Quotes about beauty
page 27

John Muir photo
Thomas Eakins photo
Heinrich Heine photo

“The whole system of symbolism impressed on the art and the life of the Middle Ages must awaken the admiration of poets in all times. In reality, what colossal unity there is in Christian art, especially in its architecture! These Gothic cathedrals, how harmoniously they accord with the worship of which they are the temples, and how the idea of the Church reveals itself in them! Everything about them strives upwards, everything transubstantiates itself; the stone buds forth into branches and foliage, and becomes a tree; the fruit of the vine and the ears of corn become blood and flesh; the man becomes God; God becomes a pure spirit. For the poet, the Christian life of the Middle Ages is a precious and inexhaustibly fruitful field. Only through Christianity could the circumstances of life combine to form such striking contrasts, such motley sorrow, such weird beauty, that one almost fancies such things can never have had any real existence, and that it is all a vast fever-dream the fever-dream of a delirious deity. Even Nature, during this sublime epoch of the Christian religion, seemed to have put on a fantastic disguise; for oftentimes though man, absorbed in abstract subtilties, turned away from her with abhorrence, she would recall him to her with a voice so mysteriously sweet, so terrible in its tenderness, so powerfully enchanting, that unconsciously he would listen and smile, and become terrified, and even fall sick unto death.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

Religion and Philosophy in Germany, A fragment https://archive.org/stream/religionandphilo011616mbp#page/n5/mode/2up, p. 26

Alexander Pope photo
Laurette Taylor photo

“The window I'm proudest of is at the Granby courthouse. … When the building was inaugurated …the Bishop of Saint-Hyacinthe… told me something that still warms my heart.
"Why is the third story so beautiful? Isn't that where people wait to be taken to prison?"
"Everyone has the right to see a flower before dying, Your Grace. The flowers shouldn't be grey."”

Marcelle Ferron (1924–2001) Canadian artist

"You speak like the Gospels."
Original in French: La verrière dont je suis la plus fière se trouve au palais de justice de Granby. … À l'inauguration de l'édifice... l'évêque de Saint-Hyacinthe... m'a fait un commentaire qui me rechauffe toujours le coeur.
Pourquoi le troisième étage est-il si beau? N'est-ce pas là ou se trouvent les gens qui attendent leur transfert en prison?
Monseigneur, tout homme a le droit de voir une fleur avant de mourir. Il ne faut pas que les fleurs soient grises.
Vous parlez comme les Évangiles.
L'esquisse d'une mémoire, 1996

Ellen G. White photo
Donald J. Trump photo
Alphonse de Lamartine photo
Oscar Niemeyer photo
Scott Shaw photo
L. Frank Baum photo
Hans Christian Andersen photo
Matthew Hayden photo

““When we see one another in heaven, we will have beautiful bodies that will far surpass the beauty of our bodies on this earth.”

Paul P. Enns (1937) American theologian

Source: Heaven Revealed (Moody, 2011), p. 80

Fritz Todt photo

“I could not imagine that we should make much of an effort to preserve remainders of natural beauty in conquered Poland.”

Fritz Todt (1891–1942) German engineer and senior Nazi figure

Quoted in "Technologies of Landscape: From Reaping to Recycling" - by David E. Nye - Nature - 2000 - Page 227.

Charles Stuart Calverley photo

“O my own, my beautiful, my blue-eyed!
To be young once more and bite my thumb
At the world and all its cares with you, I’d
Give no inconsiderable sum.”

Charles Stuart Calverley (1831–1884) British poet

First Love; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Neal Stephenson photo
Gloria Estefan photo

“"All this beauty makes a person realize how insignificant they are," Paul says.
"How insignificant I am. You're the insignificant one"
He grins real big as he realizes how his words sounded. "I didn't mean it like that," he chuckles.
"No, I know what you meant, bud. I was just thinking kind of the same thing. I was looking at all this depth and it came to me how very shallow you are."
"Ha, ha," Paul chortles. He takes a few steps down the trail and turns. "You know, Don, I was just looking at this little flowery cactus here and thinking how nice it looks and it made me realize how ugly you are."
"Is that right," I say. "Well, I was just considering how smart these rocks look and it made me realize how dumb you are." With that I give him a little kick in the backside.
"How smart these rocks are?" he heckles. "Well, I was just looking at that cloud up there, reflecting on its beauty and stuff, and it hit me how much you smell."
"Is that right," I say. "The cloud made you realize that, huh?"
Paul distances himself a little and keeps turning to see if I am going to kick him again. He's got this grin going like he got the last laugh.
"You know, Paul, I was just looking at this pebble and it made me realize that I'm going to tackle you and throw you off the ledge."
"I see. That's real deep, Don. The pebble; you got that from a pebble?"”

Donald Miller (1971) American writer

Prayer and the Art of Volkswagen Maintenance (2000, Harvest House Publishers)

André Maurois photo

“Old age is far more than white hair, wrinkles, the feeling that it is too late and the game finished, that the stage belongs to the rising generations. The true evil is not the weakening of the body, but the indifference of the soul. Upon crossing the shadow line, it is more the desire to act than the power to do so that is lost. Is it possible, after fifty years of experiences and disappointments, to retain the ardent curiosity of youth, the desire to know and understand, the power to love wholeheartedly, the certainty that beauty, intelligence, and kindness unite naturally, and to preserve faith in the efficacy of reason? Beyond the shadow line lies the realm of even, tempered light where the eyes, not being dazzled any more by the blinding sun of desire, can see things and people as they are. How is it possible to believe in the moral perfection of pretty women if you have loved one of them? How is it possible to believe in progress when you have discovered throughout a long and difficult life that no violent change can triumph over human nature and that it is only the most ancient customs and ceremonies that can provide people with the flimsy shelter of civilization? "What's the use?" says the old man to himself. This is perhaps the most dangerous phrase he can utter, for after having said: "What's the use of struggling?" he will say one day: "What's the use of going out?" then: "What's the use of leaving my room?" then: "What's the use of leaving my bed?" and at last comes "What's the use of living?"”

André Maurois (1885–1967) French writer

which opens the portals of death.
Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

Donald J. Trump photo

“It was a slow and brutal death for so many…Even beautiful babies were cruelly murdered in this very barbaric attack.”

Donald J. Trump (1946) 45th President of the United States of America

President Trump on Syria's chemical weapons attack, "President Trump blasts Syria for 'cruelly murdering' its own people as U.S. fires at least 50 missiles at airfield" http://www.nydailynews.com/news/politics/trump-blasts-syria-murdering-civilians-u-s-strike-article-1.3027449, 6 April 2017.
2010s, 2017, April

Frederick William Robertson photo
Sister Nivedita photo
Letitia Elizabeth Landon photo
Bram van Velde photo

“The world of architecture – and of works conceived for architecture – tends towards beauty. True beauty tends towards ugliness and panic.”

Bram van Velde (1895–1981) Dutch painter

short quotes, May 1972; p. 87
1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

Flower A. Newhouse photo
Luis Miguel photo

“Surprisingly, it is not like they say: "In this or in that country", no. There are beautiful women in every country.”

Luis Miguel (1970) Puerto Rican singer; music producer

Interview in Mexico, 1995

Danie Craven photo

“A good rugby player is a child, by the way. That's the beauty of it. And that's why I dictate - but only when I know I'm right!”

Danie Craven (1910–1993) South African rugby union player and administrator

Sunday Times interview (1980s)

Frances Bean Cobain photo

“Humans are an embarrassing species w/ small glimmers of beauty that seep through the veil of bigotry&stupidity, every once in a small while.”

Frances Bean Cobain (1992) American artist

17 June 2014 https://twitter.com/alka_seltzer666/status/479082538904723457
Twitter https://twitter.com/alka_seltzer666 posts

Tami Stronach photo
Ram Dass photo
Cora L. V. Scott photo
Florence Earle Coates photo
Benjamin Peirce photo
W. Somerset Maugham photo

“The poignancy which all beauty has.”

Source: The Moon and Sixpence (1919), Ch. 23, p. 87

Conrad Aiken photo
Harun Yahya photo
Jean Cocteau photo

“Do as the beautiful woman: see to your figure and your petticoats. Though, of course, I am not speaking literally.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Diary of an Unknown (1988)

Philip Stanhope, 4th Earl of Chesterfield photo
Nathaniel Hawthorne photo

“When the Artist rises high enough to achieve the Beautiful, the symbol by which he makes it perceptible to mortal senses becomes of little value in his eyes, while his spirit possesses itself in the enjoyment of the reality.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

As quoted in "Hawthorne and His Mosses" (1851) http://www.eldritchpress.org/nh/hahm.html by Herman Melville

Hans Frank photo
Piet Mondrian photo

“The first thing to change in my painting was the color [c. 1908-09]. I forsook natural color for pure color. I had come to feel that the colors of nature cannot be reproduced on canvas. Instinctively I felt that painting had to find a new way to express the beauty of nature.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian about 1905-1910; in 'Mondrian, Essays' ('Plastic art and pure plastic art', 1937 and his other essays, (1941-1943) by Piet Mondrian; Wittenborn-Schultz Inc., New York, 1945, p. 10; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 40

Julius Streicher photo

“Can't you feel that the German people has carried for seven years from one station of pain to another a huge cross? Can't you feel that it is persecuted, hounded and whipped bloody like the Nazarene? If you cannot feel that it is gasping under the weight of the cross which was burdened on it and that it walks on its way to Golgatha -- then you're not worth that God the Lord will again let the sun of his mercy shine upon you. …
Help us so that in this decisive hour the German people will be freed from the weight of the cross of the yoke of Jewry! Help us, so that a mighty man who's been gifted by God can give us back our freedom and that it will again be a proud people in a German country! Take care that Germany is freed from the chains she has been bound with for seven years. Put an end to this slavery! Our people shall again be great, proud and beautiful!”

Julius Streicher (1885–1946) German politician

Fühlt Ihr denn nicht, dass das deutsche Volk sieben Jahre lang von einer Leidensstation zur anderen ein Riesenkreuz geschleppt hat? Fühlt Ihr nicht, dass es gejagt, gehetzt und blutig gepeitscht worden ist wie jener Nazarener? Wenn Ihr nicht fühlt, dass unser Volk sich keuchend unter der Last des Kreuzes, das man ihm auflud, auf dem Weg nach Golgatha schleppt, dann seid Ihr nicht wert, dass unser Herrgott Euch noch einmal mit seiner Gnadensonne bescheint. ...
Helft in dieser entscheidungsvollen Stunde mit, dass das deutsche Volk von der Kreuzeslast des jüdischen Joches befreit wird! Helft mit, dass ein starker, von Gott begnadeter Mann ihm die Freiheit schenkt und dass es wieder ein stolzes Volk in deutschen Landen wird! Sorgt, dass Deutschland von der Kette, die es sieben Jahre lange tragen musste, frei wird. Deshalb heraus aus der Sklaverei! Unser Volk muss wieder groß, stolz und schön werden!
03/07/1932, speech in the convention center (Kongresshalle) in Nuremberg ("Kampf dem Weltfeind", Stürmer publishing house, Nuremberg, 1938)

H.L. Mencken photo
Clarence Darrow photo

“Life cannot be reconciled with the idea that back of the universe is a Supreme Being, all merciful and kind, and that he takes any account of the human beings and other forms of life that exist upon the earth. Whichever way man may look upon the earth, he is oppressed with the suffering incident to life. It would almost seem as though the earth had been created with malignity and hatred. If we look at what we are pleased to call the lower animals, we behold a universal carnage. We speak of the seemingly peaceful woods, but we need only look beneath the surface to be horrified by the misery of that underworld. Hidden in the grass and watching for its prey is the crawling snake which swiftly darts upon the toad or mouse and gradually swallows it alive; the hapless animal is crushed by the jaws and covered with slime, to be slowly digested in furnishing a meal. The snake knows nothing about sin or pain inflicted upon another; he automatically grabs insects and mice and frogs to preserve his life. The spider carefully weaves his web to catch the unwary fly, winds him into the fatal net until paralyzed and helpless, then drinks his blood and leaves him an empty shell. The hawk swoops down and snatches a chicken and carries it to its nest to feed its young. The wolf pounces on the lamb and tears it to shreds. The cat watches at the hole of the mouse until the mouse cautiously comes out, then with seeming fiendish glee he plays with it until tired of the game, then crushes it to death in his jaws. The beasts of the jungle roam by day and night to find their prey; the lion is endowed with strength of limb and fang to destroy and devour almost any animal that it can surprise or overtake. There is no place in the woods or air or sea where all life is not a carnage of death in terror and agony. Each animal is a hunter, and in turn is hunted, by day and night. No landscape is beautiful or day so balmy but the cry of suffering and sacrifice rends the air. When night settles down over the earth the slaughter is not abated. Some creatures are best at night, and the outcry of the dying and terrified is always on the wind. Almost all animals meet death by violence and through the most agonizing pain. With the whole animal creation there is nothing like a peaceful death. Nowhere in nature is there the slightest evidence of kindness, of consideration, or a feeling for the suffering and the weak, except in the narrow circle of brief family life.”

Clarence Darrow (1857–1938) American lawyer and leading member of the American Civil Liberties Union

Source: The Story of My Life (1932), p. 383

Andy Warhol photo
Letitia Elizabeth Landon photo
Desmond Tutu photo
Yehudi Menuhin photo
Lytton Strachey photo
Luis Barragán photo
Conor Oberst photo
Letitia Elizabeth Landon photo
Auguste Rodin photo

“Then I gathered the éléments of what people call my symbolism. I do not understand anything about long words and theories. But I am willing to be a symbolist, if that defines the ideas that Michael Angelo gave me, namely that the essence of sculpture is the modelling, the general scheme which alone enables us to render the intensity, the supple variety of movement and character. If we can imagine the thought of God in creating the world, He thought first of the construction, which is the sole principle of nature, of living things and perhaps of the planets. Michael Angelo seems to me rather to derive from Donatello than from the ancients; Raphaël proceeds from them. He understood that an architecture can be built up with the human body, and that, in order to possess volume and harmony, a statue or a group ought to be contained in a cube, a pyramid or some simple figure. Let us look at a Dutch interior and at an interior painted by an artist of the present day. The latter no longer touches us, because it docs not possess the qualities of depth and volume, the science of distances. The artist who paints it does not know how to reproduce a cube. An interior by Van der Meer is a cubic painting. The atmosphere is in it and the exact volume of the objects; the place of these objects has been respected, the modem painter places them, arranges them as models. The Dutchmen did not touch them, but set themselves to render the distances that separated them, that is, the depth. And then, if I go so far as to say that cubic truth, not appearance, is the mistress of things, if I add that the sight of the plains and woods and country views gives me the principle of the plans that I employ on my statues, that I feel cubic truth everywhere, and that plan and volume appear to me as laws of all life and ail beauty, will it be said that I am a symbolist, that I generalise, that I am a metaphysician? It seems to me that I have remained a sculptor and a realist. Unity oppresses and haunts me.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 65-67

Newton Lee photo

“Diversity emanates beauty.”

Newton Lee American computer scientist

Google It: Total Information Awareness, 2016

Christiaan Huygens photo
George Gordon Byron photo
Willa Cather photo
Revilo P. Oliver photo
Warren Farrell photo

“No legend told its children of beautiful princesses falling in love with conscientious objectors.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Women Can't Hear What Men Don't Say (2000)

Matthew Arnold photo

“The will is free;
Strong is the soul, and wise, and beautiful;
The seeds of god-like power are in us still;
Gods are we, bards, saints, heroes, if we will!”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

" Written in Emerson's Essays http://www.bartleby.com/246/414.html" (1849)

Thomas Fuller (writer) photo

“950. Beauty is but Skin deep; within is Filth and Putrefaction.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Propertius photo

“Love is naked, and loves not beauty gained by artifice.”
Nudus Amor formam non amat artificem.

Propertius (-47–-16 BC) Latin elegiac poet

I, ii, 8; translation by G.P. Goold
Elegies

Richard Rodríguez photo

“Fine Art then, records by idealised imitation the glorious works of good men, whilst it holds those of bad men up to our abhorrence — it gives to posterity their images, either on the tinted canvass or the sculptured marble — it imitates the beautiful effects of nature as seen in the glowing landscape or the rising storm, and perpetuates the appearance of those beauteous gems of the seasons — flowers and fruits, which, though fading whilst the painter catches their tints, yet live after decay by and through his genius.
Industrial Art, on the contrary, aims at the embellishment of the works of man, by and through that power which is given to the artist for the investigation of the beautiful in nature; and in transferring it to the loom, the printing machine, the potter's wheel, or the metal worker's mould, he reproduces nature in a new form, adapting it to his purpose by an intelligence arising out of his knowledge as an artist and as a workman. In short, the adaptation of the natural type to a new material compels him to reproduce, almost create, as well as imitate — invent as well as copy”

design as well as draw!
George Wallis. " Art Education for the people. No IV. The principles of Fine Art as Applied to Industrial Purposes http://books.google.com/books?id=l55GAQAAIAAJ&pg=PA231." In: People's & Howitt's Journal: Of Literature, Art, and Popular Progress, Vol. 3. John Saunders ed. 1847, p. 231.

Warren Farrell photo

“addiction to female beauty and sex;”

The Myth of Male Power (1993), Part IV: Where do we go from here

“Both God and man hold each other in equally beautiful contempt.”

Michael Bishop (1945) American writer

Source: A Funeral for the Eyes of Fire (1975), Chapter 11, “Usurpation: Two Meteors, Prodigal of Light” (p. 196)

Thérèse of Lisieux photo
Jacopone da Todi photo
Alastair Reynolds photo
Anaïs Nin photo
José Martí photo
George William Russell photo
Andrew Motion photo

“By day the appalling loose beauty
of prowling floes:
lions’ heads, dragons, crucifix-wrecks,
and a thing like a blown rose.”

Andrew Motion (1952) poet, novelist and biographer from England

Poem "Ice"
Poetry Quotes

John Maynard Keynes photo
Yoshida Shoin photo
Ralph Vary Chamberlin photo
Ashot Nadanian photo
Sebastian Bieniek photo

“Internet made everbody beautiful”

Sebastian Bieniek (1975) German artist

26.09.2012, Notes https://www.b1en1ek.com/quotes/
Quotes from the notes

George William Russell photo

“For beauty called to beauty and there thronged at the enchanter's will
The vanished hours of love that burn within the Ever-living still.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

“True silence is the speech of lovers. For only love knows its beauty, completeness and utter joy.”

Catherine Doherty (1896–1985) Religious order founder; Servant of God

Source: Poustinia (1975), Ch. 1

Jörg Immendorff photo
Berthe Morisot photo
Letitia Elizabeth Landon photo

“Where are the flowers, the beautiful flowers,
That haunted your homes and your hearts in the spring?
Where is the sunshine of earlier hours?
Where is the music the birds used to bring?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(9th May 1829) Change
(20th June 1829) Fame : An Apologue See The Vow of the Peacock, as The Three Brothers
(29th August 1829) First Grave See The Vow of the Peacock as The Single Grave
The London Literary Gazette, 1829

Taliesin photo

“Multitudes, of beautiful works,
Believed, served with us.”

Taliesin (534–599) Welsh bard

Book of Taliesin (c. 1275?), The Elegy of the Thousand Sons

Robert Seymour Bridges photo
Russell Brand photo
Bellamy Young photo
Abraham Cowley photo

“He saw the beauties of his shape and face,
His female sweetness, and his manly grace”

Abraham Cowley (1618–1667) British writer

Book I, lines 109-110
Davideis (1656)

Toshio Shiratori photo
Letitia Elizabeth Landon photo

“God! that this Earth should be so beautiful,
And yet so wretched!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(28th April 1824) Moonlight. T. C. Hofland.
The London Literary Gazette, 1824

Yehudi Menuhin photo

“Peace may sound simple — one beautiful word — but it requires everything we have, every quality, every strength, every dream, every high ideal.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Source: U S Congress Congressional Record, V. 151, PT. 6, April 21, 2005 to May 5, 2005 http://books.google.co.in/books?id=feq-KS57zeUC&pg=PA7471, Government Printing Office, 2009 , p. 7471