Quotes about a smile
page 17

Frederick Douglass photo

“Man is man the world over. This fact is affirmed and admitted in any effort to deny it. The sentiments we exhibit, whether love or hate, confidence or fear, respect or contempt, will always imply a like humanity. A smile or a tear has no nationality. Joy and sorrow speak alike in all nations”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Our Composite Nationality (1869)
Context: The great right of migration and the great wisdom of incorporating foreign elements into our body politic, are founded not upon any genealogical or ethnological theory, however learned, but upon the broad fact of a common nature. Man is man the world over. This fact is affirmed and admitted in any effort to deny it. The sentiments we exhibit, whether love or hate, confidence or fear, respect or contempt, will always imply a like humanity. A smile or a tear has no nationality. Joy and sorrow speak alike in all nations, and they above all the confusion of tongues proclaim the brotherhood of man.

Bayard Taylor photo

“If she but smile, the crystal calm shall break
In music, sweeter than it ever gave”

Bayard Taylor (1825–1878) United States poet, novelist and travel writer

"The Return of the Goddess" (1850), later published as the Preface to The Poet's Journal (1863); also in The Poetical Works of Bayard Taylor (1907), p. 103.
Context: If she but smile, the crystal calm shall break
In music, sweeter than it ever gave,
As when a breeze breathes o'er some sleeping lake,
And laughs in every wave.

Rollo May photo

“We are more apt to feel depressed by the perpetually smiling individual than the one who is honestly sad.”

Rollo May (1909–1994) US psychiatrist

Paulus : Reminiscences of a Friendship (1973)
Context: We are more apt to feel depressed by the perpetually smiling individual than the one who is honestly sad. If we admit our depression openly and freely, those around us get from it an experience of freedom rather than the depression itself.

“One superlative song, existence the price. But the whole world stills to listen, and God in His heaven smiles. For the best is only bought at the cost of the great pain. … Or so says the legend.”

Epigraph, The Thorn Birds (1977)
Context: There is a legend about a bird that sings just once in its life, more sweetly than any other creature on the face of the earth. From the moment it leaves the nest it searches for a thorn tree and does not rest until it has found one. Then, singing among the savage branches, it impales itself upon the longest, sharpest spine. Dying, it rises above its own agony to out-carol the lark and the nightingale. One superlative song, existence the price. But the whole world stills to listen, and God in His heaven smiles. For the best is only bought at the cost of the great pain. … Or so says the legend.

Jerome K. Jerome photo

“In what awe you stood of her! How miserable you were when you had offended her! And yet, how pleasant to be bullied by her and to sue for pardon without having the slightest notion of what your fault was! How dark the world was when she snubbed you, as she often did, the little rogue, just to see you look wretched; how sunny when she smiled! How jealous you were of every one about her! How you hated every man she shook hands with, every woman she kissed—the maid that did her hair, the boy that cleaned her shoes, the dog she nursed—though you had to be respectful to the last-named! How you looked forward to seeing her, how stupid you were when you did see her, staring at her without saying a word! How impossible it was for you to go out at any time of the day or night without finding yourself eventually opposite her windows!”

Idle Thoughts of an Idle Fellow (1886)
Context: And who would not risk its terrors to gain its raptures? Ah, what raptures they were! The mere recollection thrills you. How delicious it was to tell her that you loved her, that you lived for her, that you would die for her! How you did rave, to be sure, what floods of extravagant nonsense you poured forth, and oh, how cruel it was of her to pretend not to believe you! In what awe you stood of her! How miserable you were when you had offended her! And yet, how pleasant to be bullied by her and to sue for pardon without having the slightest notion of what your fault was! How dark the world was when she snubbed you, as she often did, the little rogue, just to see you look wretched; how sunny when she smiled! How jealous you were of every one about her! How you hated every man she shook hands with, every woman she kissed—the maid that did her hair, the boy that cleaned her shoes, the dog she nursed—though you had to be respectful to the last-named! How you looked forward to seeing her, how stupid you were when you did see her, staring at her without saying a word! How impossible it was for you to go out at any time of the day or night without finding yourself eventually opposite her windows!

Robert Herrick photo

“Gather ye rosebuds while ye may,
Old Time is still a-flying,
And this same flower that smiles today
Tomorrow will be dying.”

"To the Virgins to Make Much of Time". Compare: "Gather the rose of love whilest yet is time", Edmund Spenser, The Faerie Queene, book ii. canto xii. stanza 75. ; "Let us crown ourselves with rose-buds, before they be withered", Wisdom of Solomon, ii. 8.
Hesperides (1648)
Context: Gather ye rosebuds while ye may,
Old Time is still a-flying,
And this same flower that smiles today
Tomorrow will be dying.
The glorious Lamp of Heaven, the Sun,
The higher he's a-getting
The sooner will his race be run,
And nearer he's to setting.

Samuel Johnson photo

“Among these unhappy mortals is the writer of dictionaries, whom mankind have considered, not as the pupil, but the slave of science, the pioneer of literature, doomed only to remove rubbish and clear obstructions from the paths through which Learning and Genius press forward to conquest and glory, without bestowing a smile on the humble drudge that facilitates their progress. Every other author may aspire to praise; the lexicographer can only hope to escape reproach, and even this negative recompense has been yet granted to very few.”

Preface http://andromeda.rutgers.edu/~jlynch/Texts/preface.html
A Dictionary of the English Language (1755)
Context: It is the fate of those, who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage, or punished for neglect, where success would have been without applause, and diligence without reward. Among these unhappy mortals is the writer of dictionaries, whom mankind have considered, not as the pupil, but the slave of science, the pioneer of literature, doomed only to remove rubbish and clear obstructions from the paths through which Learning and Genius press forward to conquest and glory, without bestowing a smile on the humble drudge that facilitates their progress. Every other author may aspire to praise; the lexicographer can only hope to escape reproach, and even this negative recompense has been yet granted to very few.

Lucretius photo

“Never trust her at any time, when the calm sea shows her false alluring smile.”
Infidi maris insidis virisque dolumque ut vitare velint, neve ullo tempore credant subdola cum ridet placidi pellacia ponti.

Lucretius (-94–-55 BC) Roman poet and philosopher

Book II, lines 557–559 (tr. Rouse)
De Rerum Natura (On the Nature of Things)

“She watched him with cool green eyes and smiled innocently. The eyes were alert with wonder, curiosity, and — perhaps something else — but she could apparently not see that he was in pain.”

Ch 29
A Canticle for Leibowitz (1959), Fiat Voluntas Tua
Context: She watched him with cool green eyes and smiled innocently. The eyes were alert with wonder, curiosity, and — perhaps something else — but she could apparently not see that he was in pain. There was something about her eyes that caused him to notice nothing else for several seconds. But then he noticed that the head of Mrs. Grales slept soundly on the other shoulder while Rachel smiled. It seemed a young shy smile that hoped for friendship. He tried again.
"Listen, is anyone else alive? Get —"
Melodious and solemn came her answer: "listen is anyone else alive — " She savored the words. She enunciated them distinctly. She smiled over them Her lips reframed them when her voice was done with them. It was more than reflexive imitation, he decided. She was trying to communicate something. By the repetition, she was trying to convey the idea: I am somehow like you.
But she had only just now been born.
And you're somehow different, too, Zerchi noticed with a trace of awe.

“I didn't enter into this to get any kind of affirmation or confirmation. I entered into this to see what I could do for other people — to give them my sincerity, to give them my love and my care, to take a load off, to have a smile, to have a memory or two. Singing the blues has always been about alleviating the blues, and that's apparent when you listen to them.”

Ysabella Brave (1979) American singer

"Self Esteem" (31 May 2007)
Context: I didn't enter into this to get any kind of affirmation or confirmation. I entered into this to see what I could do for other people — to give them my sincerity, to give them my love and my care, to take a load off, to have a smile, to have a memory or two. Singing the blues has always been about alleviating the blues, and that's apparent when you listen to them. Sure is nice to hear that someone else is, or has been where you are, or have been. Because we forget sometimes, that we're all in this together, and we have many, many similar experiences — all the time, all across the world, in every age.

William Morris photo

“Change is come, and past over, no more strife, no more learning:
Now your lips and your forehead are sealed with his seal,
Look backward and smile at the thorns and the burning.
— Sweet rest, O my soul, and no fear of returning!”

William Morris (1834–1896) author, designer, and craftsman

Love is Enough (1872), Song VIII: While Ye Deemed Him A-Sleeping
Context: All wonder of pleasure, all doubt of desire,
All blindness, are ended, and no more ye feel
If your feet treat his flowers or the flames of his fire,
If your breast meet his balms or the edge of his steel.
Change is come, and past over, no more strife, no more learning:
Now your lips and your forehead are sealed with his seal,
Look backward and smile at the thorns and the burning.
— Sweet rest, O my soul, and no fear of returning!

Richard Wright photo
Oliver Wendell Holmes Jr. photo

“Gentlemen, to the lady without whom I should never have survived for eighty, nor sixty, nor yet thirty years. Her smile has been my lyric, her understanding, the rhythm of the stanza. She has been the spring wherefrom I have drawn the power to write the words. She is the poem of my life.”

Oliver Wendell Holmes Jr. (1841–1935) United States Supreme Court justice

Attribution reported in Respectfully Quoted: A Dictionary of Quotations (1989), which states that this is not verified in works about him nor in Magnificent Yankee, the film about him. Holmes expressed a similar sentiment in a letter to Sir Frederick Pollock (May 24, 1929): "For sixty years she made life poetry for me". Mark De Wolfe Howe, ed., Holmes-Pollock Letters (1941), vol. 2, p. 243.
Attributions

Elizabeth Barrett Browning photo

“And having in thy life-depth thrown
Being and suffering (which are one),
As a child drops his pebble small
Down some deep well, and hears it fall
Smiling — so I. THY DAYS GO ON.”

Elizabeth Barrett Browning (1806–1861) English poet, author

St. 23 -24.
De Profundis (1862)
Context: p>I praise Thee while my days go on;
I love Thee while my days go on:
Through dark and dearth, through fire and frost,
With emptied arms and treasure lost,
I thank Thee while my days go on.And having in thy life-depth thrown
Being and suffering (which are one),
As a child drops his pebble small
Down some deep well, and hears it fall
Smiling — so I. THY DAYS GO ON.</p

Henry Ward Beecher photo

“When, O crowned Jesus; when, O loving Saviour; when, O patient and just Judge — when wilt Thou come forth from Thy hiding, and change tears to smiles, and groans to joys?”

Henry Ward Beecher (1813–1887) American clergyman and activist

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 410
Context: When, O crowned Jesus; when, O loving Saviour; when, O patient and just Judge — when wilt Thou come forth from Thy hiding, and change tears to smiles, and groans to joys? When shall that choral song burst forth, sweeping through the air, and circling about Thy throne, which shall proclaim the redemption of the world to the Lord God?

Don McLean photo

“A long long time ago
I can still remember how that music used to make me smile”

Don McLean (1945) American Singer and songwriter

Song lyrics, American Pie (1971), American Pie
Context: A long long time ago
I can still remember how that music used to make me smile
And I knew if I had my chance
That I could make those people dance
And maybe they'd be happy for a while.
But February made me shiver
With every paper I'd deliver
Bad news on the doorstep
I couldn't take one more step
I can't remember if I cried
When I read about his widowed bride
But something touched me deep inside
The Day the Music Died.

Nikita Khrushchev photo

“They say that the Soviet delegates smile. That smile is genuine. It is not artificial. We wish to live in peace, tranquility. But if anyone believes that our smiles involve abandonment of the teaching of Marx, Engels and Lenin he deceives himself poorly. Those who wait for that must wait until a shrimp learns to whistle.”

Nikita Khrushchev (1894–1971) First Secretary of the Communist Party of the Soviet Union

Impromptu speech at a dinner for visiting East German dignitaries, Moscow (September 17, 1955), as reported by The New York Times (September 18, 1955), p. 19.

Virgil photo

“Begin, baby boy, to recognize your mother with a smile.”
Incipe, parve puer, risu cognoscere matrem.

Book IV, line 60 (tr. Fairclough)
Eclogues (37 BC)

Hilaire Belloc photo

“But as we laugh we are watched by large and awful faces from beyond: and on these faces there is no smile.”

Hilaire Belloc (1870–1953) writer

Source: This and That and the Other (1912), Ch. XXXII : The Barbarians , p. 282
Context: In a word, the Barbarian is discoverable everywhere in this that he cannot make; that he can befog or destroy, but that he cannot sustain; and of every Barbarian in the decline or peril of every civilisation exactly that has been true.
We sit by and watch the Barbarian, we tolerate him; in the long stretches of peace we are not afraid.
We are tickled by his irreverence, his comic inversion of our old certitudes and our fixed creeds refreshes us: we laugh. But as we laugh we are watched by large and awful faces from beyond: and on these faces there is no smile.

Clifford D. Simak photo

“The wolf was smiling at him, and he had never known that a wolf could smile.”

Highway of Eternity (1986)
Context: He stirred again, halfway between sleep and wakefulness, and he was not alone. Across the fire from him sat, or seemed to sit, a man wrapped in some all-enveloping covering that might have been a cloak, wearing on his head a conical hat that dropped down so far it hid his face. Beside him sat the wolf — the wolf, for Boone was certain that it was the same wolf with which he'd found himself sitting nose to nose when he had wakened the night before. The wolf was smiling at him, and he had never known that a wolf could smile.
He stared at the hat. Who are you? What is this about?
He spoke in his mind, talking to himself, not really to the hat. He had not spoken aloud for fear of startling the wolf.
The Hat replied. It is about the brotherhood of life. Who I am is of no consequence. I am only here to act as an interpreter.
An interpreter for whom?
For the wolf and you.
But the wolf does not talk.
No, he does not talk. But he thinks. He is greatly pleased and puzzled.
Puzzled I can understand. But pleased?
He feels a sameness with you. He senses something in you that reminds him of himself. He puzzles what you are.
In time to come, said Boone, he will be one with us. He will become a dog.
If he knew that, said The Hat, it would not impress him. He thinks now to be one with you. An equal. A dog is not your equal...

Mark Ames photo

“Cruel and callous when on top, afraid and smiling all the way to the grave when not- that pretty much sums up the post-Reagan zeitgeist.”

Mark Ames (1965) American writer and journalist

Part VI: Welcome to the Dollhouse, page 239.
Going Postal: Rage, Murder, and Rebellion, From Reagan's Workplaces to Clinton's Columbine and Beyond (2005)
Context: Cruel and callous when on top, afraid and smiling all the way to the grave when not- that pretty much sums up the post-Reagan zeitgeist. And if you're not just as cheerful as the rest, "you've got some personal problems." You're a weirdo if you complain. It's your own fault if you're traumatized by a massacre. It's your own fault if you're poor. It's your own fault if you get downsized, overworked, bullied, and fail. Get over it.

Zooey Deschanel photo

“I like the way you smile
I could be your state and I could be your nation
It doesn’t get better than home, now does it?”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

"Home".
Volume Two (2010)
Context: Why don’t we just sit and stare and do nothing?
Nothing at all for a while
I like the way you smile
I could be your state and I could be your nation
It doesn’t get better than home, now does it?

Mário Quintana photo
Henry Ward Beecher photo
Phyllis Diller photo

“A smile is a curve that sets everything straight. ”

Phyllis Diller (1917–2012) American actress and stand-up comedianne
Angelina Jolie photo
Mohammad Javad Zarif photo

“The art of a diplomat is to conceal all turbulence behind his smile.”

Mohammad Javad Zarif (1960) Iranian politician

On his Facebook status on 24 November 2013. According to [Kamali Dehghan, Saeed, Mohammad Javad Zarif: Iran's man on a diplomatic mission, The Guardian, 2013-11-25, 2013, https://www.theguardian.com/world/2013/nov/25/mohammad-javad-zarif-iran-profile, harv, 2015-04-04]
On social media

Helena Roerich photo
Harold Macmillan photo
Swami Sivananda photo
Swami Sivananda photo
Swami Sivananda photo
Camille Paglia photo
E.E. Cummings photo
Doris Veillette photo

“The earth does not stop turning, because you are unhappy, as well swallowing your tears and smiling, even if the pain is still burning.”

Doris Veillette (1935–2019) Quebec journalist

Chronicle "Interdit aux hommes" (Forbidden to men), by Doris Veillette-Hamel, Journal Le Nouvelliste, January 8, 1972, page 11.
Chronicle "Forbidden to men", 1972

Ralph Waldo Emerson photo
Rajendra Prasad photo
Fyodor Dostoyevsky photo
Nicolas Chamfort photo

“An honest fellow stripped of all his illusions is the ideal man. Though he may have little wit, his society is always pleasant. As nothing matters to him, he cannot be pedantic; yet is he tolerant, remembering that he too has had the illusions which still beguile his neighbor. He is trustworthy in his dealings, because of his indifference; he avoids all quarreling and scandal in his own person, and either forgets or passes over such gossip or bickering as may be directed against himself. He is more entertaining than other people because he is in a constant state of epigram against his neighbor. He dwells in truth, and smiles at the stumbling of others who grope in falsehood. He watches from a lighted place the ludicrous antics of those who walk in a dim room at random. Laughing, he breaks the false weight and measure of men and things.”

Nicolas Chamfort (1741–1794) French writer

L'honnête homme, détrompé de toutes les illusions, est l'homme par excellence. Pour peu qu'il ait d'esprit, sa société est très aimable. Il ne saurait être pédant, ne mettant d'importance à rien. Il est indulgent, parce qu'il se souvient qu'il a eu des illusions, comme ceux qui en sont encore occupés. C'est un effet de son insouciance d'être sûr dans le commerce, de ne se permettre ni redites, ni tracasseries. Si on se les permet à son égard, il les oublie ou les dédaigne. Il doit être plus gai qu'un autre, parce qu'il est constamment en état d'épigramme contre son prochain. Il est dans le vrai et rit des faux pas de ceux qui marchent à tâtons dans le faux. C'est un homme qui, d'un endroit éclairé, voit dans une chambre obscure les gestes ridicules de ceux qui s'y promènent au hasard. Il brise, en riant, les faux poids et les fausses mesures qu'on applique aux hommes et aux choses.
Maximes et Pensées, #339
Maxims and Considerations, #339

Kamal Haasan photo
Alessandro Del Piero photo

“He (Del Piero) always comes to the training field with a smile for everyone, a comforting word for everyone. This is his greatness: humbleness… he’s a golden person.”

Alessandro Del Piero (1974) Italian former professional footballer

Alessio Tacchinardi, DepositFiles.com http://depositfiles.com/en/files/1234/%5BSFIDE%5D-Speciale+Alessandro+Del+Piero_sampy14.avi.html

Russell Brand photo
Russell Brand photo
Jerome K. Jerome photo
Dylan Moran photo

“The belief system that if you smiled hard enough into the face of God, you would eventually shit money.”

Dylan Moran (1971) Irish actor and comedian

on Blairism.
Yeah, Yeah (2011)

Jerome David Salinger photo

“Do you know what I was smiling at? You wrote down that you were a writer by profession.”

It sounded to me like the loveliest euphemism I had ever heard. When was writing ever your profession? It's never been anything but your religion.
Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Seymour: An Introduction (1959)

Robert Greene photo
Salvador Dalí photo

“Just now I'm painting a beautiful woman, smiling, burnt to a crisp, with feathers of all colors, held up by a small die of burning marble; the die is in turn held up by a little puff of smoke, churned and quite; in the sky there are asses with parrot-heads, grasses and beach sand, all about to explode, all clean, incredible objective..”

Salvador Dalí (1904–1989) Spanish artist

Quote in Dali's letter to his art-friend Lorca, 1927; as quoted in Surrealism and the Spanish Civil War, Robin Adèle Greeley, p. 67
Dali is striving then for a rational approach of his paintings; he is very probably referring to his painting, he made earlier in 1927: ' Little Ashes' https://upload.wikimedia.org/wikipedia/commons/b/b7/Little_Ashes.jpg
Quotes of Salvador Dali, 1920 - 1930

“I left home young. I returned old;
Speaking as then, but with hair grown thin;
And my children, meeting me, do not know me.
They smile and say: "Stranger, where do you come from?"”

He Zhizhang (659–744) Chinese writer

(zh-TW) 少小離家老大回,鄉音無改鬢毛衰。
兒童相見不相識,笑問客從何處來。
"Coming Home" (《回乡偶书》) in Three Hundred Poems of the Tang Dynasty, trans. Witter Bynner

“I'd rather hear a truth that'll make me cry than a lie that'll make me smile!”

Luiz Carlos Alborghetti (1945–2009) Italian-Brazilian radio commenter, showman and political figure

Original: (pt) Eu prefiro uma verdade que me faça chorar a uma mentira que me faça sorrir!

G. K. Chesterton photo
Townes Van Zandt photo
Townes Van Zandt photo
Victor Hugo photo
William Lloyd Garrison photo
Chief Joseph photo
Ounsi el-Hajj photo
John Prine photo
Dusty Springfield photo

“Now, when you pass my way
I guess I'll smile and say
To think that boy was mine
Once upon a time”

Dusty Springfield (1939–1999) English singer and record producer

"Once Upon a Time", written by Springfield
Lyrics, Ooooooweeee!!! (1965)

Joseph Addison photo
Jackson Browne photo
Ray Bradbury photo
Ray Bradbury photo

“We clothe ourselves in flame
And trade new myths for old.
The Greek gods christen us
With ghosts of comet swords;
God smiles and names us thus:
Arise! Run! Fly, my Lords!”

Ray Bradbury (1920–2012) American writer

"We March Back to Olympus" in Where Robot Mice and Robot Men Run Round in Robot Towns (1977), p. 11

Ronnie James Dio photo

“I’ll smash your face in,
But with a smile,
All together you’ll never
Be stronger than me.”

Ronnie James Dio (1942–2010) American singer

"I" on Dehumanizer (1992)
Lyrics

William Mason (poet) photo

“When'er with soft serenity she smiled,
Or caught the orient blush of quick surprise,
How sweetly mutable, how brightly wild,
The liquid lustre darted from her eyes?”

William Mason (poet) (1724–1797) poet

Source: On the Death of a Lady (1760), The poems of William Mason, vol. 1, 1822, p. 86 https://babel.hathitrust.org/cgi/pt?id=njp.32101032743732&view=1up&seq=94

Mark Ames photo

“Cruel and callous when on top, afraid and smiling all the way to the grave when not- that pretty much sums up the post-Reagan zeitgeist. And if you're not just as cheerful as the rest, "you've got some personal problems."”

Mark Ames (1965) American writer and journalist

You're a weirdo if you complain. It's your own fault if you're traumatized by a massacre. It's your own fault if you're poor. It's your own fault if you get downsized, overworked, bullied, and fail. Get over it.
Part VI: Welcome to the Dollhouse, page 239
Going Postal: Rage, Murder, and Rebellion, From Reagan's Workplaces to Clinton's Columbine and Beyond (2005)

James K. Morrow photo
George Eliot photo
Prevale photo

“Every day is a blank sheet on which to write notes of music, notes coming from the depths of the soul. A sheet on which to blow a smile, to give it life.”

Prevale (1983) Italian DJ and producer

Original: (it) Ogni giorno è un foglio bianco su cui scrivere note di musica, note provenienti dal profondo dell’anima. Un foglio su cui soffiare un sorriso, per donargli vita.
Source: prevale.net

Prevale photo

“Difficult or sad events belong to every being. Whenever it happens to have, it must seriously think if that situation is really worth getting a smile. Who has and knows how to give smile, is the master of the whole world.”

Prevale (1983) Italian DJ and producer

Original: (it) Eventi duri, difficili o tristi appartengono ad ogni essere. Ogniqualvolta dovesse capitare di averne, bisogna seriamente pensare se per quella situazione valga davvero la pena farsi togliere il sorriso. Chi ha e sa donare sorriso, è padrone del mondo intero.
Source: prevale.net

Prevale photo

“Who has and knows how to give smile, is the master of the whole world.”

Prevale (1983) Italian DJ and producer

Original: Chi ha e sa donare sorriso, è padrone del mondo intero.
Source: prevale.net

Prevale photo

“The value of a soul is understood from the smile.”

Prevale (1983) Italian DJ and producer

Original: (it) È dal sorriso che si intuisce il valore di un'anima.
Source: prevale.net

Prevale photo

“The noblest gesture to do to a friend is to give him your smile.”

Prevale (1983) Italian DJ and producer

Original: (it) Il gesto più nobile da fare ad un amico, è donargli il tuo sorriso.
Source: prevale.net

Prevale photo

“It's Christmas every time you smile at a child, holding his hand. It's Christmas every time you recognize your limits, your mistakes. It's Christmas every time you stay silent to hear each other. It's Christmas every time you give your sweetness with love. It's Christmas every time you listen to the song of the heart.”

Prevale (1983) Italian DJ and producer

Original: (it) È Natale ogni volta che sorridi a un bimbo, tenendogli la mano. È Natale ogni volta che riconosci i tuoi limiti, i tuoi errori. È Natale ogni volta che rimani in silenzio per ascoltare l'altro. È Natale ogni volta che doni con amore la tua dolcezza. È​ Natale ogni volta che ascolti la canzone del cuore.
Source: prevale.net

Prevale photo

“It feeds the heart of music and the soul of smiles.”

Prevale (1983) Italian DJ and producer

Original: (it) Alimenta il cuore di musica e l'anima di sorriso.
Source: prevale.net

Prevale photo

“I want to be the thought that makes you smile on the street for no reason.”

Prevale (1983) Italian DJ and producer

Original: (it) Voglio essere il pensiero che ti fa sorridere per strada senza motivo.
Source: prevale.net

Les Brown photo
Massin Akandouch photo
Prevale photo

“A woman's smile deactivates reason.”

Prevale (1983) Italian DJ and producer

Original: (it) Il sorriso di una donna disattiva la ragione.
Source: prevale.net

Arthur Wellesley, 1st Duke of Wellington photo
Prevale photo

“In life, the smile gives harmony to existence.”

Prevale (1983) Italian DJ and producer

Original: (it) ​Nella vita, il sorriso dona armonia all'esistenza.
Source: prevale.net

Paulo Coelho photo
Brooke Bundy photo

“I like to think of smiling as a cause not an effect. Smile all the time.”

Brooke Bundy (1944) American actress

Brooke Bundy Interview https://trainwreckdsociety.com/2018/05/14/brooke-bundy-interview/ (May 14, 2018)

Prevale photo

“I would like every day to feel the scent of your skin, like the taste of your kiss, admire your sensuality, perceive your sweetness, listen to the beating of your heart, understand the depth of your soul, rejoice with your smile, have fun with your liking and be able to fully live your harmony.”

Prevale (1983) Italian DJ and producer

Original: (it) Vorrei ogni giorno poter sentire il profumo della tua pelle, gradire il sapore di un tuo bacio, ammirare la tua sensualità, percepire la tua dolcezza, ascoltare il battito del tuo cuore, comprendere la profondità della tua anima, gioire con il tuo sorriso, divertirmi con la tua simpatia e poter vivere appieno la tua armonia.
Source: prevale.net

Prevale photo

“Always make sure that your woman is smiling, feeling loved and happily alive.”

Prevale (1983) Italian DJ and producer

Original: (it) Fate sempre in modo che la vostra donna sorrida, si senta amata e felicemente viva.
Source: prevale.net

Prevale photo

“Love exists. It's in the little things: simple, spontaneous and concrete. It's in a smile, in a job, in a song…. Love is all that is given without asking any question.”

Prevale (1983) Italian DJ and producer

Original: (it) L'amore esiste. È nelle piccole cose: semplici, spontanee e concrete. È in un sorriso, in un lavoro, in una canzone... . L'amore, è tutto ciò che si dona senza porsi alcuna domanda.
Source: prevale.net

John Steinbeck photo
Harry Graham photo

“When Grandmamma fell off the boat,
And couldn’t swim, and wouldn’t float,
Maria just sat by and smiled -
I almost could have slapped the child!”

Harry Graham (1874–1936) British writer

Indifference
Ruthless Rhymes for Heartless Homes (1899)