“The grand style arises in poetry, when a noble nature, poetically gifted, treats with simplicity or with severity a serious subject.”

H 1
Aphorisms (1765-1799), Notebook H (1784-1788)

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 5

Source: American Nerd: The Story of My People

journal entry, Island Park, Idaho (26 August 1913) — the last field entry http://digitalcollections.pacific.edu/cdm/ref/collection/muirjournals/id/3843/show/3839 in Muir&#x27;s last field journal <br class="br">1910s

The Never-Ending Wrong (1977)
Context: They both spoke nobly at the end, they kept faith with their vows for each other. They left a great heritage of love, devotion, faith, and courage — all done with the sure intention that holy Anarchy should be glorified through their sacrifice and that the time would come that no human being should be humiliated or be made abject. Near the end of their ordeal Vanzetti said that if it had not been for "these thing" he might have lived out his life talking at street corners to scorning men. He might have died unmarked, unknown, a failure. "Now, we are not a failure. This is our career and our triumph. Never in our full life could we hope to do such work for tolerance, for justice, for man's understanding of man as now we do by accident. Our words — our lives — our pains — nothing! The taking of our lives — lives of a good shoemaker and a poor fish peddler — all! That last moment belongs to us — that agony is our triumph."
This is not new — all the history of our world is pocked with it. It is very grand and noble in words and grand, noble souls have died for it — it is worth weeping for. But it doesn't work out so well. In order to annihilate the criminal State, they have become criminals. The State goes on without end in one form or another, built securely on the base of destruction. Nietzsche said: "The State is the coldest of all cold monsters," and the revolutions which destroy or weaken at least one monster bring to birth and growth another.

Source: Art, 1912, Ch. V. Drawing and Color, p. 96

Ralph Waldo Emerson in "Goethe; or, the Writer" writes of this passage, and quotes a slightly different translation: The ardent and holy Novalis characterized the book as "thoroughly modern and prosaic; the romantic is completely levelled in it; so is the poetry of nature; the wonderful. The book treats only of the ordinary affairs of men: it is a poeticized civic and domestic story. The wonderful in it is expressly treated as fiction and enthusiastic dreaming:" — and yet, what is also characteristic, Novalis soon returned to this book, and it remained his favorite reading to the end of his life.
Novalis (1829)

note in her Journal, April 1903; as quoted in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 30
1900 - 1905

Wonder Boys (1995)