Quotes about music
page 18

Joanna MacGregor photo
Felix Adler photo
Burkard Schliessmann photo

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

Mark Heard photo

“Real music soars above class society.”

Beth Anderson (1950) American neo-romantic composer

Beauty is Revolution (1980)

Salman Rushdie photo

“The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skits, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims. United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list — yes, even the short skirts and the dancing — are worth dying for? The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them. How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.”

Salman Rushdie (1947) British Indian novelist and essayist

Step Across This Line: Collected Nonfiction 1992–2002

John Muir photo
Luciano Berio photo

“Music is everything that one listens to with the intention of listening to music.”

Luciano Berio (1925–2003) Italian composer

Two Interviews (1985), ISBN 0714528293

John Muir photo
Keshia Chante photo

“You need to love this with your heart and soul. You need to breathe music. My best advice — perform as much as you can. With every mistake, progress.”

Keshia Chante (1988) Canadian actor and musician

Interview with Shelia M. Goss, "Women In Music" at BellaOnline (2009) http://www.bellaonline.com/articles/art44926.asp

Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Willem Roelofs photo

“The goal, the pursuit of art is to move, like music does; to create sensations in our mind..”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

1880's

Michael Rosen photo

“Bloody music. I hate the way it infiltrates.”

Michael Rosen (1946) British children's writer

Carrying the Elephant

Hans von Bülow photo
Gloria Estefan photo
Donald Barthelme photo
Paul Verlaine photo

“Let's hear the music first and foremost,
And that means no more one-two-one-twos…
Something more vague instead, something lighter
Dissolving in air, weightless as air.
When you choose your words, no need to search
In strict dictionaries for pinpoint
Definitions. Better the subtle
And heady Songs of Imprecision.”

Paul Verlaine (1844–1896) French poet

De la musique avant toute chose,
Et pour cela préfère l'Impair
Plus vague et plus soluble dans l'air
Sans rien en lui qui pèse ou qui pose.
Il faut aussi que tu n'ailles point
Choisir tes mots sans quelque méprise:
Rien de plus cher que la chanson grise
Où l'Indécis au Précis se joint.
Source: "Art poétique", from Jadis et naguère (1884), Line 1; Sorrell p. 123

Morton Feldman photo

“My teacher Stefan Wolpe was a Marxist and he felt my music was too esoteric at the time. And he had his studio on a proletarian street, on Fourteenth Street and Sixth Avenue.... He was on the second floor and we were looking out the window, and he said, "What about the man on the street?"”

Morton Feldman (1926–1987) American avant-garde composer

At that moment . . . Jackson Pollock was crossing the street.
Quoted in in "AMERICAN SUBLIME : Morton Feldman's mysterious musical landscapes", by Alex Ross. in The New Yorker (19 June 2006)

Billy Corgan photo
Anne Louise Germaine de Staël photo
Pete Doherty photo

“If you've lost your faith in love and music
The end won't be long
But if it's gone for you I too may lose it
And that would be wrong…”

Pete Doherty (1979) English musician, writer, actor, poet and artist

"The Good Old Days" (with Carl Barat)
Lyrics and poetry

Frank Wilczek photo
Oliver Goldsmith photo
William Cobbett photo

“It would be tedious to dwell upon every striking mark of national decline: some, however, will press themselves forward to particular notice; and amongst them are: that Italian-like effeminacy, which has, at last, descended to the yeomanry of the country, who are now found turning up their silly eyes in ecstacy at a music-meeting, while they should be cheering the hounds, or measuring their strength at the ring; the discouragement of all the athletic sports and modes of strife amongst the common people, and the consequent and fearful increase of those cuttings and stabbings, those assassin-like ways of taking vengeance, formerly heard of in England only as the vices of the most base and cowardly foreigners, but now become so frequent amongst ourselves as to render necessary a law to punish such practices with death; the prevalence and encouragement of a hypocritical religion, a canting morality, and an affected humanity; the daily increasing poverty of the national church, and the daily increasing disposition still to fleece the more than half-shorne clergy, who are compelled to be, in various ways, the mere dependants of the upstarts of trade; the almost entire extinction of the ancient country gentry, whose estates are swallowed up by loan-jobbers, contractors, and nabobs, who, for the far greater part not Englishmen themselves, exercise in England that sort of insolent sway, which, by the means of taxes raised from English labour, they have been enabled to exercise over the slaves of India or elsewhere; the bestowing of honours upon the mere possessors of wealth, without any regard to birth, character, or talents, or to the manner in which that wealth has been acquired; the familiar intercourse of but too many of the ancient nobility with persons of low birth and servile occupations, with exchange and insurance-brokers, loan and lottery contractors, agents and usurers, in short, with all the Jew-like race of money-changers.”

William Cobbett (1763–1835) English pamphleteer, farmer and journalist

Political Register (27 October 1804).

Herbert Spencer photo

“Architecture, sculpture, painting, music, and poetry, may truly be called the efflorescence of civilised life.”

Herbert Spencer (1820–1903) English philosopher, biologist, sociologist, and prominent classical liberal political theorist

Education: What Knowledge Is of Most Worth?
Essays on Education (1861)

“I pointed to the side of the road and then I pulled over and parked. When the guy got out of the car he was stripped to the waist. A typical young macho stud. He put his face within two inches of mine, and he was telling me what I was and what he was going to do to me. So I did the natural thing. I reached in and got a headlock on him, and I had him very firmly while he thrashed around. I felt I was doing just fine because I had stopped what was going on, but his girlfriend decided that he wasn't doing very well. So she ran and jumped on us. They both fell on top of me and my head crashed into the pavement. I landed on my left ear, got a hairline fracture and concussion.
[…]
It was like some kind of nether world. Most of the time I didn't know where I was. Like I'd wake up and find I. V. units in my arm, and I'd rip 'em out and say, "What kind of a hotel is this? You tell them I'm never coming here again."
[…]
When I came home from the hospital I was having terrible nightmares every night, sometimes to the point where I started not wanting to go to sleep. And I still have occasional migraines, dry eyes and short-term memory loss.
[…]
If I discovered anything in that strange, 10-month period of recovery, it's that music is the one thing that makes me sane.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Fischer: A Ferocious Teddy Bear" http://articles.latimes.com/1992-07-03/entertainment/ca-1426_1_teddy-bear

Robert Grosseteste photo
Eric Hoffer photo
Bob Dylan photo

“Here's the thing with me and the religious thing. This is the flat-out truth: I find the religiosity and philosophy in the music. I don't find it anywhere else.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Dylan Revisited http://europe.newsweek.com/dylan-revisited-174056?rm=eu, Newsweek (1997)

Rose Wilder Lane photo
John Larroquette photo

“I was a French Quarter rat from the moment I could get on a bus by myself and go to the French Quarter. I played music most of my early life and it just seemed that to entertain people was a really good thing to do.”

John Larroquette (1947) born 1947; American film, television and stage actor

Responding to the question, "When did you know that the acting thing was for you?" during an interview with Tavis Smiley, http://www.pbs.org/kcet/tavissmiley/archive/200804/20080411_larroquette.html Tavis Smiley Tonight (2008-10-18).

Ray Comfort photo
Herbert Marcuse photo
Rousas John Rushdoony photo
Letitia Elizabeth Landon photo
Maynard James Keenan photo
Haruki Murakami photo

“Put music to our troubles and we'll dance them away.”

The Ghost.
A→B Life (2002)

John Milton photo
Wassily Kandinsky photo
Newton Lee photo
Lorin Maazel photo
Alexander Smith photo
Robert Smith (musician) photo
James Jeans photo
Paul Klee photo

“Music, for me, is a love bewitched. / Fame as a painter? / Writer, modern poet? Bad joke. / So I have no calling, and loaf.”

Paul Klee (1879–1940) German Swiss painter

Quote (1899), # 67, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902

Marianne Moore photo

“There is an inevitable connection between music and poetry.”

Marianne Moore (1887–1972) American poet and writer

Quoted in Poetry Review 26 Sept 1935
Prose

Hariprasad Chaurasia photo
Honoré de Balzac photo

“Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.”

Honoré de Balzac (1799–1850) French writer

Il y a deux musiques: une petite, mesquine, de second ordre, partout semblable à elle-même, qui repose sur une centaine de phrases que chaque musicien s'approprie, et qui constitue un bavardage plus ou moins agréable avec lequel vivent la plupart des compositeurs.
Massimilla Doni http://fr.wikisource.org/wiki/Massimilla_Doni (1839), translated by Clara Bell and James Waring

George Steiner photo
Frank Klepacki photo
Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo
Maynard James Keenan photo

“For the music, it’s not about the individual — so the more you let the music speak for yourself, the more powerful the music will be.”

Maynard James Keenan (1964) musician

Carl Kozlowski (September 11, 2008) "Taste in the making: Tool’s Maynard James Keenan shifts his focus from writing dark lyrics to creating zesty wines" http://www.pasadenaweekly.com/cms/story/detail/taste_in_the_making/6378/, Pasadena Weekly. Southland Publishing.

Joseph McManners photo
Elaine Paige photo
Gloria Estefan photo
Conrad Aiken photo
Arthur Koestler photo
Marianne Moore photo

“Music should be directed by the ear, poetry by the imagination”

Marianne Moore (1887–1972) American poet and writer

Review -Jean Gaingne -New & Selected Poems 1967
Prose

Bhimsen Joshi photo

“I accept this honour on behalf of all Hindustani vocalists who have dedicated their life to music.”

Bhimsen Joshi (1922–2011) Indian vocalist

On being told about the Bhrata Ratna award being conferred upon him. Bharat Ratna for Vocalist Pandit Bhimsen Joshi, 29 November 2013, Rediff.com http://www.rediff.com/news/2008/nov/04ratna.htm,

Francis Bacon photo
Alfred Brendel photo
Anastacia photo
James Russell Lowell photo

“His words were simple words enough,
And yet he used them so,
That what in other mouths was rough
In his seemed musical and low.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

The Shepherd of King Admetus http://www.readbookonline.net/readOnLine/1170/, st. 5

Natalie Merchant photo
Luther Burbank photo
Hariprasad Chaurasia photo
Billy Corgan photo
Tigran Petrosian photo

“Chess is a game by its form, an art by its content and a science by the difficulty of gaining mastery in it. Chess can convey as much happiness as a good book or work of music can.”

Tigran Petrosian (1929–1984) Soviet Georgian Armenian chess player and chess writer

Attributed without citation in "Tigran Petrosian's Best Games" http://www.chessgames.com/perl/chesscollection?cid=1014968 at chessgames.com

Zakir Hussain (musician) photo
Elton John photo
David Mumford photo
Andrei Tarkovsky photo
Elfriede Jelinek photo
Siobhan Fahey photo
Paul Simon photo
George Steiner photo

“For many human beings, religion has been the music which they believe in.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), III: Presences, Ch. 6 (p. 218).

M. Balamuralikrishna photo

“Style. It varies from person to person. Without it music will be monotonous.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Chitra Swaminathan "He defines ‘style’ as tradition".

Roger Manganelli photo
Dylan Moran photo
Eduard Hanslick photo

“That the sweetly intoxicating three-four rhythm which took hold of hand & foot, necessarily eclipsed great & serious music & made the audience unfit for any intellectual effort goes without saying.”

Eduard Hanslick (1825–1904) austrian musician and musicologist

Quoted by Long Beach Opera Co. http://www.longbeachopera.org/index.php4?id=200403

Margaret Fuller photo
Joe Zawinul photo
Jon Anderson photo
Noel Fielding photo
Martin Mull photo

“Writing about music is like dancing about architecture.”

Martin Mull (1943) American actor

(on or before 1979), attributed in print in the magazine Time Barrier Express in the September-October 1979 issue in an article by Gary Sperrazza. Writing About Music is Like Dancing About Architecture: Laurie Anderson? Steve Martin? Frank Zappa? Martin Mull? Elvis Costello? Thelonius Monk?, Quote Investigator (blog), November 9, 2010 http://quoteinvestigator.com/2010/11/08/writing-about-music/,
Attributed

Linda Ronstadt photo

“For all families, participation in music and the arts, can help people reclaim and achieve the American dream.”

Linda Ronstadt (1946) American pop singer

Linda Ronstadt, Arts Advocacy Day 2009 Congressional Hearing https://www.youtube.com/watch?v=uLo6o_ayKZ0, 1 May 2009

Alexander Borodin photo

“Music is a pastime, a relaxation from more serious occupations.”

Alexander Borodin (1833–1887) Russian composer, doctor and chemist

Letter to V A Krylov, 1867, in Borodin: Collected Letters.

George Eliot photo
Joseph Martin Kraus photo

“Should the music in the churches not at the most be for the heart? Are fugues made for that?”

Joseph Martin Kraus (1756–1792) German composer

Soll die Musik in den Kirchen nicht am meisten fürs Herz seyn? Taugen darzu Fugen?
96
Etwas von und über Musik fürs Jahr 1777

Igor Stravinsky photo
Arnold Schoenberg photo

“My music is not modern, it is merely badly played”

Arnold Schoenberg (1874–1951) Austrian-American composer

Genette, Gérard. 1997. Immanence and Transcendence, translated by G. M. Goshgarian. p. 102
Undated

Slim Burna photo
A. R. Rahman photo

“I think musicians here [India] get ripped off. Music production houses take good care of artists abroad and though the upfront signing amount is much less than what I get here, the royalty takes care of future returns.”

A. R. Rahman (1966) Indian singer and composer

In A R Rahman: Composing a winning score, 21 September 2002, 16 December 2013, Rediff.com http://www.rediff.com/money/2002/sep/21bizsp.htm,

Johannes Tinctoris photo

“Rhythmical music is that which is made by instruments which render the sound by touch.”

Johannes Tinctoris (1435–1511) Flemish composer

Dictionary of Musical Terms (1475)