Quotes about light
page 43

James O'Keefe photo
Julian (emperor) photo
Adolphe Quetelet photo

“To him… who had examined the laws of light merely in a drop of water, the brilliant phenomenon of the rainbow would be totally unintelligible.”

Adolphe Quetelet (1796–1874) Belgian astronomer, mathematician, statistician and sociologist

Introductory
A Treatise on Man and the Development of His Faculties (1842)

Katherine Mansfield photo
Frederick William Faber photo
Henri Matisse photo

“I have always tried to hide my efforts and wished my works to have the light joyousness of springtime which never lets anyone suspect the labors it has cost me..”

Henri Matisse (1869–1954) French artist

As quoted by Theodore F. Wolff in The Christian Science Monitor (25 March 1985)
Posthumous quotes

Aleister Crowley photo

“I believe in one Gnostic and Catholic Church of Light, Life, Love and Liberty, the Word of whose Law is THELEMA.”

Aleister Crowley (1875–1947) poet, mountaineer, occultist

III Of the Ceremony of the Introit, "Creed of the Gnostic Catholic Church".
Liber XV : The Gnostic Mass (1913)

Francis Marion Crawford photo
John Lancaster Spalding photo
Loreena McKennitt photo
Ludwig Feuerbach photo
Jane Roberts photo
John Knox photo
Edgar Degas photo

“Work a great deal at evening effects, lamplight, candlelight, etc. The intriguing thing is not to show the source of the light but the effect of the lighting.”

Edgar Degas (1834–1917) French artist

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

Van Morrison photo
Letitia Elizabeth Landon photo

“What is the light from yon deep wood flashing —
What the sound on the wild wind borne?
What the dark ranks that are onwards dashing
To the voice of the pealing horn?
Who are they that thundering go? —
It is the Black Hunt of the bold Litzou!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette (3rd January 1835) Versions from the German (First Series.) - 'The Black Hunt of Litzou'
Translations, From the German

Thomas Henry Huxley photo

“We know, that, in the individual man, consciousness grows from a dim glimmer to its full light, whether we consider the infant advancing in years, or the adult emerging from slumber and swoon. We know, further, that the lower animals possess, though less developed, that part of the brain which we have every reason to believe to be the organ of consciousness in man; and as, in other cases, function and organ are proportional, so we have a right to conclude it is with the brain; and that the brutes, though they may not possess our intensity of consciousness, and though, from the absence of language, they can have no trains of thoughts, but only trains of feelings, yet have a consciousness which, more or less distinctly, foreshadows our own. I confess that, in view of the struggle for existence which goes on in the animal world, and of the frightful quantity of pain with which it must be accompanied, I should be glad if the probabilities were in favour of Descartes' hypothesis; but, on the other hand, considering the terrible practical consequences to domestic animals which might ensue from any error on our part, it is as well to err on the right side, if we err at all, and deal with them as weaker brethren, who are bound, like the rest of us, to pay their toll for living, and suffer what is needful for the general good.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

1870s, On the Hypothesis that Animals are Automata, and Its History (1874)

Courtney Love photo
Báb photo

“Men are not in hell because God is angry with them. They are in wrath and darkness because they have done to the light, which infinitely flows forth from God, as that man does to the light who puts out his own eyes.”

William Law (1686–1761) English cleric, nonjuror and theological writer

As quoted in Art and the Message of the Church (1961) by Walter Ludwig Nathan, p. 120.

Karen Blixen photo
Camille Pissarro photo
Edouard Manet photo
Michelangelo Buonarroti photo
Gerald Ford photo

“America now is stumbling through the darkness of hatred and divisiveness. Our values, our principles, and our determination to succeed as a free and democratic people will give us a torch to light the way. And we will survive and become the stronger — not only because of a patriotism that stands for love of country, but a patriotism that stands for love of people.”

Gerald Ford (1913–2006) American politician, 38th President of the United States (in office from 1974 to 1977)

Address to the state conference of the Order of DeMolay, Grand Rapids, Michigan (7 September 1968); published in Gerald R. Ford, Selected Speeches (1973) edited by Michael V. Doyle
1960s

Alfred Noyes photo
George Fox photo
Ursula K. Le Guin photo
Stephen King photo
Hermann Cohen photo

“In this light the God who appears to me is the comforter of the poor and their avenger in world history. This avenger of the poor is the God I love.”

Hermann Cohen (1842–1918) German philosopher

Unter dieser Beleuchtung entsteht mir der Gott, der der Beistand des Armen ist und sein Rächer in der Weltgeschichte. Diesen Rächer der Armen liebe ich.
Source: The Concept of Religion in the System of Philosophy (1915), p. 81 http://books.google.com/books?id=rZ9RAAAAMAAJ&pg=PA81

Gerald James Whitrow photo
Umberto Boccioni photo

“All shadows have their light, each shadow being an autonomous unit forming a new individuality with its own chiaroscuro: it is no longer a form that is half-shadow, half-light, as hat hitherto been the case.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

In 'Dynanisme plastique' 1914, Boccioni; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 132
1914 - 1916

T.S. Eliot photo
Peter Medawar photo
Carol Ann Duffy photo
Robin Williams photo
Tanith Lee photo
Rufus Wainwright photo

“Somebody curse the light
And take me far away from myself”

Rufus Wainwright (1973) American-Canadian singer-songwriter and composer

Bitter Tears
Song lyrics, Out of the Game (2012)

Winston S. Churchill photo

“Where the light is, and each thing clear,
Separate from all others, standing in its place,
I drink the time and touch whatever's near, And hope for day when the whole world has that face:
For what assures her present every year?
In dark accidents the mind's sufficient grace.”

Delmore Schwartz (1913–1966) American poet

"The Beautiful American Word, Sure" http://www.pbs.org/hollywoodpresents/collectedstories/writing/write_ds_poetry.html
Selected Poems: Summer Knowledge (1959)

Julian of Norwich photo
Walter de la Mare photo
Henrietta Swan Leavitt photo

“The range of H 1255 is only four tenths of a magnitude, and on account of its brightness it is difficult to observe on all plates except those taken with the 1-inch Cooke lens. It seemed necessary, therefore, to take unusual precautions in order to secure accurate observations, and to give each one its full weight. Accordingly, one hundred and thirty six photographs were selected, including nearly all of those taken with the Cooke lens, and also those taken with the 8 inch Bache Telescope on which the variable was certainly faint. Four independent estimates of brightness were made on each plate, and means were taken, thus reducing the probable error one half. The phase was computed for each observation, thus covering all parts of the light curve. …H 1255 and H 1303 differ from the other variables in a marked degree as in each case the duration of the phase of minimum is very long in proportion to the length of the period. This fact led to considerable difficulty in determining their periods as they were apparently at their minimum brightness for some time before and after the actual minima occurred. In H 1255, the change in brightness is obviously continuous throughout the period, although it is much more rapid near minimum than near maximum. This is clearly seen in Plate IV, Figs. 5 and 6.”

Henrietta Swan Leavitt (1868–1921) astronomer

"Ten Variable Stars of the Algol Type" http://books.google.com/books?id=UkdWAAAAYAAJ&pg=PA87 (1908) Annals of the Astronomical Observatory of Harvard College Vol.60. No.5

Ben Hecht photo
Šantidéva photo

“To the Buddhas of the ten directions
I join my hands in respect
Let blaze the light of Dharmas truth
For the beings lost in darkness”

Šantidéva (685–763) 8th-century Indian Buddhist monk and scholar

Bodhicaryavatara

Frederick York Powell photo

“It was a soufflé of a speech, light, pleasant, digestible, and nourishing also.”

Frederick York Powell (1850–1904) British historian

Of a talk by Lewis Carroll
The Lewis Carroll Picture Book (1899) p. 356

Dejan Stojanovic photo

“Earth is the source of light.”

"Earth and Light," p. 57
The Sign and Its Children (2000), Sequence: “The Sign and the Dream”

Woodrow Wilson photo

“One cool judgment is worth a thousand hasty counsels. The thing to do is to supply light and not heat.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

Speech on Military Preparedness, Pittsburgh (29 January 1916)
1910s

Léon Foucault photo
Sri Aurobindo photo
Andrei Sakharov photo
Jay Leno photo

“Welcome back! If you're wondering where our good friend -- Kevin Eubanks couldn't be here. Kevin is on tour. He's in France right now. He called me today and he's over there and he wouldn't be back until next week. So if you're wondering where Kevin Eubanks is, he's with us in spirit certainly.
Okay. Boy, this is the hard part. I want to thank you, the audience. You folks have been just incredibly loyal. (emotionally) This is tricky. (laughs) We wouldn't be on the air without you people. Secondly, this has been the greatest 22 years of my life. (applause)
I am the luckiest guy in the world. I got to meet presidents, astronauts, movie stars, it's just been incredible. I got to work with lighting people who made me look better than I really am. I got to work with audio people who made me sound better than I really do. (voice breaking) And I got to work with producers! And writers! (choked pause) And just all kinds of talented people who make me look a lot smarter than I really am.
I'll tell you something. First year of this show, I lost my mom. Second year, I lost my dad. Then my brother died. And after that, I was pretty much out of family. And the folks here became my family. Consequently, when they went through rough times, I tried to be there for them. The last time we left the show, you might remember we had the 64 children that were born among all our staffers that married. That was a great moment.
And when people say to me, hey why don't you go to ABC? Why don't you go to FOX? Why don't you go…? I didn't know anybody over there. These are the only people I have ever known. I'm also proud to say this is a a union show. And I have never worked (applause) -- I have never worked with a more professional group of people in my life. They get paid good money and they do a good job.
And when the guys and women on this show would show me the new car they bought or the house up the street here in Burbank that one of the guys got, I felt I played a bigger role in their success as they played in mine. That was just a great feeling.
And I'm really excited for Jimmy Fallon. You know, it's fun to kind of be the old guy and sit back here and see where the next generation takes this great institution, and it really is. It's been a great institution for 60 years. I am so glad I got to be a part of it, but it really is time to go, hand it off to the next guy; it really is.
And in closing, I want to quote Johnny Carson, who was the greatest guy to ever do this job. And he said, I bid you all a heartfelt good night. Now that I brought the room down, hey, Garth, have you got anything to liven this party up? Give it a shot! Garth Brooks!”

Jay Leno (1950) American comedian, actor, writer, producer, voice actor and television host

Farewell speech, February 6, 2014
The Tonight Show

Walter de la Mare photo
John Bowring photo

“In the cross of Christ I glory,
Towering o'er the wrecks of time;
All the light of sacred story
Gathers round its head sublime.”

John Bowring (1792–1872) 4th Governor of Hong Kong

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 171.

Robert Jordan photo

“A man’s word must be as good as an oath sworn beneath the Light or it was no good at all.”

Robert Jordan (1948–2007) American writer

Source: (January 2004), Chapter 1: The Hook. p. 6

Geoffrey Chaucer photo
Pierre Louis Maupertuis photo
Ray Comfort photo
Starhawk photo
Amitabh Bachchan photo
James Jeffrey Roche photo
Sri Aurobindo photo

“I find it difficult to take these psycho-analysts at all seriously when they try to scrutinise spiritual experience by the flicker of their torch-lights,'yet perhaps one ought to, for half-knowledge is a powerful thing and can be a great obstacle to the coming in front of the true Truth. This new psychology looks to me very much like children learning some summary and not very adequate alphabet, exulting in putting their a-b-c-d of the subconscient and the mysterious underground super-ego together and imagining that their first book of obscure beginnings (c-a-t cat, t-r-e-e tree) is the very heart of the real knowledge. They look from down up and explain the higher lights by the lower obscurities; but the foundation of these things is above and not below, upari budhna esam [Rig-Veda, 1.24.7]. The superconscient, not the subconscient, is the true foundation of things. The significance of the lotus is not to be found by analysing the secrets of the mud from which it grows here; its secret is to be found in the heavenly archetype of the lotus that blooms for ever in the Light above. The self-chosen field of these psychologists is besides poor, dark and limited; you must know the whole before you can know the part and the highest before you can truly understand the lowest. That is the promise of the greater psychology awaiting its hour before which these poor gropings will disappear and come to nothing…. Wanton waste, careless spoiling of physical things in an incredibly short time, loose disorder, misuse of service and materials due either to vital grasping or to tamasic inertia are baneful to prosperity and tend to drive away or discourage the Wealth-Power. These things have long been rampant in the society and, if that continues, an increase in our means might well mean a proportionate increase in the wastage and disorder and neutralise the material advantage. This must be remedied if there is to be any sound progress…. Asceticism for its own sake is not the ideal of this yoga, but self-control in the vital and right order in the material are a very important part of it… and even an ascetic discipline is better for our purpose than a loose absence of true control. Mastery of the material does not mean having plenty and profusely throwing it out or spoiling it as fast as it comes or faster. Mastery implies in it the right and careful utilisation of things and also a self-control in their use…. There is a consciousness in [things], a life which is not the life and consciousness of man and animal which we know, but still secret and real. That is why we must have a respect for physical things and use them rightly, not misuse and waste, ill-treat or handle with a careless roughness. This feeling of all being consciousness or alive comes when our own physical consciousness'and not the mind only'awakes out of its obscurity and becomes aware of the One in all things, the Divine everywhere.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Undated
India's Rebirth

Homér photo
John Townsend Trowbridge photo
Paul Klee photo

“Beyond the constructive elements of the picture, I studied the tonalities of nature by adding layer upon layer of diluted black watercolour paint. Each layer must dry well. In this way a mathematically correct scale of light and dark values is the result. Squinting facilitates our perception of this phenomenon in nature.”

Paul Klee (1879–1940) German Swiss painter

Quote (1908), # 840, in The Diaries of Paul Klee; University of California Press, 1964; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee - Part Three' : Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html
1903 - 1910

Théodore Rousseau photo
Orson Pratt photo
Sania Mirza photo
Luís de Camões photo
Stevie Wonder photo
Stephen Clarke photo
Willem de Sitter photo

“To help us to understand three-dimensional spaces, two-dimensional analogies may be very useful… A two-dimensional space of zero curvature is a plane, say a sheet of paper. The two-dimensional space of positive curvature is a convex surface, such as the shell of an egg. It is bent away from the plane towards the same side in all directions. The curvature of the egg, however, is not constant: it is strongest at the small end. The surface of constant positive curvature is the sphere… The two-dimensional space of negative curvature is a surface that is convex in some directions and concave in others, such as the surface of a saddle or the middle part of an hour glass. Of these two-dimensional surfaces we can form a mental picture because we can view them from outside… But… a being… unable to leave the surface… could only decide of which kind his surface was by studying the properties of geometrical figures drawn on it. …On the sheet of paper the sum of the three angles of a triangle is equal to two right angles, on the egg, or the sphere, it is larger, on the saddle it is smaller. …The spaces of zero and negative curvature are infinite, that of positive curvature is finite. …the inhabitant of the two-dimensional surface could determine its curvature if he were able to study very large triangles or very long straight lines. If the curvature were so minute that the sum of the angles of the largest triangle that he could measure would… differ… by an amount too small to be appreciable… then he would be unable to determine the curvature, unless he had some means of communicating with somebody living in the third dimension…. our case with reference to three-dimensional space is exactly similar. …we must study very large triangles and rays of light coming from very great distances. Thus the decision must necessarily depend on astronomical observations.”

Willem de Sitter (1872–1934) Dutch cosmologist

Kosmos (1932)

Sören Kierkegaard photo
Dennis Lehane photo
Thomas Chalmers photo
Henry Van Dyke photo
Bernard Cornwell photo

“You're a light company, and that means you can go where other Soldier's can't. It makes you an elite. You know what that means? It means you're the best men in the bloody army, and right now the army needs its best men. It needs you.”

Bernard Cornwell (1944) British writer

Ensign Richard Sharpe to the Light Company of the 33rd Regiment of Foot, p. 261
Sharpe (Novel Series), Sharpe's Fortress (1999)

Tarkan photo

“In the light of one choice, we will sing with one voice.”

Tarkan (1972) Turkish singer

Come Closer
Come Closer (2006)

Robert Seymour Bridges photo

“Awake! the land is scattered with light, and see,
Uncanopied sleep is flying from field and tree.”

Robert Seymour Bridges (1844–1930) British writer

Awake, My Heart, to Be Loved, l. 13-14.
Poetry

Edward Grey, 1st Viscount Grey of Fallodon photo

“[the United States is like] a gigantic boiler. Once the fire is lighted under it there is no limit to the power it can generate.”

Edward Grey, 1st Viscount Grey of Fallodon (1862–1933) British Liberal statesman

Remember by Winston Churchill in 1941 as a remark made by Edward Grey 'more than thirty years ago' .
Reproduced in The Second World War, Vol III, The Grand Alliance, 1950, Cassell & Co Ltd, p. 540.

Kate Bush photo

“Every sleepy light
Must say goodbye
To the day before it dies
In a sea of honey
A sky of honey
Keep us close to your heart
So if the skies turn dark
We may live on in
Comets and stars.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Aerial (2005), A Sky of Honey (Disc 2)

Alfred Horsley Hinton photo

“… it may suggest whether a negative made by camera and lens is always an essential, or indeed if a negative at all is needed so long as we can produce a light-painted image at our will.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Part II : Practical Pictorial Photography, Fidelity to nature and justifiable untruth, p. 24

Howard S. Becker photo
Andrew Lang photo
Dejan Stojanovic photo

“Either all lights are turned off or one inner light is missing.”

Dejan Stojanovic (1959) poet, writer, and businessman

“New Word,” p. 69
The Sun Watches the Sun (1999), Sequence: “A Stone and a Word”

David Bowie photo

“Let's dance — put on your red shoes and dance the blues.
Let's dance — to the song they're playin' on the radio.
Let's sway — while colour lights up your face.
Let's swa —, sway through the crowd to an empty space.”

David Bowie (1947–2016) British musician, actor, record producer and arranger

Let's Dance — Video at YouTube http://www.youtube.com/watch?v=NelPivNLPZ8
Song lyrics, Let's Dance (1983)

José Guilherme Merquior photo

“[A] number of points are worth making at once [that challenge Foucault’s Madness and Civilization]: (1) There is ample evidence of medieval cruelty towards the insane; (2) In the late Middle Ages and the Renaissance, the mad were already confined, to cells, jails or even cages; (3) ‘dialogue’ or no ‘dialogue’, even madness during those times was frequently connected with sin -- even in the Ship of Fools mythology; and, to that extent, it was regarded in a far less benevolent light than suggested by Foucault (pre-modern minds accepted the reality of madness -- ‘madness as a part of truth’ -- just as they accepted the reality of sin; but this does not mean they valued madness, any more than sin; (4) as Martin Schrenk (himself a severe critic Foucault) has shown, early modern madhouses developed from medieval hospitals and monasteries rather than as reopened leprosaria; (5) the Great Confinement was primarily aimed not at deviance but at poverty -- criminal poverty, crazy poverty or just plain poverty; the notion that it heralded (in the name of the rising bourgeoise) a moral segregation does not bear close scrutiny; (6) at any rate, as stressed by Klaus Doerner, another of critic of Foucault (Madmen and the Bourgeoisie, 1969), that there was no uniform state-controlled confinement: the English and German patterns, for example, strayed greatly from the Louis Quatorzian Grand Renfermement; (7) Foucault’s periodization seems to me amiss. By the late eighteenths century, confinement of the poor was generally deemed a failure; but it is then that confinement of the mad really went ahead, as so conclusively shown in statistics concerning England, France, and the United States; (8) Tuke and Pinel did not ‘invent’ mental illness. Rather, they owe much to prior therapies and often relied also on their methods; (9) moreover, in nineetenth-century England moral treatment was not that central in the medicalization of madness. Far from it: as shown by Andrew Scull, physicians saw Tukean moral therapy as a lay threat to their art, and strove to avoid it or adapt it to their own practice. Once more, Foucault’s epochal monoliths crumble before the contradictory wealth of the historical evidence.”

Source: Foucault (1985), pp. 28-29

Justin D. Fox photo
Bill Bryson photo
Kate Bush photo

“Hammer Horror, Hammer Horror,
Won't leave me alone.
The first time in my life,
I leave the lights on
To ease my soul.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Lionheart (1978)

Menachem Mendel Schneerson photo

“God gave each of us a soul, which is a candle that He gives us to illuminate our surroundings with His light. We must not only illuminate the inside of homes, but also the outside, and the world at large.”

Menachem Mendel Schneerson (1902–1994) Hasidic rabbi

As quoted in Joseph Telushkin's Rebbe: The Life and Teachings of Menachem M. Schneerson, the Most Influential Rabbi in Modern History

Ben Jonson photo

“Opinion is a light, vain, crude, and imperfect thing.”

Ben Jonson (1572–1637) English writer

The Works of Ben Jonson, Second Folio (1640), Timber: or Discoveries

Warren Buffett photo

“Chains of habit are too light to be felt until they are too heavy to be broken.”

Warren Buffett (1930) American business magnate, investor, and philanthropist

Though Buffet is reported to have expressed such ideas with such remarks many times in his lectures, he never claimed to originate the idea, and in the article "The Chains of Habit Are Too Light To Be Felt Until They Are Too Heavy To Be Broken" at the Quote Investigator http://quoteinvestigator.com/tag/warren-buffett/ it is shown that this sort of expression about chains goes back at least to similar ideas presented by Samuel Johnson in "The Vision of Theodore, The Hermit of Teneriffe, Found in His Cell" in The Gentleman’s Magazine, Vol. 18 (April 1748), p.160:
It was the peculiar artifice of Habit not to suffer her power to be felt at first. Those whom she led, she had the address of appearing only to attend, but was continually doubling her chains upon her companions; which were so slender in themselves, and so silently fastened, that while the attention was engaged by other objects, they were not easily perceived. Each link grew tighter as it had been longer worn, and when, by continual additions, they became so heavy as to be felt, they were very frequently too strong to be broken.
Such sentiments were later succinctly summarized by Maria Edgeworth in Moral Tales For Young People by Miss Edgeworth (1806), Vol 1, Second Edition, p. 86:
… the diminutive chains of habit, as somebody says, are scarcely ever heavy enough to be felt, till they are too strong to be broken.
Disputed