Quotes about air
page 11

Emil M. Cioran photo
Jorge Luis Borges photo

“Well, he wrote a book -- well, maybe here I'm being political -- he wrote a book about the tyrants of South America, and then he had several stanzas against the United States. Now he knows that that's rubbish. And he had not a word against Perón. Because he had a law suit in Buenos Aires, that was explained to me afterwards, and he didn't care to risk anything. And so, when he was supposed to be writing at the top of his voice, full of noble indignation, he had not a word to say against Perón. And he was married to an Argentine lady, he knew that many of his friends had been sent to jail. He knew all about the state of our country, but not a word against him. At the same time, he was speaking against the United States, knowing the whole thing was a lie, no? But, of course, that doesn't mean anything against his poetry. Neruda is a very fine poet, a great poet in fact. And when they gave Miguel de Asturias the Nobel Prize, I said that it should have been given to Neruda! Now when I was in Chile, and we were on different political sides, I think he did the best thing to do. He went on a holiday during the three or four days I was there so there was no occasion for our meeting. But I think he was acting politely, no? Because he knew that people would be playing him up against me, no? I mean, I was an Argentine, poet, he was a Chilean poet, he's on the side of the Communists, I'm against them. So I felt he was behaving very wisely in avoiding a meeting that would have been quite uncomfortable for both of us.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Page 96.
Conversations with Jorge Luis Borges (1968)

Henrik Ibsen photo
Giorgio de Chirico photo
Ossip Zadkine photo

“My huge monument to the bombing of Rotterdam [in 1940, by the German aircraft], for instance, was the third and final version of this figure. Once the model had been accepted in principle and the scale agreed on, I began working on a new version of it, conceiving it to a great extent in terms of the effects of the changes of lighting in which such a monument would been seen in the open air.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960
the name of the monument is ( 'Destroyed City', 1953 https://upload.wikimedia.org/wikipedia/commons/4/47/Zadkine_%27s_verwoeste_stad..jpg), in Dutch language: in Dutch: 'De verwoeste Stad']
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 155

Marc Chagall photo

“Only a child had its place on the cross, and that was enough for me [to paint his Crucifixions, earlier].... in the exact sense there was no cross but a blue child in the air. The cross interested me less.”

Marc Chagall (1887–1985) French artist and painter

as quoted in From Rebel to Rabbi: Reclaiming Jesus and the Making of Modern Jewish Culture, Matthew B. Hoffman; Stanford University Press, 2007, p. 219
after 1930

Chris Jericho photo

“Welcome to Raw Is Jericho! And I am the new millennium for the World Wrestling Federation. Now for those of you who don't know me, I am Chris Jericho, your new hero, your party host, and most importantly, the most charismastic showman to ever enter your living rooms via a television screen. And for those of you who DO know me, well, all hail the Ayatollah of Rock and Roll-a!
Now when you think of the new millennium, you think of an event so gigantic that it changes the course of history. You think of a dawning of a new era. In this case, the dawning of a new era in the WWF. Thank you, thank you. And a new era is what this once proud and profitable company sorely needs. What was once a captivating, trend-setting program has now deteriorated into a cliched, let's be honest, boring snoozefest that is in dire need of a knight in shining armor, and that's why I'm here. Chris Jericho has come to save the WWF!
Now let's go over the facts. Television ratings, downward spiral; pay-per-view buy-rates, plummeting; mainstream acceptance, non-existent; and reactions of the live crowds, complete and utter silence. And I know why you're silent! You're silent because you're embarrassed to be here. And quite honestly, I'm embarrassed for you. And the reason why you're embarrassed is because of the steady stream of uninteresting, untalented, mediocre "sports entertainers" who you're forced to cheer for and care for. No wonder you're not cheering! You could care less about every single idiot in that dressing room, [indicating The Rock] and especially this idiot in the center of the ring. You people have been led to believe that mediocrity is excellence. Uh-uh. Jericho is excellence. And now for the first time in WWF history, you have a man who can entertain you. You have a man who is good enough for you. You have a man who can make you jump up off your chairs, raise your filthy fat little hands in the air and scream "Go Jericho go! Go Jericho go! Go Jericho go!"”

Chris Jericho (1970) American professional wrestler, musician, television host, podcast host and author

Thank you.
The new millennium has arrived in the WWF, and now that the Y2J problem is here, this company—from the front-office idiots to all the amateurs in the dressing room, including this one, to everybody watching tonight—will never, ee-e-e-e-(slaps face) ever be the same... again!
August 9, 1999 - WWE Raw

Ralph Waldo Emerson photo

“Announced by all the trumpets of the sky
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden's end.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

The Snow-Storm http://www.emersoncentral.com/poems/snow_storm.htm
1840s, Poems (1847)

“The relationship between the object & the event. Can they 2 be separated? Is one a detail of the other? What is the meeting? Air?”

Jasper Johns (1930) American artist

Book A (sketchbook), p 8, c 1960: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 49
1960s

Arundhati Roy photo
Denis Healey photo
Aleister Crowley photo
William Ellery Channing photo
Letitia Elizabeth Landon photo

“The fair face painted on the dungeon air,
By the strong force of hope, distinct and sweet,
Is a good omen. Love mine, I will rest.
If my last sleep — it will be full of thee.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette (28th March 1835)
Translations, From the German

George W. Bush photo
James Gates Percival photo

“The water is calm and still below,
For the winds and waves are absent there,
And the sands are bright as the stars that glow
In the motionless fields of upper air.”

James Gates Percival (1795–1856) American geologis, poet, and surgeon

The coral Grove, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Gerard Manley Hopkins photo

“Lovely the woods, waters, meadows, combes, vales,
All the air things wear that build this world of Wales.”

Gerard Manley Hopkins (1844–1889) English poet

" In the Valley of the Elwy http://www.bartleby.com/122/16.html", lines 9-10
Wessex Poems and Other Verses (1918)

Ludwig Feuerbach photo
Robert Francis Kennedy, Jr. photo
Rush Limbaugh photo
Anu Garg photo

“We're all surrounded by words like air, and we all need them even though they are often invisible, just like air.”

Anu Garg (1967) Indian author

2002-11-28
http://www.nytimes.com/2002/11/28/technology/circuits/28garg.html?src=pm&pagewanted=all
A Word of the Day Keeps Banality at Bay
The New York Times
Katie Hafner

Andrea Dworkin photo

“By the time we are women, fear is as familiar to us as air. It is our element. We live in it, we inhale it, we exhale it, and most of the time we do not even notice it. Instead of "I am afraid", we say, "I don't want to", or "I don't know how", or "I can't."”

Andrea Dworkin (1946–2005) Feminist writer

Speech at Queens College, City University of New York (March 12, 1975). "The Sexual Politics of Fear and Courage", ch. 5, Our Blood (1976).

Phillip Guston photo
George Fitzhugh photo
Jonathan Swift photo
John Burroughs photo
Sandra Fluke photo

“I think his statements that he made on the air about me have been personal enough. so I’d rather not have a personal phone call from him.”

Sandra Fluke (1981) American women's rights activist and lawyer

The View. March 5, 2012.
Media interviews

Robert Grosseteste photo
Susan Cain photo

“Solitude matters, and for some people it is the air that they breathe.”

Susan Cain (1968) self-help writer

"Susan Cain: Quiet revolutionary" speaker profile at TED.com, February 2012 (est.)

George Crabbe photo
Benoît Mandelbrot photo
Marcus Terentius Varro photo

“There are bred certain minute creatures which cannot be seen by the eyes, which float in the air and enter the body through the mouth and nose and there cause serious diseases.”
Crescunt animalia quaedam minuta, quae non possunt oculi consequi, et per aera intus in corpus per os ac nares perveniunt atque efficiunt difficilis morbos.

Marcus Terentius Varro (-116–-27 BC) ancient latin scholar

Marcus Porcius Cato on Agriculture : Marcus Terentius Varro on Agriculture. W.D. Hooper & H.B. Ash. (translation). Harvard University Press, 1993. Bk. 1, ch. 12
De Re Rustica

Sally Shlaer photo
Orson Scott Card photo
Steven Shapin photo
Robert Charles Wilson photo
Gene Wolfe photo

“Here in two flat sentences are the best things I can say about our field on American television: Dr. Who is sometimes aired. Sometimes Battlestar Galactica is not.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

Guest of Honor speech at Aussiecon Two (August 1985), as published in Castle of Days (1992)
Nonfiction

Joni Mitchell photo
Ludovico Ariosto photo

“The youth, who pants to gain the amorous prize,
Forgets that Heaven with all-discerning eyes
Surveys the secret heart; and when desire
Has, in possession, quenched its short-lived fire,
The devious winds aside each promise bear,
And scatter all his solemn vows in air!”

L'amante, per aver quel che desia,
Senza guardar che Dio tutto ode e vede,
Aviluppa promesse e giuramenti,
Che tutti spargon poi per l'aria i venti.
Canto X, stanza 5 (tr. John Hoole)
Orlando Furioso (1532)

Aaliyah photo
Shashi Tharoor photo
William Wordsworth photo

“And 't is my faith, that every flower
Enjoys the air it breathes.”

William Wordsworth (1770–1850) English Romantic poet

Source: Bartlett's Familiar Quotations, 10th ed. (1919), Lines written in Early Spring.

Edward R. Murrow photo

“Is it not possible that an unruly head of hair, an infectious smile, eyes that seem remarkable for the depths of their sincerity, a cultivated air of authority, may attract huge television audiences regardless of the violence that may be done to truth or objectivity?”

Edward R. Murrow (1908–1965) Television journalist

As quoted in The Saturday Evening Post (December 1949) http://www.saturdayeveningpost.com/wp-content/flbk/Murrow_Sticks_to_the_News/pubData/mobile/index.htm#/1/

Robert Southey photo
T.S. Eliot photo
Amit Chaudhuri photo
Eduardo Torroja photo
Margaret Mead photo

“The way to do fieldwork is never to come up for air until it is all over.”

Margaret Mead (1901–1978) American anthropologist

Attributed in Simpson's Contemporary Quotations (1992) edited by James B. Simpson, p. 142
1990s

Stephen Baxter photo
Edmund Burke photo

“Manners are of more importance than laws. The law can touch us here and there, now and then. Manners are what vex or soothe, corrupt or purify, exalt or debase, barbarize or refine us, by a constant, steady, uniform, insensible operation like that of the air we breathe in.”

Edmund Burke (1729–1797) Anglo-Irish statesman

No. 1, p. 172 in The Works of the Right Honourable Edmund Burke: A New Edition, v. VIII. London: F. C. and J. Rivington, 1815
Letters On a Regicide Peace (1796)

Neal Stephenson photo
Clement of Alexandria photo

“To me, therefore, that Thracian Orpheus, that Theban, and that Methymnaean,--men, and yet unworthy of the name,--seem to have been deceivers, who, under the pretence of poetry corrupting human life, possessed by a spirit of artful sorcery for purposes of destruction, celebrating crimes in their orgies, and making human woes the materials of religious worship, were the first to entice men to idols; nay, to build up the stupidity of the nations with blocks of wood and stone,--that is, statues and images,--subjecting to the yoke of extremest bondage the truly noble freedom of those who lived as free citizens under heaven by their songs and incantations. But not such is my song, which has come to loose, and that speedily, the bitter bondage of tyrannizing demons; and leading us back to the mild and loving yoke of piety, recalls to heaven those that had been cast prostrate to the earth. It alone has tamed men, the most intractable of animals; the frivolous among them answering to the fowls of the air, deceivers to reptiles, the irascible to lions, the voluptuous to swine, the rapacious to wolves. The silly are stocks and stones, and still more senseless than stones is a man who is steeped in ignorance. As our witness, let us adduce the voice of prophecy accordant with truth, and bewailing those who are crushed in ignorance and folly: "For God is able of these stones to raise up children to Abraham;" and He, commiserating their great ignorance and hardness of heart who are petrified against the truth, has raised up a seed of piety, sensitive to virtue, of those stones--of the nations, that is, who trusted in stones. Again, therefore, some venomous and false hypocrites, who plotted against righteousness, he once called "a brood of vipers."”

Clement of Alexandria (150–215) Christian theologian

But if one of those serpents even is willing to repent, and follows the Word, he becomes a man of God.
Exhortation to the Heathen

“If all the sky was made of gold leaf, and the air was starred with fine silver, and treasure borne on all the winds, and every drop of sea-water was a florin, and it rained down, morning and evening, riches, goods, honours, jewels, money, till all the people were filled with it, and I stood there naked in such rain and wind, never a drop of it would fall on me.”

Eustache Deschamps (1346–1406) French poet

Se tout le ciel estoit de feuilles d'or,
Et li airs fust estellés d'argent fin,
Et tous les vens fussent pleins de tresor,
Et les gouttes fussent toutes florin
D'eaue de mer, et pleust soir et matin
Richesses, biens, honeurs, joiaux, argent,
Tant que rempli en fust toute la gent,
La terre aussi en fust mouillee toute,
Et fusse nu, – de tel pluie et tel vent
Ja sur mon cors n'en cherroit une goutte.
"Se tout le ciel estoit de feuilles d'or", line 1; text and translation from Brian Woledge (ed.) The Penguin Book of French Verse, 1: To the Fifteenth Century (Harmondsworth: Penguin, [1961] 1968) p. 236.

Clive Staples Lewis photo
John Kenneth Galbraith photo

“Seaboard Air Line, which was thought by numerous innocents to provide a foothold in aviation, was another favorite, although, in fact, it was a railroad.”

John Kenneth Galbraith (1908–2006) American economist and diplomat

Source: Money: Whence It Came, Where It Went (1975), Chapter IX, The Price, p. 106

Henry Moore photo

“The Negroes.... their unique claim for admiration is their power to produce form completely in the round... Negro sculpture is completely in the round, fully-conceived air-surrounded form.”

Henry Moore (1898–1986) English artist

Quote of Henri Moore in 'Unpublished notes', c. 1925-1926, HMF archive; as cited in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 96
1925 - 1940

Mike Oldfield photo
John Muir photo
Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Kalle Lasn photo
John F. Kennedy photo
William Ewart Gladstone photo

“Think, ladies and gentlemen, of your "Men of Harlech". In my judgment, for the purpose of a national air… and without disparagement of old "God save the Queen" or anything else, it is perhaps the finest national air in the world.”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

Speech to the Eisteddfod in Wrexham (8 September 1888), quoted in A. W. Hutton and H. J. Cohen (eds.), The Speeches of The Right Hon. W. E. Gladstone on Home Rule, Criminal Law, Welsh and Irish Nationality, National Debt and the Queen's Reign. 1888–1891 (London: Methuen, 1902), p. 56.
1880s

Paul Verlaine photo

“Let's hear the music first and foremost,
And that means no more one-two-one-twos…
Something more vague instead, something lighter
Dissolving in air, weightless as air.
When you choose your words, no need to search
In strict dictionaries for pinpoint
Definitions. Better the subtle
And heady Songs of Imprecision.”

Paul Verlaine (1844–1896) French poet

De la musique avant toute chose,
Et pour cela préfère l'Impair
Plus vague et plus soluble dans l'air
Sans rien en lui qui pèse ou qui pose.
Il faut aussi que tu n'ailles point
Choisir tes mots sans quelque méprise:
Rien de plus cher que la chanson grise
Où l'Indécis au Précis se joint.
Source: "Art poétique", from Jadis et naguère (1884), Line 1; Sorrell p. 123

David Bohm photo
J. M. Barrie photo
John Burroughs photo
Clarence Thomas photo
John Ruysbroeck photo
Chuck Klosterman photo
Steve Jobs photo

“Jobs: Part of what made the Macintosh great was that the people working on it were musicians, poets, and artists, and zoologists, and historians. They also happened to be the best computer scientists in the world. But if it hadn’t been computer science, these people would have been doing amazing things in other fields. We all brought to this a sort of “liberal arts” air, an attitude that we wanted to pull the best that we saw into this field. You don’t get that if you are very narrow.
Cringley: How does the Web affect the economy?
Jobs: We live in an information economy. The problem is that information's usually impossible to get, at least in the right place, at the right time. The reason Federal Express won over its competitors was its package-tracking system. For the company to bring that package-tracking system onto the Web is phenomenal. I use it all the time to track my packages. It's incredibly great. Incredibly reassuring. And getting that information out of most companies is usually impossible.
But it's also incredibly difficult to give information. Take auto dealerships. So much money is spent on inventory—billions and billions of dollars. Inventory is not a good thing. Inventory ties up a ton of cash, it's open to vandalism, it becomes obsolete. It takes a tremendous amount of time to manage. And, usually, the car you want, in the color you want, isn't there anyway, so they've got to horse-trade around. Wouldn't it be nice to get rid of all that inventory? Just have one white car to drive and maybe a laserdisc so you can look at the other colors. Then you order your car and you get it in a week.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Robert X. Cringley for a Public Broadcasting System [PBS] television series, “Triumph of the Nerds” (1995), “The Lost Interview: Steve Jobs Tells Us What Really Matters” https://www.forbes.com/sites/stevedenning/2011/11/17/the-lost-interview-steve-jobs-tells-us-what-really-matters/#5cb0fc8e6c3a, Forbes, Steve Denning, Nov 17, 2011,
1990s

Richard Feynman photo
Johann Wolfgang von Goethe photo

“Smoking stupefies a man, and makes him incapable of thinking or writing. It is only fit for idlers, people who are always bored, who sleep for a third of their lifetime, fritter away another third in eating, drinking, and other necessary or unnecessary affairs, and don’t know—though they are always complaining that life is so short—what to do with the rest of their time. Such lazy Turks find mental solace in handling a pipe and gazing at the clouds of smoke that they puff into the air; it helps them to kill time. Smoking induces drinking beer, for hot mouths need to be cooled down. Beer thickens the blood, and adds to the intoxication produced by the narcotic smoke. The nerves are dulled and the blood clotted. If they go on as they seem to be doing now, in two or three generations we shall see what these beer-swillers and smoke-puffers have made of Germany. You will notice the effect on our literature—mindless, formless, and hopeless; and those very people will wonder how it has come about. And think of the cost of it all! Fully 25,000,000 thalers a year end in smoke all over Germany, and the sum may rise to forty, fifty, or sixty millions. The hungry are still unfed, and the naked unclad. What can become of all the money? Smoking, too, is gross rudeness and unsociability. Smokers poison the air far and wide and choke every decent man, unless he takes to smoking in self-defence. Who can enter a smoker’s room without feeling ill? Who can stay there without perishing?”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Heinrich Luden, Rueckblicke in mein Leben, Jena 1847
Attributed

Rebecca Solnit photo
Richard Rodríguez photo
Gertrude Stein photo

“Argument is to me the air I breathe. Given any proposition, I cannot help believing the other side and defending it.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

"Form and Intelligibility," from The Radcliffe Manuscripts (1949); written in 1895 as an undergraduate at Radcliffe College

Letitia Elizabeth Landon photo
Tom Baker photo
William Wordsworth photo
Albert Einstein photo
Ernst Ludwig Kirchner photo

“.. momentarily, we (Erich Heckel, Max Pechstein, and I) are once again at Moritzburg. There is nothing more delightful than nudes in open air.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

note, 1910; in: ' 'Ernst Ludwig Kirchner: ein Künstlerleben in Selbstzeugnissen' ', Andreas Gabelmann; Hatje Cantz Verlag, Ostfildern, Germany 2010, p. 36
the location was a baroque hunting lodge at the Moritzburg Ponds a few miles from Dresden
1905 - 1915

François de La Rochefoucauld photo

“There is a certain dignity of manner independent of fortune, a certain distinctive air which seems to mark us out for great things. It is a value we set upon ourselves without realizing it, and by means of this quality we claim other men’s deference as our due. This does more to set us above them than birth, honors, and merit itself.”

Il y a une élévation qui ne dépend point de la fortune: c’est un certain air qui nous distingue et qui semble nous destiner aux grandes choses; c’est un prix que nous nous donnons imperceptiblement à nous-mêmes; c’est par cette qualité que nous usurpons les déférences des autres hommes, et c’est elle d’ordinaire qui nous met plus au-dessus d’eux que la naissance, les dignités, et le mérite même.
Maxim 399.
Reflections; or Sentences and Moral Maxims (1665–1678)

Ernest Hemingway photo
Robert Seymour Bridges photo

“Were I a cloud I'd gather
My skirts up in the air,
And fly I well know whither,
And rest I well know where.”

Robert Seymour Bridges (1844–1930) British writer

Book I, No. 4, The Cliff-Top.
Shorter Poems (1879-1893)

Thomas Jefferson photo
Joseph Strutt photo

“In each of the cathedral churches there was a bishop, or an archbishop of fools, elected; and in the churches immediately dependent upon the papal see a pope of fools. These mock pontiffs had usually a proper suit of ecclesiastics who attended upon them, and assisted at the divine service, most of them attired in ridiculous dresses resembling pantomimical players and buffoons; they were accompanied by large crowds of the laity, some being disguised with masks of a monstrous fashion, and others having their faces smutted; in one instance to frighten the beholders, and in the other to excite their laughter: and some, again, assuming the habits of females, practised all the wanton airs of the loosest and most abandoned of the sex. During the divine service this motley crowd were not contended with singing of indecent songs in the choir, but some of them ate, and drank, and played at dice upon the altar, by the side of the priest who celebrated the mass. After the service they put filth into the censers, and ran about the church, leaping, dancing, laughing, singing, breaking obscene jests, and exposing themselves in the most unseemly attitudes with shameless impudence. Another part of these ridiculous ceremonies was, to shave the precentor of fools upon a stage erected before the church, in the presence of the populace; and during the operation, he amused them with lewd and vulgar discourses, accompanied by actions equally reprehensible. The bishop, or the pope of fools, performed the divine service habited in the pontifical garments, and gave his benediction to the people before they quitted the church. He was afterwards seated in an open carriage, and drawn about to the different parts of the town, attended by a large train of ecclesiastics and laymen promiscuously mingled together; and many of the most profligate of the latter assumed clerical habits in order to give their impious fooleries the greater effect; they had also with them carts filled with ordure, which they threw occasionally upon the populace assembled to see the procession. These spectacles were always exhibited at Christmas-time, or near to it, but not confined to one particular day.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 345
The Sports and Pastimes of the People of England (1801), Festival of Fools

Torquato Tasso photo

“His grace,
Sit nature, fortune, motion, time and place. ]] From whence with grace and goodness compassed round,
He ruleth, blesseth, keepeth all he wrought,
Above the air, the fire, the sea and ground,
Our sense, our wit, our reason and our thought,
Where persons three, with power and glory crowned,
Are all one God, who made all things of naught,
Under whose feet, subjected to his grace,
Sit nature, fortune, motion, time and place.This is the place, from whence like smoke and dust
Of this frail world the wealth, the pomp and power,
He tosseth, tumbleth, turneth as he lust,
And guides our life, our death, our end and hour:
No eye, however virtuous, pure and just,
Can view the brightness of that glorious bower,
On every side the blessed spirits be,
Equal in joys, though differing in degree.”

Torquato Tasso (1544–1595) Italian poet

Sedea colà, dond'egli e buono e giusto
Dà legge al tutto, e 'l tutto orna e produce
Sovra i bassi confin del mondo angusto,
Ove senso o ragion non si conduce.
E della eternità nel trono augusto
Risplendea con tre lumi in una luce.
Ha sotto i piedi il Fato e la Natura,
Ministri umíli, e 'l moto, e chi 'l misura; <p> E 'l loco, e quella che qual fumo o polve
La gloria di qua giuso e l'oro e i regni,
piace là su, disperde e volve:
Nè, Diva, cura i nostri umani sdegni.
Quivi ei così nel suo splendor s'involve,
Che v'abbaglian la vista anco i più degni;
D'intorno ha innumerabili immortali
Disegualmente in lor letizia eguali.
Canto IX, stanzas 56–57 (tr. Edward Fairfax)
Max Wickert's translation:
He sat where He gives laws both good and just
to all, and all creates, and all sets right,
above the low bounds of this world of dust,
beyond the reach of sense or reason's might;
enthroned upon Eternity, august,
He shines with three lights in a single light.
At His feet Fate and Nature humbly sit,
and Motion, and the Power that measures it,<p>and Space, and Fate who like a powder will
all fame and gold and kingdoms here below,
as pleases Him on high, disperse or spill,
nor, goddess, cares she for our wrath or woe.
There He, enwrapped in His own splendour, still
blinds even worthiest vision with His glow.
All round Him throng immortals numberless,
unequally equal in their happiness.
Gerusalemme Liberata (1581)

Machado de Assis photo

“Everything comes to an end, reader. It is an old truism to which may be added that not everything that lasts, lasts for long. This latter part is not readily admitted; on the contrary the idea that an air castle lasts longer than the very air of which it is made is hard to get out of a person's head, and this is fortunate, otherwise the custom of making those almost eternal constructions might be lost.”

Tudo acaba, leitor; é um velho truísmo, a que se pode acrescentar que nem tudo o que dura dura muito tempo. Esta segunda parte não acha crentes fáceis; ao contrário, a idéia de que um castelo de vento dura mais que o mesmo vento de que é feito, dificilmente se despegará da cabeça, e é bom que seja assim, para que se não perca o costume daquelas construções quase eternas.
Source: Dom Casmurro (1899), Ch. 118, p. 235

Stanley Baldwin photo
Colin Wilson photo