“I expected a lot of negative reactions to my critique of aspects of Irish nationalism, and I got a fiercely negative set of reactions of course from sympathisers with Sinn Féin and the IRA, that is to say, people who are so nationalist they were prepared to kill for nationalist objectives.”

[Stacy McGaugh, http://astroweb.case.edu/ssm/mond/boileddown.html, "The MOND Issue"] at astroweb.case.edu. Accessed 2014.

Interview: Farah Pahlavi Recalls 30 Years In Exile http://www.rferl.org/content/Interview_Farah_Pahlavi_Recalls_30_Years_In_Exile/2111354.html, Radio Free Europe, (July 27, 2010). <br class="br">Interviews

Acceptance speech for the 1970 National Medal for Literature, New York, New York (2 December 1970)
Context: If, in the middle of World War II, a general could be writing a poem, then maybe I was not so irrelevant after all. Maybe the general was doing more for victory by writing a poem than he would be by commanding an army. At least, he might be doing less harm. By applying the same logic to my own condition, I decided that I might be relevant in what I called a negative way. I have clung to this concept ever since — negative relevance. In moments of vain-glory I even entertain the possibility that if my concept were more widely accepted, the world might be a better place to live in. There are a lot of people who would make better citizens if they were content to be just negatively relevant.

Page 52-53
Publications, The Shah's Story (1980), On world leaders and statesmen

Examples of self-translation (c. 2004), Quotes - Zitate - Citations - Citazioni

In Hindustan Times during the time of his election to the post of President of India, on his secular claims in: p. 331.
About Zakir Hussain, Quest for Truth (1999)

1984
Context: On live performance: "From the creative point of view, live music is always different to what appears on a record because everything is spontaneous and you’re influenced as a performer by your audience. The negative aspect of live work is that the audience expects to be entertained, and not only that, the record company and the promoters expect you to be successful. But to me, the theatre is a meeting place where something unpredictable happens, not necessarily successful, maybe pleasant, maybe not. That’s how I think a concert should be, but in reality things have to be planned down to the last detail, you have to rehearse with other musicians so the scope for improvisation is lessened, and these things prevent a concert from being a truly spontaneous affair. In a way, this reality makes me less keen to do concerts, but in essence I do like playing. I enjoy the risk".

Source: The Will to Manage (1966), p. 34

Progress, Coexistence and Intellectual Freedom (1968), Dangers, International Tensions And New Principles