Quotes about painting (2699 quotes, page 27)

“I believe—when somebody gave me a pencil and a sheet of paper—was to create a world for myself, basically. It sort of made everything fall to the wayside. The environment where I was growing up, the poverty—all of that just sort of fell to the wayside, and I was able to create these worlds and enter into it. And I think that sort of isolated me a lot from other kids in the neighborhood, even isolated me while I was going to school. And my earliest recollections of entering school was the times when it was art time, and they had easels and they had paint and they had brushes…”

Gronk (artist) (1954) American artist

On when he discovered his love for art in “Oral history interview with Gronk, 1997 Jan. 20-23” https://www.aaa.si.edu/collections/interviews/oral-history-interview-gronk-13586#transcript (Smithsonian Archives of American Art)

School , Time , Art , Thinking

“It was like some sort of hell…For me, trafficking in the dignity of a people is just that: hell. I refused to paint cha-cha-cha.”

Wifredo Lam (1902–1982) Cuban artist

On adopting a new form of painting in Cuba in “Wifredo Lam: the unlikely comeback of the Cuban Picasso” https://www.telegraph.co.uk/art/what-to-see/wifredo-lam-the-unlikely-comeback-of-the-cuban-picasso/ in The Telegraph (2016 Aug 31)

Hell , People

“I thought back to Europe being invaded by the Nazi army with great sadness … For me, seeing Europe had been everything. When I came back to Cuba, I was taken aback by its nature, by the traditions of the Blacks, and by the transculturation of its African and Catholic religions. And so I began to orientate my paintings toward the African.”

Wifredo Lam (1902–1982) Cuban artist

On painting after returning to Cuba in “Wifredo Lam: Man of the World” https://www.tate.org.uk/context-comment/articles/wifredo-lam-man-of-world (Tate; 2016 Aug 16)

Religion , Sadness , Nature

“I was encouraged to look around me and to paint what I saw. I painted my story, and it had a lot of angles to it. I was trying to explain how I saw life as a black person living in America, and I put things together that were not acceptable. A lot of people did not want these kind of paintings representing America in any sense, but I wanted to tell my story and what I saw…”

Faith Ringgold (1930) American artist

On the Civil Rights Movement puncturing the image of the American Dream in https://www.theartnewspaper.com/interview/faith-ringgold-discusses-civil-rights-and-children-s-books-ahead-of-solo-serpentine-gallery-show in The Art Newspaper (2019 Jun 5)

Personality , People , Sense , Life

“When I first started doing self-portraits – and I didn’t start until I was in my 40s, quite late – I did these portraits where my hand was kind of stretched out toward the canvas, as if about to paint…I suppose I was imitating those famous poses of Goya or Rembrandt. But something felt so false about that. Somehow women don’t have a secure place in the history of art and to portray myself in this way standing squarely, about to paint, it wasn’t right.”

Celia Paul (1959) British artist

On her painting techniques in “Celia Paul on life after Lucian Freud: ‘I had to make this story my own’” https://www.theguardian.com/artanddesign/2019/oct/27/celia-paul-self-portrait-memoir-interview-lucian-freud in The Guardian (2019 Oct 27)

History , Art , Self-confidence , Falseness

“The preservation of freedom is the protective reason for limiting and decentralizing governmental power. But there is also a constructive reason. The great advances of civilization, whether in architecture or painting, in science or literature, in industry or agriculture, have never come from centralized government. … Government can never duplicate the variety and diversity of individual action.”

Milton Friedman book Capitalism and Freedom

Introduction, pp. 2-3
Capitalism and Freedom (1962)

Science , Literature , Freedom

“Powerful empires existed and flourished here (in India) while Englishmen were still wandering, painted, in the woods, and while the British Colonies were still a wilderness and a jungle. India has left a deeper mark upon the history, the philosophy, and the religion of mankind, than any other terrestrial unit in the universe.”

George Curzon, 1st Marquess Curzon of Kedleston (1859–1925) British politician

Lord Curzon, while Viceroy of India, in his address at the Great Delhi Durbar in 1901. Quoted from Stephen Knapp, Mysteries of the Ancient Vedic Empire https://stephenknapp.wordpress.com/2015/10/30/a-look-at-india-from-the-views-of-other-scholars/

Universe , Religion , History

“Needless to say, adventure characters should be just one facet of videogaming. In the same way a painting allows us to gaze upon the faces and souls of people from another age, or a book permits us to linger on the thoughts of great figures from history and fiction, videogames can expand our awareness of the world as it is, was, or might be.”

Adam West (1928–2017) American actor

"The Keyboard: Guest Editorials", Videogaming Illustrated, (July 1983), p. 6

Soul , History , People , Books

“We know what a lion looks like when painted by a man, but human eyes have never yet been allumined by the sardonic lineaments of a man painted by a lion. Being boiled alive in order to look well as corpses in store-windows, and having wooden pegs thrust into our muscles and left there to rot for a week or two to keep us in our agony from doing something desperate—we know what these experiences are like when they are delegated to lobsters, and we take no more serious part in them than to insure their infliction, but we are too fervent barbarians to bother our heads about what they are like from the crustacean point of view.”

J. Howard Moore (1862–1916)

"Conclusion", p. 233
The Universal Kinship (1906), The Psychical Kinship

Parting

“You’re not just voting for a woman if it’s Hillary because she’s a woman, but certainly because Trump has made it easy to see that you don’t really want that kind of world that he’s painting.”

Meghan, Duchess of Sussex (1981) American former actress and member by marriage of the British royal family

Prior to royal marriage, Criticisms of Donald Trump

World

“I think it was a prescribed road of sorts. The things that had occurred since his childhood were some coincidences, but he kept on walking. It’s the illustration of a 42-year-long life, sort of an encyclopedia. Vasyl was not concerned about his career, he accepted things as befits a man, he was calm about the challenges of fate, well-balanced, and polite. Sometimes he could be tough in defending his position. But, in my view, everything was painted somewhere above. It’s easier to say that it was God’s will.”

Vasyl Slipak (1974–2016) Ukrainian opera singer

2017
Orest Slipak, the brother of singer. Brother about brother. The Day. Кyiv.ua. - 2017. - 27 April. https://day.kyiv.ua/en/article/topic-day/brother-about-brother

Childhood , God , Fate , Thinking

“Since the time of Aristarchus, the great Alexandrian scholar, it has been the rule among philologists not to base the interpretation of Homeric words on references to classical Greek, and not to allow themselves to be influenced by the usage of a later generation when investigating Homeric speech. Today we may expect even richer rewards from this rule than Aristarchus hoped to glean for himself. Let us explain Homer in no terms but his own, and our understanding of the work will be the fresher for it. Once the words are grasped with greater precision in their meaning and relevance, they will suddenly recover all their ancient splendour. The scholar too, like the restorer of an old painting, may yet in many places remove the dark coating of dust and varnish which the centuries have drawn over the picture, and thus give back to the colours their original brilliance.”

Bruno Snell book The Discovery of the Mind: The Greek Origins of European Thought

"classical Greek" here refers to Greek in the classical period spanning approximately the time between 5th and 4th centuries BC, i.e., in contrast to Homeric Greek from Archaic Greece.
Source: The Discovery of the Mind: The Greek Origins of European Thought (1953), p. 1

Time , Hope , Understanding

“When the paintings suddenly started going for, like, really big money it definitely weirded me out, and I kind of went away to the middle of nowhere and I stopped making any more paintings. But the whole time the auction houses were just selling paintings that I’d done years before and sold for not much money. Or paintings that I traded for a haircut or, you know, an ounce of weed and they were going for like 50 grand.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

lightly edited
Other sources

Money , Time , Housing , Making love

“Recipe idea: take on fire extinguisher and pour out all the contents. Mix down a nice bright emulsion paint to the consistency of full fat milk, stirring constantly to remove any lumps. Pour into the extinguisher, screw on cap tightly and write on things up to 50 feet high. Re-use by swapping over the CO2 charged canister (costs about one pound). The perfect accompaniment to a night out drinking heavily with friends.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Cut It Out (2004)

Drink , Night , Perfection , Idea

“Remember crime against property is not real crime. People look at an oil painting and admire the use of brushstrokes to convey meaning. People look at a graffiti painting and admire the use of a drainpipe to gain access.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Wall and Piece (2007)

People

“It is an amazing thing that our memory best retains images of great philosophers when their lives were coming to an end. Socrates raising the chalice with hemlock to his mouth, Seneca whose veins were opened by a slave (there is a painting of this by Rubens), Descartes roaming cold palace rooms with a foreboding that his role of teacher of the Swedish Queen would be his last, old Kant smelling a grated horseradish before his daily walk (the cane preceding him, sinking deeper and deeper into the sand), Spinoza consumed by tuberculosis and patiently polishing lenses, so weak he is unable to finish his Treatise on the Rainbow.”

Baruch Spinoza (1632–1677) Dutch philosopher

Zbigniew Herbert, Spinoza's Bed [original in Polish]
G - L

Memory , Teachers

“There were limits to what art—composed of such genres as portraiture, landscape, still life, and historical painting (the latter of which, in royal academies, enjoyed the highest esteem)—could do to show movement.”

Arthur Danto (1924–2013) American art critic and philosopher

What Art Is (2013), Chap. 1 : Wakeful Dreams

Life , Art

“Professor writes about the brain in a very approachable way, and from what he writes, the conviction that man is free is born. The message of his books influenced, among others, the emergence of several of my painting cycles. For me he is an authority, and I do not have many of them.”

Jerzy Vetulani (1936–2017) Polish scientist

Iwona Siwek-Front, painter, friend of Vetulani in an interview Artystka, to jak glebogryzarka http://www.bloge12.pl/artystka-to-jak-glebogryzarka/ (in Polish), Mazowiecki Instytut Kultury, 2014.

Way , Books

“Taiwan is a free, democratic and liberal nation, so the government would not issue a mask ban, but the government would not tolerate masked thugs, such as the man who tossed red paint on Hong Kong singer and rights advocate Denise Ho on the sidelines of a rally last month.”

Su Tseng-chang (1947) Taiwanese politician

Su Tseng-chang (2019) cited in " No ban on rally masks, MOI head and premier say http://www.taipeitimes.com/News/taiwan/archives/2019/10/09/2003723647" on Taipei Times, 9 October 2019.

“I certainly believe that the simple landscape which seems less impressive is the nature that is most proper to paint.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik geloof beslist dat de natuur die het meest geschikt is om na te schilderen, het eenvoudige landschap is dat weinig indrukwekkend lijkt.
as cited in Zó Hollands - Het Hollandse landschap in de Nederlandse kunst sinds 1850, Antoon Erftemeijer https://www.franshalsmuseum.nl/wp-content/uploads/2017/12/zohollands_eindversie_def_1.pdf; Frans Hals museum | De Hallen, Haarlem 2011, p. 16 – note 2
undated quotes

Nature

“A painting is finished when one can see what it represents.”

Jacob Maris (1837–1899) Dutch painter

translation from original Dutch, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jacob Maris, in het Nederlands: Een schilderij is af als men zien kan wat het voorstelt.
as cited by G.H. Marius, in 'Jacob Maris', in Het Schildersboek. Nederlandsche Schilders der Negentiende eeuw, Amsterdam 1898, p. 11

“Cheerfully and cheerily, I started working once more in giant steps to the second painting by Mr Twent.”

Andreas Schelfhout (1787–1870) Dutch painter, etcher and lithographer

of the estate Raaphorst, then owned by Abraham Jacob Twent, who wanted his estate immortalized in two large paintings
translation from original Dutch: Fons Heijnsbroek
(original Dutch, citaat van Schelfhout, uit zijn brief:) Vrolijk en opgeruimt, ben ik weder met reuze schreden begonen aan het tweede schilderij van de Heer Twent. [van het Wassenaarse landgoed Raaphorst, toen in bezit van Abraham Jacob Twent, die het landgoed in twee grote schilderijen wilde laten vereeuwigen]
Quote from Schelfhout, in a letter (with sketched figures) to an unknown friend, 21 Feb. 1823; as cited in Andreas Schelfhout - landschapschilder in Den Haag, Cyp Quarles van Ufford, Primavera Pers, (ISBN 978-90-5997-066-3), Leiden, p. 74

“All my canvases I paint after sketches.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Ik schilder al mijn doeken naar schetsen.
short undated quote of Mauve, as cited in: 'Zó Hollands - Het Hollandse landschap in de Nederlandse kunst sinds 1850', Antoon Erftemeijer https://www.franshalsmuseum.nl/wp-content/uploads/2017/12/zohollands_eindversie_def_1.pdf; Frans Hals museum | De Hallen, Haarlem 2011, p. 31
undated quotes

“He gave no sign of any great desire to persevere with music or painting, despite his obvious eye for the latter. The idea of creativity obsessed but not to the point of renouncing his spectator status.”

Christian Dior (1905–1957) French fashion designer

In p. 70
Christian Dior: The Man who Made the World Look New

Music , Idea , Perseverance

“Durand likes my paintings, but not the style of execution. His son, the one who went to New York with him, saw them but has not said a word to me.”

Camille Pissarro (1830–1903) French painter

Durand prefers the old execution, however he grants that my recent paintings have more light - in short, he isn't very keen. My 'Grey Weather' https://upload.wikimedia.org/wikipedia/commons/7/72/Pissarro_-_the-roofs-of-old-rouen-grey-weather-1896.jpg doesn't please him; his son and Caseburne [Durand's cashier] also dislike it.. .It appears that the subject is unpopular. They object to the red roof and backyard just what gave character to the painting which has the stamp of a modern primitive, and they dislike the brick houses, precisely what inspired me..
Quote in a letter, Paris, 27 July 1886, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 80
1880's

“I have just concluded my series of paintings, I look at them constantly. I who made them often find them horrible. I understand them only at rare moments, when I have forgotten all about them, on days when I feel kindly disposed and indulgent to their poor maker. Sometimes I am horribly afraid to turn round canvases which I have piled against the wall; I am constantly afraid of finding monsters where I believed there were precious gems!... Thus it does not astonish me that the critics in London relegate me to the lowest rank. Alas! I fear that they are only too justified!”

Camille Pissarro (1830–1903) French painter

However, at times I come across works of mine which are soundly done and really in my style, and at such moments I find great solace. But no more of that. Painting, art in general, enchants me. It is my life. What else matters?
Quote in a letter, 20 Nov. 1883; as quoted in Painting Outside the lines, Patterns of Creativity in Modern Art, ed. David W. Galenson, Harvard University Press, 30 Jun 2009, p. 84
1880's

Fear , Feeling , Understanding

“Discover how Kapoor’s continual experimentation with structure and medium has led him to work with a wide variety of materials from clay, fibreglass and paint pigment, to steel and wax, creating beautiful, strange and intriguing works that counter conventional ideas of art.”

Anish Kapoor (1954) British contemporary artist of Indian birth

The Museum of Contemporary Art on Kapoor’s first major exhibition in Australia.
Exhibition: Anish Kapoor

Idea , Beauty , Art

“Art in India was never the same after her comet like appearance. There are only a few moments in the history of art which pinpoint a new departure, a new direction. Such a moment in the history of modern Indian art was the appearance in the mid-thirties of Amrita Sher-Gil with whose paintings contemporary paintnig in India took shape and demonstrated the possibility of a contemporary style and expression that were, at the same time, of the soil and in direct continuation of the great national past.”

Amrita Sher-Gil (1913–1941) Hungarian Indian artist

Ruby Von Leiden in amrita Sher-Gil (1913-1941), 7 December 2013, Learnpunjabi.org http://www.learnpunjabi.org/eos/AMRITA%20SHER-GIL%20%281913-1941%29.html,

Time , History , Past , Art

“The new work obviously resembles sculpture more than it does painting, but it is nearer to painting.”

Donald Judd (1928–1994) artist

Source: 1960s, "Specific Objects," 1965, p. 75; Cited in: Diane Waldman. Carl Andre https://archive.org/stream/carlandre00wald#page/6/mode/1up. Published 1970 by Solomon R. Guggenheim Museum in New York. p. 6

“All art is probably erotic in its ultimate character, but painting more than anything else is a purely nervous erotic activity… The eroticism of Caravaggio is special because it exists in that area between the simple sensual appreciation of the object which produces the desire to posses it, and the passionate but detached concern of the Observer, which also seeks to posses but to posses through understanding.”

Patrick Swift (1927–1983) British artist

Some Notes on Caravaggio (1956)

Passion , Understanding , Art

“I hate people at Halloween they don’t carve their pumpkin out, they’ll just like paint a face on it; you know what I’m talking about? But some people won’t even do that, they’ll paint a face, but it won’t even be on a pumpkin, it’ll be like on a piece of paper. But some people won’t even do that, they’ll take like a bunch of words and put that on a piece of paper, and it’ll be like an essay on Ben Franklin or some shit, you know? And then they’ll hand it in at school and it won’t even be Halloween! It’s like, pffft, nice jack-o-lantern, jackass!”

Kyle Cease (1977) American actor

citation needed

School , Hate , People

“The first human corpse I saw had housed my grandmother’s soul. I expected a serene mien. I expected to find her sleeping. I expected a transforming beauty, something painted by Millais. Instead, the old whore petticoats of skin.”

Antonella Gambotto-Burke book The Eclipse: A Memoir of Suicide

Source: The Eclipse: A Memoir of Suicide (2004), P. 19.

Sleep , Soul , Housing , Whore

“Manson arrived at the déjeuner given by the minister of Beaux Arts fantastically drunk—punctuated the ceremony with cat-calls and cock-a-doodle-doos, and finally staggered to his feet, hurled obscene insults at the company in general and the minister in particular, and precipitated himself on the ambassadress, Lady Phipps, some say with amorous intent others with lethal intent… the guests fled ices uneaten, coffee undrunk… I hope an example will be made, and that they will seize the opportunity for turning the sot out of the Tate, not because he is a sot, but because he has done nothing but harm to modern painting.”

James Bolivar Manson (1879–1945) British artist

Clive Bell, quoted in Frances Spalding, The Tate: A History (1998), pp. 62–70. Tate Gallery Publishing, London. ISBN 1854372319.

Hope , Art , Cats , Coffee

“Painting in the chamber of a Prince who was indisposed, the Physician said, that he hoped bymeans of his Highness, to obtain also the favor of a picture by Salvator. The Prince made he request, and Salvator readily consented. The Physician then desired the Painter not to egin his picture till he had given him the idea, nd the design. Salvator made no reply; ut when the Physician called for pen and ink o write his prescription, he desired him to stop ill he should tell him what to write. The Docor, not comprehending his meaning, said * Signor Salvator, this is a business which conerns me, not you.”

Peter Beckford (1643–1710) Governor of Jamaica

"I would have you to know Mr. Doctor" replied Salvator, " that I can more easily instruct you in the cure of your tickt than you can me in the art I profess, being a much better Painter than you are a Physician.'

Business , Idea , Hope

“I’ve been travelling a lot. My boyfriend and I, we just went to Santa Fe. You know, the one named after the gay saint. Has anybody ever been to Santa Fe? …did you know it was a desert? I didn’t know it was a desert. Hated it! People had been telling me for years, if you’re an artist, a non-conformist, come to Santa Fe! I mean, it’s the place you can be yourself! The light, the light, you can paint here! You can live here, the space, the sky! – The fucking dust! I was doing an AIDS benefit there – like what else do I do with my life?”

Harvey Fierstein (1954) actor from the United States

and I said, look, I’m a guest here, you’re paying for the hotel, I don’t mean to insult nobody, but I got a little suggestion for you. If I was yaz, I’d take a hose, hook it up to Colorado, and water this fucking place!
This Is Not Going to Be Pretty, Live at the Bottom Line (1995)

Hate , Light , People , Travel

“Throughout time painting has alternately been put to the service of the Church, the State, arms, individual patronage, scientific phenomena, anecdote and decoration … all the marvelous works that have been painted, whatever the sources of inspiration, still live for us because of absolute qualities they possess in common. The creative force and the expressiveness of painting reside materially in the colour and texture of pigments, in the possibilities of form invention and organisation, and in the flat plane on which these elements are brought into play.”

Man Ray (1890–1976) American artist and photographer

As quoted in "American Modernists in Painting take the Public into their Confidence" in Current Opinion Vol LX, No. 5 (May 1916), p. 351

Time

“Thomas Eakins was a man of great character. He was a man of iron will and his will to paint and to carry out his life as he thought it should go. This he did. It cost him heavily but in his works we have the precious result of his independence, his generous heart and his big mind. Eakins was a deep student of life, and with a great love he studied humanity frankly. He was not afraid of what his study revealed to him.”

Thomas Eakins (1844–1916) American painter

Robert Henri, open letter to the Art Students League, (1917-10-29).

Study , Heart , Love , Life

“It would be a sad thing for an artist if he knew how to paint.”

Arshile Gorky (1904–1948) Armenian-American painter

so sad. An artist paints because it is a challenge to him – it is like trying to twist the devil. If you overcome it, there is no sport left. I don't even like to talk about painting. It is impossible to talk about painting because I don't know what it is. If I knew what it was I would get out a patent and then no one else would be able to paint.
1942 - 1948, A Painter in a Glass House' (1948)

Sadness

“The most perfect art was Greek art. Raphael is the greatest of all masters in painting.”

Emil Nolde (1867–1956) German artist

Such were the doctrines of every art teacher only twenty or thirty years ago.
1.
1900 - 1920, On Primitive Art – Emil Nolde, 1912

Perfection , Art

“What I have created here in Italy is neither very big nor profound (in the old sense of the word), but formidable. This summer I painted paintings that are the most profound that exist in the absolute. Let me explain these things somewhat.... profoundness as I understand it, and as Nietzsche intended it, is elsewhere than where it has been searched for until now.”

Giorgio de Chirico (1888–1978) Italian artist

My paintings are small (the biggest is 50 x 70 cm), but each of them is an enigma, each contains a poem, an atmosphere (Stimmung) and a promise that you can not find in other paintings. It brings me immense joy to have painted them – when I exhibit them, possibly in Munich this spring, it will be a revelation for the whole world
Quote from De Chirico's letter to Mr. Fritz Gartz, Florence, 26 Jan. 1910; from LETTERS BY GIORGIO DE CHIRICO, GEMMA DE CHIRICO AND ALBERTO DE CHIRICO TO FRITZ GARTZ, MILAN-FLORENCE, 1908-1911 http://www.fondazionedechirico.org/wp-content/uploads/559-567Metafisica7_8.pdf, p. 562
1908 - 1920

Understanding , Search , Sense , Summer

“Contented, unambitious people are all very well in their way. They form a neat, useful background for great portraits to be painted against, and they make a respectable, if not particularly intelligent, audience for the active spirits of the age to play before.”

Jerome K. Jerome book Idle Thoughts of an Idle Fellow

Idle Thoughts of an Idle Fellow (1886)

Intelligence , People , Age , Way

“So, André Breton, if tonight I dream I am screwing you, tomorrow morning I will paint all of our best fucking positions with the greatest wealth of detail.”

Salvador Dalí (1904–1989) Spanish artist

Quote, early 1930's; as quoted by Jonathan Jones in his article 'André in wonderland'; The Guardian / Culture, 16 June, 2004 https://www.theguardian.com/culture/2004/jun/16/1
In the early 1930's Dalí was judged by a surrealist 'high court' at André Breton's flat; Dali was accused of 'counter-revolutionary actions' because of his supposed political sympathy for fascism. Dalí claimed that he was being an honest and pure surrealist, recording the unexpurgated contents of his psychic life - which this quote should illustrate.
Quotes of Salvador Dali, 1920 - 1930

Wealth , Dreams

“Your spirit is an artist… It paints with thoughts.”

Teal Swan (1984) American spiritual teacher

“Bread has always been one of the oldest subjects of fetishism and obsession in my work, the first and the one to which I have remained the most faithful. I painted the same subject 19 years ago 'Basket of Bread, 1929.”

Salvador Dalí (1904–1989) Spanish artist

By making a very careful comparison of the two pictures, everyone can study all the history of painting right there, from the linear charm of primitivism to stereoscopic hyper-aestheticism.
Dali's quote, 1945; as cited by R. Descharnes (1985), in Salvador Dalí. Abrams. p. 94. ISBN 0-8109-0830-1
Dali just finished his second painting 'Basket of Bread, 1945'
Quotes of Salvador Dali, 1941 - 1950

Faith

“Just now I'm painting a beautiful woman, smiling, burnt to a crisp, with feathers of all colors, held up by a small die of burning marble; the die is in turn held up by a little puff of smoke, churned and quite; in the sky there are asses with parrot-heads, grasses and beach sand, all about to explode, all clean, incredible objective..”

Salvador Dalí (1904–1989) Spanish artist

Quote in Dali's letter to his art-friend Lorca, 1927; as quoted in Surrealism and the Spanish Civil War, Robin Adèle Greeley, p. 67
Dali is striving then for a rational approach of his paintings; he is very probably referring to his painting, he made earlier in 1927: ' Little Ashes' https://upload.wikimedia.org/wikipedia/commons/b/b7/Little_Ashes.jpg
Quotes of Salvador Dali, 1920 - 1930

Smile , Beauty , Grass , Color

“Because so many of our writers were born in ugly environments, in monstrous poverty and humilitation, they continue to assert that this is the natural environment, reality, and that beauty is artifice. Why should the natural state be ugliness? Natural to whom? We may be born in ugliness, but the natural consequences should be a thirst for its opposite. To mistake ugliness for reality is one of the frauds of the realistic school. A hunger for the unknown, and an aspiration towards beauty were inseparable from civilization. In America the word art was distorted to mean artificial.
We are born with the power to alter what we are given at birth.
When the Japanese paint flowers or the sea on a kimono they mean to establish a link with nature. But they select only what is beautiful in nature to maintain their love of life.
The creative personality never remains fixed on the first world it discovers. It never resigns itself to anything. That is the deepest meaning of rebellion, not the wearing of different clothes, haircuts, or the adopting of other cultures.”

Anaïs Nin book The Novel of the Future

The Novel of the Future (1969)

School , Hunger , Clothes , Making love

“One feature of our own society that seems decidedly anomalous is the matter of sexual advertisement. As we have seen, it is strongly to be expected on evolutionary grounds that, where the sexes differ, it should be the males that advertise and the females that are drab. Modern western man is undoubtedly exceptional in this respect. It is of course true that some men dress flamboyantly and some women dress drably but, on average, there can be no doubt that in our society the equivalent of the peacock’s tail is exhibited by the female, not by the male. Women paint their faces and glue on false eyelashes. Apart from special cases, like actors, men do not.”

Richard Dawkins book The Selfish Gene

Source: The Selfish Gene (1976, 1989), Ch. 9. Battle of the Sexes

Sex , Falseness , Women , Men

“The force of custom or habits even proverbial; and accordingly we take advantage of the magnified representation in which we have been pleased to paint its effects, to veil our eyes from the sufferings of others, of mankind as well as of brutes; and whatever be their lots, if they suffer from over exertion, from being flogged, from exposure in danger, from want, from cold, from heat, etc., we lull our imagination with the idea that they do not feel those evils: custom we say is second nature.”

Lewis Gompertz (1783–1861) Early animal rights activist

Source: Moral Inquiries on the Situation of Man and of Brutes (1824), Chapter 2, p. 53

Imagination , Suffering , Nature , Idea

“When we talk about culture, it includes literature, paintings, music, dance, sculpture, folklores, festivals, and celebrations.”

Mubarak Ali (1941) Historian, activist, scholar

In Search of History, Chapter I: War and Peace in Historical Perspectives, p. 1
Culture

Music , Literature , Dance

“Painting does not use language. Abstract painting teaches us this, and this is what gives it its power of expression. If colour does not relate to the feelings of our soul through an external relation but finds its true being in them – as a pure sensation and a pure experience – then it does not even need to translate, through a means, the abstract content of our invisible life. It coincides with our invisible life and is its pathos: its suffering, its boredom, its neglect or its joy.”

Michel Henry (1922–2002) French writer

Books on Culture and Barbarism, Seeing the Invisible: On Kandinsky (1988)
Source: Michel Henry, Seeing the invisible: On Kandinsky, Continuum, 2009, p. 72

Soul , Suffering , Joy , Relation ships

“My entrance into the field of abstract art came about as the result of a visit to the studio of Piet Mondrian in Paris in 1930. I was particularly impressed by some rectangles of color he had tacked on his wall in a pattern after his nature. I told him I would like to make them [Mondrian's flat painting] oscillate, he objected. I went home and tried to paint abstractly - but in two weeks I was back again among plastic materials.”

Alexander Calder (1898–1976) American artist

1950s - 1960s, Excerpt, What Abstract Art Means to Me (1951)

Home , Art , Nature , Color

“The reform of our enormous state indeed demanded decentralization and redistribution of powers between the centre and the regions. But the local elites tried to paint this need in the exaggerated colours of 'national survival.'”

Mikhail Gorbachev (1931) General Secretary of the Communist Party of the Soviet Union

It worked!
1990s, Memoirs (1995)

“..[I] will now work on the painting 'The bitch in Heat', I have studies of the subject for a long time already. Actually it can better be called 'The fight therefore', because in the composition in the background three large dogs have a furious fight together.”

Herman Kruyder (1881–1935) Dutch painter

translation from original Dutch, Fons Heijnsbroek, 2018

(version in original Dutch / origineel citaat van Herman Kruyder:) ..[Ik] ga nu werken aan het schilderij 'De loopsche teef' heb daar al lang voorstudies van. Het kan eigenlijk beter 'Het gevecht daarom' heten, daar in de compositie in de achtergrond drie grote honden een grimmig gevecht leveren.

Kruyder in a letter to art-critic Albert Plasschaert, May 1934, in the RKD Archive, The Hague
dated quotes

Study , Time , Bitch , Dogs

“..Painting never means just never picturing the material things, but it is a psychological function, an expression of how his mind [of the artist] responds to things. So that is quite a difference with: painting is showing the beauty of things.”

Jan Mankes (1889–1920) Dutch painter

translation from original Dutch: Fons Heijnsbroek

(original Dutch: citaat van Jan Mankes, in het Nederlands:) Schilderen is.. ..nooit een afbeelding geven der stoffelijke zaken, maar een psychische functie, een uiten hoe zijn geest [van de kunstenaar] reageert ten opzichte der dingen. Dat is dus een heel verschil met: schilderen is de schoonheid der dingen laten zien.

Quote of Jan Mankes in a letter to his maceneas A.A.M. Pauwels in The Hague; as cited by J.R. de Groot in 'De bekoring van het gewone - Het werk van Jan Mankes https://www.dbnl.org/tekst/_ons003199001_01/_ons003199001_01_0014.php', p. 102
undated quotes

Beauty

“I wanted to paint crows in a big spot of lonely black with a digger head and paws. But stronger was nature which forced me to make a beast, sparkling of blue and purple, a subdued pleasure for the eyes.”

Jan Mankes (1889–1920) Dutch painter

translation from original Dutch: Fons Heijnsbroek

(original Dutch: citaat van Jan Mankes, in het Nederlands:) Ik wou kraaien schilderen in een groote plek van eenzaam zwart met doodgraverskop en pooten. Maar sterker was de natuur, die me een beest deed maken flonkerend van blauw en paars, een ingetogen oogenlust.

In a letter of Mankes to Annie van Beuningen-Eschauzier, 30 Nov. 1919; in particular collection; as cited Jan Mankes – in woord en beeld, ed. Sjoerd van Faassen; Museum Bèlvédère, Heerenveen, 2015 ISBN 1877-0983, n. 22, pp. 49-50
1915 - 1920

Pleasure , Nature , Making love

“I have finished a fairly large painting, the goat; I sometimes spoke to you about my plan. I believe it has become a real painting, and very complete.”

Jan Mankes (1889–1920) Dutch painter

translation from original Dutch: Fons Heijnsbroek

(original Dutch: citaat van Jan Mankes, in het Nederlands:) Ik heb een vrij groot schilderij af, de geit https://commons.wikimedia.org/wiki/File:Mankes_Jonge_witte_geit.jpg; over het plan daartoe sprak ik u wel eens. Het is dunkt me volkomen een schilderij geworden, en heel compleet.

Quote of Jan Mankes (1914) in a letter to A.A.M. Pauwels in The Hague; as cited by J.R. de Groot in 'De bekoring van het gewone - Het werk van Jan Mankes' https://www.dbnl.org/tekst/_ons003199001_01/_ons003199001_01_0014.php, p. 104

[https://commons.wikimedia.org/wiki/File:Mankes_Jonge_witte_geit.jpg
1909 - 1914

“Besides, the entire impressionism usually presented merely the things from the outside. And sometimes they did it so perfectly that a seventeen[the] century painting looks clumsy, as far as seeing is concerned.”

Jan Mankes (1889–1920) Dutch painter

Trouwens het geheele impressionisme gaf meestal weinig meer dan de uiterlijke zijde der dingen. En dat deden ze soms zoo volmaakt dat een zeventien[de] eeuwsch schilderij er onbeholpen tegen is, wat zién betreft.

In a letter to A.A.M. Pauwels in The Hague, 6 March 1913; as cited in Jan Mankes – in woord en beeld, ed. Sjoerd van Faassen; Museum Bèlvédère, Heerenveen, 2015 ISBN 1877-0983, n. 22, p. 28
1909 - 1914