Quotes about music
page 16

“In the 1930s, when I started, Martha Graham was the only dancer doing anything modern, but she did it all to classical music. I couldn't see myself doing Swan Lake every night, and I wanted to develop a truly American style. The only dancer in the movies at that time with any success was Fred Astaire, but he did very small, elegant steps in a top hat, white tie, and tails.”

Gene Kelly (1912–1996) American dancer, actor, singer, director, producer and choreographer

Quoted in "Gene Kelly's Musical Memories"

Time, Success, Night

“I'm not quite sure that I know how they complement each other, because I use them for the opposite reason. I find music to be an intensely personal kind of thing, perhaps it's because I write a lot of the stuff. I use acting to escape from being me, and I use music to explore being me. I think that's the best way to put it.”

Colleen Fitzpatrick (1972) American singer and actress

Asked how dancing & music complement each other
Attributed

Way, Thinking, Personality

“The human mind can no more produce an original thought than a tree can bear an original fruit. As well might one cry for an original note in music as expect an original idea from a human brain.
One wishes our friends, the critics, would grasp this simple truth, and leave off clamoring for the impossible, and being shocked because they do not get it.”

Jerome K. Jerome (1859–1927) English humorist

Dreams http://www.gutenberg.org/dirs/etext97/jjdrm10.txt

Truth, Idea, Tree, Cry

“They had a hi-fi phono, boy, did they let it blast
Seven hundred little records,
all rock, rhythm and jazz
But when the sun went down,
the rapid tempo of the music fell
"C'est la vie", say the old folks,
it goes to show you never can tell”

Chuck Berry (1926–2017) American rock-and-roll musician

"You Never Can Tell" (1964)
Song lyrics

Boy, Sun

“If I had been asked this about a year/year-and-a-half ago, I would have said "You can't trust everybody!" But now that I've been in the music industry, and famous, and on YouTube and stuff: "You can't trust everybody, at all."”

Ysabella Brave (1979) American singer

"Trust — what's the secret?" http://www.youtube.com/watch?v=SbjBpaSm0d4 (27 January 2008)

“The Italian Marxist composer Luigi Nono (BBC2) proclaims the necessity for contemporary music to 'intervene' in something called 'the sonic reality of our time.' Apparently it should do this by being as tuneless as possible.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Wuthering depths'
Essays and reviews, The Crystal Bucket (1982)

Reality, Time

“The magic of music is so strong, getting stronger, it should break any shackle of another art.”

E. T. A. Hoffmann (1776–1822) German Romantic author

Beethovens Instrumentalmusik

Art, Strong

“I'm trained quite classically but quite freely by my mum, so even when I was little, I had this rather freewheeling approach. When I trained more seriously in my late teens at college, it was: here are the notes, here is what is expected of you. I didn't mind because you need technique, particularly on the piano, which requires a lot of stamina. And it was natural that once I had done that, I would want to go beyond classical music. How can you be yourself if all you do is reproduce someone else's notes?”

Joanna MacGregor (1959) British musician

The Guardian - 05/10/2001
Childhood

Nature, Training

“WOODSTOCK NATION is built on ELECTRICITY. It is our energy, music, politics, school, religion, play, battleground and our sensuality. I hesitate only in using the word Morality, for Morality means soul and ELECTRICITY lack soul but so too does the wood pen I scratch against the yellow pad. Morality rests in God's imagination and if we see ourselves as gods I guess we alone make those choices. Moral decisions never rest in our tools, be they electricity or pencils, flowers, or guns.”

Abbie Hoffman book Woodstock Nation

Woodstock Nation (1969)

God, School, Religion, Soul

“No doubt analytical psychologists could tear it all to bits and explain it in the jargon of this or that psychological school. Critics could trample on my dreams and say that it was too much in the realm of feeling to have any value, but so is falling in love. Is that not real, and highly significant, and life-changing? So is the state of mind induced by music, or by some of the glories of Nature, or by some of the works of man... All I can say is that to me it was an experience of God, never to be denied... No one who has had such an experience can ever doubt but that in the end good will triumph over every form of evil, and that every life, however humble, frustrated, indifferent or even careless, is in the care of this Power and within a Plan, vast beyond our power to imagine, which will work out in a blessedness which brings utter satisfaction and quality of bliss for which there are no words.”

Leslie Weatherhead (1893–1976) English theologian

(76-77) [ellipsis added]
The Christian Agnostic (1965)

Love, Life, God, School

“Life is too short to make just one decision, music is too loud for just one station, love is too big for just one nation, and God is too big for just one religion!”

Michael Franti (1966) American rapper

East to the West, Yell Fire! (2006)

Love, Life, God, Religion

“Ask yourself: "Do I police what people say for political propriety? … do I scrutinize great literature, music, art, television or comedy for signs of so-called sexism, racism, elitism, homophobia, antisemitism and meanness? Am I incapable of appreciating a superbly written script or book; a sublime painting or symphony; a smart stand-up routine, if only because the material and its creator violate the received laws of political correctness?”

Ilana Mercer South African writer

“Joan Rivers – antidote to PC totalitarianism,” http://www.quarterly-review.org/?p=2781 The Quarterly Review, July 11, 2014. 2010s, 2014

People, Books, Law, Art

“I searched the FM band but there was nothing besides other pious pleaders, and they didn't come in too well. The AM band offered about the same thing, only with worse reception, nothing remotely describable as news, and no music because commercial entertainment as we knew it was no more, and its handmaiden, advertising had gone with it.”

James Howard Kunstler book World Made By Hand

Source: World Made By Hand (2008), Chapter 4, p. 21

“I knew Robert Burns, and I knew my father. Yet were you to ask me which had the greater natural faculty, I might perhaps actually pause before replying. Burns had an infinitely wider education, my father a far wholesomer. Besides, the one was a man of musical utterance; the other wholly a man of action, with speech subservient thereto. Never, of all the men I have seen, has one come personally in my way in whom the endowment from nature and the arena from fortune were so utterly out of all proportion. I have said this often, and partly know it. As a man of speculation — had culture ever unfolded him — he must have gone wild and desperate as Burns; hut he was a man of conduct, and work keeps all right. What strange shapable creatures we are!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1880s, Reminiscences (1881)

Men, Education, Way, Nature

“Somebody will ask those of us who compose with the aid of computers: 'So you make all these decisions for the computer or the electronic medium but wouldn't you like to have a performer who makes certain other decisions?' Many composers don't mind collaborating with the performer with regards to decisions of tempo, or rhythm, or dynamics, or timbre, but ask them if they would allow the performer to make decisions with regard to pitch and the answer will be 'Pitches you don't change.' Some of us feel the same way in regard to the other musical aspects that are traditionally considered secondary, but which we consider fundamental. As for the future of electronic music, it seems quite obvious to me that its unique resources guarantee its use, because it has shifted the boundaries of music away from the limitations of the acoustical instrument, of the performer's coordinating capabilities, to the almost infinite limitations of the electronic instrument. The new limitations are the human ones of perception.”

Milton Babbitt (1916–2011) American composer

Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.

Way, Feeling, Quotes, Decision

“If getting used to music is the essential condition for understanding, it is hard to see just what purpose is served by writing about it. A few experiences of listening to a symphony or nocturne are worth more than any essay or analysis. The work of art itself teaches us how to understand it, and makes the critic not merely parasitical but strictly superfluous.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense

Art, Understanding

“Every other art,—as poetry, music, painting,—may be practised without the process showing forth the rules according to which it is conducted;—but in the self-cognizant art of the philosopher, no step can be taken without declaring the grounds upon which it proceeds.”

Johann Gottlieb Fichte (1762–1814) German philosopher

Source: The Characteristics of the Present Age (1806), p. 14

Art, Painting

“I didn't expect such a huge reaction, but I knew I was doing something different to everything else that was happening at the time … People feel a very personal connection with the music.”

Enya (1961) Irish singer, songwriter, and musician

The Times Magazine interview (2005)

People, Feeling, Time, Personality

“Instrumentation is to music precisely what color is to painting.”

Hector Berlioz (1803–1869) French Romantic composer

Cette face de l’instrumentation est exactement, en musique, ce que le coloris est en peinture. A travers chants (1862), ch. 1 http://www.hberlioz.com/Writings/ATC01.htm; Elizabeth Csicsery-Rónay (trans.) The Art of Music and Other Essays (Bloomington: Indiana University Press, 1994) p. 5.

Color, Painting

“The hotel wasn't that empty, however. Soon an old man walked unsteadily out of the nearby lounge and plopped himself into a big easy chair beside the piano. There, he slowly sipped his wine and watched me play. I felt distracted and uneasy, trapped on the bench where at any moment he might request one of his favourite tunes, one I most likely did not know how to play. […] He said me: Who will play your music if you don't do it yourself?”

Michael Jones

Michael Jones (1995) Creating an Imaginative Life. Excerpts http://www.pianoscapes.com/pdfs/WhoWillPlayYourMusic.pdf at pianoscapes.com

Wine

“There's a point you reach before you're perverted and tainted by all the things that drag you into the music business, like avarice or a lust for fame. The original reason why I started was some feeling of community, equality, wanting to fight for things you believe in. Any kid who's gone to a state school knows what it's all about - bullying, racism. And you've just got to make a stand.”

Pete Doherty (1979) English musician, writer, actor, poet and artist

2004, The Socialist Review; on why it was important to do the Love Music, Hate Racism gig
Music and politics

School, Feeling, Communication, Business

“These are the sort of things that push you on in music — the curiosity, a passion for new ideas. It's important to keep restoring that, and at the same time, hold on to the core things about music that whenever you pick the simplest form of instrument; guitar or piano, you can find a song that's worthwhile.”

Elvis Costello (1954) English singer-songwriter

dig interview (2004)

Idea, Passion, Time

“We had the hardware expertise, the industrial design expertise and the software expertise, including iTunes. One of the biggest insights we have was that we decided not to try to manage your music library on the iPod, but to manage it in iTunes. Other companies tried to do everything on the device itself and made it so complicated that it was useless.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

On the design of the iPod, as quoted in Newsweek (14 October 2006)
2000s

“The point is that, like Richard Hell says, rock 'n' roll is an arena in which you recreate yourself, and all this blathering about authenticity is just a bunch of crap. The Clash are authentic because their music carries such brutal conviction, not because they're Noble Savages.”

Lester Bangs (1948–1982) American music critic and journalist

"The Clash" (December 1977), p. 227
Psychotic Reactions and Carburetor Dung (1988)

Hell

““We’re in danger of losing the ship generation.”
“I’m aware of the problems,” she said. “‘You can’t tell the boys from the girls, they have no respect for their elders, their user interfaces are garish and unwieldy, everybody is writing a book, and their music is just noise.’ Found scratched on a potsherd in Sumer.””

Ken MacLeod book Learning the World

Source: Learning the World (2005), Chapter 15 “Hollow Spaces of the Forward Cone” (p. 248)

Books, Girl, Boy, Problem

“There is a world of visual beauty open to the one willing to undergo the practice and striving necessary to the understanding of its language.
This world is a important as culturally as is the world of words or of music. My ideal is to form and to paint as Schubert sings his songs and as Beethoven creates his world in sounds. That is to say, creation of one’s own inner world through the same human and artistic discipline.
An inner sensation can find external expression only through spiritual realization.”

Hans Hofmann (1880–1966) American artist

'Painting and Culture' p. 58
Search for the Real and Other Essays (1948)

World, Beauty, Understanding, Singing

“The song cycle is the most original musical form created in the first half of the nineteenth century. It most clearly embodies the Romantic conception of experience as a gradual unfolding and illumination of reality in place of the Classical insistence on an initial clarity. The form of Schubert's song cycle is not less precise than that of a Classical sonata, but its precision is only gradually comprehended as it unfolds.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 3 : Mountains and Song Cycles

Reality

“I've always had a soft spot for our fans in Australia and their wonderful support … It obviously does not matter from where you are in the world, if people love your music, it travels borders and captures hearts. It has a life of its own. We are immensely grateful.”

Anni-Frid Lyngstad (1945) Swedish female singer

Sydney Morning Herald interview (2017)

Love, Life, People, World

“(on his inability to read music) "If someone lays the notes on a page in front of me, it's meaningless…because to me you can't express the rhythms properly like that. It's a very ineffective way of doing it, so I've never really bothered picking it up."”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

source http://www.geocities.com/SunsetStrip/Stage/9346/RAAmain.html

Way, Reading

“Great art is as irrational as great music. It is mad with its own loveliness.”

George Jean Nathan (1882–1958) American drama critic and magazine editor

From his book House of Satan

Art, Madness

“But if men either knew themselves thoroughly, or had the slightest knowledge of God, they would never claim as their own a divine and immortal nature; nor would they think themselves something great because they have made for themselves gridirons, basins, and bowls, because they have made under-shirts, outer-shirts, cloaks, plaids, robes of state, knives, cuirasses and swords, mattocks, hatchets, ploughs. Never, I say, carried away by pride and arrogance, would they believe themselves to be deities of the first rank, and fellows of the highest in his exaltation, because they had devised the arts of grammar, music, oratory, and geometry. For we do not see what is so wonderful in these arts, that because of their discovery the soul should be believed to be above the sun as well as all the stars, to surpass both in grandeur and essence the whole universe, of which these are parts.”

Arnobius (255–327) Christian apologist

Book II, § 19
Adversus Nationes

Men, God, Art, Soul

“Some intellectuals’ downplaying of objective reality and enduring criteria extends beyond social, scientific, or economic phenomena into art, music, and philosophy. The one over-riding consistency across all these disparate venues is the self-exaltation of the intellectuals. Unlike great cultural achievements of the past, such as magnificent cathedrals, which were intended to inspire kings and peasants alike, the hallmark of self-consciously “modern” art and music is its inaccessibility to the masses and often even its deliberate offensiveness to, or mockery of, the masses.
Just as a physical body can continue to live, despite containing a certain amount of microorganisms whose prevalence would destroy it, so a society can survive a certain amount of forces of disintegration within it. But that is very different from saying that there is no limit to the amount, audacity and ferocity of those disintegrative forces which a society can survive, without at least the will to resist.”

Thomas Sowell (1930) American economist, social theorist, political philosopher and author

Source: 2010s, Intellectuals and Society (2010), Ch. 22 : The Influence of Intellectuals

Art, Reality, Past

“There is no merit in being truthful when one is truthful by nature, or rather when one can be nothing else; it is a gift, like poetry or music. But it needs courage to be truthful after carefully considering the matter, unless a kind of pride is involved; for example, the man who says to himself, "I am ugly," and then says, "I am ugly" to his friends, lest they should think themselves the first to make the discovery.”

Eugène Delacroix (1798–1863) French painter

Quote, 6 June 1824 (p. 45)
1815 - 1830, Delacroix' 'Journal' (1822 – 1824)

Truth, Courage, Nature, Thinking

“And I got some other producers I’m working with right now. I got YK 808, I got Deedotwill, I got other up-and-coming artists. I stay working with different people. I like overlapping and vibing with different producers, and that’s just how I’ve always been, man. Even when I was with Three 6 Mafia. I used to always just search for new talent and work with new talented people. I just think that’s what it is. I love making music. I don’t like to stay in the same place -- I’m not that type of person. But I still keep my roots. I still keep my sound.”

Juicy J (1975) American rapper and record producer from Tennessee; co-founder of Three 6 Mafia

Juicy J Interview Rubba band Business Wiz Khalifa Juicy J https://www.billboard.com/articles/columns/hip-hop/8070920/juicy-j-interview-rubba-band-business-wiz-khalifa

Love, People, Search, Thinking

“Ordinary human motives will appeal in vain to the ears which have heard the tones of the heavenly music; and all the pomp of life will show poor and tawdry to the sight that has gazed on the vision of the great white throne and the crystal sea.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 104.

Life, Motivation, Sea

“My experience of the original Edison phonograph goes back to the period when it was first introduced into this country. In fact, I have good reason to believe that I was among the very first persons in London to make a vocal record, though I never received a copy of it, and if I did it got lost long ago. It must have been in 1881 or 1882, and the place where the deed was done was on the first floor of a shop in Hatton Garden, where I had been invited to listen to the wonderful new invention. To begin with, I heard pieces both in song and speech produced by the friction of a needle against a revolving cylinder, or spool, fixed in what looked like a musical box. It sounded to my ear like someone singing about half a mile away, or talking at the other end of a big hall; but the effect was rather pleasant, save for a peculiar nasal quality wholly due to the mechanism, though there was little of the scratching which later was a prominent feature of the flat disc. Recording for that primitive machine was a comparatively simple matter. I had to keep my mouth about six inches away from the horn and remember not to make my voice too loud if I wanted anything approximating to a clear reproduction; that was all. When it was played over to me and I heard my own voice for the first time, one or two friends who were present said that it sounded rather like mine; others declared that they would never have recognised it. I daresay both opinions were correct.”

Herman Klein (1856–1934) British musical critic journalist and singing teacher

The Gramophone magazine, December 1933

Singing, Time, Personality, Country

“My voice in combination with the harp - which, by the way, I use because I've played it my entire life, not to make some statement about the harp - somehow has … coloured people's interpretations of the music and projected an idea of childlike or fairytale quality or innocence. Which sometimes prevents people from listening to the songs the way I would like them to be listened to.”

Joanna Newsom (1982) American musician

Sydney Morning Herald, 10 October 2005

Life, People, Way, Idea

“I would have the musicians keep playing over and over again till the sound made sense. I worked overtime on that; I worked hours to get it right. If the sound didn't make any sense, then I wouldn't know what to do — I'd be lost! It's instinct that tells me. I have an instinct for music, or a feeling about it, and I'll have my feelings guide my hands.”

Brian Wilson (1942) American musician, singer, songwriter and record producer

Bassics interview (1999)

Feeling, Sense

“I wanted a break. I had been on the road more or less since I was 18, you know? And I hadn't known any other life, other than, you know, hotel rooms and concerts and records and studios and press conferences. … and to me, here was a chance to jump off that kind of wagon and see life for real. You know, actually my last album was called Back to Earth. So that was the meaning of it. I wanted to join the human race again. I didn't want to be a star. I didn't want to continue with that thing, because so much illusion and non-reality is connected to it. I wanted to be real. And so I — I kind of — I found an opportunity. And the actual point about music was — the imam who I met and who I first embraced Islam with in London's Central Mosque, he actually told me to continue making records.”

Cat Stevens (1948) British singer-songwriter

On the abandonment of his music career after converting to Islam, on Larry King Live (7 October 2004) http://transcripts.cnn.com/TRANSCRIPTS/0410/07/lkl.01.html

Life, Star, Reality, Chance

“Until I discovered the miracle that all things that sound are music, including dishes and silverware in the dishwasher, as long as they fulfill the illusion of showing us where life is heading.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

Life

“Breathe slumbrous music round me, sweet and slow,
To honied phrases set!
Into the land of dreams I long to go.
Bid me forget!”

Mary Elizabeth Coleridge (1861–1907) British writer

Mandragora, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Dreams, Forgetting

“I decided that instead of replacing members of Eve's Plum and keeping it going against some internal and external odds, I would continue doing music, but do it by myself," explains Fitzpatrick. "But it took me a little while because I wasn't sure I was really ready emotionally and mentally to jump back into the fire immediately.”

Colleen Fitzpatrick (1972) American singer and actress

About the Vitamin C project
Attributed

“One of the issues these days is the sheer amount of music out there to be listened to. There are more bands than one could ever hope to explore.”

Andrew Sega (1975) musician from America

Connexion Bizarre interview, 2007 http://www.connexionbizarre.net/interviews/diffusion-records-an-interview-with-andrew-sega/

Hope

“Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel. I have always needed fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio.”

Hunter S. Thompson (1937–2005) American journalist and author

2000s, Kingdom of Fear: Loathsome Secrets of a Star-crossed Child in the Final Days of the American Century (2004)

People, Cars, Question, Night

“Since I’ve basically been giving my music away for free under the old system, I’m not afraid of wireless, MP3 files or any of the other threats to my copyrights. Anything that makes my music more available to more people is great. MP3 files sound cruddy, but a well-made album sounds great. And I don’t care what anyone says about digital recordings. At this point they are good for dance music, but try listening to a warm guitar tone on them. They suck for what I do. … I’m looking for people to help connect me to more fans, because I believe fans will leave a tip based on the enjoyment and service I provide. I’m not scared of them getting a preview. It really is going to be a global village where a billion people have access to one artist and a billion people can leave a tip if they want to. It’s a radical democratization. Every artist has access to every fan and every fan has access to every artist, and the people who direct fans to those artists. People that give advice and technical value are the people we need. People crowding the distribution pipe and trying to ignore fans and artists have no value. This is a perfect system.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

From "Courtney Love does the math", a speech given on the corruption of the music industry, from Salon.com http://www.salon.com/2000/06/14/love_7/ (14 June 2000) 1996–2005

People, Help, Dance, Perfection

“The music, yearning like a God in pain.”

John Keats The Eve of St. Agnes

Stanza 7
Poems (1820), The Eve of St. Agnes

God, Pain

“Her voice had a thrill in it like music, frosty music.”

John Buchan book Huntingtower

Prologue
Huntingtower (1922)

“Here is the earthly of Kraus; the heavenly lives in his music.”

Joseph Martin Kraus (1756–1792) German composer

Inscription in the tomb of Joseph Martin Kraus

“There is no foundational mathematical or physical reason the relationship between Pythagorean and tempered western music should exist. It just does. The rich flexibility of the tempered scale and the … bountiful archives of western music are a testimonial to this wonderful coincidence provided by nature.”

Robert J. Marks II (1950) American electrical engineering researcher and intelligent design advocate

"Handbook of Fourier Analysis and Its Applications" (Oxford University Press, 2009), p. 623, Robert J. Marks II, 2009, 2011-04-29 http://books.google.com/books?id=Sp7O4bocjPAC&printsec=frontcover&dq=Handbook+of+Fourier+Analysis+and+Its+Applications&hl=en&ei=wcm5TaPvJYba0QHYi7nRDw&sa=X&oi=book_result&ct=result&resnum=1&ved=0CDEQ6AEwAA#v=onepage&q&f=false,

Mathematics, Nature

“Dear God, here it is finished, this poor little Mass. Is this sacred music which I have written or music of the devil? I was born for opera buffa, as you well know. A little science, a little heart, that's all. Be blessed, then, and admit me to Paradise.”

Gioachino Rossini (1792–1868) Italian composer

Bon Dieu; la voilà terminée, cette pauvre petite messe. Est-ce bien de la musique sacrée que je viens de faire, ou bien de la sacré musique ? J'étais né pour l'opera buffa, tu le sais bien! Peu de science, un peu de coeur, tout est là. Sois donc béni et accorde-moi le Paradis.
Epigraph to his Petite Messe Solennelle (1863). Translation from Emanuele Senici (ed.) The Cambridge Companion to Rossini (2004) p. 23.

God, Science, Heart

“I've been blessed with playing the drums and having a young mind and staying healthy. I’m a vegetarian, I take good care of myself. I'll be the last Skynyrd standing. All those guys smoke themselves to death. They all drank themselves to death, drugs. … I still have stainless steel from the knee down in my right leg; I have bone against bone against stainless steel against nerve ending. Every step I take is painful, but when I play drums I push everything away, I get into the zone and I do what I’m supposed to do. … I play Lynyrd Skynyrd music because that's who I am. Everything else has been taken from me, my reputation, my world, my money has all been stolen from me by people that I thought loved me. However they can't take away my ability to play drums.”

Artimus Pyle (1948) American musician

"Rock Survivor: Lynyrd Skynyrd drummer Artimus Pyle keeps the music alive his way" http://tbrnews.com/lifestyle/rock-survivor-lynyrd-skynyrd-drummer-artimus-pyle-keeps-the-music/article_1c30bfee-1501-11e3-8bdb-001a4bcf887a.html, interview with The Beach Reporter (4 September 2013).

Love, Death, Money, Pain

“A river is nearly the ultimate symbol for the very essence of change itself. It flows unceasing from one point of being to another, yet continuously occupies the same bed or pathway, and accommodates life’s endings with the same musical grace with which it accommodates life’s beginnings, along with all the muted and explosive moments that surface between the two extremes.”

Aberjhani (1957) author

(Evolution of a Vision: from Songs of the Angelic Gaze to The River of Winged Dreams, p. 3).
Book Sources, The River of Winged Dreams (2010)

Life, Change

“Sound is defined as the result of a succession of regular and periodic vibrations. Noise is instead caused by motions that are irregular, as much in time as in intensity. 'A musical sensation,' says Helmholtz 'appears to the ear as a perfectly stable, uniform, and invariable sound.' But the quality of continuity that sound has with respect to noise, which seems instead fragmentary and irregular, is not an element sufficient to make a sharp distinction between sound and noise. We know that the production of sound requires not only that a body vibrate regularly but also that these vibrations persist in the auditory nerve until the following vibration has arrived, so that the periodic vibrations blend to form a continuous musical sound. At least sixteen vibrations per second are needed for this. Now, if I succeed in producing a noise with this speed. I will get a sound made up of the totality of so many noises--or better, noise whose successive repetitions will be sufficiently rapid to give a sensation of continuity like that of sound.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Russolo. English trans. Barclay Brown (1986: 37).
undated quotes

Appearance, Time, Success, Speed

“I hope it is clear…that the ways in which pitches represent pitch classes, and the ways pitch classes abstract pitch, must be examined in order to describe any kind of musical sense or progression, and that if one steps back into abstracted considerations derived without respect to such concerns, an understanding of the qualities of musical uniqueness will continue to be suppressed in favor of generalizations, which at best evoke a vague sense of what a piece may be doing, perhaps in common with some other pieces, but not what one piece is doing, all by itself.”

Paul Lansky (1944) American composer

Lansky, Paul (1975). Pitch-Class Consciousness, Perspectives of New Music XIII/2 (Spring-Summer).

Hope, Way, Understanding, Sense

“Thanks to technology, what almost anybody can do has been multiplied a thousandfold, and our moral understanding about what we ought to do hasn't kept pace. … You can have a test-tube baby or take a morning-after pill to keep from having a baby; you can satisfy your sexual urges in the privacy of your room by downloading Internet pornography, and you can keep your favorite music for free instead of buying it; you can keep your money in secret offshore bank accounts and purchase stock in cigarette companies that are exploiting impoverished Third World countries; and you can lay minefields, smuggle nuclear weapons in suitcases, make nerve gas, and drop "smart bombs" with pinpoint accuracy. Also, you can arrange to have a hundred dollars a month automatically sent from your bank account to provide education for ten girls in an Islamic country who otherwise would not learn to read and write, or to benefit a hundred malnourished people, or provide medical care for AIDS sufferers in Africa. You can use the Internet to organize citizen monitoring of environmental hazards, or to check the honesty and performance of government officials — or to spy on your neighbors. Now, what ought we to do?”

Daniel Dennett book Breaking the Spell: Religion as a Natural Phenomenon

Breaking the Spell (2006)

Money, People, Secret, World

“I went outside, tripping over slabs of sunshine the size of towns. The sun was like a crowd of people, it was a party, it was music. The sun was blaring through the walls of the houses and beating down the steps. The Sun was drumming time into the stone. The sun was rhythming the day.”

Jeanette Winterson book Lighthousekeeping

Source: Lighthousekeeping (2004), p. 197

People, Time, Sun, Housing

“It was in November 1919 that I made my first contact with The Tibetan… I heard what I thought was a clear note of music which sounded from the sky, through the hill and in me. Then I heard a voice which said, "There are some books which it is desired should be written for the public. You can write them. Will you do so?" Without a moment's notice I said, "Certainly not. I'm not a darned psychic and I don't want to be drawn into anything like that." I was startled to hear myself speaking out loud. The voice went on to say that wise people did not make snap judgments, that I had a peculiar gift for the higher telepathy and that what I was being asked to do embodied no aspect of the lower psychism. I replied that I didn't care, that I wasn't interested in any work of a psychic nature at all. The unseen person who was speaking so clearly and directly to me then said that he would give me time for consideration; that he would not take my answer then and that he would come back in three weeks' time exactly, to find out what I intended to do.”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Source: The Unfinished Autobiography (1951), Chapter IV - Part 2

People, Books, Nature, Time

“When [my mother] saw we were not going to be able to go back [to Cuba] it became increasingly important for her to make our culture very prevalent and very important in our lives -- and in our household. We spoke only Spanish. I didn't learn English until I went to school in first grade. And the [Cuban] music and the food was very much a part of our life. I'm glad for that, because it is as well for my children.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

BBC radio interview (December 13, 2006)
2007, 2008

Life, Children, School, Food

“I can pass days
Stretch'd in the shade of those old cedar trees,
Watching the sunshine like a blessing fall,—
The breeze like music wandering o'er the boughs,—
Each tree a natural harp,— each different leaf
A different note, blent in one vast thanks-giving.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Ancestress (Spoken by Jaromir)
The Venetian Bracelet (1829)

Nature, Tree

“Each night the Amir visits a particular wife, or mahal, and receives a very warm welcome from her and from the slaves (i. e. slave girls), who (are) dressed specially for the occasion… If it is the hot weather, they… rub his body with pounded sandalwood and rosewater. Fans are kept going steadily. Some of the slaves chafe the master’s hand and feet, some sit and sing, or play music and dance, or provide other recreation, the wife sitting near him all the time. Then if one of the pretty slave girls takes his fancy, he calls her to him and enjoys her, his wife not daring to show any signs of displeasure, but dissembling, though she will take it out on the slave girls later on.”

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Francisco Pelsaert, Pelsaert, Francisco, Jahangir’s India, trs. by W.H. Moreland and P. Geyl, Cambridge, 1925. Quoted from Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan. Chapter 12.
Jahangir’s India

Girl, Singing, Time, Dance

“Because his living presence became such an uncommonly global one, that ministry [Jackson’s individual spiritual concerns] reflected universal ecumenical principles dressed up in ultra-modern dance grooves, love songs to nature, lyrical eulogies in the form of musical elegies, and sermons sung with passionate intensity and suffering eloquence.”

Aberjhani (1957) author

(from Work and Soul in Michael Jackson’s This Is It).
From Articles, Essays, and Poems, On Michael Jackson

Love, Nature, Suffering, Universe

“I wouldn't be involved with it [pop music] if I wasn't aware that it was going to be a product. I always wanted whatever I did to end up in the high street, no matter what it was, because to me, there isn't anywhere else to go. It's pointless.”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

source http://www.followmearound.com/presscuttings.php?year=2000&cutting=91

“We have all been affected as composers, as teachers, as musicians by recordings to an extent that cannot possibly be calculated as yet or predicted for the future. The music which is being most widely disseminated and most widely discussed, and therefore most widely imitated and influential, is that music which is available on records. The music that is only published is very little known. I don't think one can possibly exaggerate the extent to which the climate of music today is determined by the fact that the total Webern is available on records, that the total Schoenberg is becoming available.”

Milton Babbitt (1916–2011) American composer

Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.

Quotes, Thinking, Teachers, Future

“I saw firsthand where the music we made ended up. It turned up in sterile bullshit clubs in LA, separated from the spirit we made it in.”

M.I.A. (1975) British recording artist, songwriter, painter and director

Quote on her decision to ditch party music on /\/\ /\ Y /\ http://www.nme.com/photos/in-her-own-words-mias-20-sharpest-quotes/172930/16/4#6 reprinted in NME (2010) Sourced quotes

“The most beautiful thing about music is that it transcends most anything.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

blogs.legacyrecordings.com (February 5, 2008)
2007, 2008

Beauty

“I think more audiences would like contemporary music if they were presented with it, told about it. It's just a matter of familiarity, I think. Then one begins to look back at old music as stuffy, or even tiresome. It's funny -- I'm beginning to like older music more than I used to, but it's like I'm going into a museum and contemplating a Rembrandt. It just feels like its part of the aristocratic class system of kings and queens and dukes which just doesn't exist anymore.”

Elliott Carter (1908–2012) American composer

From American Gothic: An Interview with Elliott Carter http://edwebproject.org/carter.html (1993) by Andy Carvin.

Feeling, Thinking, Parting

“Oh, I think it was like when, you know, Cupid throws an arrow and hits you. First, there was this Mexican band, dressed up with bows and arrows. They were playing some funky weird music,, I didn't know it yet, but it was like Lee Perry, George Clinton, and Sun Ra mixed up, Mexican funky.”

Carlos Santana (1947) Mexican and American rock musician

On his first musical memory.http://findarticles.com/p/articles/mi_m0GER/is_2000_Summer/ai_63500762

Thinking, Sun

“When I first came up with the lines, I don't know what it is, but you got to do it/ I don't know where to go but you got to be there, I was at this party for The Strokes in New York. There was this prevailing sense of, 'We're not quite sure what's happening or what is cool, but we know that it's somewhere around here, in this room.' It was this vague confusion, with everybody kind of sniffing for blood. It wasn't that it was a bad party, or that I don't like The Strokes; I just think there's a lot of confusion right now in the music business. Then, later on, I realized the song was really personal. I didn't know where I was, and I didn't know I was actually lost. It wasn't about the party at all; it's about searching but not knowing what you're searching for. There's the train motif, being on this train heading for either oblivion or salvation – and just holding on for dear life. That song came down from some mountain somewhere, because it was right after I wrote it that I sort of packed it in.”

Rufus Wainwright (1973) American-Canadian singer-songwriter and composer

About I Don't Know What It Is,

Life, Search, Mountain, Business

“He could have gone over that night and faced the music but how much music is a man supposed to face?”

John Updike book Rabbit at Rest

Rabbit at Rest (1990)

Night

“I'm a writer. I've written most of the music we've performed. Most people don't know that because no one cares who writes the music. But, that's who I am. I've written poetry since I was a little girl. Music was an evolution of that.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

greenbaypressgazette.com (October 5, 2005)
2007, 2008

People, Girl

“I'm learning to play piano. And also the musical saw.”

Rachel Trachtenburg (1993) American musician

On learning to play new instruments ( Teen Vogue http://www.slideshowplayers.com/press/Teenvogue_feb07.html)

Learning

“From historical burdens such as slavery and injustice to the celebration of faith, much of the origin of African-American music reflects our national story. The work songs, shouts and hollers, spirituals, and ragtime of an earlier era laid the creative foundation for many of America' s most distinctive and popular musical genres. These include rhythm and blues, jazz, hip hop, gospel, rap, and the roots of rock and roll.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Black Music (June 2001)

Faith

“Great music is a psychical storm, agitating to fathomless depths the mystery of the past within us.”

Paul Elmer More (1864–1937) American journalist, critic, essayist and Christian apologist

Lafcadio Hearn http://books.google.com/books?id=_DcRAAAAMAAJ&q=%22Great+music+is+a+psychical+storm+agitating+to+fathomless+depths+the+mystery+of+the+past+within+us%22&pg=PA210#v=onepage, The Atlantic Monthly (February 1903) Republished in Shelburne Essays http://books.google.com/books?id=2OMuAQAAIAAJ&q=%22Great+music+is+a+psychical+storm+agitating+to+fathomless+depths+the+mystery+of+the+past+within+us%22&pg=PA64#v=onepage, volume 2 (1905)

Past

“It's not about money right now. My ambition is to further create a signature sound, a signature spirit, that makes some kind of contribution to music in general.”

David Lee Roth (1954) Rock vocalist; lead singer with Van Halen

David Barton (July 3, 1994) "Jumping at the Chance - With His Newest Album, David Lee Roth Rocks, Rolls and Moves On", Sacramento Bee, p. EN3.

Money

“Blue jean baby, L. A. lady, seamstress for the band.
Pretty eyed, pirate smile, you'll marry a music man.
Ballerina, you must have seen her dancing in the sand.
And now she's in me, always with me, tiny dancer in my hand.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Tiny Dancer
Song lyrics, Madman Across the Water (1971)

Smile, Dance, Baby

“And oft with holy hymns he charm'd their ears, And music more melodious than the spheres.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

“We may have had music before we had a word for it.”

Daniel Levitin book The World in Six Songs

The World in Six Songs (2008)

“[M]ost of the pop music out today I consider to have become a homogenized product. It gets to the point that so much of what is going on is copying everything else that is out, because there is a businessman that knows what he has just sold millions of records with, and so he keeps trying to get every group that comes in to do it, you know. You know, you approach somebody who is well known as a booker or manager, and the first remark will be, "I love what you do, but you would have to change this to this, and that to that, and this to this, in order for me to be able to sell it." Well, by the time you've changed that, of course, it's like everything else that is out there. And when Prince first started sending me songs, I thought maybe that by the time I had done four arrangements that I would have started getting some sort of a repetitive something or other. I have been extremely surprised to find that each one is as different from the last as the next one is going to be different. Some of them are like little art songs. Some of them have dealt with heavy things like friendship and death. I mean, death of a friend. And yet, some of them are as baudy as…”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT456 (1992, 2006, 2014)

Love, Death, Friendship, Art

“We join ourselves to no party that does not carry the flag, and keep step to the music of the Union.”

Rufus Choate (1799–1859) American politician

Letter to the Whig Convention, Worcester (1 October 1855).

“…in serial music, the series itself is seldom audible… What I'm interested in is a compositional process and a sounding music that are one in the same thing.”

Steve Reich (1936) American composer

Source: Steve Reich, ‎Paul Hillier (2002) Writings on Music, 1965-2000, p. 35

“Someone finally understood all the “hell” that I’d been through since a child when I’d first tried to understand language. And yet in other forms of communications, like painting, sculpture, music, math, problem-solving, and chess, I’d been very good. In fact, in high school, once I learned how to play chess, I’d play lightning-fast, intuitively seeing all these different possibilities at the same time, and I’d won well over a hundred chess games without losing a single game. And that included beating some of our faculty members who thought that they were very good at chess.”

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

School, Game, Communication, Hell

“I am deeply sensitive to the spell of nationalism. I can play about thirty Bohemian folk songs… on my mouth-organ. My oldest friend, who is Czech and a patriot, cannot bear to hear me play them because he says I do it in such a schmalzy way, 'crying into the mouth organ'. I do not think I could have written the book on nationalism which I did write, were I not capable of crying, with the help of a little alcohol, over folk songs, which happen to be my favourite form of music.”

Ernest Gellner (1925–1995) Czech anthropologist, philosopher and sociologist

"Reply to Critics" in The Social Philosophy of Ernest Gellner

Alcohol, Books, Way, Thinking

“Whoever said "Wagner's music isn't as bad as it sounds" was as wrong as he was funny, but there is surely a case for saying that the story of Captain Ahab's contest with the great white whale is one of those books you can't get started with even after you have finished reading them.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Jorge Luis Borges', p. 65
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)

Books, Reading

“For Beethoven, music was still shape, realized and inflected by instrumental sonority: other realizations may be as absurd as arrangements of the Hammerklavier, for example, always are, but the musical conception takes precedence over its realization in sound. The sonority serves the music. For Schumann, however, as for Chopin and Liszt, the conception was worked out directly within the sonority as a sculptor works directly in clay or marble. The instrumental sound is shaped into music.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

“Jazz I regard as an American folk music; not the only one, but a very powerful one which is probably in the blood and feeling of the American people more than any other style of folk music.”

George Gershwin (1898–1937) American composer and pianist

"The Relation of Jazz to American Music", in Henry Cowell (ed.) American Composers on American Music (1933); reprinted in Gregory R. Suriano (ed.) Gershwin in His Time (New York: Gramercy, 1998) p. 97.

People, Feeling

“That game, just the brutal simplicity. It’s amazing as a game designer you want to have the latest graphics, and you want the Chicago Symphony playing your background music, and you want Harrison Ford and Matt Damon as your starring characters. But if you have an incredibly addictive game, you don’t need any of that crap. You just need blocks.”

Eugene Jarvis (1955) American game designer and game programmer

"Newcity Chicago," April 2008, on the arcade game "Tetris"

Game, Star

“Everyman is full of music, but it is not everyman that knows how to bring it out.”

Henry Ward Beecher (1813–1887) American clergyman and activist

Proverbs from Plymouth Pulpit (1887)

““When i say Abhinaya, oh, I can't do the abhinaya like what the great man did here yesterday”
- Great Bharatanatyam dancer Balasaraswati next day after Chakyar's lecture-demonstration at Madras Music Academy in 1973.”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya
Source: Sruti- India's premier Music and Dance magazine, August 1990 issue (71), p. 17.

“Schumann's humor is rarely either witty or light: the unrealizable musical structure, the musical motto hidden and partly inaudible, must have stirred his musical fantasy.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Light

“The theatre is not the place for the musician. When the curtain is up the music interrupts the actor, and when it is down the music interrupts the audience.”

Arthur Sullivan (1842–1900) English composer of the Gilbert & Sullivan duo

Quoted in The Musical Times, February 1909; cited from Percy A. Scholes The Mirror of Music, 1844-1944 (London: Novello, 1947) vol. 1, p. 267.

“Laughter is the greatest music in the world and audiences come to my shows to escape the cares of life. They don't want to be embarrassed or insulted. They want to laugh and so do I - which is probably why it works.”

Ken Dodd (1927–2018) English comedian, singer-songwriter and actor

Quoted in Manchester Evening News, http://www.manchestereveningnews.co.uk/entertainment/comedy/s/234/234894_dodds_bolton_bonus.htmlDodd's Bolton bonus, Natalie Anglesey. (2008-04-28)

Life, World, Laughter