Quotes about appearance
page 12

Jürgen Habermas photo
Andrei Sakharov photo
Albert Einstein photo

“The reciprocal relationship of epistemology and science is of noteworthy kind. They are dependent on each other. Epistemology without contact with science becomes an empty scheme. Science without epistemology is — insofar as it is thinkable at all — primitive and muddled. However, no sooner has the epistemologist, who is seeking a clear system, fought his way through to such a system, than he is inclined to interpret the thought-content of science in the sense of his system and to reject whatever does not fit into his system. The scientist, however, cannot afford to carry his striving for epistemological systematic that far. He accepts gratefully the epistemological conceptual analysis; but the external conditions, which are set for him by the facts of experience, do not permit him to let himself be too much restricted in the construction of his conceptual world by the adherence to an epistemological system. He therefore must appear to the systematic epistemologist as a type of unscrupulous opportunist: he appears as realist insofar as he seeks to describe a world independent of the acts of perception; as idealist insofar as he looks upon the concepts and theories as free inventions of the human spirit (not logically derivable from what is empirically given); as positivist insofar as he considers his concepts and theories justified only to the extent to which they furnish a logical representation of relations among sensory experiences. He may even appear as Platonist or Pythagorean insofar as he considers the viewpoint of logical simplicity as an indispensible and effective tool of his research.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Contribution in Albert Einstein: Philosopher-Scientist, p. A. Schilpp, ed. (The Library of Living Philosophers, Evanston, IL (1949), p. 684). Quoted in Einstein's Philosophy of Science http://plato.stanford.edu/entries/einstein-philscience/
1940s

Almazbek Atambayev photo
Amitabh Bachchan photo
S.L.A. Marshall photo

“The first effect of fire is to dissolve all appearances of order.”

S.L.A. Marshall (1900–1977) United States Army general and Military historian

The Multiples of Information. p. 90.
Men Against Fire: The Problem of Battle Command (1947)

Gideon Mantell photo
Robert Chambers (publisher, born 1802) photo
William Moulton Marston photo

“In the spring of the freshman year, the sophmore girls held what was called "The Baby Party" which all freshmen girls were compelled to attend. At this affair, the freshmen girls were questioned as to their misdemeanors and punished for their disobedience and rebellions. The baby party was so name because the freshman girls were required to dress as babies.
At the party; the freshmen girls were put through various students under command of sophomores. Upon one occasion, for instance, the freshman girls were led into a dark corridor where their eyes were blindfolded, and their arms were bound behind them. Only one freshman at a time was taken through this corridor along which sophomore guards were stationed at intervals. This arrangement was designed to impress the girls punished with the impossibility of escape from their captresses. After a series of harmless punishments, each girl was led into a large room where all the Junior and Senior girls were assembled. There she was sentenced to go through various exhibitions, supposed to be especially suitable to punish each particular girls failure to submit to discipline imposed by the upper class girl. The sophomore girls carried long sticks with which to enforce, if necessary, the stunts which the freshmen were required to preform. While the programme did not call for a series of pre-arranged physical struggles between individual girls…frequent rebellion of the freshman against the commands of their captresses and guards furnished the most exciting portion of the entertainment according to the report of a majority of the class girls.
Nearly all the sophomores reported excited pleasantness of captivation emotion throughout the party. The pleasantness of captivation response appeared to increase when they were obliged to overcome rebellious freshmen physically, or to preform the actions from which the captive girls strove to escape….
Female behavior also contains still more evidence than male behavior that captivation emotion is not limited to inter-sex relationships. The person of another girls seems to evoke from female subjects, under appropriate circumstances, filly as strong captivation response as does that of a male.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

as quoted in Wonder Woman: Bondage and Feminism in the Marston/Peter comics, 1941-1948, pp. 64-65 by Noah Berlatsky.
The Emotions of Normal People (1928)

Joseph Addison photo
Grover Norquist photo
Robert Chambers (publisher, born 1802) photo
M. C. Escher photo

“Pyramiding instructions appear on dollar bills. Add smaller and smaller amounts on the way up. Keep your eye open at the top.”

Ed Seykota (1946) American commodities trader

Source: Covel, Trend Following, page 55

John Rabe photo
Nisargadatta Maharaj photo

“Whenever a form is infused with life (prana), consciousness (chetana) appears by reflection of awareness in matter.”

Nisargadatta Maharaj (1897–1981) Indian guru

Awareness and consciousness
Source: "I am That." P.65.

Hans Christian Andersen photo
Diogenes Laërtius photo

“If appearances are deceitful, then they do not deserve any confidence when they assert what appears to them to be true.”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Pyrrho, 11.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 9: Uncategorized philosophers and Skeptics

Henri Matisse photo
Michael Shea photo
James Salter photo
Philip K. Dick photo
Paul of Tarsus photo
P.G. Wodehouse photo
John Wesley photo

“As to the word itself, it is generally allowed to be of Greek extraction. But whence the Greek word, enthousiasmos, is derived, none has yet been able to show. Some have endeavoured to derive it from en theoi, in God; because all enthusiasm has reference to him. … It is not improbable, that one reason why this uncouth word has been retained in so many languages was, because men were not better agreed concerning the meaning than concerning the derivation of it. They therefore adopted the Greek word, because they did not understand it: they did not translate it into their own tongues, because they knew not how to translate it; it having been always a word of a loose, uncertain sense, to which no determinate meaning was affixed.
It is not, therefore, at all surprising, that it is so variously taken at this day; different persons understanding it in different senses, quite inconsistent with each other. Some take it in a good sense, for a divine impulse or impression, superior to all the natural faculties, and suspending, for the time, either in whole or in part, both the reason and the outward senses. In this meaning of the word, both the Prophets of old, and the Apostles, were proper enthusiasts; being, at divers times, so filled with the Spirit, and so influenced by Him who dwelt in their hearts, that the exercise of their own reason, their senses, and all their natural faculties, being suspended, they were wholly actuated by the power of God, and “spake” only “as they were moved by the Holy Ghost.”
Others take the word in an indifferent sense, such as is neither morally good nor evil: thus they speak of the enthusiasm of the poets; of Homer and Virgil in particular. And this a late eminent writer extends so far as to assert, there is no man excellent in his profession, whatsoever it be, who has not in his temper a strong tincture of enthusiasm. By enthusiasm these appear to understand, all uncommon vigour of thought, a peculiar fervour of spirit, a vivacity and strength not to be found in common men; elevating the soul to greater and higher things than cool reason could have attained.
But neither of these is the sense wherein the word “enthusiasm” is most usually understood. The generality of men, if no farther agreed, at least agree thus far concerning it, that it is something evil: and this is plainly the sentiment of all those who call the religion of the heart “enthusiasm.” Accordingly, I shall take it in the following pages, as an evil; a misfortune, if not a fault. As to the nature of enthusiasm, it is, undoubtedly a disorder of the mind; and such a disorder as greatly hinders the exercise of reason. Nay, sometimes it wholly sets it aside: it not only dims but shuts the eyes of the understanding. It may, therefore, well be accounted a species of madness; of madness rather than of folly: seeing a fool is properly one who draws wrong conclusions from right premisses; whereas a madman draws right conclusions, but from wrong premisses. And so does an enthusiast suppose his premisses true, and his conclusions would necessarily follow. But here lies his mistake: his premisses are false. He imagines himself to be what he is not: and therefore, setting out wrong, the farther he goes, the more he wanders out of the way.”

John Wesley (1703–1791) Christian theologian

Sermon 37 "The Nature of Enthusiasm"
Sermons on Several Occasions (1771)

John Ralston Saul photo
William Ewart Gladstone photo
Joseph von Fraunhofer photo

“I wished to find out whether a similar bright line could be seen in the spectrum of sunlight as in the spectrum of lamplight, and I found, with the telescope, instead of this, an almost countless number of strong and feeble vertical lines which, however, were darker than the other parts of the spectrum, some appearing to be almost perfectly black.”

Joseph von Fraunhofer (1787–1826) German optical physicist

Joseph von Fraunhofer's Gesammelte Schriften (1888) p. 10, as quoted by Florian Cajori, A History of Physics in its Elementary Branches http://books.google.com/books?id=eegKAQAAIAAJ (1917)

Zisi photo
Gideon Mantell photo
Ray Comfort photo
John Horgan (journalist) photo
Groucho Marx photo
Báb photo
John of Salisbury photo
Gerard Bilders photo

“The moon appeared for some time [in the Savoy, Switzerland] and the rocks seemed to be much bigger than they were. The mountains were silvery illuminated and appeared gently against the mysterious blue of the sky - that blue color with moonlight, that has such an indefinable, deep tone; actually it is not a blue.”

Gerard Bilders (1838–1865) painter from the Netherlands

Source: 1850's, Vrolijk Versterven' (from Bilders' diary & letters), p. 19 - quote of Bilder's letter to his maecenas Johannes Kneppelhout, from Savoy, near Geneva, Switzerland, September 1858

Neil Kinnock photo
Juan Gris photo

“No work which is destined to become a classic can look like the classics which have preceded it. In art, as in biology, there is heredity but no identity with the ascendants. Painters inherit characteristics acquired by their forerunners; that is why no important work of art can belong to any period but its own, to the very moment of its creation. It is necessarily dated by its own appearance. The conscious will of the painter cannot intervene.”

Juan Gris (1887–1927) Spanish painter and sculptor

Quote from 'On the Possibilities of Painting,' lecture, Sociétés des études philosophiques et scientifiques pour l'examen des idées nouvelles, Sorbonne, Paris (1924-05-15), printed in the Transatlantic Review, # 16 (June 1924), pp. 482-488; trans. Douglas Cooper in Horizon, # 80 (August 1946), pp. 113-122

Nico Perrone photo
Richard Leakey photo
Mao Zedong photo

“Recently there has been a falling off in ideological and political work among students and intellectuals, and some unhealthy tendencies have appeared. Some people seem to think that there is no longer any need to concern oneself with politics or with the future of the motherland and the ideals of mankind. It seems as if Marxism was once all the rage but is currently not so much in fashion. To counter these tendencies, we must strengthen our ideological and political work. Both students and intellectuals should study hard. In addition to the study of their specialized subjects, they must make progress both ideologically and politically, which means that they should study Marxism, current events and politics. Not to have a correct political point of view is like having no soul […] All departments and organizations should shoulder their responsibilities in ideological and political work. This applies to the Communist Party, the Youth League, government departments in charge of this work, and especially to heads of educational institutions and teachers.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

Chapter 12 https://www.marxists.org/reference/archive/mao/works/red-book/ch12.htm; originally published in "On the Correct Handling of Contradictions Among the People" (27 February 1957), 1st pocket ed., pp. 43-44
Quotations from Chairman Mao Zedong (The Little Red Book)

Shamini Flint photo
Herbert Marcuse photo

“Who is, in the classical conception, the subject that comprehends the ontological condition of truth and untruth? It is the master of pure contemplation (theoria), and the master of a practice guided by theoria, i. e., the philosopher-statesman. To be sure, the truth which he knows and expounds is potentially accessible to everyone. Led by the philosopher, the slave in Plato’s Meno is capable of grasping the truth of a geometrical axiom, i. e., a truth beyond change and corruption. But since truth is a state of Being as well as of thought, and since the latter is the expression and manifestation of the former, access to truth remains mere potentiality as long as it is not living in and with the truth. And this mode of existence is closed to the slave — and to anyone who has to spend his life procuring the necessities of life. Consequently, if men no longer had to spend their lives in the realm of necessity, truth and a true human existence would be in a strict and real sense universal. Philosophy envisages the equality of man but, at the same time, it submits to the factual denial of equality. For in the given reality, procurement of the necessities is the life-long job of the majority, and the necessities have to be procured and served so that truth (which is freedom from material necessities) can be. Here, the historical barrier arrests and distorts the quest for truth; the societal division of labor obtains the dignity of an ontological condition. If truth presupposes freedom from toil, and if this freedom is, in the social reality, the prerogative of a minority, then the reality allows such a truth only in approximation and for a privileged group. This state of affairs contradicts the universal character of truth, which defines and “prescribes” not only a theoretical goal, but the best life of man qua man, with respect to the essence of man. For philosophy, the contradiction is insoluble, or else it does not appear as a contradiction because it is the structure of the slave or serf society which this philosophy does not transcend. Thus it leaves history behind, unmastered, and elevates truth safely above the historical reality. There, truth is reserved intact, not as an achievement of heaven or in heaven, but as an achievement of thought — intact because its very notion expresses the insight that those who devote their lives to earning a living are incapable of living a human existence.”

Source: One-Dimensional Man (1964), pp. 128-130

Leo Tolstoy photo
Auguste Rodin photo

“Then I gathered the éléments of what people call my symbolism. I do not understand anything about long words and theories. But I am willing to be a symbolist, if that defines the ideas that Michael Angelo gave me, namely that the essence of sculpture is the modelling, the general scheme which alone enables us to render the intensity, the supple variety of movement and character. If we can imagine the thought of God in creating the world, He thought first of the construction, which is the sole principle of nature, of living things and perhaps of the planets. Michael Angelo seems to me rather to derive from Donatello than from the ancients; Raphaël proceeds from them. He understood that an architecture can be built up with the human body, and that, in order to possess volume and harmony, a statue or a group ought to be contained in a cube, a pyramid or some simple figure. Let us look at a Dutch interior and at an interior painted by an artist of the present day. The latter no longer touches us, because it docs not possess the qualities of depth and volume, the science of distances. The artist who paints it does not know how to reproduce a cube. An interior by Van der Meer is a cubic painting. The atmosphere is in it and the exact volume of the objects; the place of these objects has been respected, the modem painter places them, arranges them as models. The Dutchmen did not touch them, but set themselves to render the distances that separated them, that is, the depth. And then, if I go so far as to say that cubic truth, not appearance, is the mistress of things, if I add that the sight of the plains and woods and country views gives me the principle of the plans that I employ on my statues, that I feel cubic truth everywhere, and that plan and volume appear to me as laws of all life and ail beauty, will it be said that I am a symbolist, that I generalise, that I am a metaphysician? It seems to me that I have remained a sculptor and a realist. Unity oppresses and haunts me.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 65-67

John Herschel photo
György Lukács photo
Joseph Addison photo

“To a man of pleasure every moment appears to be lost, which partakes not of the vivacity of amusement.”

Joseph Addison (1672–1719) politician, writer and playwright

Very often attributed to Addison, this is apparently a paraphrase of a statement by Hugh Blair, published in Blair's Sermons (1815), Vol. 1, p. 219, where he mentions "men of pleasure and the men of business", and that "To the former every moment appears to be lost, which partakes not of the vivacity of amusement".
Misattributed

Thomas Henry Huxley photo
Hildegard of Bingen photo
Diogenes Laërtius photo

“The mountains, too, at a distance appear airy masses and smooth, but seen near at hand, they are rough.”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Pyrrho, 9.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 9: Uncategorized philosophers and Skeptics

Elias Canetti photo

“I can’t be twenty-two again. I can’t subject myself to the same compulsion that, at the time, appeared to me as freedom and gave me wings.”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 17
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

A.W. Bickerton photo
Paracelsus photo
Maxwell D. Taylor photo
Ned Kelly photo
Al Hurricane photo

“From many of his concerts and public appearances.”

Al Hurricane (1936–2017) American singer-songwriter

Chiquitita, como te quiero.
Live performances

“Fine Art then, records by idealised imitation the glorious works of good men, whilst it holds those of bad men up to our abhorrence — it gives to posterity their images, either on the tinted canvass or the sculptured marble — it imitates the beautiful effects of nature as seen in the glowing landscape or the rising storm, and perpetuates the appearance of those beauteous gems of the seasons — flowers and fruits, which, though fading whilst the painter catches their tints, yet live after decay by and through his genius.
Industrial Art, on the contrary, aims at the embellishment of the works of man, by and through that power which is given to the artist for the investigation of the beautiful in nature; and in transferring it to the loom, the printing machine, the potter's wheel, or the metal worker's mould, he reproduces nature in a new form, adapting it to his purpose by an intelligence arising out of his knowledge as an artist and as a workman. In short, the adaptation of the natural type to a new material compels him to reproduce, almost create, as well as imitate — invent as well as copy”

design as well as draw!
George Wallis. " Art Education for the people. No IV. The principles of Fine Art as Applied to Industrial Purposes http://books.google.com/books?id=l55GAQAAIAAJ&pg=PA231." In: People's & Howitt's Journal: Of Literature, Art, and Popular Progress, Vol. 3. John Saunders ed. 1847, p. 231.

Ralph Waldo Emerson photo
Yan Lianke photo
Walter Benjamin photo

“You follow the same paths of thought as before. Only, they appear strewn with roses.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Man geht immer die gleichen Wege des Denkens wie vorher. Nur scheinen sie mit Rosen bestreut.
"Main features of my first impression of hashish" (18 December 1927), On Hashish (2006), p. 22
Main features of my first impression of hashish (1927)

Rob Enderle photo

“Apple no longer owns the tablet market, and will likely lose dominance this year or next. … this level of sustained dominance doesn't appear to recur with the same vendor even if it launched the category.”

Rob Enderle (1954) American financial analyst

Why Apple Can't Sustain Tablet Dominance http://digitaltrends.com/opinion/opinion-why-apple-cant-sustain-tablet-dominance in Digital Trends (28 July 2012)

Anaïs Nin photo

“The only American woman deserving a place on U. S. paper currency is, of course, Anne Hutchinson, a devout 17th century Protestant New Englander who was a fearless champion of religious liberty, family, free speech, and equality — not preference — for women in religious affairs. Perhaps a new piece of currency could be created, one to which the attachment of her portrait would do honor. Ms. Hutchinson, however, is out of contention in the Democrats’ virulent anti-Southern currency crusade because her character traits – and the fifteen children she had with one husband — just do not jive with being Modern Democratic Party Women, those who glory in, and seek legal, economic, and political preference for their talents in whining, vamping, aborting, as well as recognition for their indispensable and eagerly given help in making the United States one of the world’s industrial-scale producers of both pornography and the dismembered corpses of infants. There may be something that can be done, however. The portrait of another Democratic icon named Woodrow Wilson now adorns the $100,000 bill, which appears to be to be used mainly in transactions.”

Michael Scheuer (1952) American counterterrorism analyst

As quoted in Michael Scheuer's Non-Intervention http://non-intervention.com/1689/democrats-scourge-the-south-after-the-battle-flag-it%e2%80%99s-on-to-old-hickory/ (9 July 2015), by M. Scheuer.
2010s

Antonio Machado photo

“"These blue days and this sun of childhood". It was his last verse, found on his jacket after he died. It always appears at the end of all publications of his works.”

Antonio Machado (1875–1939) Spanish poet

"Estos días azules y este sol de infancia"
Bookrags wiki http://www.bookrags.com/wiki/Antonio_Machado

Carl Sagan photo
David C. McClelland photo

“The entrepreneurial role appears to call for decision-making under uncertainty.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 210

Thomas Frank photo
Pope Benedict XVI photo
Pierre Hadot photo

““If these experiences [of union with the Absolute] are rare, nonetheless they lend their fundamental tonality to the Plotinian way of life, for that way of life appears to us now as a waiting for the unforseeable surging-forth of these privileged moments which give their full sense to life”

Pierre Hadot (1922–2010) French historian and philosopher

Si ces expériences sont rares, elles n’en donnent pas moins sa tonalité fondamentale au mode de vie plotinien, puisque celui-ci nous apparaît maintenant comme l’attente du surgissement imprévisible de ces moments privilégiés qui donnent tout leur sens à la vie.
Qu'est-ce que la philosophie antique? (1995)

Charles Grey, 2nd Earl Grey photo
Bill Bryson photo
Robert Seymour Bridges photo
Jacques Barzun photo
Barend Cornelis Koekkoek photo

“Immediately and definitively [after starting a painting] I determine the effect of sunlight, day and shadow, without being concerned with any detail. This enable me to see in the started painting the whole of it, which my mind already saw before I begun to work - I see it appearing on the panel or canvas rather soon and can consider in this way the harmony of the composed objects and colors.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Ik bepaal dadelijk en voor vast [nadat ik een schilderij begin] het effect van zonlicht, dag en schaduw, zonder mij met eenige uitvoerigheid op te houden. Hierdoor ben ik in staat gesteld, om in mijne aangelegde schilderij een geheel, dat mijn geest reeds vóór dat ik begon te arbeiden zag, binnen korten tijd op het paneel of doek te zien, en over de harmonie de zamengestelde voorwerpen en kleuren te kunnen oordelen..
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 99:

McDonald Clarke photo

“Ha! see where the wild-blazing Grog-shop appears,
As the red waves of wretchedness swell;
How it burns on the edge of tempestuous years—
The horrible Light-house of Hell!”

McDonald Clarke (1798–1842) American writer

The Rum-hole, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Jean Dubuffet photo
Charles Babbage photo

“The whole of arithmetic now appeared within the grasp of mechanism.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Passages from the Life of a Philosopher (1864), ch. 8 "Of the Analytical Engine"
Passages from the Life of a Philosopher (1864)

James Anthony Froude photo

“Nature is less partial than she appears, and all situations in life have their compensations along with them.”

James Anthony Froude (1818–1894) English historian, novelist, biographer, and editor of Fraser's Magazine

Bunyan (1880), Ch. X, p. 175; a 2005 edition is also available from Kessinger Publishing ISBN 1-417-97107-X

Stanisław Lem photo
Sören Kierkegaard photo
Amir Taheri photo

“So, is “Caliph Ibrahim” of the Islamic State an extremist, a militant, a terrorist or an Islamic fighter? None of the above. All those labels imply behavior that makes some sort of sense in terms of human reality and normal ideologies. Yet the Islamic State and its kindred have broken out of the entire conceivable range of political activity, even its extreme forms. A “militant” spends much of his time promoting an idea or a political program within acceptable rules of behavior. The neo-Islamists, by contrast, recognize no rules apart from those they themselves set; they have no desire to win an argument through hard canvassing. They don’t even seek to impose a point of view; they seek naked and brutal domination. A “terrorist,” meanwhile, tries to instill fear in an adversary from whom he demands specific concessions. Yet the Islamic State et al. use mass murder to such ends. They don’t want to persuade or cajole anyone to do anything in particular; they want everything. “Islamic fighter” is equally inapt. An Islamic fighter is a Muslim who fights a hostile infidel who is trying to prevent Muslims from practicing their faith. That was not the situation in Mosul. No one was preventing the city’s Muslim majority from practicing their faith, let alone forcing them to covert to another religion. Yet the Islamic State came, conquered and began to slaughter. The Islamic State kills people because it can. And in both Syria and Iraq it has killed more Muslims than members of any other religious community. How, then, can we define a phenomenon that has made even al Qaeda, the Taliban and the Khomeinist gangs appear “moderate” in comparison? The international community faced a similar question in the 18th century when pirates acted as a law onto themselves, ignoring the most basic norms of human interaction. The issue was discussed in long negotiations that led to the Treaty of Utrecht (1713) and the Treaty of Rastadt (1714) and developed a new judicial concept: the crime against humanity. Those who committed that crime would qualify as “enemies of mankind” — in Latin, hostis generis humanis. Individuals and groups convicted of such a crime were no longer covered by penal codes or even the laws of war. They’d set themselves outside humanity by behaving like wild beasts… Neo-Islamist groups represent a cocktail of nihilism and crimes against humanity. Like the pirates of yesteryear, they’ve attracted criminals from many different nationalities… Having embarked on genocide, the neo-Islamists do not represent an Iraqi or Syrian or Nigerian problem, but a problem for humanity as a whole. They are not enemies of any particular religion, sect or government but enemies of mankind. They deserve to be treated as such (as do the various governments and semi-governmental “charities” that help them). To deal with these enemies of mankind, we need much more than frozen bank accounts and visa restrictions.”

Amir Taheri (1942) Iranian journalist

"Beyond terrorism: ISIS and other enemies of humanity" http://nypost.com/2014/08/20/beyond-terrorism-isis-and-other-enemies-of-humanity/, New York Post (August 20, 2014).
New York Post

Auguste Rodin photo
Edmund Waller photo
Kent Hovind photo

“If it came on the evening news tonight that there were five grizzly bears roaming around Cobb County, do you know what would happen by six o'clock in the morning? They would all be dead. Because every redneck in four states would be out there with a rifle, trying to shoot one, right? And whoever could shoot the biggest one would be a hero. They would have his picture on the front page, "Bubba shot the Grizzly Bear" and saved the village. That is exactly what happened to the dragons. If you could figure out a way to kill a dragon, they would be telling stories about you around the campfire. People killed dragons for meat, because they were a menace, to prove that you were a hero, or to prove that you are superior, in competition for land, or for medicinal purposes. Many ancient recipes call for dragon blood, dragon bones, dragon saliva, why? Gilgamesh is famous for slaying a dragon. A Chinese legend tells about a guy named Yu that surveyed the land of China. It says, that after the Flood he surveyed the land, he divided it off into sections. He built channels to drain water off to sea and make the land livable again. Many snakes and dragons were driven from the marshlands. You know that's normal that if you want to build a city. You have to drive off the dragons, then build your city. It was expected that you have got to drive the dragons away or kill them. Why would the Chinese calendar have eleven real animals: the pig, the duck, the dog, and … the dragon? Why would they put just one "mythical" animal in there? Could it be at the time they that they came up with these animals there were 12 real animals? There is one of the oldest pieces of pottery on Planet Earth. It's a piece of slate from Egypt; the first dynasty of United Egypt. It shows long necked dragons […] Why would they put long necked dinosaurs on pottery 3,800 years ago? Here are two long necked dinosaurs with a sheep in between them in their mouths. Here is a hippo tusk from the twelve century B. C., showing an animal with a long neck, and a long tail. Here's a cylinder seal, showing what appears quite obviously to be a long neck dinosaur. The Bible talks about a fiery flying serpent, in Isaiah 14.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), Dinosaurs and the Bible