“Sculpture and painting are moments of life. Poetry is life itself.”
Florence Earle Coates (1850–1927) American writer and poet
On poetry
Education: What Knowledge Is of Most Worth?
Essays on Education (1861)
“Sculpture and painting are moments of life. Poetry is life itself.”
Florence Earle Coates (1850–1927) American writer and poet
On poetry
Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher
On Poesy or Art (1818)
Context: Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man. It is, therefore, the power of humanizing nature, of infusing the thoughts and passions of man into everything which is the object of his contemplation.
Georg Wilhelm Friedrich Hegel book Lectures on Aesthetics
Die Architektur ist dann die Kristallisation, die Skulptur die organische Figuration der Materie in ihrer sinnlich-räumlichen Totalität; die Malerei die gefärbte Fläche und Linie; während in der Musik der Raum überhaupt zu dem in sich erfüllten Punkt der Zeit übergeht; bis das äußere Material endlich in der Poesie ganz zur Wertlosigkeit herabgesetzt ist. <br class="br"> Part III https://www.marxists.org/reference/archive/hegel/works/ae/ch03.htm <br class="br">Lectures on Aesthetics (1835)
Will Cuppy (1884–1949) American writer
The Decline and Fall of Practically Everybody (1950), Part II: Ancient Greeks and Worse, Nero
Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)
Degrees: Thought Capsules and Micro Tales (1989)
John Quincy Adams (1767–1848) American politician, 6th president of the United States (in office from 1825 to 1829)
“Simonides calls painting silent poetry, and poetry speaking painting.”
Plutarch (46–127) ancient Greek historian and philosopher
Whether the Athenians were more Warlike or Learned, 3
Bartlett's Familiar Quotations, 10th ed. (1919)
Piet Mondrian (1872–1944) Peintre Néerlandais
quote, 1937; last lines of Mondrian's publication in 'Circle'; as cited in Abstract Art, Anna Moszynska; Thames and Hudson, London 1990, p. 117
1930's