
1870s, The Unknown Loyal Dead (1871)
1870s, The Unknown Loyal Dead (1871)
Source: Outlaw Journalist (2008), Chapter 13, Celebrity, p. 224
Joint statement for the Indo-Pak confederation that D Upadhyaya signed, on 12 April 1964, with Dr Lohia, quoted in L.K. Advani, My Country My Life (2008)
“My true single consolation is that she is not present to see me in my agony of her death.”
Le livre de ma mère [The Book of My Mother] (1954)
An address at Hebrew University (28 November 1945), as quoted in Rebirth and Destiny of Israel (1954), p. 151
Source: The 25-Year War: America's Military Role in Vietnam (1984), p. 133-134
The Deserter from The London Literary Gazette (8th June 1822) Poetic Sketches. Second Series - Sketch the Sixth
The Improvisatrice (1824)
Quotations:Rukmini Devi Arundale, 1 December 2013, publisher-All Creatures Organization http://www.all-creatures.org/aro/q-arundale-rukminidevi.html,
Speaking Out (2006)
Wieland; or, the Transformation (1798)
Source: Last and First Men (1930), Chapter II: Europe’s Downfall; Section 3, “Europe Murdered” (p. 41)
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 182.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 66.
"The Triumphs of Owen. A Fragment", from Mr. Evans's Specimens of the Welch Poetry (1764)
As quoted in His Brother's Blood: Speeches and Writings, 1838–64 https://books.google.com/books?id=qMEv8DNXVbIC&pg=PA178 (2004), edited by William Frederick Moore and Jane Ann Moore, p. 178
1850s, The Fanaticism of the Democratic Party (February 1859)
“Basil From Her Garden”.
Flying to America: 45 More Stories (2007)
Additional remarks about the proposed Reconciliation and Unity Commission
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 74.
"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews
"To Raja Rao" (1969) (A poem written in English)
Uncollected Poems (1954-1969)
To be a Jew in the Twentieth Century (1944)
Speech at Zurich University (September 19, 1946) ( partial text http://www.churchill-society-london.org.uk/astonish.html) ( http://www.peshawar.ch/varia/winston.htm).
Post-war years (1945–1955)
“I and motherland are one. My name is Million, because for millions do I love and suffer agonies.”
Ja i ojczyzna to jedno. Nazywam sie Milion, bo za miliony kocham i cierpię katuszę.
Part three, scene one.
Dziady (Forefathers' Eve) http://www.ap.krakow.pl/nkja/literature/polpoet/mic_fore.htm
1870s, The Unknown Loyal Dead (1871)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 446.
American Notes online at Project Gutenberg http://www.gutenberg.org/cache/epub/675/pg675.html
Did not Use and Example weaken this Terror, and make the Difference, Reason alone could never do it.
An Essay on Regimen (London: C. Rivington, 1740), pp. 70 https://books.google.it/books?id=ezswAAAAYAAJ&pg=PA70-71.
Last Men in London (1932)
Source: The Riverworld series, To Your Scattered Bodies Go (1971), Chapter 1 (p. 1)
Mutation. A Sonnet http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page73 (1824)
"Nothingness" [Hư vô], as quoted in "Shattered Identities and Contested Images: Reflections of Poetry and History in 20th-Century Vietnam" by Neil Jamieson, in Crossroads: An Interdisciplinary Journal of Southeast Asian Studies, Vol. 7, No. 2, 1992, p. 87, and in Understanding Vietnam by Neil Jamieson (University of California Press, 1995), p. 162
Referring to the figure of the prostitute.
Source: A History of European Morals from Augustus to Charlemagne (1869), Chapter 5 (3rd edition pages 282-283).
"Some Reflections on Othello and the Nature of Our Time." in The American Scholar (Autumn 1945); also quoted in Paul Robeson : The Whole World in His Hands (1981) by Susan Robeson, p. 150
Context: It was deeply fascinating to watch how strikingly contemporary American audiences from coast to coast found Shakespeare's Othello — painfully immediate in its unfolding of evil, innocence, passion, dignity and nobility, and contemporary in its overtones of a clash of cultures, of the partial acceptance of and consequent effect upon one of a minority group. Against this background, the jealousy of the protagonist becomes more credible, the blows to his pride more understandable, the final collapse of his personal, individual world more inevitable. But beyond the personal tragedy, the terrible agony of Othello, the irretrievability of his world, the complete destruction of all his trusted and sacred values — all these suggest the shattering of a universe.
The Kasîdah of Hâjî Abdû El-Yezdî (1870)
Context: And hold Humanity one man, whose universal agony
Still strains and strives to gain the goal, where agonies shall cease to be.
Believe in all things; none believe; judge not nor warp by "Facts" the thought;
See clear, hear clear, tho' life may seem Mâyâ and Mirage, Dream and Naught.
Abjure the Why and seek the How: the God and gods enthroned on high,
Are silent all, are silent still; nor hear thy voice, nor deign reply.
The Now, that indivisible point which studs the length of infinite line
Whose ends are nowhere, is thine all, the puny all thou callest thine.
1960s, Farewell address (1961)
Context: During the long lane of the history yet to be written, America knows that this world of ours, ever growing smaller, must avoid becoming a community of dreadful fear and hate, and be, instead, a proud confederation of mutual trust and respect. Such a confederation must be one of equals. The weakest must come to the conference table with the same confidence as do we, protected as we are by our moral, economic, and military strength. That table, though scarred by many past frustrations, cannot be abandoned for the certain agony of the battlefield.
Is Divorce Wrong? (1889)
Context: To me, the tenderest word in our language, the most pathetic fact within our knowledge, is maternity. Around this sacred word cluster the joys and sorrows, the agonies and ecstasies, of the human race. The mother walks in the shadow of death that she may give another life. Upon the altar of love she puts her own life in pawn. When the world is civilized, no wife will become a mother against her will.
A Soldier's Declaration (July 1917)
Context: I have seen and endured the sufferings of the troops, and I can no longer be a party to prolong these sufferings for ends which I believe to be evil and unjust.
I am not protesting against the conduct of the war, but against the political errors and insincerities for which the fighting men are being sacrificed.
On behalf of those who are suffering now I make this protest against the deception which is being practised on them; also I believe that I may help to destroy the callous complacency with which the majority of those at home regard the contrivance of agonies which they do not share, and which they have not sufficient imagination to realize.
Five Essays on Liberty (2002), Introduction (1969)
Context: Those, no doubt, are in some way fortunate who have brought themselves, or have been brought by others, to obey some ultimate principle before the bar of which all problems can be brought. Single-minded monists, ruthless fanatics, men possessed by an all-embracing coherent vision do not know the doubts and agonies of those who cannot wholly blind themselves to reality.
O May I Join the Choir Invisible (1867)
Context: This is life to come, —
Which martyred men have made more glorious
For us who strive to follow. May I reach
That purest heaven, — be to other souls
The cup of strength in some great agony,
Enkindle generous ardor, feed pure love,
Beget the smiles that have no cruelty,
Be the sweet presence of a good diffused,
And in diffusion ever more intense!
So shall I join the choir invisible
Whose music is the gladness of the world.
Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There
Context: An unspeakable horror seized me. There was a darkness; then a dizzy, sickening sensation of sight that was not like seeing; I saw a Line that was no Line; Space that was not Space: I was myself, and not myself. When I could find voice, I shrieked aloud in agony, "Either this is madness or it is Hell." "It is neither," calmly replied the voice of the Sphere, "it is Knowledge; it is Three Dimensions: open your eye once again and try to look steadily."I looked, and, behold, a new world! There stood before me, visibly incorporate, all that I had before inferred, conjectured, dreamed, of perfect Circular beauty. What seemed the centre of the Stranger's form lay open to my view: yet I could see no heart, nor lungs, nor arteries, only a beautiful harmonious Something — for which I had no words; but you, my Readers in Spaceland, would call it the surface of the Sphere.
“That last moment belongs to us — that agony is our triumph.”
Statement attributed to Vanzetti by Philip D. Stong, http://www.powys-lannion.net/Powys/America/S_V.htm a reporter for the North American Newspaper Alliance who visited Vanzetti in prison in May of 1927 shortly before he and Sacco were executed.
Context: If it had not been for these things, I might have lived out my life talking at street corners to scorning men. I might have died, unmarked, unknown, a failure. Now we are not a failure. This is our career and our triumph. Never in our full life could we hope to do such work for tolerance, for justice, for man's understanding of man as now we do by accident. Our words — our lives — our pains — nothing! The taking of our lives — lives of a good shoemaker and a poor fish-peddler — all! That last moment belongs to us — that agony is our triumph.
The Minister's Wooing (1859) Ch. 1 Pre-Railroad Times.
Context: He was called a good fellow, — only a little lumpish, — and as he was brave and faithful, he rose in time to be a shipmaster. But when came the business of making money, the aptitude for accumulating, George found himself distanced by many a one with not half his general powers. What shall a man do with a sublime tier of moral faculties, when the most profitable business out of his port is the slave-trade? So it was in Newport in those days. George's first voyage was on a slaver, and he wished himself dead many a time before it was over, — and ever after would talk like a man beside himself, if the subject was named. He declared that the gold made in it was distilled from human blood, from mothers' tears, from the agonies and dying groans of gasping, suffocating men and women, and that it would sear and blister the soul of him that touched it; in short, he talked as whole-souled, unpractical fellows are apt to talk about what respectable people sometimes do. Nobody had ever instructed him that a slaveship, with a procession of expectant sharks in its wake, is a missionary institution, by which closely. packed heathens are brought over to enjoy the light of the Gospel. So, though George was acknowledged to be a good fellow, and honest as the noon-mark on the kitchen floor, he let slip so many chances of making money as seriously to compromise his reputation among thriving folks. He was wastefully generous — insisted on treating every poor dog that came in his way, in any foreign port, as a brother — absolutely refused to be party in cheating or deceiving the heathen on any shore, or in skin of any color — and also took pains, as far as in him lay, to spoil any bargains which any of his subordinates founded on the ignorance or weakness of his fellow-men. So he made voyage after voyage, and gained only his wages and the reputation among his employers of an incorruptibly honest fellow.
“The wind, the birds,
do not sound poorer but clearer,
recalling our agony, and the way we danced.”
A Tree Telling of Orpheus (1968)
A Prescription for Hope (1985)
Context: The hope of a benevolent civilization was shattered in the blood-soaked trenches of the First World War. The "war to end all wars" claimed sixteen million lives, and left embers which kindled an even more catastrophic conflagration.
Over the sorry course of 5,000 years of endless conflicts, some limits had been set on human savagery. Moral safeguards proscribed killing unarmed civilians and health workers, poisoning drinking waters, spreading infection among children and the disabled, and burning defenseless cities. But the Second World War introduced total war, unprincipled in method, unlimited in violence, and indiscriminate in victims. The ovens of Auschwitz and the atomic incineration of Hiroshima and Nagasaki inscribed a still darker chapter in the chronicle of human brutality. The prolonged agony which left 50 million dead did not provide an enduring basis for an armistice to barbarism. On the contrary, arsenals soon burgeoned with genocidal weapons equivalent to many thousands of World War II's.
The advent of the nuclear age posed an unprecedented question: not whether war would exact yet more lives but whether war would preclude human existence altogether.
The Prisoner (October 1845)
Context: p>But first a hush of peace, a soundless calm descends;
The struggle of distress and fierce impatience ends
Mute music sooths my breast — unuttered harmony
That I could never dream till earth was lost to me.Then dawns the Invisible; the Unseen its truth reveals;
My outward sense is gone, my inward essence feels —
Its wings are almost free, its home, its harbour found;
Measuring the gulf, it stoops and dares the final bound — O, dreadful is the check — intense the agony
When the ear begins to hear and the eye begins to see;
When the pulse begins to throb, the brain to think again,
The soul to feel the flesh and the flesh to feel the chain.Yet I would lose no sting, would wish no torture less;
The more that anguish racks the earlier it will bless;
And robed in fires of Hell, or bright with heavenly shine
If it but herald Death, the vision is divine —</p
1962, Second State of the Union Address
Context: These various elements in our foreign policy lead, as I have said, to a single goal — the goal of a peaceful world of free and independent states. This is our guide for the present and our vision for the future — a free community of nations, independent but interdependent, uniting north and south, east and west, in one great family of man, outgrowing and transcending the hates and fears that rend our age. We will not reach that goal today, or tomorrow. We may not reach it in our own lifetime. But the quest is the greatest adventure of our century. We sometimes chafe at the burden of our obligations, the complexity of our decisions, the agony of our choices. But there is no comfort or security for us in evasion, no solution in abdication, no relief in irresponsibility.
Report on the Potsdam Conference (1945)
Context: I realize the tragic significance of the atomic bomb. Its production and its use were not lightly undertaken by this Government. But we knew that our enemies were on the search for it. We know now how close they were to finding it. And we knew the disaster which would come to this Nation, and to all peace-loving nations, to all civilization, if they had found it first. That is why we felt compelled to undertake the long and uncertain and costly labor of discovery and production. We won the race of discovery against the Germans.
Having found the bomb we have used it. We have used it against those who attacked us without warning at Pearl Harbor, against those who have starved and beaten and executed American prisoners of war, against those who have abandoned all pretense of obeying international laws of warfare. We have used it in order to shorten the agony of war, in order to save the lives of thousands and thousands of young Americans. We shall continue to use it until we completely destroy Japan's power to make war. Only a Japanese surrender will stop us.
“But they believed the entire country was required to marinate in their exquisite personal agony.”
Speculation on motives and desires of politically active widows which caused public controversy, p. 103, quoted in "Coulter lambastes 9/11 widows in new book" at MSNBC (7 June 2006) http://www.msnbc.msn.com/id/13186261/.
2006, Godless : The Church of Liberalism (2006)
Context: These self-obsessed women seemed genuinely unaware that 9/11 was an attack on our nation and acted as if the terrorist attacks happened only to them. The whole nation was wounded, all our lives reduced. But they believed the entire country was required to marinate in their exquisite personal agony. Apparently denouncing Bush was an important part of their closure process. These broads are millionaires, lionized on TV and in articles about them, reveling in their status as celebrities and stalked by grief-arazzis. I’ve never seen people enjoying their husbands’ deaths so much.
1960s, Freedom From The Known (1969)
Context: What can a human being do — what can you and I do — to create a completely different society? We are asking ourselves a very serious question. Is there anything to be done at all? What can we do? Will somebody tell us? People have told us. The so-called spiritual leaders, who are supposed to understand these things better than we do, have told us by trying to twist and mould us into a new pattern, and that hasn't led us very far; sophisticated and learned men have told us and that has led us no further. We have been told that all paths lead to truth — you have your path as a Hindu and someone else has his path as a Christian and another as a Muslim, and they all meet at the same door — which is, when you look at it, so obviously absurd. Truth has no path, and that is the beauty of truth, it is living. A dead thing has a path to it because it is static, but when you see that truth is something living, moving, which has no resting place, which is in no temple, mosque or church, which no religion, no teacher, no philosopher, nobody can lead you to — then you will also see that this living thing is what you actually are — your anger, your brutality, your violence, your despair, the agony and sorrow you live in. In the understanding of all this is the truth, and you can understand it only if you know how to look at those things in your life. And you cannot look through an ideology, through a screen of words, through hopes and fears.
Wear and Tears (tableu of a ageless world)
Specters of Marx (1993)
Context: The time is out of joint. The world is going badly. It is worn but its wear no longer counts. Old age or youth-one no longer counts in that way. The world has more than one age. We lack the measure of the measure. We no longer realize the wear, we no longer take account of it as of a single age in the progress of history. Neither maturation, nor crisis, nor even agony. Something else. What is happening is happening to age itself, it strikes a blow at the teleological order of history. What is coming, in which the untimely appears, is happening to time but it does not happen in time. Contretemps. The time is out of joint. Theatrical speech, Hamlet's speech before the theater of the world, of history, and of politics. The age is off its hinges. Everything, beginning with time, seems out of kilter, unjust, dis-adjusted. The world is going very badly, it wears as it grows, as the Painter also says at the beginning of Timon of Athens (which is Marx's play, is it not). For, this time, it is a painter's speech, as if he were speaking of a spectacle or before a tableau: "How goes the world?-It wears, sir, as it grows.
“And then Quentin was there somehow. And so were you, in a strange sort of way. And it was all so peaceful.” Peaceful?
"Why Women Aren’t Funny" https://www.vanityfair.com/culture/2007/01/, Vanity Fair, (January 1, 2007).
2000s, 2007
"Conclusion", p. 233
The Universal Kinship (1906), The Psychical Kinship
Vol. II, ch. 10
History of England (1849–1861)
Quote of Ball, 28 April 1918, in Flucht aus der Zeit', p. 219, note 42; as quoted by Debbie Lewer in 'Papers of Surrealism Issue 6 Autumn 2007', p. 12
after 1916
Original in German: Schon einige Jahre her durft' ich keinen lateinischen Autor ansehen, nichts betrachten, was mir ein Bild Italiens erneute. Geschah es zufällig, so erduldete ich die entsetzlichsten Schmerzen. Herder spottete oft über mich, daß ich all mein Latein aus dem Spinoza lerne, denn er hatte bemerkt, daß dies das einzige lateinische Buch war, das ich las; er wußte aber nicht, wie sehr ich mich vor den Alten hüten mußte, wie ich mich in jene abstrusen Allgemeinheiten nur ängstlich flüchtete.
Johann Wolfgang von Goethe, Letters from Italy, 1786–88. Translated from the German by W. H. Auden and Elizabeth Mayer (New York: Penguin Books, 1995)
G - L, Johann Wolfgang von Goethe
Source: Looking Backward, 2000-1887 http://www.gutenberg.org/ebooks/25439 (1888), Ch. 28.
Source: Looking Backward, 2000-1887 http://www.gutenberg.org/ebooks/25439 (1888), Ch. 28.
" Predators: A Response https://opinionator.blogs.nytimes.com/2010/09/28/predators-a-response/", The New York Times, 28 Sept. 2010
Poetry, The Rhythm of Time
Source: The Fresco (2000), Chapter 20, p. 157
1.9 The Taste of Depravity https://www.hedweb.com/hedethic/hedon1.htm#taste
The Hedonistic Imperative https://www.smashwords.com/books/view/514875 (1995)
Source: https://www.facebook.com/LifeWithoutACentre/photos/no-emotion-is-a-mistakeawakening-is-not-about-deleting-or-transcending-human-emo/1109464082484532/
O May I Join the Choir Invisible (1867)
Source: A Very Fine Cat Indeed: A Dramatic Monologue (2020), p. 25
Source: The Fall Into Time (1964), p. 120, first American edition (1970)