Quotes about music (3440 quotes, page 18)

“I am attracted only to music which I consider to be better than it can be performed. Therefore I feel (rightly or wrongly) that unless a piece of music presents a problem to me, a never-ending problem, it doesn't interest me too much.”

Artur Schnabel (1882–1951) Austrian pianist

Often misquoted as "Great music is better than it can be performed".
Source: My Life and Music (1961), p. 121

Feeling , Problem

“Two lovers move in the crowd like a link of music,
We press upon them, we hold them, and let them pass;
A chord of music strikes us and straight we tremble;
We tremble like wind-blown grass.”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Lovers , Grass

“You can give music variation without changing the notes. When you get close to a piece there will inevitable be tinkering. I sometimes wonder if concert pianists expend so much effort and energy finding new ways to interpret that what they really need is some more direct form of self-expression.”

Joanna MacGregor (1959) British musician

Denver Post, 18/02/2005
On Classical Music

Way , Effort , Change

“It [music] is the nourishment for my joy to live.”

Yoko Shimomura (1967) Japanese video game composer

WDR.de, Partituren für PC - Die virtuose Musik der Computerspiele http://www.wdr5.de/fileadmin/user_upload/Sendungen/Scala/2008/08/Manuskripte/08_20_MusikComputerspiele_01.pdf

Joy

“Friends share music with each other, they don't allow themselves to be divided by a system that says that nobody is supposed to have copies.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

LibrePlanet Keynote Speech (2015) @20:45 https://media.libreplanet.org/u/libreplanet/m/richard-stallman-free-software-free-hardware/
2010s

“Prokofiev’s playing of lyrical music is especially noteworthy. His phrasing can be exquisitely beautiful in its dynamic molding (second theme of the Andante assaifrom Sonata No. 4; the middle section of Vision fugitive, op. 22, no. 11), and his polyphonic voicing can be clear and expressive”

Boris Berman (1948) Russian/American musician

Sonatina pastorale, op. 59, no. 3
Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev the pianist

Beauty

“Undoubtedly the best language for the expression of this ‘unfathomable’ quality was music. The infinity of musical spheres of expression, independent of rationality, is often perceived as ‘unfathomable’ by listeners too. The formal principles of order seem to lie hidden deeper in this art than in others. In the twentieth century the great creative minds, when faced with Romantic artistic urges running riot which they believe must be overcome, or feel they have succeeded in overcoming, have stressed the importance of existing rules; they have followed traditional forms, or else, in their search for new ways to connect, have found and set up new formula-tions and principles. The young Schumann’s creative path led in the opposite direction, from classical forms, however deeply revered, to the freedom of subjective self-expression.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Lie , Art , Way , Feeling

“Do we have anything in music for example that really wipes everything out? That just cleans everything away?”

Morton Feldman (1926–1987) American avant-garde composer

Quoted from a 1982 lecture

“Homosexual music for catholic girls.”

Jaani Peuhu (1978) Finnish musician

Futurecords: Bands, 2005-03-01 http://www.futurecords.fi/bands.html,

Girl

“The pre-World War I works of Schoenberg, Berg, and Webern, "give a glimpse of a new universe of emancipated discourse, unfortunately quickly abandoned when Schoenberg returned to the classical musical shapes upon adopting the twelve-tone system."”

Elliott Carter (1908–2012) American composer

Elliott Carter (1977). The Writings of Elliott Carter, p.186. Bloomington: Indiana University Press.
Cited in Albright, Daniel (2004). Modernism and Music: An Anthology of Sources. University of Chicago Press. ISBN 0226012670.

War , World , Universe

“For all the sublimity of art, physics, music, mathematics, and other manifestations of human genius, everything depends on the mundane, frustrating, often debased vocation known as politics (and its most exacting subspecialty — statecraft). Because if we don't get politics right, everything else risks extinction.”

Charles Krauthammer (1950–2018) American journalist

2010s, 2011, Are we alone in the universe? (2011)

Art , Mathematics , Dependency

“How I regret not having told César Franck of my profound admiration for him and his music. After playing he Sonata for violin for the first time, I nearly wept over certain phrases. The beauty of it overwhelmed me.”

Pierre Monteux (1875–1964) French conductor

Quoted in Monteux, Doris G (1965). It's All in the Music: The Life and Work of Pierre Monteux. New York: Farrar, Straus and Giroux. OCLC 604146, p. 196

Beauty , Time

“Though all the bards of earth were dead,
And all their music passed away,
What Nature wishes should be said
She’ll find the rightful voice to say.”

William Winter (1836–1917) American writer

The golden Silence, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Nature , Dead

“The American male runs half of the global world and grows up on rock music from day one. If you can alter the psyche of someone who's growing up to be a rapist or a total misogynist, you're creating values and instead of making the void bigger, you're making it smaller.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On her goals in songwriting, The Guardian (December 11, 1991)
1991–1995

World

“Folk-art signifies the poetical, musical and pictorial activities of those strata of the population which are uneducated and not urbanized or industrialised.”

Arnold Hauser (1892–1978) Hungarian art historian

Arnold Hauser, cited in: Bihar Tribal Research Institute (1961). Bulletin of the Bihar Tribal Research Institute. Vol. 3-4, p. 144

Art

“The really good music, whether of the East or of the West, cannot be analyzed.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Interview with Rabindranath Tagore (14 April 1930), published in The Religion of Man (1930) by Rabindranath Tagore, p. 222, and in The Tagore Reader (1971) edited by Amiya Chakravarty
1930s

“Music for me is like a balsam. I always whish that when people are watching me or listening to me, they take with them this energy I receive from God.”

Simone Bittencourt de Oliveira (1949) Brazilian singer

Rede Globo, 1995

God , People

“Compatibility, not incompatibility, is the issue. For pc set 'analysis' is incompatible with nothing, as the fact of its universal potential applicability already testifies. It begins not with observation of musical particularities but with a universe of possibilities. The comparison of any musical entity with such a universe yields an inexhaustible quarry of 'true facts' but no criterion of relevence. As long as not such criterion has been established…the endless stream of ostensible relations stemming from the pc survey can persuade us for a while that analysis is being accomplished. But in fact it is only a tabulation that can just as well be carried on in the presense of analysis as in its absence (hence the universal 'compatibility'). Nor is it really so innocuous as I may be making it seem, since in its anodyne effect (one never comes back from the fishing expedition empty-handed, there is always 'something to say' some 'finding' to report) it can deflect attention away from the task at hand, which is to formulate analytical methods, not concoct a universal solvent.”

Richard Taruskin (1945) American writer

Taruskin, Richard. "Reply to van den Toorn", p. 57.

Fish , Universe

“There’s obviously always danger in making music or art for art’s sake. Even as Christians we can be guilty of that, being more about the art than the Artist who gave us this gift.”

Steven Curtis Chapman (1962) American Christian music singer-songwriter, record producer, actor, author, and social activist

Press conference after 2007 GMA Music Awards http://video.google.com/videoplay?docid=-5378840845486744543&q=steven+curtis+chapman

Art

“My hope is that people who grew up on J. D. Salinger's Catcher in the Rye, the poetry of Allen Ginsberg, the folk music of Pete Seeger, the protest ballads of Country Joe, the anarchic insolence of the Beatles and the Rolling Stones, the biting satire of Mort Sahl and Lenny Bruce, the acid rock of Bob Dylan, the sociology of Paul Goodman and Herbert Marcuse, the Summer of Love and the Days of Rage, will not be content to spend their retirement years on cruise ships or feeding their Social Security checks into slot machines at the nearest casino.”

Theodore Roszak (1933–2011) American social historian, social critic, writer

The Making of an Elder Culture (2009)

Love , People , Hope , Rage

“I hate the way that you are so sarcastic, and you're not very bright. You think that everything you've done's fantastic, your music's shite it keeps me up all night.
And it will be nice to be alone, for a week or two, but I know then I will be right, right back here with you”

Noel Gallagher (1967) British musician

Married With Children
Definitely Maybe (1994)

Hate , Way , Thinking , Night

“Crooning. A reprehensible form of singing that established itself in light entertainment music in about the 1930s. It recommended itself at first to would-be singers without voices who were unable to acquire an adequate technique and later to a large public because anything, however inartistic, is likely to become popular if only it is done often enough by a large enough number of people.”

Eric Blom (1888–1959) Swiss-born British-naturalised music lexicographer, musicologist, music critic, music biographer and transl…

Article, Crooning, p. 121
Everyman's Dictionary of Music (London: J. M Dent & Sons; 3rd ed. 1958)

People , Light , Singing

“The musicians who interest me most are people like Nitin Sawhney, Talvin Singh, Django Bates. They are not just writing music but performing it, recording it, putting tours together and running their own labels. That is what real musicians are, rather than over-publicised specialists.”

Joanna MacGregor (1959) British musician

Independent On Sunday, 14/10/2001
On Classical Music

People

“The exercises of our meeting are to be simple and devoid of all ceremonial and formalism. They are to consist of a lecture mainly, and, as a pleasing and grateful auxiliary, of music to elevate the heart and give rest to the feelings.”

Felix Adler (1851–1933) German American professor of political and social ethics, rationalist, and lecturer

Founding Address (1876)

Feeling , Exercises , Heart

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

Life , God , Peace , Faith

“Music is a solace for me now. As I age, contrary to common sense, I am more and more drawn into it and apt to spend more of my waking and some of my sleeping hours thinking about it, or just feeling about it. It is my escape.”

Mark Heard (1951–1992) American musician and record producer

Life in the Industry: A Musician's Diary

Age , Feeling , Thinking , Sense

“My teacher Stefan Wolpe was a Marxist and he felt my music was too esoteric at the time. And he had his studio on a proletarian street, on Fourteenth Street and Sixth Avenue.... He was on the second floor and we were looking out the window, and he said, "What about the man on the street?"”

Morton Feldman (1926–1987) American avant-garde composer

At that moment . . . Jackson Pollock was crossing the street.
Quoted in in "AMERICAN SUBLIME : Morton Feldman's mysterious musical landscapes", by Alex Ross. in The New Yorker (19 June 2006)

Teachers , Time

“Bloody music. I hate the way it infiltrates.”

Michael Rosen (1946) British children's writer

Carrying the Elephant

Hate , Way

“Real music soars above class society.”

Beth Anderson (1950) American neo-romantic composer

Beauty is Revolution (1980)

“In the intellectual market the quantity of the demand rises in proportion to that of the supply, but its quality does not keep pace with this increase. For example, the Old Testament of pianoforte players, Bach’s “Wohltenoerurtes Klavier” is perhaps in almost as many hands as the New Testament, Beethoven’s Pianoforte Sonatas, but in few more heads than it was in former years, when it could only be had for six times the present price. Doubtless, its leaves are somewhat oftener turned over, but now, as then, about the sixth part, likely enough just the first sixth, is all that is studies in the real meaning of the word. Here truly is little more gained than a merely superficial acquaintance with the great father of German music.”

Hans von Bülow (1830–1894) German musician

Preface to Instructive ausgabe. Klavier-Etuden von Fr. Chopin, 1880.

Study , Time , Parting

“The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skits, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims. United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list — yes, even the short skirts and the dancing — are worth dying for? The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them. How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.”

Salman Rushdie (1947) British Indian novelist and essayist

Step Across This Line: Collected Nonfiction 1992–2002

Love , Life , Women , War

“I had built a little cabin in Yosemite, and for convenience in getting water, and for the sake of music and society, I led a small stream from Yosemite Creek into it. Running along the side of the wall it was not in the way, and it had just fall enough to ripple and sing in low, sweet tones, making delightful company, especially at night when I was lying awake. Then a few frogs came in and made merry with the stream, — and one snake.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: 1900s, Our National Parks (1901), chapter 6: Among the Animals of the Yosemite

Way , Lying , Water , Singing

“Everything is flowing — going somewhere, animals and so-called lifeless rocks as well as water. Thus the snow flows fast or slow in grand beauty-making glaciers and avalanches; the air in majestic floods carrying minerals, plant leaves, seeds, spores, with streams of music and fragrance; water streams carrying rocks …. While the stars go streaming through space pulsed on and on forever like blood globules in Nature's warm heart.”

John Muir book My First Summer in the Sierra

Terry Gifford, EWDB, page 277
1860s, My First Summer in the Sierra, 1869

Beauty , Star , Nature , Water

“You need to love this with your heart and soul. You need to breathe music. My best advice — perform as much as you can. With every mistake, progress.”

Keshia Chante (1988) Canadian actor and musician

Interview with Shelia M. Goss, "Women In Music" at BellaOnline (2009) http://www.bellaonline.com/articles/art44926.asp

Love , Soul , Heart

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Life , God , War , Health

“The goal, the pursuit of art is to move, like music does; to create sensations in our mind..”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

1880's

Art

“Music is everything that one listens to with the intention of listening to music.”

Luciano Berio (1925–2003) Italian composer

Two Interviews (1985), ISBN 0714528293

“We wanted to show the influence Cuban music has had on musicians from all over, so we invited 25 of the top Latin musicians in the world, and it was a great honor they paid me. Some of them are actually inventors, like Cachao, the Cuban bassist creditied with creating mambo.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Latina Magazine (September, 2007)
2007, 2008

World

“—On the dedication page of the rebellion, we see the words “To Clementine”. A fine sentiment, miscellaneous organ music next, and, turning several pages, massed orange flags at the head of the column. This will not be easy, but neither will it be hard. Good will is everywhere, and the lighthearted song of the gondoliers is heard in the distance.
—Yes, success is everything. Morally important as well as useful in a practical way.
—What have the rebels captured thus far? One zoo, not our best zoo, and a cemetery. The rebels have entered the cages of the tamer animals and are playing with them, gently.
—Things can get better, and in my opinion will.
—Their Graves Registration procedures are scrupulous—accurate and fair.
—There’s more to it than playing guitars and clapping along. Although that frequently gets people in the mood.
—Their methods are direct, not subtle. Dissolution, leaching, sandblasting, cracking and melting of fireproof doors, condemnation, water damage, slide presentations, clamps and buckles.
—And skepticism, although absolutely necessary, leads to not very much.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“The Crisis”, opening
Great Days (1979)

People , Way , Mood , Water

“Let's hear the music first and foremost,
And that means no more one-two-one-twos…
Something more vague instead, something lighter
Dissolving in air, weightless as air.
When you choose your words, no need to search
In strict dictionaries for pinpoint
Definitions. Better the subtle
And heady Songs of Imprecision.”

Paul Verlaine (1844–1896) French poet

De la musique avant toute chose,
Et pour cela préfère l'Impair
Plus vague et plus soluble dans l'air
Sans rien en lui qui pèse ou qui pose.
Il faut aussi que tu n'ailles point
Choisir tes mots sans quelque méprise:
Rien de plus cher que la chanson grise
Où l'Indécis au Précis se joint.
Source: "Art poétique", from Jadis et naguère (1884), Line 1; Sorrell p. 123

Search

“The bases of music are rhythm and harmony. Rhythm is ordered recurrence in time… As the planets move around the sun, they repeat their orbits periodically; thus there is already a primitive kind of rhythm in their motion…. Harmony… can be considered a special kind of rhythm…. pure musical tones are produced when the vibrations are… periodic or… repeat themselves regularly in time. Two tones harmonize if their intervals of repetition are in rhythm—or, in mathematical language, if their periods are in proportion. Kepler… in the third book of Harmonice mundi… attempted to make other… related, connections between musical harmony and mathematical proportion.”

Frank Wilczek (1951) physicist

Longing for the Harmonies: Themes and Variations from Modern Physics (1987)

Books , Mathematics , Time , Sun

“If you've lost your faith in love and music
The end won't be long
But if it's gone for you I too may lose it
And that would be wrong…”

Pete Doherty (1979) English musician, writer, actor, poet and artist

"The Good Old Days" (with Carl Barat)
Lyrics and poetry

Love , Faith

“Music is not a way to reach god. Music is god.”

Krishna Kant Shukla (1959) Indian Classical musician

God , Way

“…Instead of taking the 'I'm cool, I hope you adore me' path (with my music), I chose the path of how to connect. I think that's the reason a lot of people feel a deeper connection with our band than other bands, and I also feel that's why people polarize on us. If you don't get it, it seems preposterous; if you do get it, it's really heavy -- it has a weight to it.”

Billy Corgan (1967) American musician, songwriter, producer, and author

"Mellon Collie and the Infinite Success." LIVE! Magazine. August 1996.

People , Hope , Feeling , Thinking

“Let us then blend everything: love, religion, genius, with sunshine, perfume, music, and poetry.”

Anne Louise Germaine de Staël book Corinne

Bk. 10, ch. 5
Corinne (1807)

Love , Religion

“Architecture, sculpture, painting, music, and poetry, may truly be called the efflorescence of civilised life.”

Herbert Spencer (1820–1903) English philosopher, biologist, sociologist, and prominent classical liberal political theorist

Education: What Knowledge Is of Most Worth?
Essays on Education (1861)

Life , Painting

“Here's the thing with me and the religious thing. This is the flat-out truth: I find the religiosity and philosophy in the music. I don't find it anywhere else.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Dylan Revisited http://europe.newsweek.com/dylan-revisited-174056?rm=eu, Newsweek (1997)

Truth

“Universities are an example of organizations dominated wholly by intellectuals; yet, outside pure science, they have not been an optimal milieu for the unfolding of creative talents. In neither art, music, literature, technology and social theory, nor planning have the Universities figured as originators or as seedbeds of new talents and energies.”

Eric Hoffer (1898–1983) American philosopher

Entry (1956)
Eric Hoffer and the Art of the Notebook (2005)

Art , Literature , Optimism , Universe

“And since the proportions of the human voice and the gesticulations of the human body are regulated by the same modulation as that by which sound and the motion of other bodies are, musical thought is subalternated not only to the harmony of human voice and gesticulation, but also of instruments and of those whose delectation consist in motion or sound and with these the harmony of the celestial and non-celestial. And since the concordance of times and the composition and harmony of the lower world and of all things composed of four elements come from celestial motions, and, moreover, since it is necessary to find the harmony of causes in their effects, the study of music also extends to knowing the proportions of times and the constitution of the elements of the lower world, and even the composition of all the elements.”

Robert Grosseteste (1175–1253) English bishop and philosopher

As quoted by Tanner, Bower, McLeish, and Gaspar in Ch. 1. "Unity and Symmetry in the De Luce of Robert Grosseteste," Robert Grosseteste and the pursuit of Religious and Scientific Learning in the Middle Ages (2016) ed., Jack P. Cunningham, Mark Hocknull, p. 17.
De artibus liberalibus (c. 1222-1237)

World , Study , Time

“It would be tedious to dwell upon every striking mark of national decline: some, however, will press themselves forward to particular notice; and amongst them are: that Italian-like effeminacy, which has, at last, descended to the yeomanry of the country, who are now found turning up their silly eyes in ecstacy at a music-meeting, while they should be cheering the hounds, or measuring their strength at the ring; the discouragement of all the athletic sports and modes of strife amongst the common people, and the consequent and fearful increase of those cuttings and stabbings, those assassin-like ways of taking vengeance, formerly heard of in England only as the vices of the most base and cowardly foreigners, but now become so frequent amongst ourselves as to render necessary a law to punish such practices with death; the prevalence and encouragement of a hypocritical religion, a canting morality, and an affected humanity; the daily increasing poverty of the national church, and the daily increasing disposition still to fleece the more than half-shorne clergy, who are compelled to be, in various ways, the mere dependants of the upstarts of trade; the almost entire extinction of the ancient country gentry, whose estates are swallowed up by loan-jobbers, contractors, and nabobs, who, for the far greater part not Englishmen themselves, exercise in England that sort of insolent sway, which, by the means of taxes raised from English labour, they have been enabled to exercise over the slaves of India or elsewhere; the bestowing of honours upon the mere possessors of wealth, without any regard to birth, character, or talents, or to the manner in which that wealth has been acquired; the familiar intercourse of but too many of the ancient nobility with persons of low birth and servile occupations, with exchange and insurance-brokers, loan and lottery contractors, agents and usurers, in short, with all the Jew-like race of money-changers.”

William Cobbett (1763–1835) English pamphleteer, farmer and journalist

Political Register (27 October 1804).

Death , Money , People , Fear

“Oh sir! I must not tell my age.
They say women and music should never be dated.”

Oliver Goldsmith She Stoops to Conquer

She Stoops to Conquer (1771), Act III

Women , Age

“Since 1914…I wait for the natural to return; for newspapers to report news with care for accuracy and grammar; for schools to teach and for pupils to study; for faces to be sane and intelligent, and even humorous; for American artists and poets and writers to be exuberant and optimistic…it is all gone with the music of Vienna and the gaiety of San Francisco. But I still see everything against that background, and really I see nothing funny anywhere. The Beatnik beard and the mini skirt and the topless waitress, they ARE funny, I know they are funny but they only make me tired, I don't laugh.”

Rose Wilder Lane (1886–1968) American journalist

letter to Roger MacBride (March 5, 1968).
reflecting her impressions of the world of 1968, at the age of 81.

School , Intelligence , Nature , Study

“I pointed to the side of the road and then I pulled over and parked. When the guy got out of the car he was stripped to the waist. A typical young macho stud. He put his face within two inches of mine, and he was telling me what I was and what he was going to do to me. So I did the natural thing. I reached in and got a headlock on him, and I had him very firmly while he thrashed around. I felt I was doing just fine because I had stopped what was going on, but his girlfriend decided that he wasn't doing very well. So she ran and jumped on us. They both fell on top of me and my head crashed into the pavement. I landed on my left ear, got a hairline fracture and concussion.
[…]
It was like some kind of nether world. Most of the time I didn't know where I was. Like I'd wake up and find I. V. units in my arm, and I'd rip 'em out and say, "What kind of a hotel is this? You tell them I'm never coming here again."
[…]
When I came home from the hospital I was having terrible nightmares every night, sometimes to the point where I started not wanting to go to sleep. And I still have occasional migraines, dry eyes and short-term memory loss.
[…]
If I discovered anything in that strange, 10-month period of recovery, it's that music is the one thing that makes me sane.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Fischer: A Ferocious Teddy Bear" http://articles.latimes.com/1992-07-03/entertainment/ca-1426_1_teddy-bear

World , Cars , Guy , Home

“I come to a performance of music that I know very well as if I were performing it for the first time. Every day is a new day, a new experience. This is the way I approach a masterpiece. A masterpiece can never age - it's only the people who perform it or listen to it who become insensitive to it. If you come with a fresh feeling toward a masterpiece, it will always feel fresh and give you the benefit of its genius.”

Lorin Maazel (1930–2014) French-American conductor

As quoted in Successories.com http://www.successories.com/iquote/author/14767/lorin-maazel-quotes/1

People , Age , Way , Feeling

“One of my biggest heroes in music has been David Bowie. He's said, `I'm going to be a painter now, or I'm going to do some films,' and his audience is very forgiving, because they understand him as an artist. Whether you agree or like the result, you respect that he's expressing his artistic feelings.”

Maynard James Keenan (1964) musician

The Record staff (March 22, 2000) "Music News & Notes", The Record, p. Y4.

Feeling , Forgiveness , Understanding

“I always say—a prejudice on my part, I'm sure—you can tell a lot about a person's character from his choice of sofa. Sofas constitute a realm inviolate unto themselves. This, however, is something that only those who have grown up sitting on good sofas will appreciate. It's like growing up reading good books or listening to good music. One good sofa breeds another good sofa; one bad sofa breeds another bad sofa. That's how it goes. There are people who drive luxury cars, but have only second- or third-rate sofas in their homes. I put little trust in such people. An expensive automobile may well be worth its price, but it's only an expensive automobile. If you have the money, you can buy it, anyone can buy it. Procuring a good sofa, on the other hand, requires style and experience and philosophy. It takes money, yes, but you also need a vision of the superior sofa. That sofa among sofas.”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Source: Hard-Boiled Wonderland and the End of the World (1985), Chapter Five: Tabulations, Evolution, Sex Drive

Money , People , Books , Cars

“To encourage children into Rock Music is to place them into the white hot arms of Molech and the beat and power behind the music will drown out the cries of your child as occultic powers consume him and drag him into the fires of hell!”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

The Pit of Hell!: Unbelievable Satanic Deception Flooding the Earth! (1983)

Children , Hell

“The neo-conservative critics of leftist critics of mass culture ridicule the protest against Bach as background music in the kitchen, against Plato and Hegel, Shelley and Baudelaire, Marx and Freud in the drugstore. Instead, they insist on recognition of the fact that the classics have left the mausoleum and come to life again, that people are just so much more educated. True, but coming to life as classics, they come to life as other than themselves; they are deprived of their antagonistic force, of the estrangement which was the very dimension of their truth.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), p. 64

Life , People , Truth , Education

“Put music to our troubles and we'll dance them away.”

Aaron Weiss

The Ghost.
A→B Life (2002)

Dance

“[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter; … Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme, … as have also long since our best English tragedies, as… trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.”

John Milton (1608–1674) English epic poet

Introduction to Paradise Lost Added, 1668

Age , Sense , Learning

“Painting is a thundering conflict of different worlds, which in and out of the battle with one another are intended to create the new world, which is called the world of art. Each work arises technically in a way similar to that in which the cosmos arose – through catastrophes, which from the chaotic roaring of the instruments finally create a symphony, the music of the spheres. The creation of the work is the creation of worlds.”

Wassily Kandinsky (1866–1944) Russian painter

Source: 1916 -1920, Autobiography', 1918, p. 34

World , Art , Way , Painting

“Computers and music are converging in a new era of digital Renaissance as more and more musicians such as will. i. am are learning how to code while an increasing number of software programmers are learning how to play music.”

Newton Lee American computer scientist

Digital Da Vinci: Computers in Music, 2014

Learning

“I was a French Quarter rat from the moment I could get on a bus by myself and go to the French Quarter. I played music most of my early life and it just seemed that to entertain people was a really good thing to do.”

John Larroquette (1947) born 1947; American film, television and stage actor

Responding to the question, "When did you know that the acting thing was for you?" during an interview with Tavis Smiley, http://www.pbs.org/kcet/tavissmiley/archive/200804/20080411_larroquette.html Tavis Smiley Tonight (2008-10-18).

Life , People

“The sad fact is that not only is the youth exposed to rock, but rock is coming into the church. So called Christian rock; and it’s being sung by the choir. You actually hear now and then about a rock mass or a rock service. I spoke a few years ago at a church which was…I’ll never be asked about. A very large church with a plant that was equal to a small college campus, and I don’t mean too small of a college, a fair sized one. They had a number of choirs; they had one man in charge of all the music in the church, overall music director, a very brilliant, very intelligent man, but as wrongheaded as I’ve ever seen. Because he told me that his belief was that the only kind of music that should be played or sung or used in a church or any place was throw away music; that was his term. Music that was hip, so up to the moment, that it would capture the mood of the youth who were listening to the latest on television or radio. Music which six months down the line would be out of date because it would be throw away music, music of the moment, in order to speak to the youth. And I tried to get through this point to him, that speaking to them in terms of what’s of the moment is not what it’s all about it, it’s speaking from the Lord with eternal truths.”

Rousas John Rushdoony (1916–2001) American theologian

Audio lectures, Dangers Inherent in Public Education (March 24, 1986)

Truth , Youth , Sadness , Intelligence

“But music is a mystery, and viewless
Even when present, and is less man's act,
And less within his order; for the hand
That can call forth the tones, yet cannot tell
Whither they go, or if they live or die,
When floated once beyond his feeble ear;”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Erinna
The Golden Violet (1827)

“Music, for me, is a love bewitched. / Fame as a painter? / Writer, modern poet? Bad joke. / So I have no calling, and loaf.”

Paul Klee (1879–1940) German Swiss painter

Quote (1899), # 67, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902

Love

“I have a bag full of words, and when one of us comes up with a good piece of music, I look in the bag to see if anything there will fit. If nothing does, I sit down and try to put down on paper what the music makes me feel; very rarely will a piece of writing inspire a piece of music.”

Robert Smith (musician) (1959) English singer, songwriter and musician

CANOE 1996

Feeling

“This spectrum is of the type known in spectroscopy as a line-spectrum. Its appearance is that of a group of bright lines on a dark background, indicating that the radiation divides itself between a number of clearly defined frequencies, and that there is no radiation in between. Before Bohr's explanation appeared, these frequencies had been supposed to belong to some sort of vibration taking place in the hydrogen atom - like frequencies of the musical note which is heard when a bell or piano wire is made to vibrate. It now became clear that they had an entirely different origin. The energy exhibited in the spectrum was not liberated by a vibration, or any kind of continuous motion, but by the sudden jump of an electron to an orbit of lower energy, and its frequency was determined by the compulsion put upon it to form a single quantum.”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

Appearance

“There is an inevitable connection between music and poetry.”

Marianne Moore (1887–1972) American poet and writer

Quoted in Poetry Review 26 Sept 1935
Prose

“The soul of man is like the rolling world,
One half in day, the other dipt in night;
The one has music and the flying cloud,
The other, silence and the wakeful stars.”

Alexander Smith (1829–1867) Scottish poet and essayist

Horton.

World , Soul , Star , Silence

“In the United States dramatically, here fortunately much less so, the book store as we have known it is dying. In the United States it is now largely an emporium, featuring music, records, Christmas cards, a large range fo semi-cultural and kitsch products with books fighting for their actual spatial lives. In some of the great university towns such as New Haven, or Princeton, within the past decade, the last good book stores have had to close, and what we have now are text book emporia which are not book stores, but store-houses bracketed according to set reading lists: in other words—where there is none of the genius of waste which a great book store has, where you cannot find what you are not looking for, which is the very essence of a book store.”

George Steiner (1929–2020) American writer

Do Books Matter? (ed. Brian Baumfield), ISBN 0705700143, p. 27.
Do Books Matter?

Books , Universe , Reading , Past

“(When asked what shaped his musical preferences) That comes from many directions. My parents, relatives, and friends shaped a good part of that, and whatever I heard on the radio and mtv growing up (back when MTV was actually a music channel instead of a teenage reality show channel) and movies I loved, just wherever it came from that exposed me to it I would weed out quickly what I did and didn't care for. My music tastes have always been diverse, though I tried to kid myself at certain times that I only like this or that, no matter what everything I ever liked has still stuck with me so I learned to embrace that and not close myself off to things.”

Frank Klepacki (1974) American musician, video game music composer and sound director

Gameplay magazine

Love , Reality , Parent , Learning

“Midnight is a wonderful thing in a vast city—and midnight was upon Vienna. The shops were closed, the windows darkened, and the streets deserted—strange that where so much of life was gathered together there could be such deep repose; yet nothing equals the stillness of a great town at night. Perhaps it is the contrast afforded by memory that makes this appear yet more profound. In the lone valley, and in the green forest, there is quiet even at noon—quiet, at least, broken by sounds belonging alike to day and night. The singing of the bee and the bird, or the voice of the herdsman carolling some old song of the hills—these may be hushed; but there is still the rustle of the leaves, the wind murmuring in the long grass, and the low perpetual whisper of the pine. But in the town—the brick and mortar have no voices of their own. Nature is silent—her soft, sweet harmonies are hushed in the great human tumult—man, and man only, is heard. Through many hours of the twenty-four, the ocean of existence rolls on with a sound like thunder—a thousand voices speak at once. The wheels pass and re-pass over the stones—music, laughter, anger, the words of courtesy and of business, mingle together—the history of a day is the history of all time. The annals of life but repeat themselves.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Life , History , Business , Nature

“Once more my harp awakens; once again,
Tho' all unworthy be my hand to twine
Th' etherial blossomings of poetry,
I would call forth its numbers, yet would feel
Its music fall like sunlight on my soul.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Canto II, I
The Fate of Adelaide (1821)

Feeling , Soul

“Motivate the younger generation to listen to music especially, when they are tired, when they are upset about anything. Music is the best remedy; it remediates you mentally, physically and emotionally.”

Hariprasad Chaurasia (1938) Indian bansuri player

On Ideas: Ideals: India.
Melodies of Brindavan: Pandit Hariprasad Chourasia

Motivation

“Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.”

Honoré de Balzac (1799–1850) French writer

Il y a deux musiques: une petite, mesquine, de second ordre, partout semblable à elle-même, qui repose sur une centaine de phrases que chaque musicien s'approprie, et qui constitue un bavardage plus ou moins agréable avec lequel vivent la plupart des compositeurs.
Massimilla Doni http://fr.wikisource.org/wiki/Massimilla_Doni (1839), translated by Clara Bell and James Waring

Life , Understanding

“My first singing role was as Susanna in a school production in a shortened form of Mozart’s The Marriage of Figaro. I loved to sing and I was given lots of encouragement by a wonderful music teacher Mrs Ann Hill and by my parents who suggested I go to drama school.”

Elaine Paige (1948) English singer and actress

As quoted in "Angie Davidson Interviews Elaine Paige" by Angie Davidson in lupus.org.uk http://www.lupus.org.uk/article.php?i=159 (2005)

Love , Marriage , School , Parent

“You know, without my telling you, how sometimes
A word or name eludes you, and you seek it
Through running ghosts of shadow,—leaping at it,
Lying in wait for it to spring upon it,
Spreading faint snares for it of sense or sound:
Until, of a sudden, as if in a phantom forest,
You hear it, see it flash among the branches,
And scarcely knowing how, suddenly have it—
Well, it was so I followed down this music,
Glimpsing a face in darkness, hearing a cry,
Remembering days forgotten, moods exhausted,
Corners in sunlight, puddles reflecting stars”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Star , Spring , Lying , Mood

“Look at this. Did you ever see a magazine called the New Musical Express? It turns out there is a pop group called The Police - I don't know why they are called that, presumably to distinguish them from the punks - and they've made an album of my essay The Ghost in the Machine. I didn't know anything about it until my clipping agency sent me a review of the record.”

Arthur Koestler (1905–1983) Hungarian-British author and journalist

Writers at Work, ed. George Plimpton (1986).

“Music should be directed by the ear, poetry by the imagination”

Marianne Moore (1887–1972) American poet and writer

Review -Jean Gaingne -New & Selected Poems 1967
Prose

Imagination

“I accept this honour on behalf of all Hindustani vocalists who have dedicated their life to music.”

Bhimsen Joshi (1922–2011) Indian vocalist

On being told about the Bhrata Ratna award being conferred upon him. Bharat Ratna for Vocalist Pandit Bhimsen Joshi, 29 November 2013, Rediff.com http://www.rediff.com/news/2008/nov/04ratna.htm,

Life

“We have also sound houses, where we practice and demonstrate all sounds and their generation. We have harmonies which you have not, of quarter sounds and lesser slides of sounds. Divers instruments of music likewise to you unknown, some sweeter than any you have; together with bells and rings that are dainty and sweet. We represent small sounds as great and deep; likewise divers trembling and warblings of sounds, which in their original are entire. We represent and imitate all articulate sounds and letters, and the voices of beasts and birds. We have certain helps which set to the ear to do further the hearing greatly. We have also divers strange and artificial echoes, reflecting the voice many times, and as if it were tossing it; and some that give back the voice louder than it came, some shriller and some deeper; yea, some rendering the voice, differing in the letters or articulate sound from that they receive. We have also means to convey sounds in tubes and pipes, in strange lines and distances…”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

New Atlantis http://www.constitution.org/bacon/new_atlantis.htm (1627)

Bird , Time , Help , Housing

“Those who look for contradictions will be amply satisfied. The profession of a performer is full of paradoxes, and he has to learn to live with them. He has to forget himself and control himself; he has to observe the composer's wishes to the letter and create the music on the spot; he has to be part of the music market and yet retain his integrity.”

Alfred Brendel (1931) Austrian pianist, poet, and author

Alfred Brendel (1976), as cited in: Benny Shanon (2013). The Representational and the Presentational. p. 380.

Learning , Parting , Forgetting

“For the music, it’s not about the individual — so the more you let the music speak for yourself, the more powerful the music will be.”

Maynard James Keenan (1964) musician

Carl Kozlowski (September 11, 2008) "Taste in the making: Tool’s Maynard James Keenan shifts his focus from writing dark lyrics to creating zesty wines" http://www.pasadenaweekly.com/cms/story/detail/taste_in_the_making/6378/, Pasadena Weekly. Southland Publishing.

“Just because we're celebrities, we shouldn't get dissed. What people might be complaining about is that they think a lot of these [other] celebrities don't write their own books. But I've written every word in this book -- both in English and in Spanish. I love music and I love children and I love animals, and it's a great combo of all those things.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Estefan's response to people who say, "Here goes another celebrity using her name to get published." The New York Daily News (October 30, 2005)
2007, 2008

Love , Children , People , Books

“I was walking tru Amsterdam when I heared I’m Outta Love blasting out of an open window. In that moment I rang their doorbell and when those people opened the door I said ‘Roomservice!’ Never I saw people dropping their jaws that much (laughs) I saw their eyes goin from me to their tv that had mtv on, back to me and back to the tv again, you saw they where thinking, how can this woman be in both places in the same time? But once they got over that shock they did not wanna let me go anymore, ‘come in, there is plenty to drink, there is plenty of everything (winks), what do you wanna eat, are u staying over…?’ Sweet people, real cute, only later I realized, oh my god, what if they were just making love to my music, they would have opend the door naked!”

Anastacia (1968) American singer-songwriter

Het stomende dubbelinterview: Natalia en Anastacia http://www.humo.be/humo-archief/29756/het-stomende-dubbelinterview-natalia-en-anastacia, Humo, September 27, 2010.
General Quotes

Love , God , People , Making love

“His words were simple words enough,
And yet he used them so,
That what in other mouths was rough
In his seemed musical and low.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

The Shepherd of King Admetus http://www.readbookonline.net/readOnLine/1170/, st. 5

“I write the lyrics first, then the music," he says. "I don't want to try to be someone I'm not, because people easily see through that. So I only write about my own experiences, things I know and enjoy. Like my pets. I can't write about lovey or coupley things.”

Joseph McManners (1992) British singer, actor

In regards to his own music:

People

“Considering how readily musicologists criticize one another – witness the merciless footnotes (and reviews) of so many books and articles – the innocent bystander must find it strange that they remain unwilling to venture judgments about the quality of the music around which they work…But it is hard to see what can be the purpose of musicology if not to advise people on what to hear and how to hear it. Separating out the good, the bad and the indifferent, and helping listeners enjoy the best, is surely the least we can offer society in return for our keep.”

Daniel Leech-Wilkinson British musicoloigst

Daniel Leech-Wilkinson (1997), "The good, the bad and the boring", Companion to Medieval & Renaissance Music. Oxford University Press. ISBN 0198165404.

People , Books , Help , Indifference

“[Rock 'n' roll] really is not given to thinking — and resents thinking. Which I believe is the big error of rock 'n' roll. It's always aspired to be the music of the working class. And it's never been looked upon as a vocabulary for art and artistic thinking… We have to be able to expand the vocabulary to express more complex thoughts.”

Paul Simon (1941) American musician, songwriter and producer

Interview in Musician (March 1984), p. 66-68

Art , Error , Thinking

“Do not be cross with the child; you cannot afford it. If you are cultivating a plant, developing it into something finer and nobler, you must love it, not hate it; be gentle with it, not abusive; be firm, never harsh. I give the plants upon which I am at work in a test, whether a single one or a hundred thousand, the best possible environment. So should it be with a child, if you want to develop it in right ways. Let the children have music, let them have pictures, let them have laughter, let them have a good time; not an idle time but one full of cheerful occupation. Surround them with all the beautiful things you can. Plants should be given sun and air and the blue sky; give them to your boys and girls. …for all the years. We cannot treat a plant tenderly one day and harshly the next; they cannot stand it. Remember that you are training not only for to-day, but for all the future, for all posterity.”

Luther Burbank (1849–1926) American botanist, horticulturist and pioneer in agricultural science

The Training of the Human Plant (1907)

Love , Hate , Children , Beauty

“Listening to that performance changed my life. It changed the course of my musical career. I could listen to my heart's voice clearly because the music had helped me understand my mind's deepest desires. Today, I am happy and feel blessed that I followed the path dictated by my heart.”

Hariprasad Chaurasia (1938) Indian bansuri player

On hearing a performance on a woodwind by Pandit Bhola Nath of Varanasi.
My father's wrestling techniques made my lungs strong: Pandit Hariprasad Chaurasia

Life , Happiness , Feeling , Understanding

“We're like a really nice drink. We help people get through the day--we make life a little sunnier. I don't think we have any profound effect. If anybody has had a profound effect, it's The Beatles, and their effect is still minimal. There are things in the world way more important than music. Family is 50 times more important than music.”

Billy Corgan (1967) American musician, songwriter, producer, and author

Corgan, William. Interview. Playboy. (Month?), 1997.

Life , People , World , Family

“A literary work can only be received through symbols, through concepts — for that is what words are; but cinema, like music, allows for utterly direct, emotional, sensuous perception of the work.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 176

“Chess is a game by its form, an art by its content and a science by the difficulty of gaining mastery in it. Chess can convey as much happiness as a good book or work of music can.”

Tigran Petrosian (1929–1984) Soviet Georgian Armenian chess player and chess writer

Attributed without citation in "Tigran Petrosian's Best Games" http://www.chessgames.com/perl/chesscollection?cid=1014968 at chessgames.com

Happiness , Books , Art , Game

“As far as Indian music is concerned I wouldn't call myself a torchbearer. It's the media that focuses on it, like at one time Pandit Ravi Shankar was the poster boy of Indian music. It did not matter that there were equally good sitar players in India that time. Everybody talked about him and not others like Pandit Nikhil Banerjee or Ustad Ali Anwar Khan”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I am not torchbearer of Indian classical music: Zakir Hussain

Boy , Time

“In the winter of 2008, Jenifer and I visited Chennai Mathematical Institute. This remarkable Institute is the creation of Seshadri. It is a unique blend of an American style liberal arts college with traditional Indian guru one-on-one teaching, adding physics, computer science, history and music to its maths curriculum. Only in India could an intellectual with no business or management experience, who spends all his spare time singing classical south Indian music, have been the catalyst for such a unique educational experiment.”

David Mumford (1937) American mathematician

[David Mumford, Passages to India, Mathematics Intelligencer, 2010, Hyderabad edition, 51-55, http://www.dam.brown.edu/people/mumford/beyond/papers/2010c--PassagesIndia-journal.pdf]

Education , Art , History , Mathematics

“The internet has stopped people from going out and being with each other, creating stuff. Instead they sit at home and make their own records, which is sometimes OK but it doesn’t bode well for long-term artistic vision. It’s just a means to an end. We’re talking about things that are going to change the world and change the way people listen to music and that’s not going to happen with people blogging on the internet. I mean, get out there, communicate. Hopefully the next movement in music will tear down the internet. Let’s get out in the streets and march and protest instead of sitting at home and blogging. I do think it would be an incredible experiment to shut down the whole internet for five years and see what sort of art is produced over that span. There’s too much technology available. I’m sure, as far as music goes, it would be much more interesting than it is today.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Elton John, blaming the internet for destroying good music http://www.gigwise.com/news/35721/elton-john-wants-to-tear-down-the-internet (2 August 2007)

People , World , Art , Way

“It seems wrong that out of this bird,
Black, bold, a suggestion of dark
Places about it, there yet should come
Such rich music, as though the notes’
Ore were changed to a rare metal
At one touch of that bright bill.”

R.S. Thomas (1913–2000) Welsh poet

"A Blackbird Singing"
Poetry For Supper (1958)

Bird , Change

“I have this massive love for the whole culture of pop music … It has probably been the biggest relationship in my life. It's my fascination, my on-going passion. … I really, really love music. I'm affected by it and uplifted by it, and made to laugh and cry, and almost fall in love with the person who has made me feel so brilliant and communicated so profoundly to me.”

Siobhan Fahey (1958) singer and songwriter in Banarama and Shakespears Sister

"Mad About The Music" in The Daily Telegraph (13 June 1996) http://web.archive.org/20091027131229/www.geocities.com/djohnl_2000/Interviews/1996_June_Telegraph.html

Love , Life , Feeling , Communication

Quotes about music page 18

Quotes about music
page 18