Quotes about appearance
page 15

“I for my part still conceive it to be the paramount duty of a British member of parliament to consider what is good for Great Britain…I do not envy that man's feelings, who can behold the sufferings of Switzerland, and who derives from that sight no idea of what is meant by the deliverance of Europe. I do not envy the feelings of that man, who can look without emotion at Italy – plundered, insulted, trampled upon, exhausted, covered with ridicule, and horror, and devastation – who can look at all this, and be at a loss to guess what is meant by the deliverance of Europe? As little do I envy the feelings of that man, who can view the peoples of the Netherlands driven into insurrection, and struggling for their freedom against the heavy hand of a merciless tyranny, without entertaining any suspicion of what may be the sense of the word deliverance. Does such a man contemplate Holland groaning under arbitrary oppressions and exactions? Does he turn his eyes to Spain trembling at the nod of a foreign master? And does the word deliverance still sound unintelligibly in his ear? Has he heard of the rescue and salvation of Naples, by the appearance and the triumphs of the British fleet? Does he know that the monarchy of Naples maintains its existence at the sword's point? And is his understanding, and his heart, still impenetrable to the sense and meaning of the deliverance of Europe?”

George Canning (1770–1827) British statesman and politician

Speech in 1798, quoted in Wendy Hinde, George Canning (London: Purnell Books Services, 1973), p. 66.

People, Feeling, Idea, Understanding

“I am really a very shy person … If I appear, it is because of the music, not because I want to be seen. I'm not a recluse. I like to go out, but I don't like the glitziness that goes with it.”

Enya (1961) Irish singer, songwriter, and musician

Women's Weekly interview (2006)

Music, Personality

“If we except the great name of Newton (and the exception is one that the great Gauss himself would have been delighted to make) it is probable that no mathematician of any age or country has ever surpassed Gauss in the combination of an abundant fertility of invention with an absolute vigorousness in demonstration, which the ancient Greeks themselves might have envied. It may be admitted, without any disparagement to the eminence of such great mathematicians as Euler and Cauchy that they were so overwhelmed with the exuberant wealth of their own creations, and so fascinated by the interest attaching to the results at which they arrived, that they did not greatly care to expend their time in arranging their ideas in a strictly logical order, or even in establishing by irrefragable proof propositions which they instinctively felt, and could almost see to be true. With Gauss the case was otherwise. It may seem paradoxical, but it is probably nevertheless true that it is precisely the effort after a logical perfection of form which has rendered the writings of Gauss open to the charge of obscurity and unnecessary difficulty. The fact is that there is neither obscurity nor difficulty in his writings, as long as we read them in the submissive spirit in which an intelligent schoolboy is made to read his Euclid. Every assertion that is made is fully proved, and the assertions succeed one another in a perfectly just analogical order… But when we have finished the perusal, we soon begin to feel that our work is but begun, that we are still standing on the threshold of the temple, and that there is a secret which lies behind the veil and is as yet concealed from us. No vestige appears of the process by which the result itself was obtained, perhaps not even a trace of the considerations which suggested the successive steps of the demonstration. Gauss says more than once that for brevity, he gives only the synthesis, and suppresses the analysis of his propositions. Pauca sed matura—few but well matured… If, on the other hand, we turn to a memoir of Euler's, there is a sort of free and luxuriant gracefulness about the whole performance, which tells of the quiet pleasure which Euler must have taken in each step of his work; but we are conscious nevertheless that we are at an immense distance from the severe grandeur of design which is characteristic of all Gauss's greater efforts.”

Henry John Stephen Smith (1826–1883) mathematician

As quoted by Alexander Macfarlane, Lectures on Ten British Physicists of the Nineteenth Century (1916) p. 95, https://books.google.com/books?id=43SBAAAAIAAJ&pg=PA95 "Henry John Stephen Smith (1826-1883) A Lecture delivered March 15, 1902"

Pleasure, Secret, Age, Feeling

“By the time of Comte, scientists unanimously rejected the idea that there was any essential difference between celestial and terrestrial matter, but they still had no empirical evidence to support their view any more than had Aristotle to support his, and to the positivist philosopher it seemed that none could ever be obtained. …The possibility of a solution to this problem appeared shortly after Comte's pronouncement with the rise of the science of astronomical spectroscopy…”

Gerald James Whitrow (1912–2000) British mathematician

"Why the Sun Shines" (18 July 1957)

Idea, Support, Problem, Science

“He dropped, — more sullenly than wearily,
Lay stupid like a cod, heavy like meat,
And none of us could kick him to his feet;
— Just blinked at my revolver, blearily;
— Didn't appear to know a war was on,
Or see the blasted trench at which he stared.”

Wilfred Owen (1893–1918) English poet and soldier (1893-1918)

The Dead-Beat

War, Stupidity

“We more easily give our assent to any proposition when the person who contends for it appears, by his manner of delivering himself, to have a perfect knowledge of the subject of it.”

Joseph Priestley (1733–1804) English theologian, chemist, educator, and political theorist

A Course of Lectures on Oratory and Criticism (1777), Part III, Lecture XVI, p. 116

Knowledge, Personality, Perfection

“The Orient that appears in Orientalism, then, is a system of representations framed by a whole set of forces that brought the Orient into Western learning, Western consciousness, and later, Western empire. … The Orient is the stage on which the whole East is confined. On this stage will appear the figures whose role it is to represent the larger whole from which they emanate. The Orient then seems to be, not an unlimited extension beyond the familiar European world, but rather a closed field, a theatrical stage affixed to Europe.”

Edward Said book Orientalism

Orientalism (1978)

World, Learning

“What is manifestation? It is just a sudden spontaneous concurrent appearance in Consciousness, within Consciousness, brought about by Consciousness. In that manifestation, the human being is just one object. Basically, as far as the manifestation is concerned, there is no difference between the human being and the inanimate object. So where does the question of individuality arise at all? That arises because in the inanimate object, consciousness is not there in the form of sentience. The human being is endowed with sentience, like any animal. Sentience enables the senses to work. The human being is essentially an inanimate object plus sentience, precisely like any other animal or insect which has the feeling of being present, the sense of presence.”

Ramesh Balsekar (1917–2009) Indian guru

Feeling, Question, Sense, Animals

“Every seat in the theater was taken when Philip appeared wearing a white cloak and by his express orders his bodyguard held away from him and followed only at a distance, since he wanted to show publicly that he was protected by the goodwill of all the Greeks, and had no need of a guard of spearmen.”

Diodorus Siculus (-90–-30 BC) Greek historiographer

Histories 16.93.1

“A good sonnet appears to be a confession-in a word either patently artificial, and then it is bad, or good, then it sounds like autobiography.”

George Lyman Kittredge (1860–1941) American scholar, literary critic, and folklorist

The Complete Works of Shakespeare, 1936. Chap XI

“I discovered soon that teaching has the handicap of retrospection. And that I don't believe in. So I started [at the w:Bauhaus in Dessau] instead a method of handling material with the material itself. So that was my main change. Whereas Itten before [Itten left the Bauhaus in 1923 and Albers followed him as art-teacher] had only spoken about the appearance, 'matiere' - (the French word) and I said I would turn from 'matiere' - the outside - to the inside, to the capacity of the material, before the appearance. And that changed the attitude basically I think.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Art, Thinking, Teachers, Change

“Science, it is usually believed, helps us to build a picture of objective reality – the world 'out there'. With the advent of the quantum theory, that very reality appears to have crumbled, to be replaced by something so revolutionary and bizarre that its consequences have not yet been properly faced.”

Paul Davies (1946) British physicist

'Prologue', p. 12
Other Worlds: A Portrait of Nature in Rebellion, Space, Superspace, and the Quantum Universe (1980)

World, Reality, Science, Help

“The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful.”

Milan Kundera book The Unbearable Lightness of Being

pg 208
The Unbearable Lightness of Being (1984), Part Five: Lightness and Weight

Beauty, Memory

“Let a defect, which is possibly but small, appear undisguised.
A fault concealed is presumed to be great.”
Simpliciter pateat vitium fortasse pusillum: Quod tegitur, magnum creditur esse malum

Martial book Epigrammata

Variant translation: Conceal a flaw, and the world will imagine the worst.
III, 42.
Epigrams (c. 80 – 104 AD)

“It is of the nature of all internecine violence that it lives on hope. Violence feeds upon the hope of success … violence will not continue indefinitely where the objects which it proposes to itself appear to be unattainable, or at any rate unattainable within a predictable future. The Government in Northern Ireland and the Government in this country actually assist violence and strengthen it in so far as they appear to act and appear to reform under the pressure of violence… [The Government should ensure that] neither by word nor deed do we treat the membership of the Six Counties in the United Kingdom as negotiable. Every word or act which holds out the prospect that their unity with the rest of the United Kingdom might be negotiable is itself, consciously or unconsciously, a contributory cause to the continuation of violence in Northern Ireland.”

Enoch Powell (1912–1998) British politician

Speech http://hansard.millbanksystems.com/commons/1970/apr/07/northern-ireland-1#S5CV0799P0_19700407_HOC_336 in the House of Commons (7 April 1970) 1970s

Hope, Nature, Success, Future

“The private and serious drama of guilt is not often a useful one for fiction today and its disappearance, following perhaps the disappearance from life, appears as a natural, almost unnoticed relief, like some of the challenging illnesses wiped out by drug and vaccines.”

Elizabeth Hardwick (1916–2007) Novelist, short story writer, literary critic

"Guilt, Character, Possibilities" (p. 227)
American Fictions (1999)

Life, Nature

“Harry Dresden: Keep in mind that this appears in the same book of the Bible that approves the death sentence for a child who curses his parents, owners of oxen who injure someone through the owner's negligence, anybody who works or kindles a fire on Sunday, and anyone who has sex with an animal.”

Jim Butcher The Dresden Files

The Dresden Files, White Night (2007)

Death, Books, Sex, Parent

“Globalization creates interlocking fragility, while reducing volatility and giving the appearance of stability. In other words it creates devastating Black Swans. We have never lived before under the threat of a global collapse. Financial Institutions have been merging into a smaller number of very large banks. Almost all banks are interrelated. So the financial ecology is swelling into gigantic, incestuous, bureaucratic banks — when one fails, they all fall. The increased concentration among banks seems to have the effect of making financial crisis less likely, but when they happen they are more global in scale and hit us very hard. We have moved from a diversified ecology of small banks, with varied lending policies, to a more homogeneous framework of firms that all resemble one another. True, we now have fewer failures, but when they occur… I shiver at the thought.”

Nassim Nicholas Taleb (1960) Lebanese-American essayist, scholar, statistician, former trader and risk analyst

Source: The Black Swan: The Impact of the Highly Improbable (2007), pp. 225-226

Failure

“What appears as disaster postponed is, in virtual reality, disaster expanded.”

Nick Land (1962) British philosopher

"Suspended Animation (Part 5)" https://web.archive.org/web/20121111032650/http://www.thatsmags.com/shanghai/article/1524/suspended-animation-part-5 (2011)

Reality

“Every philosophy is complete in itself and, like a genuine work of art, contains the totality. Just as the works of Apelles and Sophocles, if Raphael and Shakespeare had known them, should not have appeared to them as mere preliminary exercises for their own work, but rather as a kindred force of the spirit, so, too reason cannot find in its own earlier forms mere useful preliminary exercises for itself.”

Georg Wilhelm Friedrich Hegel (1770–1831) German philosopher

Difference of the Fichtean and Schellingean System of Philosophy, cited in W. Kaufmann, Hegel (1966), p. 49

Art, Exercises

“The fact that the regime of separation appears to be reaching new heights, the fact that the whole globe is falling into the grip of the monetization of life and the commodification of relationship, the fact that the numbering, labeling, and controlling of the world and everything in it is approaching unprecedented extremes, does not mean that prospects for a more beautiful world are receding into the distance. Rather, like a wave rolling toward shore, the Age of Separation rears up to its maximum height even as it hollows out in the moment before it crashes. This crash, inevitable eons ago, is upon us today. As for the world that we can build thereafter, we can see glimpses of it in all the ‘alternatives’ presented today with so little effect…
Deep deep down, we all know that a much better world is possible, and more than possible, certain, someday.”

Charles Eisenstein (1967) American writer

The Ascent of Humanity http://charleseisenstein.net/project/ascent-of-humanity/ Ch 7 The Ascent of Humanity (2007)

Life, Age, World, Beauty

“Presumption should never make us neglect that which appears easy to us, nor despair make us lose courage at the sight of difficulties.”

Benjamin Banneker (1731–1806) free African American scientist, surveyor, almanac author and farmer

This appeared in Banneker's Almanac in 1794, and is commonly attributed to him, but originates earlier in "Reflections on different Subjects of Morality, by Stanisław Leszczyński, King of Poland, Duke of Lorrain and Bar" in The Universal Magazine (1765), p. 119
Misattributed

Courage, Despair

“In 1843, after annexing the then-Indian village Miani of Sindh against orders, legend has it that British General Sir Charles Napier sent home a one word telegram, "Peccavi", taking use of its Latin meaning "I have sinned" and the heterograph "I have Sindh." This pun appeared under the title 'Foreign Affairs' in Punch magazine on 18 May 1844. The true author of the pun was, however, Englishwoman Catherine Winkworth, who submitted it to Punch, which then printed it as a factual report.”
Peccavi

Charles James Napier (1782–1853) Commander-in-Chief in British India

Misattributed

Home

“The emergence of abstract art is a sign that there are still men of feeling in the world. Men who know how to respect and follow their inner feelings, no matter how irrational or absurd they may first appear. From their perspective, it is the social world that tends to appear irrational and absurd.”

Robert Motherwell (1915–1991) American artist

1951; as cited in 'Robert Motherwell, American Painter and Printmaker' https://www.theartstory.org/artist-motherwell-robert-life-and-legacy.htm#writings_and_ideas_header, on 'Artstory' from his responding at the 1951 MoMA symposium, in which several artists were asked to respond to the prompt 'What Abstract Art Means to Me' 1950s

Men, World, Art, Feeling

“Progressively higher levels of organization are attained as catalytic cycles on one level interlock and form hypercycles: these are systems on a higher level of organization. Thus molecules emerge from a combination of chemically active atoms; protocells emerge from sequences of complex molecules; eukaryotic cells emerge among the prokaryotes; metazoa make their appearance among the protozoa and converge in still higher-level ecological and social systems.”

Ervin László (1932) Hungarian musician and philosopher

E. Laszlo (1994) Vision 2020: Reordering Chaos for Global Survival. Philadelphia: Gordon & Breach.

“By virtue of the universal concept, thought attains mastery over the particular cases. However, the most formalized universe of logic still refers to the most general structure of the given, experienced world; the pure form is still that of the content which it formalizes. The idea of formal logic itself is a historical event in the development of the mental and physical instruments for universal control and calculability. In this undertaking man had to create theoretical harmony out of actual discord, to purge thought from contradictions, to hypostatize identifiable and fungible units in the complex process of society and nature. Under the rule of formal logic, the notion of the conflict between essence and appearance is expendable if not meaningless; the material content is neutralized; the principle of identity is separated from the principle of contradiction (contradictions are the fault of incorrect thinking); final causes are removed from the logical order. Well defined in their scope and function, concepts become instruments of prediction and control. Formal logic is thus the first step on the long road to scientific thought”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), p. 137

World, Idea, Nature, Thinking

“The most superficial fact regarding the Discourses, the fact that the number of its chapters equals the number of books of Livy's History, compelled us to start a chain of tentative reasoning which brings us suddenly face to face with the only New Testament quotation that ever appears in Machiavelli's two books and with an enormous blasphemy.”

Leo Strauss book Thoughts on Machiavelli

Source: Thoughts on Machiavelli (1958), p. 49

Books, History

“You cannot imagine the wild enthusiasm that these two men created in Vienna. Newspapers went into raptures over each new waltz, and innumerable articles appeared about Lanner and Strauss.”

Eduard Hanslick (1825–1904) austrian musician and musicologist

Quoted by Bob January http://bobjanuary.com/waltz.htm

Men, Imagination

“[A] Juan Lopez from Oaxaca is freely accepted as a U. S. citizen in a way that a white Bob Jones would never fully be embraced as a citizen of Mexico, a country whose constitution still expressly sets out racially chauvinistic guidelines that govern immigration law. Someone who appears African or European would have a hard time fully integrating as a citizen in Chinese, Korean, or Japanese society, in a way not true of Chinese, Koreans, and Japanese in America. The world assumes that in America a president, attorney general, secretary of state, or Supreme Court justice can be black; but it would be as surprised to find whites as high public officials in Zimbabwe as to find a black as prime minister or foreign minister in Sweden…”

Victor Davis Hanson (1953) American military historian, essayist, university professor

2010s, America: One Nation, Indivisible (2015)

World, Justice, Law, Way

“It is true that Donatello, who afterwards did the ornamentation of the other organ opposite this one, displayed much more judgment and skill than Luca, as will be said in the proper place, because he did almost the whole of the work in the rough as it were, not delicately finishing it, so that it should appear much better at a distance than Luca's; as it does, for with all his care and skill the eye cannot appreciate it well because of the very polish and finish, which are lost in the distance, as it can the almost purely rough hewn work of Donato. To this matter artists should devote much attention, because experience shows that all things seen at a distance, whether they be paintings or sculptures or any other like thing, are bolder and more vigorous in appearance if skilfully hewn in the rough than if they are carefully finished. Besides the effect obtained by distance, it often happens that these rough sketches, which are born in an instant in the heat of inspiration, express the idea of their author in a few strokes, while on the other hand too much effort and diligence sometimes sap the vitality and powers of those who never know when to leave off.”

Giorgio Vasari (1511–1574) Italian painter, architect, writer and historian

Volume 2. p. 28
The Lives of the Painters, Sculptors, and Architects, 1900

Idea, Effort, Painting

“American values, or Americanism, refers to what I call the "American Trinity": "Liberty," "In God We Trust," and "E Pluribus Unum" ("Out of Many, One"), the three values that appear on all American coins.”

Dennis Prager (1948) American writer, speaker, radio and TV commentator, theologian

Dennis Prager. Still the Best Hope: Why the World Needs American Values to Triumph https://books.google.com/books?id=aAFSQWdwexEC, 2012. 2010s

God

“Although the backlash is not a movement, that doesn't make it any less destructive. In fact, the lack of orchestration, the absence of a single string-puller, only makes it harder to see — and perhaps more effective. A backlash against women's rights succeeds to the degree that it appears not to be political, that it appears not to be a struggle at all. It is most powerful when it goes private, when it lodges in a woman's mind and turns her vision inward, until she imagines the pressure is all in her head, until she begins to enforce the backlash, too — on herself.”

Susan Faludi book Backlash: The Undeclared War Against American Women

Page 16.
Backlash (1992)

Women, Imagination

“In some central and important cases, … the existence of specific power relations in the society will produce an appearance of a particular kind. Certain features of the society that are merely local and contingent, and maintained in existence only by the continual exercise of power, will come to seem as if they were universal, necessary, invariant, or natural features of all forms of human social life, or as if they arose spontaneously and uncoercedly by free human action.”

Raymond Geuss book Philosophy and Real Politics

Source: Philosophy and Real Politics (2008), p. 52.

Life, Exercises, Nature, Universe

“The ideas need not be complex. Most ideas that are successful are ludicrously simple. Successful ideas generally have the appearance of simplicity because they seem inevitable.”

Sol LeWitt (1928–2007) American artist

Quotes of Sol Lewitt, "Paragraphs on Conceptual Art," 1967

Idea, Success

“Nigel: I don't regard clever as a dirty word.
Jack: Rule one, it's never clever to appear to be clever. Long words actually hurt people, you know that? Rule two, speak slowly and clearly as though to a group of malignant kids. Rule three, keep it short. Very short. Half-truths take less time than whole ones, old mate. Oh and I see you've let your locks sprout a bit. Get 'em cut, there's a good chap. Rolling stones gather no votes.”

Dennis Potter (1935–1994) English television dramatist, screenwriter and journalist

Vote, vote, vote for Nigel Barton (1965)

People, Truth, Time, Hurt

“It is thus that the few rare lucid well-disposed people who have had to struggle on the earth find themselves at certain hours of the day or night in the depth of certain authentic and waking nightmare states, surrounded by the formidable suction, the formidable tentacular oppression of a kind of civic magic which will soon be seen appearing openly in social behavior.”

Antonin Artaud (1896–1948) French-Occitanian poet, playwright, actor and theatre director

Van Gogh, the Man Suicided by Society (1947)

People, Behavior, Night

“The end of the world—was the sky going to open up, would the angels pour down the vials of wrath on a shaking land, and would God appear to judge the sons of men? He listened for the noise of great galloping hoofs, but there was only the wind in the trees.
That was the worst of it. The sky didn’t care. The Earth went on turning through an endlessness of dark and silence, and what happened in the thin scum seething over its crust didn’t matter.”

Poul Anderson book Brain Wave

Source: Brain Wave (1954), Chapter 5 (p. 40)

Men, God, World, Angels

“It is India that gave us the ingenious method of expressing all numbers by means of ten symbols, each symbol receiving a value of position as well as an absolute value; a profound and important idea which appears so simple to us now that we ignore its true merit. But its very simplicity and the great ease which it has lent to computations put our arithmetic in the first rank of useful inventions; and we shall appreciate the grandeur of the achievement the more when we remember that it escaped the genius of Archimedes and Apollonius, two of the greatest men produced by antiquity.”

Pierre-Simon Laplace (1749–1827) French mathematician and astronomer

Quoted in H Eves Return to Mathematical Circles (Boston 1988). http://www-groups.dcs.st-and.ac.uk/history/Quotations/Laplace.html

Men, Idea

“Presumption should never make us neglect that which appears easy to us, nor despair make us lose courage at the sight of difficulties.”

Stanisław Leszczyński (1677–1766) king of Poland

"Reflections on different Subjects of Morality, in The Universal Magazine (1765), p. 119.

Courage, Despair

“Art is not the possession of the few who are recognized writers, painters, musicians; it is the authentic expression of any and all individuality. Those who have the gift of creative expression in unusually large measure disclose the meaning of the individuality of others to those others. In participating in the work of art, they become artists in their activity. They learn to know and honor individuality in whatever form it appears. The fountains of creative activity are discovered and released. The free individuality which is the source of art is also the final source of creative development in time.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

Art, Learning, Time

“As tasks become more varied and require greater training and skill, the relationship (between job attitudes and performance) appears to change progressively from the negative to positive.”

Rensis Likert (1903–1981) American statistician

Source: New patterns of management, (1961), p. 16

Change, Training

“I never deal in transformations, for they are not honest, and no respectable sorceress likes to make things appear to be what they are not.”

L. Frank Baum book The Marvelous Land of Oz

The Marvelous Land of Oz (1904)
Later Oz novels

“I know very well what I am about, & that my skies have not been neglected, though they often failed in execution — and often, no doubt, from an over-anxiety about them — which will alone destroy that easy appearance which nature always has — in all her movements.”

John Constable (1776–1837) English Romantic painter

Quote from John Constable's letter to Rev. John Fisher (23 October 1821), from John Constable's Correspondence, part 6, pp. 76-78
1820s

Nature

“Parson Amen's speculations on this interesting subject, although this may happen to be the first occasion on which he has ever heard the practice of taking scalps justified by Scripture. Viewed in a proper spirit, they ought merely to convey a lesson of humility, by rendering apparent the wisdom, nay the necessity, of men's keeping them-selves within the limits of the sphere of knowledge they were designed to fill, and convey, when rightly considered, as much of a lesson to the Puseyite, with abstractions that are quite as unintelligible to himself as they are to others; to the high-wrought and dogmatical Calvinist, who in the midst of his fiery zeal, forgets that love is the very essence of the relation between God and man; to the Quaker, who seems to think the cut of a coat essential to salvation; to the descendant of the Puritan, who whether he be Socinian, Calvinist, Universalist, or any other "1st," appears to believe that the "rock" on which Christ declared he would found his church was the "Rock of Plymouth"; and to the unbeliever, who, in deriding all creeds, does not know where to turn to find one to substitute in their stead. Humility, in matters of this sort, is the great lesson that all should teach and learn; for it opens the way to charity, and eventually to faith, and through both of these to hope; finally, through all of these, to heaven.”

James Fenimore Cooper (1789–1851) American author

Source: Oak Openings or The bee-hunter (1848), Ch. XI

Love, Wisdom, Men, God

“The best among our writers are doing their accustomed work of mirroring what is deep in the spirit of our time; if chaos appears in those mirrors, we must have faith that in the future, as always in the past, that chaos will slowly reveal itself as a new aspect of order.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

Faith, Time, Past, Future

“When you have decided to purchase a farm, be careful not to buy rashly; do not spare your visits and be not content with a single tour of inspection. The more you go, the more will the place please you, if it be worth your attention. Give heed to the appearance of the neighbourhood, - a flourishing country should show its prosperity. "When you go in, look about, so that, when needs be, you can find your way out."”

Cato the Elder book De Agri Cultura

Of buying a farm; Cited in John Claudius Loudon (1825) An Encyclopædia of Agriculture. Part 1. p. 14
Loudon commented: In the time of Cato the Censor, the author of The Husbandry of the Ancients observed, though the operations of agriculture were generally performed by servants, yet the great men among the Roman continued to give particular attention to it, studied its improvement, and were very careful and exact in the management of nil their country affairs. This appears from the directions given them by this most attentive farmer. Those great men had both houses in town, and villas in the country; and, as they resided frequently in town, the management of their country affairs was committed to a bailiff or overseer. Now their attention to the culture of their land and to every other branch of husbandry, appears, from the directions given them how to behave upon their arrival from the city at their villas.
De Agri Cultura, about 160 BC

Way, Country

“When some English moralists write about the importance of having character, they appear to mean only the importance of having a dull character.”

G. K. Chesterton Charles Dickens

Source: Charles Dickens (1906), Ch. 10 "The Great Dickens Characters"

“And where is the boundary-if there is a boundary-between a collective outlook and "the world"?. Many cultures assume such a boundary, but they set it in different places. Divine appearances once were real- they are mere fantasies today. Where shall we, who examine the phenomenon, set the boundary?”

Paul Karl Feyerabend (1924–1994) Austrian-born philosopher of science

pg 27.
Conquest of Abundance (2001 [posthumous])

World

“Religiosity has appeared in the course of evolution and is advantageous for human kind. And although it is believed that it is religion that teaches us what's right and what's wrong, I think religion evolved to substantiate our morality. Brain likes to justify our beheviors.”

Jerzy Vetulani (1936–2017) Polish scientist

Woźniak, Olga; Vetulani, Jerzy (24 December 2011): Stań się dobrym. To się opłaca, interview. Gazeta Wyborcza (in Polish).

Religion, Thinking

“Prostrating myself mentally before my Guide, I cried, "How is it, O divine ideal of consummate loveliness and wisdom that I see thy inside, and yet cannot discern thy heart, thy lungs, thy arteries, thy liver?" "What you think you see, you see not," he replied; "it is not given to you, nor to any other Being to behold my internal parts. I am of a different order of Beings from those in Flatland. Were I a Circle, you could discern my intestines, but I am a Being, composed as I told you before, of many Circles, the Many in the One, called in this country a Sphere. And, just as the outside of a Cube is a Square, so the outside of a Sphere presents the appearance of a Circle."Bewildered though I was by my Teacher's enigmatic utterance, I no longer chafed against it, but worshipped him in silent adoration. He continued, with more mildness in his voice. "Distress not yourself if you cannot at first understand the deeper mysteries of Spaceland. By degrees they will dawn upon you. Let us begin by casting back a glance at the region whence you came.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There

Wisdom, Understanding, Thinking, Teachers

“In appearance and behaviour, Norbert Wiener was a baroque figure, short, rotund, and myopic, combining these and many qualities in extreme degree. His conversation was a curious mixture of pomposity and wantonness. He was a poor listener. His self-praise was playful, convincing and never offensive. He spoke many languages but was not easy to understand in any of them. He was a famously bad lecturer.”

Hans Freudenthal (1905–1990) Dutch mathematician

Norbert Wiener (2008)

Understanding

“[N]o one appeared to wonder whether this S-M proliferation was a lesbian copy of a faggot imitation of patriarchal backlash against feminism.”

Robin Morgan (1941) American feminist writer

"The Politics of Sado-Masochistic Fantasies", in Going Too Far: The Personal Chronicle of a Feminist, p 235.

“There is no hypnotic phenomenon, no matter how remarkable it may appear, which cannot be re-created outside of a hypnotic state through such ordinary devices such as suggestion, hype and the exercise of charisma.”

Derren Brown (1971) British illusionist

TV recordings of stage shows, Svengali (2012), Svengali tour brochure

Exercises

“It is startling that those in the media and academia appear most disturbed by this aberrant behavior, since they have zealously promoted moral relativism by sanctioning "private" moral matters such as alternative lifestyles. Priests, like all of us, are affected by culture. When the culture is sick, every element in it becomes infected. While it is no excuse for this scandal, it is no surprise that Boston, a seat of academic, political and cultural liberalism in America, lies at the center of the storm.”

Rick Santorum (1958) American politician

Fishers of Men
Catholic Online
2002-07-12
http://www.catholic.org/featured/headline.php?ID=30

Behavior

“The real and most pressing question raised by any social problem is: “How do I appear concerned and compassionate to all my friends, colleagues, and peers?””

Theodore Dalrymple (1949) English doctor and writer

The Starving Criminal http://www.city-journal.org/html/12_4_oh_to_be.html (Autumn 2002). City Journal (1998 - 2008)

Question, Problem

“The aversion of the first Christians to the images, inspired by the Pagan simulachres, made room, during the centuries which followed the period of the persecutions, to a feeling of an entirely different kind, and the images gradually gained their favour. Reappearing at the end of the fourth and during the course of the fifth centuries, simply as emblems, they soon became images, in the true acceptation of this word; and the respect which was entertained by the Christians for the persons and ideas represented by those images, was afterwards converted into a real worship. Representations of the sufferings which the Christians had endured for the sake of their religion, were at first exhibited to the people in order to stimulate by such a sight the faith of the masses, always lukewarm and indifferent. With regard to the images of divine persons of entirely immaterial beings, it must be remarked, that they did not originate from the most spiritualised and pure doctrines of the Christian society, but were rejected by the severe orthodoxy of the primitive church. These simulachres appear to have been spread at first by the Gnostics,—i. e., by those Christian sects which adopted the most of the beliefs of Persia and India. Thus it was a Christianity which was not purified by its contact with the school of Plato,—a Christianity which entirely rejected the Mosaic tradition, in order to attach itself to the most strange and attractive myths of Persia and India,—that gave birth to the images.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1549), p. 13

People, School, Faith, Religion

“…when objects shattered into fragments appeared in my painting about 1909; this for me was a way of getting closest to the object... Fragmentation helped me to establish space and movement in space.”

Georges Braque (1882–1963) French painter and sculptor

Source: posthumous quotes, Braque', (1968), p. 55

Way, Help, Painting

“It is difficult to say when algebra as a science began in China. Problems which we should solve by equations appear in works as early as the Nine Sections (K'iu-ch'ang Suan-shu) and so may have been known by the year 1000 B. C. In Liu Hui's commentary on this work (c. 250) there are problems of pursuit, the Rule of False Position… and an arrangement of terms in a kind of determinant notation. The rules given by Liu Hui form a kind of rhetorical algebra.
The work of Sun-tzï contains various problems which would today be considered algebraic. These include questions involving indeterminate equations. …Sun-tzï solved such problems by analysis and was content with a single result…
The Chinese certainly knew how to solve quadratics as early as the 1st century B. C., and rules given even as early as the K'iu-ch'ang Suan-shu… involve the solution of such equations.
Liu Hui (c. 250) gave various rules which would now be stated as algebraic formulas and seems to have deduced these from other rules in much the same way as we should…
By the 7th century the cubic equation had begun to attract attention, as is evident from the Ch'i-ku Suan-king of Wang Hs'iao-t'ung (c. 625).
The culmination of Chinese is found in the 13th century. …numerical higher equations attracted the special attention of scholars like Ch'in Kiu-shao (c.1250), Li Yeh (c. 1250), and Chu-Shï-kié (c. 1300), the result being the perfecting of an ancient method which resembles the one later developed by W. G. Horner”

David Eugene Smith (1860–1944) American mathematician

1819
Source: History of Mathematics (1925) Vol.2, Ch. 6: Algebra

Way, Question, Problem, Science

“”Jewish Peril” exposed.
Historic “Fake.”
Details of the forgery.
More parallels.
We published yesterday an article from our Constantinople Correspondent, which showed that the notorious “Protocols of the Elders of Zion” – one of the mysteries of politics since 1905 – were a clumsy forgery, the text being based on a book published in French in 1865. The book, without title page, was obtained by our correspondent from a Russian source, and we were able to identify it with a complete copy in the British Museum.
The disclosure, which naturally aroused the greatest interest among those familiar with Jewish questions, finally disposes of the “Protocols” as credible evidence of a Jewish plot against civilization.
We publish below a second article, which gives further close parallels between the language of the Protocols and that attributed to Machiavelli and Montesquieu in the volume dated from Geneva.
Plagiarism at Work.
(From our Constantinople Correspondent.)
While the Geneva Dialogue open with an exchange of compliments between Monsequieu and Machiavelli, which covers seven pages, the author of the Protocols plunges at once in medias res.
One can imagine him hastily turning over those first seven pages of the book which he has been ordered to paraphrase against time, and angrily ejaculating, “Nothing here.” But on page 8 of the Dialogues he finds what he wants.
Publisher: Good work Graves…we finally paid your émigré £ 300 for it…now if we can find Golovinski and get his confession…
Graves: He joined the Bolsheviks.
Golovinski became a party ‘’’activist’’’ and rose to be an adviser to Trotsky. But he ‘’’died’’’ last year!
Publisher: Well, that’s that!
Publisher: Oh but Graves, “The Times” is influential… after our expose we’ll probably hear no more of this fraud!
Graves: I’m not sure!
Anti-Bolsheviks, White Russians, published thousands of copies! Here’s a page from Nilus’ “The Great in the Small.”
Publisher: Astonishing…mystical symbols…eh?
The “Protocols” quickly began to circulate around the world.
A French edition this year…and in America Henry Ford, the auto magnate, has been serializing it in his paper, the “Dearborn independent”!
Publisher: When did it first appear in Europe?
Graves: The German edition…dated 1919, was the first!
This is an evil book…a fake designed to malign a whole group of people.
Publisher: I know, I know! …Ugly stuff, Graves.
Graves: Well, what are we to do about it?
Publisher: Your report exposed it as a foul fraud!
Publisher: Y’forget the power of the press, graves! “The Times” has tremendous worldwide influence.
This fraud will soon be well known everywhere…so, my boy, ‘’’what harm can the “protocols” possibly do now?”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 91-94

People, Books, World, Imagination

“Go far—too far you cannot, still the farther
The more experience finds you: And go sparing;—
One meal a week will serve you, and one suit,
Through all your travels; for you'll find it certain,
The poorer and the baser you appear,
The more you look through still.”

John Fletcher The Woman's Prize

The Woman's Prize, or The Tamer Tamed (c. 1611; published 1647), Act IV, scene 5, line 199.

Travel

“For you and for me, the category of the subject is a primary ‘obviousness’ (obviousnesses are always primary): it is clear that you and I are subjects (free, ethical, etc.). Like all obviousnesses, including those that make a word ‘name a thing’ or ‘have a meaning’ (therefore including the obviousness of the ‘transparency’ of language), the ‘obviousness’ that you and I are subjects – and that that does not cause any problems – is an ideological effect, the elementary ideological effect. It is indeed a peculiarity of ideology that it imposes (without appearing to do so, since these are ‘obviousnesses’) obviousnesses as obviousnesses.”

Louis Althusser book Lenin and Philosophy and Other Essays

Source: Lenin and Philosophy and Other Essays (1968), "Ideology and Ideological State Apparatuses", p. 116

Problem

“The forward and backward arcs appear greater in Jupiter than in Saturn and smaller than in Mars, and on the other hand greater in Venus than in Mercury.”

Nicolaus Copernicus book De revolutionibus orbium coelestium

End of Ch. 10; the "Congregation of the Index" (the official inquisition censors) declared that the last sentence of this statement was one of eleven passages which should be removed from the work, in this case because it was perceived as implying that God designed things in accord with the Copernican system, rather than that of Ptolemy.
De revolutionibus orbium coelestium (1543)
Context: The forward and backward arcs appear greater in Jupiter than in Saturn and smaller than in Mars, and on the other hand greater in Venus than in Mercury. This reversal in direction appears more frequently in Saturn than in Jupiter, and also more rarely in Mars and Venus than in Mercury. Moreover, when Saturn, Jupiter, and Mars rise at sunset, they are nearer to the earth than when they set in the evening or appear at a later hour. But Mars in particular, when it shines all night, seems to equal Jupiter in size, being distinguished only by its reddish color. Yet in the other configurations it is found barely among the stars of the second magnitude, being recognized by those who track it with assiduous observations. All these phenomena proceed from the same cause, which is the earth's motion.
Yet none of these phenomena appears in the fixed stars. This proves their immense height, which makes even the sphere of the annual motion, or its reflection, vanish from before our eyes. For, every visible object has some measure of distance beyond which it is no longer seen, as is demonstrated in optics. From Saturn, the highest of the planets, to the sphere of the fixed stars there is an additional gap of the largest size. This is shown by the twinkling lights of the stars. By this token in particular they are distinguished from the planets, for there had to be a very great difference between what moves and what does not move. So vast, without any question, is the divine handiwork of the most excellent Almighty.

“To govern is to choose. To appear to be unable to choose is to appear to be unable to govern.”

Nigel Lawson (1932) British Conservative politician and journalist

Quoted in the Daily Mail (London, 26 March 1991), as cited in The Columbia Dictionary of Quotations https://en.wikiquote.org/wiki/Special:BookSources/0231071949, ed. Robert Andrews, Columbia University Press (1993), p. 381

“Recently a courageous group of Arab and Muslim intellectuals wrote me a letter. In it, they said this: "The shore of reform is the only one on which any lights appear, even though the journey demands courage and patience and perseverance." The United Nations was created to make that journey possible. Together we must support the dreams of good and decent people who are working to transform a troubled region -- and by doing so, we will advance the high ideals on which this institution was founded.”

George W. Bush (1946) 43rd President of the United States

2000s, 2006, United Nations General Assembly speech (September 2006)

People, Dreams, Courage, Support

“The enemy have possession of Fort Independence, on the heights above King's Bridge. They made their appearance the night before last. We had got every thing of value away. The bridges are cut down, and I gave Colonel Magaw orders to stop the road between the mountains.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (31 October 1776)

Mountain, Night

“We will never appear on stage again. There is simply no motivation to re-group. Money is not a factor and we would like people to remember us as we were. Young, exuburent, full of energy and ambition.”

Björn Ulvaeus (1945) Swedish musician

Daily Telegraph, 5 Jul 2008 http://www.telegraph.co.uk/culture/music/3555750/ABBAs-Bjorn-Ulvaeus-and-Benny-Anderson-We-will-never-reform.html

Money, People, Motivation

“In the progress of the work he founded a Collegium Biblieum, or Bible club, consisting of his colleagues Melanchthon, Bugenhagen (Pommer), Cruciger, Justus Jonas, and Aurogallus. They met once a week in his house, several hours before supper. Deacon Georg Rörer (Rorarius), the first clergyman ordained by Luther, and his proof-reader, was also present; occasionally foreign scholars were admitted; and Jewish rabbis were freely consulted. Each member of the company contributed to the work from his special knowledge and preparation. Melanchthon brought with him the Greek Bible, Cruciger the Hebrew and Chaldee, Bugenhagen the Vulgate, others the old commentators; Luther had always with him the Latin and the German versions besides the Hebrew. Sometimes they scarcely mastered three lines of the Book of Job in four days, and hunted two, three, and four weeks for a single word. No record exists of the discussions of this remarkable company, but Mathesius says that "wonderfully beautiful and instructive speeches were made."
At last the whole Bible, including the Apocrypha as "books not equal to the Holy Scriptures, yet useful and good to read," was completed in 1534, and printed with numerous woodcuts.
In the mean time the New Testament had appeared in sixteen or seventeen editions, and in over fifty reprints.
Luther complained of the many errors in these irresponsible editions.
He never ceased to amend his translation. Besides correcting errors, he improved the uncouth and confused orthography, fixed the inflections, purged the vocabulary of obscure and ignoble words, and made the whole more symmetrical and melodious.
He prepared five original editions, or recensions, of his whole Bible, the last in 1545, a year before his death.
The edition of 1546 was prepared by his friend Rörer, and contains a large number of alterations, which he traced to Luther himself. Some of them are real improvements, e. g., Die Liebe höret nimmer auf, for, Die Liebe wird nicht müde (1 Cor. 13:8). The charge that he made the changes in the interest of Philippism (Melanchthonianism), seems to be unfounded.”

Philip Schaff (1819–1893) American Calvinist theologian

Luther's Bible club

Death, Books, Beauty, Error

“The philosophy of the soul of my people appears to me as an expression of an inward tragedy analogous to the tragedy of the soul of Don Quixote, as the expression of conflict between what the world is as scientific reason shows it to be and what we wish that it might be, as our religious faith affirms it to be. And in this philosophy is to be found the explanation of what is usually said about us — namely, that we are fundamentally irreducible to Kultur — or in other words, that we refuse to submit to it. No, Don Quixote does not resign himself either to the world, or to science or logic, or to art or esthetics, or to morality or ethics.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

People, World, Faith, Art

“Classical Sanskrit theatre flourished during the first nine centuries CE. Aphorisms on acting appear in the writings of Panini, the Sanskrit grammarian of the 5th century BCE, and references to actors, dancers, mummers, theatrical companies, and academies are found in Kautilya’s book on statesmanship, the Artha-shastra (4th century BCE).”

Pāṇini ancient Sanskrit grammarian

A.K. Ramanujan in: South Asian arts http://www.britannica.com/EBchecked/topic/556016/South-Asian-arts/65258/Modern-Indian-dance#ref532709, britannica.com, 17 March 2014

Books

“Instead of the dormers, skylights… are easier to make and operate, need no double sash, cost less, and some may prefer their appearance.”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)

“Action and principle are fundamentally the same. If the outstanding appearances do not offend, the inward reality is certain to mature. We should not insist on our unbelief, but honour and respect these things”

Yoshida Kenkō (1283–1350) japanese writer

i.e., religion
Tsurezure-Gusa (Essays in Idleness)

Religion, Reality

“The human brain has left and right brain symmetry with its own nature and can process information which initially appears to have no pattern or order. However, the brain has the ability to process visual information much more efficiently.”

Tony Buzan (1942–2019) British psychologist

The Mind Map Book, Buzan and Buzan (1991)

Nature

“Not a step can we take in any direction without perceiving the most extraordinary traces of design; and the skill everywhere conspicuous is calculated in so vast a proportion of instances to promote the happiness of living creatures, and especially of ourselves, that we feel no hesitation in concluding that, if we knew the whole scheme of Providence, every part would appear to be in harmony with a plan of absolute benevolence.”

Henry Brougham, 1st Baron Brougham and Vaux (1778–1868) English barrister, politician, and Lord Chancellor of Great Britain

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 261.

Happiness, Feeling, Parting

“You can lose yourself or disappear in a big city. You can even change your identity and live a new life. You can indulge in a very long investigation to find a trace of malice, starting only with one or two addresses in an isolated neighbourhood. I have always been fascinated by the short note that sometimes appears on search records: Last known address. Themes of disappearance, identity and the passing of time are closely bound up with the topography of cities. That is why since the 19th century, cities have been the territory of novelists, and some of the greatest of them are linked to a single city: Balzac and Paris, Dickens and London, Dostoyevsky and Saint Petersburg, Tokyo and Nagai Kafū, Stockholm and Hjalmar Söderberg.”

Patrick Modiano (1945) French writer

From Nobel Lecture (2014)

Life, Search, Change, Time

“Harsh words, though pertinent, uncouth appear:
None please the fancy, who offend the ear.”

Samuel Garth (1661–1719) British writer

The Dispensary, Canto IV, line 204.

“The senses (the organs of sight, sound, taste, smell, temperature, and touch) are the guardians of the body, and whatever appears good to these sentinels is instantly desired, and ordinarily such things tend to the preservation and furtherance of the welfare of the body, but we choose them simply because they appear pleasing and not for ulterior ends.”

Walter Dill Scott (1869–1955) President of Northwestern university and psychologist

Source: The Psychology of Advertising in Theory and Practice, 1908, p. 154

Sense

“Matthew's response: To me the conception of this law of Nature came intuitively as a self-evident fact, almost without an effort of concentrated thought. Mr Darwin here seems to have more merit in the discovery than I have had; to me it did not appear a discovery. He seems to have worked it out by inductive reason, slowly and with due caution to have made his way synthetically from fact to fact onwards; while with me it was by a general glance at the scheme of Nature that I estimated this select production of species as an a priori recognisable fact – an axiom requiring only to be pointed out to be admitted by unprejudiced minds of sufficient grasp.”

Patrick Matthew (1790–1874) British scientist

Gardeners' Chronicle

Law, Way, Nature, Effort

“The word grace evidently implies that there is no antecedent merit. And in this way the apostle to the Romans appears to argue, when he says, 'And if by grace, then is it no more of works: otherwise grace is no more grace. Now to him that worketh is the reward not reckoned of grace, but of debt.' All this is perfectly intelligible, even in the conduct of liberal and magnificent human characters. They frequently bestow their gifts from a pure spirit of liberality, without the smallest previous claim on the score of merit. And shall not God, whose perfections are infinite, do more than this?”

Thomas Bradwardine (1300–1349) Theologian; Archbishop of Canterbury

De causa Dei contra Pelagium

God, Way, Intelligence, Perfection

“In 1945, therefore, I proved a sentimental fool; and Mr. Truman could safely have classified me among the whimpering idiots he did not wish admitted to the presidential office. For I felt that no man has the right to decree so much suffering, and that science, in providing and sharpening the knife and in upholding the ram, had incurred a guilt of which it will never get rid. It was at that time that the nexus between science and murder became clear to me. For several years after the somber event, between 1947 and 1952, I tried desperately to find a position in what then appeared to me as a bucolic Switzerland,—but I had no success.”

Erwin Chargaff (1905–2002) Ukrinian-born biochemist who emigrated to the United States

Erwin Chargaff, Heraclitean Fire: Sketches from a Life before Nature (1978), 4.

Fools, Suffering, Science, Time

“Before us, art relied on memory, an anxious re-evocation of an Object lost (happiness, love, a landscape), and hence was nostalgic, static, charged with suffering and distance. With Futurism, instead, art is turning into art-action, which is to say, into will, optimism, aggression, possession, penetration, delight, brutal reality within art (example: onomatopoiea; —example: noise-tuners = motors), geometrical splendor of forces, projections forward. Thus, art is becoming Presence, new Object, new reality created with the abstract elements of the universe. The hands of the passéist artist used to suffer for the sake of the lost Object; our hand will twitch for the new Object to be created. That is why the new Object (the plastic complex) has miraculously appeared in your hands.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

Quote in: Fortunato Depero & Giacomo Balla 'The Futurist Reconstruction of the Universe' in: Direzione del Movimento Futurista, March 11, 1915. Transl. Caroline Tisdall, 1973.
1910's

Love, Happiness, Art, Optimism

“The sentiments of men often differ with regard to beauty and deformity of all kinds, even while their general discourse is the same … In all matters of opinion and science, the case is opposite: The difference among men is there oftener found to lie in generals than in particulars; and to be less in reality than in appearance.”

David Hume book Four Dissertations

Four Dissertations (1757)

Men, Lie, Beauty, Reality

“These selfish professors of religion [monks] grudged every act of munificence that was not applied to themselves, or their monasteries; and could not behold the good fortune of the minstrels without expressing their indignation; which they often did in terms of scurrilous abuse, calling them janglers, mimics, buffoons, monsters of men, and comtemptible scoffers. They also severely censured the nobility for patronizing and rewarding such a shameless set of sordid flatterers, and the populace for frequenting their exhibitions, and being delighted with their performances, which diverted them from more serious pursuits, and corrupted their morals. On the other hand, the minstrels appear to have been ready enough to give them ample occasion for censure; and, indeed, I apprehend that their own immorality and insolence contributed more to their downfal, than all the defamatory declamations of their opponents.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 192
The Sports and Pastimes of the People of England (1801), Minstrels

Men, Religion, Selfishness

“It is in this way that all my books have been composed. They were always written at least twice over; a first draft of the entire work was completed to the very end of the subject, then the whole begun again de novo; but incorporating, in the second writing, all sentences and parts of sentences of the old draft, which appeared as suitable to my purpose as anything which I could write in lieu of them. I have found great advantages in this system of double redaction. It combines, better than any other mode of composition, the freshness and vigour of the first conception, with the superior precision and completeness resulting from prolonged thought. In my own case, moreover, I have found that the patience necessary for a careful elaboration of the details of composition and expression, costs much less effort after the entire subject has been once gone through, and the substance of all that I find to say has in some manner, however imperfect, been got upon paper.”

John Stuart Mill book Autobiography

Source: Autobiography (1873)
Source: https://archive.org/details/autobiography01mill/page/222/mode/1up p. 222

Books, Way, Effort, Parting

“Voice is a flowing breath of air, perceptible to the hearing by contact. It moves in an endless number of circular rounds, like the innumerably increasing circular waves which appear when a stone is thrown into smooth water, and which keep on spreading indefinitely from the centre unless interrupted by narrow limits, or by some obstruction which prevents such waves from reaching their end in due formation. When they are interrupted by obstructions, the first waves, flowing back, break up the formation of those which follow.”

Vitruvius book De architectura

Alternate translation: The voice is a flowing breath, made sensible to the organ of hearing by the movements it produces in the air. It is propagated in infinite numbers of circular zones, exactly as when a stone is thrown into a pool of standing water countless circular undulations are generated therein, which, increasing as they recede from the center, spread out over a great distance, unless the narrowness of the locality or some obstacle prevent their reaching their termination; for the first line or waves, when impeded by obstructions, throw by their backward swell the succeeding circular lines of waves into confusion. Quoted by Ernst Mach, The Science of Mechanics: A Critical and Historical Account of its Development (1893, 1960) Tr. Thomas J. McCormack
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 6

Water

“I was expelled [from school]. It's a long story but once I was caught appearing on The Word and all the girls in the common room started shouting, 'Sir! Look sir, it's Sienna!' The girls reacted towards me in the same way anyone reacts when they're jealous. They were just jealous. Or were they actually trying to kill me?”

Sienna Guillory (1975) British actress

THIS CULTURAL LIFE: SIENNA GUILLORY Article http://findarticles.com/p/articles/mi_qn4159/is_20040523/ai_n12754898. The Independent on Sunday. May 23, 2004.

School, Way, Girl