Quotes about feelings
page 41

Mary Midgley photo
Tom Lehrer photo

“I feel that if any songs are gonna come out of World War III, we'd better start writing them now.”

Tom Lehrer (1928) American singer-songwriter and mathematician

Introduction to "So Long Mom (A Song For World War III)
That Was the Year That Was (1965)

“My first manager's page for Shamrock Rovers, and my, shall I say, reasonably extensive vocabulary is still too confined to express how delighted I feel.”

Damien Richardson (1947) Irish footballer and manager

Shamrock Rovers versus St. Johnstone, 14 July 1999.

Sarah Grimké photo
Martin Niemöller photo
Friedrich Hayek photo

“Our basic problem is that we have three levels, I would say, of moral beliefs. We have the first instance, our intuitive moral feelings which are adapted to the small, person-to-person society where we act for people whom we know and are served by people whom we know. Then, we have a society governed by moral traditions which, unlike what modern rationalists believe, are not intellectual discoveries of men who designed them, but as a result of a persons, which I now prefer to describe as term of 'group selection.' Those groups who had accidentally developed such as the tradition of private property and the family who did succeed, but never understood this. So we owe our present extended order of human cooperation very largely to a moral tradition which the intellectual does not approve of, because it has never been intellectually designed and it has to compete with a third level of moral beliefs, those which the morals which the intellectuals designed in the hope that they can better satisfy man's instincts than the traditional morals to do. And we live in a world where three moral traditions are in constant conflict, the innate ones, the traditional ones, and the intellectually designed ones, and ultimately, all our political conflicts of this time can be reduced as affected by a conflict between free moral tradition of a different nature, not only of different content.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

in 1985 interview https://www.youtube.com/watch?v=11AXDT5824Y with John O'Sullivan
1980s and later

Neville Chamberlain photo

“It is not inconceivable that human civilisation should be permanently overcome by such evil men and evil things, and I feel proud that the British Empire, though left to fight alone, still stands across their path, unconquered and unconquerable.”

Neville Chamberlain (1869–1940) Former Prime Minister of the United Kingdom

Last broadcast (11 October 1940), quoted in Keith Feiling, Neville Chamberlain (London: Macmillan, 1946), p. 454.
Post-Prime Ministerial

Immanuel Kant photo
Leo Tolstoy photo
Varadaraja V. Raman photo
Linus Torvalds photo
Sri Aurobindo photo
Mark Manson photo
Don Marquis photo

“well boss
mehitabel the cat
has reappeared in her old
haunts with a
flock of kittens

archy she said to me
yesterday
the life of a female
artist is continually
hampered what in hell
have i done to deserve
all these kittens
i look back on my life
and it seems to me to be
just one damned kitten
after another
i am a dancer archy
and my only prayer
is to be allowed
to give my best to my art
but just as i feel
that i am succeeding
in my life work
along comes another batch
of these damned kittens
it is not archy
that i am shy on mother love
god knows i care for
the sweet little things
curse them
but am i never to be allowed
to live my own life
i have purposely avoided
matrimony in the interests
of the higher life
but i might just
as well have been a domestic
slave for all the freedom
i have gained
i hope none of them
gets run over by
an automobile
my heart would bleed
if anything happened
to them and i found it out
but it isn t fair archy
it isn t fair
these damned tom cats have all
the fun and freedom
if i was like some of these
green eyed feline vamps i know
i would simply walk out on the
bunch of them and
let them shift for themselves
but i am not that kind
archy i am full of mother love
my kindness has always
been my curse
a tender heart is the cross i bear
self sacrifice always and forever
is my motto damn them
i will make a home
for the sweet innocent
little things
unless of course providence
in his wisdom should remove
them they are living
just now in an abandoned
garbage can just behind
a made over stable in greenwich
village and if it rained
into the can before i could
get back and rescue them
i am afraid the little
dears might drown
it makes me shudder just
to think of it
of course if i were a family cat
they would probably
be drowned anyhow
sometimes i think
the kinder thing would be
for me to carry the
sweet little things
over to the river
and drop them in myself
but a mother s love archy
is so unreasonable
something always prevents me
these terrible
conflicts are always
presenting themselves
to the artist
the eternal struggle
between art and life archy
is something fierce
yes something fierce
my what a dramatic
life i have lived
one moment up the next
moment down again
but always gay archy always gay
and always the lady too
in spite of hell
well boss it will
be interesting to note
just how mehitabel
works out her present problem
a dark mystery still broods
over the manner
in which the former
family of three kittens
disappeared
one day she was talking to me
of the kittens
and the next day when i asked
her about them
she said innocently
what kittens
interrogation point
and that was all
i could ever get out
of her on the subject
we had a heavy rain
right after she spoke to me
but probably that garbage can
leaks so the kittens
have not yet
been drowned”

Don Marquis (1878–1937) American writer

mehitabel and her kittens http://donmarquis.com/reading-room/kittens/
archy and mehitabel (1927)

John Updike photo
Clarence Darrow photo
Miguel de Unamuno photo
Eugene J. Martin photo

“Just as feelings grow out of ignorance, intuition should grow out of knowledge.”

Eugene J. Martin (1938–2005) American artist

Annotated Drawings by Eugene J. Martin: 1977-1978

Mason Weems photo

“Feeling that the silver chord of life is loosing, and that his spirit is ready to quit her old companion the body, he extends himself on his bed — closes his eyes for the last time, with his own hands — folds his arms decently on his breast, then breathing out "Father of mercies! take me to thyself," — he fell asleep. Swift on angels' wings the brightening saint ascended; while voices more than human were heard (in Fancy's ear) warbling through the happy regions, and hymning the great procession towards the gates of heaven. His glorious coming was seen far off, and myriads of mighty angels hastened forth, with golden harps, to welcome the honored stranger.”

Mason Weems (1759–1825) fictionalizing biographer of George Washington

Description of Washington's death in Life of Washington (1800); this fanciful account bears no relation to the report of Washington's last words by his personal secretary Tobias Lear, who wrote in his journal (14 December 1799) http://gwpapers.virginia.edu/project/exhibit/mourning/lear.html: About ten o'clk he made several attempts to speak to me before he could effect it, at length he said, — "I am just going. Have me decently buried; and do not let my body be put into the Vault in less than three days after I am dead." I bowed assent, for I could not speak. He then looked at me again and said, "Do you understand me? I replied "Yes." "Tis well" said he.

Bob Dylan photo
Max Scheler photo
Joseph Joubert photo
Nico photo
Penn Jillette photo
Haruki Murakami photo
James Martin (priest) photo
Letitia Elizabeth Landon photo
Peter Matthiessen photo
Michelangelo Antonioni photo
African Spir photo
Letitia Elizabeth Landon photo
Patrick White photo
Samuel Butler photo

“Feeling is an art and, like any other art, can be acquired by taking pains.”

Samuel Butler (1835–1902) novelist

Feeling
The Note-Books of Samuel Butler (1912), Part VI - Mind and Matter

John Davidson photo
Jacoba van Heemskerck photo

“I don't understand how many painters can be so short-sighted to value art from earlier periods as completely worthless. Every art is an expression of an era and only for that reason already it is interesting. A Rembrandt has gone other ways, but he has certainly also pursued the highest goals. That one can assert: it is not necessary for a painter to have an impression when he is painting an Image, is nonsense. Certainly an artist, if he is really an artist, always has an inner urge to create an Image and thus sees an impression for himself that he may not always be able to explain, because deeper feelings are very difficult to grasp in words, but he has an impression - otherwise he only makes paintings as pure brain work. And intellectual art I can't bear. You can not make abstract art as something on its own. One feel various forms in their inner coherence. For example: when reading a fairy tale I can get the idea to paint a forest in completely abstract forms with motifs of trees. Every abstract form has an inner meaning for me.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in Dutch / citaat van Jacoba van Heemskerck, in het Nederlands vertaald: Ik begrijp niet hoe veel schilders zo kortzichtig kunnen zijn kunst uit vroegere perioden als volkomen waardeloos aan te merken. Elke kunst is een uiting van een tijdperk en alleen daarom al interessant. Een Rembrandt is andere wegen gegaan maar heeft zeker ook de hoogste doelen nagestreefd. Dat men beweren kan: een schilder hoeft bij het schilderen van een Bild geen voorstelling te hebben, is onzin. Zeker heeft een kunstenaar, als hij werkelijk artiest is, altijd een innerlijke drang een Bild te scheppen en ziet dus een Bild voor zich dat hij misschien niet altijd verklaren kan omdat diepere gevoelens heel moeilijk in woorden te vatten zijn, maar een voorstelling heeft hij - anders maakt hij schilderijen en is het puur hersenwerk. En intellectuele kunst staat mij zeer tegen. Abstracte kunst is niet op zich zelf staand te maken. Men voelt verscheidene vormen in hun innerlijke samenhang. Bijvoorbeeld: bij het lezen van een sprookje kan ik de ingeving krijgen een bos in geheel abstracte vormen met boommotieven te schilderen. Elke abstracte vorm heeft voor mij een innerlijke betekenis.
Quote of Jacoba van Heemskerck in her letter of 1 May 1920, to Gustave Bock in Giessen, Germany; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5) Waanders, Zwolle, 2005, p. 168
1920's

John Heywood photo

“I perfectly feele even at my fingers end.”

John Heywood (1497–1580) English writer known for plays, poems and a collection of proverbs

Part I, chapter 6.
Proverbs (1546), Bartlett's Familiar Quotations, 10th ed. (1919)

Louis Farrakhan photo

“I know something of the good of Moammar Gadhafi that made me to love him as a brother and to feel a great sense of loss at his assassination, He died in honor, fighting for the Libya that he believed in.”

Louis Farrakhan (1933) leader of the Nation of Islam

On Muammar Gaddafi's Death http://www.theblaze.com/stories/farrakhan-condemns-killing-of-brother-gadhafi-assassination (26 October 2011]

“When a society has doubts about its future, it tends to produce spokesmen whose main appeal is to the emotions, who argue from intuitions, and whose claim to be truth-bearers rests solely on intense personal feeling.”

Kenneth Tynan (1927–1980) English theatre critic and writer

Review of After the Fall, by Arthur Miller, at the ANTA Washington Square Theatre, New York; Blues for Mister Charlie, by James Baldwin at the ANTA Theatre, New York (1962), p. 143
Tynan Right and Left (1967)

Aldous Huxley photo
Robert Musil photo
G. Gordon Liddy photo

“A liberal is someone who feels a great debt to his fellow man, which debt he proposes to pay off with your money.”

G. Gordon Liddy (1930) American lawyer in Watergate scandal

As quoted in "The Best Of The Rest: 20 More Quotes About Liberals" at Right Wing News (24 November 2010) http://rightwingnews.com/quotes/the-best-of-the-rest-20-more-quotes-about-liberals/

Courtney Love photo
Eugène Delacroix photo
Max Scheler photo

“This “sublime revenge” of ressentiment (in Nietzsche's words) has indeed played a creative role in the history of value systems. It is “sublime,” for the impulses of revenge against those who are strong, healthy, rich, or handsome now disappear entirely. Ressentiment has brought deliverance from the inner torment of these affects. Once the sense of values has shifted and the new judgments have spread, such people cease to be enviable, hateful, and worthy of revenge. They are unfortunate and to be pitied, for they are beset with “evils.” Their sight now awakens feelings of gentleness, pity, and commiseration. When the reversal of values comes to dominate accepted morality and is invested with the power of the ruling ethos, it is transmitted by tradition, suggestion, and education to those who are endowed with the seemingly devaluated qualities. They are struck with a “bad conscience” and secretly condemn themselves. The “slaves,” as Nietzsche says, infect the “masters.” Ressentiment man, on the other hand, now feels “good,” “pure,” and “human”—at least in the conscious layers of his mind. He is delivered from hatred, from the tormenting desire of an impossible revenge, though deep down his poisoned sense of life and the true values may still shine through the illusory ones. There is no more calumny, no more defamation of particular persons or things. The systematic perversion and reinterpretation of the values themselves is much more effective than the “slandering” of persons or the falsification of the world view could ever be."”

Max Scheler (1874–1928) German philosopher

Variant: The man of ressentiment cannot justify or even understand his own existence and sense of life in terms of positive values such as power, health, beauty, freedom, and independence. Weakness, fear, anxiety, and a slavish disposition prevent him from obtaining them. Therefore he comes to feel that “all this is vain anyway” and that salvation lies in the opposite phenomena: poverty, suffering, illness, and death. This “sublime revenge” of ressentiment (in Nietzsche’s words) has indeed played a creative role in the history of value systems. It is “sublime,” for the impulses of revenge against those who are strong, healthy, rich, or handsome now disappear entirely. Ressentiment has brought deliverance from the inner torment of these affects. Once the sense of values has shifted and the new judgments have spread, such people cease to been viable, hateful, and worthy of revenge. They are unfortunate and to be pitied, for they are beset with “evils.” Their sight now awakens feelings of gentleness, pity, and commiseration. When the reversal of values comes to dominate accepted morality and is invested with the power of the ruling ethos, it is transmitted by tradition, suggestion, and education to those who are endowed with the seemingly devaluated qualities. They are struck with a “bad conscience” and secretly condemn themselves. The “slaves,” as Nietzsche says, infect the “masters.” Ressentiment man, on the other hand, now feels “good,” “pure,” and “human”—at least in the conscious layers of his mind. He is delivered from hatred, from the tormenting desire of an impossible revenge, though deep down his poisoned sense of life and the true values may still shine through the illusory ones. There is no more calumny, no more defamation of particular persons or things. The systematic perversion and reinterpretation of the values themselves is much more effective than the “slandering” of persons or the falsification of the world view could ever be.
Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1973), pp. 76-77

Thanissaro Bhikkhu photo
Roger Ebert photo
Bruce Springsteen photo
Christopher Isherwood photo

“Let's face it, minorities are people who probably look and act and think differently from us and have faults we don't have. We may dislike the way they look and act, and we may hate their faults. And it’s better if we admit to disliking and hating them, than if we try to smear over our feelings with pseudo-liberal sentimentality. If we’re frank about our feelings, we have a safety valve; and if we have a safety-valve, we’re actually less likely to start persecuting.... I know that theory is unfashionable nowadays. We all keep trying to believe that, if we ignore something long enough, it’ll just vanish––
‘Where was I? Oh yes... Well, now, suppose this minority does get persecuted – never mind why – political, economic, psychological reasons – there always is a reason, no matter how wrong it is – that’s my point. And, of course, persecution itself is always wrong; I’m sure we all agree there. But, the worst of it is, we now run into another liberal heresy. Because the persecuting majority is vile, says the liberal, therefore the persecuted minority must be stainlessly pure. Can’t you see what nonsense that is? What’s to prevent the bad from being persecuted by the worse? Did all the Christian victims in the arena have to be saints?’
‘And I’ll tell you something else. A minority has its own kind of aggression. It absolutely dares the majority to attack it. It hates the majority — not without a cause, I grant you. It even hates the other minorities – because all minorities are in competition: each one proclaims that its sufferings are the worst and its wrongs are the blackest. And the more they all hate, and the more they're all persecuted, the nastier they become! Do you think it makes people nasty to be loved? You know it doesn’t! Then why should it make them nice to be loathed?”

pps. 53-54
A Single Man (1964)

Viswanathan Anand photo
Helen Keller photo
David Boreanaz photo
Marino Marini photo
Aldo Capitini photo
Irvin D. Yalom photo
David Hartley (philosopher) photo
Edward Thomson photo
Peter Sloterdijk photo
Isa Genzken photo
Tom Petty photo

“It's alright if you love me,
It's alright if you don't.
I'm not afraid of you runnin' away,
Honey I get the feeling you won't.”

Tom Petty (1950–2017) American musician

Breakdown
Lyrics, Tom Petty And The Heartbreakers (1974)

Jimmy Kimmel photo
Henry Adams photo
Rahul Dravid photo

“I would like to announce my retirement from international and domestic first-class cricket. It is 16 years since I played my first Test match for India and today I feel it is an time to move on. Once I was like every other boy in India, with a dream of playing for my country. Yet I could never have imagined a journey so long and so fulfilling.”

Rahul Dravid (1973) Indian cricketer

In press conference announcing retirement from Test cricket, quoted in " After 16 yrs, Rahul Wall Dravid retires from intl cricket "in Indian Express (Indianexpress.com) http://www.indianexpress.com/news/after-16-yrs-rahul-wall-dravid-retires-from-intl-cricket/921750/0

Yasunari Kawabata photo
Samuel Romilly photo
Lauren Faust photo
Nina Paley photo
Leo Tolstoy photo
Babe Ruth photo
Thomas Hardy photo
Carl Barron photo
Donald J. Trump photo

“Torture works, okay folks? […] Believe me, it works. […] Waterboarding is your minor form. Some people say it's not actually torture. Let's assume it is. But they asked me the question. What do you think of waterboarding? Absolutely fine. But we should go much stronger than waterboarding. That's the way I feel.”

Donald J. Trump (1946) 45th President of the United States of America

Donald Trump: "Torture works" http://www.cbsnews.com/news/donald-trump-torture-works/. CBS News (17 February 2016). Bluffton, South Carolina.
2010s, 2016, February

Tom Petty photo

“I remember feeling this way,
You can lose it without knowing.
You wake up and you don't notice
Which way the wind is blowing”

Tom Petty (1950–2017) American musician

Don't Fade On Me, written with Mike Campbell
Lyrics, Wildflowers (1994)

Andrew Johnson photo
Van Morrison photo
Roger Ebert photo

“Your Highness is a juvenile excrescence that feels like the work of 11-year-old boys in love with dungeons, dragons, warrior women, pot, boobs and four-letter words. One of the heroes even wears the penis of a minotaur on a string around his neck. I hate it when that happens.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/your-highness-2011 of Your Highness (April 6, 2011)
Reviews, One-star reviews

Joseph Beuys photo
Shaun Ellis photo
Pierre Corneille photo

“As our self-interests differ, so do our feelings.”

Comme nos intérêts, nos sentiments diffèrent.
Cornélie, act V, scene ii.
La Mort de Pompée (The Death of Pompey) (1642)

“Fate's fickle finger was feeling for my fundament.”

Kyril Bonfiglioli (1928–1985) British art dealer

Source: The Mortdecai Trilogy, After You With The Pistol (1979), Ch. 20.

Mariah Carey photo
Steven Pressfield photo
Ralph Waldo Emerson photo

“I have heard with admiring submission the experience of the lady who declared "that the sense of being perfectly well-dressed gives a feeling of inward tranquility which religion is powerless to bestow."”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Social Aims
1870s, Society and Solitude (1870), Books, Letters and Social Aims http://www.rwe.org/comm/index.php?option=com_content&task=category&sectionid=5&id=74&Itemid=149 (1876)

Emmitt Smith photo
Frank Klepacki photo
Benoît Mandelbrot photo
Christopher Moore photo
Friedrich Engels photo

“Naturally, it is in the interest of the trader to be on good terms with the one from whom he buys cheap as well as with the other to whom he sells dear. A nation therefore acts very imprudently if it fosters feelings of animosity in its suppliers and customers. The more friendly, the more advantageous. Such is the humanity of trade. And this hypocritical way of misusing morality for immoral purposes is the pride of the free-trade system.”

Friedrich Engels (1820–1895) German social scientist, author, political theorist, and philosopher

Natürlich ist es im Interesse des Handelnden, mit dem einen, von welchem er wohlfeil kauft, wie mit dem andern, an welchen er teuer verkauft, sich in gutem Vernehmen zu halten. Es ist also sehr unklug von einer Nation gehandelt, wenn sie bei ihren Versorgern und Kunden eine feindselige Stimmung nährt. Je freundschaftlicher, desto vorteilhafter. Dies ist die Humanität des Handels, und diese gleisnerische Art, die Sittlichkeit zu unsittlichen Zwecken zu mißbrauchen, ist der Stolz des Systems der Handelsfreiheit.
Outlines of a Critique of Political Economy (1844)

Albert Camus photo

“Mistaken ideas always end in bloodshed, but in every case it is someone else’s blood. That is why some of our thinkers feel free to say just about anything.”

Albert Camus (1913–1960) French author and journalist

Toute idée fausse finit dans le sang, mais il s'agit toujours du sang des autres. C'est ce qui explique que certains de nos philosophes se sentent à l'aise pour dire n'importe quoi.
Actuelles I, 1950

Sarada Devi photo

“The mind is everything. It is in the mind alone that one feels pure and impure. A man, first of all, must make his own mind guilty and then alone can he see another man's guilt.”

Sarada Devi (1853–1920) Hindu religious figure, spiritual consort of Ramakrishna

Women Saints of East and West

Billie Piper photo

“People were dealing with CGI for the first time, so I think we were really unsure as to whether it would be a huge success or a big flop. … I thought the scripts were so good. It had a kind of domestic element which I'm not sure it ever had before. I think we were feeling quite confident about that. … In terms of whether it had a place in the world when it aired, I think everyone was quite unsure. I didn't know until it aired and people really seemed to like it.”

Billie Piper (1982) English singer, dancer and actress

On her role in the 21st century revival of Doctor Who, as quoted in "'I've heard that before!': Chris Evans cracks ex-wife jokes with Billie Piper as she appears on his show with new husband Laurence Fox" in The Daily Mail Reporter (22 November 2013) http://www.dailymail.co.uk/tvshowbiz/article-2511885/Chris-Evans-cracks-ex-wife-jokes-Billie-Piper-appears-new-husband-Laurence-Fox.html