Quotes about the soul
page 20

T.S. Eliot photo

“The soul of Man must quicken to creation.”

T.S. Eliot (1888–1965) 20th century English author

Choruses from The Rock (1934)

Billy Joel photo
Anne of Great Britain photo

“Whoever of ye Whigs thinks I am to be Hecktor'd or frighted into a Complyance tho I am a woman, are mightely mistaken in me. I thank God I have a Soul above that, & am too much conserned for my reputation to do any thing to forfeit it.”

Anne of Great Britain (1665–1714) queen of England, queen of Scotland and queen of Ireland (1702–07); queen of Great Britain (1707–14)

Letter to Lord Godolphin (12 September 1707), from Edward Gregg, Queen Anne (Yale University Press, 2001), p. 250.

Anzia Yezierska photo
Martin Luther King, Jr. photo

“Never, never be afraid to do what's right, especially if the well-being of a person or animal is at stake. Society's punishments are small compared to the wounds we inflict on our soul when we look the other way.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

A Usenet post https://groups.google.com/forum/#!original/alt.animals.ethics.vegetarian/dx5B6E7Px5Y/BqpR-Wun--IJ ( additional archive http://archive.is/nMSX8), from 15 Jan 2006, with Message-Id: YVuyf.2919$2x4.2240@trndny05 , from "penny", contains the full text of the quote, with NO mention of it being a quote, or MLK, or anything of the sort. That strongly suggests it is the original source, which was later mis-attributed to Martin Luther King, Jr.
Misattributed

Carole King photo
Stewart Copeland photo

“[If] you don't have any soul and you don't have any talent, jazz is what you should do. … any fool can do it; all you gotta do is practice.”

Stewart Copeland (1952) American musician; drummer of The Police

From an interview published at JamBase.com http://www.JamBase.com

Wassily Kandinsky photo

“The disharmoniousness (one might say, the negative rhythm) of the individual forms was that which primarily drew me, attracted me, during the period to which this watercolor belongs. The so-called rhythmic always comes on its own because in general the person himself is rhythmically built. Thus at least on the surface, the rhythmic is innate in people. Children, 'primitive' peoples, and laymen draw rhythmically..
In that period my soul was especially enchanted by the not-fitting-together of drawn and painterly form. Line serves the plane in that the former bounds the latter. And it makes my heart race in those cases when the independent plane springs over the confining line: line and plane are not in tune! It was this that produced a strong inner emotion in me, the inner 'ah!”

Wassily Kandinsky (1866–1944) Russian painter

2 quotes from Kandinsky's letter to Hans Arp, November 1912; in Friedel, Wassily Kandinsky, p. 489; as cited in Negative Rhythm: Intersections Between Arp, Kandinsky, Münter, and Taeuber, Bibiana K. Obler (including transl. - Yale University Press, 2014
Kandinsky was trying to explain to Arp his state of mind when he made his sketch for 'Improvisation with Horses' https://upload.wikimedia.org/wikipedia/commons/c/ce/Wassily_Kandinsky_Cossacks_or_Cosaques_1910%E2%80%931.jpg, 1911, a watercolor belonging to Arp. Kandinsky had told Arp that he could have one of his pictures included in the 'Moderne Bund' (second) exhibition in Zurich, 1912, and this was the one Arp selected
1910 - 1915

Aldo Palazzeschi photo
François Fénelon photo
Robert G. Ingersoll photo
Annie Besant photo
Jean Cocteau photo

“Allow the power of the soul to grow as flagrant as the power of sex.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Diary of an Unknown (1988)

Joanna Baillie photo
Angela of Foligno photo
John Ruysbroeck photo
Louis Brandeis photo

“I spoke with him [Brandeis] at length, in German. I saw he's a very great man who can't bear injustice being done to anyone, anywhere…His soul is hewn of the purest marble.”

Louis Brandeis (1856–1941) American Supreme Court Justice

Abraham Isaac Kook, Rav Kook: Mystic in a Time of Revolution, Yehuda Mirsky (2014).

Philo photo
Clive Staples Lewis photo
Miguel de Unamuno photo
Alice A. Bailey photo
Nico photo
Waheeda Rehman photo
John Updike photo
Kurien Kunnumpuram photo
Alexandra Kollontai photo
Sri Aurobindo photo
James Beattie photo

“To the pure soul by Fancy's fire refined,
Ah, what is mirth but turbulence unholy,
When with the charm compared of heavenly melancholy.”

James Beattie (1735–1803) Scottish poet, moralist and philosopher

Book i. Stanza 55.
The Minstrel; or, The Progress of Genius (1771)

African Spir photo
Robert E. Howard photo
Sri Aurobindo photo

“There are moments when the Spirit moves among men and the breath of the Lord is abroad upon the waters of our being; there are others when it retires and men are left to act in the strength or the weakness of their own egoism. The first are periods when even a little effort produces great results and changes destiny; the second are spaces of time when much labour goes to the making of a little result. It is true that the latter may prepare the former, may be the little smoke of sacrifice going up to heaven which calls down the rain of God's bounty…. Unhappy is the man or the nation which, when the divine moment arrives, is found sleeping or unprepared to use it, because the lamp has not been kept trimmed for the welcome and the ears are sealed to the call. But thrice woe to them who are strong and ready, yet waste the force or misuse the moment; for them is irreparable loss or a great destruction…. In the hour of God cleanse thy soul of all self-deceit and hypocrisy and vain self-flattering that thou mayst look straight into thy spirit and hear that which summons it. All insincerity of nature, once thy defence against the eye of the Master and the light of the ideal, becomes now a gap in thy armour and invites the blow. Even if thou conquer for the moment, it is the worse for thee, for the blow shall come afterwards and cast thee down in the midst of thy triumph. But being pure cast aside all fear; for the hour is often terrible, a fire and a whirlwind and a tempest, a treading of the winepress of the wrath of God; but he who can stand up in it on the truth of his purpose is he who shall stand; even though he fall, he shall rise again; even though he seem to pass on the wings of the wind, he shall return. Nor let worldly prudence whisper too closely in thy ear; for it is the hour of the unexpected, the incalculable, the immeasurable. Mete not the power of the Breath by thy petty instruments, but trust and go forward…. But most keep thy soul clear, even if for a while, of the clamour of the ego. Then shall a fire march before thee in the night and the storm be thy helper and thy flag shall wave on the highest height of the greatness that was to be conquered.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

1918 (The Hour of God)
India's Rebirth

Robert Musil photo
Honoré de Balzac photo

“But does not happiness come from the soul within?”

Honoré de Balzac (1799–1850) French writer

Le bonheur ne vient-il donc pas de l'âme?
The Wild Ass’s Skin (1831), Part I: The Talisman

Charles Wesley photo
Robert E. Howard photo
Ursula K. Le Guin photo
Richard Rodríguez photo
James Frazer photo
Edward Thomson photo
Samuel Rutherford photo

“If ye never had a sick night and a pained soul for sin, ye have not yet lighted upon Christ.”

Samuel Rutherford (1600–1661) Scottish Reformed theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 594.

Emily Brontë photo
Michael Atiyah photo

“Algebra is the offer made by the devil to the mathematician. The devil says: `I will give you this powerful machine, it will answer any question you like. All you need to do is give me your soul: give up geometry and you will have this marvellous machine.”

Michael Atiyah (1929–2019) British mathematician

[Michael Atiyah, Collected works. Vol. 6, The Clarendon Press Oxford University Press, Oxford Science Publications, http://www.math.tamu.edu/~rojas/atiyah20thcentury.pdf, 978-0-19-853099-2, 2160826, 2004]

Thomas Carlyle photo

“… I must say, it [the Koran] is as toilsome reading as I ever undertook. A wearisome confused jumble, crude, incondite; endless iterations, long-windedness, entanglement; most crude, incondite; — insupportable stupidity, in short! Nothing but a sense of duty could carry any European through the Koran … It is the confused ferment of a great rude human soul; rude, untutored, that cannot even read; but fervent, earnest, struggling vehemently to utter itself in words … We said "stupid:" yet natural stupidity is by no means the character of Mahomet's Book; it is natural uncultivation rather. The man has not studied speaking; in the haste and pressure of continual fighting, has not time to mature himself into fit speech … The man was an uncultured semi-barbarous Son of Nature, much of the Bedouin still clinging to him: we must take him for that. But for a wretched Simulacrum, a hungry Impostor without eyes or heart … we will not and cannot take him. Sincerity, in all senses, seems to me the merit of the Koran; what had rendered it precious to the wild Arab men … Curiously, through these incondite masses of tradition, vituperation, complaint, ejaculation in the Koran, a vein of true direct insight, of what we might almost call poetry, is found straggling.”

Thomas Carlyle, "On Heroes, Hero-Worship and the Heroic in History" (1841), pg. 64-67
1840s

Anish Kapoor photo
John Donne photo

“So, so, break off this last lamenting kiss,
Which sucks two souls, and vapors both away.”

John Donne (1572–1631) English poet

The Expiration, stanza 1

Charles Stross photo
Carl Sandburg photo
Halldór Laxness photo
Shelly Kagan photo
Joseph Addison photo

“The soul, secured in her existence, smiles
At the drawn dagger, and defies its point.”

Act V, scene i.
Cato, A Tragedy (1713)

António de Oliveira Salazar photo

“Portugal was born in the shadow of the Catholic Church and religion, from the beginning it was the formative element of the soul of the nation and the dominant trait of character of the Portuguese people.”

António de Oliveira Salazar (1889–1970) Prime Minister of Portugal

Salazar: speeches, notes, reports, theses, articles and interviews, 1909-1955: Anthology - Page 212; of António de Oliveira Salazar - Published by Editorial Vanguarda, 1955 - 361 pages

Joseph Beuys photo
Warren G. Harding photo
Bhakti Tirtha Swami photo
Isaac Asimov photo

“There's something about a pious man such as he. He will cheerfully cut your throat if it suits him, but he will hesitate to endanger the welfare of your immaterial and problematical soul.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Part IV, The Traders, section 3
The Foundation series (1951–1993), Foundation (1951)

William Cowper photo

“The dogs did bark, the children screamed,
Up flew the windows all;
And every soul cried out, "Well done!"
As loud as he could bawl.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

St. 28.
The Diverting History of John Gilpin (1785)

Alfred North Whitehead photo

“The human body is an instrument for the production of art in the life of the human soul.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Source: 1930s, Adventures of Ideas (1933), p. 349.

Joan Miró photo

“Let's transplant the primitive soul to the ultramodern New York, inject his soul with the noise of the subway, of the 'el', and may his brain become a long street of buildings 224 stories high.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

Barcelona - Dada, 1917
1915 - 1940
Source: a letter to Enric C. Ricart, 1 October 1917; as quoted in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 47

Erykah Badu photo
Julian of Norwich photo
Henry Van Dyke photo

“But often faltering feet
Come surest to the goal;
And they who walk in darkness meet
The sunrise of the soul.”

Henry Van Dyke (1852–1933) American diplomat

Reliance, st. 2.

Charles Kingsley photo
Sri Aurobindo photo

“Transform effort into an easy and sovereign overflowing of the soul-strength; let all thyself be conscious force. This is thy goal.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Thoughts and Glimpses (1916-17)
Variant: Transform reason into ordered intuition; let all thyself be light. This is thy goal.

Michel Foucault photo

“Homosexuality appears as one of the forms of sexuality when it was transposed from the practice of sodomy onto a kind of interior androgyny, a hermaphroditism of the soul. The sodomite had been a temporary aberration; the homosexual was now a species.”

Michel Foucault (1926–1984) French philosopher

Vol I: La volonté de savoir
An Introduction. NY: Pantheon. Translated from French by Robert Hurley. Page 43
History of Sexuality (1976–1984)

James Thurber photo
Henry Fielding photo

“A crime, which, though perhaps not considered by law as the highest, is in truth and in fact, the blackest sin, which can contaminate the hands, or pollute the soul of man.”

Henry Fielding (1707–1754) English novelist and dramatist

Fielding, Henry; ed. by William Ernest Henley. 1903. The Complete Works of Henry Fielding, Esq: Miscellaneous writings. W. Heinemann. p. 162

Washington Irving photo
Alexandra Kollontai photo
Bill Evans photo
Leo Tolstoy photo
Robert Hunter (author) photo
Samuel Butler photo

“An energy is a soul — a something working in us.”

Samuel Butler (1835–1902) novelist

Matter and Mind, iii
The Note-Books of Samuel Butler (1912), Part VI - Mind and Matter

Marianne von Werefkin photo
Charles Bukowski photo
John Donne photo
William McFee photo
Swami Vivekananda photo
Iamblichus photo
André Maurois photo
Báb photo
Fred Rogers photo

“It's not the honors and the prizes and the fancy outsides of life which ultimately nourish our souls. It's the knowing that we can be trusted, that we never have to fear the truth, that the bedrock of our very being is good stuff.”

Fred Rogers (1928–2003) American television personality

Commencement Address at Middlebury College May, 2001 http://web.archive.org/web/20030906163501/http://www.middlebury.edu/offices/pubaff/general_info/addresses/Fred_Rogers_2001.htm

N. K. Jemisin photo

“So, there was a girl.
What I’ve guessed, and what the history books imply, is that she was unlucky enough to have been sired by a cruel man. He beat both wife and daughter and abused them in other ways. Bright Itempas is called, among other things, the god of justice. Perhaps that was why He responded when she came into His temple, her heart full of unchildlike rage.
“I want him to die,” she said (or so I imagine). “Please Great Lord, make him die.”
You know the truth now about Itempas. He is a god of warmth and light, which we think of as pleasant, gentle things. I once thought of Him that way, too. But warmth uncooled burns; light undimmed can hurt even my blind eyes. I should have realized. We should all have realized. He was never what we wanted Him to be.
So when the girl begged the Bright Lord to murder her father, He said, “Kill him yourself.” And He gifted her with a knife perfectly suited to her small, weak child’s hands.
She took the knife home and used it that very night. The next day, she came back to the Bright Lord, her hands and soul stained red, happy for the first time in her short life. “I will love you forever,” she declared. And He, for a rare once, found Himself impressed by mortal will.
Or so I imagine.
The child was mad, of course. Later events proved this. But it makes sense to me that this madness, not mere religious devotion, would appeal most to the Bright Lord. Her love was unconditional, her purpose undiluted by such paltry considerations as conscience or doubt. It seems like Him, I think, to value that kind of purity of purpose—even though, like warmth and light, too much love is never a good thing.”

Source: The Broken Kingdoms (2011), Chapter 11 “Possession” (watercolor) (pp. 202-203)

Caspar David Friedrich photo

“Gently rising hills block the view into the distance; line the wishes and desires of the children, who enjoy the blissful moments of the present without wanting to know what lies beyond. Bushes in bloom, nourishing herbs, and sweet-smelling flowers surround the quiet clear stream in which the pure blue of the cloudless sky is reflected like the glorious image of God in the souls of the children... There is no stone to be seen here, no withered branch, no fallen leaves. The whole of nature breathes, peace, joy, innocence and life.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from Friedrich's Diary entry, written Aug. 1803 at Loschwitz; as cited in Religious Symbolism in Caspar David Friedrich, by Colin J. Bailey https://www.escholar.manchester.ac.uk/api/datastream?publicationPid=uk-ac-man-scw:1m2225&datastreamId=POST-PEER-REVIEW-PUBLISHERS-DOCUMENT.PDF, paper; Oct. 1988 - Edinburgh College of Art, pp. 11-12
Friedrich is describing here his first composition of the painting 'Spring', 1803 (a later version he painted in 1808, viewed and described then by Gotthilf Heinrich von Schubert)
1794 - 1840

John Evelyn photo

“The title that has consecrated this Alter is the Marriage of Souls, and the Golden thread that tyes the hearts of all the world; I tell you, Madam, Freindshipp is beyond all relations of flesh and blood, because it is less materiall.”

John Evelyn (1620–1706) writer, gardener and diarist

The Life of Mrs. Godolphin (London: William Pickering, 1847) pp. 20-21
Often misquoted as "Friendship is the golden thread that ties the heart of all the world."

Alexander Smith photo

“Some books are drenchèd sands
On which a great soul’s wealth lies all in heaps,
Like a wrecked argosy.”

Alexander Smith (1829–1867) Scottish poet and essayist

Scene 2.
A Life Drama and other Poems (1853)

Viktor Schauberger photo

“Wherever we look the dreadful disintegration of the bridges of life, the capillaries and the bodies they have created, is evident, which has been caused by the mechanical and mindless work of man, who has torn away the soul from the Earth's blood - water. The more the engineer endeavors to channel water, of whose spirit and nature he is today still ignorant, by the shortest and straightest route to the sea, the more the flow of water weighs into the bends, the longer its path and the worse the water will become. The spreading of the most terrible disease of all, of cancer, is the necessary consequence of such unnatural regulatory works. These mistaken activities - our work - must legitimately lead to increasingly widespread unemployment, because our present methods of working, which have a purely mechanical basis, are already destroying not only all of wise Nature's formative processes, but first and foremost the growth of the vegetation itself, which is being destroyed even as it grows. The drying up of mountain springs, the change in the whole pattern of motion of the groundwater, and the disturbance in the blood circulation of the organism - Earth - is the direct result of modern forestry practices. The pulse-beat of the Earth was factually arrested by the modern timber production industry. Every economic death of a people is always preceded by the death of its forests. The forest is the habitat of water and as such the habitat of life processes too, whose quality declines as the organic development of the forest is disturbed. Ultimately, due to a law which functions with awesome constancy, it will slowly but surely come around to our turn. Our accustomed way of thinking in many ways, and perhaps even without exception, is opposed to the true workings of Nature. Our work is the embodiment of our will. The spiritual manifestation of this work is its effect. When such work is carried out correctly, it brings happiness, but when carried out incorrectly, it assuredly brings misery.”

Viktor Schauberger (1885–1958) austrian philosopher and inventor

Viktor Schauberger: Our Senseless Toil (1934)

Charles Baudelaire photo

“It is at once by way of poetry and through poetry, as with music, that the soul glimpses splendors from beyond the tomb; and when an exquisite poem brings one’s eyes to the point of tears, those tears are not evidence of an excess of joy, they are witness far more to an exacerbated melancholy, a disposition of the nerves, a nature exiled among imperfect things, which would like to possess, without delay, a paradise revealed on this very same earth.”

Charles Baudelaire (1821–1867) French poet

C'est à la fois par la poésie et à travers la poésie, par et à travers la musique, que l'âme entrevoit les splendeurs situées derrière le tombeau; et, quand un poème exquis amène les larmes au bord des yeux, ces larmes ne sont pas la preuve d'un excès de jouissance, elles sont bien plutôt le témoignage d'une mélancolie irritée, d'une postulation des nerfs, d'une nature exilée dans l'imparfait et qui voudrait s'emparer immédiatement, sur cette terre même, d'un paradis révélé.
XI: "Notes nouvelles sur Edgar Poe III," IV
L'art romantique (1869)

Robert Musil photo

“We do not have too much intellect and too little soul, but too little intellect in matters of the soul.”

Robert Musil (1880–1942) Austrian writer

Wir haben nicht zuviel Verstand und zu wenig Seele, sondern wir haben zu wenig Verstand in den Fragen der Seele.
Helpless Europe (1922)

“So do not speak to me of souls when you have never seen one, man.”

Source: Jack of Shadows (1971), Chapter 6 (p. 63)

Julian of Norwich photo
Corneliu Zelea Codreanu photo
T.S. Eliot photo

“Oh my soul, be prepared for the coming of the Stranger.
Be prepared for him who knows how to ask questions.”

T.S. Eliot (1888–1965) 20th century English author

Choruses from The Rock (1934)

“Love is a false synonym for propagation, as the soul is a wish fulfillment creation growing out of self-preservation.”

Henry Kuttner (1915–1958) American author

The Devil You Know (originally published in Unknown Fantasy Fiction, August 1941), p. 67
Short fiction, No Boundaries (1955)

Thomas Carlyle photo

“Men, I say, never did believe idle songs, never risked their soul's life on allegories: men in all times, especially in early earnest times, have had an instinct for detecting quacks, for detesting quacks.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Divinity

Julian of Norwich photo