Quotes about air
page 12

“Maidenly modesty is like aquavitæ, which keeps in perfect condition as long as it is tightly stoppered, but, if the air gets to it, evaporates at once.”

Antonio Simeone Sografi (1759–1818) Italian playwright

La verecondia delle donzelle è come l’acquavite. È perfetta sine a tanto che si tiene ben chiusa, ma se prende l’aria, vela subito via.
Olivo e Pasquale, Act I., Sc. VII. — (Pasquale.). Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 349.

Georg Christoph Lichtenberg photo

“If you are going to build something in the air it is always better to build castles than houses of cards.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

F 39
Aphorisms (1765-1799), Notebook F (1776-1779)

Willem Roelofs photo

“Paint studies of parts, for instance a piece of land, a group of trees or things like that, but always in a way that people can understand these things in relation with the whole landscape, by adding behind that group of trees the air in a right tone color and thereby in connection with the trees... Furthermore studies of a whole, preferably very simple subjects - A meadow with horizon and a piece of air to examine further the general tone color, the harmony of the whole.... and study nature even more by thinking about it than working after it.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Schilder studies van gedeelten, bv. een stuk grond, een boomgroep of dergelijke maar toch altijd zóó dat men die in verband met het geheele landschap begrijpen kan, door achter die boomgroep de lucht juist van toon en daardoor in verband met de boomen er bij te schilderen.. .Verder studies van een geheel, liefst zeer eenvoudige sujetten - Eene weide met horizon en stuk lucht. Om nog meer de algemeene toon, de harmonie van het geheel na te gaan.. ..en bestudeer de natuur nog meer met er over te denken dan met er na [naar!?] te werken.
Quote from a letter of Roelofs to his pupil Hendrik W. Mesdag, 27 May 1866; as cited by De Bodt, in Halverwege Parijs, Willem Roelofs en de Nederlandse Schilderskolonie in Brussel, Gent, 1995a, p. 238
1860's

Kathy Griffin photo
H. Rider Haggard photo
Luther Burbank photo
Anton Chekhov photo

“The air of one’s native country is the most healthy air.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to his brother, G.M. Chekhov (January 1895)
Letters

Will Arnett photo
Andrea Dworkin photo
Letitia Elizabeth Landon photo
Clement Attlee photo

“…nothing short of a world state will be really effective in preventing war. As long as you rely for security on a number of national armaments you will have the difficulty as to who shall bell the cat in case of need, while you will have general staffs in all countries planning future wars. I want us to come out boldly for a real long-range policy which will envisage the abolition of the conception of the individual sovereign state. … A united navy to police the seas of the world could be attained and would incidentally bring enormous pressure to bear on Japan. The next thing would be an international air force and an international air service. … The basis of such a move would have to be a frank recognition that all states must surrender a large degree of sovereignty and that the Peace Treaties must be revised. On this basis one must then proceed to build up a world structure politically and economically. … This may sound very visionary but I am convinced that unless we see the world we want it is vain to try to build a permanent habitation for Peace and that temporary structures will catch fire very soon if we wait any longer.”

Clement Attlee (1883–1967) Former Prime Minister of the United Kingdom

Letter to Tom Attlee (1 January 1933), quoted in W. Golant, 'The Emergence of C. R. Attlee as Leader of the Parliamentary Labour Party in 1935', The Historical Journal, Vol. 13, No. 2 (Jun., 1970), p. 323
Deputy Leader of the Opposition

Bertram Ramsay photo

“Our task in conjunction with the Merchant Navies of the United Nations, and supported by the Allied Air Forces, is to carry the Allied Expeditionary Force to the Continent, to establish it there in a secure bridgehead and to build it up and maintain it at a rate which will outmatch that of the enemy. Let no one underestimate the magnitude of this task.”

Bertram Ramsay (1883–1945) Royal Navy admiral

Special Order of the Day http://heritagecalling.com/2014/06/04/70-years-on-the-remains-of-operation-neptune/, 31 May 1944 by Admiral Sir Bertram Ramsay KCB, KBE, MVO, Allied Naval Commander-in-Chief, Operation Neptune

Alain de Botton photo

“He was reminded of a Dutch book whose moral he often returned to: De Schoonheid van hoogspanningslijnen in het Hollandse landschap, written by a couple of academics in Rotterdam University, Anne Kieke Backer and Arij de Boode. The Beauty of Electricity Pylons in the Dutch Landscape was a defence of the contribution of transmission engineering to the visual appeal of Holland, referencing the often ignored grandeur of the towers on their march from power stations to cities. Its particular interest for Ian, however, lay in its thesis about the history of the Dutch relationship to windmills, for it emphasised that these early industrial objects had originally been felt to have all the pylons’ threateningly alien qualities, rather than the air of enchantment and playfulness now routinely associated with them. They had been denounced from pulpits and occasionally burnt to the ground by suspicious villagers. The re-evaluation of the windmills had in large part been the work of the great painters of the Dutch Golden Age, who, moved by their country’s dependence on the rotating utilitarian objects, gave them pride of place in their canvases, taking care to throw their finest aspect into relief, like their resilience during storms and the glint of their sails in the late afternoon sun. … It would perhaps be left to artists of our own day to teach us to discern the virtues of the furniture of contemporary technology.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 212.

Eugène Edine Pottier photo

“The kings made us drunk with fumes,
Peace among us, war to the tyrants!
Let the armies go on strike,
Stocks in the air, and break ranks.
If they insist, these cannibals
On making heroes of us,
They will know soon that our bullets
Are for our own generals.”

Eugène Edine Pottier (1816–1887) French politician

Les rois nous saoulaient de fumées
Paix entre nous, guerre aux tyrans
Appliquons la grève aux armées
Crosse en l'air, et rompons les rangs
S'ils s'obstinent, ces cannibales
À faire de nous des héros
Ils sauront bientôt que nos balles
Sont pour nos propres généraux
The Internationale (1864)

Helen Garner photo
Arthur Schopenhauer photo
Sören Kierkegaard photo

“There was a time, and not so long ago, when one could score a success also here with a bit of irony, which compensated for all other deficiencies and helped one get through the world rather respectably, gave one the appearance of being cultured, of having a perspective on life, an understanding of the world, and to the initiated marked one as a member of an extensive intellectual freemasonry. Occasionally we still meet a representative of that vanished age who has preserved that subtle, sententious, equivocally divulging smile, that air of an intellectual courtier with which he has made his fortune in his youth and upon which he had built his whole future in the hope that he had overcome the world. Ah, but it was an illusion! His watchful eye looks in vain for a kindred soul, and if his days of glory were not still a fresh memory for a few, his facial expression would be a riddle to the contemporary age, in which he lives as a stranger and foreigner. Our age demands more; it demands, if not lofty pathos then at least loud pathos, if not speculation then at least conclusions, if not truth then at least persuasion, if not integrity then at least protestations of integrity, if not feeling then at least verbosity of feelings. Therefore it also coins a totally different kind of privileged faces. It will not allow the mouth to be defiantly compressed or the upper lip to quiver mischievously; it demands that the mouth be open, for how, indeed, could one imagine a true and genuine patriot who is not delivering speeches; how could one visualize a profound thinker’s dogmatic face without a mouth able to swallow the whole world; how could one picture a virtuoso on the cornucopia of the living world without a gaping mouth? It does not permit one to stand still and to concentrate; to walk slowly is already suspicious; and how could one even put up with anything like that in the stirring period in which we live, in this momentous age, which all agree is pregnant with the extraordinary? It hates isolation; indeed, how could it tolerate a person’s having the daft idea of going through life alone-this age that hand in hand and arm in arm (just like itinerant journeymen and soldiers) lives for the idea of community.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Source: 1840s, On the Concept of Irony with Continual Reference to Socrates (1841), p. 246-247

Winston S. Churchill photo
W.E.B. Du Bois photo

“It was a bright September afternoon, and the streets of New York were brilliant with moving men…. He was pushed toward the ticket-office with the others, and felt in his pocket for the new five-dollar bill he had hoarded…. When at last he realized that he had paid five dollars to enter he knew not what, he stood stock-still amazed…. John… sat in a half-maze minding the scene about him; the delicate beauty of the hall, the faint perfume, the moving myriad of men, the rich clothing and low hum of talking seemed all a part of a world so different from his, so strangely more beautiful than anything he had known, that he sat in dreamland, and started when, after a hush, rose high and clear the music of Lohengrin's swan. The infinite beauty of the wail lingered and swept through every muscle of his frame, and put it all a-tune. He closed his eyes and grasped the elbows of the chair, touching unwittingly the lady's arm. And the lady drew away. A deep longing swelled in all his heart to rise with that clear music out of the dirt and dust of that low life that held him prisoned and befouled. If he could only live up in the free air where birds sang and setting suns had no touch of blood! Who had called him to be the slave and butt of all?… If he but had some master-work, some life-service, hard, aye, bitter hard, but without the cringing and sickening servility…. When at last a soft sorrow crept across the violins, there came to him the vision of a far-off home — the great eyes of his sister, and the dark drawn face of his mother…. It left John sitting so silent and rapt that he did not for some time notice the usher tapping him lightly on the shoulder and saying politely, 'will you step this way please sir?'… The manager was sorry, very very sorry — but he explained that some mistake had been made in selling the gentleman a seat already disposed of; he would refund the money, of course… before he had finished John was gone, walking hurriedly across the square… and as he passed the park he buttoned his coat and said, 'John Jones you're a natural-born fool.”

Then he went to his lodgings and wrote a letter, and tore it up; he wrote another, and threw it in the fire....
Source: The Souls of Black Folk (1903), Ch. XIII: Of the Coming of John

Letitia Elizabeth Landon photo

“What is the world that lies around our own? Shadowy, unsubstantial, and wonderful are the viewless elements, peopled with spirits powerful and viewless as the air which is their home. From the earth's earliest hour, the belief in the supernatural has been universal. At first the faith was full of poetry; for, in those days, the imagination walked the earth even as did the angels, shedding their glory around the children of men. The Chaldeans watched from their lofty towers the silent beauty of night — they saw the stars go forth on their appointed way, and deemed that they bore with them the mighty records of eternity. Each separate planet shone on some mortal birth, and as its aspect was for good or for evil, such was the aspect of the fortunes that began beneath its light. Those giant watch-towers, with their grey sages, asked of the midnight its mystery, and held its starry roll to be the chronicle of this breathing world. Time past on, angels visited the earth no more, and the divine beliefs of young imagination grew earthlier. Yet poetry lingered in the mournful murmur of the oaks of Dodona, and in the fierce war song of the flying vultures, of whom the Romans demanded tidings of conquest. But prophecy gradually sank into divination, and it is a singular proof of the extent both of human credulity and of curiosity, to note the various methods that have had the credit of forestalling the future. From the stars to a tea-cup is a fall indeed”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Literary Remains

Alan Sugar photo

“All I've heard from you so far is a lot of hot air, so in the interests of climate change you're fired…”

Alan Sugar (1947) British business magnate, media personality, and political advisor

to Stuart Baggs in the boardroom
The Apprentice, Series 6

Robert Graves photo

“War was return of earth to ugly earth,
War was foundering of sublimities,
Extinction of each happy art and faith
By which the world had still kept head in air.”

Robert Graves (1895–1985) English poet and novelist

"Recalling War," lines 31–34, from Collected Poems 1938 (1938).
Poems

Walter Besant photo
Joe Buck photo

“Freese hits it in the air to center. We will see you tomorrow night!”

Joe Buck (1969) American sportscaster

Calling David Freese's walk off home run in Game 6 of the 2011 World Series. Also a reference to his father's call of Kirby Pickett's home run 20 years before.
2010s

Lupe Fiasco photo
Ivan Turgenev photo

“"What is Bazarov?" Arkady smiled. "Would you like me to tell you, uncle, what he really is?""Please do, nephew.""He is a nihilist!""What?" asked Nikolai Petrovich, while Pavel Petrovich lifted his knife in the air with a small piece of butter on the tip and remained motionless."He is a nihilist," repeated Arkady."A nihilist," said Nikolai Petrovich. "That comes from the Latin nihil, nothing, as far as I can judge; the word must mean a man who… who recognizes nothing?""Say — who respects nothing," interposed Pavel Petrovich and lowered his knife with the butter on it."Who regards everything from the critical point of view," said Arkady."Isn't that exactly the same thing?" asked Pavel Petrovich."No, it's not the same thing. A nihilist is a person who does not bow down to any authority, who does not accept any principle on faith, however much that principle may be revered.""Well, and is that good?" asked Pavel Petrovich. "That depends, uncle dear. For some it is good, for others very bad.""Indeed. Well, I see that's not in our line. We old-fashioned people think that without principles, taken as you say on faith, one can't take a step or even breathe. Vous avez changé tout cela; may God grant you health and a general's rank, and we shall be content to look on and admire your… what was the name?""Nihilists," said Arkady, pronouncing very distinctly."Yes, there used to be Hegelists and now there are nihilists. We shall see how you will manage to exist in the empty airless void; and now ring, please, brother Nikolai, it's time for me to drink my cocoa."”

Ivan Turgenev (1818–1883) Russian writer

Source: Father and Sons (1862), Ch. 5.

John Harvey Kellogg photo
Richard Stallman photo

“Once GNU is written, everyone will be able to obtain good system software free, just like air.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

1980s, GNU Manifesto (1985)

William Ellery Channing (poet) photo

“My highway is unfeatured air,
My consorts are the sleepless stars,
And men my giant arms upbear —
My arms unstained and free from scars.”

William Ellery Channing (poet) (1818–1901) American writer

Hymn of the Earth, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Mirkka Rekola photo
William Blake photo

“My silks and fine array,
My smiles and languished air,
By love are driv'n away;
And mournful lean Despair
Brings me yew to deck my grave:
Such end true lovers have.”

William Blake (1757–1827) English Romantic poet and artist

Song (My Silks and Fine Arrays), st. 1
1780s, Poetical Sketches (1783)

Gerard Manley Hopkins photo

“I say that we are wound
With mercy round and round
As if with air.”

Gerard Manley Hopkins (1844–1889) English poet

"The Blessed Virgin compared to the Air we Breathe", lines 34-36
Wessex Poems and Other Verses (1918)

Letitia Elizabeth Landon photo

“In a valley sweet with singing
From the hill and from the wood,
Where the green moss rills were springing,
A wondrous maiden stood.
The first lark seemed to carry
Her coming through the air;
Not long she wont to tarry,
Though she wandered none knew where.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette (10th January 1835) Versions from the German (Second Series.) 'The Coming of Spring'—Schiller.
Translations, From the German

William Wordsworth photo
Marcus Tullius Cicero photo

“For with what eyes of the mind was your Plato able to see that workhouse of such stupendous toil, in which he makes the world to be modelled and built by God? What materials, what bars, what machines, what servants, were employed in so vast a work? How could the air, fire, water, and earth, pay obedience and submit to the will of the architect? From whence arose those five forms, of which the rest were composed, so aptly contributing to frame the mind and produce the senses? It is tedious to go through all, as they are of such a sort that they look more like things to be desired than to be discovered.”
Quibus enim oculis animi intueri potuit vester Plato fabricam illam tanti operis, qua construi a deo atque aedificari mundum facit; quae molitio, quae ferramenta, qui vectes, quae machinae, qui ministri tanti muneris fuerunt; quem ad modum autem oboedire et parere voluntati architecti aer, ignis, aqua, terra potuerunt; unde vero ortae illae quinque formae, ex quibus reliqua formantur, apte cadentes ad animum afficiendum pariendosque sensus? Longum est ad omnia, quae talia sunt, ut optata magis quam inventa videantur.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

Book I, section 19
De Natura Deorum – On the Nature of the Gods (45 BC)

Vitruvius photo
Mahmoud Ahmadinejad photo
Michele Bachmann photo
Oliver Lodge photo

“Death is not a word to fear, any more than birth is. We change our state at birth, and come into the world of air and sense and myriad existence; we change our state at death and enter a region of—what?”

Oliver Lodge (1851–1940) British physicist

Raymond, p. 298 https://babel.hathitrust.org/cgi/pt?id=loc.ark:/13960/t80k3mq4s;view=1up;seq=340
Raymond, or Life and Death (1916)

Gerard Bilders photo
Ralph Steadman photo
Rupert Boneham photo
Arthur Hugh Clough photo
Matthew Arnold photo
Gene Tunney photo
Percy Bysshe Shelley photo

“Chameleons feed on light and air:
Poets' food is love and fame.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

An Exhortation http://www.poetryconnection.net/poets/Percy_Bysshe_Shelley/2579 (1819), st. 1

Marianne Moore photo
Oliver Goldsmith photo

“Cheerful at morn, he wakes from short repose,
Breasts the keen air, and carols as he goes.”

Oliver Goldsmith (1728–1774) Irish physician and writer

Source: The Traveller (1764), Line 185.

Maurice Strong photo

“Current lifestyles and consumption patterns of the affluent middle class - involving high meat intake, the use of fossil fuels, electrical appliances, home and work-place air-conditioning, and suburban housing - are not sustainable.”

Maurice Strong (1929–2015) Canadian businessman

Maurice Strong, opening speech at the 1992 Rio Earth Summit But this quotation is not in the version posted on Mr. Strong's site. http://www.mauricestrong.net/index.php/opening-statement6

James Russell Lowell photo

“I first drew in New England's air, and from her hardy breast
Sucked in the tyrant-hating milk that will not let me rest.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

"On the Capture of Certain Fugitive Slaves Near Washington" (1845)

Nouri al-Maliki photo

“I'll be frank and say that we were deluded when we signed the contract [with the U. S. ]. We should have sought to buy other jet fighters like British, French and Russian to secure the air cover for our forces; if we had air cover we would have averted what had happened.”

Nouri al-Maliki (1950) Prime Minister of Iraq

On his country's order of F-16 fighter aircraft (June 2014), as quoted in BBC News http://www.bbc.co.uk/news/world-middle-east-28042302.

Omar Khayyám photo

“That ev'n my buried Ashes such a snare
Of Vintage shall fling up into the Air
As not a True-believer passing by
But shall be overtaken unaware.”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

The Rubaiyat (1120)

Elbert Hubbard photo
O. Henry photo

“A straw vote only shows which way the hot air blows.”

O. Henry (1862–1910) American short story writer

"A Ruler of Men" Rolling Stones http://www.gutenberg.org/files/3815/3815-h/3815-h.htm (1913)

Agatha Christie photo
Thomas Moore photo
Poul Anderson photo
Joe Buck photo

“Giants looking for a stop. They're gonna air it out. Rodgers does this better than anybody. Endzone…. COBB! TOUCHDOWN! UNBELIEVEABLE!”

Joe Buck (1969) American sportscaster

Calling Aaron Rodgers' Hail Mary to Randall Cobb at the end of the half of a Giants-Packers playoff game.
2010s

“Air that has been much quarreled in becomes very hard to breathe.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Stephen Vincent Benét photo

“The time is — time. The place is anywhere.
The voices speak to you across the air
To say that once again a child is born.
A child is born.”

Stephen Vincent Benét (1898–1943) poet, short story writer, novelist

Narrator
A Child is Born (1942)

Robert Charles Wilson photo
Anthony Crosland photo
Hans Christian Andersen photo
Donald J. Trump photo
Benjamin Franklin King, Jr. photo

“Nothing to breathe but air
Quick as a flash 'tis gone;
Nowhere to fall but off,
Nowhere to stand but on.”

Benjamin Franklin King, Jr. (1857–1894) American humorist and poet

"The Pessimist," http://books.google.com/books?id=nfUaAAAAYAAJ&q=%22Nothing+to+breathe+but+air+Quick+as+a+flash%22+%22gone+Nowhere+to+fall+but+off+Nowhere+to+stand+but+on%22&pg=PA225#v=onepage first published as "The Sum of Life" in the Chicago Mail, c. January 1893 http://books.google.com/books?id=RCgTAAAAYAAJ&q=%22Nothing+to+breathe+but+air+Quick+as+a+flash+tis+gone+Nowhere+to+fall+but+off+Nowhere+to+stand+but+on%22&pg=PA48#v=onepage.

John Selden photo

“Take a straw and throw it up into the air — you may see by that which way the wind is.”

John Selden (1584–1654) English jurist and scholar of England's ancient laws and constitution, and of Jewish law

Libels.
Table Talk (1689)

Tom Baker photo
George Eliot photo
Giorgio de Chirico photo
James Joyce photo

“The fragrant hair,
Falling as through the silence falleth now
Dusk of the air.”

Tutto E Sciolto, p. 13
Pomes Penyeach (1927)

Natalie Merchant photo

“talk, talk, talk about it
you talk as if you care
but when your talk is over
tilt that bottle in the air
tossing back more than your share”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, In My Tribe (1987), Don't Talk

Robert Frost photo

“Love at the lips was touch
As sweet as I could bear;
And once that seemed too much;
I lived on air”

Robert Frost (1874–1963) American poet

" To Earthward http://www.poemhunter.com/poem/to-earthward-2/", st. 1 (1923)
1920s

A.E. Housman photo
Ron Paul photo

“Question: …you believe the Fed shouldn't exist… make the case.
Ron Paul: First reason is, it's not authorized in the Constitution, it's an illegal institution. The second reason, it's an immoral institution, because we have delivered to a secretive body the privilege of creating money out of thin air; if you or I did it, we'd be called counterfeiters, so why have we legalized counterfeiting? But the economic reasons are overwhelming: the Federal Reserve is the creature that destroys value. This station talks about free market capitalism, and you can't have free market capitalism if you have a secret bank creating money and credit out of thin air. They become the central planners, they decide what interest rates should be, what the supply of money should be…
Question: How does the gold standard solves that?
Ron Paul: It maintains a stable currency and a stable value. If the Fed concentrated more on stable money rather than stable prices… They push up new money in stocks and in commodities and in houses, and then they have to come in to rescue the situation. They create the bubbles, then they come in and rescue it, and they do nothing more than try to do price fixing. Capitalism depends, and capital comes from savings, but there's no savings in this country, so this is all artificial. It creates the misdirection and the malinvestment and all the excessive debt, and it always has to have a correction. Since the Fed has been in existence, the dollar has lost about 97% of its value. You're supposed to encourage savings, but if something loses its value, why save dollars? There's no encouragement whatsoever. […] Gold is 6000 years old, and it still maintains its purchasing power. Oil prices really are very stable in terms of Gold. […] Both conservatives and liberals want to enhance big government, and this is a seductive way to tax the middle class.”

Ron Paul (1935) American politician and physician

CNBC debate with Faiz Shakir, March 20, 2008 http://www.youtube.com/watch?v=k94VWPjUQSM
2000s, 2006-2009

George W. Bush photo
Dr. Seuss photo
Henry James photo

“Experience is never limited, and it is never complete; it is an immense sensibility, a kind of huge spider-web, of the finest silken threads, suspended in the chamber of consciousness and catching every air-borne particle in its tissue.”

Henry James (1843–1916) American novelist, short story author, and literary critic

The Art of Fiction http://public.wsu.edu/~campbelld/amlit/artfiction.html (1884)

John Fante photo
Dante Gabriel Rossetti photo
Jan Hendrik Weissenbruch photo

“Light and air, that's art! I can never give enough light in my paintings, especially in the skies. The air in a painting, that is really a thing! It is the main thing! Air and light are the great magicians. It is the sky which prescribes the painting. Painters never look enough at the sky. We must get it from above. (translation from Dutch, Fons Heijnsbroek, 2018)”

Jan Hendrik Weissenbruch (1824–1903) Dutch painter of the Hague School (1824-1903)

version in original Dutch / citaat van J. H. Weissenbruch, in het Nederlands: Licht en lucht, dat is de kunst! Ik kan in m'n schilderijen, vooral in de luchten, nooit licht genoeg brengen.. .De lucht op een schilderij, dat is een ding! Een hoofdzaak! Lucht en licht zijn de groote toovenaars. De lucht bepaalt het schilderij. Schilders kunnen nooit genoeg naar de lucht kijken. Wij moeten het van boven hebben.
Quote of J. H. Weissenbruch; as cited in J.H. Weissenbruch 1824-1903, ed. E. Jacobs, H. Janssen & M. van Heteren; exposition-catalog, Museum Jan Cunen / Gemeentemuseum Den Haag, Zwolle 1999, pp. 227-233

Cyrano de Bergerac photo
Michael Bloomberg photo

“When you go to Washington now, you can feel a sense of fear in the air – the fear to do anything, or say anything, that might affect the polls, or give the other side an advantage, or offend a special interest.”

Michael Bloomberg (1942) American businessman and politician, former mayor of New York City

http://mikebloomberg.com/en/issues/public_health/mayor_bloomberg_delivers_opening_address_at_ceasefire_bridging_the_political_divide_conference
Partisanship

Saki photo

“Mrs. Troyle paused again, with the self-applauding air of one who has detected an asp lurking in an apple-charlotte.”

"The Secret Sin of Septimus Brope"
The Chronicles of Clovis (1911)

Maxwell D. Taylor photo
Jeannette Piccard photo

“When you fly a balloon you don’t file a flight plan; you go where the wind goes. You feel like part of the air. You almost feel like part of eternity, and you just float along.”

Jeannette Piccard (1895–1981) American balloonist, scientist, teacher and priest

Quoted in [Sorenson, Paul, Looking Back..., AEM Update, University of Minnesota Institute of Technology, 1998-1999, http://www.aem.umn.edu/info/update/1998-99/Looking.html]

Zooey Deschanel photo

“We are all made of air
There's stars in my eyes and there's sun in my hair
And I'm runnin' away, it makes me feel better”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

"Brand New Shoes".
Volume Two (2010)

Happy Rhodes photo

“I want to go wherever you go because
all the colors are brighter there
and there is more magic in the air
wherever you go, here and hereafter.”

Happy Rhodes (1965) American singer-songwriter

"Here And Hereafter" - Live performance, Santa Cruz, CA (9 June 2001) http://www.youtube.com/watch?v=PFlk0MJez_g
Find Me (2007)

Daniel Webster photo
Edward Hopper photo

“I could just go a few steps [from the house where he stayed in Paris in 1906- 1907] and I'd see the Louvre across the river. From the corner of the Rue de Bac and Lille (sic) you could see Sacré-Coeur. It hung like a great vision in the air above the city.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

1941 - 1967
Source: 'Portrait: Edward Hopper', Brian O'Doherty, 'Art in America', 1952 (December 1964), p. 73

Edward Coote Pinkney photo
William Herschel photo
Laurent Clerc photo

“Every creature, every work of God, is admirably well made; but if any one appears imperfect in our eyes, it does not belong to us to criticise it. Perhaps that which we do not find right in its kind, turns to our advantage, without our being able to perceive it. Let us look at the state of the heavens, one while the sun shines, another time it does not appear; now the weather is fine; again it is unpleasant; one day is hot, another is cold; another time it is rainy, snowy or cloudy; every thing is variable and inconstant. Let us look at the surface of the earth: here the ground is flat; there it is hilly and mountainous; in other places it is sandy; in others it is barren; and elsewhere it is productive. Let us, in thought, go into an orchard or forest. What do we see? Trees high or low, large or small, upright or crooked, fruitful or unfruitful. Let us look at the birds of the air, and at the fishes of the sea, nothing resembles another thing. Let us look at the beasts. We see among the same kinds some of different forms, of different dimensions, domestic or wild, harmless or ferocious, useful or useless, pleasing or hideous. Some are bred for men's sakes; some for their own pleasures and amusements; some are of no use to us. There are faults in their organization as well as in that of men. Those who are acquainted with the veterinary art, know this well; but as for us who have not made a study of this science, we seem not to discover or remark these faults. Let us now come to ourselves. Our intellectual faculties as well as our corporeal organization have their imperfections. There are faculties both of the mind and heart, which education improve; there are others which it does not correct. I class in this number, idiotism, imbecility, dulness. But nothing can correct the infirmities of the bodily organization, such as deafness, blindness, lameness, palsy, crookedness, ugliness. The sight of a beautiful person does not make another so likewise, a blind person does not render another blind. Why then should a deaf person make others so also? Why are we Deaf and Dumb? Is it from the difference of our ears? But our ears are like yours; is it that there may be some infirmity? But they are as well organized as yours. Why then are we Deaf and Dumb? I do not know, as you do not know why there are infirmities in your bodies, nor why there are among the human kind, white, black, red and yellow men. The Deaf and Dumb are everywhere, in Asia, in Africa, as well as in Europe and America. They existed before you spoke of them and before you saw them.”

Laurent Clerc (1785–1869) French-American deaf educator

Statement of 1818, quoted in Through Deaf Eyes: A Photographic History of an American Community (2007) by Douglas C. Baynton, Jack R. Gannon, and Jean Lindquist Bergey

Kyuzo Mifune photo
Ralph Waldo Emerson photo