note-Books of Samuel Butler (1912), Part II - Elementary Morality

Je Tsongkhapa photo
Joseph Gordon-Levitt photo
Talcott Parsons photo
Aaliyah photo

“I breathe to perform, to entertain, I can’t imagine myself doing anything else. I’m just a really happy girl right now. I honestly love every aspect of this business. I really do. I feel very fulfilled and complete.”

Aaliyah (1979–2001) American singer, actress and model

In Vibe magazine cover story, "What Lies Beneath" (Published in 2001) http://www.vibe.com/article/aaliyahs-2001-vibe-cover-story-what-lies-beneath

Fredrik Reinfeldt photo
Nigel Cumberland photo

“Stress ruthlessly puts out your dreams and robs you of your happiness. It can destroy your health, lead to tensions at home and ruin your career plans. It strikes when you are not at peace or uncomfortable with aspects of your life – and pretty much anything can bring it on.”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Isa Genzken photo

“Neither citation nor loan demand is an adequate measure of literature use by a large community. Each is only an indicator, illuminating some aspects of use but with its own inherent bias. The joint study of several indicators gives a more balanced picture..”

Brian Campbell Vickery (1918–2009) British information theorist

Penelope Earle and Brian Campbell Vickery (1969), "Social Science Literature Use in the U.K. as Indicated by Citations," Journal of Documentation 25: p. 133; As cited in Yasar Tonta, Yurdagül Ünal (2005) "Scatter of journals and literature obsolescence reflected in document delivery requests". JASIST 56(1): 84-94.

Hayley Jensen photo
Bhakti Tirtha Swami photo
Narendra Modi photo
John Major photo
David Brewster photo