Ad Reinhardt (1913–1967) American painter
Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 155
Source: Margot Fonteyn : Autobiography (1975), p. 81
Ad Reinhardt (1913–1967) American painter
Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 155
Wassily Kandinsky (1866–1944) Russian painter
VIII. Art and Artists
1910 - 1915, Concerning the Spiritual in Art, 1911
“The great moral teachers of humanity were, in a way, artistic geniuses in the art of living.”
Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity
1940s, Religion and Science: Irreconcilable? (1948)
Barnett Newman (1905–1970) American artist
Quote of 1942; in Barnett Newman', by Thomas B. Hess, museum of Modern art, New York 1971; as cited in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 124-125
1940 - 1950
John Steinbeck (1902–1968) American writer
"...like captured fireflies" (1955); also published in America and Americans and Selected Nonfiction (2003), p. 142
Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party
Other remarks <br class="br">Source: Adolf Hitler as in a speech the summer before the Degenerate Art Exhibition as quoted without citation in " Degenerate art: Why Hitler hated modernism http://www.bbc.com/news/magazine-24819441" by Lucy Burns, BBC.
Naomi Iizuka (1965) American dramatist
On art versus life in “Berkeley world premiere for Naomi Iizuka play” https://www.sfgate.com/performance/article/Berkeley-world-premiere-for-Naomi-Iizuka-play-3271229.php in SF Gate (2010 Mar 4)
Donald Judd (1928–1994) artist
Donald Judd, in: American Dialog, Vol. 1-5, (1964), p. ix
1960s
Context: Any combining, mixing, adding, diluting, exploiting, vulgarizing, or popularizing of abstract art deprives art of its essence and depraves the artist's artistic consciousness. Art is free, but it is not a free-for-all. The one struggle in art is the struggle of artists against artists, of artist against artist, of the artist-as-artist within and against the artist-as- man, -animal, or -vegetable. Artists who claim their artwork comes from nature, life, reality, earth or heaven, as 'mirrors of the soul' or 'reflections of conditions' or 'instruments of the universe', who cook up 'new images of man' - figures and 'nature-in-abstraction' - pictures, are subjectively and objectively, rascals or rustics.