Quotes about spring
page 4

Robert Seymour Bridges photo
Park Benjamin, Sr. photo
William Morris photo
Samuel Taylor Coleridge photo

“And the spring comes slowly up this way.”

Part I
Bartlett's Familiar Quotations, 10th ed. (1919), Christabel

Samuel Palmer photo

“I don't suffer much from solitude in the evenings. I spring upon my books. I always spoke a good word for solitude, and it is grateful to me. Books ward off the ghastly thoughts.”

Samuel Palmer (1805–1881) British landscape painter, etcher and printmaker

The Life and letters of Samuel Palmer, Painter and Etcher (AH Palmer, London, 1892)

Percy Bysshe Shelley photo
Robert Southey photo
T.S. Eliot photo
John Milton photo

“From haunted spring and dale
Edged with poplar pale
The parting genius is with sighing sent.”

Hymn, stanza 20, line 184
On the Morning of Christ's Nativity (1629)

Michael Oakeshott photo
Henry Temple, 3rd Viscount Palmerston photo

“Is it wise to say to men of rank and property, who, from old lineage or present possessions have a deep interest in the common weal, that they live indeed in a country where, by the blessings of a free constitution, it is possible for any man, themselves only excepted, by the honest exertions of talents and industry, in the avocations of political life, to make him-self honoured and respected by his countrymen, and to render good service, to the slate; that they alone can never be permitted to enter this career? That they may indeed usefully employ themselves, in the humbler avocations of private life, but that public service they never can perform, public honour they never shall attain? What we have lost by the continuance of this system, it is not for man to know. What we may have lost can more easily be imagined. If it had unfortunately happened that by the circumstances of birth and education, a Nelson, a Wellington, a Burke, a Fox, or a Pitt, had belonged to this class of the community, of what honours and what glory might not the page of British history have been deprived? To what perils and calamities might not this country have been exposed? The question is not whether we would have so large a part of the population Catholic or not. There they are, and we must deal with them as we can. It is in vain to think that by any human pressure, we can stop the spring which gushes from the earth. But it is for us to consider whether we will force it to spend its strength in secret and hidden courses, undermining our fences, and corrupting our soil, or whether we shall, at once, turn the current into the open and spacious channel of honourable and constitutional ambition, converting it into the means of national prosperity and public wealth.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech http://hansard.millbanksystems.com/commons/1813/mar/01/mr-grattans-motion-for-a-committee-on in the House of Commons in favour of Catholic Emancipation (1 March 1813).
1810s

Hans Rosling photo
Wassily Kandinsky photo

“The disharmoniousness (one might say, the negative rhythm) of the individual forms was that which primarily drew me, attracted me, during the period to which this watercolor belongs. The so-called rhythmic always comes on its own because in general the person himself is rhythmically built. Thus at least on the surface, the rhythmic is innate in people. Children, 'primitive' peoples, and laymen draw rhythmically..
In that period my soul was especially enchanted by the not-fitting-together of drawn and painterly form. Line serves the plane in that the former bounds the latter. And it makes my heart race in those cases when the independent plane springs over the confining line: line and plane are not in tune! It was this that produced a strong inner emotion in me, the inner 'ah!”

Wassily Kandinsky (1866–1944) Russian painter

2 quotes from Kandinsky's letter to Hans Arp, November 1912; in Friedel, Wassily Kandinsky, p. 489; as cited in Negative Rhythm: Intersections Between Arp, Kandinsky, Münter, and Taeuber, Bibiana K. Obler (including transl. - Yale University Press, 2014
Kandinsky was trying to explain to Arp his state of mind when he made his sketch for 'Improvisation with Horses' https://upload.wikimedia.org/wikipedia/commons/c/ce/Wassily_Kandinsky_Cossacks_or_Cosaques_1910%E2%80%931.jpg, 1911, a watercolor belonging to Arp. Kandinsky had told Arp that he could have one of his pictures included in the 'Moderne Bund' (second) exhibition in Zurich, 1912, and this was the one Arp selected
1910 - 1915

Vladimir Putin photo
Philo photo
Peter Matthiessen photo
Letitia Elizabeth Landon photo

“Tis not for Spring to think on all
The sear and waste of Autumn's fall:”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Canto I
The Troubadour (1825)

Jane Roberts photo

“This conscious self is only one aspect of our greater reality, however; the part that springs into earthknowing. It can be called the "focus personality," because through it we perceive our three-dimensional life. It contains within it, however, traces of the unknown or "source self" out of which it constantly emerges. The source self is the fountainhead of our present physical being, but it exists outside of that frame of reference. We are earth versions of ourselves, beautifully turned into corporal experience. Our known consciousness is filtered through perceptive mechanisms that are a part of what they perceive. We are the instruments through which we know the earth. In other terms, we are particles of energy, flowing from the source self into physical materialization. Each source self forms many such particles or "Aspect selves" that impinge upon three-dimensional reality, striking our space-time continuum. Others are not physical at all, but have their existence in completely different systems of reality. Each Aspect self is connected to the other, however, through the common experience of the source self, and can come to some degree to draw on the knowledge, abilities, and perceptions of the other Aspects. Psychologically, these other Aspects appear within the known self as personality traits, characteristics, and talents that are uniquely ours. The individual is the particle or focus personality, formed by the intersection of the unknown self with space and time. We can follow any of our traits or emotions back to this source self, or at least to a recognition of its existence.”

Jane Roberts (1929–1984) American Writer

Source: Adventures In Consciousness: An Introduction to Aspect Psychology (1975), pp.118-119

William Morley Punshon photo
Paul Gauguin photo

“I do not paint by copying nature. Everything I do springs from my wild imagination.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1890s - 1910s, The Writings of a Savage (1996), p. 22: quote in a letter to Ambroise Vollard, 1900

Adolphe Quetelet photo
John Lancaster Spalding photo

“When the mind has grasped the matter, words come like flowers at the call of spring.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 17

Halldór Laxness photo

“Hope springs eternal in the human breast. (Original to Alexander Pope, An Essay on Man”

Halldór Laxness (1902–1998) Icelandic author

1734)
Heimsljós (World Light) (1940), Book Four: The Beauty of the Heavens

Viktor Schauberger photo

“Wherever we look the dreadful disintegration of the bridges of life, the capillaries and the bodies they have created, is evident, which has been caused by the mechanical and mindless work of man, who has torn away the soul from the Earth's blood - water. The more the engineer endeavors to channel water, of whose spirit and nature he is today still ignorant, by the shortest and straightest route to the sea, the more the flow of water weighs into the bends, the longer its path and the worse the water will become. The spreading of the most terrible disease of all, of cancer, is the necessary consequence of such unnatural regulatory works. These mistaken activities - our work - must legitimately lead to increasingly widespread unemployment, because our present methods of working, which have a purely mechanical basis, are already destroying not only all of wise Nature's formative processes, but first and foremost the growth of the vegetation itself, which is being destroyed even as it grows. The drying up of mountain springs, the change in the whole pattern of motion of the groundwater, and the disturbance in the blood circulation of the organism - Earth - is the direct result of modern forestry practices. The pulse-beat of the Earth was factually arrested by the modern timber production industry. Every economic death of a people is always preceded by the death of its forests. The forest is the habitat of water and as such the habitat of life processes too, whose quality declines as the organic development of the forest is disturbed. Ultimately, due to a law which functions with awesome constancy, it will slowly but surely come around to our turn. Our accustomed way of thinking in many ways, and perhaps even without exception, is opposed to the true workings of Nature. Our work is the embodiment of our will. The spiritual manifestation of this work is its effect. When such work is carried out correctly, it brings happiness, but when carried out incorrectly, it assuredly brings misery.”

Viktor Schauberger (1885–1958) austrian philosopher and inventor

Viktor Schauberger: Our Senseless Toil (1934)

Emily Brontë photo
Orson Scott Card photo
Reginald Heber photo

“When Spring unlocks the flowers to paint the laughing soil.”

Reginald Heber (1783–1826) English clergyman

Hymn for Seventh Sunday after Trinity; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 746.

Roberto Clemente photo
Edvard Munch photo
Robert Lloyd (poet) photo
Colin Wilson photo
Giorgio de Chirico photo

“I took a trip to Florence and Rome in October and in the spring I will probably go to Florence to live as it is the city I like the most. I have been working and studying a lot and I now have very different goals than before..”

Giorgio de Chirico (1888–1978) Italian artist

Quote from De Chirico's letter to Mr. Fritz Gartz, 27 Dec. 1909; from LETTERS BY GIORGIO DE CHIRICO, GEMMA DE CHIRICO AND ALBERTO DE CHIRICO TO FRITZ GARTZ, MILAN-FLORENCE, 1908-1911 http://www.fondazionedechirico.org/wp-content/uploads/559-567Metafisica7_8.pdf, p. 560
1908 - 1920

Park Benjamin, Sr. photo
Robert E. Howard photo
Montesquieu photo
Horace Walpole photo
Li Yu (Southern Tang) photo
Arshile Gorky photo
Franz Marc photo

“I cannot get over the strange conflict between my estimation of their ideas [the artists of Italian Futurism ] most of which I find brilliant and fruitful, and my view of the [their] pictures [he saw on the Walden exhibition in Berlin, Spring 2012], which strike me as, without a doubt, utterly mediocre.”

Franz Marc (1880–1916) German painter

In a letter to Wassily Kandinsky, 1912; as quoted in Movement, Manifesto, Melee: The Modernist Group, 1910-1914, Milton A. Cohen, Lexington Books, Sep 14, 2004, p. 309 (note 23)
[in a letter, several months later to August Macke Franz Marc writes about the Futurist paintings he saw in Munich: '[Their] effect is magnificent, far, far more impressive then in Cologne' (where Marc had helped Macke with hanging the Futurist exposition)].
1911 - 1914

Letitia Elizabeth Landon photo

“The whole Marxian system springs from classical political economy as it found expression in Ricardo.”

Eric Roll, Baron Roll of Ipsden (1907–2005) British economist

Source: A History of Economic Thought (1939), Chapter IV, The Classical System, p. 193

William Styron photo
Camille Paglia photo
Michael Swanwick photo
Thomas Fuller photo
Primo Levi photo

“For me chemistry represented an indefinite cloud of future potentialities which enveloped my life to come in black volutes torn by fiery flashes, like those which had hidden Mount Sinai. Like Moses, from that cloud I expected my law, the principle of order in me, around me, and in the world. I was fed up with books, which I still continued to gulp down with indiscreet voracity, and searched for a key to the highest truths; there must be a key, and I was certain that, owing to some monstrous conspiracy to my detriment and the world's, I would not get in school. In school they loaded with me with tons of notions that I diligently digested, but which did not warm the blood in my veins. I would watch the buds swell in spring, the mica glint in the granite, my own hands, and I would say to myself: "I will understand this, too, I will understand everything, but not the way they want me to. I will find a shortcut, I will make a lock-pick, I will push open the doors."
It was enervating, nauseating, to listen to lectures on the problem of being and knowing, when everything around us was a mystery pressing to be revealed: the old wood of the benches, the sun's sphere beyond the windowpanes and the roofs, the vain flight of the pappus down in the June air. Would all the philosophers and all the armies of the world be able to construct this little fly? No, nor even understand it: this was a shame and an abomination, another road must be found.”

"Hydrogen"
The Periodic Table (1975)

Eino Leino photo

“Outbursts blossom in Lapland rapidly
. in earth, in barley, grass, dwarf birches too.
This I have pondered very frequently
when people’s daily lives there I review.

Oh why are all our beautiful ones dying
and why do great ones rot in disarray?
Oh why among us many minds are losing?
Oh why so few the kantele now play?

Oh why here everywhere a man soon crashes
like hay when scythed – ambitious man indeed,
a man of honour, sense – it all soon smashes,
or breaks apart one day in life of need?

Elsewhere, a fire still glints in greying tresses,
in old ones glows still spirit of the sun.
But here our new-born infants death possesses
and youth will grave’s dull earth soon press upon.

And what of me? Why ponder I so sadly?
An early sign, be sure, of grim old age.
Oh why the blood-spent rule keep I not gladly,
but sigh instead at people’s mortal wage?

One answer is there only: Lapland’s summer.
In thinking then my mind is soon distressed.
In Lapland birdsong, joy are short – a glimmer –
as flowers’ blooms and gladness wilt and rest.

But winter’s wrath is only long. Dear moment
when resting thoughts delay and don’t take flight,
in search of lands where blazing sun is potent
and take their leave of Lapland’s icy bite.

Oh, great white birds, you guests of summer Lapland,
with noble thoughts we’ll greet you, when you’re here!
Oh, tarry here among us, build your nests and
a while delay your southern journey near!

Oh, from the swan now learn a lesson wholesome!
They leave in autumn, come back in the spring.
It’s our own peaceful shore that us-wards pulls them,
Our sloping fell’s kind shelter will them bring.

Batter the air with whooping wings and leave us!
Wonders perform, enlighten other lands!
But when you see that winter’s gone relieve us –
I beg, beseech, re-clasp our weary hands!”

Eino Leino (1878–1926) Finnish poet and journalist
Sara Teasdale photo

“There is no sign of leaf or bud,
A hush is over everything —
Silent as women wait for love,
The world is waiting for the spring.”

Sara Teasdale (1884–1933) American writer and poet

"Central Park at Dusk"
Helen of Troy and Other Poems (1911)

Joseph Strutt photo
Will Eisner photo
Nanak photo
Marcus Aurelius photo

“All that happens is as usual and familiar as the rose in spring and the crop in summer.”

IV, 44
Meditations (c. 121–180 AD), Book IV

Letitia Elizabeth Landon photo
Yves Klein photo
Dwight D. Eisenhower photo

“Beauty sat bathing by a spring”

Anthony Munday (1560–1633) English playwright and miscellaneous writer

Poem Colin http://rpo.library.utoronto.ca/poem/1527.html

Corneliu Zelea Codreanu photo
Richard Rodríguez photo
George Holmes Howison photo
Jimmy Carter photo
Georges Duhamel photo
Richard Realf photo
Letitia Elizabeth Landon photo
Randolph Bourne photo
Wallace Stevens photo
Clive Barker photo
George Gilfillan photo

“Too great this largess from thy hand I know
Yet ask that some few drops of it may light
And listened to thy voice, and in it found
The very Spring and Soul of Poetry”

George Gilfillan (1813–1878) Scottish writer

From Proem 3 Night: A Poem by George Filfillan, Jackson, Walford & Hodder 1867
Other Quotes

F. Scott Fitzgerald photo
Peter Weiss photo

“The poignancy of things
A purple flower
The blossoms of spring
And the light snow of winter
How they fall”

Enya (1961) Irish singer, songwriter, and musician

Song lyrics, Amarantine (2005)

Letitia Elizabeth Landon photo
John Donne photo

“I have done one braver thing
Than all the Worthies did;
And yet a braver thence doth spring,
Which is to keep that hid.”

John Donne (1572–1631) English poet

The Undertaking, stanza 1

“Spring, summer, and fall fill us with hope; winter alone reminds us of the human condition.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Han-shan photo
Emily Brontë photo
William Ernest Henley photo

“Life — life — life! 'Tis the sole great thing
This side of death,
Heart on heart in the wonder of Spring!”

William Ernest Henley (1849–1903) English poet, critic and editor

Source: Hawthorn and Lavender (1901), XI

Anne Morrow Lindbergh photo
Letitia Elizabeth Landon photo
Robert Mueller photo
Jahangir photo
Theodor Mommsen photo
William Ellery Channing photo

“Ethnic Germans were transferred into Germany, mainly from eastern Europe; it has been estimated that approximately 600,000 persons had been transferred into the German Reich by the spring of 1942.”

Eugene M. Kulischer (1881–1956) American sociologist

Source: The Displacement Of Population In Europe, 1943, p. 25 as cited in: David L. Sills (1968) International encyclopedia of the social sciences - Volumes 13-14. p. 363

Viktor Schauberger photo
Thomas Guthrie photo

“The 'jugastuff' had a baby this spring.”

Radio From Hell (March 27, 2006)

Torquato Tasso photo

“And on the flowers
The plenteous spring a thousand streams down pours.”

Torquato Tasso (1544–1595) Italian poet

E con ben mille
Zampilletti spruzzar l'erba di stille.
Canto XV, stanza 55 (tr. Fairfax)
Gerusalemme Liberata (1581)

Charlotte Brontë photo
William Collins photo
Letitia Elizabeth Landon photo