Quotes about change
page 7

Huey Long photo
H.P. Lovecraft photo

“In infancy I was afraid of the dark, which I peopled with all sorts of things; but my grandfather cured me of that by daring me to walk through certain dark parts of the house when I was 3 or 4 years old. After that, dark places held a certain fascination for me. But it is in dreams that I have known the real clutch of stark, hideous, maddening, paralysing fear. My infant nightmares were classics, & in them there is not an abyss of agonising cosmic horror that I have not explored. I don't have such dreams now—but the memory of them will never leave me. It is undoubtedly from them that the darkest & most gruesome side of my fictional imagination is derived. At the ages of 3, 4, 5, 6, 7, & 8 I have been whirled through formless abysses of infinite night and adumbrated horrors as black & as seethingly sinister as any of our friend Fafhrd's [a nickname Lovecraft used for Fritz Leiber] "splatter-stencil" triumphs. That's why I appreciate such triumphs so keenly, I have seen these things! Many a time I have awaked in shrieks of panic, & have fought desperately to keep from sinking back into sleep & its unutterable horrors. At the age of six my dreams became peopled with a race of lean, faceless, rubbery, winged things to which I applied the home-made name of night-gaunts. Night after night they would appear in exactly the same form—& the terror they brought was beyond any verbal description. Long decades later I embodied them in one of my Fungi from Yuggoth pseudo-sonnets, which you may have read. Well—after I was 8 all these things abated, perhaps because of the scientific habit of mind which I was acquiring (or trying to acquire). I ceased to believe in religion or any other form of the supernatural, & the new logic gradually reached my subconscious imagination. Still, occasional nightmares brought recurrent touches of the ancient fear—& as late as 1919 I had some that I could use in fiction without much change. The Statement of Randolph Carter is a literal dream transcript. Now, in the sere & yellow leaf (I shall be 47 in August), I seem to be rather deserted by stark horror. I have nightmares only 2 or 3 times a year, & of these none even approaches those of my youth in soul-shattering, phobic monstrousness. It is fully a decade & more since I have known fear in its most stupefying & hideous form. And yet, so strong is the impress of the past, I shall never cease to be fascinated by fear as a subject for aesthetic treatment. Along with the element of cosmic mystery & outsideness, it will always interest me more than anything else. It is, in a way, amusing that one of my chief interests should be an emotion whose poignant extremes I have never known in waking life!”

H.P. Lovecraft (1890–1937) American author

Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters

Wilhelm Von Humboldt photo
50 Cent photo

“I came from the bottom of the bottom. It's hard for a lot of people to comprehend my story – a lot of people just don't get me because they haven't experienced it. I came from the bottom and I have risen up and I have changed but I have never forgotten.”

50 Cent (1975) American rapper, actor, businessman, investor and television producer

From his interview with Louis Gannon for Live magazine, The Mail on Sunday (UK) newspaper, 25 October 2009.

Barack Obama photo
Barack Obama photo
Barack Obama photo
Frédéric Bastiat photo
Martin Lewis Perl photo

“The experimenter dealing with nature faces an outside and often hard world. Natures' curriculum cannot be changed.”

Martin Lewis Perl (1927–2014) American scientist

in his Nobel Autobiography, edited by [Gösta Ekspong, Nobel Lectures in Physics 1991-1995, World Scientific, 1997, 9810226780, 161]

Galileo Galilei photo

“I tell you that if natural bodies have it from Nature to be moved by any movement, this can only be circular motion, nor is it possible that Nature has given to any of its integral bodies a propensity to be moved by straight motion. I have many confirmations of this proposition, but for the present one alone suffices, which is this. I suppose the parts of the universe to be in the best arrangement, so that none is out of its place, which is to say that Nature and God have perfectly arranged their structure. This being so, it is impossible for those parts to have it from Nature to be moved in straight, or in other than circular motion, because what moves straight changes place, and if it changes place naturally, then it was at first in a place preternatural to it, which goes against the supposition. Therefore, if the parts of the world are well ordered, straight motion is superfluous and not natural, and they can only have it when some body is forcibly removed from its natural place, to which it would then return by a straight line, for thus it appears that a part of the earth does [move] when separated from its whole. I said "it appears to us," because I am not against thinking that not even for such an effect does Nature make use of straight line motion.”

Galileo Galilei (1564–1642) Italian mathematician, physicist, philosopher and astronomer

A note on this statement is included by Stillman Drake in his Galileo at Work, His Scientific Biography (1981): Galileo adhered to this position in his Dialogue at least as to the "integral bodies of the universe." by which he meant stars and planets, here called "parts of the universe." But he did not attempt to explain the planetary motions on any mechanical basis, nor does this argument from "best arrangement" have any bearing on inertial motion, which to Galileo was indifference to motion and rest and not a tendency to move, either circularly or straight.
Letter to Francesco Ingoli (1624)

Gabriel Iglesias photo

“A lot has changed, El Paso, a lot has changed. One thing's for sure, I'm still the fluffy guy. And I say "fluffy" because that is the politically correct term, for those of you who don't remember I used to say that there were Five Levels of Fatness. Reason why I say "Used to say" is because now there are six! Uh-huh, I met the new one in Las Cruces. The original five levels are Big, Healthy, Husky, Fluffy, and DAMN! People ask, "What could be bigger than DAMN!" The new level's called "OH HELL NO!" What's the difference? You're still willing to work with level five. Example, if you're on an elevator and you're with your friend and this really big guy gets on and you and your friend look at each other and you're like, "DAAAMN!" But you still let the big guy ride your elevator. That's the difference. Level six, you see walking towards your elevator, [Deep growling noise] [Pretends to be a shocked passenger and starts pushing the "close door" button. ] "OH HELL NO!" [Growl] "NO!!" [Growl] "NO!!" [Pretends to kick the fat man out] That's the difference. The guy that I met was six foot eight, six hundred and fourteen pounds. Uh-huh, OH HELL NO!! And he was offended at my show. Not by anything that I said, but because of the fact that now at the shows I started selling T-shirts and apparently, I didn't have his size. Keep in mind, I go all the way up to 5X on the T-shirts and he was like, [Deep growling voice] "You don't have my size." I was like, "Dude, I didn't know they MADE you! I have up to 5X, I don't have [Growl] X!"”

Gabriel Iglesias (1976) American actor

A picture of a dinosaur on the back of the tag, you know?
I'm Not Fat, I'm Fluffy (2009)

James Tobin photo
Pablo Picasso photo
Catherine of Genoa photo
Barack Obama photo
Dugald Stewart photo
Rainer Maria Rilke photo

“Already my gaze is upon the hill, the sunny one,
at the end of the path which I've only just begun.
So we are grasped, by that which we could not grasp,
at such great distance, so fully manifest—and it changes us, even when we do not reach it,
into something that, hardly sensing it, we already are;
a sign appears, echoing our own sign…
But what we sense is the falling winds.”

Rainer Maria Rilke (1875–1926) Austrian poet and writer

<p>Schon ist mein Blick am Hügel, dem besonnten,
dem Wege, den ich kaum begann, voran.
So fasst uns das, was wir nicht fassen konnten,
voller Erscheinung, aus der Ferne an—</p><p>und wandelt uns, auch wenn wirs nicht erreichen,
in jenes, das wir, kaum es ahnend, sind;
ein Zeichen weht, erwidernd unserm Zeichen...
Wir aber spüren nur den Gegenwind.</p>
Spaziergang (A Walk) (March 1924)
Alternate translation:
My eyes already touch the sunny hill,
going far ahead of the road I have begun.
So we are grasped by what we cannot grasp;
it has its inner light, even from a distance—<p>and changes us, even if we do not reach it,
into something else, which, hardly sensing it, we already are;
a gesture waves us on, answering our own wave . . .
but what we feel is the wind in our faces.
Selected Poems of Rainer Maria Rilke as translated by Robert Bly (1981)

Ramana Maharshi photo
Victoria Woodhull photo
Stephen Hawking photo

“I used to think that information was destroyed in black holes. But the AdS/CFT correspondence led me to change my mind. This was my biggest blunder, or at least my biggest blunder in science.”

Stephen Hawking (1942–2018) British theoretical physicist, cosmologist, and author

"Stephen Hawking at 70: Exclusive interview" http://www.newscientist.com/article/mg21328460.500-stephen-hawking-at-70-exclusive-interview.html in New Scientist, (4 January 2012). In his comment that he "used to think that information was destroyed in black holes", he is referring to the black hole information paradox.

Bertrand Russell photo
Jack Kerouac photo

“Here's to the crazy ones. The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently. They're not fond of rules, and they have no respect for the status quo. You can quote them; disagree with them; glorify or vilify them. About the only thing you can't do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world are the ones who do.”

Jack Kerouac (1922–1969) American writer

Used in the Apple "Think Different" marketing campaign and sometimes attributed to Kerouac on the internet, perhaps because it evokes his famous quote from On the Road: "The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn, like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes "Awww!"" The original script was actuality written by Rob Siltanen with participation of Lee Clow. In "The Real Story Behind Apple's 'Think Different' Campaign" in Forbes (14 December 2011) http://www.forbes.com/sites/onmarketing/2011/12/14/the-real-story-behind-apples-think-different-campaign/ Rob Siltanen states: "I wrote everything..." "I shared my scripts with Lee, and he thought they were good. He made a couple tweaks..."
Misattributed

Malcolm X photo
Carl Linnaeus photo
Fran Lebowitz photo
Michael Jackson photo
Barack Obama photo
Elon Musk photo
Isaac Newton photo

“The changing of bodies into light, and light into bodies, is very conformable to the course of Nature, which seems delighted with transmutations.”

Query 30 : Are not gross bodies and light convertible into one another, and may not bodies receive much of their activity from the particles of light which enter into their composition?
Opticks (1704)

Conor McGregor photo

“I'm going to change the way martial arts is viewed. I'm going to change the game. I'm going to change the way people approach fighting.”

Conor McGregor (1988) Irish mixed martial artist and boxer

As quoted in "15 Best Conor McGregor Quotes" http://www.foxsportsasia.com/news/15-best-conor-mcgregor-quotes/, FOX Sports Asia
2010s, 2014

John Lennon photo

“You say you want a revolution,
Well, you know, we all want to change the world…
But when you talk about destruction,
Don't you know that you can count me out.”

John Lennon (1940–1980) English singer and songwriter

"Revolution" (Single version)
"Revolution 1" - The Beatles [White Album] version (in this recorded performance of the song, Lennon interjects "in", after saying "count me out").
Lyrics
Variant: You say you want a revolution,
Well, you know, we all want to change the world...
But when you talk about destruction,
Don't you know that you can count me out — in.

Barack Obama photo
Mark Twain photo
Joyce Brothers photo
Fernando Pessoa photo

“Changing from the ghosts of faith to the spectres of reason is just changing cells.”

Ibid.
The Book of Disquiet
Original: Passar dos fantasmas da fé para os espectros da razão é somente ser mudado de cela.

Zig Ziglar photo

“Desire is the ingredient that changes the hot water of mediocrity to the steam of outstanding success.”

Zig Ziglar (1926–2012) American motivational speaker

See You at the Top (2000)

Jonathan Safran Foer photo
Emil M. Cioran photo

“For a writer, to change languages is to write a love letter with a dictionary.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Anathemas and Admirations (1987)

Benjamin Disraeli photo
Theodore Roosevelt photo
H.P. Lovecraft photo

“It is just as ridiculous to get excited & hysterical over a coming cultural change as to get excited & hysterical over one's physical aging... There is legitimate pathos about both processes; but blame & rebellion are essentially cheap, because inappropriate, emotions... It is wholly appropriate to feel a deep sadness at the coming of unknown things & the departure of those around which all our symbolic associations are entwined. All life is fundamentally & inextricably sad, with the perpetual snatching away of all the chance combinations of image & vista & mood that we become attached to, & the perpetual encroachment of the shadow of decay upon illusions of expansion & liberation which buoyed us up & spurred us on in youth. That is why I consider all jauntiness, & many forms of carelessly generalised humour, as essentially cheap & mocking, & occasionally ghastly & corpselike. Jauntiness & non-ironic humour in this world of basic & inescapable sadness are like the hysterical dances that a madman might execute on the grave of all his hopes. But if, at one extreme, intellectual poses of spurious happiness be cheap & disgusting; so at the other extreme are all gestures & fist-clenchings of rebellion equally silly & inappropriate—if not quite so overtly repulsive. All these things are ridiculous & contemptible because they are not legitimately applicable... The sole sensible way to face the cosmos & its essential sadness (an adumbration of true tragedy which no destruction of values can touch) is with manly resignation—eyes open to the real facts of perpetual frustration, & mind & sense alert to catch what little pleasure there is to be caught during one's brief instant of existence. Once we know, as a matter of course, how nature inescapably sets our freedom-adventure-expansion desires, & our symbol-&-experience-affections, definitely beyond all zones of possible fulfilment, we are in a sense fortified in advance, & able to endure the ordeal of consciousness with considerable equanimity... Life, if well filled with distracting images & activities favourable to the ego's sense of expansion, freedom, & adventurous expectancy, can be very far from gloomy—& the best way to achieve this condition is to get rid of the unnatural conceptions which make conscious evils out of impersonal and inevitable limitations... get rid of these, & of those false & unattainable standards which breed misery & mockery through their beckoning emptiness.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 291
Non-Fiction, Letters, to Frank Belknap Long

W.B. Yeats photo
Wilhelm Von Humboldt photo
Rainer Maria Rilke photo

“It seems to me that almost all our sadnesses are moments of tension, which we feel as paralysis because we no longer hear our astonished emotions living. Because we are alone with the unfamiliar presence that has entered us; because everything we trust and are used to is for a moment taken away from us; because we stand in the midst of a transition where we cannot remain standing. That is why the sadness passes: the new presence inside us, the presence that has been added, has entered our heart, has gone into its innermost chamber and is no longer even there, - is already in our bloodstream. And we don't know what it was. We could easily be made to believe that nothing happened, and yet we have changed, as a house that a guest has entered changes. We can't say who has come, perhaps we will never know, but many signs indicate that the future enters us in this way in order to be transformed in us, long before it happens. And that is why it is so important to be solitary and attentive when one is sad: because the seemingly uneventful and motionless moment when our future steps into us is so much closer to life than that other loud and accidental point of time when it happens to us as if from outside. The quieter we are, the more patient and open we are in our sadnesses, the more deeply and serenely the new presence can enter us, and the more we can make it our own, the more it becomes our fate.”

Letter Eight (12 August 1904)
Letters to a Young Poet (1934)

Mark Twain photo
Aleksandr Vasilevsky photo

“I did not decide to become an officer to start a military career. I still wanted to be an agronomist and work in some remote corner of Russia after the war. I could not suppose that my country would change, and I would.”

Aleksandr Vasilevsky (1895–1977) Soviet military commander

Quoted in "The matter of my whole life" - by Marshal A.M. Vasilevsky - Moscow, Politizdat, 1978.

Peter L. Berger photo

“At least within our own consciousness, the past is malleable and flexible, constantly changing as our recollection reinterprets and re-explains what has happened.”

Peter L. Berger (1929–2017) Austrian-born American sociologist

Source: Invitation to Sociology (1963), p. 57 ; Cited in: Robert Benjamin Smith, ‎Peter K. Manning (1982), Qualitative methods. p. 64

Eckhart Tolle photo
Theodore Roosevelt photo
Fredric Jameson photo
Heath Ledger photo
Cormac McCarthy photo
Mao Zedong photo

“Marxist philosophy holds that the law of the unity of opposites is the fundamental law of the universe. This law operates universally, whether in the natural world, in human society, or in man's thinking. Between the opposites in a contradiction there is at once unity and struggle, and it is this that impels things to move and change. Contradictions exist everywhere, but they differ in accordance with the different nature of different things. In any given phenomenon or thing, the unity of opposites is conditional, temporary and transitory, and hence relative, whereas the struggle of opposites is absolute.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On the Correct Handling of Contradictions Among the People
Original: (zh-CN) 马克思主义的哲学认为,对立统一规律是宇宙的根本规律。这个规律,不论在自然界、人类社会和人们的思想中,都是普遍存在的。矛盾着的对立面又统一,又斗争,由此推动事物的运动和变化。矛盾是普遍存在的,不过按事物的性质不同,矛盾的性质也就不同。对于任何一个具体的事物说来,对立的统一是有条件的、暂时的、过渡的,因而是相对的,对立的斗争则是绝对的。

“If thou make any law or establish any custom for the general good, be the first to submit thyself thereto; then does a people show more regard for justice nor refuse submission when it has seen their author obedient to his own laws. The world shapes itself after its ruler's pattern, nor can edicts sway men's minds so much as their monarch's life; the unstable crowd ever changes along with the prince.”
In commune iubes si quid censesque tenendum, <br/>primus iussa subi: tunc observantior aequi <br/>fit populus nec ferre negat, cum viderit ipsum <br/>auctorem parere sibi. componitur orbis <br/>regis ad exemplum, nec sic inflectere sensus <br/>humanos edicta valent quam vita regentis.

Claudian (370–404) Roman Latin poet

In commune iubes si quid censesque tenendum,
primus iussa subi: tunc observantior aequi
fit populus nec ferre negat, cum viderit ipsum
auctorem parere sibi. componitur orbis
regis ad exemplum, nec sic inflectere sensus
humanos edicta valent quam vita regentis.
Panegyricus de Quarto Consulatu Honorii Augusti, lines 296-301 http://penelope.uchicago.edu/Thayer/L/Roman/Texts/Claudian/De_IV_Consulatu_Honorii*.html#296.

John Lennon photo

“There are places I remember
All my life though some have changed
Some forever not for better
Some have gone and some remain”

John Lennon (1940–1980) English singer and songwriter

"In my life"
Lyrics

Leon Trotsky photo
Erich Fromm photo
W.B. Yeats photo

“Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.”

St. 4.
Michael Robartes and the Dancer (1921), Easter, 1916 http://poetry.poetryx.com/poems/1477/
Context: I write it out in a verse—
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.

Hugo Diemer photo

“Students are here not for service or for culture, but for the selfish end of preparing for salary to come. Constantly I hear them asking, 'If I change over to your course, what kind of a job will it help me to get when I graduate?' Students are weighing every subject they take on the scales of jobs to come.”

Hugo Diemer (1870–1937) American mechanical engineer

Hugo Diemer, cited in: Michael Bezilla (June 1985) [1986]. " Shaping a Modern College http://web.archive.org/web/20080104065415/http://www.libraries.psu.edu/speccolls/psua/psgeneralhistory/bezillapshistory/083s03.htm". Penn State: An Illustrated History. Pennsylvania State University Press.

Nas photo
Carl Schmitt photo
Max Tegmark photo
Theodore Roosevelt photo
Linda Blair photo
Salman Khan photo
Barack Obama photo
Lynn Margulis photo
Barack Obama photo

“The demographics of the country are going to change. It's inevitable. The Latino community in America is going to grow. If you stopped all immigration today, just by virtue of birth rates, this is going to be a browner country.”

Barack Obama (1961) 44th President of the United States of America

NPR's Exit Interview With President Obama http://www.npr.org/2016/12/19/504998487/transcript-and-video-nprs-exit-interview-with-president-obama (19 December 2016)
2016

Barack Obama photo

“The U. S. military has performed valiantly and brilliantly in Iraq. Our troops have done all that we have asked them to do and more. But no amount of American soldiers can solve the political differences at the heart of somebody else's civil war, nor settle the grievances in the hearts of the combatants.
It is my firm belief that the responsible course of action - for the United States, for Iraq, and for our troops - is to oppose this reckless escalation and to pursue a new policy. This policy that I've laid out is consistent with what I have advocated for well over a year, with many of the recommendations of the bipartisan Iraq Study Group, and with what the American people demanded in the November election.
When it comes to the war in Iraq, the time for promises and assurances, for waiting and patience, is over. Too many lives have been lost and too many billions have been spent for us to trust the President on another tried and failed policy opposed by generals and experts, Democrats and Republicans, Americans and many of the Iraqis themselves.
It is time for us to fundamentally change our policy. It is time to give Iraqis their country back. And it is time to refocus America's efforts on the challenges we face at home and the wider struggle against terror yet to be won.”

Barack Obama (1961) 44th President of the United States of America

Floor Statement on Iraq War De-escalation Act of 2007 (30 January 2007)
2007

Laozi photo
Françoise Sagan photo
B.K.S. Iyengar photo

“Anything physical is always changing, therefore, its reality is not constant, not eternal. Nature is in this sense like an actor who has only different roles.”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: Light on Life: The Yoga Journey to Wholeness, Inner Peace, and Ultimate Freedom, p. 8

Marquis de Sade photo

“Why do you complain of your fate when you could so easily change it?”

Marquis de Sade (1740–1814) French novelist and philosopher

Justine or The Misfortunes of Virtue (1787)

Hans-Hermann Hoppe photo
Eckhart Tolle photo
Russell Brand photo
Neil Young photo

“You can really learn a lot that way,
It will change you in the middle of the day,
Though your confidence may be shattered,
It doesn't matter.”

Neil Young (1945) Canadian singer-songwriter

For the Turnstiles
Song lyrics, On the Beach (1974)

Frank Stella photo

“The painting never changes once I've started to paint it. I work things out before-hand in the sketches.”

Frank Stella (1936) American artist

Quotes, 1971 - 2000
Source: Machine in the Studio, Caroline. A. Jones, University of Chicago Press, 1996, pp. 197-198

Kurien Kunnumpuram photo
José Saramago photo

“Fate [is] the supreme order to which even gods are subject. And what of men, what is their function. To challenge order, to change fate. For the better. For better or for worse, it makes no difference, the point is to keep fate from being fate.”

O destino é a ordem suprema, a que os próprios deuses aspiram, E os homens, que papel vem a ser o dos homens, Perturbar a ordem, corrigir o destino, Para melhor, Para melhor ou para pior, tanto faz, o que é preciso é impedir que o destino seja destino.
Source: The Year of the Death of Ricardo Reis (1993), p. 288

Menno Simons photo
Grace Hopper photo

“Humans are allergic to change. They love to say, "We've always done it this way." I try to fight that. That's why I have a clock on my wall that runs counter-clockwise.”

Grace Hopper (1906–1992) American computer scientist and United States Navy officer

Unsourced variant: The most dangerous phrase in the language is, "We've always done it this way."
The Wit and Wisdom of Grace Hopper (1987)

Charles Rennie Mackintosh photo
Jennifer Beals photo
Robbie Williams photo

“The world could change in a second,
so I find the sunshine beckons me,
to open up the gate and dream.”

Robbie Williams (1974) British singer and entertainer

Lazy Days
Life Thru a Lens (1997)

Barack Obama photo
Hermann Ebbinghaus photo
Elinor Ostrom photo
Bertrand Russell photo
Theodore Roosevelt photo
Benjamin Disraeli photo
Rainer Maria Rilke photo

“Slowly the evening changes into the clothes
held for it by a row of ancient trees.”

Der Abend wechselt langsam die Gewänder,
die ihm ein Rand von alten Bäumen hält.
Abend (Evening) (as translated by Cliff Crego)
Das Buch der Bilder (The Book of Images) (1902)

Shigeru Miyamoto photo
Barack Obama photo
Barack Obama photo
W.B. Yeats photo

“Hurrah for revolution and more cannon-shot!
A beggar upon horseback lashes a beggar on foot.
Hurrah for revolution and cannon come again!
The beggars have changed places, but the lash goes on.”

W.B. Yeats (1865–1939) Irish poet and playwright

The Great Day http://poetry.poetryx.com/poems/1626/
Last Poems (1936-1939)

Bruce Lee photo

“Life is never stagnation. It is constant movement, unrhythmic movement, as we as constant change. Things live by moving and gain strength as they go.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker

Source: Striking Thoughts (2000), p. 5