Quotes about writing (5027 quotes, page 42)

“Khamenei is not the first ruler of Iran with whom poets have run into trouble. For some 12 centuries poetry has been the Iranian people’s principal medium of expression. Iran may be the only country where not a single home is found without at least one book of poems. Initially, Persian poets had a hard time to define their place in society. The newly converted Islamic rulers suspected the poets of trying to revive the Zoroastrian faith to undermine the new religion. Clerics saw poets as people who wished to keep the Persian language alive and thus sabotage the ascent of Arabic as the new lingua franca. Without the early Persian poets, Iranians might have ended up like so many other nations in the Middle East who lost their native languages and became Arabic speakers. Early on, Persian poets developed a strategy to check the ardor of the rulers and the mullahs. They started every qasida with praise to God and Prophet followed by panegyric for the ruler of the day. Once those “obligations” were out of the way they would move on to the real themes of the poems they wished to compose. Everyone knew that there was some trick involved but everyone accepted the result because it was good. Despite that modus vivendi some poets did end up in prison or in exile while many others spent their lives in hardship if not poverty. However, poets were never put to the sword. The Khomeinist regime is the first in Iran’s history to have executed so many poets. Implicitly or explicitly, some rulers made it clear what the poet couldn’t write. But none ever dreamt of telling the poet what he should write. Khamenei is the first to try to dictate to poets, accusing them of “crime” and” betrayal” if they ignored his injunctions.”

Amir Taheri (1942) Iranian journalist

When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

God , People , Books , Faith

“For me, a line has to sing before it does anything else. The great thrill is when a sentence that starts out being completely plain suddenly begins to sing, rising far above itself and above any expectation I might have had for it. That's what keeps me going on those dark December days when I think about how I could be living instead of writing.”

John Banville (1945) Irish writer

John Banville, The Art of Fiction No. 200 (2009)

Thinking , Singing

“After all, everybody, that is, everybody who writes is interested in living inside themselves in order to tell what is inside themselves. That is why writers have to have two countries, the one where they belong and the one in which they live really. The second one is romantic, it is separate from themselves, it is not real but it is really there.”

Gertrude Stein book Paris France

Source: Paris France (1940), p. 2

Country

“Writing is simple. First you have to make sure you have plenty of paper… sharp pencils… typewriter ribbon. Then put your belly up to the desk… roll a sheet of paper into the typewriter… and stare at it until beads of blood appear on your forehead.”

Jeff MacNelly (1947–2000) American cartoonist

Prof. Cosmo Fishhawk, in Shoe

Appearance

“To write a verse or two is all the praise
That I can raise.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Praise, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

“If any god exists, and it happens that there’s only one of them, then surely every spiritually enlightened and visionary holy man from any nation or tribe should be able to sense it, if men can sense such things at all. And their scribes would write the scrolls seeking to make sense of it –however feeble an attempt that may be. Perhaps that’s why there are so many different religions; because no man can know the true state of God. There can only be one truth, and only one version of it. But rather than coming together, as everyone’s search for the one truth should, religions continuously shard further and further apart into more divided factions with mutually-exclusive beliefs, -and there are as many wrong interpretations as there people claiming theirs as the “absolute truth.””

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"3rd Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=fnj7PlqmJ5o, Youtube (December 10 2007)
Youtube, Foundational Falsehoods of Creationism

Men , God , People , Truth

“Great novelists are philosopher-novelists who write in images instead of arguments.”

Albert Camus (1913–1960) French author and journalist

This may have arisen as a paraphrase of statements found in The Myth of Sisyphus (1942), "An Absurd Reasoning", or one found in The Novelist as Philosopher: Studies in French Fiction 1935-1960 (1962) edited by John Cruikshank, p. 218
Disputed

“Harold Kelley’s long-term relationship with John Thibaut, from 1953 until Thibaut’s demise in 1986, is considered an exemplary model of scientific collaboration. It began with their being invited to write a major chapter on group problem-solving and process for the Handbook of Social Psychology (1954). That chapter, updated in 1968, not only became a major resource in that field, but it led them to a separate volume, The Social Psychology of Groups (1959), which became one of the most influential works in social psychology.”

Bertram Raven (1926) American psychologist

Bertram H. Raven, In Memoriam : Harold H. Kelley Professor of Psychology, Emeritus Los Angeles 1921–2003 http://senate.universityofcalifornia.edu/inmemoriam/HaroldH.Kelley.htm at senate.universityofcalifornia.edu, 2003.

Problem

“Rocking the vote may mean going to the booths and writing in our Candidate, because he doesn't seem to be on the ballot.”

Shane Claiborne (1975) American activist

Source: Jesus for President (2008), p. 335

“Cultural systems will be treated as extensions of the power to learn, store, and transmit information, and the evolution of culture as dependent upon the biological development of these abilities and the cultural developments that actualize them. Man's increasing mastery over the natural world, with its increments of available energy use, can be seen from this point of view as one consequence of his capacity to learn, invent, borrow, store, and transmit the necessary technological and political inventions for the changes of scale involved in increasing utilization of energy. Instead of focusing attention on discontinuities — the invention of tool-making tools, the invention of agriculture, the invention of writing, and the invention of invention as a conscious pursuit—this discussion will focus on the continuities involved and on the extent to which older forms of communication, energy use, and social organization also undergo transformation in the course of cultural evolution.”

Margaret Mead (1901–1978) American anthropologist

Source: 1960s, Continuities in Cultural Evolution (1964), p. 31-32

World , Communication , Nature , Learning

“The conviction that painting is the right profession grows stronger and stronger in me. Writing is the only other thing I still feel attracted to. Perhaps when I am mature I shall go back to it.”

Paul Klee (1879–1940) German Swiss painter

Quote (1899), # 93, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902

Feeling , Painting

“Mr. Gibbon has much to learn concerning the gospel before he can be properly qualified to write against it. Hitherto he seems to have been acquainted with nothing but the corrupt establishments of what is very improperly called Christianity; whereas it is incumbent upon him to read and study the New Testament for himself. There he will find nothing like Platonism, but doctrines in every respect the reverse of that system of philosophy, which weak and undistinguishing christians afterwards incorporated with it.
Had Mr. Gibbon lived in France, Spain, or Italy, he might with the same reason have ranked the doctrine of transubstantiation, and the worship of saints and angels among the essentials of Christianity, as the doctrines of the trinity and of the atonement.”

Joseph Priestley book An History of the Corruptions of Christianity

General Conclusions, Part I : Containing Considerations addressed to Unbelievers and especially to Mr. Gibbon
An History of the Corruptions of Christianity (1782)

Angels , Study , Learning , Reading

“I went to the movies — it was Kanye, myself and John Mayer, and we went to see "Ray." We were watching it, and I was just inspired by the movie, just as a musician and as an artist, I felt inspired. We left there and went straight to the studio. Kanye started cooking up this beat and started doing this chant, like, "Go, go, go," and while we were sitting there thinking what to write, John Mayer said, "You could write about your fantasy." And I was like, "Am I going to let John Mayer come up with the concept for this joint? This is hip-hop." But John Mayer is a very talented brother and you don't know where your blessings are going to come from. He was singing, and we made him a sample on it, going 'Go.'”

Common (rapper) (1972) American rapper, actor and author from Illinois

So it all came together and now we have the song 'Go!,' which is about going to my fantasy.
On working with Kanye West and John Mayer on the track "Go." (2004) ( From MTV.com http://www.mtv.com/bands/c/common/common_q_and_a_050620/)
Interviews

Thinking , Singing , Cooking

“I'm not a career filmmaker and by that I'm not tearing down people who are, but I'm not Wes Anderson who can rent out a floor at the Chateau Marmont for a month to write my new screenplay--I have a life outside of filmmaking and after Buffalo '66, I genuinely thought I was done with making movies. But they pulled me back in. This Brown Bunny, it had something in it for me that I just had to say. I had to express it, it was in me and it ate its way out of me. I wished that it didn't, but it did and I was surprised to find myself shooting again.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

Film Freak Central Interview

Life , People , Way , Tear

“Primarily, which is very notable and curious, I observe that men of business rarely know the meaning of the word 'rich'. At least, if they know, they do not in their reasoning allow for the fact, that it is a relative word, implying its opposite 'poor' as positively as the word 'north' implies its opposite 'south'. Men nearly always speak and write as if riches were absolute, and it were possible, by following certain scientific precepts, for everybody to be rich. Whereas riches are a power like that electricity, acting only through inequalities or negations of itself. The force of the guinea you have in your pockets depends wholly on the default of a guinea in your neighbour's pocket. If he did not want it, it would be of no use to you; the degree of power it possesses depends accurately upon the need or desire he has for it,— and the art of making yourself rich, in the ordinary mercantile economist's sense, is therefore equally and necessarily the art of keeping your neighbour poor.”

John Ruskin book Unto This Last

Essay two: 'The Veins of Wealth'.
Unto This Last (1860)

Men , Art , Business , Sense

“I write with two things in mind. I want to be right with my fellow economists. After all, I've made my life as a professional economist, so I'm careful that my economics is as it should be. But I have long felt that there's no economic proposition that can't be stated in clear, accessible language. So I try to be right with my fellow economists, but I try to have an audience of any interested, intelligent person.”

John Kenneth Galbraith (1908–2006) American economist and diplomat

Booknotes interview (1994)

Life , Intelligence , Personality

“The children of fighter pilots tell different stories than other kids do. None of our fathers can write a will or sell a life insurance policy or fill out a prescription or administer a flu shot or explain what a poet meant. We tell of fathers who land on aircraft carriers at pitch-black night with the wind howling out of the China Sea. Our fathers wiped out aircraft batteries in the Philippines and set Japanese soldiers on fire when they made the mistake of trying to overwhelm our troops on the ground. Your Dads ran the barber shops and worked at the post office and delivered the packages on time and sold the cars, while our Dads were blowing up fuel depots near Seoul, were providing extraordinarily courageous close air support to the beleaguered Marines at the Chosin Reservoir, and who once turned the Naktong River red with blood of a retreating North Korean battalion. We tell of men who made widows of the wives of our nations' enemies and who made orphans out of all their children. You don't like war or violence? Or napalm? Or rockets? Or cannons or death rained down from the sky? Then let's talk about your fathers, not ours. When we talk about the aviators who raised us and the Marines who loved us, we can look you in the eye and say "you would not like to have been American's enemies when our fathers passed overhead". We were raised by the men who made the United States of America the safest country on earth in the bloodiest century in all recorded history. Our fathers made sacred those strange, singing names of battlefields across the Pacific: Guadalcanal, Iwo Jima, Okinawa, the Chosin Reservoir, Khe Sanh and a thousand more. We grew up attending the funerals of Marines slain in these battles. Your fathers made communities like Beaufort decent and prosperous and functional; our fathers made the world safe for democracy.”

Pat Conroy (1945–2016) American novelist

Eulogy for a Fighter Pilot (1998)

Love , Life , Death , Men

“The emergence of new media (and therefore artistic) formats is certainly interesting. But etching information into copper plates is just as exciting. We think that the perpetual return of 'the new', to cite Walter Benjamin, is nothing to write home about - except perhaps for the slave-drivers in the fashion industry. We've never been interested in the new just in itself, but in the accidental occurrence. In the moment where things don't tally, where productive confusion arises. That's why in the final analysis, although we've laughed a lot with Stewart Home, we even reject the meta-criticism of innovation-fixation articulated in 'neoism.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

The new sorts itself out when it lands in the museum. Finito.
Interview on Furtherfield http://www.furtherfield.org/features/interviews/interview-johannes-grenzfurthner-monochrom-part-3

Home , Fashion , Thinking

“Only think that I am now writing in a room full of Claudes… almost of the summit of my earthly ambitions.”

John Constable (1776–1837) English Romantic painter

As quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 512
posthumous, undated

Thinking

“Léon Bloy, despite his many impressive qualities.. what a hater he was! - wild and implacable, and what power of abuse! Strange don't you think that Ernst Jünger should comment at length in his war-diaries how irresistibly Bloy reminded him of Hitler in his paroxysms of rage and his foul and ribald tongue?.. Yet Bloy was undoubtedly a man with great gifts of vision and perception, and charity, too - even in the midst of his orgies of hatred. And much of what he writes about Our Lady of La Salette in his La Salette book is very fine and often goes straight to one's heart…”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights Letters 1951-59.

War , Books , Thinking , Rage

“We write songs about wrong cause its hard to see right”

Common (rapper) (1972) American rapper, actor and author from Illinois

"The Corner" (Track 2)
Albums, Be (2005)

“There is an extra loss for a Welsh poet writing in English, and that is, the longing for Welsh, the secret language.. of all the centuries of speech and song.”

Gillian Clarke (1937) Welsh poet

Modern Women Poets (2005)

Secret , Loss

“I know that people are interested, and I understand why, but I don't want that stuff to overshadow my life. It's just the way it is. I'm a singer, I'm in a band, I've been out with musicians, I've had children with two different musicians. To me, it's no big deal. I only get upset because I want people to listen to the songs. Listen to the LP or come and see my band. I don't like it when people write about my life and don't even mention the music.”

Lisa Moorish (1972) British singer

Source: " A life on the edge http://www.theguardian.com/music/2004/aug/20/popandrock8" at The Guardian, 20 August 2004

Life , Children , People , Music

“You can teach the writing of verse.. like prose.. an instrument.. and the recognition of true poetry. The rest, writers must teach them selves.”

John Hollander (1929–2013) American poet

Interview with J D McCarthy 'The Art of Poetry' no 35 Fall 1985

“You see, some people have a talent for programming. At ten to thirteen years old, typically, they're fascinated, and if they use a program, they want to know: “How does it do this?” But when they ask the teacher, if it's proprietary, the teacher has to say: “I'm sorry, it's a secret, we can't find out.” Which means education is forbidden. A proprietary program is the enemy of the spirit of education. It's knowledge withheld, so it should not be tolerated in a school, even though there may be plenty of people in the school who don't care about programming, don't want to learn this. Still, because it's the enemy of the spirit of education, it shouldn't be there in the school.
But if the program is free, the teacher can explain what he knows, and then give out copies of the source code, saying: “Read it and you'll understand everything.” And those who are really fascinated, they will read it! And this gives them an opportunity to start to learn how to be good programmers.
To learn to be a good programmer, you'll need to recognize that certain ways of writing code, even if they make sense to you and they are correct, they're not good because other people will have trouble understanding them. Good code is clear code that others will have an easy time working on when they need to make further changes.
How do you learn to write good clear code? You do it by reading lots of code, and writing lots of code. Well, only free software offers the chance to read the code of large programs that we really use. And then you have to write lots of code, which means you have to write changes in large programs.
How do you learn to write good code for the large programs? You have to start small, which does not mean small program, oh no! The challenges of the code for large programs don't even begin to appear in small programs. So the way you start small at writing code for large programs is by writing small changes in large programs. And only free software gives you the chance to do that.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

A Free Digital Society - What Makes Digital Inclusion Good or Bad? http://www.gnu.org/philosophy/free-digital-society.html#education; Lecture at Sciences Po in Paris (19 October 2011)]
2010s

People , Secret , Education , School

“We must constantly encourage Western journalists to write precisely the opposite of our real intentions and anyone who writes or speaks about our real intentions accurately or impartially in the Western sense of these words must quickly be dismissed and ridiculed as someone of the Right or a fascist, someone who wants to bring back McCarthyism.”

Ivan Agayants (1911–1968) KGB officer

Explaining the benefits of disinformation. Quoted in "KGB" - Page 142 - by Brian Freemantle - Social Science - 1982.

Sense

“Dear Anita [ w:Anita Pollitzer ], don't forget w:Mary Cassatt [as one of her inspirations] — and I am not sure that your new paragraph will hold water [(Anita had sent her a chapter of the biography she was writing about Georgia] — We [artists] probably all derive from something — with some it is more obvious than with others — so much so that we can not escape a language of line that has been growing in meaning since the beginning of lines.”

Georgia O'Keeffe (1887–1986) American artist

Quote from a letter to Anita Pollitzer, Abiquiu, New Mexico, January 17, 1956; as quoted in The Complete Correspondence of Georgia O’Keeffe & Anita Pollitzer, ed. Clive Giboire, Touchstone Books, Simon & Schuster Inc., New York, 1990, p. 305
1950 - 1970

Water , Forgetting

“I couldn't give a damn, [he said]. Writing is where I succeeded. I was a flop in everything else.”

Khushwant Singh (1915–2014) Indian novelist and journalist

Khushwant Singh releases his last book

“Lunatics are writers whose works write them.”

David Mitchell book Ghostwritten

"Night Train"
Ghostwritten (1999)

“Before my eyes are many miserable scenes, the suffering of others and myself forces my hands to move. I become a machine for writing.”

Ba Jin (1904–2005) Chinese novelist

As quoted in "Literary witness to century of turmoil" in China Daily (24 November 2003)

Suffering

“"Found the short story collection, PIGEONS FROM HELL by Robert E. Howard the creator of Conan the Barbarian when I was thirteen, or fourteen. It was the first dark fantasy and heroic fantasy I’d ever read. In that moment I knew not only did I want to be a writer, but this is what I wanted to write." ~ Laurel K. Hamilton, About Laurel K. Hamilton,”

Robert E. Howard (1906–1936) American author

http://www.laurellkhamilton.org/Laurell.html LaurelKHamilton.com
About

Hell , Reading

“It always seems to someone outside the business that it is very difficult to write for a comedy show because it must be done quickly. Actually, it is much easier to write this humor than to do a joke or a show from scratch, because the audience knows the plot. Just mention what is going on and then deliver the punch line.”

Robert Orben (1928) American magician and writer

Lauren Keeport (February 3, 1998) "Scandal feeds maelstrom of Clinton jokes - 'Monicagate' a windfall for TV wits", The Washington Times, p. A2.

Business

“I found, once I passed the age of forty, that I have a good sense of humor. It’s only through that I can keep stuﬀ oﬀ and go through my life. If you sit and try to take on everything that is going on out there, you’re going to end up with problems. That’s where I feel music. And music becomes the way in which I express feelings. And, because it allows me to have contact with my emotions, it’s a constant catharsis, not just playing and writing. By doing that, you alleviate something inside of you. And who knows where that comes from?”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Meet Clare Fischer" http://cdassassin.wordpress.com/2010/10/28/1999-interview-at-allaboutjazz-com/

Life , Age , Music , Way

“I have nothing but myself to write about, no facts, no theories, no opinions, no adventures, no sentiments, nothing but my own poor barren individualism, of considerable interest to me, but I do not know why I should presume it will be so to you. Egotism is not tiresome, or it ought not to be, if one is sincere about oneself; but it is so hard to be sincere. Well, never mind, I mean to be, and you know me well enough to see through me when I am humbugging.”

James Anthony Froude book The Nemesis of Faith

Markham Sutherland to Arthur "Letter I : Huntley Parsonage, September 4, 1843"
The Nemesis of Faith (1849)

Sincerity

“Today the percentage of female judges, college professors and detectives seen on television is a pretty good reflection of the actual world. (In the case of judges, I wouldn't be shocked to find out the number on television exceeds the number in real life — what is it about those black robes that makes us think ovaries?)
But merely thrusting more women into more prestigious on-screen jobs doesn't necessarily make the working world a better place for women. If you were to show people images of two real-life professionals, one a man, one a woman, and ask them to rate their competence knowing nothing but job and gender — I bet people still give the guys the edge.
It's not television's fault, exactly. But television can help fix the problem. Not by writing women into better professions, but by more accurately showing them as complex people contending with the sort of snide, generous, ambitious, incompetent, sad and hilarious co-workers who populate real workplaces.”

Jane Espenson (1964) American television writer and producer

How to Succeed at Vampire Slaying and Keep Your Soul (2005)

Life , Women , People , World

“I would urge that just as democracy initially meant the right of man to defend himself, to have a sword, and then meant the right to write, and then meant the right to read — so, now, democracy means the right to have the scientific experience.”

Edwin H. Land (1909–1991) American scientist and inventor

Generation of Greatness (1957)

Democracy , Reading

“All our communities have to make the effort to reach out to each other rather than waiting passively for gestures that may never be made. We need to write our stories and sing our songs together not necessarily in unison or in tune but in a way that makes space for all of us.”

Joni Madraiwiwi (1957–2016) Fijian politician

Opening address to the Commonwealth Parliamentary Association conference in Nadi, 6 September 2005.

Way , Communication , Effort , Singing

“Mistake me not, my brethren: I am not speaking against learning in itself; it is a precious gift of God, and may be happily improved in the service of the gospel; but I will venture to say, in the spirit of the apostle Paul's writings in general, and of this passage in particular, Accursed be all that learning which sets itself in opposition to the cross of Christ! Accursed be all that learning which disguises or is ashamed of the cross of Christ! Accursed be all that learning which fills the room that is due to the cross of Christ! and once more, Accursed be all that learning which is not made subservient to the honour and glory of the cross of Christ!”

John Witherspoon (1723–1794) Scottish-American Presbyterian minister and a Founding Father of the United States

From the sermon "Glorying in the Cross", published in 1768. Misquoted since 1845 as "Cursed be all that learning that is contrary to the cross of Christ; cursed be all that learning that is not coincident with the cross of Christ; cursed be all that learning that is not subservient to the cross of Christ." So quoted by S. S. Cox in October 1845, in Permanent Documents of the Society for the Promotion of Collegiate and Theological Education at the West, Volume 1, p. 30.

God , Learning , Christ

“As long as Fortune wanted me
to keep on hoping for happiness
I took pleasure in amorous thoughts
and wrote down how they made me feel.
But Love, afraid that what I write
might serve free hearts as a warning,
clouded my inspiration with torment
to keep his deceits from coming to light.
O you whom Love has made the slaves
of various passions! When you read
in one small book such varied cases
know that they're pure truths, not tales,
and that your own experience in love
will lead you through my verses' meaning.”

Luís de Camões (1524–1580) Portuguese poet

Richard Zenith, Sonnets and Other Poems (2009)
Lyric poetry, Sonnets, Enquanto quis Fortuna que tivesse

Love , Pleasure , Truth , Books

“The teacher asked us to write an essay based on an artist's visual version of the cold and other hardships endured by Washington's men at Valley Forge. I dashed off a page or so of commentary, which brought from the teacher public commendation for my historical empathy and perception. This juvenile effort may have influenced my instructor when he gave me a grade on my report card of 100 percent in history. I thought then, and still think, that no pupil is worth 100 percent in history.”

Thomas A. Bailey (1902–1983) American historian

The American Pageant Revisited, p. 9

Men , History , Thinking , Effort

“You praise the firm restraint with which they write –
I'm with you there, of course:
They use the snaffle and the curb all right,
But where's the bloody horse?”

Roy Campbell (poet) (1901–1957) South African poet

"On Some South African Novelists," lines 1-4
Adamastor (1930)

Horse

“I should be writing a third paper on the Nerves, but I cannot proceed without making some experiments, which are so unpleasant to make that I defer them. You may think me silly, but I cannot perfectly convince myself that I am authorised in nature, or religion, to do these cruelties—for what?—for anything else than a little egotism or self-aggrandisement; and yet, what are my experiments in comparison with those which are daily done? and are done daily for nothing. So my employment is, correcting the press of my new edition of the Anatomy, and writing notes for my Physiology, which I mean to make an additional volume to the Anatomy.”

Charles Bell (1774–1842) Scottish surgeon and artist (1774-1842)

Letter to his brother on 1 July 1822; in Letters of Sir Charles Bell, K.H., F.R.S.L. & E. Selected from his Correspondence with his Brother, George Joseph Bell, London: John Murray, 1870, pp. 275 https://books.google.it/books?id=UZ1cAAAAcAAJ&pg=PA275-276.

Religion , Nature , Thinking

“A boy in his teens! What did I know about death? This is a problem for Irish writers — our literary forebears are enormous. They stand behind us like Easter Island statues, and we keep trying to measure up to them, leaping towards heights we can't possibly reach. I suppose that's a good thing, but it makes for a painful early life for the writer. Anyway, hunched there over my Aunt Sadie's Remington, I was starting to learn how to write. Now, fifty years later, I'm still learning.”

John Banville (1945) Irish writer

John Banville, The Art of Fiction No. 200 (2009)

Life , Death , Pain , Boy

“My health has not improved. Often I get so excited that I cannot bear with myself. Then again I become calm, as I am at this present moment of writing, although I am already fatigued. Next Monday, if God permit, I will go to a bull-fight, and I wish you were able to accompany me.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to his friend Zapater, April 23, 1794; in Goya; Noticias biograficas, Francisco Zapater y Gomez, Zaragoza, 1868; first published in 'La Perseverencia', p. 53; as quoted in Francisco Goya, Hugh Stokes, Herbert Jenkins Limited Publishers, London, 1914, p. 203-204
1790s

God , Health , Fight

“We have an opportunity here to make the courts, as these cases wind their way up, understand privacy issues, emerging tech issues, against the backdrop of civil rights and through the prism of free information… DDoS is absolutely speech, it should absolutely be recognized as such, protected as such, and the law should be changed… The government and people who write about tech tend to call it a "DDoS attack" but in certain circumstances it's not a DDoS attack, but a DDoS protest. So the law should be narrowly drawn and what needs to be excised from that are the legitimate protests. It's really easy to tell legitimate protests, I think, and we should be broadly defining legitimate protests… I don't have to like or agree with the people that I represent to represent them. I have represented neo-Nazis and I'm Jewish… Everyone is entitled to a defense and the more reprehensible they are and maybe the more guilty they seem at the beginning of the case makes them more entitled to a vigorous and hard-hitting defense. So I don't necessarily know that there's someone I wouldn't represent based upon what they did or based upon their politics… People who cooperate, throw someone else into harm's way so they can soften the blow on themselves, I tend not to represent.”

Jay Leiderman (1971) lawyer

As mentioned in the Atlantic interview http://www.theatlantic.com/international/archive/2012/10/hacktivists-advocate-meet-the-lawyer-who-defends-anonymous/263202/

People , Law , Way , Understanding

“I write in a hurry, because the little one, who has been sleeping a long time, begins to call for me. Poor thing! when I am sad, I lament that all my affections grow on me, till they become too strong for my peace, though they all afford me snatches of exquisite enjoyment.”

Mary Wollstonecraft (1759–1797) British writer and philosopher

Letter to Gilbert Imlay (19 August 1794)

Sadness , Peace , Sleep , Strong

“"Another situation generally exposed to ressentiment danger is the older generation's relation with the younger. The process of aging can only be fruitful and satisfactory if the important transitions are accompanied by free resignation, by the renunciation of the values proper to the preceding stage of life. Those spiritual and intellectual values which remain untouched by the process of aging, together with the values of the next stage of life, must compensate for what has been lost. Only if this happens can we cheerfully relive the values of our past in memory, without envy for the young to whom they are still accessible. If we cannot compensate, we avoid and flee the “tormenting” recollection of youth, thus blocking our possibilities of understanding younger people. At the same time we tend to negate the specific values of earlier stages. No wonder that youth always has a hard fight to sustain against the ressentiment of the older generation. Yet this source of ressentiment is also subject to an important historical variation. In the earliest stages of civilization, old age as such is so highly honored and respected for its experience that ressentiment has hardly any chance to develop. But education spreads through printing and other modern media and increasingly replaces the advantage of experience. Younger people displace the old from their positions and professions and push them into the defensive. As the pace of “progress” increases in all fields, and as the changes of fashion tend to affect even the higher domains (such as art and science), the old can no longer keep up with their juniors. “Novelty‟ becomes an ever greater value. This is doubly true when the generation as such is seized by an intense lust for life, and when the generations compete with each other instead of cooperating for the creation of works which outlast them. “Every cathedral,” Werner Sombart writes, “every monastery, every town hall, every castle of the Middle Ages bears testimony to the transcendence of the individual's span of life: its completion spans generations which thought that they lived for ever. Only when the individual cut himself loose from the community which outlasted him, did the duration of his personal life become his standard of happiness.” Therefore buildings are constructed ever more hastily—Sombart cites a number of examples. A corresponding phenomenon is the ever more rapid alternation of political regimes which goes hand in hand with the progression of the democratic movement. But every change of government, every parliamentary change of party domination leaves a remnant of absolute opposition against the values of the new ruling group. This opposition is spent in ressentiment the more the losing group feels unable to return to power. The “retired official” with his followers is a typical ressentiment figure. Even a man like Bismarck did not entirely escape from this danger."”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Life , People , Youth , Age

“I have an object, a task, let me say the word, a passion. The profession of writing is a violent and almost indestructible one.”

George Sand (1804–1876) French novelist and memoirist; pseudonym of Lucile Aurore Dupin

J'ai un but, une tâche, disons le mot, une passion. Le métier d'écrire en est une violente et presque indestructible.
Letter to Jules Boucoiran, (4 March 1831), published in Georges Lubin (ed.) Correspondance (Paris: Garnier Freres, 1964-95) vol. 1, pp. 817-18; Frederick Niecks Frederick Chopin: As a Man and Musician (London: Novello, 1890) vol. 1, p. 334

Passion

“I write… for laymen and scientists, because the reader who is interested in any activity which needs thought and judgement is… a person to whom science can be made to speak, It is not he who is deaf, but the specialists who have been dumb—the specialists in the arts as well as in the sciences.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

"Sense and Sensibility"
The Common Sense of Science (1951)

Art , Science , Personality

“This is the Unix philosophy: Write programs that do one thing and do it well. Write programs to work together. Write programs to handle text streams, because that is a universal interface.”

Doug McIlroy (1932) American computer scientist, mathematician, engineer, and programmer

Doug McIlroy (2003). The Art of Unix Programming: Basics of the Unix Philosophy http://www.catb.org/esr/writings/taoup/html/ch01s06.html

Universe

“Don't you drink? I notice you speak slightingly of the bottle. I have drunk since I was fifteen and few things have given me more pleasure. When you work hard all day with your head and know you must work again the next day what else can change your ideas and make them run on a different plane like whisky? When you are cold and wet what else can warm you? Before an attack who can say anything that gives you the momentary well-being that rum does?… The only time it isn't good for you is when you write or when you fight. You have to do that cold. But it always helps my shooting. Modern life, too, is often a mechanical oppression and liquor is the only mechanical relief.”

Ernest Hemingway (1899–1961) American author and journalist

Postscript to letter to critic, poet and translator Ivan Kashkin (19 August 1935); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

Life , Pleasure , Idea , Drink

“I've seen a lot of patriots and they all died just like anybody else if it hurt bad enough and once they were dead their patriotism was only good for legends; it was bad for their prose and made them write bad poetry. If you are going to be a great patriot, i. e., loyal to any existing order of government (not one who wishes to destroy the existing for something better), you want to be killed early if your life and works won't stink.”

Ernest Hemingway (1899–1961) American author and journalist

Letter (12 January 1936); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

Life , Hurt , Dead

“The more recent practice of writing numbers on the arms of thousands of Palestinians who have been crammed in Israeli detention camps since February 2002 through the present further demonstrates the Nazi system as a model for the Israeli army.”

Joseph Massad (1963) Associate Professor of Arab Studies

Massad, "The Ends of Zionism: Racism and the Palestinian Struggle", Interventions, 2003
On Comparisons of Israel to Nazi Germany

“Writing adds up to the conscience of our times.”

Martin Firrell (1963) British artist and activist

Quoted in the documentary Art in a Word by Vera Baghiroli, qoob tv (22 July 2008).

Time

“I don't like to write like God. It is only because you never do it, though, that the critics think you can't do it.”

Ernest Hemingway (1899–1961) American author and journalist

Letter (26 August 1940); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

God , Thinking

“The furniture is comfortable to me. Rather than making a chair to sleep in or a machine to live it, it is better to make a bed. A straight chair is best for eating or writing. The third position is standing.”

Donald Judd (1928–1994) artist

Source: 1990s, "It’s Hard to Find a Good Lamp," 1993, p. 21

Sleep

“What was most odd was that teachers would tell you what to do and what to think and they would write everything on a blackboard and you would copy it all down.”

Joanna MacGregor (1959) British musician

The Evening Standard - 04/07/2002
Childhood

Thinking , Teachers

“It’s not easy to write a poem about a poem.”

Dejan Stojanovic (1959) poet, writer, and businessman

“Is It Possible to Write a Poem?,” p. 111
The Sun Watches the Sun (1999), Sequence: “Is It Possible to Write a Poem”

“We don't want teenagers to write violent poems, horrifying stories, explicit lyrics and rhymes; they're ugly, in precisely the way that we are ugly, and out of protectiveness and hypocrisy, even out of pity and love and tenderness, we try to force young people to be innocent of everything but the effects of that ugliness.So we censor the art they consume and produce, and prosecute and suspend and expel them, and when, once in a great while, a teenager reaches for an easy gun and shoots somebody or himself, we tell ourselves that if we had only censored his journals and curtailed his music and video games, that awful burst of final ugliness could surely have been prevented. As if art caused the ugliness, when of course all it can ever do is reflect and, perhaps, attempt to explain it.Let teenagers languish, therefore, in their sense of isolation, without outlet or nourishment, bereft of the only thing that makes it all bearable: knowing that somebody else has felt the way that you feel, has faced it, run from it, rued it, lamented it and transformed it into art; has been there, and returned, and lived, for the only good reason we have: to tell the tale.How confident we shall be, once we have done this, of never encountering the ugliness again! How happy our children will be, and how brave, and how safe!”

Michael Chabon (1963) Novelist, short story writer, essayist

Nanny Nation

Love , Children , People , Art

“"Writing" is the Latin of our times. The modern language of the people is video and sound.”

Lawrence Lessig (1961) American academic, political activist.

Wikimania 2006

People , Time

“We are approaching a darkness in the land. Boys and girls are emerging from every level of school with certificates and degrees, but they can't read, write or calculate. We don't have academic honesty or intellectual rigor. Schools have abandoned integrity and rigor.”

Julius Sumner Miller (1909–1987) American physicist

As quoted in "TV and Classroom Physicist : 'Professor Wonderful,' Julius Sumner Miller, Dies" by Gerald Faris, in The Los Angeles Times (16 April 1987)

School , Girl , Boy , Reading

“We are all writing God's poem.”

Anne Sexton (1928–1974) poet from the United States

As quoted by Erica Jong, in "Into the lion's den" in The Guardian (26 October 2000) http://www.guardian.co.uk/theguardian/2000/oct/26/features11.g2

God

“If you follow a certain road for some time, it takes an enormous willpower to leave, although you might recognize that the road was not good. But in my case I believed and was convinced that I was serving and helping the people until the last. However, it is a terrible fate that has befallen me. If I had remained with my writing and my music I would be working now and not a criminal in the Nuremburg prison.”

Walther Funk (1890–1960) German economist and politician

To Leon Goldensohn, May 12, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004

Fate , People , Music , Time

“Numerous geographers writing in recent years concerning the nature and scope of their subject have described the relation of their field to other fields of science in terms of a concept said to stem from Immanuel Kant and from Alexander von Humboldt. Whatever may be the original source of the concept, its importance in the current geographic thought stems from the writing of Alfred Hettner, the German master of the methodology of geography.”

Richard Hartshorne (1899–1992) American Geographer

Hartshorne (1958) "The concept of geography as a science of space, from Kant and Humboldt to Hettner" in: Annals of the Association of American Geographers Vol 48 (2). p. 97

Nature , Science

“I believe that the civilization India evolved is not to be beaten in the world. Nothing can equal the seeds sown by our ancestors, Rome went, Greece shared the same fate; the might of the Pharaohs was broken; Japan has become Westernized; of China nothing can be said; but India is still, somehow or other, sound at the foundation. The people of Europe learn their lessons from the writings of the men of Greece or Rome, which exist no longer in their former glory. In trying to learn from them, the Europeans imagine that they will avoid the mistakes of Greece and Rome. Such is their pitiable condition. In the midst of all this India remains immovable and that is her glory. It is a charge against India that her people are so uncivilized, ignorant and stolid, that it is not possible to induce them to adopt any changes. It is a charge really against our merit. What we have tested and found true on the anvil of experience, we dare not change. Many thrust their advice upon India, and she remains steady. This is her beauty: it is the sheet-anchor of our hope.
Civilization is that mode of conduct which points out to man the path of duty. Performance of duty and observance of morality are convertible terms. To observe morality is to attain mastery over our mind and our passions. So doing, we know ourselves. The Gujarati equivalent for civilization means “good conduct.””

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Sect. 13
Variant translations: I believe that the civilisation into which India has evolved is not to be beaten in the world. Nothing can equal the seeds sown by our ancestry. Rome went; Greece shared the same fate; the might of the Pharaohs was broken; Japan has become westernised; of China nothing can be said; but India is still, somehow or other, sound at the foundation.
Greece, Egypt, Rome — all have been erased from this world, yet we continue to exist. There is something in us, that our character never ceases from the face of this world, defying global hostility for centuries.
1900s, Hind Swaraj (1908)

Men , Fate , People , World

“I never really had them. I always get the eccentric kids who dress funny and sit and write poetry for three months in their bedrooms…
…I was going to see tons of shows when I was a teenager, so if I was a girl, would that have made me a groupie? If I wanted to shake Thurston Moore's hand or something?”

Beck (1970) American Musician (b.1970)

talking about groupies in Bust magazine, Fall 2002

Girl

“The problem, if anything, was precisely the opposite. I had too much to write: too many fine and miserable buildings to construct and streets to name and clock towers to set chiming, too many characters to raise up from the dirt like flowers whose petals I peeled down to the intricate frail organs within, too many terrible genetic and fiduciary secrets to dig up and bury and dig up again, too many divorces to grant, heirs to disinherit, trysts to arrange, letters to misdirect into evil hands, innocent children to slay with rheumatic fever, women to leave unfulfilled and hopeless, men to drive to adultery and theft, fires to ignite at the hearts of ancient houses.”

Michael Chabon book Wonder Boys

Wonder Boys (1995)

Women , Men , Children , Secret

“Yet with every allowance, one feels it difficult to see how any mortal ever could consider this Koran as a Book written in Heaven, too good for the Earth; as a well-written book, or indeed as a book at all; and not a bewildered rhapsody; written, so far as writing goes, as badly as almost any book ever was!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Prophet

Books , Feeling

“This evening heard Carmen on the radio, and reflected how hard it was to vamp a man while singing at the top of one's voice. That is the operatic problem; the singer must keep up a head of stream while trying to appear secretive, or seductive, or consumptive. Some ingenious composer should write an opera about a group of people who were condemned by a cruel god to scream all the time; it would be an instantaneous success, and a triumph of verisimilitude.”

Robertson Davies book The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

God , People , Secret , Problem

“When I was younger I really admired people like Warren Beatty who could do one movie every four years. I thought I could do all that: run a theatre company, write a book, make the occasional movie. But life doesn’t work like that, or at least it only does for one or two people every generation. Usually, there’s a little give and take, you know. It took me a long time to realise that I didn’t understand things as well as I thought I did.”

Ethan Hawke (1970) American actor and writer

The Daily Telegraph http://www.telegraph.co.uk/culture/film/7801192/Ethan-Hawke-interview.html (2010-06-10)
2010–present

Life , People , Books , Understanding

“Hayek fails to account either for the passion among intellectuals for equality, or for the resulting success of socialists and their egalitarian successors in driving the liberal idea from the stage of politics. This passion for equality is not a new thing, and indeed pre-dates socialism by many centuries, finding its most influential expression in the writings of Rousseau. There is no consensus as to how equality might be achieved, what it would consist in if achieved, or why it is so desirable in the first place. But no argument against the cogency or viability of the idea has the faintest chance of being listened to or discussed by those who have fallen under its spell.”

Roger Scruton (1944–2020) English philosopher

"Hayek and conservatism", in Edward Feser (ed.), The Cambridge Companion to Hayek (2006)

Idea , Passion , Chance , Success

“Writing non-free software is not an ethically legitimate activity, so if people who do this run into trouble, that's good! All businesses based on non-free software ought to fail, and the sooner the better.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

On the kde-licensing mailing list, (13 April 1998) https://marc.info/?l=kde-licensing&m=89249041326259&w=2
1990s

People , Business

“If this is a lecture and the lecturer writes down one thing and you take down something else, how are you going to pass your exams?”

Lim Guan Eng (1960) Finance Minister of Malaysia

Lim Guan Eng (2018) cited in " Guan Eng hits out at BN media for ‘twisting facts’ https://www.themalaysianinsight.com/s/32089/" on The Malaysian Insight, 12 January 2018

“Everybody can write; writers can't do anything else.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

“Writing is a long and lonesome business; back of the problems in thought and composition hover always the awful questions: Is this the page that shows the empty shell? Is it here and now that they find me out?”

John Kenneth Galbraith book The Great Crash, 1929

Introduction, Section I, p. ix
The Great Crash, 1929 (1954 and 1997 https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929)

Question , Business , Problem

“The melodic curves of speech are an expression of the complete organism and of all phases of its spiritual activities. They demonstrate whether a man is stupid or intelligent, sleepy or awake, tired or alert. They tell us whether he is a child or an old man, whether it is morning or evening, light or darkness, heat or frost, and disclose whether a person is alone or in company. The art of dramatic writing is to compose a melodic curve that will, as if by magic, reveal immediately a human being in one definite phase of his existence.”

Leoš Janáček (1854–1928) Czech composer

Leoš Janáček: Letters and Reminiscences (Stedron, Bohumir, ed. Translated by Geraldine Thomsen. Prague: Artia, 1995).

Stupidity , Art , Intelligence , Light

“The story we’re told about sexuality is very similar to the story we’re told about citizenship: Once upon a time, things were very bad and nobody had any fun. Then there were a series of revolutions, and various oppressed groups threw off their chains, and now we are free, the end. If you’re not living happily ever after, it’s your own damn fault. When, and if, anyone ever does get caught flagrantly abusing their power, we write them off as monsters, lone wolves, bad apples, or any other fairytale monster that allows us to continue the bedtime story in which white supremacist capitalist patriarchy is working well for everyone.”

Laurie Penny (1986) English journalist

The Consent of the (Un)governed

Fairytale , Time

“You keep taking note of whatever confirms your ideas—better to write down what refutes and weakens them!”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 60
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

Idea

“We must never lose sight of the deep and indestructible connections between translation/literature and life. If what we write is to have a chance of living on the page, then we must also live, we must observe life, we must experience and learn to transmute that experience. Translators no less than creative writers.”

John Minford (1946) New Zealand sinologist

Public Lecture (2018)

Life , Literature , Learning , Chance

“Live your life as if you are writing your Biography.”

Keshia Chante (1988) Canadian actor and musician

Official Website (2009)

Life

“It didn't take long for me to realize that writing, performing and singing songs was what I was meant to do, but what other people thought was an entirely different issue. If I had to break it down, I’d say about 99 percent of the people in my life were telling me I wasn’t going to make it. All that adversity and lack of faith ended up just strengthening my own convictions. All that negativity really helped me in the end, because there’s no better inspiration for doing something than having somebody say that you can’t do it.”

Willie Nelson (1933) American country music singer-songwriter.

[Thomas, Marlo, 2004, The Right Words at the Right Time, 229, Simon and Schuster, 978-0-743-44650-1]

Life , People , Faith , Singing

“I have promised to write down the entire history of these three poor children, but you haven't, so if you prefer stories that are more heartwarming, please feel free to make another selection.”

Daniel Handler book The Miserable Mill

The Miserable Mill (2000)

Children , Feeling , History

“We at Answers in Genesis have been saddened by recent news of a devastating earthquake that rocked Nepal on April 25. This earthquake and its aftershocks have killed thousands, levelled buildings, and left countless thousands homeless and hungry. It even triggered an avalanche on Mount Everest that resulted in fatalities. Now, the headline of an article in the New York Times declares, “Ancient Collision Made Nepal Earthquake Inevitable.” The author writes, “More than 25 million years ago, India, once a separate island on a quickly sliding piece of the Earth’s crust, crashed into Asia. The two land masses are still colliding, pushed together at a speed of 1.5 to 2 inches a year. The forces have pushed up the highest mountains in the world, in the Himalayas, and have set off devastating earthquakes.” But starting from the history recorded in God’s Word we know that this earthquake is not the result of a crash 25 million years ago and slow and gradual processes ever since. Instead, when we start with the history recorded in God’s Word, we know that this earthquake is one of the tragic consequences of the Fall and the global Flood of Noah’s day… Please be in prayer for Nepal and especially for our brothers and sisters in that country who are reaching out to victims with the love of Christ. Also, as they watch the news, many people will be asking how God could allow such a tragedy. I encourage you to equip yourself with the biblical answer to why there is death and suffering—because of Adam and Eve’s rebellion—so that you can answer their questions and point them toward the hope that we can have even in the midst of tragedy because of the sacrifice of Jesus and the salvation that He offers. It’s important to know that such tragedy is not God’s fault—it’s our fault because of our sin in Adam. God stepped into history in the person of His Son to rescue us from the problem we caused and the resulting separation from our God.”

Ken Ham (1951) Australian young Earth creationist

"Nepal Suffering After Major Earthquake" https://answersingenesis.org/blogs/ken-ham/2015/04/30/nepal-suffering-after-major-earthquake/, Around the World with Ken Ham (April 30, 2015)
Around the World with Ken Ham (May 2005 - Ongoing)

Love , Death , God , People

“One day I was sitting one side of the fireplace, and my wife was sitting on the other, and I suddenly said to her, “Wouldn’t it be a good idea to write a story about some boys on an island, showing how they would really behave, being boys and not little saints as they usually are in children’s books.” And she said, “That’s a first-class idea! You write it!””

William Golding (1911–1993) British novelist, poet, playwright and Nobel Prize for Literature laureate

So I went ahead and wrote it.
Introduction to his reading https://www.youtube.com/watch?v=vYnfSV27vLY of Lord of the Flies in the unabridged audio version (1980)

Children , Books , Boy , Idea

“I know it's weird, but it does make it easier to write poetry in perl.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[7865@jpl-devvax.JPL.NASA.GOV, 1990]
Usenet postings, 1990

“When a movie is this bad, it's hard to adequately describe its awfulness in words. The temptation exists to write something along the lines of: "Something this horrible has to be seen to be believed." Of course, that kind of advice would lead to e-mail death threats and other assorted nasty comments from those who spend money on The Devil's Rejects. … Aside from its poor production values, horrendous acting, and ignoble morality, The Devil's Rejects isn't engaging cinema. Even if the simple act of sitting in a movie theater watching people get hacked up for 90 minutes doesn't bother you, the dullness and repetition is likely to.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=934 of The Devil's Rejects (2005).
Half-star reviews

Death , Money , People

“One of the best things about writing is how it redeems, not to mention recycles, all of one's prior experiences, including — or perhaps especially — the failures.”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

"Putting It Together" p. 6
The Vorkosigan Companion (2008)

Failure

“Hui Shih was a man of many devices and his writings would fill five carriages. But his doctrines were jumbled and perverse and his words wide of the mark. His way of dealing with things may be seen from these sayings:
"The largest thing has nothing beyond it; it is called the One of largeness. The smallest thing has nothing within it; it is called the One of smallness."
"That which has no thickness cannot be piled up; yet it is a thousand li in dimension."
"Heaven is as low as earth; mountains and marshes are on the same level."
"The sun at noon is the sun setting. The thing born is the thing dying."
"Great similarities are different from little similarities; these are called the little similarities and differences. The ten thousand things are all similar and are all different; these are called the great similarities and differences."
"The southern region has no limit and yet has a limit."
"I set off for Yueh today and came there yesterday."
"Linked rings can be separated."
"I know the center of the world: it is north of Yen and south of Yueh."”

Hui Shi

"Let love embrace the ten thousand things; Heaven and earth are a single body."
'With sayings such as these, Hui Shih tried to introduce a more magnanimous view of the world and to enlighten the rhetoricians.'
Zhuangzi, Ch. 33, as translated by Burton Watson (1968), p. 374; this contains the core of what has survived of Hui Shi's philosophy, most of the records of it having been eradicated in the vast "burning of books and burying of scholars" during the Legalism of the Qin dynasty.

Love , World , Way , Mountain

“The poet who writes "free" verse is like Robinson Crusoe on his desert island: he must do all his cooking, laundry and darning for himself. In a few exceptional cases, this manly independence produces something original and impressive, but more often the result is squalor — dirty sheets on the unmade bed and empty bottles on the unswept floor.”

W. H. Auden book The Dyer's Hand

"Writing", p. 22
The Dyer's Hand, and Other Essays (1962)

Cooking

“Writing can wreck your body. You sit there on the chair hour after hour and sweat your guts out to get a few words.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Interview for French TV (1998)

“Writings are naturally accessible to all who can read. Therefore a philosopher who chose the second way could expound only such opinions as were suitable for the nonphilosophic majority: all of his writings would have to be, strictly speaking, exoteric. These opinions would not be in all respects consonant with truth. Being a philosopher, that is, hating "the lie in the soul" more than anything else, he would not deceive himself about the fact that such opinions are merely "likely tales," or "noble lies," or "probable opinions," and would leave it to his philosophic readers to disentangle the truth from its poetic or dialectic presentation. But he would defeat his purpose if he indicated clearly which of his statements expressed a noble lie, and which the still more noble truth.”

Leo Strauss book Persecution and the Art of Writing

Source: Persecution and the Art of Writing (1952), Persecution and the Art of Writing, p. 35

Hate , Truth , Lie , Way

“I was one of the first guys writing comic books, I wrote Captain America, with guys like Stan Lee, who became famous later on with Marvel Comics. Stan could write on three typewriters at once! I wrote the Human Torch, Submariner. I worked my way down. I started off at the high level, in the slick magazines, but they didn't use my name, they used house names. Anyway, then I went downhill to the pulps, then downhill further to the comics. I went downhill class-wise, but I went uphill, money-wise! I was making more money in the comics. I wrote the original Mike Hammer as a comic, Mike Danger.”

Mickey Spillane (1918–2006) American writer

Crime Time interview (2001)

Money , Books , Way , Guy

“Times are not good here. The city is crumbling into ashes. It has been buried under a lava flood of taxes and frauds and maladministrations so that it has become only a study for archaeologists. Its condition is so bad that when I write about it, as I intend to do soon, nobody will believe I am telling the truth. But it is better to live here in sackcloth and ashes than to own the whole state of Ohio.”

Lafcadio Hearn (1850–1904) writer

Inventing New Orleans: Writings of Lafcadio Hearn.

Truth , Fraud , Study , Time

“Remember, writing poetry is like making love: one will never know whether one's own pleasure is shared.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

This Business of Living (1935-1950)

Love , Pleasure , Making love

“The German Rendering. The German language was divided into as many dialects as tribes and states, and none served as a bond of literary union. Saxons and Bavarians, Hanoverians and Swabians, could scarcely understand each other. Each author wrote in the dialect of his district, Zwingli in his Schwyzerdütsch. "I have so far read no book or letter," says Luther in the preface to his version of the Pentateuch (1523), in which the German language is properly handled. Nobody seems to care sufficiently for it; and every preacher thinks he has a right to change it at pleasure, and to invent new terms." Scholars preferred to write in Latin, and when they attempted to use the mother tongue, as Reuchlin and Melanchthon did occasionally, they fell far below in ease and beauty of expression.
Luther brought harmony out of this confusion, and made the modern High German the common book language. He chose as the basis the Saxon dialect, which was used at the Saxon court and in diplomatic intercourse between the emperor and the estates, but was bureaucratic, stiff, heavy, involved, dragging, and unwieldy. He popularized and adapted it to theology and religion. He enriched it with the vocabulary of the German mystics, chroniclers, and poets. He gave it wings, and made it intelligible to the common people of all parts of Germany.”

Philip Schaff (1819–1893) American Calvinist theologian

Which Greek and Hebrew texts of the Bible did Luther use?

People , Pleasure , Books , Religion

“Australia became a full-blooded democracy in the late 1850s, achieving it with lightning speed. Only 30 years previously it had consisted of two convict colonies, ruled by governors whose personal power was magnified because most of their subjects were prisoners or ex-prisoners. Moreover, the governors were so remote geographically that Britain’s control of them and their decisions was loose. One year might elapse between the governor writing an urgent dispatch to London, and the arrival of an official reply. And yet, from this prison-like regime, democracy speedily emerged. This was an exceptional outcome.”

Geoffrey Blainey (1930) Australian historian

"After the gold rush, the colonial cradle of democracy," http://www.theaustralian.com.au/news/inquirer/after-the-gold-rush-the-colonial-cradle-of-democracy/news-story/5cf7a3bd7dd077c91a282b4a8c0efa65, The Australian (August 27, 2016)

Democracy , Decision , Personality , Speed

“These things were lost to oblivion like so much about so many who are born and die without anyone ever taking the time to write it all down.”

Nicole Krauss The History of Love

Source: The History of Love (2005), P. 70

Time

“Poets are being pursued by the philosophers today, out of the poverty of philosophy. God damn it, you might think a man had no business to be writing, to be a poet unless some philosophic stinker gave him permission.”

William Carlos Williams (1883–1963) American poet

Letter to James Laughlin (14 January 1944), published in The Selected Letters of William Carlos Williams (1957) edited by John C. Thirlwall, p. 219
General sources

God , Business , Thinking

“One ruins the mind with too much writing. — One rusts it by not writing at all.”

Joseph Joubert (1754–1824) French moralist and essayist

“The higher processes are all processes of simplification. The novelist must learn to write, and then he must unlearn it; just as the modern painter learns to draw, and then learns when utterly to disregard his accomplishment, when to subordinate it to a higher and truer effect.”

Willa Cather (1873–1947) American writer and novelist

"The Novel Démeublé"
Not Under Forty (1936)

Learning , Drawing

Quotes about writing page 42

Quotes about writing
page 42