Quotes about beauty
page 42

Emil Nolde photo
Maria Bamford photo
David Lynch photo

“One change of attitude would change everything. If everyone realized that it could be a beautiful world and said let's not do these things anymore — let's have fun.”

David Lynch (1946) American filmmaker, television director, visual artist, musician and occasional actor

McKenna interview (1992)

Dennis Gabor photo

“It would be pleasant to believe that the age of pessimism is now coming to a close, and that its end is marked by the same author who marked its beginning: Aldous Huxley. After thirty years of trying to find salvation in mysticism, and assimilating the Wisdom of the East, Huxley published in 1962 a new constructive utopia, The Island. In this beautiful book he created a grand synthesis between the science of the West and the Wisdom of the East, with the same exceptional intellectual power which he displayed in his Brave New World. (His gaminerie is also unimpaired; his close union of eschatology and scatology will not be to everybody's tastes.) But though his Utopia is constructive, it is not optimistic; in the end his island Utopia is destroyed by the sort of adolescent gangster nationalism which he knows so well, and describes only too convincingly.
This, in a nutshell, is the history of thought about the future since Victorian days. To sum up the situation, the sceptics and the pessimists have taken man into account as a whole; the optimists only as a producer and consumer of goods. The means of destruction have developed pari passu with the technology of production, while creative imagination has not kept pace with either.
The creative imagination I am talking of works on two levels. The first is the level of social engineering, the second is the level of vision.”

Dennis Gabor (1900–1979) Nobel Prize-winning physicist and inventor of holography

In my view both have lagged behind technology, especially in the highly advanced Western countries, and both constitute dangers.
Source: Inventing the Future (1963), p. 18-19

David Dixon Porter photo
William Lever, 1st Viscount Leverhulme photo
Kate Bush photo

“God, but you're beautiful, aren't you?
Feel your warm hand walking around.
I won't pull away.
My passion always wins.
So keep on a-moving in.
So keep on a-tuning in.
Synchronise rhythm now.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

George Galloway photo
David Thomas (born 1813) photo
Subh-i-Azal photo
Mahmud of Ghazni photo

“Mahmood having reached Tahnesur before the Hindoos had time to take measures for its defence, the city was plundered, the idols broken, and the idol Jugsom was sent to Ghizny to be trodden under foot…Mahmood having refreshed his troops, and understanding that at some distance stood the rich city of Mutra [Mathura], consecrated to Krishn-Vasdew, whom the Hindoos venerate as an emanation of God, directed his march thither and entering it with little opposition from the troops of the Raja of Delhy, to whom it belonged, gave it up to plunder. He broke down or burned all the idols, and amassed a vast quantity of gold and silver, of which the idols were mostly composed. He would have destroyed the temples also, but he found the labour would have been excessive; while some say that he was averted from his purpose by their admirable beauty. He certainly extravagantly extolled the magnificence of the buildings and city in a letter to the governor of Ghizny, in which the following passage occurs: "There are here a thousand edifices as firm as the faith of the faithful; most of them of marble, besides innumerable temples; nor is it likely that this city has attained its present condition but at the expense of many millions of deenars, nor could such another be constructed under a period of two centuries."…The King tarried in Mutra 20 days; in which time the city suffered greatly from fire, beside the damage it sustained by being pillaged. At length he continued his march along the course of a stream on whose banks were seven strong fortifications, all of which fell in succession: there were also discovered some very ancient temples, which, according to the Hindoos, had existed for 4000 years. Having sacked these temples and forts, the troops were led against the fort of Munj…The King, on his return, ordered a magnificent mosque to be built of marble and granite, of such beauty as struck every beholder with astonishment, and furnished it with rich carpets, and with candelabras and other ornaments of silver and gold. This mosque was universally known by the name of the Celestial Bride. In its neighbourhood the King founded an university, supplied with a vast collection of curious books in various languages. It contained also a museum of natural curiosities. For the maintenance of this establishment he appropriated a large sum of money, besides a sufficient fund for the maintenance of the students, and proper persons to instruct youth in the arts and sciences…The King, in the year AH 410 (AD 1019), caused an account of his exploits to be written and sent to the Caliph, who ordered it to be read to the people of Bagdad, making a great festival upon the occasion, expressive of his joy at the propagation of the faith.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. I, pp. 27-37.
Quotes from Muslim medieval histories

Samuel Taylor Coleridge photo

“A lady richly clad as she,
Beautiful exceedingly.”

Part I
Bartlett's Familiar Quotations, 10th ed. (1919), Christabel

Jean Tinguely photo
Gerard Bilders photo

“For me Ruisdael is the true man of poetry, the real poet. There is a world of sad, serious and beautiful thoughts in his paintings. They possess a soul and a voice that sounds deep, sad and dignified. They tell melancholic stories, speak of gloomy things and are witnesses of a sad spirit. I see him wander, turned in on himself, his heart opened to the beauties of nature, in accordance with his mood, on the banks of that dark gray stream that rustles and splashes along the reeds. And those skies!... In the skies one is completely free, untied, all of himself.... what a genius he is! He is my ideal and almost something perfect. When it storms and rains, and heavy, black clouds fly back and forth, the trees whiz and now and then a strange light breaks through the air, and falls down here and there on the landscape, and there is a heavy voice, a grand mood in nature; that is what he paints; that is what he [Ruysdael] is imaging.”

Gerard Bilders (1838–1865) painter from the Netherlands

(version in original Dutch / citaat van Bilders' brief, in het Nederlands:) Ruisdael is voor mij de ware man der poezië, de echte dichter. Daar is een wereld van droevige, ernstige schone gedachten in zijn schilderijen. Ze hebben een ziel en een stem, die diep, treurig, deftig klinkt. Zij doen weemoedige verhalen, spreken van sombere dingen, getuigen van een treurige geest. Ik zie hem dwalen, in zichzelf gekeerd, het hart geopend voor de schoonheden der natuur, in overeenstemming met zijn gemoed, aan de oevers van die donkere grauwe stroom die ritselt en plast langs het riet. En die luchten!.. .In de luchten is men geheel vrij, ongebonden, geheel zichzelf.. ..welke een genie is hij [Ruisdael]! Hij is mijn ideaal en bijna iets volmaakts.Als het stormt en regent, en zware, zwarte wolken heen en weer vliegen, de bomen suizen en nu en dan een wonderlijk licht door de lucht breekt en hier en daar op het landschap neervalt, en er een zware stem, een grootse stemming in de natuur is, dat schildert hij, dat geeft hij weer.
Source: 1860's, Vrolijk Versterven' (from Bilders' diary & letters), pp. 51+52, - quote from Bilders' diary, 24 March 1860, written in Amsterdam

Leon R. Kass photo

“I have discovered in the Hebrew Bible teachings of righteousness, humaneness, and human dignity—at the source of my parents' teachings of mentschlichkeit—undreamt of in my prior philosophizing. In the idea that human beings are equally God-like, equally created in the image of the divine, I have seen the core principle of a humanistic and democratic politics, respectful of each and every human being, and a necessary correction to the uninstructed human penchant for worshiping brute nature or venerating mighty or clever men. In the Sabbath injunction to desist regularly from work and the flux of getting and spending, I have discovered an invitation to each human being, no matter how lowly, to step outside of time, in imitatio Dei, to contemplate the beauty of the world and to feel gratitude for its—and our—existence. In the injunction to honor your father and your mother, I have seen the foundation of a dignified family life, for each of us the nursery of our humanization and the first vehicle of cultural transmission. I have satisfied myself that there is no conflict between the Bible, rightly read, and modern science, and that the account of creation in the first chapter of Genesis offers "not words of information but words of appreciation," as Abraham Joshua Heschel put it: "not a description of how the world came into being but a song about the glory of the world's having come into being"—the recognition of which glory, I would add, is ample proof of the text's claim that we human beings stand highest among the creatures. And thanks to my Biblical studies, I have been moved to new attitudes of gratitude, awe, and attention. For just as the world as created is a world summoned into existence under command, so to be a human being in that world—to be a mentsch—is to live in search of our ­summons. It is to recognize that we are here not by choice or on account of merit, but as an undeserved gift from powers not at our disposal. It is to feel the need to justify that gift, to make something out of our indebtedness for the opportunity of existence. It is to stand in the world not only in awe of its and our existence but under an obligation to answer a call to a worthy life, a life that does honor to the special powers and possibilities—the divine-likeness—with which our otherwise animal existence has been, no thanks to us, endowed.”

Leon R. Kass (1939) American academic

Looking for an Honest Man (2009)

Jack Vance photo
Letitia Elizabeth Landon photo
Henrik Ibsen photo

“There can be no freedom or beauty about a home life that depends on borrowing and debt.”

Henrik Ibsen (1828–1906) Norwegian playwright, theatre director, and poet

Torvald Helmer, Act I
A Doll's House (1879)

George William Russell photo
John Muir photo
Madhuri Dixit photo

“I find it funny to praise myself, but I think I am beautiful, just like Chandramukhi.”

Madhuri Dixit (1967) Indian actress

Quote, When personality comes first.....

Roy Campbell (poet) photo
Ralph Waldo Emerson photo

“He thought it happier to be dead,
To die for Beauty, than live for bread.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Beauty
Bartlett's Familiar Quotations, 10th ed. (1919)

Camille Pissarro photo

“One can do such lovely things with so little. Subjects that are too beautiful end by appearing theatrical – take Switzerland, for example. Think of all the beautiful little things Corot did at Gisors; two willows, a little water, a bridge, like the picture in the Universal Exhibition. What a masterpiece!... Everything is beautiful, all that matters is to be able to interpret.”

Camille Pissarro (1830–1903) French painter

In a letter to his son Lucien, 26 July 1892, as quoted in Letters of the great artists – from Blake to Pollock - , Richard Friedenthal, Thames and Hudson, London, 1963, p. 146
Quote of Pissarro, referring to a willow-painting of his former art-teacher Camille Corot
1890's

Thomas Campbell photo

“And rustic life and poverty
Grow beautiful beneath his touch.”

Thomas Campbell (1777–1844) British writer

Ode to the Memory of Burns
Bartlett's Familiar Quotations, 10th ed. (1919)

Italo Calvino photo
Henry Adams photo

“I know of nothing useful in life except what is beautiful or creates beauty.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mr. Wharton in Ch. IV
Esther: A Novel (1884)

Kshama Sawant photo

“When things are exquisitely beautiful and rare, they shouldn't be privately owned.”

Kshama Sawant (1973) American politician and economist

Quoted in Sarah Stuteville, " You might be a socialist if… An interview with Kshama Sawant http://www.seattleglobalist.com/2012/10/30/you-might-be-a-socialist-if-an-interview-with-kshama-sawant", The Seattle Globalist (October 30, 2012).

Klaus Kinski photo
Walther von der Vogelweide photo

“Love makes a woman beautiful –
but beauty does not have such power, beauty cannot make a woman worthy of love.”

Walther von der Vogelweide (1170–1230) Middle High German lyric poet

Liebe machet schoene wîp:
desn mac diu schoene niht getuon, sin machet niemer lieben lîp.
"Herzeliebez vrowelîn", line 17; translation from Frederick Goldin German and Italian Lyrics of the Middle Ages (New York: Anchor, 1973) p. 121.

Alison Lohman photo

“The trouble with taxonomic boxes is… that that they tend to be empty, however beautiful they are on the outside.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1980s, Illustrating Economics: Beasts, Ballads and Aphorisms, 1980, p. 75 as cited in: R. Harper, L. Palen, A. Taylor (2005) The Inside Text: Social, Cultural and Design Perspectives on SMS. p. 79

John Muir photo
Christopher Vokes photo
John Lancaster Spalding photo
Nile Kinnick photo
Walter Raleigh photo

“Fame's but a hollow echo; gold, pure clay;
Honour, the darling but of one short day,
Beauty—th' eye's idol—but a damasked skin;
State, but a golden prison to live in
And torture free-born minds.”

Walter Raleigh (1554–1618) English aristocrat, writer, poet, soldier, courtier, spy, and explorer

"A Farewell to the Vanities of the World" http://www.bartleby.com/331/467.html, lines 3–7. Author uncertain. Attributed to Henry Wotton and to Raleigh.
Attributed

Daniel Drake photo

“A religious spirit animates the infancy of our literature, and must continue to gloe in its maturity. The public taste calls for this quality, and would relish no work in which it might be supplanted by a principle of infidelity. Our best authors have written under the influence of Christian feeling; but had they been destitute of this sentiment, they would have found it necessary to accommodate themselves to the opinions of the people, and follow Christian precedents. The beneficent influence of religion on literature, is like that of our evening sun, when it awakens in the clouds those beautiful and burning tints, which clothe the firmament in gold and purple. It constitutes the heart of learning - the great source of its moral power. Religion addresses itself to the highest and holiest of our sentiments - benevolence and veneration, and their excitement stirs up the imagination, strengthens the undeerstanding, and purifies the taste. Thus, both in the mind of the author and the reader, Christianity and literature act and react on each other, with the effect of elevating both, and carrying the human character to the highest perfection which it is destined to reach. Learning should be proud of this companionship, and exert all her wisdom to render it perpetual.”

Daniel Drake (1785–1852) American physician and writer

Daniel Drake (1834). Discourse on the History, Character, and Prospects of the West: Delivered to the Union Literary Society of Miami University, Oxford, Ohio, at Their Ninth Anniversary, September 23, 1834. Truman and Smith. p. 31

Gerard Manley Hopkins photo
Manav Gupta photo
Mike Huckabee photo

“It's the best proposal that we ought to have because it's flatter, it's fairer, it's finite, it's family friendly. And instead, we've had a Congress that spent money like John Edwards at a beauty shop.”

Mike Huckabee (1955) Arkansas politician

Republican presidential candidate debate, Johnston, Iowa, 2007-12-12
regarding the FairTax proposal
Republican Debates

Prem Rawat photo
Jerome K. Jerome photo
Frances Kellor photo
Hilaire Belloc photo
Peter Greenaway photo
George Hendrik Breitner photo

“Snow had fallen and from the museum [in Pittsburgh, The ] you had a beautiful view of a valley with a railway, through some sheds, etc. But I could not finish it, and today, Sunday, I went back there again, but then the snow was already so far away that I could not make anything of it any more. It is a pity. Otherwise I could have sold something. [The painting was sold to the Stedelijk Museum Amsterdam in 1934] (translation from the original Dutch, Fons Heijnsbroek)”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Er was namelijk sneeuw gevallen en uit het museum [in Pittsburgh, Breitner nam deel aan een jury en maakte vanuit een raam aan de achterzijde van het Carnegie Institute enkele schetsen en begon aan een schilderij] had men een prachtig gezicht op een dal met een spoorweg, door wat loodsen, enz. Maar ik kon 't niet afkrijgen, en vandaag, zondag, was ik er weer heengegaan, maar toen was de sneeuw al zoo ver dat ik [er] niets meer van kon maken. Het is wel jammer. Anders had ik nog wat kunnen verkoopen misschien. [Het schilderij is in 1934 verkocht aan het Stedelijk museum Amsterdam.]
In Breitner' letter to his wife, 1909, from Pittsburgh; as cited in George Hendrik Breitner in Amsterdam, J. F. Heijbroek, Erik Schmitz; uitgeverij THOTH, Bussum, 2014, p. 22
Breitner took part in an art-jury in Pittsburgh in 1909. He started to make some sketches from a window at the back-side of the Carnegie Institute and later the painting]
1900 - 1923

Jeff VanderMeer photo
John Dryden photo

“She, though in full-blown flower of glorious beauty,
Grows cold even in the summer of her age.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Act IV, scene i.
Œdipus (1679)

George Gissing photo
Carl Barus photo
François de La Rochefoucauld photo

“Few women's merit lasts as long as their beauty.”

Il y a peu de femmes dont le mérite dure plus que la beauté.
Maxim 474.
Reflections; or Sentences and Moral Maxims (1665–1678)

Arthur James Balfour photo
Oscar Niemeyer photo
Ferdinand Hodler photo

“This beautiful head [of Valentine Godé-Darel], this whole body, like a Byzantine empress on the mosaics of Ravenna - and this nose, this mouth - and the eyes, they too, those wonderful eyes - all these the worms will eat. And nothing will remain, absolutely nothing!”

Ferdinand Hodler (1853–1918) Swiss artist

Quote from Hodler's letter to de:Hans Mühlestein, c. late 1914; as cited by Anya Silver in: 'Valentine Godé-Darel (1873–1915): Five Paintings by Ferdinand Hodler' https://thegeorgiareview.com/spring-2013/valentine-gode-darel-1873-1915-five-paintings-by-ferdinand-hodler/, April 2013
In 1908, Hodler met Valentine Godé-Darel who became his mistress. She was diagnosed with cancer in 1913 and died in January 1915; Hodler painted five oils the day after her death

Derren Brown photo
Paul Gabriël photo

“Oh, for that matter you must look carefully how in every region of our country the map looks completely different. Not only the pastures have different shades, but the cows are different, yes even the people have, as it were, adopted the character of the soil [where] they were born and raised. That is so evident, that when I still stayed with Roelofs in Brussels [early 1860's] and we used to go to Holland to make our studies in the beautiful part of the season, coming home Roelofs didn't have to tell me where he had been. I recognized it in his work and one by one I called him the spots of our homeland [The Netherlands], where he had made sketches of the countryside and its residents during his study trip.”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: O, wat dat betreft, dan moet ge maar eens goed opletten, hoe in ieder gewest van ons land het plattegrond er geheel anders uitziet; niet alleen het weiland heeft een andere tint, maar de koeien zijn anders, ja de menschen hebben als 't ware het karakter aangenomen van den grond zij zijn geboren en getogen. Dat is zoo sterk, dat toen ik met Roelofs nog in Brussel woonde [vroege 1860's] en wij in 't mooie gedeelte van het seizoen naar Holland plachten te gaan om studies te maken, Roelofs wanneer hij thuis kwam, mij niet behoefde te zeggen waar hij geweest was. Ik zag het aan zijn werk en één voor één noemde ik hem de plekjes van ons vaderland, waar hij op studietocht van het land en de bewoners schetsen had gemaakt.
Quote of Gabriël, in a talk to W. C. Nakken, c. 1880; published in Elsevier's geïllustreerd maandschrift: verzameling van Nederlandsche letterkundige kunstwerken geïllustreerd door Nederlandsche kunstenaars, W. C. Nakken, June/July 1898; taken from the excerpt https://rkd.nl/explore/excerpts/365 in the Collection RKD Letters, Manuscripts and small Archives], The Hague
1880's + 1890's

Gino Severini photo
Jacobus Henricus van 't Hoff photo
Marie-Louise von Franz photo
Shirley Chisholm photo
Lafcadio Hearn photo
Imelda Marcos photo
W. Somerset Maugham photo
Horace Bushnell photo
Adlai Stevenson photo

“A beauty is a woman you notice; a charmer is one who notices you.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

As quoted in The Stevenson Wit (1965) edited by Bill Adler

Hans Haacke photo

“When works of art are presented like rare butterflies on the walls, they're decontextualized. We admire their beauty, and I have nothing against that, per se. But there is more to art than that…”

Hans Haacke (1936) conceptual political artist

1990s, Portraits: Talking with Artists at the Met, the Modern, the Louvre, and Elsewhere, 1998

Loni Anderson photo

“On stage and off, we care what happens to a beautiful woman, whether she can act well or not.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Đorđe Balašević photo
Kate Bush photo

“Just like his wife before she freezed on him,
Just like his wife when she was beautiful.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Never for Ever (1980)

Angus King photo
William Morley Punshon photo
Rudyard Kipling photo

“San Francisco is a mad city—inhabited for the most part by perfectly insane people, whose women are of a remarkable beauty.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

American Notes— At the Golden Gate http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/prose/AmericanNotes/goldengate.html (1891).
Other works

Susan Sontag photo
Ralph Waldo Emerson photo

“Money, which represents the prose of life, and which is hardly spoken of in parlors without an apology, is, in its effects and laws, as beautiful as roses.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1840s, Essays: Second Series (1844), Nominalist and Realist

Steve Martin photo

“Hosting the Oscars is like making love to a beautiful woman — it's something I only get to do when Billy Crystal's out of town.”

Steve Martin (1945) American actor, comedian, musician, author, playwright, and producer

Hosting the 2001 Academy Awards

Gwyneth Paltrow photo

“I feel my most beautiful when I am truly myself. Meaning, when I accept exactly where I am in time and space, and I’m not judging myself in any way, and I feel that I have the peace that comes with loving yourself and all of your flaws, I see so much now how beauty really does, as cliché as it sounds, emanate from within.”

Gwyneth Paltrow (1972) American actress, singer, and food writer

Response to People magazine named Paltrow the World’s Most Beautiful Woman for 2013 http://edition.cnn.com/2013/04/24/showbiz/celebrity-news-gossip/gwyneth-paltrow-people-worlds-most-beautiful/ (April 24, 2013)

Slavoj Žižek photo

“I'm tired of all this nonsense about beauty being only skin-deep. That's deep enough. What do you want—an adorable pancreas?”

Jean Kerr (1922–2003) Irish-American author and playwright

"Mirror, Mirror on the Wall, I Don't Want to Hear One Word Out of You"
The Snake Has All the Lines (1960)

Katherine Paterson photo
H. G. Wells photo
Ambrose Bierce photo
Tokyo Sexwale photo
Dana Gioia photo