Quotes about crying
page 8

Bret Easton Ellis photo

“I just had my makeup done, so you can't make me cry.”

Glamorama (1998)

Albert Camus photo
Lana Turner photo
John Trudell photo

“Sometimes when it rains, it's not that simple, when the sky has reasons to cry.”

John Trudell (1946–2015) Native American rights activist, musician, poet

"What it Means to be a Human Being" Speech (2001)

Derren Brown photo
Cyril Connolly photo
Lisa Kudrow photo
Elizabeth Barrett Browning photo
Donald J. Trump photo

“When you give a crazed, crying lowlife a break, and give her a job at the White House, I guess it just didn't work out. Good work by General Kelly for quickly firing that dog!”

Donald J. Trump (1946) 45th President of the United States of America

Tweet https://twitter.com/realDonaldTrump/status/1029329583672307712 by President Trump about Omarosa Manigault, as quoted by CNN https://www.cnn.com/2018/08/14/politics/trump-omarosa-attacks/index.html (August 14, 2018)
2010s, 2018, August

Dorothy Thompson photo
Jesse Helms photo
Beck photo
Henry Van Dyke photo
Pete Doherty photo
Ray Comfort photo

“No one in his right mind wants to die. That cry is God-given. The Bible tells us that God has put eternity in our hearts.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

God doesn't believe in atheists (2002)

Hermann Hesse photo
Thomas Merton photo
Aristophanés photo
Sarah Vowell photo

“I talk about going to his Inauguration and crying when he took the oath, 'cause I was so afraid he was going to "wreck the economy and muck up the drinking water"… the failure of my pessimistic imagination at that moment boggles my mind now.”

Sarah Vowell (1969) American author, journalist, essayist and social commentator

Referring to George W. Bush on The Daily Show with Jon Stewart http://www.cc.com/video-clips/e88k08/the-daily-show-with-jon-stewart-sarah-vowell (2006-02-21)

Cat Stevens photo
Mark Burns (televangelist) photo

“The death-of-the-author thematics, as commonly adapted, are another inanity: when society does its very best to homogenize us, what is wrong with a strong, knowledgeable, and responsible ego crying in the darkening wilderness?”

Nathaniel Tarn (1928) American poet, essayist, anthropologist, and translator

Nathaniel Tarn (1999) "Octavio Paz, Anthropology, and the Future of Poetry" published in: The Embattled Lyric: Essays and Conversations in Poetics and Anthropology (2007). p. 118.

Hans Arp photo
Aron Ra photo
Janet Jackson photo

“I feel asleep late last night
Crying like a newborn child
Holding myself close
Pretending my arms are yours
I want no one but you.”

Janet Jackson (1966) singer from the United States

I Get Lonely
The Velvet Rope (1997)

Mike Tyson photo

“In 2005: "Most of my fans are too sensitive. I’m a cruel and cold and hard person. I’ve been abused in every way you can imagine. Save your tears. I lost my sensitivity. You embarrass me when you cry."”

Mike Tyson (1966) American boxer

http://www.thesun.co.uk/article/0,,3-2005270012,,00.html
http://www.timesonline.co.uk/tol/sport/article532790.ece
On his fans

Alan Bennett photo
Ian Paisley photo

“Don't come crying to me if your homes are attacked. You will reap what you sow.”

Ian Paisley (1926–2014) Politician and former church minister

After been forcibly carried out from the Assembly building by police(1986)http://news.bbc.co.uk/onthisday/hi/dates/stories/june/24/newsid_2519000/2519077.stm

Thomas Holley Chivers photo
D. V. Gundappa photo
S. I. Hayakawa photo
Conrad Aiken photo
Neamat Imam photo

“Our hearts have to cry to end our tears.”

The Black Coat (2013)

“The animal I wanted
Couldn't get into the world…
I can hear it crying
When I sit like this away from life.”

Kenneth Patchen (1911–1972) American writer and poet

"'The Animal I Wanted'"

William Julius Mickle photo

“Monotheism came to this country for the first time as the war-cry of Islamic invaders who marched in with the Quran in one hand and the sword in the other. It proclaimed that there was no God but Allah and that Muhammad was the Prophet of Allah. It claimed that Allah had completed his Revelation in the Quran and that Muslims who possessed that Book were the Chosen People. It invoked a theology which called upon the believers to convert or kill the infidels, particularly the idolaters, capture their women and children and sell them into slavery and concubinage all over the world, slaughter their sages and saints and priests, break or at least desecrate their idols, destroy or convert into mosques their places of worship, plunder their properties, occupy their lands, and heap humiliations on such of them as cannot be converted or killed either due to their capacity for fighting back or the need of the conquerors for slave labour. The enormities which the votaries of Islamic Monotheism practised on a vast scale and for a long time vis-a-vis Hindu religion, culture and society, were unheard of by Hindus in the whole of their hoary history. Muslim theologians, sufis and historians who witnessed or read or heard of these doings hailed the doers as soldiers of Allah and heroes of Islam. They thanked Allah and the Prophet who had declared a permanent war on the infidels and bestowed their progeny and properties on the believers. They quoted chapter and verse from the Quran and the Sunnah of the Prophet in order to prove that what was being done to Hindus was fully in keeping with the highest teachings of Islam.”

Sita Ram Goel (1921–2003) Indian activist

History of Hindu-Christian Encounters (1996)

Chris Rea photo
Vanna Bonta photo

“The body knows no pain, not like the soul. At least a nerve has limits, a body part a name. But the soul … the soul … There is no bandage -- even crying is in vain.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

"Only the Soul"
Degrees: Thought Capsules and Micro Tales (1989)

Van Morrison photo
Aimee Mann photo
Mary McCarthy photo
Shah Jahan photo
Diana, Princess of Wales photo

“These children need to feel the same things as other children. To play, to laugh and cry, to make friends, to enjoy the ordinary experiences of childhood. To feel loved and nurtured and included by the world they live in, without the stigma that AIDS continues to attract.”

Diana, Princess of Wales (1961–1997) First wife of Charles, Prince of Wales

The Princess of Wales during a speech about women and children with Aids (8 September 1993) http://www.settelen.com/diana_women_and_children_with_aids.htm

Robert G. Ingersoll photo
Nikos Kazantzakis photo
Aristophanés photo

“Chremylus: And what good thing can [Poverty] give us, unless it be burns in the bath, and swarms of brats and old women who cry with hunger, and clouds uncountable of lice, gnats and flies, which hover about the wretch's head, trouble him, awake him and say, “You will be hungry, but get up!” […]
Poverty: It's not my life that you describe; you are attacking the existence beggars lead. […] The beggar, whom you have depicted to us, never possesses anything. The poor man lives thriftily and attentive to his work; he has not got too much, but he does not lack what he really needs. […] But what you don't know is this, that men with me are worth more, both in mind and body, than with [Wealth]. With him they are gouty, big-bellied, heavy of limb and scandalously stout; with me they are thin, wasp-waisted, and terrible to the foe. […] As for behavior, I will prove to you that modesty dwells with me and insolence with [Wealth]. […] Look at the orators in our republics; as long as they are poor, both state and people can only praise their uprightness; but once they are fattened on the public funds, they conceive a hatred for justice, plan intrigues against the people and attack the democracy. […]
Chremylus: Then tell me this, why does all mankind flee from you?
Poverty: Because I make them better. Children do the very same; they flee from the wise counsels of their fathers. So difficult is it to see one's true interest.”

tr. O'Neill 1938, Perseus http://www.perseus.tufts.edu/hopper/text.jsp?doc=Aristoph.+Pl.+535
Plutus, line 535-539 & 548 & 552-554 & 558-561 & 563-564 & 567-570 & 575-578
Plutus (388 BC)

William Morris photo
Laurence Sterne photo

“I pity the man who can travel from Dan to Beersheba and cry, 'Tis all barren!”

In the Street, Calais.
A Sentimental Journey Through France and Italy (1768)

Jerome K. Jerome photo
Ernesto Che Guevara photo
Carole King photo

“I'll never let you see
The way my broken heart is hurting me.
I've got my pride and I know how to hide
All my sorrow and pain.
I'll do my crying in the rain.”

Carole King (1942) Nasa

Crying in the Rain (1962), Co-written with Howard Greenfield, first recorded by The Everly Brothers
Song lyrics, Singles

Mike Oldfield photo
Ayumi Hamasaki photo
Victor Hugo photo

“In short, I am doing what I can, I suffer with the same universal suffering, and I try to assuage it, I possess only the puny forces of a man, and I cry to all: "Help me!"”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

En somme, je fais ce que je peux, je souffre de la souffrance universelle, et je tâche de la soulager, je n'ai que les chétives forces d'un homme, et je crie à tous: aidez-moi.
Letter To M. Daelli on Les Misérables (1862)

Markandey Katju photo
Charles Reade photo

“Make 'em laugh; make 'em cry; make 'em wait.”

Charles Reade (1814–1884) British writer

Advice given to an aspiring writer.
Attributed

Rupert Brooke photo
Torquato Tasso photo

“Now spread the night her spangled canopy,
And summoned every restless eye to sleep;
On beds of tender grass the beasts down lie,
The fishes slumbered in the silent deep,
Unheard were serpent's hiss and dragon's cry,
Birds left to sing, and Philomen to weep,
Only that noise heaven's rolling circles kest,
Sung lullaby to bring the world to rest.”

Torquato Tasso (1544–1595) Italian poet

Era la notte allor ch'alto riposo
Han l'onde e i venti, e parea muto il mondo,
Gli animai lassi, e quei che 'l mare ondoso,
O de' liquidi laghi alberga il fondo,
E chi si giace in tana, o in mandra ascoso,
E i pinti augelli nell’oblio giocondo
Sotto il silenzio de' secreti orrori
Sopían gli affanni, e raddolciano i cori.
Canto II, stanza 96 (tr. Fairfax)
Gerusalemme Liberata (1581)

Ignatius Sancho photo
Leszek Kolakowski photo
Clive Staples Lewis photo
Tom Savini photo
Gloria Estefan photo

“I'd lock myself up in my room with my guitar. I wouldn't cry. I was afraid if I let go just a little bit, it would all go. I would sing for hours by myself.... It was my way of crying.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Entertainment Weekly (30 July 1993)
2007, 2008

Robert A. Heinlein photo
Klaus Kinski photo
Kelly Clarkson photo

“No, I don't cry on the outside anymore.”

Kelly Clarkson (1982) American singer-songwriter, actress

Behind These Hazel Eyes
Lyrics, Breakaway (2004)

Samuel Richardson photo
Michele Bachmann photo
Mark Heard photo
Théodore Rousseau photo

“If my painting depicts faithfully and without over-refinement the simple and true character of the place you have frequented, if I succeed.... in giving its own life to that world of vegetation, then you will hear the trees moaning under the winter wind, the birds that call their young and cry after their dispersion; you will feel the old chateau tremble; it will tell you that, as the wife you loved, it too will.... disappear and be reborn in multiple forms.. One does not copy with mathematical precision what one sees, but one feels and interprets a real world, all of whose fatalities hold you fast bound.”

Théodore Rousseau (1812–1867) French painter (1812-1867)

Quote in a letter to M. Guizot, c. 1839-41; as cited by Charles Sprague Smith, in Barbizon days, Millet-Corot-Rousseau-Barye publisher, A. Wessels Company, New York, July 1902, pp. 172-173
The Duke de Broglie had ordered of Rousseau a painting of the 'Chateau de Broglie', for his friend M. Guizot. Madame Guizot had died there, and The Duke de Broglie urged Rousseau to make the painting grave and sad.. The quote presents Rousseau’s responding
1830 - 1850

Robert Herrick photo
Margaret Thatcher photo
John Ruskin photo

“We have much studied and much perfected, of late, the great civilized invention of the division of labour; only we give it a false name. It is not, truly speaking, the labour that it divided; but the men: — Divided into mere segments of men — broken into small fragments and crumbs of life; so that all the little piece of intelligence that is left in a man is not enough to make a pin, or a nail, but exhausts itself in making the point of a pin or the head of a nail. Now it is a good and desirable thing, truly, to make many pins in a day; but if we could only see with what crystal sand their points were polished, — sand of human soul, much to be magnified before it can be discerned for what it is — we should think that there might be some loss in it also. And the great cry that rises from our manufacturing cities, louder than their furnace blast, is all in very deed for this, — that we manufacture everything there except men; we blanch cotton, and strengthen steel, and refine sugar, and shape pottery; but to brighten, to strengthen, to refine, or to form a single living spirit, never enters into our estimate of advantages. And all the evil to which that cry is urging our myriads can be met only in one way: not by teaching nor preaching, for to teach them is but to show them their misery, and to preach at them, if we do nothing more than preach, is to mock at it. It can only be met by a right understanding, on the part of all classes, of what kinds of labour are good for men, raising them, and making them happy; by a determined sacrifice of such convenience or beauty, or cheapness as is to be got only by the degradation of the workman; and by equally determined demand for the products and results of healthy and ennobling labour.”

Volume II, chapter VI, section 16.
The Stones of Venice (1853)

Francis Turner Palgrave photo

“In the hollow
Silver voices ripple and cry
Follow, O follow!”

Francis Turner Palgrave (1824–1897) English poet and critic

The Golden Land

Sara Bareilles photo
Graham Greene photo
Lauren Duca photo

“It occurred to me how very tired I sometimes feel as an outspoken feminist. … Trolls are trying to silence women, and I've installed a fiery declaration within myself to never give in, but it's incredibly hard, and gets harder as my platform as a writer grows. What didn’t occur to me initially is that West has spent years in the trenches fighting this endless, thankless fight, and maybe she needs a goddamn break. I had this revelation again, much more profoundly and emotionally, about my own mother while watching Greta Gerwig’s new film, Lady Bird. … Often, my mother and I clashed when she denied me freedom, but only because she had been harmed by the dangers she knew lay ahead for her daughter. I did so many risky, awful things, and then lied to her about them, because I never felt I could be honest with her. I should have known she wasn’t judging me. I should have known that she had done it all before, that even though she wouldn’t have used the word "feminist" to describe herself at the time, mostly she just didn’t want me to have to be so very tired. … Walking home from Lady Bird on the kind of night that New York fall fantasies are made of, I resisted the urge to call my mother, because I thought I might cry until the universe ripped apart at the seams. But then I called her anyway. I sobbed as I told her I had no idea how impossibly hard she had been trying.”

Lauren Duca (1991) American journalist

Sexism, Remembered and Forgotten (November 17, 2017)

Frederick Douglass photo
Dinah Craik photo
Rio Ferdinand photo
Ernest Gellner photo
Richard Henry Dana Jr. photo
Ossip Zadkine photo

“A cry of horror against the inhuman brutality of this act of tyranny.”

Ossip Zadkine (1890–1967) French sculptor

Quote of Zadkine c. 1953; as cited by M.G. Schenk, in Ossip Zadkine', Amsterdam 1967; as quoted in Sculpture International Rotterdam https://www.sculptureinternationalrotterdam.nl/en/collectie/the-destroyed-city - 'The Destroyed City'
According to Zadkine the idea for his sculpture 'The Destroyed City' was born when he arrived by train in the devastated city of Rotterdam in 1946/47, and saw the destroyed heart of the city because of the bombings by the German air-force, 14 May 1940
1940 - 1960

Suzanne Vega photo

“They only hit until you cry,
After that, you don't ask why.”

Suzanne Vega (1959) American singer

Luka
Solitude Standing (1987)

Umberto Boccioni photo

“To the Young Artists of Italy!
The cry of rebellion that we launch, linking our ideals with those of the Futurist poets, does not originate in an aesthetic clique. It expresses the violent desire that stirs in the veins of every creative artist today.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Original text:
Agli artisti giovani d'Italia!
Il grido di ribellione che noi lanciamo, associando i nostri ideali a quelli dei poeti futuristi, non parte già da una chiesuola estetica, ma esprime il violento desiderio che ribolle oggi nelle vene di ogni artista creatore.
Source: 1910, Manifesto of Futurist Painters', Feb. 1910, p. 24: Lead paragraph

Ali Larter photo

“I just remember sitting in my trailer hysterically crying from the embarrassment I felt about myself, my body - and that no one could talk to me directly.”

Ali Larter (1976) American actress

[Ali Larter's 'Hot-Girl Syndrome', The Age, 2008-06-18, http://www.theage.com.au/lifestyle/people/ali-larters-hotgirl-syndrome-20090403-9q4a.html, 2010-07-27, Melbourne].

Sidney Hillman photo

“When your mother has grown old
and with her so have you,
When that which once came easy
has at last become a burden,
When her loving, true eyes
no longer see life as once they did
When her weary feet
no longer want to wear her as she stands,
then reach an arm to her shoulder,
escort her gently, with happiness and passion
The hour will come, when you, crying,
must take her on her final walk.
And if she asks you, then give her an answer
And if she asks you again, listen!
And if she asks you again, take in her words
not impetuously, but gently and in peace!
And if she cannot quite understand you,
explain all to her gladly
For the hour will come, the bitter hour
when her mouth will ask for nothing more.”

Source: The poem was originally titled "Habe Geduld". It was first published in Blüthen des Herzens around 1906. https://www.bartfmdroog.com/droog/dd/bluthen_des_herzens_scans.html#front

Adolf Hitler used this poem with the title "Deine Mutter" in the handwritten manuscript he signed and dated in 1923. For this reason, this poem is sometimes misattributed to him. Adolf Hitler, "Denk' es!" (Be Reminded!) 1923, first published in Sonntag-Morgenpost (14 May 1933).

Sarah McLachlan photo
Henry Temple, 3rd Viscount Palmerston photo

“When Bonaparte was to be dethroned, the Sovereigns of Europe called up their people to their aid; they invoked them in the sacred names of Freedom and National Independence; the cry went forth throughout Europe: and those, whom Subsidies had no power to buy, and Conscriptions no force to compel, roused by the magic sound of Constitutional Rights, started spontaneously into arms. The long-suffering Nations of Europe rose up as one man, and by an effort tremendous and wide spreading, like a great convulsion of nature, they hurled the conqueror from his throne. But promises made in days of distress, were forgotten in the hour of triumph…The rulers of mankind…had set free a gigantic spirit from its iron prison, but when that spirit had done their bidding, they shrunk back with alarm, from the vastness of that power, which they themselves had set into action, and modestly requested, it would go down again into its former dungeon. Hence, that gloomy discontent, that restless disquiet, that murmuring sullenness, which pervaded Europe after the overthrow of Bonaparte; and which were so unlike that joyful gladness, which might have been looked for, among men, who had just been released from the galling yoke of a foreign and a military tyrant. In 1820 the long brooding fire burst out into open flame; in Germany it was still kept down and smothered, but in Italy, in Spain, and in Portugal, it overpowered every resistance.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech http://hansard.millbanksystems.com/commons/1830/mar/10/affairs-of-portugal in the House of Commons (10 March 1830).
1830s

Mark Hopkins (educator) photo