Quotes about beauty
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Somnath. Abdu’llah ibn Fazlu’llah of Shiraz (Wassaf) : Tarikh-i-Wassaf (Tazjiyatu’l Amsar Wa Tajriyatu’l Ãsar), in Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 43-44. Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes from The History of India as told by its own Historians
Knowing Yourself: The True in the False (1996)
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter I, Sec. 6
Journal of Discourses, 4:219 (February. 8, 1857)
Brigham Young describes the doctrine of Blood Atonement
1850s
"Free Celebrity Nudes!" in Penn's Columns (15 October 1997) http://pennandteller.com/sincity/penn-n-teller/excite/celnude.html at Penn & Teller.com
1990s
Setting the recored straight, Sunday, 7.11.1993, quoted in Elst, Koenraad (2001). Decolonizing the Hindu mind: Ideological development of Hindu revivalism. New Delhi: Rupa. p. 57
The Dover Math and Science Newsletter http://www.doverpublications.com/mathsci/0516/d/ May 16, 2011
translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls, in Nederlands): Neen, de Nederlander is niet koud, niet ongevoelig, ons volk is nog steeds vol geestdrift voor wat edel en goed is. Holland bovenal! Wij kunstenaars, van Rembrandt tot Maris, dwepen met ons land. Wij vinden ons Holland een heerlijk mooi land met zijn weiden, zijn stranden, zijn zee, zijn binnenhuizen, zijn figuren, boeren, landlieden, joden, kooplieden, alles is even schilderachtig, als maar voor het grijpen. Het mooiste van Nederland is echter Amsterdam, het heerlijk ruim Amsterdam, waarvan zoveel uitgaat en dat zooveel in zich vereenigt.
Quote from Israëls' speech of thanks at the honoring-party for his 70th birthday in Arti et Amacitiae in Amsterdam, Feb 1885; as cited in 'Jozef Israëls in Arti', in Algemeen Hadelsblad, 6 Feb. 1895
Quotes of Jozef Israels, 1871 - 1900
In a letter to her parents, from Worpswede, 10 September 1899; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 199
1899
“Filipinos don't wallow in what is miserable and ugly. They recycle the bad into things of beauty.”
As quoted in "Homage to Imelda's shoes" at BBC News (16 February 2001)).
He's got the whole world in his hands http://www.telegraph.co.uk/culture/art/3663966/Hes-got-the-whole-world-in-his-hands.html, The Telegraph (24 March 2007)
First post-engagement interview (2010)
“The question of integrity will get finer and finer and more delicate and more beautiful.”
From 1980s onwards, Only Integrity is Going to Count (1983)
“Gratitude enhances your ability to see beauty. It's like seeing beauty in HD.”
Source: Life, the Truth, and Being Free (2010), p. 98
At the very least. I wasn't going to get pregnant in my teens.
Source: The God of Jane: A Psychic Manifesto (1981), p. 44
“I float like a butterfly, sting like a bee. There's nobody as beautiful or as powerful as me!”
Billy Graham, Tangled Ropes: Superstar Billy Graham (2006)
Heinrich Heine, p. 144
Essays in Criticism (1865)
On his role in Gladiator.
GQ Interview (2005)
“For beauty being the best of all we know
Sums up the unsearchable and secret aims
Of nature.”
The Growth of Love, Sonnet 8.
Poetry
Source: Computer Programming as an Art (1974), p. 673 [italics in source]
Unsourced
"Herr Freytag" in Ship of Fools (1962) Pt. 3
Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.183-4
"The Artist of the Beautiful" (1844)
Source: Halakhic Man (1983), p. 83
another source of his 'parallelism' concept is Hodler's letter, written in 1904 to de:Franz Servaes; in which Hodler explained his design principle of 'parallelism', later adopted by the Vienna Secession artists. The Leopold Museum in Vienna discovered and owns this letter
from: Die Kunst Ferdinand Hodlers, 1923
Stornelli Politici, ""Costanza"".
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 354.
Opening paragraph of his review of The Adventures of Don Quixote de la Mancha by Miguel de Cervantes, translated by Tobias Smollett
The War Against Cliché: Essays and Reviews 1971-2000 (2001)
Quote of Hopper's letter to his sister, June 9, 1910; as cited in Edward Hopper, Gail Levin, Bonfini Press, Switzerland 1984, p. 23
1905 - 1910
A Psalm of Montreal http://www.geocities.com/~bblair/011204.htm, st. 1 (1884)
Source: Mother of Storms (1994), p. 473
“The legs aren't so beautiful, I just know what to do with them.”
Source: Speaking with publicist Peter Rogers, circa 1969, as quoted in The Blackglama Story (1979) by Rogers, reproduced in "At Last! The story behind the legends... and the war of the minks; Marlene Dietrich" https://www.mediafire.com/view/shxgxgwhaj6fk9h by Ricki Fulman, New York Daily News (December 9, 1979), p. 179
from "November Cotton Flower"
Poems from Cane (1923)
Quote in a letter to H. P. Bremmer, Paris 29 January 1914; ; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 81
1910's
In a letter from Paris, 18 November 1906, to her sister Milly; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 206
1906 + 1907
"Panegyric in honor of St. Francis of Assisi", as quoted in The Bourgeois: Catholicism vs. Capitalism in Eighteenth-Century France (1968), p. 84
“Money is beautiful.”
Source: Isle of the Dead (1969), Chapter 2 (p. 56)
Prologue, pp. 16–17
Bully for Brontosaurus (1991)
The Nuts of Knowledge (1903)
“Beautiful language! Love's peculiar, own,
But only to the spring and summer known.”
The Oriental Nosegay. By Pickersgill
The Troubadour (1825)
2010s, 2016, September, First presidential debate (September 26, 2016)
Speeches, Moscow Address
Interview with Hugh Sidey, according to Kennedy Library https://www.jfklibrary.org/JFK/JFK-in-History/Jacqueline-Kennedy-in-the-White-House.aspx (1 September 1961)
“Any future which is not beautiful is unacceptable.”
Great Writing interviewhttp://www.greatwriting.co.uk/content/view/1038/
p 233, describing his swim at Deception Island, Antarctica (2005)
Achieving The Impossible (2010)
huffingtonpost.com http://www.huffingtonpost.com/2012/09/26/lang-lang_n_1912686.html.
Quote from a letter to Léon Peisse, 15 July 1949; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 68
this quote refers to Delacroix's refusal to use the line as boundary of the form in his painting art, as a too sharp dividing force in the picture - in contrast to the famous classical painter in Paris then, Ingres
1831 - 1863
Part 10, "Messal." (A "math" is a co-ed academic/research monastery. Most of the novel takes place in maths.)
Anathem (2008)
After being asked "What does it take to be normal again, after having your humanity stripped away by the Nazis?" in an interview in O : The Oprah Magazine (November 2000)
Source: The Natural Man (1902), p. 100
Apple Needs to Reinvent Itself. It Just Might Be Doing So. http://nytimes.com/2017/06/06/technology/apple-reinvent-itself.html in The New York Times (6 June 2017)
The "Camelot" interview (29 November 1963)
BBC radio interview (December 13, 2006)
2007, 2008
Blue Like Jazz (2003, Nelson Books)
"The Road to FogBugz 4.0: Part IV" http://www.joelonsoftware.com/articles/FogBugzIV.html
As quoted in "50 Days of Everyday Fashion" in Yours magazine.
From emails to Argentine mistress; reported in " Sanford-Maria e-mails shed light on governor's affair http://www.thestate.com/sanford/story/839350.html", The State (June 25, 2009).
Quote from De Kooning's lecture Trans/formation, at Studio 35, 1950.
1950's
Maxim 246, trans. Stopp
Maxims and Reflections (1833)
My Pilgrim’s Progress (1999)
Source: Artists talks 1969 – 1977, p. 26
On "teachers of English" in "The Schoolmarm's Goal" in The Lower Depths (1925)
1920s
" State of the State Address: A New Direction for Maryland http://governor.maryland.gov/2015/02/04/state-of-the-state-address/" (4 February 2015)
Variant quotes:
I've rediscovered the part of my brain that can't decode anything, that can't add, that can't work from a verbalized concept, that doesn't know anything about Zen eternity and gets bored and changes, that isn't worried about being commercial or avant-garde or serial or any other little category. Beauty is enough.
Beauty is Revolution (1980)
Source: Jane Weiner LePage (1983) Women composers, conductors, and musicians of the twentieth century: selected biographies. p. 14
In 'Franz Müllers Drahtfrühling – Memories of Kurt Schwitters Hans Arp 1956; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken - commissioned by Rudi Fuchs, director of the Stedelijk Museum Amsterdam - NAI Publishers, Rotterdam 2000, pp. 140-141
1950s
Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 574.
Oh What a World
Song lyrics, Want One (2003)
Source: 1880's, Renoir – his life and work, 1975, p. 159-160 : in a letter to madame Charpentier, Autumn 1881
“So you must always remember / that time ends the beauty”
Original: Ainsi vous doit-il souvenir / Que le temps finit la beauté
Source: Oeuvres poétiques
As quoted in "Somewhere Over the Rainbow", by Scott Jacobs, in The Week Behind (23 September 2009).
Bouguereau (1895); Attributed in: Jefferson C. Harrison (1986) French paintings from the Chrysler Museum. Chrysler Museum, North Carolina Museum of Art, Birmingham Museum of Art (Birmingham, Ala.). p.45.
Les Loix du Mouvement et du Repos, déduites d'un Principe Métaphysique (1746)
“I will see beauty and goodness in all things. From all that is unlovely shall my vision be immune.”
The Man who Tapped the Secrets of the Universe
Nolde's quote c. 1909; as cited by de:Wolf-Dieter Dube, in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 81
1900 - 1920