Quotes about the sun
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Leonardo Da Vinci photo

“Truth at last cannot be hidden. Dissimulation is of no avail. Dissimulation is to no purpose before so great a judge. Falsehood puts on a mask. Nothing is hidden under the sun.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations

Susanna Tamaro photo
N.T. Wright photo

“[Arguments about God are] like pointing a flashlight toward the sky to see if the sun is shining.”

N.T. Wright (1948) Anglican bishop

Source: Simply Christian: Why Christianity Makes Sense (2006)

Yukio Mishima photo
William Shakespeare photo

“Now is the winter of our discontent
Made glorious summer by this sun of York.”

Richard, Act I, scene i.
Variant: Now is the winter of our discontent.
Source: Richard III (1592–3)

Madeline Miller photo
Vladimir Nabokov photo

“Most of the dandelions had changed from suns into moons.”

Vladimir Nabokov (1899–1977) Russian-American novelist, lepidopterist, professor
Sadhguru photo
E.E. Cummings photo

“it's you are whatever a moon has always meant
and whatever a sun will always sing is you”

E.E. Cummings (1894–1962) American poet

92
95 poems (1958)
Variant: it's you are whatever a moon has always meant
and whatever a sun will always sing is you

Madeline Miller photo
John Masefield photo

“I wanted to do things to Richard that would make the sun grow cold with horror.”

Thomas Ligotti (1953) American horror author

Source: My Work is Not Yet Done: Three Tales of Corporate Horror

John Lennon photo

“The sun is up, the sky is blue
It's beautiful, and so are you”

John Lennon (1940–1980) English singer and songwriter

Source: Beatles Lyrics

Stephen Fry photo
Novalis photo
Elizabeth Barrett Browning photo

“My sun sets to rise again.”

Elizabeth Barrett Browning (1806–1861) English poet, author

Source: Browning: Poems

Friedrich Nietzsche photo
John Berger photo
Kabir photo
William Shakespeare photo
Malcolm X photo
Chögyam Trungpa photo
Romain Rolland photo
Pablo Picasso photo

“Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Andrzej Sapkowski photo
Kurt Cobain photo

“The sun is gone
But I have a light”

Kurt Cobain (1967–1994) American musician and artist

Dumb.
Song lyrics, In Utero (1993)

Terry Pratchett photo
Terry Pratchett photo
Bill Cosby photo

“A sail boat that sails backwards can never see the sun rise.”

Bill Cosby (1937) American actor, comedian, author, producer, musician, activist
John Steinbeck photo
Henri Matisse photo
Terry Pratchett photo
Bayard Taylor photo

“I love thee, I love but thee,
With a love that shall not die
Till the sun grows cold,
And the stars are old”

Bayard Taylor (1825–1878) United States poet, novelist and travel writer

"Bedouin Song" (1853), in The Poetical Works of Bayard Taylor (1907), p. 69.
Source: The Poems of Bayard Taylor
Context: I love thee, I love but thee,
With a love that shall not die
Till the sun grows cold,
And the stars are old,
And the leaves of the Judgment Book unfold!
Context: From the Desert I come to thee
On a stallion shod with fire;
And the winds are left behind
In the speed of my desire.
Under thy window I stand,
And the midnight hears my cry:
I love thee, I love but thee,
With a love that shall not die
Till the sun grows cold,
And the stars are old,
And the leaves of the Judgment Book unfold!

Oscar Wilde photo
Thomas Paine photo

“The christian religion is a parody on the worship of the Sun, in which they put a man whom they call Christ, in the place of the Sun, and pay him the same adoration which was originally paid to the Sun.”

Thomas Paine (1737–1809) English and American political activist

An Essay on the Origin of Free-Masonry (1803-1805); found in manuscript form after Paine's death and thought to have been written for an intended part III of The Age of Reason. It was partially published in 1810 and published in its entirety in 1818.
1800s

John Lennon photo

“We all shine on… like the moon and the stars and the sun… we all shine on… come on and on and on…”

John Lennon (1940–1980) English singer and songwriter

Variant: Yeah we all shine on, like the moon, and the stars, and the sun.
Source: Song Instant Karma! (We All Shine On)

Jonathan Safran Foer photo
Lewis Carroll photo
Terry Pratchett photo
Vladimir Lenin photo
Terry Pratchett photo
William Shakespeare photo
Lin Yutang photo

“When small men begin to cast big shadows, it means that the sun is about to set.”

Lin Yutang (1895–1976) Chinese writer

As quoted in Hard-to-Solve Cryptograms (2001) by Derrick Niederman, p. 96

Nora Roberts photo
William Shakespeare photo
Isaac Newton photo

“This most beautiful System of the Sun, Planets and Comets, could only proceed from the counsel and dominion of an intelligent and powerful being.”

Philosophiae Naturalis Principia Mathematica (1687), Scholium Generale (1713; 1726)
Source: The Principia: Mathematical Principles of Natural Philosophy
Context: This most beautiful System of the Sun, Planets and Comets, could only proceed from the counsel and dominion of an intelligent and powerful being. And if the fixed Stars are the centers of other like systems, these being form'd by the like wise counsel, must be all subject to the dominion of One; especially, since the light of the fixed Stars is of the same nature with the light of the Sun, and from every system light passes into all the other systems. And lest the systems of the fixed Stars should, by their gravity, fall on each other mutually, he hath placed those Systems at immense distances one from another.

Pablo Neruda photo
Rick Riordan photo
Lawrence Ferlinghetti photo
Robert Burns photo
Anaïs Nin photo
C.G. Jung photo
Dave Pelzer photo
Leonardo Da Vinci photo
Nikola Tesla photo
Hilaire Belloc photo

“Loss and Possession, Death and Life are one.
There falls no shadow where there shines no sun.”

Hilaire Belloc (1870–1953) writer

"On the Same" (On a Sundial III)
Quoted by Kevin Smith's character in the film Catch and Release (2006)
Sonnets and Verse (1938)

Napoleon I of France photo

“The genius continually discovers fate, and the more profound the genius, the more profound the discovery of fate. To spiritlessness, this is naturally foolishness, but in actuality it is greatness, because no man is born with the idea of providence, and those who think that one acquires it gradually though education are greatly mistaken, although I do not thereby deny the significance of education. Not until sin is reached is providence posited. Therefore the genius has an enormous struggle to reach providence. If he does not reach it, truly he becomes a subject for the study of fate. The genius is an omnipotent Ansich [in itself] which as such would rock the whole world. For the sake of order, another figure appears along with him, namely fate. Fate is nothing. It is the genius himself who discovers it, and the more profound the genius, the more profoundly he discovers fate, because that figure is merely the anticipation of providence. If he continues to be merely a genius and turns outward, he will accomplish astonishing things; nevertheless, he will always succumb to fate, if not outwardly, so that it is tangible and visible to all, then inwardly. Therefore, a genius-existence is always like a fairy tale if in the deepest sense the genius does not turn inward into himself. The genius is able to do all things, and yet he is dependent upon an insignificance that no one comprehends, an insignificance upon which the genius himself by his omnipotence bestows omnipotent significance. Therefore, a second lieutenant, if he is a genius, is able to become an emperor and change the world, so that there becomes one empire and one emperor. But therefore, too, the army may be drawn up for battle, the conditions for the battle absolutely favorable, and yet in the next moment wasted; a kingdom of heroes may plead that the order for battle be given-but he cannot; he must wait for the fourteenth of June. And why? Because that was the date of the battle of Marengo. So all things may be in readiness, he himself stands before the legions, waiting only for the sun to rise in order to announce the time for the oration that will electrify the soldiers, and the sun may rise more glorious than ever, an inspiring and inflaming sight for all, only not for him, because the sun did not rise as glorious as this at Austerlitz, and only the sun of Austerlitz gives victory and inspiration. Thus, the inexplicable passion with which such a one may often rage against an entirely insignificant man, when otherwise he may show humanity and kindness even toward his enemies. Yes, woe unto the man, woe unto the woman, woe unto the innocent child, woe unto the beast of the field, woe unto the bird whose flight, woe unto the tree whose branch comes in his way at the moment he is to interpret his omen.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

Søren Kierkegaard The Concept of Anxiety, Nichol p. 98-100 (1844)
About

Leonardo Da Vinci photo

“If you transmit the rays of the sun through a hole in the shape of a star you will see a beautiful effect of perspective in the spot where the sun's rays fall.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade

Theodoret photo
Eugène Boudin photo

“I dare not think of the sun-drenched beaches and the stormy skies, and of the joy of painting them in the sea breezes.”

Eugène Boudin (1824–1898) French painter

Quote in a letter, from Paris 14 June 1869, to family-friend Ferdinand Martin; as cited by Colin B. Bailey in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publisher, Metropolitan Museum of Art, New York, 2009, p. 7
Boudin felt himself detained in the big city Paris and longed fort the beach
1850s - 1870s

Fernando Pessoa photo

“If I had written King Lear, I would regret it all my life afterwards. Because that work is so big, that its defects show as huge, its monstrous defects, things even minimal in between some scenes and their possible perfection. It's not the sun with spots; it's a broken greek statue.”

Ibid., p. 250
The Book of Disquiet
Original: Se eu tivesse escrito o Rei Lear, levaria com remorsos toda a minha vida de depois. Porque essa obra é tão grande, que enormes avultam os seus defeitos, os seus monstruosos defeitos, as coisas até mínimas que estão entre certas cenas e a perfeição possível delas. Não é o sol com manchas; é uma estátua grega partida.

Yeghishe Charents photo
Emil M. Cioran photo
Wang Wei photo

“I have just seen you go down the mountain.
I close the wicker gate in the setting sun.
The grass will be green again in coming spring,
But will the wanderer ever return?”

Wang Wei (699–759) a Tang dynasty Chinese poet, musician, painter, and statesman

"Departure" (trans. Robert Payne)

Claude Monet photo
W.B. Yeats photo

“Come let us mock at the wise;
With all those calendars whereon
They fixed old aching eyes,
They never saw how seasons run,
And now but gape at the sun.”

V, st. 2
The Tower (1928), Nineteen Hundred And Nineteen http://poetry.poetryx.com/poems/1547/

Berthe Morisot photo

“There is constant sun, good weather all the time, the ocean like a slab of slate - there is nothing less picturesque than this combination.”

Berthe Morisot (1841–1895) painter from France

2 quotes on weather, in a letter to her sister Edma, Summer 1873; as cited in The Correspondence of Berthe Morisot, with her family and friends, Denish Rouart - newly introduced by Kathleen Adler and Tamer Garb; Camden Press London 1986, p. 43
1871 - 1880

Richard Henry Dana Jr. photo
Nikola Tesla photo
Isaac Newton photo

“Bullialdus wrote that all force respecting the Sun as its center & depending on matter must be reciprocally in a duplicate ratio of the distance from the center.”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

Letter to Edmund Halley (June 20, 1686) quoted in I. Bernard Cohen and George E. Smith, ed.s, The Cambridge Companion to Newton (2002) p. 204

Paracelsus photo

“If you have been given a talent, exercise it freely and happily like the sun: give everyone from your splendour.”

Paracelsus (1493–1541) Swiss physician and alchemist

Paracelsus - Doctor of our Time (1992)

José Saramago photo

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

Source: Raised from the Ground (1980), pp. 172–174

Romain Rolland photo

“It is the artist's business to create sunshine when the sun fails.”

Romain Rolland (1866–1944) French author

Part I
Jean-Christophe (1904 - 1912), Jean-Christophe à Paris: The Market-Place (1908)

Vitruvius photo
Tacitus photo

“He upbraided Macro, in no obscure and indirect terms, "with forsaking the setting sun and turning to the rising."”

Book VI, 52, referring to Tiberius
Annals (117)

Van Morrison photo
Ramana Maharshi photo
Friedrich Schiller photo
Carl Sagan photo
Brendan Behan photo

“The sun was in mind to come out but having a look at the weather it was in lost heart and went back again.”

Brendan Behan (1923–1964) Irish poet, short story writer, novelist, and playwright

Confessions of an Irish Rebel (1967 [1965])

John Dee photo
Leonardo Da Vinci photo
Leonardo Da Vinci photo
Etty Hillesum photo
Konstantin Tsiolkovsky photo

“There is no God-Creator, but there is the Cosmos, which creates suns, planets and living beings. There is no omnipotent God, but there is the Universe, which governs the fates of all celestial bodies and their inhabitants. There are no sons of God, but there are mature and thus rational and perfect sons of the Cosmos. There are no personal gods, but there are elected leaders of planets, solar systems, stellar groups, milky ways, islands of ether and the whole Cosmos. There is no Christ, but there is a brilliant man and a greater teacher of mankind.”

Konstantin Tsiolkovsky (1857–1935) Russian and Soviet rocket scientist and pioneer of the astronautic theory

Нет бога-творца, но есть космос, производящий солнца, планеты и живых существ. Hет всемогущего бога, но есть вселенная, которая распоряжается судьбой всех небесных тел и их жителей. Нет сынов божьих, но есть зрелые и потому разумные и совершенные сыны космоса. Нет личных богов, но есть избранные правители: планет, солнечных систем, звёздных групп, млечных путей, эфирных островов и всего космоса. Нет Христа, но есть гениальный человек, великий учитель человечества.
from Нет ничего (Мысли безбожника) [There is nothing (Atheist's thoughts)], quoted in Л.В. Шапошникова, Вестники космической эволюции.

Claude Monet photo
James Bradley photo

“If we suppose the distance of the fixed stars from the sun to be so great that the diameter of the earth's orbit viewed from them would not subtend a sensible angle, or which amounts to the same, that their annual parallax is quite insensible; it will then follow that a line drawn from the earth in any part of its orbit to a fixed star, will always, as to sense, make the same angle with the plane of the ecliptic, and the place of the star, as seen from the earth, would be the same as seen from the sun placed in the focus of the ellipsis described by the earth in its annual revolution, which place may therefore be called its true or real place.
But if we further suppose that the velocity of the earth in its orbit bears any sensible proportion to the velocity with which light is propagated, it will thence follow that the fixed stars (though removed too far off to be subject to a parallax on account of distance) will nevertheless be liable to an aberration, or a kind of parallax, on account of the relative velocity between light and the earth in its annual motion.
For if we conceive, as before, the true place of any star to be that in which it would appear viewed from the sun, the visible place to a spectator moving along with the earth, will be always different from its true, the star perpetually appearing out of its true place more or less, according as the velocity of the earth in its orbit is greater or less; so that when the earth is in its perihelion, the star will appear farthest distant from its true place, and nearest to it when the earth is in its aphelion; and the apparent distance in the former case will be to that in the latter in the reciprocal proportion of the distances of the earth in its perihelion and its aphelion. When the earth is in any other part of its orbit, its velocity being always in the reciprocal proportion of the perpendicular let fall from the sun to the tangent of the ellipse at that point where the earth is, or in the direct proportion of the perpendicular let fall upon the same tangent from the other focus, it thence follows that the apparent distance of a star from its true place, will be always as the perpendicular let fall from the upper focus upon the tangent of the ellipse. And hence it will be found likewise, that (supposing a plane passing through the star parallel to the earth's orbit) the locus or visible place of the star on that plane will always be in the circumference of a circle, its true place being in that diameter of it which is parallel to the shorter axis of the earth's orbit, in a point that divides that diameter into two parts, bearing the same proportion to each other, as the greatest and least distances of the earth from the sun.”

James Bradley (1693–1762) English astronomer; Astronomer Royal

Miscellaneous Works and Correspondence (1832), Demonstration of the Rules relating to the Apparent Motion of the Fixed Stars upon account of the Motion of Light.

James Macpherson photo
Bertrand Russell photo

“Those who advocate common usage in philosophy sometimes speak in a manner that suggests the mystique of the 'common man.' They may admit that in organic chemistry there is need of long words, and that quantum physics requires formulas that are difficult to translate into ordinary English, but philosophy (they think) is different. It is not the function of philosophy – so they maintain – to teach something that uneducated people do not know; on the contrary, its function is to teach superior persons that they are not as superior as they thought they were, and that those who are really superior can show their skill by making sense of common sense. No one wants to alter the language of common sense, any more than we wish to give up talking of the sun rising and setting. But astronomers find a different language better, and I contend that a different language is better in philosophy. Let us take an example, that of perception. There is here an admixture of philosophical and scientific questions, but this admixture is inevitable in many questions, or, if not inevitable, can only be avoided by confining ourselves to comparatively unimportant aspects of the matter in hand. Here is a series of questions and answers.
Q. When I see a table, will what I see be still there if I shut my eyes?
A. That depends upon the sense in which you use the word 'see.'
Q. What is still there when I shut my eyes?
A. This is an empirical question. Don't bother me with it, but ask the physicists.
Q. What exists when my eyes are open, but not when they are shut?
A. This again is empirical, but in deference to previous philosophers I will answer you: colored surfaces.
Q. May I infer that there are two senses of 'see'? In the first, when I 'see' a table, I 'see' something conjectural about which physics has vague notions that are probably wrong. In the second, I 'see' colored surfaces which cease to exist when I shut my eyes.
A. That is correct if you want to think clearly, but our philosophy makes clear thinking unnecessary. By oscillating between the two meanings, we avoid paradox and shock, which is more than most philosophers do.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1950s, Portraits from Memory and Other Essays (1956), p. 159

Gordon Lightfoot photo
Leonardo Da Vinci photo

“The image of the sun where it falls appears as a thing which covers the person who attempts to cover it.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XX Humorous Writings