Quotes about artist (2524 quotes, page 17)

“All is so calm and chaste, so like a dream.
That looking at this masterpiece of God, I ask myself
Where is there a painter, an artist so supreme,So profoundly wise as to unfurl
A canvas with a more arresting scene,
More delicate and beautiful in this World?”

Florbela Espanca (1894–1930) Portuguese poet

Tudo é tranquilo e casto e sonhador...
Olhando esta paisagem que é uma tela
De Deus, eu penso então: Onde há pintor<p>Onde há artista de saber profundo,
Que possa imaginar coisa mais bela,
Mais delicada e linda neste Mundo?
Juvenilia: versos inéditos de Florbela Espanca (1946), p. 56
Translated by John D. Godinho
Juvenília (1931), No meu Alentejo

God , World , Beauty , Dreams

“I do not subscribe to the theory that when a popular member of the company leaves, it is the end of the world — that things will never be the same again. Of course they won't, for each artist leaves something of himself or herself in a role.”

John Reed (actor)

100 years of D'Oyly Carte and Gilbert and Sullivan (1975).

World

“Men fall, roughly speaking, into two flocks: Those whose intelligence is uninquiring in the face of Art, and does not demand to be appeased before their emotions can be stirred; and those who, having a speculative bent of mind, must first be satisfied by an enlightening quality in a work of Art, before that work of Art can awaken in them feeling. The audience of the realist is drawn from this latter type of man; the much larger audience of the romantic artist from the former; together with, in both cases, those fastidious few for whom all Art is style and only style, and who welcome either kind, so long as it is good enough.”

John Galsworthy (1867–1933) English novelist and playwright

Vague Thoughts On Art (1911)

Men , Art , Feeling , Intelligence

“Mainstream films have occupied Hollywood but you can get bored very easily. It can be very repetitive and I think now we want something fresh and something inspiring and different, daring. The mainstream film is very expensive to make and it scares people. It's made for the worldwide audience, you have to please so many people, and the business men start running the movies rather than artists. This is back to the oldest way of Hollywood filmmaking, creating a fantasy, but it has been lost. It seems to take a foreign language film to recoup that ultimate movie viewing experience.”

Ang Lee (1954) Taiwanese-born American film director, screenwriter and film producer

On Crouching Tiger, Hidden Dragon http://www.imdb.com/news/wenn/2001-03-12#celeb4, quoted at IMDb Movie/TV News (12 March 2001).

Men , People , Way , Business

“To approach Bach, one has to realize that 100 years after Bach’s death, Bach and his music totally had been forgotten. Even while he was still alive, Bach himself believed in the polyphonic power and the resulting symmetric architectures of well-proportioned music. But this had been an artificial truth - even for him. Other composers, including his sons, already composed in another style, where they found other ideals and brought them to new solutions. The spirit of the time already had changed while Bach was still alive. A hundred years later, it was Mendelssohn who about 1850 discovered Bach anew with the performance of the St. Matthew Passion. Now a new renaissance began, and the world learned to know the greatness of Bach. To become acquainted with Bach, many transcriptions were done. But the endeavors in rediscovering Bach had been - stylistically - in a wrong direction. Among these were the orchestral transcriptions of Leopold Stokowski, and the organ interpretations of the multitalented Albert Schweitzer, who, one has to confess, had a decisive effect on the rediscovery of Bach. All performances had gone in the wrong direction: much too romantic, with a false knowledge of historic style, the wrong sound, the wrong rubato, and so on. The necessity of artists like Rosalyn Tureck and Glenn Gould - again 100 years later - has been understandable: The radicalism of Glenn Gould pointed out the real clarity and the internal explosions of the power-filled polyphony in the best way. This extreme style, called by many of his critics refrigerator interpretations, however really had been necessary to demonstrate the right strength to bring out the architecture in the right manner, which had been lost so much before. I’m convinced that the style Glenn Gould played has been the right answer. But there has been another giant: it was no less than Helmut Walcha who, also beginning in the 1950, started his legendary interpretations for the DG-Archive productions of the complete organ-work cycle on historic organs (Silbermann, Arp Schnitger). Also very classical in strength of speed and architectural proportions, he pointed out the polyphonic structures in an enlightened but moreover especially humanistic way, in a much more smooth and elegant way than Glenn Gould on the piano. Some years later it was Virgil Fox who acquainted the U. S. with tours of the complete Bach cycle, which certainly was effective in its own way, but much more modern than Walcha. The ranges of Bach interpretations had become wide, and there were the defenders of the historical style and those of the much more modern romantic style. Also the performances of the orchestral and cantata Bach had become extreme: on one side, for example, Karl Richter, who used a big and rich-toned orchestra; on the other side Helmut Rilling, whose Bach was much more historically oriented.”

Burkard Schliessmann classical pianist

Talkings on Bach

Death , Truth , World , Music

“I heard Edwin Fischer, who did not mean much to me. I heard another pianist in Berlin who had a big success and I thought he was awful — Mischa Levitzki. Just fingers, and you cannot listen only to fingers. There is a difference between artist and artisan. Levitzki was an artisan. But Ignaz Friedman, who I admired, was a great artist. He had wonderful fingers and a very personal, individual way of playing, even if some of his ideas were very strange to me. He had no hesitation touching up the music. I got annoyed with him at one concert when he changed the basses in Chopin's F minor Ballade. I didn't like that. For some reason he was happier making records than he was on the stage.”

Vladimir Horowitz (1903–1989) American classical pianist and composer

quoted in Harold C. Schonberg, Horowitz: his life and music

Music , Way , Idea , Change

“What relation has a 'doe' to our picture of the world? Does it make any logical, or even artistic, sense, to paint the doe as it appears to our perspective vision, or in a cubistic form because we feel the world cubistically? It feels it as a doe, and its landscape must also be 'doe'… I can paint a picture: the roe; Pisanello has painted such. I can, however, also wish to paint a picture: 'the roe feels'. How infinitely sharper an intellect must the painter have, in order to paint this! The Egyptians have done it. The rose; Manet has painted that. Who has painted the flowering rose? The Indians..”

Franz Marc (1880–1916) German painter

Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 445

World , Feeling , Flowers , Sense

“Each one of us [artists] has several facets. The surface often appears more important than what is inside, hence the errors of those who judge carelessly. How many times has that not happened to me! The surface is often complete in some people from the very beginning, but not the possession of their own sensations. From this come errors. Some natures achieve the surface very slowly j this is the least danger an artist runs. So one should not think of the surface or the appearance, but concentrate on what is inner!”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, Eragny, 17 November 1890, in a letter to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, pp. 139-140
1890's

People , Error , Nature , Thinking

“The ordinary man casts a shadow. In a way we do not quite understand, the man of genius casts light. Instinctively, we flinch from this light. We assure ourselves that genius must pay a terrible price. Often history bears us out: the creator, the supreme artist, the master of politics carries the scars of his greatness.”

George Steiner (1929–2020) American writer

"Not a Preface, but a Word of Thanks," foreword to Unfinished Journey by Yehudi Menuhin (1977).

Way , History , Understanding , Light

“Ah, those were the days. David Bowie, Status Quo, The Beatles … no end of artists I could say I enjoyed in order to sound clever and pretentious.”

Ben Croshaw (1983) English video game journalist

The Dark Side of Beatles Songs
Fully Ramblomatic, Reviews

“I think when you work with really wonderful directors who have a really strong vision, it lets you as an artist set the tone for your own career. So for me, it's not necessarily having that kind of notoriety. I'm interested in great work and working with people that have a singular vision, and I think the work dictates that.”

Sarah Gadon (1987) Canadian actress

SARAH GADON IS NEW CLASS' 'MOST LIKELY TO WEAR A CORSET https://www.mtv.com/news/1671809/sarah-gadon-dream-house/ (September 30, 2011)

People , Thinking , Strong

“Everything is possible, everything except dogma, of any kind.... That's what it's about. Freedom. That's the only possession an artist has — freedom to do whatever you can imagine.”

Phillip Guston (1913–1980) American artist

1961 - 1980
Source: 'It's About Freedom' - as quoted as last lign in 'It's About Freedom, Philip Guston's Late Works in the Schirn'; Schirn Kunsthalle, Frankfurt 11/6/2013 – 2/2/2014 http://db-artmag.com/en/78/on-view/its-about-freedom-philip-gustons-late-works-in-the-schirn/

Imagination , Freedom

“Fiction is based on reality unless you're a fairy-tale artist, you have to get your knowledge of life from somewhere. You have to know the material you're writing about before you alter it.”

Hunter S. Thompson (1937–2005) American journalist and author

Associated Press interview (2003) http://msnbc.msn.com/id/3404272/
2000s

Life , Knowledge , Reality

“What all this posturing and fake glamor results in is a vast detachment and cynicism on the part of the artists. Since it's impossible to have respect for an audience that'll take just about anything you care to dish out, and the impassive demeanor is so central to the role, a general numbnose is all that can be expected.”

Lester Bangs (1948–1982) American music critic and journalist

"James Taylor Marked for Death" (1971), p. 70
Psychotic Reactions and Carburetor Dung (1988)

Parting

“Everything is contemplated in the mind without meditation. We make a very complicated response. Just to look at a floating branch evokes very complicated objective and nonobjective responses. The artist must slow all this down, mentally. It is this mental experience that makes the representation of beauty possible.”

Agnes Martin (1912–2004) American artist

1980 - 2000, The Skowhegan Lecture', 1987

Beauty

“.. more significant, perhaps, was the fact that during the war [1940-1945] many of the Surrealists came [from Europe] to America and we were able to see them as just other human beings like ourselves and not as mythical characters who had superhuman capacities and talents. I think that there was a feeling after meeting them [a. o. Marcel Duchamp, Andre Masson, André Breton, Max Ernst ] personally that, well, if these men can have these great achievements and talents, there is hope for us [younger American artists]”

Adolph Gottlieb (1903–1974) American artist

Quote of Gottlieb, in an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in 'Living Arts', June 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 29
1960s

Men , War , Hope , Feeling

“Dead! And so great an artist!”
Qualis artifex pereo!

Sueton book The Twelve Caesars

Suetonius represents this as Nero's exclamation when he had resolved to kill himself, but not as his last words.
Source: The Twelve Caesars, Nero, Ch. 49

Dead

“Foolish critics often betray their ignorance by saying that a painter or a writer "only copies what he has seen, or puts down what he has known." They forget that no man imagines what he has not seen or known, and that it is in the selection of the characteristic details that the artistic power is manifested.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)

Imagination , Forgetting

“Producers like Organized Noize mix samples and live instruments really well, but for me, it almost feels like a cop-out, because I'm a collage artist. It's like, 'Damn, if only I could find this one part. Well, maybe if I just had somebody paint it, and then I'll put it out.' That almost feels like cheating. Lots of times, I have trouble finding bass lines, because it's not very often on a record that there are good open bass lines. Sometimes I wish I could just have somebody come in and do what I want him to do on a bass line. It would be so easy. But what I do just keeps things much more challenging, I guess.”

DJ Shadow (1972) American trip-hop musician

http://en.wikipedia.org/wiki/Sampling_%28music%29
On Sampling

Feeling , Time , Parting , Painting

“The so-called 'discoveries' of the Impressionists could not have been unknown to the old masters; and if they made no use of them, it was because all great artists have renounced the use of effects. And in simplifying nature, they made it all the greater.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Source: undated quotes, Renoir – his life and work, 1975, p. 178 ; Renoir's remark to Vollard, criticizing the so-called 'new' discoveries by Impressionism.

Nature

“Now a willpower that I have polished with an artist's delight will sustain some shaky legs and some weary lungs. I will do it. Give a thought once in awhile to this little soldier of fortune of the twentieth century.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Last Letter to his Parents (1965)

“The great artist may be, outside the confines of his art, cruel, weak, arrogant and foolish, but within them he can transcend his own condition and become noble, passionate and truthful beyond the range of ordinary men.”

Vernon Scannell (1922–2007) British boxer and poet

Tiger and the Rose, 1971

Men , Truth , Art , Passion

“The artistic triumph of American Jewry lay, he thought, not in the novels of the 1950s but in the movies of the 1930s, those gargantuan, crass contraptions whereby Jewish brains projected Gentile stars upon a Gentile nation and out of their own immigrant joy gave a formless land dreams and even a kind of conscience.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Bech, A Book (1970)

Dreams , Star , Joy

“The conglomerate heads may be business geniuses, but as far as movies are concerned they have virgin instincts; ideas that are new to them and take them by storm may have failed grotesquely dozens of times. But they feel that they are creative people — how else could they have made so much money and be in a position to advise artists what to do? Who is to tell them no?”

Pauline Kael (1919–2001) American film critic

Taking It All In (1983), Why Are Movies So Bad? Or, The Numbers (1980-06-23)

Money , People , Feeling , Idea

“In our variable climate where [all] the seasons are recognizable in one day, where all the vapoury turbulence involves the face of things, where nature seems to sport in all: her dignity and dispensing incidents for the artist’s study.... how happily is the landscape painter situated, how roused by every change in nature in every moment, that allows no languor even in her effects which she places before him, and demands most peremptorily every moment his admiration and investigation, to store his mind with every change of time and place.”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

Quote from Turner's lectures, 1811; as cited in Life and Work of J.M.W. Turner, Andrew Wilton; London: Academy Editions, 1979; as quoted in 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 367-368
In 1811 already Turner gave his first lectures as Professor of Perspective; in one of his lectures he spoke of the advantages of the British climate for landscape artists
1795 - 1820

Nature , Sport , Study , Change

“In French there is an old expression, 'la patte', meaning the artist's touch, his personal style, his 'paw'. I wanted to get away from la patte and all that retinal painting.”

Marcel Duchamp (1887–1968) French painter and sculptor

posthumous

Painting , Personality

“I work a lot and I think a lot. I really want to try to paint on glass.. Please will you ask him [mr. architect Taut ] if there are any transparent colors, which one can use to paint on the glass directly... I want to dispose of a new technique in which the artist can paint on the glass directly instead of canvas. When one wants to reach colors spiritually-bright, then a time will come that oil-paint and canvas are no longer suitable... So, if you have time, please ask Mr. Taut if he understands my view and maybe he knows the ways how I can follow my direction.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:)Ich arbeite sehr viel und denke sehr viel. Ich möchte so gern versuchen, auf Glas zu mahlen. .. ..bitte fragen sie ihn dann [Herr Taut] ob es transparante Farbe gibt, womit man gleich auf Glas malen kann. .. ..ich möchte eine neue Technik haben, dass der Künstler so direkt das Glas verwenden kann statt Leinwand. Wenn man die Farben leuchtend geistlich haben will, dann wird es eine Zeit kommen, dass Oelfarben und Leinwand sich dafür nicht mehr eignen.. ..So wenn Sie Zeit haben, fragen Sie dann Herrn Taut ob er meine Idee versteht und vielieich den Weg kennt, den ik gehen müsse.
in a letter to Herwarth Walden, 11 Nov. 1914; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 19
It was not until April 1918 that Jacoba wrote Walden she had decided to submit a series of designs for stained glass windows for the upcoming 'Sturm' exhibition - in April 1919 she sent him ten stained-glass windows, 'Nrs. 12-26'
1910's

Color , Way , Understanding , Thinking

“While his brushstrokes are rudimentary, bystanders appreciated the artist's unorthodox style.”

Pricasso (1949) Australian painter

[Annette Sharp, The Diary: Painting by members, The Sun-Herald, Sydney, Australia, 29 July 2007, 2, Fairfax Media Publications Pty Limited]
About

“It is in the localities where there is least artistic appreciation or intellectual curiosity or cosmopolitan spirit, the places where people have nothing with which to occupy their minds, that we find strongholds of "morality." Where education prevails, people learn to behave themselves as a matter of wisdom and good taste. Those who are sufficiently practiced in the art of living to be able to observe the common decencies without always "watching their step," may sometimes look up from the ground and take a broader view.”

Everett Dean Martin (1880–1941)

Source: The Meaning of a Liberal Education (1926), p. 181

Wisdom , People , Education , Art

“Perfect love is rare indeed — for to be a lover will require that you continually have the subtlety of the very wise, the flexibility of the child, the sensitivity of the artist, the understanding of the philosopher, the acceptance of the saint, the tolerance of the scholar and the fortitude of the certain.”

Leo Buscaglia (1924–1998) Motivational speaker, writer

pp 198-199
LOVE (1972)

Love , Lovers , Understanding , Perfection

“The imaginative artist willy-nilly influences his time. If he understands his responsibility and acts on it—taking the art seriously always, himself never quite—he can make a contribution equal to, if different from, that of the scientist, the politician, and the jurist. The anarchic artist so much in vogue now—asserting with vehemence and violence that he writes only for himself, grubbing in the worst seams of life—can do damage. But he can also be so useful in breaking up obsolete molds, exposing shams, and crying out the truth, that the broadest freedom of art seems to me necessary to a country worth living in.”

Herman Wouk (1915–2019) Pulitzer Prize-winning American author whose novels include The Caine Mutiny, The Winds of War and War and …

“An Exclusive Interview with Herman Wouk,” Kirk Polking, Writer’s Digest (September 1966).

Life , Truth , Art , Imagination

“Real success in business is to be found in achievements comparable rather with those of the artist or the scientist, of the inventor or statesman. And the joys sought in the profession of business must be like their joys and not the mere vulgar satisfaction which is experienced in the acquisition of money, in the exercise of power or in the frivolous pleasure of mere winning.”

Louis Brandeis (1856–1941) American Supreme Court Justice

"Business — The New Profession", La Follette's Weekly Magazine, Volume 4, No. 47 (November 23, 1912), p. 7.
Extra-judicial writings

Money , Pleasure , Exercises , Business

“We had some problems with the Howard newspaper strip, which led to problems with the Howard book, which ultimately led to the lawsuit. Marvel wouldn't pay the artist to draw it. Gene Colan and I were supposed to get a percentage of the syndicate's take for the strip. The problem was, the money came in 90 days, 120 days, six months — I don't remember how long exactly — after the strips were published. So, essentially, the artist was working for nothing up until that time, and no artist can afford to do that. [In comparison with Stan Lee and 's Spider-Man comic strip, ] Stan, as publisher of Marvel, had a regular salary coming in, and John Romita, I believe, was also on staff at the time. They didn't have quite the same problem.”

Steve Gerber (1947–2008) Comic writer

Comic Book Artist #7 (reprinted in Comic Book Artist Collection Volume 3 (TwoMorrows Publishing, 2005)): "Steve Gerber's Crazy Days", p. 66

Money , Books , Problem , Time

“Now in addition to being applauded as a five-time Grammy-Award-winning artist, Gloria now has the distinction of being titled a two-time New York Times best-selling author!”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

comment by Frank Amadeo, president of EEI, after Estefan's second children's book, "Noelle's Treasure Tale," debuted in third position on The New York Times children's picture book best seller list for the week of October 29, 2006
2007, 2008

Time

“I admit, that the commonplace man can never, by copying, produce a masterpiece; he notes every detail but he does not really see - the artist penetrates below the surface into the very heart of nature; for him everything is beautiful because beauty in art consists of character.”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

Beauty , Art , Nature , Heart

“The space of time in which a great work can now be accomplished is not marvellous. Brain, muscle, materials, and the means of rapid transport are instantly at command. If one has capital and a well-considered plan, the thing does itself. But that which is wonderful and which I can scarcely believe, although I have been in the midst of it, is the noble, artistic result which has come from the work of American artists who have had only a few months' time to prepare those very designs for the great buildings of the Exposition which have actually been executed with little change from the sketches which were presented in February, 1891.”

Daniel Burnham (1846–1912) American architect and urban designer

Burnham (1891) attributed in: Charles Moore (1921) Daniel H. Burnham, architect, planner of cities http://openlibrary.org/books/OL7205061M/Daniel_H._Burnham_architect_planner_of_cities. p. 72-73

Change , Time

“The individual, the great artist when he comes, uses everything that has been discovered or known about his art up to that point, being able to accept or reject in a time so short it seems that the knowledge was born with him, rather than that he takes instantly what it takes the ordinary man a lifetime to know, and then the great artist goes beyond what has been done or known and makes something of his own.”

Ernest Hemingway book Death in the Afternoon

Source: Death in the Afternoon (1932), Ch. 10

Art , Knowledge , Time

“Of patience there is this to be said. To be patient is to suffer. By their fruits men know one another, but by their sufferings they are what they are. And suffering is not merely the endurance of physical or mental anguish, but of joy also. A rabbit caught in a trap may be supposed to suffer physical anguish : but it suffers nothing else. The man crucified may be supposed to suffer physical & mental anguish, but he suffers also intense happiness and joy. The industrialist workman is often simply as a rabbit in a trap; the artist is often as a man nailed to a cross. In patience souls are possessed. No lower view of the matter will suffice.”

Eric Gill (1882–1940) British artist

An Essay on Typography (1931) (Godine, 1993, ISBN 0-87923-950-6, p. 84

Men , Soul , Suffering , Joy

“For if art, like religion, belongs to no country, it is perhaps itself the only country and the only true religion. Only those hear its call who have that siren’s song within them. The inner riches of the eyes bring out the secret virtues of the work, and little by little they begin to speak… Every artist, every work of every artist, establishes, in his or its own absolutely inaccessible way, this contact of the spirit with the spirit. Provided of course, that the viewer is in 'a state of grace.”

Michel Seuphor (1901–1999) designer, draughtsman, painter

Source: Abstract Painting (1964), p. 104

Secret , Religion , Art , Way

“If the artist did not know his goal, even the most miraculous of tools could not find it for him.”

Arthur C. Clarke book The City and the Stars

Source: The City and the Stars (1956), Chapter 2 (p. 13)

“Although we are all different, we all respond to each other's suggestions of perfection. And we enjoy the same response as the artist. It is the inner contemplation, the wanting to respond to life, that opens our eyes to what is already in the mind.”

Agnes Martin (1912–2004) American artist

1980 - 2000, The Skowhegan Lecture', 1987

Life , Perfection

“Writers and artists never pay attention to advice given by their elders, quite rightly. The only worthwhile advice is the most general: Keep trying, don’t give up, don’t be discouraged, don’t pay attention to detractors. Everyone knows this.”

Joyce Carol Oates (1938) American author

Joyce Carol Oates interviews herself (2013)

“And me I'm in my bedroom drawing in my notebook
Because my hand thinks I'm an artist
But my heart knows I'm a poet
It's just words they mean so little to me.”

Conor Oberst (1980) American musician

Saturday as Usual
A Collection of Songs Written and Recorded 1995-1997 (1998)

Thinking , Heart , Drawing

“If you read some of the Parisian newspapers, among others the 'Figaro', so beloved of the right-thinking public, you must have learned that I am part of a group of artists who opened a private exhibition [in the art-gallery of Durand-Ruel in Paris, April 1876]. You must also have seen what favour this exhibition enjoys in the eyes of these gentlemen [Berthe refers to the critical articles in Paris with all their mockery about her works]. On the other hand, we have been praised in the radical newspaper, but you don't read those [her aunts]! Well, at least we are getting attention, and we have enough self-esteem not to care. My brother-in-law Edouard Manet is not with us [Manet didn't participate in this first Impressionist show, initiated by Degas ]. Speaking of success, he [Manet] has just been rejected by the Salon; he, too, is perfectly good-humored about his failure.”

Berthe Morisot (1841–1895) painter from France

In a letter to her aunts, 1876; as quoted in The Private Lives of the Impressionists, Sue Roe; Harper Collins Publishers, New York, 2006, p. 155
Berthe wrote this letter after the second Impressionist exhibition of April 1876 where she was participating with 19 pictures (Monet with 18!)
1871 - 1880

Law , Art , Failure , Thinking

“Interpreting the Orient through the arts would destroy it, the artistic exploitation might eventually prove as harmful as military or political adventurism.”

Eugène Fromentin (1820–1876) French painter

Quote from Three Nineteenth-Century French Writer/Artists & the Maghreb; Günther Narr, Verlag Tübingen, 1994, p. 51

Art

“A painting is finished when the artist says it is finished.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Statement attributed to Rembrandt in early biographies, as quoted in The Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France (2003), by Alison MacQueen
One of the popular aphorisms about Rembrandt's paintings, drawn from his early biographies in early 19th century and repeatedly attributed to the artist by the French writers and artist, Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France, 2003,p. 287 https://books.google.nl/books?id=N0dVqAsR5k0C&pg=PA292&lpg=PA292&dq=The+Rise+of+the+Cult+of+Rembrandt:+Reinventing+an+Old+Master+in+Nineteenth-century+France&source=bl&ots=SgL2TN2Xct&sig=ZJuOkH35vmifBkzcu5ASLdLyhTI&hl=en&sa=X&ved=0ahUKEwjx17OkrpfVAhWKnBoKHQlxA0oQ6AEIVzAJ#v=onepage&q=The%20Rise%20of%20the%20Cult%20of%20Rembrandt%3A%20Reinventing%20an%20Old%20Master%20in%20Nineteenth-century%20France&f=false/The
undated quotes

Painting

“Contact with like-minded painters – a group means a great deal to me: nothing comes in isolation. We have worked out our ideas largely by talking them through. Shutting myself away in the country, for instance, would do nothing for me. One depends on one's surroundings. And so the exchange with other artists – and especially the collaboration with Lueg and Polke – matters a lot to me: it is part of the input that I need.”

Gerhard Richter (1932) German visual artist, born 1932

Notes, 1964; as cited on collected quotes on the website of Gerhard Richter: 'on Other subjects' https://www.gerhard-richter.com/en/quotes/other-aspects-6
1960's

Idea , Parting , Dependency , Country

“Everyone loathes his own country and countrymen if he is any sort of artist.”

Lawrence Durrell (1912–1990) British novelist, poet, dramatist, and travel writer

Letter to Henry Miller, 1948

Country

“I accept the fact that the important painting of the last hundred years was done in France. American painters have generally missed the point of modern painting from beginning to end... Thus the fact that good European moderns [European artists who lived in the U. S. because of the Nazi-regime] are now here is very important, for they bring with them an understanding of the problems of modern painting. I am particularly impressed with their concept of the source of art being the unconscious. These idea interests me more than these specific artists do, for the two artists I admire most, Picasso and Joan Miró, are still abroad.”

Jackson Pollock (1912–1956) American artist

As quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York, 1990, p. 138
1940's, Art and Architecture (1944)

Art , Idea , Understanding , Problem

“Few artists have ever battled so manfully with management or so unheitatingly sassed the press. He was afraid of nobody because his heart was pure.”

William Kapell (1922–1953) American classical pianist

Virgil Thompson, " On William Kapell http://www.williamkapell.com/articles/virgilthompson.html", New York Herald-Tribune (October, 1953).
About

Heart

“The notion of making money by popular work, and then retiring to do good work on the proceeds, is the most familiar of all the devil's traps for artists.”

Logan Pearsall Smith (1865–1946) British American-born writer

Art and Letters.
Afterthoughts (1931)

Money

“The advance from drawing to painting should be gradual, and no serious attempts in colour should be made until the student has obtained proficiency in outline and in light and shade. If the artist cannot draws objects in a rather masterly way there is no point in his attempting colour.”

Ogden Rood (1831–1902) American physicist

Students' Text-book of Color; Or, Modern Chromatics, with Applications to Art and Industry. New York: D. Appleton and Company. 1881.

Way , Light , Drawing , Painting

“.. the equivalence of sounds, gratings, scratches, explosions, shots, blows, hammering, shouts, resonance, echoes in space; meditation of a cosmic theme, reflection for the contemplation of the earth, of magma, of lava, of ash; battlefield; garden; play-field; destiny of the ephemeral... Far from the cliché people have of artists holding the baggage of necessary originality, personality, style, etc., that calls for an outsider's discussion of the works, for the author there is, foremost, a nucleus of thought that is more anonymous and collective and of which artists are but humble servants. This is surely the zone where wisdom is deposited, the wisdom that one may really find beneath all ideologies and the contingencies of this world. It is the impulse of our life instinct for knowledge, love and freedom that has been kept and fed by the wisdom of all time.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

1945 - 1970, A Report on the Wall' 1970

Love , Life , Wisdom , People

“(.. as a practicing artist) You're competing against who came before and came after. You're just another stone in the wall, and if you make a contribution you're lucky.”

Richard Serra (1939) American sculptor

Charlie Rose interview (2013)

“Back in the days (a later reflection on his early Parish years) when I was in Paris in my studio in 'La Ruche', through the partition I heard two Jewish emigrants arguing: 'Well, what would you say? Wasn't Antokolsky a Jewish artist? And Israels? And what about Liebermann?' The dim light of the lamp lit up my picture, which was upside down (that's the way I work – so consider yourself yourselves lucky!). As morning came, and the Parisian sky started to brighten up, I had to laugh about the futile comments of my neighbours on the fate of Jewish art: 'You two wind-backs can carry on – but I've got work to do'.”

Marc Chagall (1887–1985) French artist and painter

Quote from Bletlach (Leaflet - essay in Yiddish), Marc Chagall; published in 'Shtrom' No. 1, 1922
1920's

Fate , Art , Way , Light

“Any man can face death but to be committed to bring it as close as possible while performing certain classic movements and do this again and again and again and then deal it out yourself with a sword to an animal weighing half a ton which you love is more complicated than just facing death. It is facing your performance as a creative artist each day and your necessity to function as a skillful killer. Antonio had to kill quickly and mercifully and still give the bull one full chance at him when he crossed over the horn at least twice a day.
Everyone in bullfighting helps everyone else in bullfighting in the ring. In spite of all rivalries and hatreds it is the closest brotherhood there is. Only bullfighters know the risks they run and what the bull can do with his horns to their bodies and their minds.”

Ernest Hemingway (1899–1961) American author and journalist

Source: The Dangerous Summer (1985), Ch. 9

Love , Death , Chance , Help

“What the artist wishes to do — as far as you are concerned — is to take you out of yourself. As far as he is concerned, he wishes to express himself.”

Ford Madox Ford (1873–1939) English writer and publisher

"Literary Portraits. VIII - Mr. Joseph Conrad," in The Tribune (1907-09-14)

“The art of the future will give form to our scientific convictions; this is our religion and our truth, and it is profound and weighty enough to produce the greatest style and the greatest revaluation of form that the world has ever seen. Today, instead of using the laws of nature as a means of artistic expression, we pose the religious problems of a new content. The art of our time will surely have profound analogies with the art of primitive periods long past, without of course, the formalistic similarities now senselessly sought by many archaist artists [Marc rejects abstraction of Cubism, among others]. And our time will just as surely be followed in some distant, ripe, late European future by another period of cool maturity, which in its turn will again set up its own formal laws and traditions. [written at the front of World War 1.”

Franz Marc (1880–1916) German painter

near Verdun, 1915]
Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 446

War , Truth , World , Religion

“I've never met Ai Weiwei but he's a colleague, an artist. In a very simple way he is heroically recording human existence. All he's done is to record death by administration, death by corruption, inefficiency. I don't even think he's pointing that sharp a finger, frankly.”

Anish Kapoor (1954) British contemporary artist of Indian birth

Anish Kapoor dedicates Leviathan sculpture to Ai Weiwei

Death , Way , Thinking

“I think that all artists, regardless of degree of talent, are a painful, paradoxical combination of certainty and uncertainty, of arrogance and humility, constantly in need of reassurance, and yet with a stubborn streak of faith in their own validity no matter what.”

Madeleine L'Engle (1918–2007) American writer

Section 1.14
The Crosswicks Journal, A Circle of Quiet (1972)

Pain , Faith , Thinking

“The seeing of things as they really are — the seeing of a proportion veiled from other eyes (together with the power of expression), is what makes a man an artist. What makes him a great artist is a high fervour of spirit, which produces a superlative, instead of a comparative, clarity of vision.”

John Galsworthy (1867–1933) English novelist and playwright

Vague Thoughts On Art (1911)

“I have now reached the point where I can look over the great art of antiquity and its Renaissance. But, for myself, I cannot find any artistic connection with our own times. And to want to create something outside of one's own age strikes me as suspect. Great perplexity. This is why I am again all on the side of satire. Am I to be completely absorbed by it once more? For the time being it is my only creed. Perhaps I shall never become positive? In any case, I will defend myself like a wild beast.”

Paul Klee (1879–1940) German Swiss painter

Quote (1901), # 294, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902

Age , Art , Time

“To be an artist at all is like living in Switzerland during a world war. To be an artist in Zurich, in 1917, implies a degree of self-absorption that would have glazed over the eyes of Narcissus.”

Tom Stoppard Travesties

Carr, Act I
Travesties (1974)

War , World

“All my life I've been working on the work - every canvas a sentence or paragraph of it. Each picture is only an approximation of what you want. That's the beauty of being an artist; you can never make the absolute statement, but the desire to do so as an approximation keeps you going.”

Robert Motherwell (1915–1991) American artist

as cited by Grace Glueck, in 'Robert Motherwell, Master of Abstract, Dies', by Grace Glueck, 'New York Times, 18 July 1991 https://www.nytimes.com/1991/07/18/obituaries/robert-motherwell-master-of-abstract-dies.html
Undated

Life , Beauty

“We [the artists of Die Brücke ] were overjoyed to discover our complete unison in the urge for liberation, for an art surging forward, unrestricted by convention.”

Max Pechstein (1881–1955) German artist

from a note of Pechstein; as quoted in Expressionism, a German Intuition, 1905-1920, [exhibition-catalogue 1980-81]; Paul Vogt, Horts Keller, Martin Urban, Wolf-Dieter Dube, and Eberhard Roters; Solomon R. Guggenheim Foundation, 1980, p. 5

Art

“Like most artists who have made an invention of some kind, he tends to overplay the significance of his own and goes on about it as though it were a Rosetta Stone, with whose help all representation can be rescued from one-eyed falsehood.”

Robert Hughes (1938–2012) Australian critic, historian, writer

"David Hockney" (1988)
Nothing If Not Critical (1991)

Help

“To regiment artists, to make them servants of some particular cause does violence to the very springs of artistic creation. But it does more than that. It betrays the very cause of a better future it would serve, for in its subjugation of the individuality of the artist it annihilates the source of that which is genuinely new. Where the regimentation is successful, it would cause the future to be but a rearrangement of the past.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

Spring , Success , Past , Future

“So it was that I gave about 1949 my 'Lecture on Nothing' at the Artists' Club on Eighth Street in New York City (started by Robert Motherwell), which predated the popular one associated with Philip Pavia, Bill de Kooning, et al. ). This 'Lecture on Nothing' was written in the same rhythmic structure I employed at the time in my musical compositions (Sonatas and Interludes, Three Dances, etc.). One of the structural divisions was the repetition, some fourteen times, of a single page in which occurred the refrain, 'If anyone is sleepy let him go to sleep.' Jeanne Reynal, I remember, stood up part way through, screamed, and then said, while I continued speaking, 'John, I dearly love you, but I can't bear another minute.' She then walked out. Later, during the question period, I gave one of six previously prepared answers regardless of the question asked. This was a reflection of my engagement in Zen.”

John Cage (1912–1992) American avant-garde composer

Quote in: 'Silence: lectures and writings by John Cage'; publisher Middletown, Conn. Wesleyan University Press, June 1961, Foreword/ix
1960s

Love , Music , Way , Question

“Ideas worth questioning: "Being an artist is a job for life."”

Brian Eno (1948) English musician, composer, record producer and visual artist

June 25, 1995, p. 140
A Year With Swollen Appendices (1996)

Life , Idea , Question

“The element of heroic maleness had always been present in the concept of the artist as one who rides the winged horse above the clouds beyond the sight of lesser men, a concept seldom applied to those who worked with colours until the nineteenth century. When the inevitable question is asked, "Why are there no great women artists?" it is this dimension of art that is implied. The askers know little of art, but they know the seven wonders of the painting world.”

Germaine Greer The Obstacle Race: The Fortunes of Women Painters and Their Work

Source: The Obstacle Race (1979), Chapter V: Dimension (p. 105)

Women , Men , World , Art

“Every true artist creates new values, new beauty... When you notice anarchy, recklessness, or licentiousness in works of contemporary art, when you notice crass coarseness and brutality, then occupy yourself long and painstakingly precisely with these works, and you will suddenly recognize how the seeming recklessness transforms itself into freedom, the coarseness into high refinements. Harmless pictures are seldom worth anything.”

Emil Nolde (1867–1956) German artist

Quote of Nolde's letter to Hans Fehr, 1905; published in 'Aus Leben und Werkstatt Emil Noldes', 'Das Kunstblatt' no. 7 (1919), p. 208; as cited in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 40
Hans Fehr expressed in a letter to Nolde his concern about the 'recklessness' and 'licentiousness' of some prints by Nolde. Fehr published Nolde's response in 1919
1900 - 1920

Beauty , Art , Freedom

“Gloria Estefan was a huge influence for me. Of course, she was one of the few Latina women around who had this major international success. She sang in Spanish and English, and she was very much the sort of woman I recognised from my culture. I go to her home, and I think that she is a woman who has got it just right. She has her music, she has her family, she has her relationship. I admire her so much because she has always put her family before everything. All her priorities are in place and she is still an amazingly creative artist.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

comment by "close friend" Jennifer Lopez, arts.guardian.co.uk (March 30, 2007)
2007, 2008

Women , Family , Music , Home

“There are some men who are considered quite ugly, but who are more remarkable than pretty people. You often see that in artists.”

George Bernard Shaw (1856–1950) Irish playwright

1900s, Love Among the Artists (1900)

Men , People

“I am a graphic artist heart and soul, though I find the term "artist" rather embarrassing.”

M. C. Escher (1898–1972) Dutch graphic artist

1950's, On Being a Graphic Artist', 1953

Soul , Heart

“In an essay entitled ‘The Poet’, published in 1844, the American writer Ralph Waldo Emerson lamented the narrow definition of beauty subscribed to by his peers, who tended to reserve the term exclusively for the bucolic landscapes and unspoilt pastoral scenes celebrated in the works of well-known artists and poets of the past. Emerson himself, however, writing at the dawn of the industrial age, observing with interest the proliferation of railways, warehouses, canals and factories, wished to make room for the possibility of alternative forms of beauty. He contrasted the nostalgic devotees of old-fashioned poetry with those whom he judged to be true contemporary poetic spirits, deserving of the title less by virtue of anything they had actually written than for their willingness to approach the world without prejudice or partiality. The former camp, he averred, ‘see the factory-village and the railway, and fancy that the beauty of the landscape is broken up by these, for they are not yet consecrated in their reading. But the true poet sees them fall within the great order of nature not less than the beehive or the spider’s geometrical web.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 216.

Age , World , Beauty , Fashion

“As soon as artistic activity turns into an 'ism', it ceases to be artistic activity. To be alive is to engage in a daily struggle for form and for survival. (By way of analogy: social concern is a form and a method that is currently seen as appropriate and right. But where it elevates itself into Socialism, an order and a dogma, then it loses its best and truest qualities and may turn criminal.)”

Gerhard Richter (1932) German visual artist, born 1932

undated quotes, The Daily Practice of Painting, Writings (1962-1993)

Way

“One hundred artists introduce us to one hundred worlds.”

William Baziotes (1912–1963) American painter

Source: Posthumous quotes, Abstract Expressionist Painting in America, (1983), p. 136 : in Artists Club, January 8, 1952

World

“The Chinese authorities think of artists as prostitutes. And in reality it’s true: in the Communist system artists just represent what the power structure seeks them to represent. It is prostitution.”

Ai Weiwei (1957) Chinese concept artist

2000-09, Truth to Power, 2008

Thinking , Reality

“I was attracted to Romanesque sculptures, to the complete re-invented figures and the freedom with which the Romanesque artist constructed them. He does not copy, he creates in a totally anti-Renaissance fashion can say that in Romanesque sculpture I have found a starting point for distortion.”

Fernand Léger (1881–1955) French painter

Kunst und Zeugnis, Dora Vallier, Zürich 1967, p. 67
Quotes of Fernand Leger, 1960's

Fashion , Freedom

“Most artists, whether in religion, music, literature, painting, or what not, are shopkeepers in disguise. They hide their shop as much as they can, and keep pretending that it does not exist, but they are essentially shopkeepers and nothing else.”

Samuel Butler (1835–1902) novelist

The Artist and the Shopkeeper
The Note-Books of Samuel Butler (1912), Part XI - Cash and Credit

Religion , Music , Literature , Painting

“You were asking my opinion on your work of art, my dear Jean [= Duchamp's brother-in-law Jean Crotti, who asked Duchamp his comment on an art-work he made]... Artists throughout the ages are like Monte Carlo gamblers and the blind lottery pulls some of them through and ruin others... I do not believe in painting per se – A painting is made not by the artist but by those who look at it and grant it their favors. In other words, no painters knows himself or what he is doing – There is no outward sign explaining why a Fra Angelico and a Leonardo [da Vinci] are equally 'recognized.”

Marcel Duchamp (1887–1968) French painter and sculptor

It all takes place at the level of our old friend luck.
Quote from Duchamp's letter to Jean Crotti (Duchamp's brother-in-law) and his sister Suzanne Duchamp, New York 17 Augustus 1952; as cited in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 p. 167
1951 - 1968

Happiness , Age , Law , Art

“The artist should have as little desire to rule as to serve. He can only create, do nothing but create, and so help the state only by … exalting politicians and economists into artists.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Der Künstler darf eben so wenig herrschen als dienen wollen. 15 Er kann nur bilden, nichts als bilden, für den Staat also nur das thun, dass er Herrscher und Diener bilde, dass er Politiker und Oekonomen zu Künstlern erhebe.
“Ideas,” Lucinde and the Fragments, P. Firchow, trans. (1991), § 54

Help

“Great artists are people who find the way to be themselves in their art. Any sort of pretension induces mediocrity in art and life alike.”

Margot Fonteyn (1919–1991) English ballerina

Source: Margot Fonteyn : Autobiography‎ (1975), p. 81

Life , People , Art , Way

“Somehow it doesn't seem long since I trudged in a picket-line; in the street here, and in the rain. A fairly muted demonstration against the Museum, which wasn't always in a mood for showing abstract paintings by Americans. It was fun I suppose-needless to say, the picketing produced no results. Yet a majority of the picketers are visible through their works at the moment, upstairs on the third floor, where it's warm and out of the rain. However, this is no time to celebrate in fact it's better if artists never celebrate. New abstract picket-lines are doubtless assembling, to protest the former picketers.”

George L.K. Morris (1905–1975) American painter and sculptor

Source: George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis. " What Abstract Art Means to Me http://www.jstor.org/stable/4058250," in: The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15

Mood , Time , Painting

“He Robert Rauschenberg was a kind of enfant terrible at the time [around 1960] and I thought of him as an accomplished professional. He’d already had a number of shows, knew everybody, had been to Black Mountain College in South Carolina, working with all those avant-garde people.... Rauschenberg focused very much on working. I was prepared to do that, too. He was also involved with Merce Cunningham dance group and totally unconcerned with his success, in the cliché term. All of the activity had a lively quality, quite separate from any commercial situation.... [Rauschenberg moved into a loft in Jaser John's building and they very closely worked together for a couple of years]. You get a lot by doing. It's very important for a young artist to see how things are done. The kind of exchange we had was stronger than talking. If you do something then I do something then you do something, it means more than what you say.”

Jasper Johns (1930) American artist

Once Established, says Jasper Johns...,Grace Glueck, New York Times, 16 October 1977, sec. 2 pp. 1-31
1970s

People , Mountain , Time , Success

“We live in an age where the artist is forgotten. He is a researcher. I see myself that way.”

David Hockney (1937) British artist

The Observer (London) (9 June 1991)
1990s

Age , Way

“If within the last century art conceived as an autonomous activity has come to be invested with an unprecedented stature—the nearest thing to a sacramental human activity acknowledged by secular society—it is because one of the tasks art has assumed is making forays into and taking up positions on the frontiers of consciousness (often very dangerous to the artist as a person) and reporting back what’s there.”

Susan Sontag book Styles of Radical Will

“The Pornographic Imagination,” p. 45
Styles of Radical Will (1966)

Art , Personality

“I'm just producing and writing for all my new artists I signed, Weirdo King and my nephews The Seed of 6ix. Also been writing a lot of EDM for kids. Doing more cooking videos and TV.”

DJ Paul (1977) American rapper and record producer

Interview with DJ Paul – Stream DJ Paul Kom's 'Undergroud, Vol. 17 – For da Summa Album http://www.xxlmag.com/news/2017/09/dj-paul-underground-vol-17-for-da-summa-album/

Cooking

“These are primitive beginnings in art, such as one usually finds in ethnographic collections or at home in one's nursery. Do not laugh, reader! Children also have artistic ability, and there is wisdom in their having it! The more helpless they are, the more instructive are the examples they furnish us; and they must be preserved from corruption at an early age. Parallel phenomena are provided by the works of the mentally diseased; neither childish behaviour nor madness are insulting words here, as they commonly are. All this is to be taken very seriously, more seriously than all the public galleries, when it comes to reforming today's art.”

Paul Klee (1879–1940) German Swiss painter

Diary entry (January 1912), # 905, quoting his "Munich Art Letter" in the journal Die Alpen
1911 - 1914

Wisdom , Children , Age , Disease

“I used to tell everyone I meant to be an artist….. I don't do that any more.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Wall and Piece (2005)

“Who are you inspired by?
Creative people who have made their seemingly most self-indulgent artistic whims into a career.”

Steve Purcell (1959) American cartoonist, animator, film director and game designer

Interview on samandmax.net http://samandmax.net/index.php?section=historyfaq&page=interview1&id=4

People

“I was just falling in love right, left and centre with these gorgeous young artists who came in the gallery. They’d see this fat old stripper, this nutter who runs a butcher’s shop that she thinks is an art gallery, and who thinks she’s some artist but hasn’t even been to art school… They probably thought, "Christ, who is this woman who’s texting me 20 times a day?"”

Stella Vine (1969) English artist

Catherine Deveney, "Stripped bare", http://living.scotsman.com/index.cfm?id=288312004 The Scotsman, (2004-03-14)
On her life running the Rosy Wilde gallery after her mother's death in 2003.

Love , School , Art , Thinking

“The cosmic also keeps me busy, more than the other 'Nieuwe Vizie' ['New Vison'-artists]. For me it means the feeling of forces in nature like electricity, radio, radar, and of forces that one only suspects, and has not been able yet to track down scientifically.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Het kosmische houdt ook mij, wel het meest van De Nieuwe Vizie [-kunstenaars] bezig: het betekent voor mij een aanvoelen van krachten in de natuur als elektriciteit, radio, radar, en van krachten die men slechts vermoedt en wetenschappelijk nog niet heeft kunnen achterhalen.
Quote of Raveel 1974, in the article 'Roger Raveel en zijn keuze uit het Museum voor Schone Kunsten in Gent' http://www.tento.be/sites/default/files/tijdschrift/pdf/OKV1975/Roger%20Raveel%20en%20zijn%20keuze%20uit%20het%20Museum%20voor%20Schone%20Kunsten%20in%20Gent.pdf, ed. Ludo Bekkers; in Dutch art-magazine 'Openbaar Kunstbezit', January-March 1975, p. 13
1970's

Feeling , Business , Nature

“My responsibility as an artist is to turn up at the page or the piano or the microphone. The rest is up to God.”

Nick Cave (1957) Australian musician

The Daily Telegraph (Novevember 20, 1997)
God and religion

God

“In general, it is possible to say that in artists as deliberate, as careful as [Durer and Holbein], drawing is particularly tight and the color is as cold as the verity of mathematics. In other artists, on the contrary, in those who are the poets of the heart, like Raphael, Correggio, Andrea del Sarto, line has more suppleness and color, more winning tenderness. In others whom we call realists that is to say, whose sensibility is more exterior, in Rubens, Velasquez, Rembrandt, for example, line has a living charm with its force and its repose, and the color sometimes bursts into a fanfare of sunlight, sometimes fades into mist.
So, the modes of expression of men of genius differ as much as their souls, and it is impossible to say that in some among them drawing and color are better or worse than in others.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. V. Drawing and Color, p. 104-105

Men , Color , Soul , Mathematics

“Every poet and musician and artist, but for Grace, is drawn away from love of the thing he tells to love of the telling till, down in Deep Hell, they cannot be interested in God at all but only in what they say about Him.”

Clive Staples Lewis book The Great Divorce

Source: The Great Divorce (1944–1945), Ch. 9

Love , God , Hell

“I must tell you that mathematicians are not scientists, they are artists…. Apart from the most elementary mathematics, like arithmetic or high school algebra, the symbols, formulas and words of mathematics have no meaning at all. The entire structure of pure mathematics is a monstrous swindle, simply a game, a reckless prank. You may well ask: "Are there no renegades to reveal the truth?" Yes, of course. But the facts are so incredible that no one takes them seriously. So the secret is in no danger.”

Theodore Kaczynski (1942) American domestic terrorist, mathematician and anarchist

The Net: The Unabomber, LSD and the Internet https://www.youtube.com/watch?v=xLqrVCi3l6E
Interviews

Truth , Secret , School , Game

“No, the Dutchman is not cold, not insensitive, our people are still full of enthusiasm for what is noble and good. Holland above all! We artists, from Rembrandt to Maris, rave over our country. We find our Holland a delicious beautiful country with its meadows, its beaches, its sea, its domestic interiors, its figures, peasants, farmers, Jews, merchants, everything is similar picturesque as it is all just up for grabs. The most beautifully in the Netherlands is however Amsterdam, that delicious spacious Amsterdam, which is expressing so much and uniting so much in itself.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls, in Nederlands): Neen, de Nederlander is niet koud, niet ongevoelig, ons volk is nog steeds vol geestdrift voor wat edel en goed is. Holland bovenal! Wij kunstenaars, van Rembrandt tot Maris, dwepen met ons land. Wij vinden ons Holland een heerlijk mooi land met zijn weiden, zijn stranden, zijn zee, zijn binnenhuizen, zijn figuren, boeren, landlieden, joden, kooplieden, alles is even schilderachtig, als maar voor het grijpen. Het mooiste van Nederland is echter Amsterdam, het heerlijk ruim Amsterdam, waarvan zoveel uitgaat en dat zooveel in zich vereenigt.
Quote from Israëls' speech of thanks at the honoring-party for his 70th birthday in Arti et Amacitiae in Amsterdam, Feb 1885; as cited in 'Jozef Israëls in Arti', in Algemeen Hadelsblad, 6 Feb. 1895
Quotes of Jozef Israels, 1871 - 1900

People , Beauty , Sea , Country

“What we [Brücke-artists] had to remove ourselves from [the German bourgeois mores] was clear; where we were heading was certainly less clear.”

Erich Heckel (1883–1970) German artist

original German: Wovon wir weg mussten, war uns klar. Wohin wir kommen würden, stand allerdings weniger fest
Quote of Heckel in: Ernst Ludwig Kirchner: ein Künstlerleben in Selbstzeugnissen, Andreas Gabelmann; Hatje Cantz Verlag, Ostfildern, Germany 2010; as cited in Claire Louise Albiez https://www.researchgate.net/publication/272168564 (incl. translation), Brücke und Berlin: 100 Jahre Expressionismus; submitted to the Division of Humanities New College of Florida, Sarasota, Florida, May 2013, p. 24

“The law of value is no longer simply a reflection of the relations of production; the monopoly capitalists — even while employing purely empirical methods — surround that law with a complicated scaffolding that turns it into a docile servant. The superstructure imposes a kind of art in which the artist must be educated. Rebels are subdued by the machine, and only exceptional talents may create their own work. The rest become shamefaced hirelings or are crushed.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Man and Socialism in Cuba (1965)

Education , Law , Art

Quotes about artist page 17

Quotes about artist
page 17