Quotes about writer (1935 quotes, page 19)

“He is one of Britain’s most successful travel writers, whose highly entertaining books elegantly combine scholarship and story-telling, trans-cultural investigations and romance.”

William Dalrymple (1965) author and historian

Jules Smith, in William Dalrymple: Critical Perspective http://literature.britishcouncil.org/william-dalrymple, 2007, British Council.
About William Dalrymple

Travel , Books , Success

“It’s kind of an old-fashioned book…It’s long; it has a lot of characters; it takes a big theme. It isn’t a navel-staring, dysfunctional-family thing that’s so beloved of most American writers. It’s different, but I think people probably miss those books that were written some time ago – the big book that was written with care.”

Annie Proulx (1935) American novelist, short story and non-fiction author

On her novel Barkskin in “Annie Proulx: ‘I’ve had a life. I see how slippery things can be’” https://www.theguardian.com/books/2016/jun/05/annie-proulx-ive-had-a-life-i-see-how-slippery-things-can-be in The Guardian (2016 Jun 5)
Personal life and writing career

Family , Time , People , Thinking

“The construction of short stories calls for a markedly different set of mind than work on a novel, and for me short stories are at once more interesting and more difficult to write than longer work. The comparative brevity of the story dictates more economical and accurate use of words and images, a limited palette of events, fewer characters, tighter dialogue, strong title and punctuation that works to move the story forward. If the writer is trying to illustrate a particular period or place, a collection of short stories is a good way to take the reader inside a house of windows, each opening onto different but related views—a kind of flip book of place, time and manners.”

Annie Proulx (1935) American novelist, short story and non-fiction author

On her short story collection Close Range: Wyoming Stories in “An Interview with Annie Proulx” https://www.missourireview.com/article/an-interview-with-annie-proulx/ in The Missouri Review (1999 Mar 1)
Personal life and writing career

Time , Housing , Strong , Books

“He’s one of the greatest artists and songwriters of all time, not only in my small town, but worldwide, and that always made me really proud. He set an example of how to do shit and set an example of what not to do, and I respected that, too. Chris had a part in steering a direction there; you don’t need this shit, you don’t need miscellaneous bullshit – you need the music. He was a very deep and emotional writer, and I feel like I have an affinity with writers like Chris. He didn’t pull any fucking punches at all and that’s never been my style, either.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Jerry Cantrell quoted in ** Interview with Metal Hammer, July 19, 2018 https://www.pressreader.com/uk/metal-hammer-uk/20180719/283978948146853,

Music , Time , Feeling , Parting

“The rapid changes in the world of thought, arising from the nearness of the Coming of the World-Teacher, render useful some information as to a part of the world in which he lives, information which may, perhaps, to some extent prepare the public mind for his teachings.Be that as it may, I desire to associate myself with the statements made in this book, for the accuracy of nearly all of which I can personally vouch; and also to say on behalf of my colleague as well of myself, that the book is issued as a record of observations carefully made and carefully recorded, but not claiming any authority, nor making any demand for acceptance. It makes no claim to inspiration, but is only an honest account of things seen by the writer.”

Charles Webster Leadbeater (1854–1934) English theosophist

Annie Besant, Forward
The Masters and the Path (1925)

Personality , Teachers , Books , World

“Life after death — Life in the universe is absolute; in creation it is always relative. That is why people should not cry at death; it is not something horrible or ghastly. Their friends and loved ones have simply returned to their homeland. The books and writings received by writers through channelled sources are a sign that this message about life on the other side of death is beginning to get through to humanity.”

Benjamin Creme (1922–2016) artist, author, esotericist

Maitreya's Teachings - The Laws of Life (2005)

Making love , People , Universe , Books

“I grew up being aware that I was Southern, and that being a very important thing for me. And being drawn to short story writers, like Flannery O’Connor and Eudora Welty—the surroundings in their stories were so familiar to me, the whole Southern Gothic thing. That world only existed in that part of the country. It’s going to inform the personality of the songs. In a lot of my songwriting, I mention towns and places. It’s a culturally traditional thing in the South to tell stories.”

Lucinda Williams (1953) American rock, folk, blues, and country music singer, songwriter and musician

On how her Southern heritage informed her songwriting in “Lucinda Williams On the Hard and Sedulous Road to Major Label Success” https://sheshredsmag.com/interview-lucinda-williams/ in She Shreds (2017 Mar 6)

World , Personality , Parting , Country

“The mystery story is a kind of writing that need not dwell in the shadow of the past and owes little if any allegiance to the cult of the classics. It is a good deal more than unlikely that any writer now living will produce a better historical novel than Henry Esmond, a better tale of children than The Golden Age, a sharper social vignette than Madame Bovary, a more graceful and elegant evocation than The Spoils of Poynton, a wider and richer canvas than War and Peace or The Brothers Karamazov.”

Raymond Chandler book The Simple Art of Murder

But to devise a more plausible mystery than The Hound of the Baskervilles or The Purloined Letter should not be too difficult. Nowadays it would be rather more difficult not to.
Introduction
The Simple Art of Murder (1950)

Peace , War , Past , Children

“It is said a fish as large as a man has a brain no larger than the kernel of an almond. In all fish and reptiles where there is no great brain development, there is also no conscious sexual control. The lower down in the scale of human development we go the less sexual control we find. It is said that the aboriginal Australian, the lowest known species of the human family, just a step higher than the chimpanzee in brain development, has so little sexual control that police authority alone prevents him from obtaining sexual satisfaction on the streets. According to one writer, the rapist has just enough brain development to raise him above the animal, but like the animal, when in heat knows no law except nature which impels him to procreate whatever the result. Every normal man and Woman has the power to control and direct his sexual impulse. Men and women who have it in control and constantly use their brain cells in thinking deeply, are never sensual.”

Margaret Sanger (1879–1966) American birth control activist, educator and nurse

Source: What Every Girl Should Know (1913), Chapter 4, "Sexual Impulses--Part II", p. 47.

Family , Law , Nature , Animals

“The attention that literary artists have lavished on Spinoza is remarkable. Writers have not only shaped their aesthetics by reflection on Spinoza, have not only inserted his views into the inner lives and dialogues of their characters, but have molded the man himself into a protagonist in their novels, poems, and plays. This last aspect of the literary fascination with Spinoza is particularly noteworthy. The person of Benedictus Spinoza has drawn, over the centuries, unusual attention, and not only from literary writers.”

Baruch Spinoza (1632–1677) Dutch philosopher

Rebecca Goldstein, in her article 'Literary Spinoza,'. In: The Oxford Handbook of Spinoza, edited by Michael Della Rocca (Oxford: Oxford University Press, 2017)
G - L

Personality

“It is better to fail in originality, than to succeed in imitation. He who has never failed somewhere, that man can not be great. Failure is the true test of greatness. And if it be said, that continual success is a proof that a man wisely knows his powers, — it is only to be added, that, in that case, he knows them to be small. Let us believe it, then, once for all, that there is no hope for us in these smooth pleasing writers that know their powers.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

Hawthorne and His Mosses (1850)

Hope , Failure , Success

“Other writers in Kazanas’ class, including D. Frawley, K. Elst, and N. S. Rajaram, have already caused significant damage to linguistics, philology, Indology, archaeology, and history…. In the fundamentalist/nationalistic circles from, which Kazanas draws support – despite his pretense of political naivete.”

Michael Witzel (1943) German-American philologist

‘Ein Fremdling im Rgveda’ (Journal of Indo-European Studies, Vol. 31, No.1-2: pp.107-185, 2003)

Support , Drawing , History

“Samuel Hartlib, a celebrated writer on husbandry in the last century, a gentleman much beloved and esteemed by Milton, in his preface to the work, commonly called his Legacy, laments greatly that no public director of husbandry was established in England By Authority; and that we had not adopted the Flemish custom of letting farms upon improvement… Cromwell, in consequence of this admirable performance, allowed Hartlib a pension of 100l.”

Walter Harte (1709–1774) poet and historian

a year ; and Hartlib afterwards, the better to fulfil the intentions of his benefactor, procured Dr. Beati's excellent annotations on the Legacy, with other valuable pieces from bis numerous correspondents.
Source: Essays on Husbandry (1764), p. 3.

“Samuel Hartlib, a celebrated writer on husbandry in the last century, a gentleman much beloved and esteemed by Milton, in his preface to the work, commonly called his Legacy, laments greatly that no public director of husbandry was established in England By Authority; and that we had not adopted the Flemish custom of letting farms upon improvement… Cromwell, in consequence of this admirable performance, allowed Hartlib a pension of 100l.”

Samuel Hartlib (1600–1662) German-British polymath

a year ; and Hartlib afterwards, the better to fulfil the intentions of his benefactor, procured Dr. Beati's excellent annotations on the Legacy, with other valuable pieces from bis numerous correspondents.
Walter Harte. Essays on Husbandry (1764), p. 3.

“Tulsidas is the highest tree in the garden of Hindu poetry, though his name does not appear in Aeen-i-Akbari or any book of Muslim historians or even narratives of European writers who worked on information taken from Persian historians. Yet, Tuslidas was the greatest man of India of his time. In fact he can be called greater than Akbar because the victory that the poet registered in the hearts of thousands of millions of people was greater and more lasting than all the imperious victories put together…the Ramacharritamanas is such an enormous epic that its English adaptation by Growse is of 362 pages. The declinations in this epic are so similar to Christianity that on numerous spots, if Rama is replaced by Christ, there can be no question.”

Tulsidas (1532–1623) Hindu poet-saint

Vincent Smith in "A Garden of Deeds: Ramacharitmanas, a Message of Human Ethics", pp.34-35
On Tulsidas’s epic Ramacharritamanas

Tree , Time , Question , Victory

“What in the hell—I mean, in heaven—had I just done? This was crazyloco! I’d just made a deal with God to become as great a writer as Homer or better, and I didn’t even know how to read. This was totally, absolutely insane!”

Victor Villaseñor (1940) American writer

Crazy Loco Love: A Memoir (2008)

God , Hell , Reading

“It is the duty of a writer to protect and argue in favour of those who are oppressed, sufferers, whether an individual or a group deprived.”

Premchand (1880–1936) Hindi writer

Spoke in a lecture quoted in page=96
Portrayal of Women in Premchands Stories A Critique

Suffering

“To bring in the mass of the people, to found the greatness of the future on the greatness of the past, to infuse Indian politics with Indian religious fervour and spirituality are the indispensable conditions for a great and powerful political awakening in India. Others, writers, thinkers, spiritual leaders, had seen this truth. Mr. Tilak was the first to bring it into the actual field of practical politics.”

Bal Gangadhar Tilak (1856–1920) Indian independence activist

Sri Aurobindo, 1918, quoted from Sri Aurobindo, ., Nahar, S., Aurobindo, ., & Institut de recherches évolutives (Paris). India's rebirth: A selection from Sri Aurobindo's writing, talks and speeches. Paris: Institut de Recherches Evolutives. 3rd Edition (2000). [3]

Truth , Future , People , Past

“The Congress movement was for a long time purely occidental in its mind, character and methods, confined to the English-educated few, founded on the political rights and interests of the people read in the light of English history and European ideals, but with no roots either in the past of the country or in the inner spirit of the nation…. To bring in the mass of the people, to found the greatness of the future on the greatness of the past, to infuse Indian politics with Indian religious fervour and spirituality are the indispensable conditions for a great and powerful political awakening in India. Others, writers, thinkers, spiritual leaders, had seen this truth. Mr. Tilak was the first to bring it into the actual field of practical politics….. There are always two classes of political mind: one is preoccupied with details for their own sake, revels in the petty points of the moment and puts away into the background the great principles and the great necessities, the other sees rather these first and always and details only in relation to them. The one type moves in a routine circle which may or may not have an issue; it cannot see the forest for the trees and it is only by an accident that it stumbles, if at all, on the way out. The other type takes a mountain-top view of the goal and all the directions and keeps that in its mental compass through all the deflections, retardations and tortuosities which the character of the intervening country may compel it to accept; but these it abridges as much as possible. The former class arrogate the name of statesman in their own day; it is to the latter that posterity concedes it and sees in them the true leaders of great movements. Mr. Tilak, like all men of pre-eminent political genius, belongs to this second and greater order of mind.”

Bal Gangadhar Tilak (1856–1920) Indian independence activist

Sri Aurobindo, (From an introduction to a book entitled Speeches and Writings of Tilak.), quoted from Sri Aurobindo, ., Nahar, S., Aurobindo, ., & Institut de recherches évolutives (Paris). India's rebirth: A selection from Sri Aurobindo's writing, talks and speeches. Paris: Institut de Recherches Evolutives. 3rd Edition (2000). https://web.archive.org/web/20170826004028/http://bharatvani.org/books/ir/IR_frontpage.htm

Tree , Time , History , Reading

“He introduced me to all the intellectuals at S. F. State and convinced me I should be a writer since I had so many fucking stories to tell. Little did he know I was scared shitless of all those guys with the tweed coats and fancy pipes.”

Oscar Zeta Acosta book Autobiography of a Brown Buffalo

Source: Autobiography of a Brown Buffalo (1972), p. 100.

Guy

“The writer of the above lines (E. W. Bovill), a supposed European authority on the Western Sudan, then goes on to say that silent trade or dumb barter was a feature of the Western Sudan’s gold trade throughout all the centuries until modern times. Actually, the only thing dumb about the trade is what he writes about it. The story of dumb barter for gold in West Africa is repeated in several accounts, starting with ancient Greek scripts. It is clearly a rough approximation of the first attempts at exchange of a people coming into contact with strangers, and it was not a permanent procedure.”

Walter Rodney book How Europe Underdeveloped Africa

Source: How Europe Underdeveloped Africa (1972), p. 92.

Time , People

“Naguib Mahfouz, an Egyptian novelist who was the first Arabic writer to receive the Nobel Prize for literature and who was often considered the greatest writer in the Arab world… lived his entire life in Cairo, which provided the inspiration and backdrop for almost all of his writing… He set most of his works in the ancient Islamic quarter of Cairo, with its mosques and serpentine alleys teeming with shopkeepers, metalsmiths, government workers, peasants, prostitutes and thieves. His vibrant novels portraying life at every level of society were often likened to those of such other writers of urban social realism as Charles Dickens, Honore de Balzac and Emile Zola.”

Naguib Mahfouz (1911–2006) Egyptian writer

Matt Schudel " Leading Arab Novelist Gave Streets a Voice http://www.washingtonpost.com/wp-dyn/content/article/2006/08/30/AR2006083000475.html" in: Washington Post, August 31, 2006

World , Life , Literature

“Why is it that Johnny Spaghetti Stain in fucking Georgia can knock a woman up, legally be married to her, and then beat the shit out of her, but these two intelligent, sophisticated writers who have been together for 20 years can’t get married? It’s infuriating and idiotic. I’m incredibly passionate about my support for the gay community and what they’re dealing with at this current point in time. I have arguments with people where I get red in the face, screaming at the top of my lungs.”

Seth MacFarlane (1973) American animator, actor, singer and television producer

Read Oscar Host Seth MacFarlane's One and Only Gay Interview (From 2008) http://www.advocate.com/arts-entertainment/television/2008/01/25/read-oscar-host-seth-macfarlanes-one-and-only-gay-interview, The Advocate, 25 January 2008.

Time , Support , Intelligence , People

“He has famously said that he is a reluctant actor. He has an avid interest in every aspect of filmmaking and is known for his work as a choreographer, director, and writer, as well.”

Kamal Haasan (1954) Indian actor

Maiam Magazine, in Kamal Hassan Biography http://www.imdb.com/name/nm0352032/bio

“He is a legend in every sense of the term. He is a writer, singer, director, lyricist and an actor par-excellence. We are extremely honoured to present the Lifetime Achievement Award to Kamal Haasan.”

Kamal Haasan (1954) Indian actor

Shyam Benegal, after Kamala hasan was selected for the honour of the Lifetime Achievement Award at the 15th Mumbai Film Festival for 50 years in the Indian film industry, in Kamal Haasan to be Bestowed with Lifetime Achievement Award (15 September 2013) http://www.ibtimes.co.in/articles/506113/20130915/kamal-haasan-lifetime-achievement-award-film-festival.htm

Sense

“On we read, confusing the characters with the incidents and neglecting the outcome, but tickled by the images and the turns of the talk. It is frivolous stuff, and how rare, how precious is frivolity! How few writers can prostitute all their powers!”

Ronald Firbank (1886–1926) British novelist

E. M. Forster, "Ronald Firbank", in Abinger Harvest (1936; London: Edward Arnold, 1961) p. 139.

Reading

“Working with the same people week after week brings out inspiration. You have to have an open discussion or you end up with actors saying fuck you to the writers and writers saying fuck you to the actors.”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

"Tracking Tracey" http://www.dareland.com/emulsionalproblems/ullman.htm (Interview, January 1989)

People

“Oh, son, I wish you hadn’t become a scenario writer!”

S.J. Perelman (1904–1979) American humorist, author, and screenwriter

she sniffled.
"Aw, now, Moms," I comforted her, "it’s no worse than playing the piano in a call house."
"Strictly from Hunger", The Most of S. J. Perelman (1992) p. 45

“The most underrated of all contemporary American writers of fiction.”

William March (1893–1954) United States Marine, novelist, short story writer

Alistair Cooke

“No one in the United States has ever matched the confidence of that gentleman’s insult. I believe it would not occur to the deepest-dyed racist in the United States to question whether I am a writer. The racist might say I look like a monkey, but he would not say I don’t look like a writer.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Self-confidence , Confidence , Question

“His name was William Saroyan. He was the first writer I fell in love with, boyishly in love. I was held by his unaffected voice, his sentimentality, his defiant individualism. I found myself in the stories he told… I learned from Saroyan that you do not have to live in some great city — in New York or Paris — in order to write… When I was a student at Stanford, a generation ago, the name of William Saroyan was never mentioned by any professor in the English Department. William Saroyan apparently was not considered a major American talent. Instead, we undergraduates set about the business of psychoanalyzing Hamlet and deconstructing Lolita.”

Richard Rodríguez (1944) American journalist and essayist

In my mind Saroyan belongs with John Steinbeck, a fellow small town Californian and of the same generation. He belongs with Thornton Wilder, with those writers whose aching love of America was formed by the Depression and the shadow of war. … Saroyan's prose is as plain as it is strong. He talks about the pleasure of drinking water from a hose on a summer afternoon in California's Central Valley, and he holds you with the pure line. My favorite is his novel The Human Comedy... In 1943, The Human Comedy became an MGM movie starring Mickey Rooney, but I always imagined Homer Macaulay as a darker, more soulful boy, someone who looked very much like a young William Saroyan...
"Time Of Our Lives" (26 May 1997) http://www.cilicia.com/armo22_william_saroyan_6.html

Business , Love , Making love , Learning

“His strength was as a thinker and a writer, a man of honour, with great moral courage. He had a way with people, enormous charm, integrity and character. He was self-possessed, had a good strong voice, and won the confidence of those who dealt with him.”

Sinnathamby Rajaratnam (1915–2006) Early life

Minister Mentor Lee Kuan Yew, on 25 February 2006, in his eulogy to Rajaratnam.

Courage , Confidence , Strong , People

“Beautifully written... the webs of imagery that Harris has so carefully woven... contains writing of which our best writers would be proud... there is not a singly ugly or dead sentence...”

Martin Amis (1949) Welsh novelist

or so sang the critics. Hannibal is a genre novel, and all genre novels contain dead sentences - unless you feel the throb of life in such periods as 'Tommaso put the lid back on the cooler' or 'Eric Pickford answered' or 'Pazzi worked like a man possessed' or 'Margot laughed in spite of herself' or 'Bob Sneed broke the silence.' What these commentators must be thinking of, I suppose, are the bits when Harris goes all blubbery and portentous (every other phrase a spare tyre), or when, with a fugitive poeticism, he swoons us to a dying fall: 'Starling looked for a moment through the wall, past the wall, out to forever and composed herself...' 'It seemed forever ago...' 'He looked deep, deep into her eyes...' 'His dark eyes held her whole...' Needless to say, Harris has become a serial murderer of English sentences, and Hannibal is a necropolis of prose.
Review of Hannibal by Thomas Harris, p. 240
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

Dead

“The God Delusion by the atheist writer Richard Dawkins, is remarkable in the first place for having achieved some sort of record by selling over a million copies. But what is much more remarkable than that economic achievement is that the contents – or rather lack of contents – of this book show Dawkins himself to have become what he and his fellow secularists typically believe to be an impossibility: namely, a secularist bigot.”

Antony Flew (1923–2010) British analytic and evidentialist philosopher

Helpfully, my copy of The Oxford Dictionary defines a bigot as ‘an obstinate or intolerant adherent of a point of view’
Flew's review of The God Delusion

God , Books

“Sinclair Lewis was a crypto-sentimentalist and a slovenly writer who managed a slight falsification of life in order to move the reader.”

Sinclair Lewis (1885–1951) American novelist, short-story writer, and playwright

James Gould Cozzens, "Books: The Hermit of Lambertville", Time, 2 September 1957

Life

“I don’t understand writers who have to work at it. I like to play. I’m interested in having fun with ideas, throwing them up in the air like confetti and then running under them.”

Ray Bradbury (1920–2012) American writer

The Paris Review interview (2010)

Idea , Understanding

“Do you know what I was smiling at? You wrote down that you were a writer by profession.”

Jerome David Salinger book Raise High the Roof Beam, Carpenters and Seymour: An Introduction

It sounded to me like the loveliest euphemism I had ever heard. When was writing ever your profession? It's never been anything but your religion.
Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Seymour: An Introduction (1959)

Smile

“As an Egyptian of Palestinian origin teaching English literature at an American university, who had built his scholarly career on a Polish sailor that became an English writer (Joseph Conrad), Said’s assertion that western orientalists could not comprehend the East and easterners because they were born into a different culture, seems somewhat bizarre.”

Edward Said (1935–2003) Professor of English and literature

Yoav Gelber, Nation and History: Israeli Historiography between Zionism and Post-Zionism (London and Portland, OR: Vallentine Mitchell, 2011), p. 56

Universe , Literature

“The parody is the last refuge of the frustrated writer. Parodies are what you write when you are associate editor of the Harvard Lampoon.”

Ernest Hemingway (1899–1961) American author and journalist

The greater the work of literature, the easier the parody. The step up from writing parodies is writing on the wall above the urinal.
Pt. 1, Ch. 4
Papa Hemingway (1966)

“All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you; the good and the bad, the ecstasy, the remorse, and sorrow, the people and the places and how the weather was. If you can get so that you can give that to people, then you are a writer.”

Ernest Hemingway (1899–1961) American author and journalist

A Letter from Cuba (1934)

Reading , Bad luck , People , Books

“Humor is properly the exponent of low things; that which first renders them poetical to the mind. The man of Humor sees common life, even mean life, under the new light of sportfulness and love; whatever has existence has a charm for him. Humor has justly been regarded as the finest perfection of poetic genius. He who wants it, be his other gifts what they may, has only half a mind; an eye for what is above him, not for what is about him or below him. Now, among all writers of any real poetic genius, we cannot recollect one who, in this respect, exhibits such total deficiency as Schiller. In his whole writings there is scarcely any vestige of it, scarcely any attempt that way. His nature was without Humor; and he had too true a feeling to adopt any counterfeit in its stead. Thus no drollery or caricature, still less any barren mockery, which, in the hundred cases are all that we find passing current as Humor, discover themselves in Schiller. His works are full of labored earnestness; he is the gravest of all writers.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1820s, Critical and Miscellaneous Essays (1827–1855)

Sport , Light , Nature , Perfection

“It is a general observation that people write as they read. As a rule, careful writers are careful readers and vice versa. A careful writer wants to be read carefully. He cannot know what it means to be read carefully but by having done careful reading himself. Reading precedes writing. We read before we write. We learn to write by reading. A man learns to write well by reading well good books, by reading most carefully books which are most carefully written.”

Leo Strauss book Persecution and the Art of Writing

Source: Persecution and the Art of Writing (1952), How to Study Spinoza's Theologico-Political Treatise, p. 144

Learning , Books , People , Reading

“Because so many of our writers were born in ugly environments, in monstrous poverty and humilitation, they continue to assert that this is the natural environment, reality, and that beauty is artifice. Why should the natural state be ugliness? Natural to whom? We may be born in ugliness, but the natural consequences should be a thirst for its opposite. To mistake ugliness for reality is one of the frauds of the realistic school. A hunger for the unknown, and an aspiration towards beauty were inseparable from civilization. In America the word art was distorted to mean artificial.
We are born with the power to alter what we are given at birth.
When the Japanese paint flowers or the sea on a kimono they mean to establish a link with nature. But they select only what is beautiful in nature to maintain their love of life.
The creative personality never remains fixed on the first world it discovers. It never resigns itself to anything. That is the deepest meaning of rebellion, not the wearing of different clothes, haircuts, or the adopting of other cultures.”

Anaïs Nin book The Novel of the Future

The Novel of the Future (1969)

School , Hunger , Clothes , Painting

“One handles truths like dynamite. Literature is one vast hypocrisy, a giant deception, treachery. All writers have concealed more than they revealed.
But paradoxically, we create fiction out of human concern for the victims of the revelations. This concern is at the root of literature.”

Anaïs Nin book The Diary of Anaïs Nin

The Diary of Anaïs Nin, Vol. 5
Diary entries (1914 - 1974)

Truth , Literature

“Chicano" was a bad word when I was coming up. At least that's what the elders said. The word referred to a Mexican born in the U.S., so by that definition, I'm not Chicano. I was born in Tijuana, but the Mexicans didn't see me as Mexican and the Americans didn't see me as American. I'm a man without a flag. When I started working among Chicanos as an adult, some accepted me, but some didn't. On either side [of the border] I was the "other"; I've always been the other. Later on when I had a bit of success, people on both sides were much more enthusiastic about embracing me. The word "Latino" seems meaningless to me, and "Hispanic" is just wrong. These days, I just tell people my nationality is "Writer.”

Luis Alberto Urrea (1955) Mexican-American poet

On finding his niche as a writer in “AN INTERVIEW WITH LUIS ALBERTO URREA” http://www.bookslut.com/features/2011_12_018440.php in Bookslut (December 2011)

Bad luck , People , Success

“There are two types of writers: those who write to support the existing system and prove and augment its legitimacy through their writings. On the other hand, there are those who critically examine society and make an attempt to restructure and reform it on the basis of fresh ideas.”

Mubarak Ali (1941) Historian, activist, scholar

Dimensions of History, Chapter: Intellectuals and Society, p. 56
Writer

Idea , Support , Making love

“When I was a kid, my mother told me about the time my sister got lost at the circus in New York in Madison Square Garden. ... She said out of the throng of people, suddenly after looking for a long time, she said a cop just appeared and he was holding my sister's hand — she was a little girl. My mother never forgot that picture in her mind. We never see those stories about each other. And I think the writer who wants us to have a better life must take on the responsibility of showing us those kinds of stories.”

James McBride (writer) (1957) American journalist

On writing stories that are considered unseen in "James McBride's Advice For New Writers: 'A Simple Story Is The Best Story'" https://www.npr.org/2020/02/29/810052791/james-mcbrides-advice-for-new-writers-a-simple-story-is-the-best-story in NPR (2020 Feb 29)

Time , Girl , People , Thinking

“You can’t become a good writer unless you have the ability to see that everybody is seeking to ease his or her pain, and everyone’s pain is relative. Blondes don’t really have more fun. There’s always someone who’s going to be bigger or faster or stronger or a better writer or singer or architect than you are. But accepting you where you are is one of the things that fiction helps you do.”

James McBride (writer) (1957) American journalist

On having empathy in “James McBride: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/james-mcbride-write/ in The Writer (2013 Dec 30)

Pain , Help

“The pride comes from accomplishment. I have done what I wanted to do more than any other thing in life. I have become a writer, published two books of integrity and worth. I did not know what those two books would cost me, how very difficult it would be to write them, to survive the opposition to them.”

Andrea Dworkin (1946–2005) Feminist writer

"A Battered Wife Survives", (1978)
Letters from a War Zone: Writings 1976-1987

Life , Books

“We all – adults and children, writers and readers – have an obligation to daydream. We have an obligation to imagine. It is easy to pretend that nobody can change anything, that we are in a world in which society is huge and the individual is less than nothing: an atom in a wall, a grain of rice in a rice field. But the truth is, individuals change their world over and over, individuals make the future, and they do it by imagining that things can be different.”

Neil Gaiman (1960) English fantasy writer

Why our future depends on libraries, reading and daydreaming (2013)

Imagination , Future , Children , Truth

“The chances are that there will always be some people who will despise Jews, just so long as they continue to call themselves Jews; and, of course, we must keep an eye on them. But if some Jews are dreaming of a time when they will be accepted by Christians as Christians accept one another — if this is why certain Jewish writers should be silent — it may be that they are dreaming of a time that cannot be, and of a condition that does not exist, this side of one’s dreams. Perhaps even the Christians don’t accept one another as they are imagined to in that world from which Jews may believe themselves excluded solely because they are Jews.”

Philip Roth (1933–2018) American novelist

Writing About Jews (1963)

Chance , Imagination , Time , Dreams

“Literary works do not take as their subjects characters and events which have impressed a writer primarily by the frequency of their appearance. For example, how many Jewish men, as we know them, have come nearly to the brink of plunging a knife into their only son because they believed God had commanded them to? The story of Abraham and Isaac derives its meaning from something other than its being a familiar, recognizable, everyday occurrence. The test of any literary work is not how broad is its range of representation — for all that breadth may be characteristic of a kind of narrative — but the depth with which the writer reveals whatever it may be that he has chosen to represent.”

Philip Roth (1933–2018) American novelist

Writing About Jews (1963)

God , Appearance , Men

“I do not write a story to make evident whatever disapproval I may feel for adulterous men. I write a story of a man who is adulterous to reveal the condition of such a man. If the adulterous man is a Jew, then I am revealing the condition of an adulterous man who is a Jew. Why tell that story? Because I seem to be interested in how — and why and when — a man acts counter to what he considers to be his "best self," or what others assume it to be, or would like for it to be. The subject is hardly "mine"; it interested readers and writers for a long time before it became my turn to be engaged by it, too.”

Philip Roth (1933–2018) American novelist

Writing About Jews (1963)

Time , Self-confidence , Making love , Feeling

“All cultural translation necessitates some interpretation and simplification. No sane reader would be able to make sense of a text which consisted exclusively of directly translated, unmediated quotations from informants. Compression and editing are therefore necessary elements of cultural translation. Moreover, no matter how outstanding an anthropologist is, as a fieldworker, as a writer and as an analyst, the text always represents a selection, and it will always to a greater or lesser extent be marked by the subjectivity of the translator.”

Thomas Hylland Eriksen (1962) Norwegian social anthropologist and professor

Source: What is Anthropology? (2nd ed., 2017), Ch. 2 : Key Concepts

Sense , Making love

“…There’s still this notion that you are somehow morally superior if you don’t know anything about the background of the writers you read, and I maintain that writers have every right to not talk their backgrounds, that’s fine, but when people do and it’s important to their work, to not know doesn’t mean you’re morally superior, it means you are indifferent…”

Nalo Hopkinson (1960) Jamaican Canadian writer

On the author having the right to reveal anything personal that’s significant to them in “Interview: Nalo Hopkinson” http://www.lightspeedmagazine.com/nonfiction/interview-nalo-hopkinson/ in Lightspeed (June 2013)

Indifference , People , Reading

“The writer, when first he became a theosophical student, had the aid of an advanced occultist in his studies. This friend sent him, among others, the letters which, in the hope that they may assist others as they have the original recipient, are here published. They are not exhaustive treatises; they are hints given by one who knew that the first need of a student is to learn how to think.”

William Quan Judge (1851–1896) American occult writer

Preface to Volume 1
Letters That Have Helped Me (1891)

Thinking , Study , Hope , Learning

“There was a nation among the nations, which was a sort of elder brother in this family of the oppressed, a prophet in the human tribe. This nation took the initiative of the whole human movement. It went on, saying, "Come!" and the rest followed. As a complement to the fraternity of men, in the Gospel, it taught the fraternity of nations. It spoke by the voice of its writers, of its poets, of its philosophers, of its orators, as by a single mouth, and its words flew to the extremities of the earth, to rest, like tongues of fire, upon the brow of all nations. It presided over the communion of intellects.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Napoleon the Little (1852), Conclusion, Part Second, I
Napoleon the Little (1852)

Family , Men

“Many of the novels read in isolation can seem like lumber-rooms of ideas, cluttered and over-complex, as if attempting too much at once. Perhaps the fault lies in market circumstances and the terse Ace format for which Dick wrote. One could also argue that Dick's novels were a quarter the length they ought to have been to contain such complexity and richness. Even so, the marvellous, multi— levelled web of themes and concerns which emerges from this process of condensation gives Dick's work its specific feel, the very thing that makes it unique. Unrevised, eccentric and extravagant — even so, it's not too much to claim that Dick is perhaps the first real genius to have worked in the science-fictional mode since the days of Stapledon, a hybrid of Dickens and Dostoevsky, possessed of the comic delights and tragic depths of both, yet choosing work where his eccentricities were cherished. In any case, like so many SF writers, he learned to love the genre through the magazines long before his literary tastes were formed. He never quite recovered from that first infatuation with the forbidden van Vogtian delights.”

Philip K. Dick (1928–1982) American author

Брайан Олдисс, «Кутёж на триллион лет»

Science , Reading , Learning , Idea

“This age proclaims the sovereignty of the citizen, and the inviolability of life; it crowns the people, and consecrates man. In art, it possesses all varieties of genius,—writers, orators, poets, historians, publicists, philosophers, painters, sculptors, musicians; majesty, grace, power, force, splendour, colour, form, style; it renews its strength in the real and in the ideal, and bears in its hand the two thunderbolts, the true and the beautiful. In science it accomplishes unheard-of miracles; it makes of cotton salt petre, of steam a horse, of the voltaic battery a workman, of the electric fluid a messenger, of the sun a painter; it waters itself with subterranean streams, pending the time when it shall warm itself with the central fire; it opens upon the two infinites those two windows, the telescope upon the infinitely great, the microscope upon the infinitely little, and it finds stars in the first abyss, and insects in the second, which prove to it the existence of God... It annihilates time, it annihilates space, it annihilates suffering; it writes a letter from Paris to London, and has an answer in ten minutes; it cuts off a man's leg, the man sings and smiles.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Conclusion, Part Second, II
Napoleon the Little (1852)

Singing , God , Time , Sun

“DESOLATE are the mansions of the fair, the stations in Minia, where they rested, and those where they fixed their abodes! Wild are the hills of Goul, and deserted is the summit of Rijaam.
The canals of Rayaan are destroyed: the remains of them are laid bare and smoothed by the floods, like characters engraved on the solid rocks.
Dear ruins! Many a year has been closed, many a month, holy and unhallowed, has elapsed, since I exchanged tender vows with their fair inhabitants!
The rainy constellations of spring have made their hills green and luxuriant: the drops from the thunder-clouds have drenched them with profuse as well as with gentle showers:
Showers, from every nightly cloud, from every cloud veiling the horizon at day-break, and from every evening cloud, responsive with hoarse murmurs.
Here the wild eringo-plants raise their tops: here the antelopes bring forth their young, by the sides of the valley: and here the ostriches drop their eggs.
The large-eyed wild-cows lie suckling their young, a few days old—their young, who will soon become a herd on the plain.
The torrents have cleared the rubbish, and disclosed the traces of habitations, as the reeds of a writer restore effaced letters in a book;
Or as the black dust, sprinkled over the varied marks on a fair hand, brings to view with a brighter tint the blue stains of woad.
I stood asking news of the ruins concerning their lovely habitants; but what avail my questions to dreary rocks, who answer them only by their echo?”

Labīd (560–661) Sahabah and poet

Translated by C. J. Lyall, quoted in Arabian Poetry, p. 41-42. First Stanza, lines 1-10 https://archive.org/details/arabianpoetryfo00clougoog/page/n127/mode/2up
The Poem of Labīd (translated by C. J. Lyall in 1881)

Question , Spring , Lie , Books

“There’s nothing better for a writer than to be reluctant to go to bed, anxious to wake up and start again. That’s living. That’s what I felt.”

Shelby Foote (1916–2005) Novelist, historian

Interview for the People Magazine, 1990

“When I was a hardworking, pistol-hot writer, I was unknown. Now that I’m a tired old man, they start hollerin’ how good I am. I’m not going to analyze what that all means. I’m just determined not to let it turn my life into something I don’t want it to be.”

Shelby Foote (1916–2005) Novelist, historian

Interview for the People Magazine, 1990

Life

“I like ghosts as a metaphor for the outsider. I wish they were real; that would be my preferred afterlife plan. I'd love to observe and haunt with little involvement—I guess that's what being a writer is.”

Porochista Khakpour (1978) American writer

On the appearance of ghosts in Sick in “'THIS BOOK KEPT ME ALIVE': A CONVERSATION WITH POROCHISTA KHAKPOUR” https://psmag.com/social-justice/this-book-kept-me-alive-a-conversation-with-porochista-khakpour in Pacific Standard (2018 Jun 5)

Love , Making love

“You're not from New York, are you? You can't be from New York. Well, when I broke in, I didn't know many people by name so I would just say, "Say, hey," and the writers picked that up. The writers here in New York can make anything happen, so they made that happen.”

Willie Mays (1931) Baseball player

As quoted in "Sports of the Times: The Most Natural Ballplayer" https://news.google.com/newspapers?id=UVUcAAAAIBAJ&sjid=p1EEAAAAIBAJ&pg=6465%2C2456085&dq=who%27s-best-ever-aside-yourself-next-roberto by Dave Anderson, in The New York Times (January 24, 1979)

Making love , People

“I learned to pay attention to the readers and not to the madness…Because to be a writer in Turkey is a bit like being kissed on one cheek and slapped on the other.”

Elif Shafak (1971) Turkish writer

On focusing on her readership in “Elif Shafak: ‘I thought the British were calm about politics. Not any longer’” https://www.theguardian.com/books/2019/sep/16/elif-shalak-i-thought-the-british-were-calm-about-politics-booker-prize-shortlist in The Guardian (2019 Sep 16)

Madness , Kiss , Learning

“The English constitution was excellent until removed by foreign writers into the domain of theory, when in direct contradiction with its nature and origin it came to be admired as a common representative government.”

John Dalberg-Acton, 1st Baron Acton (1834–1902) British politician and historian

Private journal (1858), quoted in Gertrude Himmelfarb, Lord Acton: A Study in Conscience and Politics (1952), p. 70

Nature

“I don’t think that girls would ever have wanted a grey-haired, wrinkly writer as a role model if they were wanting to feel good about maybe being gay…I’m sure they could find much more glamorous examples.”

Jacqueline Wilson (1945) novelist

On why she never wrote a children’s or young adult book addressing gayness in “Jacqueline Wilson: 'I've never really been in any kind of closet'” https://www.theguardian.com/books/2020/apr/04/jacqueline-wilson-ive-never-really-been-in-any-kind-of-closet in The Guardian (2020 Apr 4)

Girl , Thinking , Feeling

“Public servants are not entitled to abuse their power to do anything illegal.
Writers are not supposed to misuse their flair to elicit evil thoughts.
Professionals are never easy to cultivate.
Immoral is one when he applies his knowledge to the breachment of morality and law.”

Deng Feng-Zhou (1949) Chinese poet, Local history writer, Taoist Neidan academics and Environmentalist.

(zh-TW) 持槍作盜進行侵，利筆文章誨殺淫。
技藝人才培不易，植因造業孽緣深。

"Professional morality" (專業道德)

Source: Deng Feng-Zhou, "Deng Feng-Zhou Classical Chinese Poetry Anthology". Volume 6, Tainan, 2018: 84.

Knowledge , Law , Evil

“I'm sometimes asked how I would like to be remembered. I've had a diverse career as a writer, underwater explorer, space promoter and science populariser. Of all these, I want to be remembered most as a writer — one who entertained readers, and, hopefully, stretched their imagination as well.”

Arthur C. Clarke (1917–2008) British science fiction writer, science writer, inventor, undersea explorer, and television series host

2000s and posthumous publications, 90th Birthday Reflections (2007)

Science , Imagination

“Unhappy writer, you had dreamt of winning souls and you have won nothing but ears!”

Léon Bloy (1846–1917) French writer, poet and essayist

Source: Pilgrim of the Absolute (1947), p. 36

Soul

“It was my fortune, or misfortune, to be called to the office of Chief Executive without any previous political training. From the age of 17 I had never even witnessed the excitement attending a Presidential campaign but twice antecedent to my own candidacy, and at but one of them was I eligible as a voter.
Under such circumstances it is but reasonable to suppose that errors of judgment must have occurred. Even had they not, differences of opinion between the Executive, bound by an oath to the strict performance of his duties, and writers and debaters must have arisen. It is not necessarily evidence of blunder on the part of the Executive because there are these differences of views. Mistakes have been made, as all can see and I admit...”

Ulysses S. Grant (1822–1885) 18th President of the United States

1870s, Eighth State of the Union Address (1876)

Training , Age , Error , Parting

“To whom it may concern: the present writer, at any rate, is neither a Hindu nor a nationalist.”

Koenraad Elst (1959) orientalist, writer

Source: 2000s, Asterisk in bharopiyasthan: Minor writings on the Aryan invasion debate (2007)

“For me it's always been the visitation of characters. Since I was very young l've thought there is a natural creative spirit, a very romantic spirit, that we have within. That spirit seeks expression. It exists in those of us who want to be writers, or think that we are going to be writers; who want to write poetry, to write stories, to jump into novels. But that spirit, that energy, has to be channeled. I think a great deal of channeling for me has to do with the very strong characters that come to me and demand that their stories be told.”

Rudolfo Anaya (1937) Novelist, poet

On his writing inspiration in “Interview with Rudolfo Anaya” https://ebuah.uah.es/dspace/bitstream/handle/10017/4986/Interview%20with%20Rudolfo%20Anaya.pdf?sequence=1&isAllowed=y (CARMEN FLYS JUNQUERA, Universidad de Alcalá de Henares)

Strong , Thinking , Nature

“Playwrights are the most gregarious writers—to get our work done, we need actors, directors, set designers. So whenever I have to go back into my writing cocoon, I get a little scared to be alone. But that's when the voices come to you. Silence is the start.”

Katori Hall (1981) American playwright

On needing solitary time to produce works in “5 Ways Katori Hall Gave In to Life, Love and Her Own Creativity” http://www.oprah.com/spirit/katori-hall-playwright-interview-the-mountaintop-play#ixzz65lY0pzMR in O Magazine

Silence

“I always say that I’m a writer who writes more from place than race.”

Katori Hall (1981) American playwright

On the theme that she most explores in “Art Talk with Playwright Katori Hall” https://www.arts.gov/art-works/2015/art-talk-playwright-katori-hall (National Endowment of the Arts; 2015 May 28)

“… In a way, the author is a writer's public persona. The writer, however, is a private person. Anyone who expresses life's experiences--their own or someone else's--in writing is a creative writer, and for him or her, the most important concern, the passion, is the writing itself…”

Lucha Corpi (1945)

On how she defines “author” in “Interview with Mystery Author Lucha Corpi” http://latinola.com/story.php?story=8074 in ¡Latino LA! (2009 Dec 4)

Passion , Personality , Life , Way

“I’m a magician who writes about ideas. I’m not a science-fiction writer. People who call me that are wrong. Most of what I write is fantasy or magic realism or plays about my Mexican-American background.”

Ray Bradbury (1920–2012) American writer

Bradbury Talk Likely to Feature the Unexpected (1994)

Idea , Science , People

“As a writer, I'm trying to capture the voice of my characters, who sometimes will speak in Spanglish…”

Gary Soto (1952) American poet and writer

[Often my characters—a Jesus, a Hector, a Gloria—will be bilingual, or if not bilingual at least know enough Spanish to throw words and phrases into conversation.]

On his characters being bilingual in “In-depth Written Interview with Gary Soto” https://www.teachingbooks.net/interview.cgi?a=1&id=47 in Teaching Books (2007 Aug 29)

“…I have discovered that plays are easier to write than novels if the writer has a certain verbal facility, a certain capacity for the colloquial, an ear for the secret cadences of the spoken word. A play can be written with more ease than a novel…”

Luis Rafael Sánchez (1936) Puerto Rican playwright and novelist

On plays versus novels in “Luis Rafael Sánchez: Counterpoints" https://ufdc.ufl.edu/UF00096005/00024/14j (Sargasso, 1984)

Secret

“…There's no secret, no shortcut. Once you accept that being a writer or a creator is just really hard and takes a lot of hours of slogging through crappy first drafts, you just keep producing, and then you turn around and it's done. That's the magic.”

Esperanza Spalding (1984) American jazz bassist and singer

On becoming a writer in “Esperanza Spalding Talks Recording an Album in 77 Hours, Sexism in Music & Nicki Minaj” https://www.billboard.com/articles/columns/pop/7973640/esperanza-spalding-77-hours-livestream-album-interview in Billboard (2017 Sep 22)

Secret

“…there should be an absolute identification between the individual's experience and the writer's so that [experience] serves as the starting point for being able to write a short story or a novel later on…”

Rosario Ferré (1938–2016) Puerto Rican writer

On not wanting to be deemed a woman author (as quoted in “ROSARIO FERRE: THE VANGUARD OF PUERTO RICAN FEMINIST LITERATURE” http://smjegupr.net/wp-content/uploads/2015/06/19.-Rosario-Ferr---The-Vanguard-of-Puerto-Rican-Feminist-Literature-por-Suzanne-S.-Hintz.pdf)

“Spoken Word poetry is an art form that fits me well because it enables me to bring all the layers of who I am into one space — A reader, writer, and performer…”

Raymond Antrobus (1986)

On his preferred poetry style in “Prose Interviews London Poet Raymond Antrobus” https://medium.com/prose-matters/prose-interviews-london-poet-raymond-antrobus-c0e1fdf720b9 in Medium Magazine (2016 Mar 30)

Art

“The truth of a story is what the novelist strives for, and quite often the writer is taken down strange and unexpected paths on this search.”

Madeleine L'Engle (1918–2007) American writer

Source: The Rock that Is Higher (1993)

Truth , Search

“I would not be like those Authors, who forgive themselves some particular lines for the sake of a whole Poem, and vice versa a whole Poem for the sake of some particular lines. I believe no one qualification is so likely to make a good writer, as the power of rejecting his own thoughts.”

Alexander Pope (1688–1744) eighteenth century English poet

Preface
The Works of Mr. Alexander Pope (1717)

Forgiveness , Making love

“[T]he great Distributing House or Department Store... may be permitted to represent the modern spirit of organization. It is to the writer the most interesting of all forms of business, and by its constant and necessary publicity it occupies perhaps the most conspicuous place in the public mind. It usually employs the greatest number of people... It frequently... pays out in salaries and wages a larger sum weekly than any other single business, and is more often approached by those seeking opportunity to work than any other. Its daily transactions are large in volume, its cash handled is very great. It is intimately associated with every family in the community in supplying them with the necessities of life, and thus... enters into the daily life of the city in which it is.”

Harry Gordon Selfridge (1858–1947) America born English businessman

The Romance of Commerce (1918), A Representative Business of the Twentieth Century

Family , Housing , Business , People

“[T]he artist sells the work of his brush and in this he is a merchant. The writer sells to any who will buy, let his ideas be what they will. The teacher sells his knowledge of books—often in too low a market—to those who would have this knowledge passed on to the young.
The doctor... too is a merchant. His stock-in-trade is his intimate knowledge of the physical man and his skill to prevent or remove disabilities. ...The lawyer sometimes knows the laws of the land and sometimes does not, but he sells his legal language, often accompanied by common sense, to the multitude who have not yet learned that a contentious nature may squander quite as successfully as the spendthrift. The statesman sells his knowledge of men and affairs, and the spoken or written exposition of his principles of Government; and he receives in return the satisfaction of doing what he can for his nation, and occasionally wins as well a niche in its temple of fame.
The man possessing many lands, he especially would be a merchant... and sell, but his is a merchandise which too often nowadays waits in vain for the buyer. The preacher, the lecturer, the actor, the estate agent, the farmer, the employé, all, all are merchants, all have something to dispose of at a profit to themselves, and the dignity of the business is decided by the manner in which they conduct the sale.”

Harry Gordon Selfridge (1858–1947) America born English businessman

The Romance of Commerce (1918), Concerning Commerce

Waiting , Law , Business , Learning

“As a writer, I think I’m more an eye than an ear — the world comes mainly in for me at the eye. So I’m glad the visuals came through for you. As I’m writing my books, I really do see them almost literally — I experience scenes almost as an onlooker, watching from the outside.”

Donna Tartt (1963) American writer

Source: On how she uses visualization in her writings in “Interview with Donna Tartt” https://medium.com/@Powells/interview-with-donna-tartt-8d86a2438b41 in Medium (2015 Jul 13)

World , Thinking , Books

“I don’t think it’s a good idea for a writer to psychoanalyze herself or try to explain why she writes what she writes—it’s a reductive way of looking at oneself and one’s work. Readers really participate in the writing of a book. As a writer I’m giving the reader signs to help create the story with me. The reader is bringing his or her own memories, intelligence, preconceptions, prejudices, likes, dislikes. So the characters in your copy of the book are going to look and sound different than in mine. I have my own ideas, but once the book is out there it’s not really mine anymore, and my own idea isn’t any more valid than yours. And then I begin the long process of disengaging.”

Donna Tartt (1963) American writer

On how writers should avoid analyzing their own work in “Donna Tartt on The Goldfinch, Inspiration, and the Perils of Literary Fame” https://www.townandcountrymag.com/leisure/arts-and-culture/a29022016/donna-tartt-goldfinch-interview/ in Town & Country (2019 Sep 12)

Intelligence , Help , Thinking , Books

“[T]he government of the world is carried on by Sovereigns and statesmen, and not by anonymous paragraph writers, or by the harebrained chatter of irresponsible frivolity.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Source: Speech in the Guildhall, London (10 November 1878), quoted in The Times (11 November 1878), p. 10

World

“I'm just an alcoholic who became a writer so that I would be able to stay in bed until noon.”

Charles Bukowski (1920–1994) American writer

Source: Jsem jen alkoholik, co se stal spisovatelem, aby mohl zůstat v posteli do poledne.

“Etymologically, patient means sufferer. It is not suffering as such that is most deeply feared but suffering that degrades. That illness can be not an epic of suffering but the occasion of some kind of self-transcendence is affirmed by sentimental literature and, more convincingly, by case histories offered by doctor-writers. Some illnesses seem more apt than others for this kind of meditation.”

Susan Sontag book AIDS and Its Metaphors

Source: AIDS and Its Metaphors, (1989), ch. 4, p. 125, Farrar, Straus and Giroux ISBN 0-312-42013-7 ; later published in combination with Illness As Metaphor. This combined edition is the one referenced here.

History , Suffering , Self-confidence , Literature

“Flesh foods are coming to be recognised more and more by physicians, teachers, writers, and progressive and scientific people generally, as being not only unnecessary and immoral, but as actually inhibitory of the highest efficiency and well-being in man himself. The meat fetish is nothing but an idol, a delusion pure and simple, which has been foisted upon us, like so many other delusions, by tradition, and the time is not far distant when it will be recognised as such by all who really think.”

J. Howard Moore (1862–1916)

Source: The New Ethics (1907), The Food of the Future, p. 132

Time , Food , People , Teachers

“Writing is, therefore, both a form of compulsive behavior and, I frequently tell people, a self-induced form of mental illness. Those few writers who don’t start off by being a little nuts soon get that way as a direct result of their vocation.”

Larry Niven book N-Space

Tom Clancy, Introduction: The Maker of Worlds (p. 1)
Short fiction, N-Space (1990)

Way , Self-confidence , Behavior , People

“As a director, I was able to journey into these plays, find myself, and realise the worlds the playwrights have written…I find my inspiration and my passion in other writers and their versions of this country and this world.”

Chay Yew (1975) Singaoprean playwriter

On directing versus playwriting in “Artistic director Chay Yew: ‘Audiences come here wanting a dialogue about America’” https://www.thestage.co.uk/features/interviews/2019/artistic-director-chay-yew-audiences-come-here-wanting-to-have-a-dialogue-about-america/ in The Stage (2019 Aug 5)

Passion , World , Country

“The most essential gift for a good writer is a built-in, shock-proof, shit detector. This is the writer's radar and all great writers have had it.”

Ernest Hemingway (1899–1961) American author and journalist

Paris Review interview (1958)

“If you wish to be a writer, write.”

Epictetus (50–138) philosopher from Ancient Greece

“Although no credible evidence exists that the speed of light can be exceeded, writers are willing to embrace the possibility that light might be outpaced somehow.”

James Nicoll (1961) Canadian fiction reviewer

Never underestimate the persuasive power of somehow.
2010s

Light , Speed

“No matter how various the subject matter I write on, I was a science-fiction writer first and it is as a science-fiction writer that I want to be identified.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

In Joy Still Felt (1980), pp. 286-287
General sources

Science

“Writers are a sorry lot. The best you can say of them is that they are better than actors and that's not much.”

John Steinbeck book The Acts of King Arthur and His Noble Knights

Appendix, letter to Chase Horton (8 June 1959)
The Acts of King Arthur and His Noble Knights (1976)

“I always like to maintain that I am a writer first and then a director. But unfortunately, I am not known as much as a writer. I am a first-class writer and a second-class director.”

Sai Paranjpye (1938) Indian film director

The Hindu article by Arti Das - I am a first-class writer and a second-class director: Sai Paranjpye https://www.thehindu.com/entertainment/movies/i-am-a-first-class-writer-and-a-second-class-director-sai-paranjpye/article26606850.ece - 23 March 2019 - Archive https://web.archive.org/web/20210901092539/https://www.thehindu.com/entertainment/movies/i-am-a-first-class-writer-and-a-second-class-director-sai-paranjpye/article26606850.ece
Quotes from Sai Paranjpye

Quotes about writer page 19

Quotes about writer
page 19